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Native Pride Dancers

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2012-11-09T17:25:24.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
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Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_2ojOuqw230U

Native Pride Dancers

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2012-11-09T19:23:37.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
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Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
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Comanche Nation Festival 6 - Powwow

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2014-12-18T16:48:43.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
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Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_TihY0_QpHV4

LIving Earth Festival: The Pokagon Drum & Dance Troupe 1

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2014-07-28T13:28:02.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
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Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_XJbVBceSf1E

Taíno Symposium – Session 1 – Jorge Estévez

Creator:
National Museum of the American Indian  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2019-06-04T19:48:32.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
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Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt__GJvoODyGBw

Comanche Nation Festival 5 - Posting of Colors and Grand Entry

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2014-12-18T16:48:43.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
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SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_fHwRQh5J9Jk

Dance Shawl

Collector:
Randi Korn  Search this
Donor Name:
Randi Korn  Search this
Length - Excluding Fringe:
152 cm
Width - Excluding Fringe:
165 cm
Culture:
Wichita  Search this
Object Type:
Dance Garment
Place:
Anadarko, Caddo County, Oklahoma, United States, North America
Accession Date:
28 Mar 2008
Collection Date:
1982
Topic:
Ethnology  Search this
Accession Number:
2046066
USNM Number:
E433290-0
See more items in:
Anthropology
Data Source:
NMNH - Anthropology Dept.
GUID:
http://n2t.net/ark:/65665/3300001ff-862a-47be-8abf-0012ce77bc78
EDAN-URL:
edanmdm:nmnhanthropology_11255589
Online Media:

LIving Earth Festival: The Pokagon Drum & Dance Troupe 2

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2014-07-28T13:40:37.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
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SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_xv1yrdUzrRg

Alfred Tamarin photographs for We Have not Vanished

Creator:
Tamarin, Alfred H.  Search this
Extent:
425 Negatives (photographic) (black and white, 35mm, 120 film)
65 Photographic prints (black and white, 8x10)
Culture:
Passamaquoddy  Search this
Mashpee Wampanoag  Search this
Narragansett  Search this
Cayuga [Six Nations/Grand River (Brantford, Ontario)]  Search this
Mohawk [Akwesasne (St. Regis), Hogansburg, New York]  Search this
Seneca  Search this
Lenape (Delaware)  Search this
Nanticoke  Search this
Nanticoke [Six Nations/Grand River (Brantford, Ontario)]  Search this
Pamunkey  Search this
Chickahominy  Search this
Eastern Band of Cherokee  Search this
Seminole  Search this
Southeast  Search this
Mid-Atlantic  Search this
Northeast  Search this
Type:
Collection descriptions
Archival materials
Negatives (photographic)
Photographic prints
Negatives
Copy prints
Date:
1970-1971
Summary:
The Alfred Tamarin photograph collection consists of negatives and contact prints shot by Tamarin in 1971 during research for his publication We Have not Vanished: Eastern Indians of the United States. Tamarin made photographs among the Passamaquoddy, Mashpee Wampanoag, Narragansett, Cayuga [Six Nations/Grand River (Brantford, Ontario)], Mohawk [Akwesasne (St. Regis), Hogansburg, New York], Seneca, Lenape (Delaware), Nanticoke, Pamunkey, Chickahominy and Eastern Band of Cherokee communities, capturing both events and craftspeople at work.
Scope and Contents:
The Alfred Tamarin photograph collection consists of negatives and contact prints shot by Tamarin during research for his publication We Have not Vanished: Eastern Indians of the United States. In addition to Tamarins own photographs there are also 8x10 black and white prints from other sources used in the same publication.

Series 1: Reasearch Negatives includes photographic negatives made by Tamarin which were shot on 35mm film and 120 (6x6) film and have accompanying contact sheets. Most of the negatives were shot in 1971 along the east coast of the United States in Maine, Rhode Island, New York, New Jersey, Maryland, Virginia as well as in Ontario, Canada and at the Heard Fair in Phoenix, Arizona. Tamarin made photographs among the Passamaquoddy, Mashpee Wampanoag, Narragansett, Cayuga [Six Nations/Grand River (Brantford, Ontario)], Mohawk [Akwesasne (St. Regis), Hogansburg, New York], Seneca, Lenape (Delaware), Nanticoke, Pamunkey, Chickahominy and Eastern Band of Cherokee communities, capturing both events and craftspeople at work.

Events of note photographed include--the Monroe Powwow sponsored by Lenape (Delaware) Chief Earl Two Bears and a Narragansett anniversary celebration. There are also several photographs featuring Chief Jake Thomas (Ha-da-jib-ghen-ta [Descending Cloud]/Jacob Ezra Thomas) and his daughter Donna Thomas during a mask making demonstration in Brantford, Ontario. At the time, Chief Thomas was a museum preparator at the Mohawk Indian Woodland Indian Cultural.

