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National Farm Strike [Poster]

Sponsor:
Jefferson County. Office of American Agriculture (Louisville, Georgia)  Search this
Collection Creator:
Archives Center, National Museum of American History  Search this
Extent:
1 Item (poster)
Container:
Map-folder 4, Item 112
Type:
Archival materials
Political posters
Posters
Date:
1977 December 14
1977
Scope and Contents:
Poster urging support of the National Farm Strike.
Biographical / Historical:
The Jefferson County (Georgia) Office of American Agriculture supported the American Agricultural Movement, which was organized to preserve the family farm system and to seek 100% parity for all agricultural products. The strike resulted when farmers' demands were not met by midnight, December 13, 1977. The strike subsided by March 1978 without the farmers accomplishing their goals.
Local Numbers:
2004.3002 (NMAH Acc.)
Collection Restrictions:
Unrestricted research access on site by appointment.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Agriculture and state -- Georgia  Search this
Agriculture and politics  Search this
Strikes and lockouts  Search this
Genre/Form:
Political posters
Posters -- 1960-1980
Collection Citation:
Archives Center Poster Collection, Archives Center, National Museum of American History.
See more items in:
Archives Center Poster Collection
Archives Center Poster Collection / Series 1: Miscellaneous Posters
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8279e477d-911c-4509-ada8-e98f4acfc0f7
EDAN-URL:
ead_component:sova-nmah-ac-0751-ref522

Posters and Calendars

Collection Creator:
Alexander, Robert  Search this
Temple of Man (Venice, Calif.)  Search this
Container:
Oversize 29
Type:
Archival materials
Date:
1960s-1980s
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Alexander papers and Temple of Man records, 1938-2015. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Alexander papers and Temple of Man records
Robert Alexander papers and Temple of Man records / Series 5: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99d9b8d40-5ffe-4170-98bd-c4e042727ed6
EDAN-URL:
ead_component:sova-aaa-alexbob-ref43

Oversized Exhibition posters

Collection Creator:
Dempsey, Richard W., 1909-  Search this
Container:
Box OV 5
Type:
Archival materials
Date:
1974
1981
1983
undated
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Richard Dempsey papers, 1929-1989, bulk 1960s-1980s. Archives of American Art, Smithsonian Institution.
See more items in:
Richard Dempsey papers
Richard Dempsey papers / Series 5: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw977754a1a-e575-48c0-bda0-4b1f3ab19b38
EDAN-URL:
ead_component:sova-aaa-demprich-ref50

Oversized General Services Administration posters

Collection Creator:
Dempsey, Richard W., 1909-  Search this
Container:
Box OV 5
Type:
Archival materials
Date:
1952-1954
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Richard Dempsey papers, 1929-1989, bulk 1960s-1980s. Archives of American Art, Smithsonian Institution.
See more items in:
Richard Dempsey papers
Richard Dempsey papers / Series 5: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw906c32891-4b75-44d1-9f90-1310aace642d
EDAN-URL:
ead_component:sova-aaa-demprich-ref73

Charles D. Clark papers, 1960-1980

Creator:
Clark, Charles D., 1917-1990  Search this
Citation:
Charles D. Clark papers, 1960-1980. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting  Search this
Prints -- Collectors and collecting  Search this
Theme:
Patronage  Search this
Record number:
(DSI-AAA_CollID)9313
(DSI-AAA_SIRISBib)211508
AAA_collcode_clarchar
Theme:
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211508

Neda Al-Hilali Papers, circa 1960-1995

Creator:
Al-Hilali, Neda, 1938-  Search this
Type:
Drawings
Photographs
Sketches
Citation:
Neda Al-Hilali Papers, circa 1960-1995. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women textile artists  Search this
Women educators  Search this
Decorative arts  Search this
Theme:
Craft  Search this
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)11147
(DSI-AAA_SIRISBib)248738
AAA_collcode_alhineda
Theme:
Craft
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_248738
Online Media:

