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A. Henry Nordhausen papers

Creator:
Nordhausen, A. Henry, 1901-  Search this
Names:
Peter A. Juley & Son  Search this
Royal Academy of Fine Arts (Munich, Germany)  Search this
Salmagundi Club  Search this
Extent:
8 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1919-1991
Scope and Contents:
Biographical material; correspondence with Harrison Cady, John Cosigan, the Columbus Museum, Georgia Institute of Technology, Grand Central Galleries, Musemont Fine Art Camp, the Salmagundi Club, the Art Students League, Laurence Schmeckebier (Nordhausen's biographer), Syracuse University, the United States Navy, and others, mostly concerning portraits by Nordhausen; bills and receipts; a diary, 1923-1924, concerning his studies at the Royal Academy of Fine Arts in Munich and his travels in Europe; day books and engagement calendars, ca. 1940-1985; address books; guest books; 9 scrapbooks, 1919-1991, containing photographs, clippings and letters; exhibition catalogs and announcements; photographs of works of art by Peter A. Juley; certificates of merit from the Salmagundi Club, 1950-1974; and photographs of Salmagundi Club dinners, 1938, 1940, 1942, 1947, 1949, 1961, and 1962.
Biographical / Historical:
Painter, portrait painter; Columbus, Ga. Died 1993.
Provenance:
Bequest of A. Henry Nordhausen, 1994.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Painters -- Georgia -- Columbus  Search this
Topic:
Portrait painting -- United States  Search this
Art -- Study and teaching -- United States  Search this
Art -- Study and teaching -- Germany -- Munich  Search this
Identifier:
AAA.norda
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-norda

Margery Ryerson papers, 1902-1967

Creator:
Ryerson, Margery A., 1886-1989  Search this
Subject:
Henri, Robert  Search this
Roberts, Mary Fanton  Search this
Gallagher, Sears  Search this
Saint-Gaudens, Augustus  Search this
Beneker, Gerrit A. (Gerrit Albertus)  Search this
Artists for Victory, Inc.  Search this
Topic:
Women painters -- New York (State) -- New York  Search this
Art, American  Search this
Art schools -- Photographs  Search this
Record number:
(DSI-AAA_CollID)5666
(DSI-AAA_SIRISBib)208500
AAA_collcode_ryermarg
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208500

Margery Ryerson papers

Creator:
Ryerson, Margery  Search this
Names:
Artists for Victory, Inc.  Search this
Beneker, Gerrit A. (Gerrit Albertus), 1882-1934  Search this
Gallagher, Sears, 1869-1955  Search this
Henri, Robert, 1865-1929  Search this
Roberts, Mary Fanton, 1871-1956  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Extent:
0.5 Items (linear ft.(partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Date:
1902-1967
Scope and Contents:
Letters, photographs, printed material and reproductions of Ryerson's art work.
REEL 962: Letters from Robert Henri, Augustus Saint-Gaudens, Gerrit A. Beneker and Mary Fanton Roberts; correspondence between Robert and Marjorie Henri and Mary Fanton Roberts concerning Robert's new version of "Touchstone" and rescue of ARTS AND DECORATION, Robert Henri's work, book, his friendships with William Glackens, John Sloan and Randall Davey, and life in New Mexico, California and Spain; printed material; photographs of Henri's class ca. 1918, family and art work, including a triptych; and reproductions of Ryerson's work for Artists for Victory.
REEL 440 AND SCANNED One photograph of Ryerson, demonstrating portrait painting, which was previously microfilmed under Photos of Artists I, has subsequently been scanned and returned to the Ryerson papers.
REEL 3471: A letter to Ryerson from Sears Gallagher, January 26, 1922.
UNMICROFILMED: One photograph of a drawing of Venice; a sketch by an unidentified artist; 1 reproduction of a painting by Robert Henri; 2 publicity posters for THE ART SPIRIT; and a 10 p. transcript of a lecture on Robert Henri delivered by Ryerson to the American Watercolor Society, April 1964.
Biographical / Historical:
Painter, printmaker, illustrator, teacher, writer; New York (N.Y.) Studied at the Art Students League with Frederick Bridgman, Robert Henri and Charles Hawthorne. Editor for Henri's THE ART SPIRIT, 1924, HAWTHORNE ON PAINTING and HINTS TO ARTIST-PAINTERS, by M. Fischer, 1947.
Provenance:
Donated by Margery Austen Ryerson, October 1960 and August 1967.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Editors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Women painters -- New York (State) -- New York  Search this
Art, American  Search this
Art schools -- Photographs  Search this
Identifier:
AAA.ryermarg
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ryermarg

Douglas Volk and Leonard Wells Volk papers, circa 1858-1965, bulk 1870-1935

Creator:
Volk, Leonard Wells, 1828-1895  Search this
Volk, Douglas, 1856-1935  Search this
Subject:
Volk, Marion Larrabee  Search this
Lincoln, Abraham  Search this
Volk, Gerome  Search this
Pershing, John J. (John Joseph)  Search this
von Rydingsvaard, Karl  Search this
Lloyd George, David  Search this
Weir, Julian Alden  Search this
Benson, Eugene  Search this
Brush, George de Forest  Search this
Adler, Felix  Search this
Bridge, Marion Volk  Search this
Albert, King of the Belgians, I  Search this
Chase, William Merritt  Search this
Volk, Wendell  Search this
Douglas, Stephen Arnold  Search this
Gérôme, Jean Léon  Search this
Daingerfield, Elliott  Search this
Gilbert, Cass  Search this
Chubb, Percival  Search this
Hale, Philip Leslie  Search this
Sabatos Industries  Search this
Ecole nationale supérieure des beaux-arts (France)  Search this
Chicago Academy of Design  Search this
Type:
Scrapbooks
Diaries
Sketchbooks
Paintings
Photographs
Sketches
Topic:
Painters -- Maine  Search this
Painters -- New York (State) -- New York  Search this
Art teachers -- New York (State) -- New York  Search this
Sculptors -- Illinois -- Chicago  Search this
Art -- Study and teaching  Search this
World War, 1914-1918  Search this
Record number:
(DSI-AAA_CollID)9669
(DSI-AAA_SIRISBib)211877
AAA_collcode_volkleon
Theme:
Lives of American Artists
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211877
Online Media:

