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Outdoor Portrait [painting] / (photographed by Peter A. Juley & Son)

Title:
Portrait Out of Doors of Julian Alden Weir's Daughter [painting] / (photographed by Peter A. Juley & Son)
Artist:
Hassam, Childe 1859-1935  Search this
Subject:
Weir  Search this
Type:
Photograph
Date:
1909
Topic:
Portrait female--Knee length  Search this
Image number:
JUL J0027177
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_27178

Grant and His Generals

Artist:
Ole Peter Hansen Balling, 13 Apr 1823 - 1 May 1906  Search this
Sitter:
Thomas Casimer Devin, 10 Dec 1822 - 4 Apr 1878  Search this
George Armstrong Custer, 5 Dec 1839 - 25 Jun 1876  Search this
Hugh Judson Kilpatrick, 14 Jan 1836 - 2 Dec 1881  Search this
William Hemsley Emory, 7 Sep 1811 - 1 Dec 1887  Search this
Philip Henry Sheridan, 6 Mar 1831 - 5 Aug 1888  Search this
James Birdseye McPherson, 14 Nov 1828 - 22 Jul 1864  Search this
George Crook, 8 Sep 1828 - 21 Mar 1890  Search this
Wesley Merritt, 16 Jun 1834 - 3 Dec 1910  Search this
George Henry Thomas, 31 Jul 1816 - 28 Mar 1870  Search this
Gouverneur Kemble Warren, 8 Jan 1830 - 8 Aug 1882  Search this
George Gordon Meade, 31 Dec 1815 - 6 Nov 1872  Search this
John Grubb Parke, 22 Sep 1827 - 16 Dec 1900  Search this
William Tecumseh Sherman, 8 Feb 1820 - 14 Feb 1891  Search this
John Alexander Logan, 9 Feb 1826 - 26 Dec 1886  Search this
Ulysses Simpson Grant, 27 Apr 1822 - 23 Jul 1885  Search this
Ambrose Everett Burnside, 23 May 1824 - 13 Sep 1881  Search this
Joseph Hooker, 13 Nov 1814 - 31 Oct 1879  Search this
Winfield Scott Hancock, 14 Feb 1824 - 9 Feb 1886  Search this
John Aaron Rawlins, 13 Feb 1831 - 6 Sep 1869  Search this
Edward Otho Cresap Ord, 18 Oct 1818 - 22 Jul 1883  Search this
Francis Preston Blair, Jr., 19 Feb 1821 - 9 Jul 1875  Search this
Alfred Howe Terry, 10 Nov 1827 - 16 Dec 1890  Search this
Henry Warner Slocum, 24 Sep 1827 - 14 Apr 1894  Search this
Jefferson Columbus Davis, 2 Mar 1828 - 30 Nov 1879  Search this
Oliver Otis Howard, 8 Nov 1830 - 26 Oct 1909  Search this
John McAllister Schofield, 29 Sep 1831 - 4 Mar 1906  Search this
Joseph Anthony Mower, 22 Aug 1827 - 6 Jan 1870  Search this
Medium:
Oil on canvas
Dimensions:
304.8cm x 487.7cm (120" x 192"), Accurate
Type:
Painting
Date:
1865
Topic:
Costume\Headgear\Military  Search this
Weapon\Sword  Search this
Exterior\Landscape\Battleground  Search this
Nature & Environment\Animal\Horse  Search this
Symbols & Motifs\Flag\National\United States  Search this
Symbols & Motifs\Flag\Military  Search this
Hugh Judson Kilpatrick: Male  Search this
Hugh Judson Kilpatrick: Politics and Government\Diplomat\Minister  Search this
Hugh Judson Kilpatrick: Military\Army\Officer\Major General  Search this
John Aaron Rawlins: Male  Search this
John Aaron Rawlins: Politics and Government\Cabinet Member\Secretary of War  Search this
John Aaron Rawlins: Military\Army\Officer\General  Search this
John Aaron Rawlins: Military\Army\Officer\Civil War\Union  Search this
George Gordon Meade: Male  Search this
George Gordon Meade: Military\Army\Officer\General  Search this
George Gordon Meade: Military\Army\Officer\Civil War\Union  Search this
George Gordon Meade: Science and Technology\Engineer\Military  Search this
John Alexander Logan: Male  Search this
John Alexander Logan: Law and Law Enforcement\Lawyer  Search this
John Alexander Logan: Military\Army\Officer\General  Search this
John Alexander Logan: Military\Army\Officer\Civil War\Union  Search this
John Alexander Logan: Politics and Government\US Senator\Illinois  Search this
John Alexander Logan: Politics and Government\State Legislator\Illinois  Search this
John Alexander Logan: Politics and Government\US Congressman\Illinois  Search this
Winfield Scott Hancock: Male  Search this
Winfield Scott Hancock: Politics and Government\Presidential Candidate  Search this
Winfield Scott Hancock: Military\Army\Officer\General  Search this
Winfield Scott Hancock: Military\Army\Officer\Civil War\Union  Search this
Winfield Scott Hancock: Military\Army\Officer\Brigadier General  Search this
Winfield Scott Hancock: Military\Army\Officer\Major General  Search this
George Armstrong Custer: Male  Search this
George Armstrong Custer: Military\Army\Officer\Civil War\Union  Search this
Henry Warner Slocum: Male  Search this
Henry Warner Slocum: Law and Law Enforcement\Lawyer  Search this
Henry Warner Slocum: Military\Army\Officer\Colonel  Search this
Henry Warner Slocum: Military\Army\Officer\General  Search this
Henry Warner Slocum: Military\Army\Officer\Civil War\Union  Search this
Henry Warner Slocum: Military\Army\Officer\Brigadier General  Search this
Henry Warner Slocum: Politics and Government\US Congressman\New York  Search this
Henry Warner Slocum: Military\Army\Officer\Major General  Search this
Alfred Howe Terry: Male  Search this
Alfred Howe Terry: Law and Law Enforcement\Lawyer  Search this
Alfred Howe Terry: Military\Army\Officer\General  Search this
Alfred Howe Terry: Military\Army\Officer\Civil War\Union  Search this
James Birdseye McPherson: Male  Search this
James Birdseye McPherson: Military\Army\Officer\Civil War\Union  Search this
James Birdseye McPherson: Military\Army\Officer\Brigadier General  Search this
James Birdseye McPherson: Science and Technology\Engineer\Military  Search this
James Birdseye McPherson: Military\Army\Officer\Major General  Search this
George Crook: Male  Search this
George Crook: Military\Army\Officer\General  Search this
George Crook: Military\Army\Officer\Civil War\Union  Search this
