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Correspondence, Andrews, Ambrose - Harding, Chester

Creator:
Beal, Gifford, 1879-1956  Search this
Andrews, Ambrose, 1805-1859  Search this
Bates, Edward, 1793-1869  Search this
Bohrod, Aaron  Search this
Cloar, Carroll  Search this
Colman, Samuel, 1832-1920  Search this
Bacon, Josephine Daskam, 1876-1961  Search this
Rogers, Daniel Denison, 1751-1825  Search this
Elliot, William Parker  Search this
Brush, George de Forest, 1855-1941  Search this
Harding, Chester, 1792-1866  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Beach, Ella  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Town, Ithiel, 1784-1844  Search this
Watson, Forbes, 1880-1960  Search this
Collection Creator:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this
Extent:
14 Items (Letters, written in ink, ball point, graphite, typewritter)
Type:
Archival materials
Lithographs
Correspondence
Place:
New York (N.Y.)
Date:
1779-1981
Scope and Contents:
This folder is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in the folder are letters by Ambrose Andrews, Edward Bates, Gifford Beal, Aaron Bohrod, Carroll Clear, Samuel Colman, Josephine Daskam, Daniel Denison Rogers, William Elliot, George de Forest Brush, and Chester Harding. The letters' subjects cover a wide range of topics, including the buying and selling of art, invitations to dinner, and general correspondence.
Arrangement:
Organized alphabetically by author.
Biographical / Historical:
Ambrose Andrews was a portrait, miniature, and landscape portrait who worked throughout New England and the United States. He was born in Stockbridge, Massachusetts in 1801 and studied at the National Academy of Design. He exhibited paintings at many different institutions, including his portraits of Henry Clay and Sam Houston. Andrews's work is now in the New York Historical Society.
Edward Bates was a representative for Missouri in the mid-1800s. He served in the War of 1812 as a sergeant in a volunteer brigade, studied and practiced law, attended the state constitutional convention, was district attorney from 1821 to 1826, and was a member of the state senate. He declined to serve as Secretary of War for President Fillmore, but was appointed Attorney General of the United States by President Lincoln, and served from March 5, 1861 to September 1864. Bates died on March 25, 1869.
Admiral Charles Henry Davis was born on January 16, 1807, and served as Chief of the Bureau of Navigation between 1862 and 1865. He then served as Superintendent of the Naval Observatory. He had three ships named after him.
Forbes Watson was an art critic, lecturer, and administrator in New York City in the early 20th century. He served as art critic for the New York Evening Post. In 1933 he was appointed Technical Director of the first New Deal art program, the Public Works of Art Project, which provided work for artists in the decoration of non-federal buildings. He later worked at the Treasury Department of Painting and Sculpture, which administered funding for decorating federal buildings. Watson finally served in the Treasury Department's War Finance Division, where he organized exhibitions and posters by combat artists to promote the sale of war bonds. Forbes Watson's papers are held in the Archives of American Art.
Gifford Beal was an American artist who worked with many organizations for the advancements of the arts, finding inspiration from a wide variety of sources, including holiday scenes, every-day life, and landscapes. Beal loved spontaneity and was influenced by French Impressionists. He was commissioned by the government to paint two murals: one on the post office in Allentown, Pennsylvania, and one in the Main Interior Building in Washington, D.C. Beal's papers are held in the Archives of American Art.
Aaron Bohrod was born in Chicago, Illinois on November 21, 1907, where he studied art at the Art Institute of Chicago. He worked for a while in the advertising art department at the Fair Department Store in Chicago, but eventually moved to New York City, where he joined the Art Students League. He died on April 3, 1992. During World War II, Bohrod worked as an artist for the United States Army Corps of Engineer and Life magazine in Europe.