William Page and Page Family papers, 1815-1947, bulk 1843-1892

Creator:
Page, William, 1811-1885  Search this
Subject:
Page, William  Search this
Page, Sophia Stevens  Search this
Olmstead, Mary  Search this
Olmstead, Bertha  Search this
O'Donovan, William Rudolph  Search this
Lowell, James Russell  Search this
Hicks, Thomas  Search this
Fenton, Rueben  Search this
Cushman, Charlotte  Search this
Curtis, George William  Search this
Briggs, Charles F. (Charles Frederick)  Search this
Beecher, Thomas Kinnicut  Search this
Tilton, Theodore  Search this
Wilmarth, Lemuel Everett  Search this
Stark, William  Search this
Sumner, Charles  Search this
Scranton, William Walker  Search this
Shaw, Francis George  Search this
Beecher, Henry Ward  Search this
Phillips, Wendell  Search this
Garrison, William Lloyd  Search this
Perry, E. W. (Enoch Wood)  Search this
National Academy of Design (U.S.)  Search this
Type:
Photographs
Sketches
Poems
Drawings
Diaries
Topic:
Works of art  Search this
Portrait painters -- New York (State) -- New York  Search this
Portrait painting -- 19th century -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)8925
(DSI-AAA_SIRISBib)211111
AAA_collcode_pagewill
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211111
Online Media:

Isabella Howland papers, 1899-1979

Creator:
Howland, Isabella, 1895-1974  Search this
Subject:
Bacon, Peggy  Search this
Strater, Henry  Search this
Watson, Forbes  Search this
Greenbaum, Dorothea S.  Search this
Halpert, Edith Gregor  Search this
Gershoy, Eugenie  Search this
Force, Juliana  Search this
Bywaters, Jerry  Search this
Dehn, Adolf  Search this
Type:
Sketches
Photographs
Sketchbooks
Topic:
Portrait painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Women artists  Search this
Sculptors -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)7813
(DSI-AAA_SIRISBib)209979
AAA_collcode_howlisab
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209979
Online Media:

Sanford Robinson Gifford papers, 1840s-1900

Creator:
Gifford, Sanford Robinson, 1823-1880  Search this
Subject:
Whittredge, Worthington  Search this
Bierstadt, Albert  Search this
Type:
Photographs
Diaries
Sketchbooks
Topic:
Works of art  Search this
United States -- History -- Civil War, 1861-1865  Search this
Landscape painters -- New York (State)  Search this
Hudson River school of landscape painting  Search this
Landscape painting -- 19th century -- New York (State)  Search this
Record number:
(DSI-AAA_CollID)8974
(DSI-AAA_SIRISBib)211161
AAA_collcode_giffsanf
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211161
Online Media:

John White Alexander papers, 1775-1968, bulk 1870-1915

Creator:
Alexander, John White, 1856-1915  Search this
Subject:
Abbey, Edwin Austin  Search this
Alexander, Elizabeth A.  Search this
Carnegie, Andrew  Search this
Chase, William Merritt  Search this
La Farge, John  Search this
James, Henry  Search this
Levy, Florence N. (Florence Nightingale)  Search this
Remington, Frederic  Search this
Millet, Francis Davis  Search this
Stevenson, Robert Louis  Search this
James McNeill Whistler  Search this
Gibson, Charles Dana  Search this
MacDowell Club of New York  Search this
Type:
Awards
Interviews
Photographs
Sketchbooks
Scrapbooks
Medals
Topic:
Muralists -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Works of art  Search this
Portrait painting -- 20th century  Search this
Portrait painting -- 19th century  Search this
Illustrators -- New York (State) -- New York  Search this
Portrait painting, American  Search this
Record number:
(DSI-AAA_CollID)8637
(DSI-AAA_SIRISBib)210817
AAA_collcode_alexjohn
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210817
Online Media:

