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Albert du Vannes photographs

Creator:
Du Vannes, Albert, 1881-1962  Search this
Extent:
25 Items (photographic prints, some sepia toned, 19 x 24 cm. and smaller.)
4 Photographic prints (col., 10 x 15 cm.)
Type:
Collection descriptions
Archival materials
Photographic prints
Date:
1896-1950
bulk 1898-1906
Scope and Contents:
25 photographs, including several posed portraits, of du Vannes, du Vannes with his wives, with a client, painting in his St. Paul and New York studios, and in his New York art gallery. Also included are four color photos, including one of du Vannes' son, Armand, with paintings by his father, mother, and a portrait of Armand by Benton Scott, and one each of the paintings. A caricature of du Vannes from the St. Paul Dispatch, ca. 1902, captioned "Albert di Giovanni - The Young St. Paul Artist Who Left for New York Yesterday," signed Rhodes, and a brief biography of du Vannes by his son complete the collection.
Biographical / Historical:
Landscape and portrait painter, art dealer; New York, N.Y. Born Albert Di Giovanni in Naples, Italy. Came to the U.S. in 1894, first to St. Paul, Minnesota, moving ca. 1902 to New York City. Later gave up painting and opened up an art gallery. Changed his name in 1926. Died in Naples, Italy.
Provenance:
Donated 1990 by Armand du Vannes, Albert du Vannes' son.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Landscape painters -- New York (State)  Search this
Gallery owners  Search this
Art dealers -- New York (State) -- New York  Search this
Painters -- Minnesota  Search this
Topic:
Italian American artists -- Photographs  Search this
Identifier:
AAA.duvaalbe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-duvaalbe

Macbeth Gallery records

Creator:
Macbeth Gallery  Search this
Names:
Hartley, Marsden, 1877-1943  Search this
Homer, Winslow, 1836-1910  Search this
Macbeth, Robert W. (Robert Walker), 1884-1940  Search this
Macbeth, William, 1851-1917  Search this
McIntyre, Robert G. (Robert George), b. 1885  Search this
Stuart, Gilbert, 1755-1828  Search this
Weir, Robert Walter, 1803-1889  Search this
Extent:
131.6 Linear feet
Type:
Collection descriptions
Archival materials
Daguerreotypes
Photographs
Scrapbooks
Date:
1947-1948
1838-1968
bulk 1892-1953
Summary:
The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. Through extensive correspondence files, financial and inventory records, printed material, scrapbooks, reference and research material, and photographs of artists and works of art, the records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.
Scope and Content Note:
The Macbeth Gallery records provide almost complete coverage of the gallery's operations from its inception in 1892 to its closing in 1953. The records document all aspects of the gallery's activities, charting William Macbeth's initial intention to lease his store "for the permanent exhibition and sale of American pictures" through over sixty years of success as a major New York firm devoted to American art. The collection measures 131.6 linear feet and dates from 1838 to 1968 with the bulk of the material dating from 1892 to 1953.

The gallery's correspondence files form the core of the collection and illuminate most aspects of American art history: the creation and sale of works of art, the development of reputations, the rise of museums and art societies, change and resistance to change in the art market, and the evolution of taste. Ninety-five feet of correspondence house substantial and informative letters from dozens of important American painters and sculptors, including older artists and younger contemporaries of the gallery in its later years. There are also letters from collectors, curators, other galleries, and critics.

The financial files found in the collection offer insight into the changing economic climate in which the gallery operated. They include information ranging from the details of individual sales and the market for individual artists, to consignment activities and artist commissions, to overviews of annual sales. This information is augmented by the firm's inventory records and the photographs of artwork with their accompanying records of paintings sold. The inventory records provide details of all works of art handled by the gallery, both sold and unsold, and the buyers who purchased them; the photographs of artwork include images of artwork sold with accompanying sales information.

The highlight of the gallery's printed material is the publication Art Notes. Although published only until 1930, Art Notes provides an excellent and detailed view of the gallery's exhibition schedule and the relationship of the gallery owners with many of the artists whose work they handled. It was a house organ that also provided a running commentary on events in the art world. The gallery's 19 fragile scrapbooks, maintained throughout the firm's history, provide further coverage of activities through exhibition catalogs and related news clippings. Printed material from other sources provides a frame of reference for activities in the art world from the mid-19th to the mid-20th-centuries and includes an almost complete run of the rare and important pre-Civil War art publication The Crayon.