Series 2: Publication Prints includes 65 8x10 black and white photographic prints and copy prints. Subseries 2.1 includes 19 prints from Tamarin's negatives that can be found in Series 1. Subseries 2.2 includes copy prints requested from outside photographer and institutions for use in We Have Not Vanished. These include photographs from the Bureau of Indian Affairs, Florida News Bureau, Indian Arts and Crafts Board, Maine State Highway Commission, and National Anthropological Archives (Smithsonian Institution).
Arrangement:
Arranged in two series. Series 1: Research Negatives and Series 2: Publication Prints.
Biographical / Historical:
Alfred Tamarin (1913-1980) was born in New York to parents Abraham and Fannie. Tamarin worked in publicity and advertising for theatre and film until the 1960s. During that time he worked for the Theatre Guild, United Artists Corporation and was also a founder and vice president of In Flight Motion Pictures Inc. After marrying his second wife Shirley Glubok in 1968, Alfred began his second career as a photographer for a series of art books written by Shirley. Alfred also wrote several books himself including We Have not Vanished: Eastern Indians of the United States (1974). We Have not Vanished was illustrated with photographs taken by Alfred in 1970-1971 among several Native American communities along the East Coast of the United States. Other books written by the Tamarins include Ancient Indians of the Southwest (1975), The Art of the Plains Indians (1975), Voyaging to Cathay (1976), among many others. Shirley Glubok Tamarin donated Alfred's materials related to We Have not Vanished to the Museum of the American Indian, Heye foundation in 1985 following Alfred's death in 1980.
Provenance:
Gift of Shirley Glubok Tamarin, 1985.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Images in Subseries 2.2: Copy prints from other sources are not owned by the National Museum of the American Indian.
Genre/Form:
Photographic prints
Negatives
Copy prints
Citation:
Identification of specific item; Date (if known); Alfred Tamarin photographs for We Have not Vanished, image #, NMAI.AC.376; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.376
See more items in:
Alfred Tamarin photographs for We Have not Vanished
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4e3e6f8d7-c04d-46c3-989e-ccf7043e6b93
EDAN-URL:
ead_collection:sova-nmai-ac-376

Research Negatives

Collection Creator:
Tamarin, Alfred H.  Search this
Extent:
425 Negatives (photographic) (black and white, 35mm, 120 film)
Container:
Box 1
Type:
Archival materials
Negatives
Negatives (photographic)
Date:
1970-1971
Scope and Contents:
Series 1 includes photographic negatives made by Tamarin which were shot on 35mm film and 120 (6x6) film and have accompanying contact sheets. Most of the negatives were shot in 1971 along the east coast of the United States in Maine, Rhode Island, New York, New Jersey, Maryland, Virginia as well as in Ontario, Canada and at the Heard Fair in Phoenix, Arizona. Tamarin made photographs among the Passamaquoddy, Mashpee Wampanoag, Narragansett, Cayuga [Six Nations/Grand River (Brantford, Ontario)], Mohawk [Akwesasne (St. Regis), Hogansburg, New York], Seneca, Lenape (Delaware), Nanticoke, Pamunkey, Chickahominy and Eastern Band of Cherokee communities, capturing both events and craftspeople at work.

Sheets 1-11 (35mm) include--photographs of Chief Jake Thomas (Ha-da-jib-ghen-ta [Descending Cloud]/Jacob Ezra Thomas) and his daughter Donna Thomas during a dance demonstration with Eugene Sky and a mask making demonstration in Brantford, Ontario; images of Mohawk [Awkwesasne] basket weaver Katie Thompson; views in Massachusetts at Mashpee and Martha's Vineyard and in Pleasant Point Maine on the Passamaquoddy Nation; Monroe Powwow in East Brunswick, New Jersey sponsosored by Chief Earl Two Bears.

Sheets 12-18 (120) include--Heard Indian Fair in Phoenix, Arizona; images of Nanticoke Chief Charles Cullen Clark; views on the Pamunkey and Chickahominy reservations in Virginia; views of Eastern Band of Cherokee headquarters in North Carolina.
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Images in Subseries 2.2: Copy prints from other sources are not owned by the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Alfred Tamarin photographs for We Have not Vanished, image #, NMAI.AC.376; National Museum of the American Indian Archives Center, Smithsonian Institution.
Identifier:
NMAI.AC.376, Series 1
See more items in:
Alfred Tamarin photographs for We Have not Vanished
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4aa11cebc-0fdf-48b4-bf00-e9fb58e9a2ff
EDAN-URL:
ead_component:sova-nmai-ac-376-ref1

