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Poster

Type:
Poster
Made in:
USA and others
Accession Number:
1967-74-117
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1967-74-117

Sheep

Designer:
David Virgien  Search this
Medium:
Screenprint on ivory paper
Type:
graphic design
Poster
Object Name:
Poster
Place:
USA
Made in:
USA
Date:
ca. 1980
Credit Line:
Gift of Steven Heller and Karrie Jacobs
Accession Number:
1993-53-7-5
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1993-53-7-5

Preparatory Drawing for "American Airlines to New York" Poster

Designer:
Edward McKnight Kauffer, American, active England, 1890–1954  Search this
Client:
American Airlines, Fort Worth, Texas, USA  Search this
Type:
graphic design
Drawing
Object Name:
Drawing
Made in:
USA
Place depicted:
New York City, New York
Date:
ca. 1948
Credit Line:
Gift of Mrs. E. McKnight Kauffer
Accession Number:
1963-39-161
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1963-39-161

Gallery 1015 records, 1958-1972

Creator:
Gallery 1015  Search this
Subject:
Day, Larry  Search this
Keene, Paul F., Jr.  Search this
Lueders, Jimmy C.  Search this
Maitin, Sam  Search this
Staffel, Rudolf  Search this
Myers, Gladys  Search this
Topic:
Art -- Exhibitions -- Pennsylvania  Search this
Art, Modern -- 20th century -- Pennsylvania  Search this
Women art dealers -- Pennsylvania  Search this
Record number:
(DSI-AAA_CollID)9805
(DSI-AAA_SIRISBib)212243
AAA_collcode_gall1015
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212243

Idee und Anspruch der Architectur

Designer:
H. Malzkom  Search this
Featured Artist:
Hugh Ferriss, American, 1889–1962  Search this
Type:
graphic design
Poster
Object Name:
Poster
Date:
1979
Credit Line:
Gift of Unknown Donor
Accession Number:
1980-32-1110
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4aa106d37-502e-48ae-a5ed-4268749b2c26
EDAN-URL:
edanmdm:chndm_1980-32-1110

Sample Page of Lions and Shadows

Designer:
E. McKnight Kauffer, American, 1890–1954  Search this
Publisher:
Hogarth Press, British, founded 1917  Search this
Author:
Christopher Isherwood, British-American, 1904–1986  Search this
Medium:
Lithograph on newsprint
Type:
graphic design
Print
Object Name:
Print
Made in:
USA
Date:
1938
Credit Line:
Gift of Mrs. E. McKnight Kauffer
Accession Number:
1963-39-420
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4de6bf561-08dd-4f01-b658-b73df62b4afa
EDAN-URL:
edanmdm:chndm_1963-39-420
Online Media:

Poster Design, Illustration for Scribner's Magazine

After:
Kenyon Cox, American, 1856–1919  Search this
Publisher:
Charles Scribner's Sons, New York, New York, USA  Search this
Object Name:
Print
Type:
Print
Made in:
USA
Date:
1895
Credit Line:
Gift of Allyn Cox
Accession Number:
1959-69-360
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq41a78c69f-875a-4d6b-9390-d7079e9dd30a
EDAN-URL:
edanmdm:chndm_1959-69-360