Edward Otho Cresap Ord: Male  Search this
Edward Otho Cresap Ord: Military\Army\Officer\Civil War  Search this
Edward Otho Cresap Ord: Military\Army\Officer\General  Search this
Joseph Hooker: Male  Search this
Joseph Hooker: Military\Army\Officer\Civil War  Search this
Joseph Hooker: Military\Army\Officer\Major General  Search this
Joseph Anthony Mower: Male  Search this
Joseph Anthony Mower: Military\Army\Officer\Colonel  Search this
Joseph Anthony Mower: Military\Army\Officer\General  Search this
Joseph Anthony Mower: Military\Army\Officer\Captain  Search this
Joseph Anthony Mower: Military\Army\Officer\Civil War\Union  Search this
Joseph Anthony Mower: Military\Army\Officer\Major General  Search this
Thomas Casimer Devin: Male  Search this
Thomas Casimer Devin: Military\Army\Officer\Colonel  Search this
Thomas Casimer Devin: Military\Army\Officer\Civil War\Union  Search this
Thomas Casimer Devin: Military\Army\Officer\Brigadier General  Search this
William Hemsley Emory: Male  Search this
William Hemsley Emory: Literature\Writer  Search this
William Hemsley Emory: Military\Army\Officer\Civil War  Search this
William Hemsley Emory: Military\Army\Officer\Brigadier General  Search this
William Hemsley Emory: Science and Technology\Scientist\Astronomer  Search this
George Henry Thomas: Male  Search this
George Henry Thomas: Military\Army\Officer\General  Search this
George Henry Thomas: Military\Army\Officer\Civil War\Union  Search this
Philip Henry Sheridan: Male  Search this
Philip Henry Sheridan: Military\Army\Officer\Colonel  Search this
Philip Henry Sheridan: Military\Army\Officer\General  Search this
Philip Henry Sheridan: Military\Army\Officer\Captain  Search this
Philip Henry Sheridan: Military\Army\Officer\Civil War\Union  Search this
Philip Henry Sheridan: Military\Army\Officer\Brigadier General  Search this
Philip Henry Sheridan: Military\Army\Officer\Major General  Search this
Francis Preston Blair, Jr.: Male  Search this
Francis Preston Blair, Jr.: Law and Law Enforcement\Lawyer  Search this
Francis Preston Blair, Jr.: Military\Army\Officer\General  Search this
Francis Preston Blair, Jr.: Military\Army\Officer\Civil War\Union  Search this
Francis Preston Blair, Jr.: Politics and Government\US Senator\Missouri  Search this
Francis Preston Blair, Jr.: Politics and Government\US Congressman\Missouri  Search this
Francis Preston Blair, Jr.: Politics and Government\State Legislator\Missouri  Search this
William Tecumseh Sherman: Male  Search this
William Tecumseh Sherman: Law and Law Enforcement\Lawyer  Search this
William Tecumseh Sherman: Military\Army\Officer\Civil War  Search this
William Tecumseh Sherman: Military\Army\Officer\General  Search this
William Tecumseh Sherman: Business and Finance\Businessperson\Banker  Search this
William Tecumseh Sherman: Military\Army\Officer\Civil War\Union  Search this
John Grubb Parke: Male  Search this
John Grubb Parke: Military\Army\Officer\General  Search this
John Grubb Parke: Military\Army\Officer\Civil War\Union  Search this
Oliver Otis Howard: Male  Search this
Oliver Otis Howard: Military\Army\Officer\General  Search this
Oliver Otis Howard: Military\Army\Officer\Civil War\Union  Search this
Oliver Otis Howard: Literature\Writer\Historical  Search this
Oliver Otis Howard: Education\Founder\University  Search this
Jefferson Columbus Davis: Male  Search this
Jefferson Columbus Davis: Military\Army\Officer\General  Search this
Jefferson Columbus Davis: Law and Law Enforcement\Criminal\Murderer  Search this
John McAllister Schofield: Male  Search this
John McAllister Schofield: Politics and Government\Cabinet Member\Secretary of War  Search this
John McAllister Schofield: Military\Army\Officer\General  Search this
John McAllister Schofield: Military\Army\Officer\Civil War\Union  Search this
Wesley Merritt: Male  Search this
Wesley Merritt: Military\Army\Officer\General  Search this
Wesley Merritt: Military\Army\Officer\Civil War\Union  Search this
Ulysses Simpson Grant: Male  Search this
Ulysses Simpson Grant: Natural Resources\Agriculturist\Farmer  Search this
Ulysses Simpson Grant: Politics and Government\Cabinet Member\Secretary of War  Search this
Ulysses Simpson Grant: Military\Army\Officer\Civil War  Search this
Ulysses Simpson Grant: Military\Army\Officer\General  Search this
Ulysses Simpson Grant: Politics and Government\President of US  Search this
Ulysses Simpson Grant: Congressional Gold Medal  Search this
Ambrose Everett Burnside: Male  Search this
Ambrose Everett Burnside: Business and Finance\Businessperson\Executive\Railroad  Search this
Ambrose Everett Burnside: Military\Army\Officer\Civil War\Union  Search this
Ambrose Everett Burnside: Politics and Government\US Senator\Rhode Island  Search this
Ambrose Everett Burnside: Politics and Government\Governor\Rhode Island  Search this
Gouverneur Kemble Warren: Male  Search this
Gouverneur Kemble Warren: Education\Educator\Teacher  Search this
Gouverneur Kemble Warren: Military\Army\Officer\Civil War\Union  Search this
Gouverneur Kemble Warren: Science and Technology\Engineer\Civil  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Mrs. Harry Newton Blue in memory of her husband Harry Newton Blue (1893-1925), who served as an officer of the Regular U.S. Army 1917-1925
Object number:
NPG.66.37
Restrictions & Rights:
CC0
See more items in:
National Portrait Gallery Collection
Exhibition:
2022 Rehang of Out of Many: Portraits from 1600 to 1900
On View:
NPG, East Gallery 121
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4a4b278b3-8054-4445-a6cd-5c2ff5bac636
EDAN-URL:
edanmdm:npg_NPG.66.37