Longacre family papers

Creator:
Longacre family  Search this
Names:
Bolton, Theodore, b. 1889  Search this
Catlin, George, 1796-1872  Search this
Durand, Asher Brown, 1796-1886  Search this
Herring, James, 1794-1867  Search this
Longacre, Andrew, 1831-1906  Search this
Longacre, Augusta M.  Search this
Longacre, James Barton, 1794-1869  Search this
Longacre, Lydia E. (Lydia Eastwick), 1870-1951  Search this
Neagle, John, 1796-1865  Search this
Sully, Thomas, 1783-1872  Search this
Extent:
9 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Sketchbooks
Place:
Egypt -- description and travel
Date:
[ca. 1810]-1952
Scope and Contents:
Correspondence, biographical and genealogical information, poems, notes, diaries, artwork, sketchbooks, photographs, business papers and printed material relating to the Longacre family, especially James Barton Longacre and Andrew Longacre.
REEL P1-P2: Correspondence and papers of James Barton Longacre, 1819-1857, mostly concerned with his position as engraver of the U.S. Mint, Philadelphia, and his publication THE NATIONAL PORTRAIT GALLERY OF DISTINGUISHED AMERICANS. Letters include correspondence with Asher B. Durand, James Herring, John Neagle, Thomas Sully and George Catlin. Additional material includes diaries, sketches and designs for coinage, a biography, autobiographical notes, and printed material.
REEL 986: Five sketchbooks, ca.1861-1894, of Reverend Andrew Longacre. Sketches depict landscapes, interiors, and monogram designs made in the United States, Europe, North Africa and the Near East. In addition there is a memoranda book kept by Longacre, ca. 1890.
REELS 1046-1048: Letters, including: correspondence between James and his wife; between James and Andrew during the Civil War; and Lydia Longacre's letters from Europe, 1899-1900; and letters from Theodore Bolton to Mrs. James M. Longacre about including James in his book, EARLY AMERICAN PORTRAIT DRAUGHTSMEN IN CRAYONS. Also included are biographical notes on James; an autobiography of Andrew; poetry and writings by James; accounts of a trip to Egypt by Andrew; financial documents relating to James; artwork; designs for coins and sketchbooks by James, Andrew and Lydia and material relating to an engraving of Charles Carroll by James.
REELS 1083 & 1050: Genealogical information on the Stiles and Longacre families; letters from Andrew to his father, James Barton Longacre, and his sister, Sallie, and other family members and friends; a copy of James Barton's 1825 diary; poems and compositions by Andrew; financial and business papers, 1898-1918; 28 photographs depicting portraits of James and Andrew, Lydia E. Longacre and her miniature paintings.
REEL 3091: Two engravings by James after paintings by Benjamin West and a letter from Augusta M. Longacre to Bolton regarding Bolton's biography of James.
Biographical / Historical:
Artists; Philadelphia and New York. James Barton Longacre was an engraver and portrait painter. Chief engraver at the U.S. Mint, Philadelphia, from 1844-1869. His engravings and portraits illustrate several books including THE NATIONAL PORTRAIT GALLERY OF DISTINGUISHED AMERICANS, and BIOGRAPHY OF THE SIGNERS OF THE DECLARATION OF INDEPENDENCE. His son, Andrew Longacre was an engraver, watercolorist, and Methodist minister. His daughter, Lydia Longacre was a miniature painter, pupil of the Art Students League of New York, under Chase and Mowbray, and under Whistler in Paris.
Provenance:
Material on reels P1-P2 lent for microfilming by the Library Company of Philadelphia; Material on reel 986 lent 1975 by Fred Longacre; material on reels 1050 and 1083 lent 1975-1976 by Mrs. Andrew Longacre who also donated the material on reels 1046-1048 in 1982; material on reel 3091 donated 1981 by the NMAA-PG Library.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Stipple engravers  Search this
Miniature painters -- New York (State) -- New York  Search this
Engravers -- Pennsylvania -- Philadelphia  Search this
Portrait painters -- Pennsylvania -- Philadelphia  Search this
Topic:
Coin design -- United States  Search this
Engraving, American -- Pennsylvania -- Philadelphia  Search this
Portrait painting, American  Search this
Portrait prints, American  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.longlong
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-longlong

Oral history interview with Willard Cummings, 1973 March 20

Interviewee:
Cummings, Willard Warren, 1915-1975  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Subject:
Hale, Philip Leslie  Search this
Halpert, Edith Gregor  Search this
Peirce, Waldo  Search this
Skowhegan School of Painting and Sculpture  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- Maine -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12296
(DSI-AAA_SIRISBib)212049
AAA_collcode_cummin73
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212049

Miner Kilbourne Kellogg papers, 1842-1882

Creator:
Kellogg, Miner K. (Miner Kilbourne), 1814-1889  Search this
Subject:
Benjamin, Park  Search this
Cesnola, Luigi Palma di  Search this
Clark, Lewis Gaylord  Search this
Curtis, George William  Search this
Custis, George Washington Parke  Search this
Everett, Edward  Search this
Gayarré, Charles  Search this
Gilpin, Henry D. (Henry Dilworth)  Search this
Griswold, Rufus W. (Rufus Wilmot)  Search this
Johnson, Reverdy  Search this
Kearny, Philip  Search this
Kirkland, Caroline M. (Caroline Matilda)  Search this
Macready, William Charles  Search this
Marlay, Charles Brinsley  Search this
Marsh, George Perkins  Search this
Parsons, Theophilus  Search this
Poinsett, Joel Roberts  Search this
Powers, Hiram  Search this
Ream, Vinnie  Search this
Russell, Samuel H.  Search this
Scott, Winfield, Mrs  Search this
Sherman, Ellen Ewing  Search this
Slidell, John  Search this
Somers, Virginia, Lady  Search this
Stratford de Redcliffe, Stratford Canning, Viscount  Search this
Swedenborg, Emanuel  Search this
Taylor, Bayard  Search this
Tiffany, Osmond  Search this
Tuckerman, Henry T. (Henry Theodore)  Search this
Wall, W. I.  Search this
Whittlesey, Elisha  Search this
Wickliffe, R., Jr  Search this
Cleveland Academy of Art  Search this
Lenox Library  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Academy of Design (U.S.)  Search this
Type:
Scrapbooks
Topic:
Portrait painting -- New York (State) -- New York  Search this
Painting, American  Search this
Sculpture, American  Search this
Record number:
(DSI-AAA_CollID)9133
(DSI-AAA_SIRISBib)211327
AAA_collcode_kellmine
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211327