Carroll Cloar was an American realist and surrealist who lived from 1913 to 1993. He grew up in Arkansas, but later moved to Tennessee, travelled Europe, and joined the Art Students League in New York City. During World War II, he joined the U.S. Army Air Corps, and although he did complete some artwork during this period, none of it survives. Cloar then settled in Memphis. One of his paintings was chosen to commemorate President Clinton's inauguration in 1993. Cloar died of a self-inflicted gunshot wound on April 10, 1993, after a long battle with cancer.
Samuel Colman was an American painter who belonged to the Hudson River School, and is most well-remembered for his landscapes. He was born in Portland, Maine, in 1832, and began exhibiting at the young age of 18. At 27 he was elected an associate of the National Academy, and later studied abroad in Paris and Spain. He was made a full Academician upon his return to the United States, and both founded and served as the first president of the American Water-color Society. He continued to both study in Europe and exhibit artwork, moving from New York to Rhode Island. Colman is represented in the metropolitan Museum, Chicago Art Institute, and many other collections. He died in New York City in 1920.
Josephine Daskam Bacon was an American writer known for writing about "women's issues" and using female protagonists. She wrote a series of juvenile mysteries and helped pioneer the Girl Scouts movement, writing a guidebook for the organization.
Daniel Denison Rogers is perhaps most widely remembered for the painting that John Singleton Copley completed of his wife, Abigail Bromfield.
Ithiel Town was an American architect and civil engineer who lived from October 3, 1784 to June 13, 1844. He worked in the Federal and revivalist Greek and Gothic styles, and was widely copied. He was born in Connecticut, and built both Center Church and Trinity Church in New Haven. Town patented a wooden lattice truss bridge, which made him quite wealthy. He formed a professional architecture firm with Alexander Jackson Davis. One of Town's most amazing feats was the construction of the Potomac Aqueduct in Washington, D.C., which allowed fully loaded canal boats to cross the Potomac River.
William Parker Elliot designed the old U.S. Patent Office, a very important Greek Revival building, with Ithiel Town.
George de Forest Brush was an American painter who grew up in Connecticut and is typified by his paintings and drawings of Native Americans. Even after moving from Wyoming, where he met the Native Americans, back to the East, Brush still occasionally enjoyed living in a teepee. Brush's artistic style later developed into Renaissance-inspired portraits. He was friends with Abbott H. Thayer, and along with Brush's wife, Mary, and son, Gerome, they all contributed to early camouflage designs. Brush died in New Hampshire in 1941.
Chester Harding was an American portrait painter born in Massachusetts in 1792. He worked in many different professions, finally becoming a self-taught itinerant portrait painter. Harding settled in Beacon Hill, Boston, Massachusetts, in a building that now houses the Boston Bar Association (the Chester Harding House, a Historic National Landmark). He studied at the Philadelphia School of Design, later setting up a studio in London, where he befriended and painted for royalty and nobility. Harding finally returned to Boston, where he died in 1866.
Local Numbers:
FSA A2009.06 4
Other Archival Materials:
Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American  Search this
Real property  Search this
Drawing  Search this
Genre/Form:
Lithographs -- 1950-2000
Correspondence -- 19th century
Correspondence -- 20th century
Identifier:
FSA.A2009.06, Series FSA A2009.06 4
See more items in:
The Brumbaugh Collection of Artist Letters
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc3fe083cf2-c3ca-489b-b0ee-4f49e62444b0
EDAN-URL:
ead_component:sova-fsa-a2009-06-ref2