Gallery 1015 records

Creator:
Gallery 1015  Search this
Names:
Day, Larry, 1921-  Search this
Keene, Paul F., Jr., 1920-2009  Search this
Lueders, Jimmy C., 1927-1994  Search this
Maitin, Sam  Search this
Myers, Gladys, 1921-  Search this
Staffel, Rudolf, 1911-2002  Search this
Extent:
0.2 Linear feet ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1958-1972
Scope and Contents:
In addition to five checklists for one-person and group exhibitions; printed matter includes announcements, posters designed by the artists, catalogs and clippings; and photographs of the gallery, artworks and some of the artists represented by the gallery such as Larry Day, Jimmy Lueders, Paul Keene, Rudy Staffel and Sam Maitin.
Arrangement:
I. Letters, 1968-1972. II. Award, 1962. III. Exhibition Catalogs and Announcements, 1958-1966. IV. Posters, 1960-1965. V. Clippings, 1959-1965. VI. Miscellaneous Printed Materials. VII. Photographs.
Biographical / Historical:
Gladys Myers was founder and director of the gallery, which was located in her home in Wyncotte, Pennsylvania, 1958-1967.
Provenance:
Collection includes all surviving records of the gallery.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art dealers -- Pennsylvania -- Philadelphia  Search this
Topic:
Art -- Exhibitions -- Pennsylvania  Search this
Art, Modern -- 20th century -- Pennsylvania  Search this
Women art dealers -- Pennsylvania  Search this
Function:
Art galleries, Commercial -- Pennsylvania
Identifier:
AAA.gall1015
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gall1015

Barack Obama by Shepard Fairey

Creator:
National Portrait Gallery  Search this
Type:
Youtube videos
Uploaded:
2009-07-07T14:04:34Z
Topic:
Portraits  Search this
Youtube Category:
Education  Search this
See more by:
NatlPortraitGallery
YouTube Channel:
NatlPortraitGallery
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:yt_zVCEYfiyq-g

Chip Kidd + Milton Glaser

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Youtube videos
Uploaded:
2010-03-18T15:30:20Z
Topic:
Design  Search this
Youtube Category:
Nonprofits & Activism  Search this
See more by:
cooperhewitt
YouTube Channel:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:yt_7u4VZhm_0S0

Philippe Apeloig on the VIVO IN TYPO poster

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Youtube videos
Uploaded:
2014-11-18T18:55:26Z
Topic:
Design  Search this
Youtube Category:
Education  Search this
See more by:
cooperhewitt
YouTube Channel:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:yt_8O6LCg5ncAI

Conversation with Experimental Jetset Hosted by Ellen Lupton

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Youtube videos
Uploaded:
2015-09-17T01:05:26Z
Topic:
Design  Search this
Youtube Category:
Education  Search this
See more by:
cooperhewitt
YouTube Channel:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:yt_HyNeowONNzA

Design at Home: Design a Poster

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Youtube videos
Uploaded:
2020-04-20T12:00:08Z
Topic:
Design  Search this
Youtube Category:
Education  Search this
See more by:
cooperhewitt
YouTube Channel:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:yt_Iq68ND9ok7M

Curator’s Talk: How Posters Work

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Youtube videos
Uploaded:
2015-05-09T22:15:34Z
Topic:
Design  Search this
Youtube Category:
Education  Search this
See more by:
cooperhewitt
YouTube Channel:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:yt_ItFoix_i06Y

Elaine Lustig Cohen Interview

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Youtube videos
Uploaded:
2015-05-04T19:20:15Z
Topic:
Design  Search this
Youtube Category:
Education  Search this
See more by:
cooperhewitt
YouTube Channel:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:yt_rLh7D7g77l8

Stephen Antonakos papers, 1932-2014, bulk bulk 1960-2014

Creator:
Antonakos, Stephen, 1926-2013  Search this
Subject:
Spector, Naomi  Search this
Bladen, Ronald  Search this
Kitagawa, Fram  Search this
Adler, Sebastian  Search this
Kokkinos, George  Search this
Marzona, Egidio  Search this
Koshalek, Richard  Search this
Allentown Art Museum  Search this
Ileana Tounta Contemporary Art Center  Search this
John Weber Gallery  Search this
Ādo furondo gyararī  Search this
Rose Art Museum  Search this
Mouseio Benakē  Search this
Galleriaforma  Search this
The Drawing Room  Search this
Galleria Bonomo  Search this
Fischbach Gallery  Search this
Savannah College of Art and Design  Search this
Kalfayan Galleries  Search this
Galerie Bernier  Search this
Konrad Fischer Gallery  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Ethniko Mouseio Synchronēs Technēs (Greece)  Search this
Lori Bookstein Fine Art  Search this
La Jolla Museum of Contemporary Art  Search this
Type:
Transcripts
Interviews
Photographs
Sketchbooks
Drawings
Blueprints
Obituaries
Topic:
Art -- Study and teaching  Search this
Neon sculpture  Search this
Sculptors -- New York (State) -- New York  Search this
Art critics  Search this
Record number:
(DSI-AAA_CollID)5861
(DSI-AAA_SIRISBib)208701
AAA_collcode_antostep
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208701
Online Media:

Stephen Antonakos papers

Creator:
Antonakos, Stephen, 1926-2013  Search this
Names:
Allentown Art Museum  Search this
Ethniko Mouseio Synchronēs Technēs (Greece)  Search this
Fischbach Gallery  Search this
Galerie Bernier  Search this
Galleria Bonomo  Search this
Galleriaforma  Search this
Ileana Tounta Contemporary Art Center  Search this
John Weber Gallery  Search this
Kalfayan Galleries  Search this
Konrad Fischer Gallery  Search this
La Jolla Museum of Contemporary Art  Search this
Lori Bookstein Fine Art  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Mouseio Benakē  Search this
Rose Art Museum  Search this
Savannah College of Art and Design  Search this
The Drawing Room  Search this
Ādo furondo gyararī  Search this
Adler, Sebastian  Search this
Bladen, Ronald, 1918-1988  Search this
Kitagawa, Fram, 1946-  Search this
Kokkinos, George  Search this
Koshalek, Richard  Search this
Marzona, Egidio  Search this
Spector, Naomi  Search this
Extent:
24.2 Linear feet
1.73 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Transcripts
Interviews
Photographs
Sketchbooks
Drawings
Blueprints
Obituaries
Date:
1932-2014
bulk 1960-2014
Summary:
The papers of American sculptor Stephen Antonakos measure 24.2 linear feet and 1.73 GB and date from 1932-2014, with the bulk of the material dating from 1960-2014. The collection documents Antonakos's pioneering work in neon, through biographical material, correspondence, writings and notes, project files, exhibition files, printed and digital material, and photographs.
Scope and Contents:
The papers of American sculptor Stephen Antonakos measure 24.2 linear feet and 1.73 GB and date from 1932-2014, with the bulk of the material dating from 1960-2014. The collection documents Antonakos's pioneering work in neon, through biographical material, correspondence, writings and notes, project files, exhibition files, printed and digital material, and photographs.

Biographical material comprises biographical statements and resumes, transcripts of 5 interviews, copies of obituaries, and other records relating to Antonakos's memorial service in 2013.

Correspondence is primarily professional, with scattered personal correspondence, and provides suppemental documentation of all aspects of the artist's career, including gifts, sales, loans, and consignments to galleries and museums such as Fischbach Gallery; John Weber Gallery; Lori Bookstein Fine Art; Galleria Bonomo, Bari; Art Front Gallery, Tokyo; Galerie Bonnier, Stockholm; Galerie Bernier, Athens; Kalfayan Gallery, Athens; Galerie Citronne, Poros; Konrad Fischer Gallery, Berlin; Daniel Marzona Gallery, Berlin; The American Academy of Arts and Letters; The Metropolitan Museum of Art; The Museum of Modern Art; the Onassis Cultural Center; the Museum of Contemporary Art San Diego; the Rose Art Museum, Brandeis University; the Smith College Museum of Art; the Dallas Museum of Art; the National Museum of Contemporary Art, Athens; the State Museum of Contemporary Art, Thessaloniki; and the Benaki Museum, Piraeus.

Writings and notes provide artist statements on all aspects of Antonakos's work, as well as teaching notes from the 1960s.