Miner Kilbourne Kellogg papers

Creator:
Kellogg, Miner K. (Miner Kilbourne), 1814-1889  Search this
Names:
Cleveland Academy of Art  Search this
Lenox Library  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
National Academy of Design (U.S.)  Search this
Benjamin, Park, 1809-1864  Search this
Cesnola, Luigi Palma di, 1832-1904  Search this
Clark, Lewis Gaylord, 1808-1873  Search this
Curtis, George William, 1824-1892  Search this
Custis, George Washington Parke, 1781-1857  Search this
Everett, Edward, 1794-1865  Search this
Gayarré, Charles, 1805-1895  Search this
Gilpin, Henry D. (Henry Dilworth), 1801-1860  Search this
Griswold, Rufus W. (Rufus Wilmot), 1815-1857  Search this
Johnson, Reverdy, 1796-1876  Search this
Kearny, Philip, 1815-1862  Search this
Kirkland, Caroline M. (Caroline Matilda), 1801-1864  Search this
Macready, William Charles, 1793-1873  Search this
Marlay, Charles Brinsley, 1831-1912  Search this
Marsh, George Perkins, 1801-1882  Search this
Parsons, Theophilus, 1750-1813  Search this
Poinsett, Joel Roberts, 1779-1851  Search this
Powers, Hiram, 1805-1873  Search this
Ream, Vinnie, 1847-1914  Search this
Russell, Samuel H.  Search this
Scott, Winfield, Mrs  Search this
Sherman, Ellen Ewing, 1824-1888  Search this
Slidell, John, 1793-1871  Search this
Somers, Virginia, Lady  Search this
Stratford de Redcliffe, Stratford Canning, Viscount, 1786-1880  Search this
Swedenborg, Emanuel, 1688-1772  Search this
Taylor, Bayard, 1825-1878  Search this
Tiffany, Osmond, b. 1823  Search this
Tuckerman, Henry T. (Henry Theodore), 1813-1871  Search this
Wall, W. I.  Search this
Whittlesey, Elisha, 1783-1863  Search this
Wickliffe, R., Jr  Search this
Extent:
0.6 Linear feet ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1842-1882
Scope and Contents:
Correspondence, photographs, writings, a scrapbook, and printed materials.
REELS D30 and D33: Correspondence, clippings, and photographs. Included are letters from George William Curtis to Kellogg, October 1846-January 1847, describing Rome (incorrectly attributed to George Washington Parke Custis on microfilm); a letter from Elisha Whittlesey to George Washington Parke Custis, October 23, 1844, commending Miner Kellogg to him; and correspondence dealing with Kellogg's activities as a promoter of Hiram Powers' statue "The Greek Slave" in the mid-nineteenth century.
Correspondents include: Park Benjamin, Sir Stratford Canning, Luigi P. Cesnola, Lewis G. Clark, Edward Everett, Charles E.A. Gayarré, Henry D. Gilpin, Rufus W. Griswold, Reverdy Johnson, Phillip Kearny, Caroline M. Kirkland, Lenox Library, William C. MacReady, Brinsley Marlay, George P. Marsh, National Academy of Design, Theophilus Parsons, Joel R. Poinsett, Vinnie Ream Hoxie, Samuel H. Russell, Mrs. Winfield Scott, Ellen E. Sherman, John Slidell, Lady Virginia Somers (godmother of Kellogg's daughter Virginia), Bayard Taylor, Osmond Tiffany, Henry T. Tuckerman, W. I. Wall, and R. Wickliffe, Jr.
REEL 986: Scrapbook of clippings, collected by Kellogg from New York, Washington, Baltimore and Ohio newspapers. Some clippings were written by Kellogg, including stories about his own paintings, advertisements for his patent canvas stretcher, reports by him on his travel in foreign countries, and article on Hiram Powers, the opening of the Metropolitan Museum of Art (1880), Jane Eyre, Emanuel Swedenborg, the Cleveland Academy of Art, art unions, and fireproof buildings. Also included is a copy of a paper, "Fine arts in the United States" given by Kellogg in 1869 to the American Union Academy, Washington, D.C., and a booklet, "Mr. Miner K. Kellogg to his friends," Paris, 1858, describing his relationship with Powers.
Biographical / Historical:
Portrait painter, miniature painter, and orientalist; New York, N.Y. and Cincinnati, Ohio.
Provenance:
Material on reels D30 and D33 purchased 1956 from an unknown source. Material on reel 986 transfered from Smithsonian Institution Archives, 1974.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Miniature painters -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Topic:
Portrait painting -- New York (State) -- New York  Search this
Painting, American  Search this
Sculpture, American  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.kellmine
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kellmine

Oral history interview with Willard Cummings

Interviewee:
Cummings, Willard Warren, 1915-1975  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Skowhegan School of Painting and Sculpture  Search this
Hale, Philip Leslie, 1865-1931  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Peirce, Waldo, 1884-1970  Search this
Extent:
82 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1973 March 20
Scope and Contents:
An interview of Willard Cummings conducted 1973 March 20, by Paul Cummings, for the Archives of American Art. Cummings speaks of his family and its interests in art and theater; moving to Boston and his early education there; studying with Anna Ladd and at the School of the Museum of Fine Arts; his two years in Paris; going to Skowhegan during the Depression; the Art Students League and the Grand Central School; his interests in portrait painting and sculpture; his Yale art school experience; some early portrait subjects; exhibitions of his work; commercial art jobs he was involved in; his New York studio and friends in the mid-1930s; collecting American primitives; his U.S. Army service; the start of the Skowhegan School of Painting and Sculpture in 1946; the organization of the school; his own painting technique and some portrait subjects. He recalls Philip Hale, Waldo Peirce and Edith Halpert.
Biographical / Historical:
Willard Cummings (1915-1975) was a painter from New York, New York and Maine.
General:
Originally recorded on 1 sound tape reel. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 19 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Painters -- Maine -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cummin73
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cummin73

