United States of America -- Rhode Island -- Newport -- Newport
Scope and Contents:
The folder includes worksheets, oversize photocopies of original plans, images, and articles.
General:
The Olmsted Brothers' 1901 design for the one-acre gardens within a seven-acre seaside property exemplified the great interest in Japonism at that time, featuring a koi pond, tea shelter, and thatch roofed parasols. The landscape design complemented California architect Irving John Gill's 1902 house, described as an Arts & Crafts variation on the New England shingle style with oriental features. The site is a rocky outcropping above a saltwater cove and the gardens highlighted natural features such as rocky outcroppings while preserving the wild character of the location. Wildacre, also known as the Japanese garden, was designed as a strolling garden with both open views of the ocean and composed garden rooms. Nearly 100 years later the garden was rejuvenated with reference to the original Olmsted plans and drawings.
The restoration included planting replacement specimen trees and adding a mixed layer of deciduous and evergreen trees as a privacy barrier along the road since the property had been reduced to 2.5 acres. A dense privet hedge clipped to resemble waves that acts as a buffer against the ocean was restored, and a gravel bocce court was installed nearby. Mostly white flowering trees, shrubs, bulbs and perennials were included in the predominantly green planting scheme. Gardens include the Japanese-themed entrance garden with a momi fir planted by Olmsted, a new Zen garden, a wisteria-covered tea shelter and surrounding garden, a pond garden, iris garden, peony garden, mountain garden and mountain top built from local rock. Many varieties of hosta, ferns, ornamental grasses, succulents, mosses, azaleas and conifers were planted throughout the property.
Persons associated with the garden include Albert H. Olmsted (1842-1929) (former owner, 1901- ); Howard Greeley (former owner, 1924- ); Thomas Bennett (former owner, 1929- ); Lilian Newlin (former owner, 1932- ); Ethel Fissell (former owner, 1935- ); C. Thomas Claggett (former owner, 1945- ); Maria Bove (former owner, 1953- ); Michael Bove III (former owner, 1982- ); Peter de Savary (former owner, 1997- ); Dorrance H. Hamilton (former owner, 1998- ); Irving John Gill (1870-1936) (architect, 1902); Madison Spencer (restoration architect, 1998); Olmsted Brothers (landscape architects, 1899-1902); Dave Quarry (head gardener, 1998-2013); Mary Ellen Flanagan (landscape designer, 1998- ); Dorrance H. Hamilton (garden designer, 1998-2013).
See also 35mm copy of 1919 postcard in the Richard Marchand Historical Postcard Collection. Image number RI091_MAR001.
Related Materials:
Wildacre related holdings consist of 3 folders (4 35mm slides; 20 digital images)
Records related to this site can be found at the Frederick Law Olmsted National Historic Site, Olmsted Job Number 02261, A. H. Olmsted, 'Wildacre.'
See others in:
Richard Marchand historical postcard collection, circa 1900s-1970s, bulk 1920-1940s.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
United States of America -- Wisconsin -- Walworth -- Lake Geneva
Scope and Contents:
The folder includes worksheets and articles about the house.
General:
Beauty without boundaries is the guiding principle for the more than 50 acre vacation estate. Since it was identified as one of the most beautiful country houses by Ladies Home Journal in 1912 and had gardens landscaped by John Charles Olmsted in 1905, the owners chose to restore rather than renovate when they purchased the property in 1971. The wooded shore of Lake Geneva with rockwork retaining walls transitions into an ornamentally landscaped estate. Drifts of hydrangea, hosta and buckeye at the gated entrance are succeeded by the original concrete driveway through woodland gardens with sugar maple, red oak, white oak, linden, boxwood, ground covers and perennial flowers that include daylilies, bleeding heart, phlox, and rugose roses. The formal drive circle at the house has a fountain in the center and a perimeter of flowering shrubs and variegated ivy topiaries. A grass terrace facing the lake features a rustic planted stone staircase. White roses and hydrangea are accented by a bell placed on an old tree stump. The children's garden has containers of vegetables, fruits, flowers and herbs with rustic wattle arches and furniture.