Correspondence, Harrington - Moser

Creator:
McEvoy, Ambrose, 1878-1927  Search this
Healy, G. P. A. (George Peter Alexander), 1813-1894  Search this
Johnson, Eastman, 1824-1906  Search this
Maynard, George W. (George Willoughby), 1843-1923  Search this
Moser, James Henry, 1854-1913  Search this
Names:
Mercer, Edward  Search this
Washington, George Corbin, 1789-1854  Search this
Collection Creator:
Brumbaugh, Thomas B. (Thomas Brendle), 1921-  Search this
Extent:
9 Items (Letters, written in ink, ball point, graphite)
Type:
Archival materials
Correspondence
Date:
1848-1924
Scope and Contents:
This folder is an amalgamation of letters written and recieved by prominent figures in 19th and 20th century American art. Included in the folder are letters from George P. Healy, Eastman Johnson, George W. Maynard, Ambrose McEvoy, and James Henry Moser.
Arrangement:
Organized alphabetically by author.
Biographical / Historical:
Healy was an American academic painter during the 19th century who painted mostly portraits, including a rather well-known one of Abraham Lincoln seated, which hangs in the National Portrait Gallery in Washington, D.C. He studied in Paris, and worked in Paris, Rome, and Boston. Healy was prolific, painting as many as 50 portraits in a single year, including a series of American presidents, and group pictures depicting congressmen and other famous political figures. The picture depicts Senator Daniel Webster's (MA) reply in Senate to Senator Robert Hayne (SC) in 1830. They debated the issue of states' rights and nullification, and Webster defended a strong national government, famously declaring, "The motto should not be 'Liberty first, and Union afterwards,' but 'Liberty and Union, now and forever, one and inseparable!'"
Hon. George C. Washington was born in Virginia in 1789 and died in Georgetown, D.C. in 1854. He attended Phillips Academy in Andover, Massachusetts, served in the Maryland legislature, and served several terms representing Montgomery County in Congress.
Eastman Johnson was an American painter who co-founded the Metropolitan Museum of Art. Johnson painted many influential Americans of his day, and his style was influenced by the Dutch masters, earning him the title of "The American Rembrandt."He was born in Maine in 1824, but moved to Washington, D.C., where he completed many of his portraits. Johnson lived among Native American tribes and opened a studio in New York.
George Willoughby Maynard was an American painter who started his career by completing murals in Boston's Trinity Church. He later did many murals in the Library of Congress.
Ambrose McEvoy painted figures, landscapes, and portraits in the late 19th and early 20th centuries. He was a founder-member of the National Portrait Society in England, and painted a number of portraits of soldiers and sailors, which are now in the Imperial War Museum.
Edward StanleyMercer was an English artist who studied at the Slade School of Art, along with time in Holland, Spain, and Italy. He exhibited at the Royal Academy, and was a member of both the Royal Society of Portrait Painters and the Royal Institute of Oil Painters.
In the letter, Ambrose McEvoy mentions that he has "written to Harold Speed," who was an English painter of oil and watercolor landscapes and portraits. Speed (1872-1957) studied art at the Royal Academy Schools and was elected a member of the Royal Society of Portrait Painters. Speed exhibited at the Royal Academy.
James Henry Moser was born in Ontario, Canada, who worked as an illustrator and landscape painter in oil and watercolor. In Washington, D.C., he was awarded the first Corcoran Prize by the Washington Watercolor Club. He was an art critic for the Washington Times, Post, and Herald, and did freelance illustrations for Harper's, among other publications. Mrs. Benjamin Harrison, the First Lady, purchased one of Moser's pieces, "A Sunny Morning at Salisbury Beach," to hang in the White House living room. He died in 1913 after having suffered a stroke earlier that year.
Local Numbers:
FSA A2009.06 5
Other Archival Materials:
Thomas B. Brumbaugh research material on Abbott Handerson Thayer and other artists, 1876-1994 (bulk 1960s-1994); Also located at Archives of American Art, Smithsonian Institution.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, American  Search this
Genre/Form:
Correspondence -- 19th century
Correspondence -- 20th century
Identifier:
FSA.A2009.06, Series FSA A2009.06 5
See more items in:
The Brumbaugh Collection of Artist Letters
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc393601999-7d3d-4e2d-8e2b-51f22faeead0
EDAN-URL:
ead_component:sova-fsa-a2009-06-ref3

Durand, Asher Brown

Collection Creator:
National Academy of Design (U.S.)  Search this
Container:
Box 64, Folder 14
Type:
Archival materials
Date:
1867-1887
1900
Collection Restrictions:
This bulk of this collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
National Academy of Design records, 1817-2012. Archives of American Art, Smithsonian Institution.
See more items in:
National Academy of Design records
National Academy of Design records / Series 18: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw904e8b170-3bde-4605-88e7-7e06ebda50f5
EDAN-URL:
ead_component:sova-aaa-natiacad-ref1120
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Breese and Morse family papers