William Morris Hunt photographs and catalogs

Creator:
Hunt, William Morris, 1824-1879  Search this
Names:
Forbes, John Hathaway  Search this
Forbes, John Murray  Search this
Forbes, Sarah Swain  Search this
Extent:
0.6 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
ca. 1878-1880
Scope and Contents:
REEL 4965: A Hunt Memorial exhibition catalog from the Museum of Fine Arts, Boston, 1879, and a priced catalog of his paintings and charcoal drawings, 1880. Three photographs are of Hunt, including one in his studio, four relate to his mural paintings in the Albany State House Assembly Chamber, Albany, N.Y., two of which are inscribed by Hunt to Sarah Swain Forbes (Mrs. John Murray), ca. 1878, and one is of a charcoal sketch, "Albany" (1878) by Hunt's sister, Jane, depicting Hunt at work on his murals for the State House.
UNMICROFILMED: A charcoal sketch by an unidentified artist; and six printed reproductions and thirty-five mounted photographs of Hunt's art work including allegorical subjects, landscapes, and portraits.
Biographical / Historical:
William Morris Hunt (1824-1879) was a painter, portrait painter, and instructor from Boston, Mass.
Provenance:
Donated 1993 by William Hathaway Forbes. The papers were found in the attic of a house in Milton, Mass. once owned by the donor's great-grandfather, John Murray Forbes, a patron and cousin-in-law of of Hunt's.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Portrait painters -- Massachusetts -- Boston  Search this
Topic:
Painting, American  Search this
Portrait painting  Search this
Mural painting and decoration, American -- New York State -- Albany -- Photographs  Search this
Identifier:
AAA.huntwmpc
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-huntwmpc

Richard Ederheimer papers

Creator:
Ederheimer, R. (Richard), 1878-1959  Search this
Photographer:
Genthe, Arnold, 1869-1942  Search this
Extent:
11.26 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1892-1959
Scope and Contents:
Family and business correspondence, including some postcards, primarily concerns the sale of Old Master prints and drawings and Ederheimer's painting. Other materials include two diaries (1903-1908, 1939), three scrapbooks (1908-1934), art works (ca. 1918-1944), manuscripts of poetry and plays, lists, photographs, clippings, and miscellaneous publications.
Figuring in the correspondence are several prominent collectors active in the period 1910 to 1920. Artwork consists of portrait paintings and charcoal and pencil drawings by Ederheimer and prints by other artists. Among the photographs are 4 of Ederheimer, 1 of a dock scene, San Francisco, and 1 of a young Chinese boy, all taken by Arnold Genthe.
Biographical / Historical:
Connoisseur, art collector, print dealer, painter, and poet (New York, N.Y.)
Provenance:
Donated 1961 by Mrs. Richard Ederheimer, widow of Ederheimer.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.ederr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ederr

Gaetano Cecere papers, 1929-1971

Creator:
Cecere, Gaetano, 1894-1985  Search this
Topic:
Sculpture, American -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)7108
(DSI-AAA_SIRISBib)209242
AAA_collcode_cecegaet
Theme:
Lives of American Artists
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209242

Gaetano Cecere papers

Creator:
Cecere, Gaetano, 1894-1985  Search this
Extent:
0.6 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1929-1971
Scope and Contents:
Letters, certificates, writings, photographs, printed material, and legal and financial records.
REEL 3813: Letters received, 1931-1969; a membership certificate from the National Academy of Design, 1938, and a certificate of merit awarded by the Audubon Artists, 1957; notes and writings, undated and 1934, including a speech at the dedication ceremonies of Cecere's statue of Abraham Lincoln in Milwaukee; clippings, exhibition catalogs, and other printed material; and 2 photographs of Cecere and photographs of his works of art, undated and 1934-1956.
UNMICROFILMED: 105 letters relating to the competition which Cecere won for the Lincoln Memorial in Milwaukee, Wisconsin, a blueprint of his design for the Memorial, and a copy of Benjamin Lossing's A HISTORY OF THE CIVIL WAR, which Cecere used researching the project. In addition there are 6 photographs of his statue of John Frank Stevens, 1926, 2 photographs of Cecere at work, a photo of one of his portrait paintings: and 24 photos of his sculpture; legal documents; financial papers; exhibition catalogs; 3 letters to Cecere; 1967-1970; clippings; and 2 awards.
Biographical / Historical:
Sculptor; New York, N.Y.
Provenance:
Unmicrofilmed material donated 1972-1978 by Cecere. Material on reel 3813 recieved via Syracuse University Library, where it apparently had been donated by Cecere, ca. 1970.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Sculpture, American -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Identifier:
AAA.cecegaet
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cecegaet