Reference files record the interest which the gallery owners took in the work of early portrait painters and in later artists such as George Inness and Winslow Homer. Together with the immense volume of correspondence with buyers and sellers of paintings by the great portraitists and the Hudson River School found in the gallery's correspondence files, these records are still useful sources of information today and underscore the deep interest that the Macbeths and Robert McIntyre took in 18th and 19th-century American art.

The photographs of artists found here are a treasure trove of images of some of the major figures of the 19th and 20th-centuries. There are photographs of artists such as Chester Beach, Emil Carlsen, Charles Melville Dewey, Frederick Carl Frieseke, Childe Hassam, Winslow Homer, George Inness, Maurice Prendergast, and Julian Alden Weir, many of them original prints and the majority of them autographed.

With the exception of the "The Eight" and a few of their contemporaries, an important aspect of art history, the modernist movement, is generally represented in the Macbeth Gallery records only in a negative form as the three successive proprietors of the gallery showed very little interest in this area. Nevertheless, the collection is a highly significant source of information on many of the major and minor figures in American art in the period after 1890.
Arrangement:
The collection is arranged into eight series:

Series 1: Correspondence, 1838-1968 (Box 1-95, 163-164, OV 165; 96.2 linear feet)

Series 2: Financial and Shipping Records, 1892-1956 (Box 96-110; 11.8 linear feet)

Series 3: Inventory Records, 1892-circa 1957 (Box 111-113; 3.0 linear feet)

Series 4: Printed Material, 1838-1963 (Box 114-119, 162; 5.0 linear feet)

Series 5: Scrapbooks, 1892-1952 (Box 120-130; 3.3 linear feet)

Series 6: Reference Files, 1839-1959 (Box 131-132; 0.6 linear feet)

Series 7: Miscellaneous Files, 1912-1956 (Box 133-134; 0.8 linear feet)

Series 8: Photographs, circa 1880-circa 1968 (Box 135-161; 12.1 linear feet)
Historical Note:
The Macbeth Gallery was established in 1892 by William Macbeth, a Scotch-Irish immigrant who had spent ten years with the print dealer Frederick Keppel before he opened his doors to the art-buying public at 237 Fifth Avenue in New York. Despite the prevailing interest in foreign art at that time, particularly in that of the Barbizon and Dutch schools, Macbeth was determined to dedicate his gallery to "the permanent exhibition and sale of American pictures, both in oil and water colors."

Although some of the gallery's earliest exhibitions were of work by European artists, the business soon became the only gallery in continuous operation that kept American art permanently on display. In the January 1917 issue of Art Notes, Macbeth recounts those early days remembering that "The opening of my gallery......was a rash venture under the existing conditions, and disaster was freely predicted." Nevertheless, he struggled through the financial crisis of 1893 and persisted with his devotion to American art; slowly the market for his pictures grew more amenable.

Macbeth moved to more spacious quarters at 450 Fifth Avenue in 1906 and two years later undertook what was to become the major event in the gallery's early history: the 1908 exhibition of "The Eight," featuring work by Arthur B. Davies, Willam J. Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice Prendergast, Everett Shinn, and John Sloan. "The Eight" were an unlikely combination of social realists, visionaries and impressionists eager to challenge the dominating influence of the National Academy. The exhibition received an immense amount of publicity and instantly entered into art history as a successful assault on tradition.

Despite the splash that the exhibition made and its implications for the future of American art, nothing that the gallery did subsequently indicated that Macbeth intended to capitalize on its significance. It is true that Macbeth supported many artists later considered leaders in American art when the public would pay no attention to them because of their modernist tendencies; Arthur B. Davies, Paul Dougherty, Maurice Prendergast, Theodore Robinson, and F. Ballard Williams all held their first exhibitions at his gallery. Nevertheless, neither Macbeth nor the gallery's two successive proprietors, Robert G. McIntyre (William's nephew) and Robert Macbeth (William's son), who joined the gallery in 1903 and 1906 respectively, ever developed a true interest in modern art. The November 1930 issue of Art Notes summarizes their collective disdain for modernism, stating: "We believe that, by and large, modern art is amusing. We are heretical enough to believe that much of it was started for the amusement of its creators and that no one was more surprised than they when it was taken seriously by a certain audience to whom the bizarre and the unintelligible always makes an appeal." So while the Macbeths and McIntyre cetainly championed American artists and insisted they deserved as much recognition as the Europeans, their deepest and most abiding interest was undoubtedly the established artists of the 18th and 19th-centuries and those of the early 20th-century who continued in a more conservative style. Artists such as Emil Carlsen, Charles Harold Davis, Frederick C. Frieseke, Robert Henri, Winslow Homer, Chauncey F. Ryder, Abbot Handerson Thayer, J. Francis Murphy, A. H. Wyant were the gallery's bread and butter.