John Toole collection, [undated] and 1959

Creator:
Toole, John, 1815-1860  Search this
Topic:
Miniature painting -- Virginia  Search this
Portrait painting -- Virginia  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8558
(DSI-AAA_SIRISBib)210737
AAA_collcode_tooljohn
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210737

Julia Sully papers, [ca. 1730]-1948

Creator:
Sully, Julia, 1870-1948  Search this
Subject:
Sully, Thomas  Search this
United States. Works Progress Administration  Search this
Topic:
Portrait painting, American -- Virginia  Search this
Art -- Study and teaching -- Virginia  Search this
Women art historians  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)9501
(DSI-AAA_SIRISBib)211699
AAA_collcode_sulljuli
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211699

Miner Kilbourne Kellogg papers, 1842-1882

Creator:
Kellogg, Miner K. (Miner Kilbourne), 1814-1889  Search this
Subject:
Benjamin, Park  Search this
Cesnola, Luigi Palma di  Search this
Clark, Lewis Gaylord  Search this
Curtis, George William  Search this
Custis, George Washington Parke  Search this
Everett, Edward  Search this
Gayarré, Charles  Search this
Gilpin, Henry D. (Henry Dilworth)  Search this
Griswold, Rufus W. (Rufus Wilmot)  Search this
Johnson, Reverdy  Search this
Kearny, Philip  Search this
Kirkland, Caroline M. (Caroline Matilda)  Search this
Macready, William Charles  Search this
Marlay, Charles Brinsley  Search this
Marsh, George Perkins  Search this
Parsons, Theophilus  Search this
Poinsett, Joel Roberts  Search this
Powers, Hiram  Search this
Ream, Vinnie  Search this
Russell, Samuel H.  Search this
Scott, Winfield, Mrs  Search this
Sherman, Ellen Ewing  Search this
Slidell, John  Search this
Somers, Virginia, Lady  Search this
Stratford de Redcliffe, Stratford Canning, Viscount  Search this
Swedenborg, Emanuel  Search this
Taylor, Bayard  Search this
Tiffany, Osmond  Search this
Tuckerman, Henry T. (Henry Theodore)  Search this
Wall, W. I.  Search this
Whittlesey, Elisha  Search this
Wickliffe, R., Jr  Search this
Cleveland Academy of Art  Search this
Lenox Library  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Academy of Design (U.S.)  Search this
Type:
Scrapbooks
Topic:
Portrait painting -- New York (State) -- New York  Search this
Painting, American  Search this
Sculpture, American  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9133
(DSI-AAA_SIRISBib)211327
AAA_collcode_kellmine
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211327

Horace Talmage Day papers, 1929-1965

Creator:
Day, Horace Talmage, 1909-1984  Search this
Subject:
Laning, Edward  Search this
Miller, Kenneth Hayes  Search this
Nicolaïdes, Kimon  Search this
Schnakenberg, H. E. (Henry Ernest)  Search this
Citron, Minna Wright  Search this
Day, Elizabeth Nottingham  Search this
Public Works of Art Project  Search this
Topic:
Portrait painting -- Virginia  Search this
World War, 1939-1945  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9293
(DSI-AAA_SIRISBib)211488
AAA_collcode_dayhora
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211488

Portraits and painters of the early Champlain Valley, 1800-1865 / [Virginia Burdick, Katherine Lochridge] ; an exhibition presented by the Student Association and the Art Gallery of the State University College, Plattsburgh, New York, April 12-May 2, 1975

Author:
Burdick, Virginia Mason  Search this
Lochridge, Katherine  Search this
State University of New York College at Plattsburgh)  Search this
Physical description:
[38] p. : ill., ports. ; 21 x 26 cm
Type:
Exhibitions
Portraits
Place:
Champlain Valley
New York (State)
Date:
1975
19th century
Topic:
Portrait painters  Search this
Portrait painting  Search this
Biography  Search this
Call number:
ND1311.8.N7 B95
ND1311.8.N7B95
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_105437

photograph

Physical Description:
paper (overall material)
card (overall material)
Measurements:
overall: 1/16 in x 6 3/8 in x 8 1/2 in; .15875 cm x 16.1925 cm x 21.59 cm
Object Name:
photograph
Object Type:
photographs
Other Terms:
Photographs; Photography; Portraits
Place photograph taken:
United States: California, Oakland
Place portrait painted:
United States: New York
Place owned:
United States: California, Oakland
United States: Virginia, Richmond
Date photograph taken:
ca 1887 - 1903
Date portrait painted:
ca 1750 - 1760
Subject:
Portraits  Search this
Man  Search this
California  Search this
Credit Line:
Mrs. George C. (Constance Adela Heath) Gregory
ID Number:
DL.65.1417E
Catalog number:
65.1417E
Accession number:
259870
See more items in:
Cultural and Community Life: Domestic Life
Photography
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-18b5-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1461539

Carl Holty papers

Creator:
Holty, Carl, 1900-1973  Search this
Names:
Bearden, Romare, 1911-1988  Search this
Byrne, Charles B.  Search this
Hiler, Hilaire, 1898-1966  Search this
Extent:
1.8 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Photograph albums
Date:
circa 1860s-1972
bulk 1940-1967
Summary:
The Carl Holty papers are dated circa 1860s-1972 (bulk 1940-1967), measure 1.8 linear feet and contain correspondence, writings, printed material and photographs documenting Holty's career as an abstract painter and painting teacher.
Scope and Content Note:
The papers of Carl Holty are dated circa 1860s-1972 (bulk 1940-1967), measure 1.8 linear feet and consist of correspondence, writings, printed material and photographs documenting Holty's career as an abstract painter and painting teacher.

Correspondence with Romare Bearden, Charles Byrne and Hilaire Hiler concerns art, exhibitions and reviews, education, and news of mutual friends. Holty's writings include articles, autobiographical writings, unpublished manuscripts of a monograph, Art In America, and an untitled novel. Also found among his writings is a journal which contains his reminiscences of artist friends and acquaintances, and reflections on art, art history, and his life, personal plans and aspirations.

Printed material consists mainly of clippings about or mentioning Holty, and reviews and publicity relating to The Painter's Mind, a book Holty wrote with Romare Bearden. Miscellaneous records consist of a transcript of an interview with Carl Holty and an identification card issued to his father.

Photographs are of artwork, people and places. Also included are 6 photograph albums of Holty's artwork, and a small number of negatives. The people pictured are mainly Holty, friends and family. There is also a group photograph that includes Joan Miró.
Arrangement note:
The collection is arranged as 5 series:

Missing Title

Series 1: Correspondence, 1940-1972 (Box 1; 5 folders)

Series 2: Writings, 1944-1967 (Box 1; 0.6 linear ft.)

Series 3: Printed Material, 1931-1972 (Box 1; 5 folders)

Series 4: Miscellaneous Records, 1900, 1966 (Box 1; 2 folders)

Series 5: Photographs, circa 1860s-1972 (Boxes 1-3; 0.9 linear ft.)
Biographical/Historical note:
Carl Holty was born in 1900 to American parents in Freiburg, Germany, where his father was studying medicine. Carl was still an infant when the family returned to Milwaukee, Wisconsin, where they lived with his grandparents in a traditional German neighborhood. It was Carl's grandfather who first introduced him to art through visits to a small local commercial gallery.

After showing an interest in being an artist at around age 12, Holty began taking lessons with a local painter. As a teenager he began drawing cartoons and soon set his sights on becoming a poster artist. With that in mind, Holty enrolled at the Art Institute of Chicago in 1919. He soon headed to New York and took courses at the Parsons School of Design and then at the National Academy of Design. In 1923 he returned to Milwaukee and opened a portrait painting studio.

Holty married in 1925 and took his bride to Europe, remaining abroad for the next decade. He entered Hans Hofmann's school in Munich in 1926, and exposure to Hofmann's ideas about color, space, and form greatly influenced and transformed his work. In 1927, the Holtys relocated to Switzerland in search of treatment for Mrs. Holty's tuberculosis. Holty and Hofmann remained in touch, and while in Switzerland, Holty increasingly incorporated Hofmann's teachings into his paintings as they grew more abstract in style.

After his wife's death in 1930, Holty moved to Paris for five years where he participated in several exhibitions and his work was well-received. Robert Delaunay invited him to join Abstration-Création, and the group published some of Holty's work in its magazine.

Upon returning to the United States in 1935, Holty settled in New York City where he eventually remarried and had a daughter. He renewed friendships with Hans Hofmann, Vaclav Vytlacil, and Stuart Davis, whom he had known in Paris. A figure in vanguard art circles, Holty was involved in meetings that resulted in the formation of the American Abstract Artists, and in 1938 he served as the group's chairman.