Project files are a rich source of information on Antonakos's work in neon, particularly for the large-scale permanent Public Works including Hampshire College, Amherst; the Tacoma Dome; Pershing Square, Los Angeles; the Atlanta Hartsfied Airport; the 59th Street Transfer Station, New York City; Faret Tachikawa, Japan; the Stadtsparkasse, Cologne; the Reading Power Plant, Tel Aviv; the San Antonio Public Library; the University of Dijon; the Attiko Metro, Athens; the Mitchell International Airport, Milwaukee; and the Airport of Puglia, Bari. All aspects of the artist's work, from conception on paper through execution and reception by the public, are documented here in correspondence, artist statements and proposals, contracts, insurance records, original drawings, plans and blueprints, printed and digital material, and photographs. Ideas and proposals for projects not executed are also documented in this series, and comprise the same types of material.

Antonakos's conceptual Packages are documented in lists, letters of transmittal, and photographs. The series also holds the contents of a Package given to the Archives of American Art in 1975 and opened, as requested, after his death: a 35mm microfilm of a sketchbook kept by Antonakos from 1974-1975, with sketches and notes about his neon projects.

Antonakos's artistic development can be traced chronologically in the exhibition files from some of his earliest work with neon in combination with found objects, to the use of neon alone. Exhibition files document the artist's progression from placing neon on a base or wall and at the corners and ceilings of rooms, to placing tubes at the edges of panels in order to generate a colored glow around them; furthermore, they document the evolution from his early boxes, contained spaces, and indoor and outdoor rooms, to his meditation spaces and chapels. Also in evidence in this series is the artist's prolific output of drawings, which were shown in numerous exhibitions. Exhibition files include documentation from circa 100 solo shows and from his over 250 group shows, at venues including Allentown Art Museum, the Benaki Museum, The Drawing Room, Galleriaforma, Genoa, Ileana Tounta Contemporary Art Center, Athens, John Weber Gallery, La Jolla Museum of Contemporary Art, Lori Bookstein Fine Art, the National Museum of Contemporary Art, Athens, Rose Art Museum, and the Savannah College of Art and Design. Many of the files include Antonakos's original drawings and plans.

Printed material comprises announcements and catalogs for Antonakos's solo and group exhibitions, posters of the same, press and publicity clippings, and 10 publications about or including Antonakos and his work.

There are 7 photographs of Antonakos, including portraits by George Kokkinos and photos with others including Sebastian Adler, the artist's daughter Evangelina Mary Spector Antonakos, Naomi Spector Antonakos, Ronald Bladen, and Richard Koshalek. Also found are photos of artwork by category, and digital photographs of sample images.

The collection includes 1 reel of microfilm (35mm).
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Material, circa 1970s-2014 (0.1 linear feet; Box 1)

Series 2: Correspondence, 1964-2014 (3.25 linear feet; Boxes 1-4, 24)

Series 3: Writings and Notes, circa 1966-2012 (0.3 linear feet; Box 4, 0.932 GB; ER01)

Series 4: Project Files, 1965-2014 (8.6 linear feet; Boxes 4-11, 24, OVs 25-40, 0.275 GB; ER02-ER04)

Series 5: Exhibition Files, 1960-2014 (8.95 linear feet; Boxes 11-19, 24, OVs 40-45, 0.094 GB; ER05)

Series 6: Printed Material, 1959-2013 (3.3 linear feet; Boxes 19-23, OVs 46-47)

Series 7: Photographs, 1932-2013 (0.5 linear feet; Box 23, 0.431 GB; ER06)
Biographical / Historical:
American sculptor Stephen Antonakos (1926-2013) was a pioneer in the use of neon as an artistic medium from the early 1960s onward. Born in Agios Nikolaos in southern Greece, he immigrated to the US with his family at the age of four and lived in New York City thereafter.

After serving in WWII he established his first studio in the 1950s in New York City's fur district, a fertile neighborhood for the found objects and found materials of his early large Assemblages, Constructions, and "Sewlages" (sewn fabric collages) through that decade, when he worked also as a commercial artist. Seeing the neon signs in these Manhattan streets night after night released his intuition of the medium's untapped flexibility. He called neon "a paradise" he wished to "control" in his own new way, with abstract geometric forms in space.