When William Macbeth died in 1917 Robert Macbeth took up the reins with the assistance of Robert G. McIntyre . Although they incorporated the business as William Macbeth, Inc., in 1918 the gallery continued to be known, as it always would be, simply as Macbeth Gallery. Macbeth and McIntyre continued to show work in the same vein as the elder Macbeth. They concentrated primarily on oil paintings at this time, having found by the 1920s that "oils are all that our gallery owners will buy," though they also exhibited an occasional group of watercolors and pastels in addition to bronzes and other sculpture by contemporary American artists such as Chester Beach and Janet Scudder.

Of the early American painters the Macbeths and McIntyre were particularly interested in colonial portraits and miniatures, especially those painted by prominent artists in the latter part of the eighteenth century such as John Singleton Copley, Gilbert Stuart, Thomas Sully and John Trumbull. In its early years the gallery also handled the work of a few prominent American etchers including Frank W. Benson, Emil Fuchs, Daniel Garber, Childe Hassam and Chauncey F. Ryder. The print department was generally discontinued, however, in the late 1930s although the gallery continued to show prints by contemporaries such as Stow Wengenroth.

In 1924 relative prosperity allowed the gallery to move uptown to 15 East Fifty-seventh Street. When the 1930s brought new financial hardship for the gallery Macbeth and McIntyre took a variety of approaches to boosting sales. In 1930 they decided to hold only group exhibitions throughout the season to the exclusion of one-man shows, and also held some special exhibitions of paintings priced at a hundred dollars each in the hope that they could tempt those "willing to take advantage of a rare chance to secure representative examples of good art at a most attractive price." A move to smaller quarters at 15 East Fifty-seventh Street in 1935 was made with the intention of concentrating their efforts on the work of fewer contemporary artists, while continuing to handle the work of the older Americans they had long supported.

When Macbeth died suddenly and unexpectedly in August 1940 following an operation for appendicitis, McIntyre continued to run the gallery with the assistance of Hazel Lewis. During the 1940s McIntyre and Lewis showed primarily contemporary art in a wide range of media including oil, watercolor, pastel, drawing and sculpture, while continuing, as always, to show the occasional group of 19th-century Americans. The great success of the gallery's later years was undeniably Andrew Wyeth whose first exhibition, held at Macbeth Gallery in 1937, resulted in the sale of all twenty-two paintings cataloged.

Although subsequent Wyeth exhibitions were also successful, McIntyre struggled financially throughout the 1940s and periodically considered liquidating the company. Although "vitally interested" in contemporary art by people such as Robert Brackman, Jay Connaway, Carl Gaertner, James Lechay, Herbert Meyer and Ogden M. Pleissner he found that, for the most part, it did not pay. McIntyre continued operations until 1953 when he decided that doing so for profit was not only a financial burden but also ran contrary to his desire to spend more time devoted to his first love, early American art. When the lease expired on 11 East Fifty-seventh Street in April 1953 McIntyre did not renew it. After closing the gallery's doors he sold art from his New York apartment and from his home in Dorset, Vermont. He officially dissolved William Macbeth, Inc., in 1957.

The history of the Macbeth Gallery is a long and distinguished one with each successive proprietor making a significant contribution to art in America. William Macbeth helped establish an audience and a market for American art when few were willing to give it serious consideration. Robert Macbeth continued to cement the gallery's reputation as one of the leading firms in New York and was instrumental in organizing the American Art Dealers Association. Robert G. McIntyre claimed in a letter to Lloyd Goodrich, dated 22 June 1945, that the thing of which he was most proud was "the share I have had in the formation of the collection of the Addison Gallery of American Art, at Andover, Massacusetts." McIntyre was widely respected in the art community as a dealer, as an adviser to curators, and as a scholar whose research and book on Martin Johnson Heade helped "rediscover" an important American artist. One of his most significant and lasting contributions to the history of art in America, however, was undoubtedly his gift of the gallery's historical records to the Archives of American Art.
Related Material:
Among the holdings of the Archives of American are a small collection of scattered Robert McIntyre's papers and 9 items of William Macbeth's papers. Macbeth Gallery exhibition catalogs are also available in the American Art Exhibition Catalog collection and the Brooklyn Museum Records, both loaned and microfilmed collections.