J. Scott Odell folk music collection

Collector:
Odell, Scott, 1935-  Search this
Names:
Bread and Puppet Theater  Search this
Festival of American Folklife  Search this
Smithsonian Folklife Festival  Search this
Porter, Burt, 1937-  Search this
Former owner:
National Museum of American History (U.S.). Division of Musical History  Search this
Extent:
18 Cubic feet
Type:
Collection descriptions
Archival materials
Field notes
Audiotapes
Posters
Reports
Correspondence
Photographs
Place:
Appalachian Region
North Carolina
Virginia
Vermont
Date:
1964-1977
Summary:
The J. Scott Odell folk music collection (1945-2016, inclusive) contains AV recordings, photographs, correspondence, writings, and other materials relating to Odell's career at the Smithsonian as a musical instrument conservator and researcher of American music traditions. The collection largely consists of materials relating to Odell's research trips (often combined with personal visits) throughout the Eastern United States. Research strengths of the collection include the history of the Appalachian dulcimer and banjo, the Smithsonian Folkways project "Black Banjo Songsters," musician and poet Burt Porter, and the Bread and Puppet Theater.
Scope/Contents note:
The J. Scott Odell Folk Music Collection, which includes materials dating from 1945-2016, documents the research, professional work, and personal relations of J. Scott Odell (b. 1935). Odell worked at the Smithsonian National Museum of American History (NMAH) as a musical instrument conservator and traveled throughout the Eastern United States documenting a variety of musical instruments and traditions. The collection reflects his research trips and other travels; the development of exhibits and performance of music and dance at the Smithsonian; and the relationships Odell developed with the musicians, craftspeople, informants, and other people he worked with throughout his career.

Research strengths of this collection include notes, photographs, and recordings from Odell's fieldwork; extensive documentation of Odell's work on the Smithsonian Folkways project Black Banjo Songsters, in collaboration with folklorist Cecelia Conway; and materials pertaining to the Bread and Puppet Theater (based in Glover, Vermont). Significant places documented include southwest Virginia (Galax), nearby North Carolina (Shelton-Laurel), the surrounding tri-state area, and Vermont (Glover). Significant individuals represented in the collection include Odell, Burt Porter, Ralph Rinzler, and other well-known musicians. The most prominent instrument information in the collection relates to the banjo and the Appalachian dulcimer, although the American fiddle tradition and other instruments are also represented. Materials include photographs (negatives and prints), field notes, trip reports, correspondence, slides, writings, and AV materials. This collection may also be of interest to researchers of AV history and evolution. The wide variety of formats found in the collection maps the development of popular recording media. The collection includes open-reel tapes, Hi-8 tapes, DATs, mini-DV tapes, Betacam and Betacam SP tapes, VHS and SVHS tapes, cassettes, optical discs, mini-discs, and Zip discs.

This collection was initially established in 2008, when it was transferred from Archives Center at the Smithsonian National Museum of American History (NMAH) to the Ralph Rinzler Folklife Archives & Collections (RRFAC), Center for Folklife and Cultural Heritage (CFCH). (NMAH Archives Center had received the collection from the Division of Musical History.) Since 2008, the collection has been significantly expanded, more than doubling in size between 2008 and 2016. (These additional materials can be found in Series 8, Accruals.) With these deposits, the scope of the collection expanded beyond Odell's Appalachian dulcimer research and instrument conservator duties to include his banjo research, travels, relationships with musicians (particularly Burt Porter), and involvement with the Bread and Puppet Theater.
Arrangement note:
The collection is arranged in eight series as follows: (1) Correspondence, 1963-1978; (2) Folk Instruments Research; (3) Collected Publications and Ephemera; (4) Collecting Trips; (5) Publications; (6) Sound Recordings; (7) Oversize Materials; and (8) Accruals. Within each series and subseries, folders are arranged thematically, alphabetically, and/or chronologically.

Series 1-7 reflect the order of the original transfer from the Archives Center, National Museum of American History. Series 8 (Accruals) encompasses several deposits made by Scott Odell of additional materials between 2011 and 2017. Ralph Rinzler Folklife Archives staff, in collaboration with Odell, imposed order upon Series 8.