Emmet family papers

Creator:
Emmet family  Search this
Names:
Berkshire Museum  Search this
Danforth Museum  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Beaux, Cecilia, 1855-1942  Search this
Casals, Pablo, 1876-1973  Search this
De Glehn, Jane Erin Emmet, 1873-1961  Search this
De Glehn, Wilfrid-Gabriel, 1870-1951  Search this
Doyle, Nancy  Search this
Emmet, Julia Colt Pierson, 1829-1908  Search this
Emmet, Lydia Field, 1866-1952  Search this
Emmet, Robert, 1778-1803  Search this
Fontanne, Lynn  Search this
James, Henry, 1843-1916  Search this
La Farge, Bancel, 1865-1938  Search this
Lunt, Alfred  Search this
MacMonnies, Frederick William, 1863-1937  Search this
Metcalfe, Susy  Search this
Millay, Edna St. Vincent, 1892-1950  Search this
Monod, Lucien  Search this
Morgan, Elizabeth Emmet, d. 1934  Search this
Ormond, Violet Sargent  Search this
Quilter, Roger, 1877-1953  Search this
Rand, Ellen Emmet, 1875-1941  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Sargent, Emily, 1857-  Search this
Sargent, John Singer, 1856-1925  Search this
Sherwood, Robert E. (Robert Emmet), 1896-1955  Search this
Sherwood, Rosamond, 1899-  Search this
Sherwood, Rosina Emmet, 1854-1948  Search this
White, Stanford, 1853-1906  Search this
Extent:
9.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Date:
1792-1989
bulk 1851-1989
Summary:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts, whose artistic talents flourished during the later 19th through the mid-20th centuries. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators.
Scope and Content Note:
The Emmet Family papers document the lives and careers of two generations of the Emmet family from New Rochelle, New York and Stockbridge, Massachusetts. The collection dates from 1792 to 1989, with the bulk of the material dating from 1851-1989, and measures 9.1 linear feet. Through biographical material, two diaries, correspondence, writings and notes, exhibition files, business records, printed material, two scrapbooks, artwork, and photographs of family, friends, exhibitions, and artwork, the papers provide both a rich overview and detailed insights into the daily lives, relationships, and careers of many members of the family. The collection focuses in particular on sisters Lydia Field Emmet, Jane Erin Emmet de Glehn, and Rosina Emmet Sherwood, their mother, Julia Colt Pierson Emmet, and their cousin Ellen Gertrude "Bay" Emmet, all noted painters and illustrators, whose artistic talents flourished during the late nineteenth through the mid-twentieth centuries.

Biographical material consists of family trees and family histories; individual biographical accounts, award certificates, and documentation for Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and Wilfrid de Glehn; a diary titled "Sedgemere Diary" containing drawings and entries primarily by Rosina Emmet Sherwood, and a smaller diary which mentions Rosina's son, future playwright Robert Sherwood; a documentary by Nancy B. Doyle on two VHS videocassettes, entitled The Emmets: Portrait of a Family; and artifacts comprising a rear-view optical device and locks of hair from an early nineteenth century generation of the Emmet family.

Correspondence forms the bulk of the collection and illustrates the interaction between members of this large and influential family and their colleagues and friends, offering a wide-ranging view of life in the late nineteenth through the mid-twentieth centuries, and through two World Wars. The series consists of letters between family members, primarily Julia Colt Pierson Emmet and her daughters, as well as cousins Henry James, Ellen "Bay" Emmet Rand, and Rosamond Sherwood, and friends Cecilia Beaux, Louis Bancel LaFarge, Frederick MacMonnies, Lucien Monod, Roger Quilter, Augustus Saint-Gaudens, Emily and John Singer-Sargent, Violet Sargent Ormond, and Stanford White. Topics include experiences of the Emmets while studying art in Paris, Rosina's presentation at Queen Victoria's court, Lydia's work at the Columbia Exposition, Jane's marriage to Wilfrid de Glehn and her friendship with John Singer Sargent, portrait painting activities, the troubles of their friend Susy Metcalfe in her marriage to Pablo Casals, and the activities of Rosina's son, playwright Robert Emmet Sherwood, and friends Alfred Lund and Lynn Fontanne.

Writings and notes consist of scattered manuscripts and poems by family members, two notebooks, one identified as belonging to Jane Erin Emmet de Glehn, and typescripts about Wilfrid de Glehn following his death. Also found is a book, Out of Town, written and illustrated by Rosina Emmet Sherwood, and Edna St Vincent Millay's poem "Autum Daybreak" written in Millay's handwriting.

Exhibition files document an exhibition held at the Berkshire Museum/Danforth Museum in Pittsfield/Farmingham, Massachusetts in 1982 entitled The Emmets: A Family of Women Painters, and include two audio cassettes of recordings from the "Art for Lunch" series at the Berkshire Museum discussing the exhibition.

Business records include account books belonging to Lydia Field Emmet and Rosina Emmet Sherwood, both of which document income from artwork and other sources, and expenses; a contract for the reproduction of Lydia Field Emmet's artwork; and a document concerning ownership of property, possibly of Emmet family ancestors.

Printed Material consists of clippings, exhibition announcements and catalogs, and reproductions of artwork by Emmet family members and others.

Two scrapbooks contain a combination of drawings, primarily by Rosina Emmet Sherwood, reproductions of artwork, and photographs.

Artwork includes drawings and sketchbooks by Julia Colt Pierson Emmet, Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn Ellen Emmet Rand, and other Emmet relatives, illustrating the early development of their talent.

Photographs are of family members, including Julia Colt Pierson Emmet and William Jenkins Emmet, their daughters Lydia Field Emmet, Jane Erin Emmet de Glehn and husband Wilfrid de Glehn, Rosina Emmet Sherwood and husband Arthur Murray Sherwood, and Robert Emmet Sherwood as a young man. Also found are photos of friends Richard Harding Davis, Frederick MacMonnies, and Augustus Saint-Gaudens; a series of photographs of the installation at Arden Galleries, New York (1936) for the exhibition Paintings, Drawings and Sculptures by Five Generations of the Emmet Family; and photographs of artwork by Emmet family members.
Arrangement:
The Emmet family papers are arranged as nine series.