Holty taught drawing and paining at Brooklyn College from 1950 until his retirement in 1970, when he was designated Professor Emeritus. His years at Brooklyn College were punctuated by brief stints as a visiting instructor at the Art Students League, Washington University (St. Louis), and University of Louisville; he served as artist-in-residence at the universities of Georgia, Florida, California (Berkeley), and Wisconsin, and the Corcoran School of Art.

He exhibited widely at major museums throughout the United States including: the San Francisco Art Museum, Seattle Art Museum, Whitney Museum of American Art, Carnegie Institute, Metropolitan Museum of Art, Museum of Modern Art, and the Solomon R. Guggenheim Museum. Holty's work was shown at major New York galleries such as J. B. Neumann, Samuel Kootz Gallery, and Graham Gallery, and is in the permanent collections of many museums including: Addison Gallery of American Art, Brooklyn Museum, Butler Institute of Art, Carnegie Institute, Smithsonian American Art Museum, and the Solomon R. Guggenheim Museum.

Carl Holty died March 22, 1973 in New York City, after a short illness.
Related Archival Materials note:
Six interviews with Carl Holty (in addition to the one described in this finding aid) are available at the Archives of American Art. Three are oral histories conducted by the Archives of American Art, 1964-1968. The others are parts of interview collections accessioned by the Archives: Interviews relating to American Abstract Artists (Ruth Bowman), Anne Bowen Parsons collection of Interviews on Art, and Collette Roberts Interviews with Artists.

In addition, substantial correspondence with Carl Holty is included among the Hilaire Hiler papers and Romare Bearden papers owned by the Archives of American Art.
Separated Materials note:
The Archives of American Art also holds microfilm of material lent for microfilming (reels N68-93 and N68-105), much of which was subsequently donated. Loaned material that was not later donated includes Holty's letters to his wife, Elizabeth, and daughter, Antonia, letters to Zoe Dusanne, letters from Ulfert Wilkie and Erwin Breithaupt, a small amount of general correspondence, and a typescript copy of Holty's journal. This material remains with the lender and is not described in the collection container inventory.
Provenance:
The Carl Holty papers were donated in increments between 1972 and 2006. The bulk of the papers were originally loaned in 1968, and later donated by Holty in 1972. Charles Byrne, a friend of Holty, donated a small amount of correspondence, printed material, and photographs in 1976-1977; family photographs were given by Holty's biographer, Virginia Liles, in 2006.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painting -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Interviews
Photograph albums
Citation:
Carl Holty papers, circa 1860s-1972 (bulk 1940-1967). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.holtcarl
See more items in:
Carl Holty papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c54088fa-0235-4a48-95dd-63496b5b713a
EDAN-URL:
ead_collection:sova-aaa-holtcarl
Online Media:

Kate Lang papers

Creator:
Lang, Kate, 1910-1996  Search this
Extent:
1.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Place:
Washington (D.C.) -- Social life and customs
Date:
1921-1996
Summary:
The papers of self-taught artist Kate Lang consist of a biographical sketch; letters, cards, and instructions from a patron for paintings; notes and other writings; lists of sales and other financial records; newspaper articles about Lang; exhibition announcements; printed source material for paintings; and photographs and snapshots of Lang as a young girl as well as color photographs and snapshots of her artwork. The collection measures 1.1 linear feet and dates from 1921 to 1996.
Scope and Content Note:
The Kate Lang papers measure 1.1 linear feet and date from 1921 to 1996. The collection documents the artistic career and creative process of Arlington, Virginia-based self-taught painter Kate Lang. The collection contains a brief biographical account, scattered professional and personal correspondence, writings and notes with sketches by Kate Lang, financial records, clippings, exhibition announcements, and numerous photographs and snapshots of Kate Lang, her artwork, friends and family. The collection compliments the Archives' material on self-taught artists and provides some useful evidence of an alternative market for painting.
Arrangement:
The collection is arranged as six series:

Missing Title

Series 1: Biographical Material, 1992 (Box 1; 1 folder)

Series 2: Letters, 1992-1996, undated (Box 1; 3 folders)

Series 3: Writings, 1992-1994, undated (Box 1; 6 folders)

Series 4: Financial Records, 1990-1996, undated (Box 1; 2 folders)

Series 5: Printed Material, 1991-1996, undated (Box 1, OV 2; 5 folders)

Series 6: Photographs, 1921-circa 1990s (Box 1, OV 2; 0.6 linear feet)
Biographical Note:
Kate Lang, born Kathryn Louise Barbour in 1910 in Mobile, Alabama, started painting at age 80. A self-taught artist, she sold her paintings at local flea markets (Washington, D.C.'s Eastern Market on Saturdays and Georgetown Market on Sundays) until her death in 1996. Lang excelled at celebrity and pet portraits painted in the style of contemporary folk art. She held exhibitions at Connection Gallery in Washington, D.C. and George Washington University's Dimrock Gallery in 1992 and at the Corcoran Gallery of Art in 1995.
Provenance:
The papers were donated in 2001 and 2009 by Richard Lang, the son of Kate Lang.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Washington (D.C.)  Search this
Topic:
Flea markets -- Washington (D.C.)  Search this
Painting, American -- Economic aspects  Search this
Self-taught artists -- Washington (D.C.)  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Photographs
Citation:
Kate Lang papers, 1921-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.langkate
See more items in:
Kate Lang papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9be7e7c79-e2f6-4517-a54d-d355ee15020f
EDAN-URL:
ead_collection:sova-aaa-langkate

Frank Duveneck

Collection Creator:
Duveneck, Frank, 1848-1919  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
1917-1918
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank Duveneck and Elizabeth Boott Duveneck papers, 1851-1972. Archives of American Art, Smithsonian Institution.
See more items in:
Frank Duveneck and Elizabeth Boott Duveneck papers
Frank Duveneck and Elizabeth Boott Duveneck papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90b793978-d256-4db7-b191-cfa5c59533de
EDAN-URL:
ead_component:sova-aaa-duvefran-ref17
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Miner Kilbourne Kellogg papers