Songs and Dances of the Great Lakes Indians

Recorder:
Kurath, Gertrude Prokosch  Search this
Producer:
Kurath, Gertrude Prokosch  Search this
Performer:
Pamptopee, Betty  Search this
Roberts, Wilson, Wapanuetak  Search this
Lacasse, Fred  Search this
Shalifoe, Thomas, 1903-1986  Search this
Shagonaby, Susan  Search this
Kenosha, David, Oshawenimiki, 1893-1963  Search this
Albert, Whitney, Zhagezhin  Search this
Thomas, Eli Wassheshkom  Search this
Smoke, Percy, Kanat'he  Search this
Buck, Richard  Search this
Buck, Gordie  Search this
Buck, Morris  Search this
Lewis, Thomas  Search this
Miller, Huron  Search this
Lyons, Mrs.  Search this
Oshawenimiki  Search this
Blue Cloud  Search this
Kadega'ohiyaie  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
1 Phonograph record (analog, 33 1/3 rpm, 12 in.)
Culture:
Indians of North America  Search this
Americans  Search this
Fox  Search this
Ojibwa Indians  Search this
Ottawa Indians  Search this
Onondaga Indians  Search this
Iroquois Indians  Search this
Tutelo Indians  Search this
Seneca Indians  Search this
Type:
Archival materials
Phonograph records
Place:
Michigan
United States
Beartown (Mich.)
New York
Onondaga Indian Reservation (N.Y.)
Ontario
Canada
Six Nations Indian Reserve No. 40 (Ont.)
Iowa
Tama (Iowa)
Wisconsin
Lac du Flambeau (Wis.)
Baraga (Mich.)
Harbor Springs (Mich.)
Cross Village (Mich.)
Mikado (Mich.)
Isabella Reservation (Mich.)
Cattaraugus (N.Y.)
Date:
1956
Contents:
Buffalo head dance 1 ; Buffalo head dance 2 ; Bear claw or Grizzly bear dance ; Pipe of peace or Calumet dance ; Soldier or Victory round dance ; Love song for flute (6:15) -- Fish dance ; Pipe dance ; Powwow or Horse dance ; Forty-nine dance ; Oh Mary (5:11) --Deer song ; Catholic Ojibwa hymn (2:08) --War rally song ; Bear dance ; Eagle dance ; Maple sugar song ; Hoot owl song 1 (3:35) --Hoot owl song 2 ; Coon song ; Rabbit song ; Medicine song (4:48) --Grass dance song ; Drinking song (1:38) --Bear dance (2:18) -- Eagle dance (2:49) --Wasase rain dance or War dance (2:40) --Scalp dance (:56) --Corn dance (2:10) --Women's dance (3:34) --Fishing dance (3:45) --Stomp dance (3:12) -- Two future projects (1:12).
Track Information:
101 Buffalo Head Dance / Wilson, Wapanuetak Roberts. Drum,Water-drum. Fox language.