Researchers should note that, when performing research in Series 8 (Accruals), they might need to consult multiple boxes, even when working within a single subseries where the intellectual arrangement in the finding aid does not always align with the physical arrangement of the materials. This separation between the intellectual and physical arrangement is due in part to the order in which RRFAC received each deposit, the format of the materials (i.e., papers vs. photographs vs. AV items), and earlier digitization efforts.
Biographical/Historical note:
Jay Scott Odell (b. 1935) was born in St. Paul, Minnesota, to Adalberta Lavoie Odell and Jay Geddes Odell. The family moved frequently throughout his childhood, resulting in Odell having lived at fourteen different addresses and attending seven different schools by the time he graduated high school in 1953. When the family settled in Mamaroneck, New York, in 1950, Odell met poet Peter Kane Dufault, and musician and poet Burt Porter, two figures who would go on to strongly influence his personal and professional development. It was on the advice of Dufault, for example, that Odell apprenticed with harpsichord-maker William Dowd after college.

Odell attended Middlebury College where he met his future wife, Dorothy "Dottie" Hiebert. After graduating in 1957, Hiebert moved to France and Odell took a position on the boat of Dutch writer Jan DeHartog before joining Hiebert to travel Europe. By 1959, they had returned to the United States (Boston, Massachusetts) and married. It was at this point in their lives that they became active in the peace movement and the early Folk Revival. Odell's relationship with Burt Porter continued, and he developed contacts with other musicians including Peter and Polly Gott, Tom "Tom Banjo" Azarian, Mike Seeger, and Tracy Schwartz. The Odells also became involved with the Bread and Puppet Theater group, founded by Peter and Elka Schumann, which established its primary location in Glover, Vermont, near Porter's property.

Odell is particularly notable for his work in musical instrument conservation at the Smithsonian Institution and his involvement in the development of the Smithsonian Folklife Festival. In 1963, following his harpsichord apprenticeship with William Dowd, Odell was hired by the Smithsonian as a musical instrument conservator. Under Cynthia Hoover and C. Malcolm Watkins, he established a restoration workshop for musical instruments at the National Museum of History and Technology, now the National Museum of American History. Over the course of his career, Odell served not only as a conservator but also as head of a technical laboratory and, eventually, as the first director of conservation at the National Museum of American History.

Odell was a key figure in the shifting philosophy of the musical instrument department regarding its collections and acquisition practices. With Hoover, Odell helped establish and facilitate a concert series with the mission of "[taking] the instruments out of their cases and [letting] them sing" – a major innovation in museum programming. Odell's commitment to bringing music history and traditions to life manifested in the expansion of the Smithsonian concert series, his relationship with Ralph Rinzler, and his early involvement with the Festival of American Folklife, now the Smithsonian Folklife Festival.

Although his professional training was in working with historical keyboard instruments, Odell's lifelong interest in traditional and regional music had a significant impact on his career. Between 1964 and 1977, when Odell was head of the laboratory at the Smithsonian Institution's Division of Musical Instruments, he undertook a series of collecting trips throughout the Eastern United States to expand the Division's collection of traditional American instruments.

In 1964, Odell and Porter attended the Annual Galax Old Time Fiddlers Convention. Following this initial trip, Hoover and Watkins supported Odell's efforts to, in addition to acquiring objects for the collection, research and record the cultural contexts of those instruments. Over the course of these trips, Odell built personal relationships with many of the musicians and craftspeople with whom he worked, including the Melton-Russell family, Tommy Jarrell, and Fred Cockerham.

Odell retired in 1993, but continued contract work at the Smithsonian. Working for the National Museum of American History, he assisted with the care and description of the Museum's banjo collection, as well as the acquisition of the Grimes and Jeffries dulcimer collection. He has also maintained associations with the Smithsonian Center for Folklife and Cultural Heritage. In 1998, Odell co-produced a record through Smithsonian Folkways with folklorist Cecelia Conway titled "Black Banjo Songsters," which focused on the African American banjo tradition and featured many of the artists with whom Odell had built relationships.
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Related Materials note:
Materials relating to Odell's career at the Smithsonian can also be found in the Smithsonian Institution Archives (SIA), particularly in the records of the NMAH Musical History Division.

