Folder 15 includes born-digital material. See ER04.
Folder 15 contains one electronic disc (cd) not transferred. Packaging was unopened.
Container:
Box 4, Folder 12-15
Type:
Archival materials
Sound tape reels
Sound cassettes
Videocassettes (minidv)
Date:
circa 1966
2005-2006
Scope and Contents:
Many recordings involve Senga Nengudi. One is labeled "Native Am. Senga @ Powwow" (Folder 15).
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Maren Hassinger papers, 1955-2018. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Henry Luce Foundation.
Postcards, some postmarked, with images of Apache, Hopi, Seminole, Sioux, Minneconjou, and other Native Americans. They include images of Apache men at a powwow near a mud house in Yuma, Arizona; the Hopi House at the Grand Canyon; a blanket weaver at Hopi House; a street scene from Pueblo Acoma; a Seminole wedding in Fort Lauderdale, Florida; women with leatherwork, baskets, and blankets; a horse-drawn travois used in a parade at the Annual Crow Indian Fair; Sioux people and tipis at Frontier Days in Cheyenne, Wyoming; Apache chief James A. Garfield, Ute Chief Sevaro and his family; and Iron Hail (also known as Dewey Beard (Minneconjou).
Biographical/Historical note:
Thomas Howard Woody (1935-2011) was a professor of sculpture at the University of South Carolina, co-author of several books on South Carolina history and postcards, and an avid collector of postcards. He received his undergraduate degree from Richmond Professional Institute and a master's degree from East Carolina University. Retiring after a 46-year long career at the University of South Carolina, he was awarded the title Distinguished Professor Emeritus.
Local Call Number(s):
NAA Photo Lot 92-37
Location of Other Archival Materials:
The National Anthropological Archives holds the Albertype Company Native American and Hawaiian photographs (Photo Lot 25).
Additional E.C. Kropp Co., Curt Teich, Detroit Photographic Company, and Fred Harvey postcards held in National Museum of American History Archives Center in the Victor A. Blenkle Postcard Collection.
Additional Detroit Photographic Company photographs held in National Anthropological Archives Photo Lot 24, Photo Lot 59, MS 4510, and MS 4559.
Copies of photographs mostly depicting Sun Dances on the Pine Ridge and Rosebud Indian Reservations. They depict Oglala, Dakota, and other Siouan Indians, encampments, wagons, tipis, and a powwow.
Biographical/Historical note:
Stephen E. Feraca was an employee of the Department of the Interior, based at the Pine Ridge Reservation in South Dakota. He earned a masters degree from Columbia University (ca. 1957); his thesis was titled "The contemporary Teton Sioux Sun Dance." He also authored the book Wakinyan: Lakota Religion in the Twentieth Century, University of Nebraska Press, 1998. Feraca retired from the Department of the Interior in 1985.
Local Call Number(s):
NAA Photo Lot R92-49
Reproduction Note:
Copy slides made by Smithsonian Institution, 1989.
Location of Other Archival Materials:
Correspondence from Feraca held in the National Anthropological Archives in the James Henri Howard Papers.
Provenance:
Originals loaned for copying by Stephen Feraca through Joallyn Archambault, 1989.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Contact the repository for terms of use and access.
Copies of photographs depicting American Indian gatherings, including those at Pine Ridge and Chicago American Indian Center Exposition. Additionally, there are images of Sioux, Winnebago, and Navajo artifacts and art, and historical sites relating to Chief Red Cloud. Also included are photographs of Kiowa Indians, made by Kiowa photographer Horace Poolaw.
Local Call Number(s):
NAA Photo Lot R74-12
Reproduction Note:
Copy prints and negatives prepared by Smithsonian Institution, 1974.
Location of Other Archival Materials:
Photographs by John O'Leary can also be found in the National Anthropological Archives in Photo Lot 81-72.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes. Copies can be made only with permission of John O'Leary.
Indians of North America -- Great Plains Search this
Type:
Collection descriptions
Archival materials
Copy color slides
Photographs
Date:
circa 1963-1986
Scope and Contents note:
Photographs depicting Arthur Amiotte's artwork, including stitchery and quilts, clothing and mocassins, wall hangings, and paintings. The collection also includes some images of exhibits of Amiotte's work, a powwow, and scenic views of the Great Plains area.
Biographical/Historical note:
Born in 1942 and raised on the Pine Ridge Reservation, Arthur Amiotte is an Oglala painter, collage and fiber artist, lecturer, and author. Influenced by Native artist Oscar Howe, Amiotte's art is based on Oglala tradition and culture.
Local Call Number(s):
NAA Photo Lot 88-1, NAA ACC 89-13
Reproduction Note:
Copy slides made by Smithsonian Institution, 1987.
Location of Other Archival Materials:
Artwork by Amiotte can be found in the National Anthropological Archives in American Indian Social and Political memorabilia.
The Archives of American Art holds audio recording of an oral history interview with Amiotte.
Images of Pee Dee, Edisto, Santee and Catawba people, Native American churches and religious practices, powwows, pottery and pottery making, and the interior of a home at Four Holes Indian Community. The photographs are part of a portfolio that also includes a brochure, entitled "Sara Ayers: the Most Noted Catawba Potter" and an exhibit guide, entitled "Contemporary Native Americans in South Carolina: A Photo Documentation Covering the Years 1983-1985," both illustrated by Gene Crediford photographs.
Biographical/Historical note:
Gene J. Crediford is Professor Emeritus of Anthropology at the University of South Carolina and a professional photographer. He previously taught in the Department of Media Arts at the University of Southern California, and has authored and illustrated books. His photographs have been exhibited in Pennsylvania, South Carolina, North Carolina, and West Virginia.
Local Call Number(s):
NAA Photo Lot 89-31
Location of Other Archival Materials:
The Thomas Cooper Library at the University of South Carolina holds photographs by Crediford.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Photographs are under copyright by the photographer.