An extensive collection of Macbeth Gallery exhibition catalogs are also held by the Frick Art Reference Library and the Watson Library of the Metropolitan Museum of Art.
Provenance:
The bulk of the Macbeth Gallery records were donated and microfilmed in several installments between 1955 and 1966 by Robert G. McIntyre and Estate. Additional Macbeth Gallery printed material was donated by Phoebe C. and William Macbeth II, grandchildren of William Macbeth, in 1974.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Fragile original scrapbooks are closed to researchers.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Eight (Group of American artists)  Search this
Artists -- United States  Search this
Art -- Collectors and collecting  Search this
Art, American  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Daguerreotypes
Photographs
Scrapbooks
Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.macbgall
See more items in:
Macbeth Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-macbgall
Online Media:

Bettina Steinke papers

Creator:
Steinke, Bettina, 1913-1999  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1936-1998
bulk 1936-1976
Scope and Contents:
Photographs, printed material, and artifacts documenting Bettina Steinke's career as a portrait painter.
The bulk of the collection contains photographs of portraits by Steinke, including members of the Circus Saints and Sinners Club of America, 1936-1944, and military figures in the United States during World War II. Also included are photographs of Steinke in her studio, at work, and with others. Printed material includes newspaper clippings and magazine articles, many with printed reproductions of Steinke's portraits. Also included are two buttons, depicting Franklin D. Roosevelt and Dwight Eisenhower (the images presumably reproduced from Steinke's portraits).
Biographical / Historical:
Bettina Steinke (1913-1999) was a portrait painter in New York, New York. During World War II she painted portraits for the United States War Department.
Provenance:
Donated 2001 by the National Portrait Gallery, Smithsonian Institution via curator Wendy Reaves who received the papers from Susan Conway, a friend of Steinke's.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Portrait painters -- New York (State) -- New York  Search this
Topic:
World War, 1939-1945 -- Art and the war  Search this
Function:
Artists' studios
Identifier:
AAA.steibett
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-steibett

Oral history interview with Kehinde Wiley, 2010 September 29

Interviewee:
Wiley, Kehinde, 1977-  Search this
Wiley, Kehinde, 1977-  Search this
Interviewer:
Bayly, Anne Louise, 1975-2016  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)15882
(DSI-AAA_SIRISBib)295736
AAA_collcode_wiley10
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_295736
Online Media:

Oral history interview with William F. Draper, 1977 June 1-28

Interviewee:
Draper, William F. (William Franklin), 1912-2003  Search this
Draper, William F. (William Franklin), 1912-2003  Search this
Interviewer:
McNaught, William  Search this
Type:
Sound recordings
Interviews
Topic:
Painting, Modern -- 20th century  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12973
(DSI-AAA_SIRISBib)212622
AAA_collcode_draper77
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212622
Online Media:

Oral history interview with Marion Greenwood, 1964 Jan. 31

Interviewee:
Greenwood, Marion, 1909-1970  Search this
Greenwood, Marion, 1909-1970  Search this
Interviewer:
Seckler, Dorothy Gees, 1910-1994  Search this
Subject:
Federal Art Project  Search this
Treasury Relief Art Project  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Mural painting and decoration  Search this
Lithographers -- New York (State) -- New York -- Interviews  Search this
Mosaicists -- New York (State) -- New York -- Interviews  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Muralists -- New York (State) -- New York -- Interviews  Search this
Women artists  Search this
Theme:
New Deal  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)11871
(DSI-AAA_SIRISBib)213496
AAA_collcode_greenw64
Theme:
New Deal
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213496
Online Media:

Worthington Whittredge papers, circa 1840s-1965, bulk 1849-1908

Creator:
Whittredge, Worthington, 1820-1910  Search this
Whittredge, Worthington, 1820-1910  Search this
Subject:
Brady, Mathew B. (Recollections of the art exhibition, Metropolitan Fair)  Search this
Metropolitan Fair (1864:New York, N.Y.)  Search this
Type:
Drawings
Photographs
Paintings
Sketchbooks
Topic:
Landscape painters -- New York (State) -- New York  Search this
Painting, American  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9364
(DSI-AAA_SIRISBib)211560
AAA_collcode_whitwort
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211560
Online Media:

Augustus Vincent Tack papers, [ca. 1910]