Materials relating to the Bread and Puppet Theater can also be found in the archives of the Bread and Puppet Theater (via the Internet Archive); the University of Vermont; and the University of California, Davis.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
Folk music—United States  Search this
Stringed instruments  Search this
Fiddle  Search this
Mouth bow  Search this
Folk music  Search this
Musicians  Search this
Banjo  Search this
Appalachian dulcimer  Search this
Folklore  Search this
Genre/Form:
Field notes
Audiotapes
Posters
Reports
Correspondence -- 1930-1950
Photographs -- 1960-1980 -- Black-and-white photoprints -- Silver gelatin
Citation:
J. Scott Odell folk music collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ODEL
See more items in:
J. Scott Odell folk music collection
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5e8174ac9-2f64-4526-96d0-228a548d9788
EDAN-URL:
ead_collection:sova-cfch-odel
Online Media:

Milk T.G.I.Friday's: The cream always rises to the top..Now we're looking for the creme de la creme... Because we need more good managers...

Designer:
Woody Pirtle, American, b. 1945  Search this
Medium:
Offset lithograph on light brown paper
Dimensions:
57.7 x 33.7 cm (22 11/16 x 13 1/4 in.)
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
20th century
Credit Line:
Gift of Woody Pirtle
Accession Number:
1991-69-60
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq43b3e6fc6-d5e9-481c-a115-6bee1cb34e3a
EDAN-URL:
edanmdm:chndm_1991-69-60
Online Media:

Scarpitta, Salvatore - Castelli Gallery

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box OV 268, Folder
Type:
Archival materials
Date:
1960, 1980, 1982
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 5: Printed Materials / 5.4: Posters
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c074b9ec-911b-4dde-9bf6-b604ae9c80d3
EDAN-URL:
ead_component:sova-aaa-leocast-ref12843

Unidentified Posters

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box OV 272, Folder
Type:
Archival materials
Date:
circa 1960-1980s
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 5: Printed Materials / 5.4: Posters
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw940d72f73-4073-4930-b72b-d28cd3bcffdd
EDAN-URL:
ead_component:sova-aaa-leocast-ref12858

Planned Parenthood: Avoid Accidents

Designer:
Terry Lesniewicz, American, b. 1958  Search this
Medium:
Offset lithograph on white wove paper
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
ca. 1977
Credit Line:
Gift of Various Donors
Accession Number:
1981-29-143
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4ba3a421a-e243-4c59-84dc-e938a41951a5
EDAN-URL:
edanmdm:chndm_1981-29-143

The Bronx Zoo: Crocodile Teeth

Designer:
Peter Bradford  Search this
Stewart Siskind  Search this
Medium:
Screenprint on paper
Dimensions:
108.5 x 147.8 cm (42 11/16 x 58 3/16 in.)
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
ca. 1975
Credit Line:
Gift of Various Donors
Accession Number:
1981-29-377
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq482e91c00-7982-4c2b-94e8-11ec41f0f881
EDAN-URL:
edanmdm:chndm_1981-29-377
Online Media:

Art Institute of Fort Lauderdale

Designer:
Seymour Chwast, American, b. 1931  Search this
Client:
Art Institute of Fort Lauderdale, Fort Lauderdale, Florida, USA  Search this
Medium:
Lithograph on paper
Dimensions:
53.2 x 40.5 cm (20 15/16 x 15 15/16 in.)
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
before 1980
Credit Line:
Gift of Various Donors
Accession Number:
1981-29-84
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq40f38dd26-e285-4372-9e4b-2985f8ea7c39
EDAN-URL:
edanmdm:chndm_1981-29-84
Online Media:

Tension

Designer:
John Massey, American, b. 1931  Search this
Client:
Herman Miller Furniture Company, Zeeland, Michigan, USA  Search this
Author:
Ralph Caplan, American, b. 1925  Search this
Medium:
Lithograph on paper
Dimensions:
89 × 58.5 cm (35 1/16 × 23 1/16 in.)
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
ca. 1964–80
Accession Number:
1981-61-1
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4c04bd120-5bfc-4298-8914-0cf38a80d5e1
EDAN-URL:
edanmdm:chndm_1981-61-1

Connection

Designer:
John Massey, American, b. 1931  Search this
Client:
Herman Miller Furniture Company, Zeeland, Michigan, USA  Search this
Author:
Ralph Caplan, American, b. 1925  Search this
Medium:
Lithograph on paper
Dimensions:
89 × 58.5 cm (35 1/16 × 23 1/16 in.)
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
ca. 1964–80
Accession Number:
1981-61-2
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4a0480249-750d-4540-960e-cf3fdde7e2b8
EDAN-URL:
edanmdm:chndm_1981-61-2

Attention

Designer:
John Massey, American, b. 1931  Search this
Client:
Herman Miller Furniture Company, Zeeland, Michigan, USA  Search this
Author:
Ralph Caplan, American, b. 1925  Search this
Medium:
Lithograph on paper
Dimensions:
89 × 58.5 cm (35 1/16 × 23 1/16 in.)
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
ca. 1964–80
Accession Number:
1981-61-3
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4b1674e1c-cd5b-4086-bc28-199d9768e378
EDAN-URL:
edanmdm:chndm_1981-61-3

Function / Form

Designer:
John Massey, American, b. 1931  Search this
Client:
Herman Miller Furniture Company, Zeeland, Michigan, USA  Search this
Author:
Ralph Caplan, American, b. 1925  Search this
Medium:
Lithograph on paper
Dimensions:
89 × 58.5 cm (35 1/16 × 23 1/16 in.)
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
ca. 1964–80
Accession Number:
1981-61-4
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq42da36d3d-6c6b-44a0-af9d-dc05a98632b7
EDAN-URL:
edanmdm:chndm_1981-61-4

Distinction

Designer:
John Massey, American, b. 1931  Search this
Client:
Herman Miller Furniture Company, Zeeland, Michigan, USA  Search this
Author:
Ralph Caplan, American, b. 1925  Search this
Medium:
Lithograph on paper
Dimensions:
89 × 58.5 cm (35 1/16 × 23 1/16 in.)
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
ca. 1964–80
Accession Number:
1981-61-5
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq4e4ce49ea-ecb2-45e9-85c1-3aa493318fc1
EDAN-URL:
edanmdm:chndm_1981-61-5

Perception

Designer:
John Massey, American, b. 1931  Search this
Client:
Herman Miller Furniture Company, Zeeland, Michigan, USA  Search this
Author:
Ralph Caplan, American, b. 1925  Search this
Medium:
Lithograph on paper
Dimensions:
89 × 58.5 cm (35 1/16 × 23 1/16 in.)
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
ca. 1964–80
Accession Number:
1981-61-6
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq462ad1b01-5c4b-455c-9caf-2e600a6a4384
EDAN-URL:
edanmdm:chndm_1981-61-6

Ommisi(o)n

Designer:
John Massey, American, b. 1931  Search this
Client:
Herman Miller Furniture Company, Zeeland, Michigan, USA  Search this
Author:
Ralph Caplan, American, b. 1925  Search this
Medium:
Lithograph on paper
Dimensions:
89 × 58.5 cm (35 1/16 × 23 1/16 in.)
Type:
graphic design
Poster
Object Name:
Poster
Made in:
USA
Date:
ca. 1964–80
Accession Number:
1981-61-7
Restrictions & Rights:
Usage conditions apply
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
GUID:
http://n2t.net/ark:/65665/kq492cffc1e-8a81-45b8-ace9-f73ac5fc9b47
EDAN-URL:
edanmdm:chndm_1981-61-7

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