An enclosed courtyard for the swimming pool between the main house and guest house has clipped yew hedges, ground covers and perennials, trumpet, clematis and wisteria vines, and potted citrus trees. Near stands of mature trees planted more than 100 years ago there is a grotto, a mound of soil and stones topped by a statue with a stone bench nearby. One lawn is kept sculpted into a labyrinth. There is a mineral spring on the property, which is said to be restorative, that flows into a fieldstone basin surrounded by a planted rockwork wall. The other formal gardens include a rose garden planted in parterres and enclosed by espaliered apple trees and an organic potager with vegetable, herb and cutting flower beds laid out geometrically on either side of a wide path of stabilized degenerate granite with more espaliered fruit trees on the surrounding wire fence and covering a pergola.
Renovations were required for a family member with disablilites, including widened and level walkways with very gradual inclines, smooth stone patios and terraces with narrow joints, benches placed where there are good views of the lake, access to the house and swimming pool, and an elevator to the second floor inside the house. Trees in the woodland gardens were replaced as needed and tagged for future reference.
Persons associated with the garden include: Mr. and Mrs. Adolphus Clay Bartlett (former owners, 1905-1930); Colonel and Mrs. William Marvin Spencer (former owners, 1930-1971); John Charles Olmsted (landscape architect, 1905); Howard Van Doren Shaw (architect, 1905); Bartlett Tree Experts (arborists, 2011); Mariani Landscape (landscape architect, 1980- ).
The property was featured in "Ladies Home Journal" in 1909 when it was selected as one of the the twelve most beautiful homes in America.
Related Materials:
House in the Woods related holdings consist of 1 folder and 21 digital images)
Records related to this site can be found at the Frederick Law Olmsted National Historic Site, Olmsted Job Number 03038, A. C. Bartlett.
See others in:
Richard Marchand historical postcard collection, circa 1900s-1970s, bulk 1920-1940s.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Fisher, Bruce & Company, importers of china, earthenware, and glassware, were located on Market Street, Philadelphia. The collection contains catalog pages and price lists for china, earthenware, and glassware imported from Belgium, Britain, France, and Italy, and some American ceramics.
Scope and Contents:
This collection primarily contains catalog pages and pricelists for china, earthenware, and glassware imported from Belgium, Britain, France, and Italy, as well as some American ceramics. The catalog pages consist of color photographs of numbered ceramic items; the pricelists are separate pages keyed to the same numbers. These records, which date from 1939 1940, are arranged in separate folders by nationality.
The Belgian material consists of one catalog page of glassware. The British catalog pages depict Aynsley bone china (breakfast and tea sets), Grimwades earthenware, and "Toby" mugs of U.S. General McArthur and British General Wavell. The French catalog pages show "Quimper" design faience as well as other china and earthenware pieces. The Italian ceramics are primarily earthenware breakfast sets, bowls, baskets, vases, and donkey figures. There is also some Venetian glassware. The U.S. catalog pages show china breakfast sets and other tableware.
In addition, a photoprint in the collection shows the firm's building, ca. 1920s; a second photoprint shows a 1920s display of Pyrex ovenware in one of the building's display windows.
Biographical / Historical:
Fisher, Bruce & Company, importers of china, earthenware, and glassware, were located on Market Street in Philadelphia. The firm dates back at least to the year 1880, when it was known as Atherholt, Fisher & Company, and was located at 519 Market Street. The principals in the firm were Thomas C. Atherholt, Samuel Fisher, and his son, Joseph G. A. Fisher. By 1885 the company's name had changed to Fisher, Son & Company. By 1889, after the addition of George H. Ruth to the firm, its name had changed to Fisher, Son & Ruth. The following year, probably following the death of Samuel Fisher, Worthington Bruce joined the firm, and its name was changed to Fisher, Bruce & Company. In the same year the firm relocated to 221 Market Street.
The company continued to prosper in its Market Street location, which extended back to Church Street. By 1930, the adjoining building at 219 Market Street was purchased. The ground floors of numbers 219 221 were used as a showroom and the company's offices were located upstairs. The company stayed in the Fisher family's hands for the remainder of its existence, with E. Monroe Fisher as President of the firm beginning in 1930. In the 1970s the company was sold and the business relocated to New Jersey.
Provenance:
These records were donated to the Division of Domestic Life in February 1990 by Mr. Carl Gatter. His father, Herman L. Gatter, had been employed by Fisher, Bruce, for many years. The records were transferred to the Archives Center in March 1990.