Series 1: Biographical Material, circa 1855-1988 (0.6 linear feet; Boxes 1, 10, OV 12)

Series 2: Correspondence, 1792-1985 (6.2 linear feet; Boxes 1-7)

Series 3: Writings and Notes, circa 1870s-1981 (11 folders; Box 7)

Series 4: Exhibition Files, 1947-1983 (0.3 linear feet; Boxes 7-8)

Series 5: Business Records, circa 1799-1945 (7 folders; Box 8)

Series 6: Printed Material, 1872-1989 (0.35 linear feet; Boxes 8, 10)

Series 7: Scrapbooks, 1870-1890 (0.2 linear feet; Boxes 8, 10)

Series 8: Artwork, circa 1850-circa 1920 (0.35 linear feet; Boxes 8, 10)

Series 9: Photographs, circa 1870s-circa 1950s (1 linear foot; Boxes 8-9, 11)
Biographical Note:
The Emmet family, descended from patriot Thomas Addis Emmet, brother of Irish martyr Robert Emmet, counts many physicians, lawyers, and writers (including cousin Henry James) among its ranks. Although evidence of artistic talent existed in several previous generations, it flourished during the later 19th through the mid-20th centuries in the professional portraiture of sisters Rosina Emmet Sherwood, Lydia Field Emmet, Jane Erin Emmet de Glehn, and their cousin Ellen "Bay" Emmet Rand.

The eldest daughter of Julia Colt Pierson Emmet (1829-1908), herself a talented illustrator who had studied under Daniel Huntington, Rosina "Posie" Emmet (1854-1948) studied under William Merritt Chase at his Tenth Street Studio in New York and under Robert-Fleury at the Academie Julian in Paris. Before her marriage to Arthur Murray Sherwood in 1887, Rosina established a studio in New York and continued to submit illustrations to various publications. During her marriage, she slowed her creative activities, until financial reverses dictated her return to her career around the turn of the 20th century. Her daughter Rosamond Sherwood (1899-1990) was also a portrait painter. Her son, Robert Emmet Sherwood (1896-1955) became a four-time Pulitzer Prize-winning playwright.

Lydia Field Emmet (1866-1952) studied under Collin, Bouguereau, MacMonnies, and Robert-Fleury at the Academie Julian. Upon her return to New York, Lydia continued her studies under Chase, Kenyon Cox, H. Siddons Mowbray, and Robert Reid at the Art Students League, as well as at Chase's Shinnecock Summer School of Art. She established her portrait studio in New York City and began spending summers at Stockbridge, Massachusetts, where she built her home, "Strawberry Hill," in 1905. Best known for her portraits of children, Lydia's subjects were members of the socially prominent families of New York, Boston, and Philadelphia.

The youngest sister, Jane Erin Emmet (1873-1961), also studied with Chase in New York, and in Paris. In 1904, she married British landscape painter Wilfrid Von Glehn, who had visited the United States with his friend John Singer Sargent. (The Von Glehns' surname was changed to De Glehn, in 1919.) Settling in London, Jane continued her painting, befriended many artists and composers, and accompanied her husband and Sargent on several art-related journeys through Europe.

The Emmet sisters' cousin, Ellen Gertrude "Bay" Emmet (1875-1941), studied in New York at the Art Students League and under Frederick MacMonnies in Paris, becoming a National Academician in 1934. She married William Blanchard Rand in 1911 and settled in Salisbury, Connecticut. After the stock market crash of 1929, Bay's portraits of prominent society figures provided most of her family's income.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 4544) including one scrapbook, compiled by Rosina Emmet Sherwood, consisting of portrait sketches, drawings of her dogs, genre scenes, travel views, and photographs of travels, friends, actors, and the ship "Scythia,". Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1988-1991, the bulk of the Emmet family papers were donated by Rosamond Sherwood, daughter of Rosina Emmet Sherwood (via Katharine Emmet Bramwell of New York), by Rosamond Sherwood's estate (via F. Douglas Cochrane, executor, from Boston), and by Rosamond's nieces, Virginia Sherwood and Julia Shipway. Additionally, one scrapbook was lent for microfilming in 1990 and subsequently donated by Mrs. Earl Maize. Douglas Cochrane then loaned another scrapbook for microfilming (reel 4344) in 1991 which was returned to Mrs. Earl Maize.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Emmet family papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Works of art  Search this
Women painters -- New York (State)  Search this
Painting, American -- New York (State)  Search this
Illustrators -- New York (State)  Search this
Painters -- England -- London  Search this
Playwrights  Search this
Portrait painters -- New York (State) -- New York  Search this
Singers  Search this
World War, 1914-1918  Search this
World War, 1939-1945  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Photographs
Video recordings
Drawings
Diaries
Sound recordings
Citation:
Emmet family papers, 1792-1989 (bulk 1851-1989). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.emmefami
See more items in:
Emmet family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-emmefami
Online Media:

Alice Neel papers

Creator:
Neel, Alice, 1900-1984  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Photographs
Notes
Date:
1933-1983
Summary:
The papers of New York painter Alice Neel measure 1.0 linear foot and date from 1933 to 1983. The bulk of the collection documents the last fifteen years of Neel's career as an artist. Found within the papers are letters from galleries, museums, and art organizations; writings and notes by Neel; exhibition catalogs, clippings, and other printed material; and photographs depicting Neel, exhibitions, and her artwork.
Scope and Content Note:
The papers of New York painter Alice Neel measure 1.0 linear foot and date from 1933 to 1983. The bulk of the collection documents the last fifteen years of Neel's career as an artist. Found within the papers are letters from galleries, museums, and art organizations; writings and notes by Neel; exhibition catalogs, clippings, and other printed material; and photographs depicting Neel, exhibitions, and her artwork.
Arrangement:
The collection is arranged as # series:

Series 1: Letters, circa 1968-1983 (Box 1; 0.2 linear feet)

Series 2: Writings and Notes, circa 1960-1979 (Box 1; 2 folders)

Series 3: Printed Material, 1933-1983 (Box 1; 0.6 linear feet)

Series 4: Photographs, 1940-1983 (Box 1; 6 folders)
Biographical Note:
Alice Neel (1900-1984) was a painter in New York, NY. She was known for her portraits of New York artists and intellectuals. Neel studied painting at the Philadelphia School of Design for Women (now the Moore College of Art and Design) from 1921-1925. She married Cuban artist Carlos Enríquez, and they briefly lived in Havana, Cuba. After the break-up of their marriage, she settled in New York City. During the 1930s she worked for the Public Works of Art Project and the Works Progress Administration, painting scenes of urban poverty and developing her distinctive portrait style. She pursued a career as a figurative painter during a period when abstraction was favored, and she did not begin to gain critical praise for her work until the 1960s. Neel received an honorary doctorate from the Moore College of Art and Design in 1971 and a retrospective of her work was held at the Whitney Museum in 1974. During the last decade of her life she finally received extensive national recoginition for her paintings. Neel was also a notable public speaker and often spoke on the topic of women artists.
Related Material:
Also found in the Archives of American Art are printed material on Romare Bearden, Alice Neel, and Howard Newman, 1975-1990, compiled by Dennis Florio, and a videorecording of "Art and Alice Neel," 1975, recorded as part of University of Georgia Television station WGTV's "Forum" program.
Provenance:
The collection was donated from 1974 to 1983 by Alice Neel.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Alice Neel papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Portrait painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Portrait painting -- 20th century -- United States  Search this
Women artists -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Notes
Citation:
Alice Neel papers, 1933-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.neelalic
See more items in:
Alice Neel papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-neelalic
Online Media:

Theodore Bolton papers

Creator:
Bolton, Theodore, b. 1889  Search this
Names:
Brown, Henry Kirke, 1814-1886  Search this
Durand, Asher Brown, 1796-1886  Search this
Gray, Henry Peters, 1819-1877  Search this
Oakley, Thornton, 1881-1953  Search this
Rogers, Bruce, 1870-1957  Search this
Tolman, Ruel P. (Ruel Pardee), 1878-1954  Search this
Extent:
5.1 Linear feet ((partially microfilmed on 5 reels))
Type:
Collection descriptions
Archival materials
Date:
1917-1958
Scope and Contents:
Correspondence, typescripts of books, publications and clippings relating to Bolton's published and unpublished works on American art.
UNMICROFILMED: Included are drafts for AMERICAN BOOK ILLUSTRATORS (N.Y., 1938), EARLY AMERICAN PORTRAIT PAINTERS IN OILS, DICTIONARY OF AMERICAN ARTISTS, A WORKING BIBLIOGRAPHY...RELATING TO ART IN PENNSYLVANIA...NOTES FOR A REVISION (Philadelphia, 1948), a portion of Sinclair Hamilton's EARLY AMERICAN BOOK ILLUSTRATORS, 1670-1870 (Princeton, 1958), "A Brief History of the French Impressionists," "Annotated Bibliography of Early American Painters, Sculptors and Engravers to 1860," A Brief History of Colonial American Painting" (1942); 75 typewritten pages of a working bibliography of books, magazine articles and catalogs relating to art in Pennsylvania by Harold E. Dickson and Bolton, 1948; catalogs of works of several artists; notes on artists, Greek vases and architecture, the Dutch masters, the Museum of San Marco, painting technique, the French Impressionists, Early American Painting, and English historical painting. Also included are checklists of books illustrated by Howard Pyle, Katharine Pyle and Joseph Pennell; articles by R. P. Tolman and related correspondence; sketches and drawings by Bolton; and clippings and book reviews relating to Bolton.
REEL N140: A revised typescript, 1958, of AMERICAN BOOK ILLUSTRATORS.
REELS D9 & D10: A letter from book designer Bruce Rogers, annotated by Bolton, February 14, 1945 regarding Rogers' design of THE FEDERALIST PAPERS; 2 letters from Ruel Pardee Tolman, June 12, 1949 and May 19, 1953, regarding his own painting and miniatures and other paintings he is buying and studying; and 5 letters from illustrator Thornton Oakley, undated and March 10-April 19, 1946.
REELS 439-440: Copy of a photograph - probably from a book, of Winslow Homer (reel 439); and a photograph, ca. 1850, of (L to R.): Henry Kirke Brown, Henry Peters Gray and Asher Brown Durand and Emanuel Leutze, photographer unknown. [A similiar photo filmed on reel NY59-19, fr. 1-2, Mary Bartlett Cowdrey artists' files pictures William Kemble (non-artist) on Brown's right.]
Biographical / Historical:
Art historian, scholar and librarian of the Century Association; New York, N.Y. Died 1973. He specialized in book illustration and portrait miniatures.
Provenance:
From 1956-1959, Bolton donated 3 feet of material to the Archives and 2 feet to the Library of the National Museum of American Art, which subsequently transferred it to the Archives, 1981. There is some duplication within the two groups of material.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Portrait painters  Search this
Book illustrators  Search this
Art historians -- New York (State) -- New York  Search this
Topic:
Art -- Pennsylvania  Search this
Illustration of books -- United States  Search this
Portrait painting -- United States  Search this
Identifier:
AAA.bolttheo
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bolttheo

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