102 Fish Dance / Fred Lacasse. Drum. Ojibwa language.

103 Deer Song / Thomas Shalifoe. Ojibwa language.

103 Jesus Wegwissian / Thomas Shalifoe. Ojibwa language.

104 War Rally Song / Susan Shagonaby. Ottawa language.

104 Bear Dance / Oshawenimiki, David, Oshawenimiki Kenosha. Ottawa language.

105 Hoot Owl Song / Blue Cloud, Whitney, Zhagezhin Albert. Ottawa language.

106 Grass Dance Song / Eli Wassheshkom Thomas. Ojibwa language.

201 Bear Dance / Percy, Kanat'he Smoke. Drum. Onondaga language.

203 Wasase Rain Dance, War Dance / Richard Buck. Cayuga language.

209 Rituals to the Creator / Gordie Buck, Morris Buck. Cayuga language.

101 Bear Claw Dance, Grizzly Bear Dance / Wilson, Wapanuetak Roberts. Drum,Water-drum. Fox language.

101 Pipe of Peace Dance, Calumet Dance / Wilson, Wapanuetak Roberts. Drum,Water-drum. Fox language.

101 Soldier Dance, Victory Round Dance / Wilson, Wapanuetak Roberts. Drum,Water-drum. Fox language.

101 Love Song / Wilson, Wapanuetak Roberts. Flute. Fox language.

102 Pipe of Peace Dance / Fred Lacasse. Drum. Ojibwa language.

102 Horse Dance, Pow Wow Dance, Friendship Dance, War Dance / Fred Lacasse. Ojibwa language.

102 Forty-nine Dance / Fred Lacasse. Drum. Ojibwa language.

102 Oh Mary / Fred Lacasse. Ojibwa language.

104 Eagle Dance / Oshawenimiki, David, Oshawenimiki Kenosha. Ottawa language.

104 Maple Sugar Song / Oshawenimiki, David, Oshawenimiki Kenosha. Ottawa language.

104 Hoot Owl Song / Oshawenimiki, David, Oshawenimiki Kenosha. Ottawa language.

105 Coon Song / Blue Cloud, Whitney, Zhagezhin Albert. Ottawa language.

105 Rabbit Song / Blue Cloud, Whitney, Zhagezhin Albert. Ottawa language.

105 Medicine Song / Blue Cloud, Whitney, Zhagezhin Albert. Ottawa language.

106 Drinking Song / Eli Wassheshkom Thomas. Ojibwa language.

202 Eagle Dance / Percy, Kanat'he Smoke. Onondaga language.

204 Scalp Dance / Thomas Lewis. Onondaga language.

205 Corn Dance / Thomas Lewis. Onondaga language.

206 Women's Dance / Kadega'ohiyaie, Huron Miller. Onondaga language.

207 Fishing Dance / Kadega'ohiyaie, Huron Miller. Onondaga language.

208 Stomp Dance / Kadega'ohiyaie, Huron Miller. Onondaga language.

209 Wesleyan Hymn / Mrs. Lyons.

209 Owa bagish kichi ingodwok nijinishinabek (O for a thousand tongues) / Betty Pamptopee.
Local Numbers:
Folkways.4003; Folkways.1003

FW-COMM-LP-04003
Publication, Distribution, Etc. (Imprint):
New York Folkways 1956
Date/Time and Place of an Event Note:
Recorded in: Six Nations Indian Reserve No. 40 (Ont.), Canada, Ontario, Onondaga Indian Reservation (N.Y.), New York, Beartown (Mich.), United States, Michigan.
General:
Commercial

Track 102 Personnel: Fred Lacasse, George W. Brown, Sam Link, John Martin. Performed by members of native Indian tribes, principally with percussion acc. Production notes: Recorded in the United States and Canada by Gertrude Prokosch Kurath circa 1956.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
hymns  Search this
Musicals  Search this
Drum  Search this
Water-drum  Search this
Flute  Search this
Religion  Search this
Catholicism  Search this
Children  Search this
Christianity  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-COMM-LP-04003
See more items in:
Moses and Frances Asch Collection
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk559107b45-2bd0-4a42-a4f1-58a109d50d57
EDAN-URL:
ead_component:sova-cfch-asch-ref24603

Living Earth Festival 2015: Youghtanund Drum Group 2

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2015-07-22T18:28:05.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_nI-Fnop1ybw

Living Earth Festival 2017 - Powwow Sweat

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2017-07-19T17:16:55.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_R2rwfkBuA8c

Marisol

Collection Creator:
Stable Gallery  Search this
Container:
Box 2, Folder 9
Type:
Archival materials
Date:
1961-1965
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stable Gallery records, 1916-1999, bulk 1953-1970. Archives of American Art, Smithsonian Institution.
See more items in:
Stable Gallery records
Stable Gallery records / Series 2: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b90b509a-b41a-4774-895d-c05868156a96
EDAN-URL:
ead_component:sova-aaa-stabgall-ref51
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Marisol digital asset number 1

Living Earth Festival: Pokagon Drum and Dance Troupe

Creator:
National Museum of the American Indian  Search this
Type:
YouTube Videos
Uploaded:
2013-07-24T17:56:52.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_yy599ZHhXKE

Smithsonian Folklife Festival records: 1971 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Culture:
Areyto  Search this
Moko Jumbie Dance  Search this
Type:
Collection descriptions
Archival materials
Videotapes
Audiotapes
Audiocassettes
Contracts
Memorandums
Correspondence
Business records
Notes
Plans (drawings)
Digital images
Video recordings
Slides (photographs)
Negatives
Photographic prints
Sound recordings
Place:
Caribbean Area
Puerto Rico
Virgin Islands
Date:
July 1-5, 1971
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1971 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 5 series.

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: Northwest Coast Indians

Series 3: Ohio

Series 4: Performances

Series 5: Union Workers
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1971 Festival of American Folklife was produced by the Smithsonian Division of Performing Arts.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The Festival of American Folklife, since its initiation in 1967, sought to present varied folk traditions representing a broad spectrum of our nation's cultural groups. It was the Smithsonian's hope and belief that the 1971 Festival would deepen and advance public appreciation of the richness and viability of American grass-roots creativity.

The 1971 Festival featured the State of Ohio, Pacific Northwest Coast Indians and Alaskan Eskimos, and the American worker as a part of organized labor. It took place for five days on the National Mall, between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of History and Technology and the National Museum of Natural History (see site plan).