Creator:
Kellogg, Miner K. (Miner Kilbourne), 1814-1889  Search this
Names:
Cleveland Academy of Art  Search this
Lenox Library  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Academy of Design (U.S.)  Search this
Benjamin, Park, 1809-1864  Search this
Cesnola, Luigi Palma di, 1832-1904  Search this
Clark, Lewis Gaylord, 1808-1873  Search this
Curtis, George William, 1824-1892  Search this
Custis, George Washington Parke, 1781-1857  Search this
Everett, Edward, 1794-1865  Search this
Gayarré, Charles, 1805-1895  Search this
Gilpin, Henry D. (Henry Dilworth), 1801-1860  Search this
Griswold, Rufus W. (Rufus Wilmot), 1815-1857  Search this
Johnson, Reverdy, 1796-1876  Search this
Kearny, Philip, 1815-1862  Search this
Kirkland, Caroline M. (Caroline Matilda), 1801-1864  Search this
Macready, William Charles, 1793-1873  Search this
Marlay, Charles Brinsley, 1831-1912  Search this
Marsh, George Perkins, 1801-1882  Search this
Parsons, Theophilus, 1750-1813  Search this
Poinsett, Joel Roberts, 1779-1851  Search this
Powers, Hiram, 1805-1873  Search this
Ream, Vinnie, 1847-1914  Search this
Russell, Samuel H.  Search this
Scott, Winfield, Mrs  Search this
Sherman, Ellen Ewing, 1824-1888  Search this
Slidell, John, 1793-1871  Search this
Somers, Virginia, Lady  Search this
Stratford de Redcliffe, Stratford Canning, Viscount, 1786-1880  Search this
Swedenborg, Emanuel, 1688-1772  Search this
Taylor, Bayard, 1825-1878  Search this
Tiffany, Osmond, b. 1823  Search this
Tuckerman, Henry T. (Henry Theodore), 1813-1871  Search this
Wall, W. I.  Search this
Whittlesey, Elisha, 1783-1863  Search this
Wickliffe, R., Jr  Search this
Extent:
0.6 Linear feet ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1842-1882
Scope and Contents:
Correspondence, photographs, writings, a scrapbook, and printed materials.
REELS D30 and D33: Correspondence, clippings, and photographs. Included are letters from George William Curtis to Kellogg, October 1846-January 1847, describing Rome (incorrectly attributed to George Washington Parke Custis on microfilm); a letter from Elisha Whittlesey to George Washington Parke Custis, October 23, 1844, commending Miner Kellogg to him; and correspondence dealing with Kellogg's activities as a promoter of Hiram Powers' statue "The Greek Slave" in the mid-nineteenth century.
Correspondents include: Park Benjamin, Sir Stratford Canning, Luigi P. Cesnola, Lewis G. Clark, Edward Everett, Charles E.A. Gayarré, Henry D. Gilpin, Rufus W. Griswold, Reverdy Johnson, Phillip Kearny, Caroline M. Kirkland, Lenox Library, William C. MacReady, Brinsley Marlay, George P. Marsh, National Academy of Design, Theophilus Parsons, Joel R. Poinsett, Vinnie Ream Hoxie, Samuel H. Russell, Mrs. Winfield Scott, Ellen E. Sherman, John Slidell, Lady Virginia Somers (godmother of Kellogg's daughter Virginia), Bayard Taylor, Osmond Tiffany, Henry T. Tuckerman, W. I. Wall, and R. Wickliffe, Jr.
REEL 986: Scrapbook of clippings, collected by Kellogg from New York, Washington, Baltimore and Ohio newspapers. Some clippings were written by Kellogg, including stories about his own paintings, advertisements for his patent canvas stretcher, reports by him on his travel in foreign countries, and article on Hiram Powers, the opening of the Metropolitan Museum of Art (1880), Jane Eyre, Emanuel Swedenborg, the Cleveland Academy of Art, art unions, and fireproof buildings. Also included is a copy of a paper, "Fine arts in the United States" given by Kellogg in 1869 to the American Union Academy, Washington, D.C., and a booklet, "Mr. Miner K. Kellogg to his friends," Paris, 1858, describing his relationship with Powers.
Biographical / Historical:
Portrait painter, miniature painter, and orientalist; New York, N.Y. and Cincinnati, Ohio.
Provenance:
Material on reels D30 and D33 purchased 1956 from an unknown source. Material on reel 986 transfered from Smithsonian Institution Archives, 1974.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Miniature painters -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Topic:
Portrait painting -- New York (State) -- New York  Search this
Painting, American  Search this
Sculpture, American  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.kellmine
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96a485de3-c3fe-4250-b30a-7d1bedde3133
EDAN-URL:
ead_collection:sova-aaa-kellmine

Sanford Robinson Gifford papers

Creator:
Gifford, Sanford Robinson, 1823-1880  Search this
Names:
Bierstadt, Albert, 1830-1902  Search this
Whittredge, Worthington, 1820-1910  Search this
Extent:
0.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Diaries
Sketchbooks
Place:
Europe -- description and travel
Egypt -- description and travel
United States -- History -- Civil War, 1861-1865
Date:
1840s-1900
circa 1960s-1970s
Summary:
The papers of landscape painter Sanford Robinson Gifford, date from the 1840s through 1900, and circa 1960s-1970s. The bulk of the papers fall between 1855-1881; material from the circa 1960s-1970s consists of photographic copy prints for which the Archives does not have the originals. The small collection measures 0.9 linear feet of scattered documentation of Gifford's life, primarily extensive biographical accounts of his travels in the mid 1850s and late 1860s in the form of bound letters to his father. These serve as detailed journals of his impressions of Europe and the Middle East, the development of his painting, and his relationships with other artists such as Albert Bierstadt and Worthington Whittredge. The collection also contains sketches by Gifford, printed material including catalogs of Gifford's paintings, and photographs of Gifford and others.
Scope and Content Note:
The collection dates from the 1840s through 1900, and circa 1960s-1970s with the bulk of the material falling between 1855-1881. Material from circa 1960s-1970s consists of photographic copy prints of original photographs from the mid to late 1800s for which the Archives does not own the originals. The papers measure 0.9 linear feet and provide detailed documentation of the life of Hudson River School landscape painter, Sanford Robinson Gifford, during the mid 1850s and late 1860s. The papers contain extensive accounts of Gifford's travels in 3 bound volumes of typewritten letters from Gifford to his father. These letters serve as travel journals and provide extensive and vivid descriptions of Gifford's work and experiences in Europe and the Middle East, and document his relationships with a variety of other artists, including Alfred Bierstadt and Worthington Whittredge, during this period.

Additional records provide scattered documenation of other periods of Gifford's life. Letters refer to his travels in the American west and his Civil War service and its effect on his painting. Printed material includes clippings and exhibition catalogs, and includes a catalogue of his paintings published by the Metropolitan Museum of Art in 1881. Artwork by Gifford includes sketches by the artist and prints, engravings and paintings by various others. Original photographs date from 1856-1900 and include images of Gifford during the Civil War. Copyprints for which the Archives does not own the originals date from the circa 1960s-1970s and include two images of a family home in Hudson, New York, where Gifford had a studio in the mid 1860s, a portrait photograph of Gifford, and an image of Gifford on the Hayden expedition.
Arrangement:
The collection is arranged as 4 series:

Missing Title

Series 1: Letters, 1855-1874 (Box 1; 3 volumes, 1 folder)

Series 2: Printed Material, circa 1850s-1881 (Box 2; 4 folders)

Series 3: Artwork, circa 1840s-circa 1870s (Box 2, OV 3; 4 folders)

Series 4: Photographs and Copy Prints, 1856-circa 1900, circa 1960s-1970s (Box 2, 5, OV 4; 11 folders)
Biographical Note:
Sanford Robinson Gifford was born in Greenfield, New York, in 1823. He attended Brown University from 1842-1844 and moved to New York City in 1845 where he studied drawing, perspective and anatomy under the direction of the British watercolorist and drawing-master, John R. Smith. He also studied the human figure in anatomy classes at the Crosby Street Medical college and took drawing classes at the National Academy of Design. In 1846 he visited the Berkshire Hills and the Catskill Mountains, sketching from nature. "These studies," he wrote to O. B. Frothingham in 1874, "together with the great admiration I felt for the works of Cole developed a strong interest in landscape art, and opened my eyes to a keener perception and more intelligent enjoyment of nature. Having once enjoyed the absolute freedom of the landscape painters life I was unable to return to portrait painting."