Concentric neon circles and squares appeared first, notably in the transitional White Light (1962). Mostly black, it incorporated a cut-up Thonet chair and a box-form of found rabbit fur. In the same year, he moved on to his central engagement with neon in architectural space with his Hanging Neon, whose colored tubes jut diagonally into the viewers' space from a box suspended from the ceiling. He continued this key dynamic boldly in many large mid-1960s installations: Orange Vertical Neon, Red Neon from Wall to Floor, and Red Neon from Wall to Wall. There are small-scale models from the period for many more. All fulfill the artist's definition of his work as "real things in real spaces."

His 1962-63 Pillows and Pillow Drawings, exhibited first at the Contemporary Arts Museum, Houston, are distinguished by the intense engagement of the hand: cutting, adding, sewing, stuffing, drawing, layering, and combining materials in ways that clearly predict his constant practice with drawings and collages through the following decades. The subsequent role of works on paper in forming Antonakos's development cannot be over-emphasized; he drew almost every day. The physicality of these compositions and of the cuts and tears and layering in his collages through the years, make them not images, but objects. The same holds for the many Travel Collages produced from the late 1970s through 2001.

Throughout the 1970s, medium-scale two- and three-dimensional variations of his geometric vocabulary were strategically positioned on white walls in formal dialogue with their sites' ceilings, floors, inside corners, and outside corners. Known as the Direct Neons, these works were exhibited extensively in galleries and museums across Europe and the US. As ever, new work was conceived for each venue's particular sites.

A very large group of Project Drawings from the late 1960s through the early 1970s charts Antonakos's thinking through the Direct Neons and on into installations of greater scale, his Walls and Rooms.

First shown in Athens, the Walls investigated both bold and subtle variations of almost "syntactical" relationships between the neon forms "drawn" on the colored surfaces. Two 1973 Rooms allowed simultaneous formal engagement with interior and exterior architectural spaces. In both, making the entire interior a single unit fulfilled Antonakos's hope of including the viewer within the space of the art. San Francisco Room was exhibited inside the Museum of Art. The Room, placed outdoors in downtown Grand Rapids, offered more viewing options from greater distances, rooftops and, very importantly, with exposure to the daily 24-hour cycle of natural light. 1974, Outdoor Neons for the Fort Worth Art Museum upped the ante further with enormously greater scale and geometric diversity. This was nourishment for Antonakos's central concerns uniting light, form, and time throughout his future Public Works.

The mid-1970s saw a definitive change in the drawings. They became completely abstract, without reference to anything outside the work itself. Often made in series, they explored complete and incomplete linear forms in relation to the proportions of the sheets.

All through the 1970s Antonakos produced his conceptual Packages. Filled, sealed, and sent to individuals or groups of friends, they were meant either never to be opened, to be opened on a specific date, or to be opened after the death of the artist. There were approximately thirty projects. An important set sent in 1974 and 1975 to Richard Artschwager, Daniel Buren, Sol LeWitt, and Robert Ryman to be filled by them was opened twenty-five years later as the central event during the major exhibition Time Boxes 2000 at the Brandeis's Rose Art Museum. Less concerned with their contents than with our consciousness through time of not knowing, they relate to such concepts as "incomplete circle" -- knowing what/that we do not know/see. The Greek art historian Savvas Michael has written: "The material of the Packages is time."

From the late 1970s, for over thirty years, there was an active practice of Public Works in neon. More than fifty were constructed and installed in indoor and outdoor sites in airports, rail stations, university campuses, banks, and downtown areas in cities across the US, Europe, and Japan. They range from the spare 15' incomplete square on the facade of the San Diego Museum of Contemporary Art to the almost 500' treatment of the chimney complex of the Reading Power Plant in Tel Aviv. Antonakos began each project by considering the formal qualities of the site day and night and its use by the public. He considered working for the public a special responsibility.