Evening programs took place in two locations: Indian Pow Wows were held in the Indian Area at 13th Street opposite the National Museum of History and Technology nightly except July 4th when a powwow was held on the Washington Monument Grounds. Evening concerts took place on the Main Stage located in front of the National Museum of Natural History. The Main Stage also hosted its own performers and others drawn from one of the Festival's three other programs; the resulting recordings constitute a separate subseries below.

The 1971 Festival was once again produced by the Division of Performing Arts, where James R. Morris was Director and Richard Lusher was Deputy Director. Ralph Rinzler continued as Festival Director, with Gerald L. Davis as Assistant Director and Kenneth S. Goldstein as Special Assistant to the Secretary on Folklore and Folklife.

The 1971 Program Book included information on all of the programs, a participant list, and schedule.
Festival speakers and consultants:
Roger Abrahams, Daniel Barnes, Mike Cooney, Hazel Dickens, Josh Dunson, Kenneth S. Goldstein, Archie Green, Richard Hulan, Martin Koenig, George Mitchell, Patrick Mullen, Hoyle Osborne, Ethel Raim, Alice Foster Seeger, Bob Siggins, Frances Utley, Arthur Walker
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Forms Part Of:
Smithsonian Folklife Festival records: 1971 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk music  Search this
Food habits  Search this
Folklore  Search this
World music  Search this
arts and crafts  Search this
Folk festivals  Search this
Folk art  Search this
Taino Indians  Search this
limbo (dance)  Search this
Steel bands (Music)  Search this
Genre/Form:
Videotapes
Audiotapes
Audiocassettes
Contracts
Memorandums
Correspondence
Business records
Notes
Plans (drawings)
Digital images
Video recordings
Slides (photographs)
Negatives
Photographic prints
Sound recordings
Citation:
Smithsonian Folklife Festival records: 1971 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1971
See more items in:
Smithsonian Folklife Festival records: 1971 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5105a001a-14fb-47ca-9eb7-c698642ab4d1
EDAN-URL:
ead_collection:sova-cfch-sff-1971

Copies of Stephen E. Feraca photographs of Siouan Indians and Sun Dance

Creator:
Feraca, Stephen E., 1934-  Search this
Extent:
85 Copy color slides
Culture:
Indians of North America -- Great Plains  Search this
Sioux  Search this
Oglala Lakota (Oglala Sioux)  Search this
Type:
Collection descriptions
Archival materials
Copy color slides
Photographs
Place:
Pine Ridge Indian Reservation (S.D.)
Rosebud Indian Reservation (S.D.)
Date:
circa 1954-1961
Scope and Contents note:
Copies of photographs mostly depicting Sun Dances on the Pine Ridge and Rosebud Indian Reservations. They depict Oglala, Dakota, and other Siouan Indians, encampments, wagons, tipis, and a powwow.
Biographical/Historical note:
Stephen E. Feraca was an employee of the Department of the Interior, based at the Pine Ridge Reservation in South Dakota. He earned a masters degree from Columbia University (ca. 1957); his thesis was titled "The contemporary Teton Sioux Sun Dance." He also authored the book Wakinyan: Lakota Religion in the Twentieth Century, University of Nebraska Press, 1998. Feraca retired from the Department of the Interior in 1985.
Local Call Number(s):
NAA Photo Lot R92-49
Reproduction Note:
Copy slides made by Smithsonian Institution, 1989.
Location of Other Archival Materials:
Correspondence from Feraca held in the National Anthropological Archives in the James Henri Howard Papers.
Provenance:
Originals loaned for copying by Stephen Feraca through Joallyn Archambault, 1989.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
This copy collection has been obtained for reference purposes only. Contact the repository for terms of use and access.
Topic:
Tipis  Search this
Wagons  Search this
Sun Dance  Search this
Camps  Search this
Genre/Form:
Photographs
Citation:
Photo Lot R92-49, Copies of Stephen E. Feraca photographs of Siouan Indians and Sun Dance, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.R92-49
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3d94caf27-26d8-4854-b0e8-e95dc6823374
EDAN-URL:
ead_collection:sova-naa-photolot-r92-49

Festival Recordings: South Studio Stage: Flute Exchanges, Powwow Traditions; Birmingham Sunlights