Creator:
Tack, Augustus Vincent, 1870-1949  Search this
Tack, Augustus Vincent, 1870-1949  Search this
Topic:
Art and religion -- New York (State) -- New York  Search this
Painting, Modern -- New York (State) -- New York  Search this
Theme:
Audio - Visual  Search this
Record number:
(DSI-AAA_CollID)5769
(DSI-AAA_SIRISBib)208608
AAA_collcode_tackaugu
Theme:
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208608

Sylvia Sleigh papers, 1961-1983

Creator:
Sleigh, Sylvia, 1916-  Search this
Sleigh, Sylvia, 1916-  Search this
Subject:
Women in the Arts Foundation, Inc.  Search this
Artists in Residence (Gallery: New York, N.Y.)  Search this
Soho 20 (Gallery)  Search this
Topic:
Women artists -- New York (State) -- New York  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8658
(DSI-AAA_SIRISBib)210838
AAA_collcode_sleisylv
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210838

Bessie Potter Vonnoh papers, circa 1860-1991, bulk 1890-1955

Creator:
Vonnoh, Bessie Potter, 1872-1955  Search this
Vonnoh, Bessie Potter, 1872-1955  Search this
Subject:
Skinner, Cornelia Otis  Search this
Vezin, Charles  Search this
Hughes, Rupert  Search this
Huntington, Archer M.  Search this
Mead, Larkin G. (Larkin Goldsmith)  Search this
Raffaëlli, Jean François  Search this
Carter, Charles M.  Search this
French, Daniel Chester  Search this
French, William M. R. (William Merchant Richardson)  Search this
Garland, Hamlin  Search this
Vonnoh, Robert William, 1858-1933  Search this
Type:
Photographs
Topic:
Artist couples  Search this
Painters -- New York (State) -- New York  Search this
Landscape painters -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Women sculptors -- New York (State) -- New York  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6601
(DSI-AAA_SIRISBib)215911
AAA_collcode_vonnbess
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215911
Online Media:

Martin family papers and Campus Martius Museum records relating to Lilly Martin Spencer, 1825-1971

Creator:
Spencer, Lilly Martin, 1822-1902  Search this
Spencer, Lilly Martin, 1822-1902  Search this
Subject:
Bagley, Sarah G.  Search this
Eastman, Maria M.  Search this
Emerson, Mary Moody  Search this
Gage, Frances Dana Barker  Search this
Hebert, William  Search this
Parsons, Anna Q. T.  Search this
Severance, Caroline M. Seymour (Caroline Maria Seymour)  Search this
Swift, Adeline T.  Search this
Martin, Giles  Search this
Martin, Angelique  Search this
Trumbull Phalanx (Braceville, Ohio)  Search this
Ohio Historical Society  Search this
Campus Martius Museum  Search this
Topic:
Women painters -- Ohio  Search this
Women painters -- New York (State)  Search this
Painting, Modern -- 19th century -- United States  Search this
Women's rights -- United States  Search this
Women's suffrage -- United States  Search this
Collective settlements -- Ohio  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6071
(DSI-AAA_SIRISBib)216162
AAA_collcode_spenlilm
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216162

Mary Turlay Robinson papers, 1923-1971

Creator:
Robinson, Mary Turlay, 1887 or 8-1971  Search this
Robinson, Mary Turlay, 1887 or 8-1971  Search this
Subject:
Myers, Frank Harmon  Search this
Dickinson, Edwin Walter  Search this
Hoffman, Malvina  Search this
Kroll, Leon  Search this
Myers, Ella Price  Search this
Stieglitz, Alfred  Search this
Terrell, Allen Townsend  Search this
Watkins, Franklin Chenault  Search this
Beal, Gifford  Search this
Block, Adolph  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Women artists  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)5741
(DSI-AAA_SIRISBib)208580
AAA_collcode_robimary
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208580

Ammi Phillips papers, 1958-1959

Creator:
Phillips, Ammi, 1788-1865  Search this
Phillips, Ammi, 1788-1865  Search this
Topic:
Portrait painting -- 19th century -- History -- New York (State)  Search this
Folk art  Search this
Theme:
Ephemera, Miscellany, and General Art Related  Search this
Record number:
(DSI-AAA_CollID)8815
(DSI-AAA_SIRISBib)211000
AAA_collcode_philammi
Theme:
Ephemera, Miscellany, and General Art Related
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211000