Moving into the 1980s, Antonakos placed neon forms on painted unstretched canvases and on the faces of large geometric forms on walls and floors. This period also saw the crucial introduction of neon placed behind the edges of wall Panels, so that only the colored glows are seen. These Panels developed into one of his major practices to the end -- their single or segmented geometric surfaces variously monochrome, painterly, or gold or silver-leafed. They have been extensively exhibited in Europe and the US. In 2009 the public-scaled neon Panel The Road to Mistra was commissioned for the Onassis Cultural Center in New York. In response to this work, the New York art historian Irving Sandler wrote, "Essentially a classicist in the Constructivist tradition, he has revealed the poetry of neon."

Antonakos started to design his Chapels and Meditation spaces with neon in the late 1980s and continued through the rest of his life. Their roots lie in his lifelong commitment to Greek Orthodoxy and in the evolution of his activation of geometric space. They include his 1993 Chapel of the Saints in a fortress in Rhodes, which he described in a letter to Elias Kollias as being, at that point, "the masterwork of my life." The full-scale iron Chapel of the Heavenly Ladder was exhibited in the XLVII Venice Biennale and is permanently installed now in Thessaloniki. In 2003, the Greek art critic Alexandra Koroxenides wrote of Antonakos's "capacity to create surroundings of meditation and spirituality." Many Chapels have been created for important temporary exhibitions here and in Greece, and small precise models exist for more of them.

Through the 1980s and to the end, the drawings on various papers and vellums developed in many directions, some full of white space, some filled to the hilt with intensely colored forms -- sometimes singly and often in series. In the mid-1990s Antonakos began using the multicolored pencil, in dense overall hatchings and later in open spatial "clouds." One drawing of 72 dense square units is like an installation as it plays out rhythmically across the four walls of the gallery. The various ideas of the drawings intersect with those of his collages, reflecting always the active hand. Colored or bare, cut, torn, layered, pleated, or crumpled, they maintain their objecthood within the frame.

All these themes and techniques climaxed in his major Artist's Book, Alphavitos, later in the 1980s. Its many material and printing innovations are structured around the cumulative appearance of hand-made papers with letters of the Greek Alphabet recurring intermittently until the last bears the complete alphabet. The composition of complete and incomplete circles and squares on the front and back covers are in silver on the unique volume and in leather relief on the edition. The book incorporates endless ideas of form, color, scale, proportion and, of course, time, as the pages are turned. Related white wood, silver, and marble Reliefs grew out of the making of the book, as did new graphic variations of some of the plates. In 2011 he began a new series of Gold works. Small sculptures shaped with "incomplete" areas sit on bases, and framed works in gold-leafed Mylar and Tyvek hang in frames. As with the drawings, some have cut edges or various forms cut out of them or are crumpled. They are made in varying sizes, singly and in powerful series, and all have many different "faces" as they intersect with the course of natural light over the day. In Greece, they are seen as echoes of Byzantium.

In 2011, Antonakos took on a climactic project in the ruins of an old oil factory in Elefsina, Greece -- a part of the 40 year history of their Festival of Aeschylus. In thirty-four locations throughout the continuous indoor and outdoor site of 17,000 square meters, he placed spare linear neon forms, accumulations, columns, and Panels, hoping, he said, that the visitors might sense "some of the things that I have found in my life and art." It can be seen in the photographs of Panos Kokkinias and on the artist's website.

Antonakos had over 100 solo exhibitions and over 250 group shows. His work has been the subject of numerous books and catalogues including the key 1999 monograph Antonakos by Irving Sandler. The major catalogue for the 2007-2008 Retrospective organized by the J. F. Costopoulos Foundation at the Benaki Museum in Athens includes essays by Martin Filler, Eleftherios Iconomou, Katerina Koskina, Daniel Marzona, and Brian O'Doherty. His work is in the collections of the major museums of New York, Athens, and Thessaloniki, and in many other museums in the US and Europe. In 2011 he received the Lifetime Achievement Awards from the National Academy of Art and the Greek America Foundation.