Creator:
Smithsonian Institution. Festival of American Folklife. American South Program 1996 Washington, D.C.  Search this
Faut, Nathan (recorder)  Search this
Miller, Mark K., 1953- (recorder)  Search this
Performer:
Taylor, Barry  Search this
Speight, Reginald  Search this
Birmingham Sunlights (Musical group)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Alabama
Birmingham (Ala.)
Date:
1996 June 29
Local Numbers:
FP-1996-CT-0012
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 29, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Gospel music  Search this
Acappella Vocal Band  Search this
African Americans  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1996 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1996, Item FP-1996-CT-0012
See more items in:
Smithsonian Folklife Festival records: 1996 Festival of American Folklife
Smithsonian Folklife Festival records: 1996 Festival of American Folklife / Series 2: The American South / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5f422025a-59d6-45c4-bb7b-8b900c534449
EDAN-URL:
ead_component:sova-cfch-sff-1996-ref562

James Henri Howard Papers

Creator:
Howard, James H., 1925-1982 (James Henri)  Search this
Correspondent:
Woolworth, Alan R.  Search this
Weslager, C.A.  Search this
Witthoft, John, 1921-1993  Search this
Swauger, James Lee  Search this
Turnbull, Colin  Search this
Horn, Frances L.  Search this
Garcia, Louis  Search this
Fogelson, Raymond D.  Search this
Hodge, William  Search this
Hayink, J.  Search this
Feder, Norman  Search this
Ervin, Sam J. Jr  Search this
Feraca, Stephen E., 1934-  Search this
Feest, Christian F.  Search this
Cree, Charlie  Search this
Davis, Edward Mott  Search this
De Busk, Charles R.  Search this
Iadarola, Angelo  Search this
Brasser, Ted J.  Search this
Bunge, Gene  Search this
Cavendish, Richard  Search this
Clifton, James A.  Search this
DeMallie, Raymond  Search this
Blake, Leonard W.  Search this
Dean, Nora Thompson  Search this
Spier, Leslie, 1893-1961  Search this
Smith, John L.  Search this
Swanton, John Robert  Search this
Sturtevant, William C.  Search this
Peterson, John H.  Search this
Paredes, J. Anthony, 1939- (James Anthony)  Search this
Schleisser, Karl H.  Search this
Reed, Nelson A.  Search this
Medford, Claude W.  Search this
Lurie, Nancy Oestreich  Search this
Opler, Morris Edward  Search this
Nettl, Bruno, 1930-  Search this
Kraft, Herbert C.  Search this
Johnson, Michael G.  Search this
Lindsey-Levine, Victoria  Search this
Kurath, Gertrude  Search this
Adams, Richard N. (Richard Newbold), 1924-  Search this
Allen, James H.  Search this
Barksdale, Mary Lee  Search this
Battise, Jack  Search this
Names:
Lone Star Steel Company  Search this
Extent:
10.25 Linear feet
Culture:
Seminole  Search this
Indians of North America -- Southern States  Search this
Sioux  Search this
Shawnee  Search this
Indians of North America -- Northeast  Search this
Muskogee (Creek)  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Indians of North America -- Great Plains  Search this
Tsitsistas/Suhtai (Cheyenne)  Search this
Chickasaw  Search this
Choctaw  Search this
Yanktonnai Nakota (Yankton Sioux)  Search this
Seneca  Search this
Euchee (Yuchi)  Search this
Omaha  Search this
Iroquois  Search this
Cherokee  Search this
Sahnish (Arikara)  Search this
Potawatomi  Search this
Chaticks Si Chaticks (Pawnee)  Search this
Ponca  Search this
Mi'kmaq (Micmac)  Search this
Kickapoo  Search this
Sac and Fox (Sauk & Fox)  Search this
Menominee (Menomini)  Search this
Lenape (Delaware)  Search this
Oto  Search this
Tonkawa  Search this
Type:
Collection descriptions
Archival materials
Place:
Oklahoma -- Archeology
Date:
1824-1992
bulk 1950-1982
Summary:
To a considerable degree, the James H. Howard papers consist of manuscript copies of articles, book, speeches, and reviews that document his professional work in anthropology, ethnology, ethnohistory, archeology, linguistics, musicology, and folklore between 1950 and 1982. Among these are a few unpublished items. Notes are relatively scant, there being somewhat appreciable materials for the Chippewa, Choctaw, Creek, Dakota, Omaha, Ponca, Seminole, and Shawnee. The chief field materials represented in the collection are sound recordings and photographs, but many of the latter are yet to be unidentified. A series of color photographs of Indian artifacts in folders are mostly identified and represent the extensive American Indian Cultural collection of costumes and artifacts that Howard acquired and created. Other documents include copies of papers and other research materials of colleagues. There is very little original material related to archeological work in the collection and that which is present concerns contract work for the Lone State Steel Company.
Scope and Contents:
The James Henri Howard papers document his research and professional activities from 1949-1982 and primarily deal with his work as an anthropologist, archeologist, and ethnologist, studying Native American languages & cultures. The collection consists of Series 1 correspondence; Series 2 writings and research, which consists of subject files (language and culture research materials), manuscripts, research proposals, Indian claim case materials, Howard's publications, publications of others, and bibliographical materials; Series 3 sound recordings of Native American music and dance; Series 4 photographs; and Series 5 drawings and artwork.