The American Art Union bought and showed some of Gifford's first pictures in 1847. In 1851 he was elected an associate, and in 1854 an academician, of the National Academy of Design.

Gifford traveled widely to sketch landscapes for future paintings, recording his experiences in letters to his father which he intended would "serve the double purpose of letter and journal, and be an economy of time." He requested that his father number the letters sequentially and keep them together.

In the summer of 1855 Gifford visited England, Scotland and Paris, where he spent the winter of 1855 transforming his English and Scottish sketches into paintings. In the fall of 1856 he rented a studio in Rome and, over the course of the winter, painted pictures that reportedly pleased him "pretty well," including Lake Nemi. During the spring of 1857, Gifford spent time with fellow artists Worthington Whittredge, William H. Beard and Albert Bierstadt before leaving Rome in May with Bierstadt for a walking tour of southern Italy, where they planned to reconnect with Whittredge and Beard. Gifford ended his European tour with a visits to Innsbruck, Munich, Vienna, Prague, Dresden, Berlin and Paris, before returning to the United States at the end of the summer.

On his return Gifford rented studio Number 19 in the Tenth Street Studio Building in New York City, which he retained until his death. Over the next few years he also made frequent summer trips to various northeastern locales including the Catskills, the Adirondacks, the Green Mountains in Vermont, the White Mountains in New Hampshire, Maine and Nova Scotia.

Gifford served in New York's Seventh Regiment when it marched to the defense of Washington in April 1861, and again in 1862 and 1863. Several paintings resulted from this experience, including Sunday Morning at Camp Cameron (1861), Bivouac of the Seventh Regiment at Arlington Heights, Virginia (1861) and Camp of the Seventh Regiment, near Frederick, Maryland, in July 1863 (1864).

In 1868 Gifford returned to Europe, again visiting London and Paris, where he met with friends Jervis McEntee and his wife. He then spent the summer visiting the Alps and Sicily before wintering in Rome. In 1869 he traveled to Egypt where he and a small party hired a boat to take them on a two-month voyage from Cairo down the Nile River. Subsequently, Gifford traveled to the Middle East with Alfred Craven via the Suez Canal, where his itinerary included Syria, Jerusalem, Samaria, Damascus, Greece and Turkey. Gifford arrived in Venice in June 1869 and sailed for the United States at the beginning of September.

In 1870 Gifford visited Colorado with Worthington Whittredge and John Frederick Kensett, and accompanied a United States Geological party under Dr. Hayden in the exploration of Wyoming, Utah, and the Colorado Territories. In the summer of 1873 he visited California, Oregon, British Columbia and Alaska.

Gifford married in 1877 but in 1880 became ill and died of malarial fever and pneumonia at the age of 58. That same year he was honored with the Metropolitan Museum of Art's first monographic retrospective and a memorial catalogue of his known pictures.
Related Material:
Five sketchbooks were loaned by Vassar College in 1966 and the originals were returned to the donor after microfilming on reel D254.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels D254 and 688) including twenty-one sketchbooks, photographs, passports and certificates, an 1888 European travel diary of Mary Louise Willard, wife of Gifford's nephew, Harold, and a 1966 letter. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Edith Wilkinson first donated the Sanford Robinson Gifford papers in 1955 and 1957. James C. Gifford donated copy prints of photographs in 1964. Five sketchbooks were lent for microfilming by the Vassar College Art Library in 1966 and George and Frances Gifford Cummings donated additional material in 1973. In 1974, sixteen sketchbooks, photographs, and other materials were lent for microfilming by Dr. Sanford Gifford, Gifford's great-nephew.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Works of art  Search this
Landscape painters -- New York (State)  Search this
Hudson River school of landscape painting  Search this
Landscape painting -- 19th century -- New York (State)  Search this
Genre/Form:
Photographs
Diaries
Sketchbooks
Citation:
Sanford Robinson Gifford papers, 1840s-1900, circa 1960s-1970s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.giffsanf
See more items in:
Sanford Robinson Gifford papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw948af2acf-99f6-4446-9709-5a8ed7654688
EDAN-URL:
ead_collection:sova-aaa-giffsanf
Online Media:

Emmet family papers

Creator:
Emmet family  Search this
Names:
Berkshire Museum  Search this
Danforth Museum  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Beaux, Cecilia, 1855-1942  Search this
Casals, Pablo, 1876-1973  Search this
De Glehn, Jane Erin Emmet, 1873-1961  Search this
De Glehn, Wilfrid-Gabriel, 1870-1951  Search this
Doyle, Nancy  Search this
Emmet, Julia Colt Pierson, 1829-1908  Search this
Emmet, Lydia Field, 1866-1952  Search this
Emmet, Robert, 1778-1803  Search this
Fontanne, Lynn  Search this
James, Henry, 1843-1916  Search this
La Farge, Bancel, 1865-1938  Search this
Lunt, Alfred  Search this
MacMonnies, Frederick William, 1863-1937  Search this
Metcalfe, Susy  Search this
Millay, Edna St. Vincent, 1892-1950  Search this
Monod, Lucien  Search this
Morgan, Elizabeth Emmet, d. 1934  Search this
Ormond, Violet Sargent  Search this
Quilter, Roger, 1877-1953  Search this
Rand, Ellen Emmet, 1875-1941  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Sargent, Emily, 1857-  Search this
Sargent, John Singer, 1856-1925  Search this
Sherwood, Robert E. (Robert Emmet), 1896-1955  Search this
Sherwood, Rosamond, 1899-  Search this
Sherwood, Rosina Emmet, 1854-1948  Search this
White, Stanford, 1853-1906  Search this
Extent:
9.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Date:
1792-1989
bulk 1851-1989
Summary:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts, whose artistic talents flourished during the later 19th through the mid-20th centuries. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators.
Scope and Content Note:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators, whose artistic talents flourished during the late nineteenth through the mid-twentieth centuries.

Biographical material consists of family trees and family histories; individual biographical accounts, award certificates, and documentation for Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and Wilfrid de Glehn; a diary titled "Sedgemere Diary" containing drawings and entries primarily by Rosina Emmet Sherwood, and a smaller diary which mentions Rosina's son, future playwright Robert Sherwood; a documentary by Nancy B. Doyle on two VHS videocassettes, entitled The Emmets: Portrait of a Family; and artifacts comprising a rear-view optical device and locks of hair from an early nineteenth century generation of the Emmet family.