Since 1963 his studio has been located in Soho.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Stephen Antonakos dated 1975, May 9.
Provenance:
The collection was donated in 1975 and 1981 by Stephen Antonakos, and in 2014 by Naomi Spector Antonakos.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival born-digital records with no duplicate access copy requires advance notice.
Rights:
The Stephen Antonakos papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Study and teaching  Search this
Neon sculpture  Search this
Sculptors -- New York (State) -- New York  Search this
Art critics  Search this
Genre/Form:
Transcripts
Interviews
Photographs
Sketchbooks
Drawings
Blueprints
Obituaries
Citation:
Stephen Antonakos papers, 1932-2014, bulk 1960-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.antostep
See more items in:
Stephen Antonakos papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-antostep

Design Talks | Richard Niessen Meets Euclid

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Youtube videos
Uploaded:
2016-04-14T00:24:15Z
Topic:
Design  Search this
Youtube Category:
Education  Search this
See more by:
cooperhewitt
YouTube Channel:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:yt_9eHhvMCGbZM

America's Most Wanted Eco Graphics

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
Youtube videos
Uploaded:
2012-08-25T21:15:27Z
Topic:
Design  Search this
Youtube Category:
Education  Search this
See more by:
cooperhewitt
YouTube Channel:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:yt_kieJSAqDmBI

Henry Ernest Schnakenberg papers, 1905-1969

Creator:
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Subject:
Angel, John  Search this
Bacon, Peggy  Search this
Barye, Antoine-Louis  Search this
Beal, Gifford  Search this
Bierstadt, Albert  Search this
Billings, Henry  Search this
Bishop, Isabel  Search this
Blume, Peter  Search this
Bouché, Louis  Search this
Brooks, Van Wyck  Search this
Buller, Audrey  Search this
Cadmus, Paul  Search this
Calder, Alexander  Search this
Catherwood, Frederick  Search this
Congdon, William  Search this
Day, Horace Talmage  Search this
Dows, Olin  Search this
Duchamp, Marcel  Search this
Etting, Emlen  Search this
Evergood, Philip  Search this
Faulkner, Barry  Search this
Fiene, Ernest  Search this
Goff, Lloyd Lozés  Search this
Guys, Constantin  Search this
Hardy, Thomas  Search this
Harnett, William Michael  Search this
Hartl, Léon  Search this
Homer, Winslow  Search this
Hoyt, Whitney Ford  Search this
Inness, George  Search this
Ivins, William Mills  Search this
Johnson, Eastman  Search this
Kirstein, Lincoln  Search this
Kroll, Leon  Search this
Kuniyoshi, Yasuo  Search this
Laning, Edward  Search this
Lasker, Joe  Search this
Leighton, Clare  Search this
Locke, Charles  Search this
Low, Sanford B. D. (Sanford Ballard Dole)  Search this
Lucioni, Luigi  Search this
Marsh, Reginald  Search this
Miller, Kenneth Hayes  Search this
Parsons, Betty  Search this
Robus, Hugo  Search this
Saint-Gaudens, Homer  Search this
Savery, Rockland  Search this
Schmidt, Katherine  Search this
Shahn, Ben  Search this
Sheeler, Charles  Search this
Speicher, Eugene Edward  Search this
Stamos, Theodoros  Search this
Tait, Arthur Fitzwilliam  Search this
Watkins, Franklin Chenault  Search this
Watson, Forbes  Search this
Watson, Nan  Search this
Weisgard, Leonard  Search this
Artists Equity Association  Search this
American Academy of Arts and Letters  Search this
Topic:
Art, Prehistoric  Search this
Painting, Modern -- 20th century  Search this
Etching  Search this
Record number:
(DSI-AAA_CollID)9102
(DSI-AAA_SIRISBib)211296
AAA_collcode_schnh
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211296

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