Howard was also a linguist, musicologist, and folklorist, as well as an informed and able practitioner in the fields of dance and handicrafts. His notable books include Choctaw Music and Dance; Oklahoma Seminoles: Medicines, Magic, and Religion; and Shawnee! The Ceremonialism of a Native American Tribe and its Cultural Background.

Some materials are oversize, specifically these three Winter Count items: 1. a Dakota Winter Count made of cloth in 1953 at the request of James H. Howard, 2. a drawing of British Museum Winter Count on 4 sheets of paper, and 3. Photographs of a Winter Count.
Arrangement:
This collection is arranged in 5 series: Series 1. Correspondence, 1960-1982, undated; Series 2. Writings and Research, 1824-1992; Series 3. Sound Recordings, 1960-1979; Series 4. Photographs, 1879-1985; Series 5. Drawings and Artwork, 1928-1982.
Chronology:
1925 -- James Henri Howard was born on September 10 in Redfield, South Dakota.

1949 -- Received his Bachelor of Arts from the University of Nebraska.

1950 -- Received his Master of Arts from the University of Nebraska and began a prolific record of publishing.

1950-1953 -- Began his first professional employment as an archaeologist and preparator at the North Dakota State Historical Museum in Bismarck.

1955-1957 -- Was a museum lecturer at the Kansas City (Missouri) Museum.

1957 -- James H. Howard received his Ph.D. at the University of Michigan. Joined the staff of the Smithsonian's River Basin Surveys in the summer.

1957-1963 -- Taught anthropology at the University of North Dakota.

1962 -- Chief archeologist at the Fortress of Louisberg Archeological Project in Nova Scotia.

1963-1968 -- Taught anthropology at the University of South Dakota; State Archeologist of South Dakota; Director of the W. H. Over Dakota Museum.

1963-1966 -- Director of the Institute of Indian Studies, University of South Dakota.

1968-1982 -- Associate professor of anthropology at Oklahoma State University at Stillwater (became a full professor in 1971).

1979 -- Consulted for exhibitions at the Western Heritage Museum in Omaha, Nebraska.

1982 -- Died October 1 after a brief illness.
Biographical/Historical note:
James H. Howard was trained in anthropology at the University of Nebraska (B.A., 1949; M.A., 1950) and the University of Michigan (Ph.D., 1957). In 1950-1953, he served as archeologist and preparator at the North Dakota State Historical Museum; and, in 1955-1957, he was on the staff of the Kansas City (Missouri) Museum. During the summer of 1957, he joined the staff of the Smithsonian's River Basin Surveys. Between 1957 and 1963, he taught anthropology at the Universtity of North Dakota. Between 1963 and 1968, he served in several capacities with the University of South Dakota including assistant and associate professor, director of the Institute of Indian Studies (1963-1966), and Director of the W.H. Over Museum (1963-1968). In 1968, he joined the Department of Sociology at Oklahoma State University, where he achieved the rank of professor in 1970. In 1979, he was a consultant for exhibitions at the Western Heritage Museum in Omaha, Nebraska.

Howard's abiding interest were the people of North America, whom he studied both as an ethnologist and archeologist. Between 1949 and 1982, he worked with the Ponca, Omaha, Yankton and Yaktonai Dakota, Yamasee, Plains Ojibwa (or Bungi), Delaware, Seneca-Cayuga, Prairie Potatwatomi of Kansas, Mississipi and Oklahoma Choctaw, Oklahoma Seminole, and Pawnee. His interest in these people varied from group to group. With some he carried out general culture studies; with other, special studies of such phenomena as ceremonies, art, dance, and music. For some, he was interest in environmental adaptation and land use, the latter particularly for the Pawnee, Yankton Dakota, Plains Ojibwa, Turtle Mountain Chippewa, and Ponca, for which he served as consultant and expert witness in suits brought before the United Stated Indian Claims Commisssion. A long-time museum man, Howard was also interested in items of Indian dress, articles associated with ceremonies, and other artifacts. He was "a thoroughgoing participant-observer and was a member of the Ponca Hethuska Society, a sharer in ceremonial activities of many Plains tribes, and a first-rate 'powwow man'." (American Anthropologist 1986, 88:692).