Restrictions:
Unrestricted research use on site by appointment.
Probable copyright restrictions.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Ryan, Francis Carroll (elementary school student) Search this
Herosian, Rocky (National Museum of American History guard) Search this
Extent:
0.1 Cubic feet (1 box)
Container:
Box 1
Type:
Collection descriptions
Archival materials
Programs
Report cards
School records
Memorabilia
Picture postcards
Postcards
Certificates
Greeting cards
Health reports
Valentines
Date:
1910-1943
Scope and Contents note:
Includes pictorial greeting cards for Christmas, Valentine's Day, etc., and picture post cards, some with written messages; and grade school report cards, health reports, perfect attendance certificates, a Routt College High School commencement program (1937), and other school documents. Most of the material relates to or is addressed to Francis Carroll Ryan, a schoolboy.
Arrangement:
1 series. In 4 sections by type of material and date.
Biographical/Historical note:
Papers and memorabilia of an Illinois family, especially a boy, (Francis) Carroll Ryan, who attended the Long Point and Little Hope schools, Morgan County, Ill., and graduated from Routt College High School), 1937.
Provenance:
Collection donated by Rocky Herosian, Febuary 1988.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Color cartoon of two African American children, reproduced on postcard, possibly serving as a Valentine.
Arrangement:
In Box 1, Folder Bam Forth Co.
Local Numbers:
AC0281-0000027 (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Hoffman/Boaz Postcard Collection, 1898-1920, Archives Center, National Museum of American History, Smithsonian Institution, box X, folder XX, digital image file XXXXXXX.
The records of Vose Galleries of Boston measure 26.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.
Scope and Contents note:
The records of Vose Galleries of Boston measure 26.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.
Correspondence of note is with artists Childe Hassam, Malvina Hoffman, Alfred Jonniaux, and John Singer Sargent; galleries Ehrich Galleries, Clapp & Graham Co., M. Knoedler & Co., Macbeth Galleries, Milch Galleries, Newhouse Galleries, Arthur U. Newton Galleries, Norton Galleries, and Howard Young Galleries; the estates of Anna Coleman Ladd and William E. Norton; and the family of Abbott H. Thayer.
Researchers should note that the records do not comprehensively span the gallery's history or operations. The bulk of the collection is correspondence from Robert C. Vose's era running the Robert C. Vose Galleries in the 1920s-1930s and, lesser so, under Robert C. Vose, Jr.'s direction in the 1970s. There is little material in the collection which dates before the 1910s or the 1950s-1960s, other than correspondence regarding Alfred Jonniaux and some financial records. There is a handful of correspondence which covers the period of R.C. & N.M. Vose Gallery. Records loaned for microfilming should be consulted for materials outside of the bulk dates of this collection, especially for materials from the late 1800s-early 1900s.
Arrangement note:
The collection is arranged as 5 series:
Missing Title
Series 1: Correspondence, 1895-1996 (Boxes 1-23, 28; 22.6 linear feet)
Series 2: Customer Files, 1912-1946 (Boxes 23-24; 0.8 linear feet)
Series 3: Art-Related Files, circa 1876, 1890s-1947 (Box 24, 28; 1 linear feet)
Series 4: Financial Records, 1911-1962, 1991 (Boxes 24-25; 1.8 linear feet)
Series 5: Printed Materials, circa 1904-1990 (Boxes 25-27; 0.4 linear feet)
Biographical/Historical note:
Vose Galleries is a long time family run art gallery based in the Boston, Mass. area.
In 1841, Joseph Vose purchased Westminster Art Gallery, a small Providence, Rhode Island art gallery founded by Ransom Hicks. At the age of 19 in 1850, Joseph's son Seth Morton Vose joined the gallery and five years later became director. The gallery's primary business until the late 1860s was frame making, gilding and art supplies. Seth Morton Vose had a passion for art, especially the French painters of the Barbizon School and he slowly began buying and exhibiting artwork. By 1882, the gallery regularly exhibited in Boston.
Seth's son Robert C. Vose joined the business in 1896, and managed the gallery's Boston office from 1897. Robert broadened the gallery's horizons by showing his fine stock of Barbizon, Dutch, English and American artists throughout America, while his younger brother, Nathaniel, and his cousin, Charles Thompson, handled the Boston gallery. During the next sixty-seven years, Robert C. Vose moved the gallery into a position of national prominence.