Harry Siddons Mowbray and Mowbray Family papers, 1872-1976

Creator:
Mowbray, Harry Siddons, 1858-1928  Search this
Mowbray, Harry Siddons, 1858-1928  Search this
Subject:
McKim, Charles Follen  Search this
Mowbray, Florence Millard  Search this
Mead, William Rutherford  Search this
Mowbray, George S.  Search this
Mowbray, George Mordey  Search this
Sherwood, Herbert F. (Herbert Francis)  Search this
Mowbray, Helen Amelia  Search this
American Academy in Rome  Search this
Pierpont Morgan Library  Search this
University Club (New York, N.Y.)  Search this
United States. Commission of Fine Arts  Search this
Type:
Scrapbooks
Photographs
Prints
Sketches
Etchings
Diaries
Place:
Larz Anderson Park (Brookline, Mass.)
Topic:
Muralists -- New York (State) -- New York  Search this
Mural painting and decoration  Search this
Flags -- United States  Search this
Painters -- New York (State) -- New York  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7034
(DSI-AAA_SIRISBib)209167
AAA_collcode_mowbharr
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209167
Online Media:

Alice Neel papers, 1933-1983

Creator:
Neel, Alice, 1900-1984  Search this
Neel, Alice, 1900-1984  Search this
Type:
Photographs
Notes
Topic:
Portrait painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Portrait painting -- 20th century -- United States  Search this
Women artists -- New York (State) -- New York  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7576
(DSI-AAA_SIRISBib)209737
AAA_collcode_neelalic
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209737
Online Media:

Isabella Howland papers, 1899-1979

Creator:
Howland, Isabella, 1895-1974  Search this
Howland, Isabella, 1895-1974  Search this
Subject:
Bacon, Peggy  Search this
Strater, Henry  Search this
Watson, Forbes  Search this
Greenbaum, Dorothea S.  Search this
Halpert, Edith Gregor  Search this
Gershoy, Eugenie  Search this
Force, Juliana  Search this
Bywaters, Jerry  Search this
Dehn, Adolf  Search this
Type:
Sketches
Photographs
Sketchbooks
Topic:
Portrait painters -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Women artists  Search this
Sculptors -- New York (State) -- New York  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7813
(DSI-AAA_SIRISBib)209979
AAA_collcode_howlisab
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209979
Online Media:

Rembrandt Lockwood and Lockwood family papers, 1862-1943

Creator:
Lockwood, Rembrandt, 1815-1889  Search this
Lockwood, Rembrandt, 1815-1889  Search this
Subject:
Keiler  Search this
Brundage, Frances I.  Search this
Colburn, Arthur  Search this
Colburn, Helen Frances  Search this
Colburn, Helen Lockwood  Search this
Hammer, William H.  Search this
Place:
Washington (D.C.) -- Social life and customs
Topic:
Painting -- New York (State)  Search this
Engraving -- New York (State) -- New York  Search this
Women painters -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7903
(DSI-AAA_SIRISBib)210070
AAA_collcode_lockremb
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210070

Charles FitzGerald scrapbooks, circa 1901-1918

Creator:
Fitzgerald, Charles, 1873-1958  Search this
Fitzgerald, Charles, 1873-1958  Search this
Type:
Scrapbooks
Topic:
Art criticism -- New York (State) -- New York  Search this
Theme:
Art Movements and Schools  Search this
Record number:
(DSI-AAA_CollID)8177
(DSI-AAA_SIRISBib)210348
AAA_collcode_fitzchar
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210348
Online Media:

Marion Greenwood papers, 1883

Creator:
Greenwood, Marion, 1909-1970  Search this
Greenwood, Marion, 1909-1970  Search this
Subject:
Noguchi, Isamu  Search this
Rivera, Diego  Search this
Type:
Photographs
Topic:
Women artists -- New York (State) -- New York  Search this
Social realism  Search this
Women artists -- Mexico  Search this
Muralists -- New York (State) -- New York  Search this
Muralists -- Mexico  Search this
Painters -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8253
(DSI-AAA_SIRISBib)210424
AAA_collcode_greemari
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210424
Online Media:

Edwin Weyburn and Richard La Barre Goodwin papers, 1830-1958

Creator:
Goodwin, Richard La Barre, 1840-1910  Search this
Goodwin, Edwin Weyburn, 1800-1845  Search this
Goodwin, Richard La Barre, 1840-1910  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8300
(DSI-AAA_SIRISBib)210471
AAA_collcode_goodrich
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210471

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