Correspondence forms the bulk of the collection and illustrates the interaction between members of this large and influential family and their colleagues and friends, offering a wide-ranging view of life in the late nineteenth through the mid-twentieth centuries, and through two World Wars. The series consists of letters between family members, primarily Julia Colt Pierson Emmet and her daughters, as well as cousins Henry James, Ellen "Bay" Emmet Rand, and Rosamond Sherwood, and friends Cecilia Beaux, Louis Bancel LaFarge, Frederick MacMonnies, Lucien Monod, Roger Quilter, Augustus Saint-Gaudens, Emily and John Singer-Sargent, Violet Sargent Ormond, and Stanford White. Topics include experiences of the Emmets while studying art in Paris, Rosina's presentation at Queen Victoria's court, Lydia's work at the Columbia Exposition, Jane's marriage to Wilfrid de Glehn and her friendship with John Singer Sargent, portrait painting activities, the troubles of their friend Susy Metcalfe in her marriage to Pablo Casals, and the activities of Rosina's son, playwright Robert Emmet Sherwood, and friends Alfred Lund and Lynn Fontanne.

Writings and notes consist of scattered manuscripts and poems by family members, two notebooks, one identified as belonging to Jane Erin Emmet de Glehn, and typescripts about Wilfrid de Glehn following his death. Also found is a book, Out of Town, written and illustrated by Rosina Emmet Sherwood, and Edna St Vincent Millay's poem "Autum Daybreak" written in Millay's handwriting.

Exhibition files document an exhibition held at the Berkshire Museum/Danforth Museum in Pittsfield/Farmingham, Massachusetts in 1982 entitled The Emmets: A Family of Women Painters, and include two audio cassettes of recordings from the "Art for Lunch" series at the Berkshire Museum discussing the exhibition.

Business records include account books belonging to Lydia Field Emmet and Rosina Emmet Sherwood, both of which document income from artwork and other sources, and expenses; a contract for the reproduction of Lydia Field Emmet's artwork; and a document concerning ownership of property, possibly of Emmet family ancestors.

Printed Material consists of clippings, exhibition announcements and catalogs, and reproductions of artwork by Emmet family members and others.

Two scrapbooks contain a combination of drawings, primarily by Rosina Emmet Sherwood, reproductions of artwork, and photographs.

Artwork includes drawings and sketchbooks by Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn Ellen Emmet Rand, and other Emmet relatives, illustrating the early development of their talent.

Photographs are of family members, including Julia Colt Pierson Emmet and William Jenkins Emmet, their daughters Lydia Field Emmet, Jane Erin Emmet de Glehn and husband Wilfrid de Glehn, Rosina Emmet Sherwood and husband Arthur Murray Sherwood, and Robert Emmet Sherwood as a young man. Also found are photos of friends Richard Harding Davis, Frederick MacMonnies, and Augustus Saint-Gaudens; a series of photographs of the installation at Arden Galleries, New York (1936) for the exhibition Paintings, Drawings and Sculptures by Five Generations of the Emmet Family; and photographs of artwork by Emmet family members.
Arrangement:
The Emmet family papers are arranged as nine series.

Missing Title

Series 1: Biographical Material, circa 1855-1988 (0.6 linear feet; Boxes 1, 10, OV 12)

Series 2: Correspondence, 1792-1985 (6.2 linear feet; Boxes 1-7)

Series 3: Writings and Notes, circa 1870s-1981 (11 folders; Box 7)

Series 4: Exhibition Files, 1947-1983 (0.3 linear feet; Boxes 7-8)

Series 5: Business Records, circa 1799-1945 (7 folders; Box 8)

Series 6: Printed Material, 1872-1989 (0.35 linear feet; Boxes 8, 10)

Series 7: Scrapbooks, 1870-1890 (0.2 linear feet; Boxes 8, 10)

Series 8: Artwork, circa 1850-circa 1920 (0.35 linear feet; Boxes 8, 10)

Series 9: Photographs, circa 1870s-circa 1950s (1 linear foot; Boxes 8-9, 11)
Biographical Note:
The Emmet family, descended from patriot Thomas Addis Emmet, brother of Irish martyr Robert Emmet, counts many physicians, lawyers, and writers (including cousin Henry James) among its ranks. Although evidence of artistic talent existed in several previous generations, it flourished during the later 19th through the mid-20th centuries in the professional portraiture of sisters Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and their cousin Ellen "Bay" Emmet Rand.

The eldest daughter of Julia Colt Pierson Emmet (1829-1908), herself a talented illustrator who had studied under Daniel Huntington, Rosina "Posie" Emmet (1854-1948) studied under William Merritt Chase at his Tenth Street Studio in New York and under Robert-Fleury at the Academie Julian in Paris. Before her marriage to Arthur Murray Sherwood in 1887, Rosina established a studio in New York and continued to submit illustrations to various publications. During her marriage, she slowed her creative activities, until financial reverses dictated her return to her career around the turn of the 20th century. Her daughter Rosamond Sherwood (1899-1990) was also a portrait painter. Her son, Robert Emmet Sherwood (1896-1955) became a four-time Pulitzer Prize-winning playwright.

Lydia Field Emmet (1866-1952) studied under Collin, Bouguereau, MacMonnies, and Robert-Fleury at the Academie Julian. Upon her return to New York, Lydia continued her studies under Chase, Kenyon Cox, H. Siddons Mowbray, and Robert Reid at the Art Students League, as well as at Chase's Shinnecock Summer School of Art. She established her portrait studio in New York City and began spending summers at Stockbridge, Massachusetts, where she built her home, "Strawberry Hill," in 1905. Best known for her portraits of children, Lydia's subjects were members of the socially prominent families of New York, Boston, and Philadelphia.

The youngest sister, Jane Erin Emmet (1873-1961), also studied with Chase in New York, and in Paris. In 1904, she married British landscape painter Wilfrid Von Glehn, who had visited the United States with his friend John Singer Sargent. (The Von Glehns' surname was changed to De Glehn, in 1919.) Settling in London, Jane continued her painting, befriended many artists and composers, and accompanied her husband and Sargent on several art-related journeys through Europe.

The Emmet sisters' cousin, Ellen Gertrude "Bay" Emmet (1875-1941), studied in New York at the Art Students League and under Frederick MacMonnies in Paris, becoming a National Academician in 1934. She married William Blanchard Rand in 1911 and settled in Salisbury, Connecticut. After the stock market crash of 1929, Bay's portraits of prominent society figures provided most of her family's income.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 4544) including one scrapbook, compiled by Rosina Emmet Sherwood, consisting of portrait sketches, drawings of her dogs, genre scenes, travel views, and photographs of travels, friends, actors, and the ship "Scythia,". Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1988-1991, the bulk of the Emmet family papers were donated by Rosamond Sherwood, daughter of Rosina Emmet Sherwood (via Katharine Emmet Bramwell of New York), by Rosamond Sherwood's estate (via F. Douglas Cochrane, executor, from Boston), and by Rosamond's nieces, Virginia Sherwood and Julia Shipway. Additionally, one scrapbook was lent for microfilming in 1990 and subsequently donated by Mrs. Earl Maize. Douglas Cochrane then loaned another scrapbook for microfilming (reel 4344) in 1991 which was returned to Mrs. Earl Maize.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- England -- London  Search this
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Works of art  Search this
Painting, American -- New York (State)  Search this
Illustrators -- New York (State)  Search this
Playwrights  Search this
Portrait painters -- New York (State) -- New York  Search this
Singers  Search this
World War, 1914-1918  Search this
World War, 1939-1945  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Citation:
Emmet family papers, 1792-1989 (bulk 1851-1989). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.emmefami
See more items in:
Emmet family papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d9921791-cc0b-425c-810b-1da218cafcec
EDAN-URL:
ead_collection:sova-aaa-emmefami
Online Media:

Horace Talmage Day papers

Creator:
Day, Horace Talmage, 1909-1984  Search this
Names:
Public Works of Art Project  Search this
Citron, Minna Wright, 1896-1991  Search this
Day, Elizabeth Nottingham, 1907-1956  Search this
Laning, Edward, 1906-1981  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Nicolaïdes, Kimon, 1892-1938  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Extent:
0.4 Linear feet ((on 3 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1929-1965
Scope and Contents:
Correspondence, resumes, exhibition catalogs, photographs, and personal writings.
Reel 76: Letters, many to wife, Elizabeth Nottingham Day, from Kimon Nikolaides, Edward Laning, Minna Citron, Henry Schnakenberg, and Kenneth Hayes Miller; exhibition catalogs, many from Virginia museums and Public Works of Art Project, and typescript catalog introductions; career resumes of both Elizabeth and Horace Day; and photographs of the two artists.
Reel 135: Journal compiled from letters to wife, Elizabeth Nottingham Day, describing Day's World War II experiences in training at Camp Lee, Va. and other U.S. stations, on a troopship to France and in Germany following its surrender, including photographs of sketches from the original letters.
Reel 2803: Typescript of "Head Hunting in West 'By God' Virginia." Compiled from letters to Elizabeth Nottingham Day in 1948 and describing a week spent in Lewisburg seeking commissions for portraits.
Biographical / Historical:
Painter and portrait painter; Staunton, Virginia. Married artist Elizabeth Nottingham.
Provenance:
Donated 1966 and 1971 by Horace T. Day.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Portrait painters  Search this
Painters  Search this
Topic:
Portrait painting -- Virginia  Search this
World War, 1939-1945  Search this
Identifier:
AAA.dayhora
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90a841975-edc2-4d97-a609-af3b770091c5
EDAN-URL:
ead_collection:sova-aaa-dayhora

John Toole collection

Creator:
Toole, John, 1815-1860  Search this
Extent:
34 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
[undated] and 1959
Scope and Contents:
Lists of Toole's paintings with dimensions; genealogical notes about family sitters; a note regarding Toole's painting (author unknown), 1959; and photographs of his paintings at an exhibition of his works at the Bayly Museum, University of Virginia.
Biographical / Historical:
Itinerant painter, portraitist, miniature painter; Piedmont, Va. Was an Irish immigrant to Virginia and a self-taught painter. Worked during the ante-bellum period.
Provenance:
Lent for microfiling in 1983 by Mrs. Woodruff Weaver, great granddaughter in-law of Toole.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Miniature painters -- Virgina  Search this
Painters -- Virginia  Search this
Portrait painters -- Virginia  Search this
Topic:
Miniature painting -- Virginia  Search this
Portrait painting -- Virginia  Search this
Identifier:
AAA.tooljohn
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92c540546-94bf-416b-8f59-85bd34ea1ff2
EDAN-URL:
ead_collection:sova-aaa-tooljohn

Julia Sully papers

Creator:
Sully, Julia  Search this
Names:
United States. Works Progress Administration  Search this
Sully, Thomas, 1783-1872  Search this
Extent:
1,650 Items ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
[ca. 1730]-1948
Scope and Contents:
Biographical and genealogical material; writings; letters; photographs; research material on portraiture in Virginia; and research material on Thomas Sully.
REEL 1093: A card index of portraiture in Virginia, ca. 1730-1944, compiled by Sully, probably for Art Index Division. Information listed includes artist name, subject, size, date painted, owner, and description.
REELS 2524-2525: Biographical and genealogical information; writings and notes; postcards and letters; photographs of Sully and family members; monthly work reports for the Works Progress Administration Art-Index Division of the Virginia Conservation Commission, including clippings, notes, photographs, and correspondence on historical portraits and other art in Virginia. Also included is research material on Thomas Sully and letters from Isabella Sully regarding Robert Sully.
Biographical / Historical:
Historian; Richmond, Va.; b. 1870; d. 1948. Director of the Works Progress Administration Art Index Division in Richmond. Her great uncle was painter Thomas Sully.
Provenance:
Material on reel 1093 lent for microfilming by Virginia State Library. Material on reels 2524-2525 lent for filming 1982 by Virginia Museum of Fine Arts.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Historians -- Virginia -- Richmond  Search this
Topic:
Portrait painting, American -- Virginia  Search this
Art -- Study and teaching -- Virginia  Search this
Women art historians  Search this
Identifier:
AAA.sulljuli
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a8aca8ff-4563-40a0-b474-005dd48f36e8
EDAN-URL:
ead_collection:sova-aaa-sulljuli

Subject – QUIMBY, HARRIET

Collection Creator:
Oakes, Claudia M.  Search this
Container:
Box 2, Folder 11
Type:
Archival materials
Scope and Contents:
Materials – Biographies, photographs, articles, and newspaper clippings.
Collection Restrictions:
No restrictions on access.
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
United States Women In Aviation Through World War I Collection, Acc. XXXX-0424, National Air and Space Museum, Smithsonian Institution.
See more items in:
United States Women in Aviation through World War I
United States Women in Aviation through World War I / Series 3: Subject Files
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2a3190909-f0a7-41f4-a7f9-aa873e5b6d43
EDAN-URL:
ead_component:sova-nasm-xxxx-0424-ref153
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Subject – QUIMBY, HARRIET digital asset number 1

41c Charles W. Chesnutt single

Title:
Scott Catalogue USA 4222
Medium:
paper; ink / photogravure
Type:
Postage Stamps
Place:
United States of America
Date:
January 31, 2008
Topic:
Literature  Search this
Contemporary (1990-present)  Search this
Black Heritage  Search this
U.S. Stamps  Search this
Credit line:
Copyright United States Postal Service. All rights reserved.
Object number:
2008.2021.15
See more items in:
National Postal Museum Collection
Data Source:
National Postal Museum
GUID:
http://n2t.net/ark:/65665/hm8cbce7611-4904-49f9-b5ac-36fdf57699bc
EDAN-URL:
edanmdm:npm_2008.2021.15

Self-Portrait, (painting)

Painter:
Johnson, Malvin Gray 1896-1934  Search this
Subject:
Johnson, Malvin Gray  Search this
Medium:
Oil on canvas mounted on canvas
Type:
Paintings
Owner/Location:
Smithsonian American Art Museum 8th & G Streets, N.W Washington District of Columbia 20560 Accession Number: 1967.57.30
Date:
1934
Topic:
Portrait male--Self Portrait  Search this
Portrait male--Waist length  Search this
Architecture interior--Studio  Search this
Occupation--Art--Painter  Search this
Control number:
IAP 08583039
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_392480

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