As an archeologist, Howard worked at Like-a-Fishhook Village in North Dakota, Spawn Mound and other sites in South Dakota, Gavin Point in Nebraska and South Dakota, Weston and Hogshooter sites in Oklahoma, and the Fortess of Louisbourg in Nova Scotia. He also conducted surveys for the Lone Star Steel Company in Haskall, Latimer, Le Flore and Pittsburg counties in Oklahoma.
Related Materials:
Howard's American Indian Cultural Collection of Costumes and Artifacts, that he acquired and created during his lifetime, is currently located at the Milwaukee Public Museum. In Boxes 19-21 of the James Henri Howard Papers, there are photographs with accompanying captions and descriptions in binders of his American Indian Cultural Collection of Costumes and Artifacts that his widow, Elfriede Heinze Howard, created in order to sell the collection to a museum.
Provenance:
These papers were donated to the National Anthropological Archives by James Henri Howard's wife, Elfriede Heinz Howard, in 1988-1990, 1992, & 1994.
Restrictions:
The James Henri Howard papers are open for research. Access to the James Henri Howard papers requires an appointment.
Rights:
Contact repository for terms of use.
Topic:
Ethnology -- United States  Search this
Ethnomusicology  Search this
Folklore -- American Indian  Search this
Powwows  Search this
Citation:
James Henri Howard Papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1994-30
See more items in:
James Henri Howard Papers
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw30379c657-37d6-4c9e-99c4-eb8f7be76c10
EDAN-URL:
ead_collection:sova-naa-1994-30
Online Media:

Howard Woody postcard collection relating to Native Americans

Collector:
Woody, Howard  Search this
Publisher:
Albertype Co.  Search this
Barkalow Brothers Co.  Search this
Detroit Publishing Co.  Search this
E.C. Kropp Co.  Search this
Fred Harvey (Firm)  Search this
Tammen, Harry Heye, 1856-1924  Search this
Photographer:
Detroit Photographic Co.  Search this
Teich, Curt, 1877-1974  Search this
Names:
Hopi House (Ariz.)  Search this
Beard, Dewey  Search this
Extent:
5 Color postcards
1 Postcard (collotype)
7 Postcards (color halftone)
Culture:
Indians of North America -- Southwest, New  Search this
Apache  Search this
Hopi Pueblo  Search this
Indians of North America -- Southern States  Search this
Seminole  Search this
Indians of North America -- Great Plains  Search this
Acoma Pueblo  Search this
Minneconjou Lakota (Minniconjou Sioux)  Search this
Ute  Search this
Apsáalooke (Crow/Absaroke)  Search this
Sioux  Search this
Type:
Collection descriptions
Archival materials
Color postcards
Postcards
Place:
Yuma County (Ariz.)
Fort Lauderdale (Fla.)
Cheyenne (Wyo.)
Grand Canyon (Ariz.)
Acoma (N.M.)
Date:
undated
Scope and Contents note:
Postcards, some postmarked, with images of Apache, Hopi, Seminole, Sioux, Minneconjou, and other Native Americans. They include images of Apache men at a powwow near a mud house in Yuma, Arizona; the Hopi House at the Grand Canyon; a blanket weaver at Hopi House; a street scene from Pueblo Acoma; a Seminole wedding in Fort Lauderdale, Florida; women with leatherwork, baskets, and blankets; a horse-drawn travois used in a parade at the Annual Crow Indian Fair; Sioux people and tipis at Frontier Days in Cheyenne, Wyoming; Apache chief James A. Garfield, Ute Chief Sevaro and his family; and Iron Hail (also known as Dewey Beard (Minneconjou).
Biographical/Historical note:
Thomas Howard Woody (1935-2011) was a professor of sculpture at the University of South Carolina, co-author of several books on South Carolina history and postcards, and an avid collector of postcards. He received his undergraduate degree from Richmond Professional Institute and a master's degree from East Carolina University. Retiring after a 46-year long career at the University of South Carolina, he was awarded the title Distinguished Professor Emeritus.
Local Call Number(s):
NAA Photo Lot 92-37
Location of Other Archival Materials:
The National Anthropological Archives holds the Albertype Company Native American and Hawaiian photographs (Photo Lot 25).
Additional E.C. Kropp Co., Curt Teich, Detroit Photographic Company, and Fred Harvey postcards held in National Museum of American History Archives Center in the Victor A. Blenkle Postcard Collection.
Additional Detroit Photographic Company photographs held in National Anthropological Archives Photo Lot 24, Photo Lot 59, MS 4510, and MS 4559.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Weddings  Search this
Pueblos  Search this
handicrafts  Search this
Dwellings  Search this
Citation:
Photo Lot 92-37, Howard Woody postcard collection relating to Native Americans, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.92-37
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3118163d7-b2ad-4020-ba08-8869265029f2
EDAN-URL:
ead_collection:sova-naa-photolot-92-37

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