In 1924, Nathaniel left the gallery and established his own gallery in Providence. The Boston gallery's name changed to Robert C. Vose Galleries, and around the same time, took over the Carrig-Rohane framing company. In 1931-1932, Robert's three sons, Robert C. Vose, Jr., Seth Morton Vose II, and Herbert Vose, joined the firm. The gallery continued to show exhibitions in Boston, and the sons took turns joining their father on the road. The gallery's name was changed to Vose Galleries of Boston, Inc. in 1952. In 1963, Vose Galleries moved to their current location at 238 Newbury Street in Boston. Robert C. Vose passed away in 1964.
Robert C. Vose, Jr.'s sons, Abbot W. Vose and Robert C. Vose III, joined the gallery in 1968 and 1970, respectively. Robert C. Vose, Jr. passed away in 1998. The Vose Galleries of Boston continues to operate at Newbury Street under the direction of the sixth generation of the Vose family.
Related Archival Materials note:
The Archives of American Art holds several separately cataloged collections related to Vose Galleries of Boston, including the Carrig-Rohane Shop records (1903-1962); oral history interviews with Seth Morton Vose (July 24, 1986 - April 28, 1987) and Robert C. Vose, Jr. (June 27 - July 23, 1986); a sound recording and videotape of a Robert C. Vose, Jr. lecture at the Somerset Club (May 14, 1987); a sound recording of an interview with Robert C. Vose (March 1961); the Miscellaneous Art Exhibition Catalog collection containing Vose Galleries exhibition catalogs, circa 1900-1941; and, Robert C. Vose, Jr. typescripts and clippings, 1961, on microfilm reels 3480 and 4314.
Separated Materials note:
The Archives of American Art also holds material lent for microfilming.
Reel B1 contains a scrapbook compiled by Seth Vose and annotated by Robert Vose that contains clippings, 1886-1900, and an 1889 letter from author and critic Alfred Trumble; and a scrapbook compiled and annotated by Robert C. Vose spanning the years 1920-1940, 1897, and 1905, containing clippings and handwritten lists.
Reel 2380 includes numerous photographs, circa 1890-1964, of Seth Morton Vose, Robert C. Vose, Sr., artists, collectors, and dealers associated with Vose Galleries; a Macbeth Gallery "smoker" in honor of Emil Carlsen; a drawing of Charles Emil Heil by George F. Wing, and a charcoal drawing after Monticelli by Albion Harris Bicknell. Many of the photographs are annotated by Robert C. Vose.
Reels 3936-3940 are comprised of account books, 1871-1887; a journal, 1889-1903, a ledger, 1889-1901; invoice books, 1896-circa 1954, inventories of paintings and drawings in stock, 1884, 1892 and 1906; exhibition records, 1911-1982?; traveling exhibition records, 1915-1949; and a record of paintings sold, 1876-1894. Written permission is required to access these reels.
Reels 4593-4594 contain clippings, undated and 1891-1989, chiefly about purchases, sales and exhibitions, but also pertaining to art dealers, museums, artists, and art events.
Reel 4909 contains a scrapbook of clippings, announcements, programs, and other printed materials, 1882-1993.
Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
From 1965-1994, Vose Galleries of Boston loaned materials to the Archives of American Art for microfilming. Robert C. Vose, Jr. also donated records in several installments from 1974 to 1997.
Restrictions:
Use of original papers requires an appointment.
Rights:
Reels 3936-3940: Authorization to publish, quote or reproduce requires written permission from an officer of the Vose Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- United States -- Photographs Search this
Picture frame industry -- Massachusetts -- Boston Search this
Bartholdi Fountain, National Botanical Garden, Washington, D.C.
Extent:
1 Postcard
Container:
Box 1
Type:
Archival materials
Postcards
Postcards
Date:
circa 1920-1940
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic gardens postcard collection.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic gardens postcard collection.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic gardens postcard collection.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic gardens postcard collection.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic gardens postcard collection.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic gardens postcard collection.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic gardens postcard collection.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic gardens postcard collection.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic gardens postcard collection.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic gardens postcard collection.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Historic gardens postcard collection.