Creator:
Breese family  Search this
Morse Family  Search this
Names:
Breese, Samuel  Search this
Breese, Sidney, 1800-1878  Search this
Hazard, Ebenezer, 1744-1817  Search this
Morse, Jedidiah, 1761-1826  Search this
Morse, Samuel Finley Breese, 1791-1872  Search this
Extent:
0.2 Linear feet ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1772-1846
Scope and Contents:
Personal and business correspondence.
REEL 3135: Nineteen letters, mostly regarding family and business matters, including three letters from New York bookseller, Ebenezer Hazard concerning conditions after the Revolutionary War, a visit to President John Adams, and family business matters; a letter from J.W. Hallett concerning an attack by the British on Hallett's home; seven letters, one illustrated by Samuel Finley Breese Morse, discussing family matters and his work. Also includes a copy of patent letters for land in Orange County; 2 copies of a deed for land west of the Hudson River; a blank, printed legal form from Herkimer County; and memorandum of settlement of Mrs. E. Breese's account with Jedidiah and Elizabeth Morse.
REEL 3162: A letter to Samuel Breese from Ebenezer Hazard, February 14, 1800, concerning Breese's insurance shares; and a letter to Jedidiah Morse from Ephriam Root, March 2, 1807, concerning the ownership and price of land tracts south of Lake Erie and including a short history of the Connecticut Land Company's transactions in that area.
REEL 3814: Financial material, 1791-1796, consisting of 3 records of accounts of Samuel Breese with Ebenezer Hazard; a letter to Elizabeth Breese from Benjamin Douglas, 1772, concerning a deed; 2 letters to Samuel Breese from Ebenezer Hazard, 1794 and 1799, concerning business affairs; a letter written by Ebenezer Hazard, 1806, concerning the purchase of tracts of land; a letter to Ebenezer Hazard from Elizabeth Breese, [1814?], concerning dealings between Barnabas Baldwin and Mr. Breese; and a letter to Sidney Breese from Erskine Hazard, 1825, concerning financial dealings connected with the Union Canal Company.
Biographical / Historical:
Family of painter, Samuel Finley Breese Morse; New England. Elizabeth Breese married Jedidiah Morse. Samuel was their son. Elizabeth's brother was named Samuel Sidney Breese. His son was Sidney Breese [?]
Other Title:
Breese family (microfilm title, reel 3814)
Provenance:
Donated 1984-1985 by Constance K. Clarke, a descendant of the Breese and Morse family.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Painters -- Massachusetts  Search this
Portrait painters -- Massachusetts  Search this
Topic:
Art, American -- Northeastern States  Search this
Identifier:
AAA.breemors
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw939ee34ef-6305-427e-be80-c2aa8343d75f
EDAN-URL:
ead_collection:sova-aaa-breemors

Serra, Richard, Fabrication

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 52, Folder 85
Type:
Archival materials
Date:
1986-1992
Scope and Contents:
Oversized material housed in OV 240.
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 3: Exhibition Files / 3.5: Solo Shows
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e7c85b96-961c-4b70-99e5-f739d19f14d9
EDAN-URL:
ead_component:sova-aaa-leocast-ref10110
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Gardner Cox papers, 1920-1995

Creator:
Cox, Gardner, 1906-1988  Search this
Massachusetts Art Commission  Search this
Cox, Gardner, 1906-1988  Search this
Subject:
Forbes, Edward Waldo  Search this
Saint-Gaudens, Augustus  Search this
Shaw, Robert Gould  Search this
Morison, Samuel Eliot  Search this
Stevens, Austin  Search this
Driver, Phoebe Barnes  Search this
American Academy in Rome  Search this
Saint Botolph Club (Boston, Mass.)  Search this
Museum of Fine Arts, Boston. School  Search this
Portraits (Firm: New York, N.Y.)  Search this
Putnam & Cox (Boston, Mass.)  Search this
Boston Arts Festival  Search this
Type:
Interviews
Sketchbooks
Sound recordings
Topic:
Portrait painting -- 20th century -- Massachusetts  Search this
Politicians -- Portraits  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8156
(DSI-AAA_SIRISBib)210327
AAA_collcode_coxgard
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210327

Folder 1 Scrapbook II, 1934-1942, "A-N." Consists of photographs of Smithsonian employees and buildings, Federal Triangle buildings, Washington cityscape and landscape, and art exhibitions. Includes photographs of Charles G. Abbot; Lillian Moore Abbot;...

Container:
Box 3 of 4
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 7433, Ruel P. Tolman Collection
See more items in:
Ruel P. Tolman Collection
Ruel P. Tolman Collection / Series 2: SCRAPBOOKS, 1934-1936, 1944. / Box 3
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru7433-refidd1e733
Online Media:

Mary Lynde Oliver (Mrs. Andrew Oliver, Jr.)

Artist:
Joseph Blackburn, flourished 1752 - 1774  Search this
Sitter:
Mary Lynde Oliver, 1733 - 1807  Search this
Medium:
Oil on canvas
Dimensions:
127 x 101.7cm (50 x 40 1/16")
Type:
Painting
Place:
United States\Massachusetts\Suffolk\Boston
Date:
1755
Topic:
Nature & Environment\Clouds  Search this
Costume\Jewelry\Necklace\Pearl  Search this
Nature & Environment\Plant\Flower\Flowers  Search this
Exterior\Landscape  Search this
Nature & Environment\Plant\Tree  Search this
Costume\Outerwear\Shawl  Search this
Mary Lynde Oliver: Female  Search this
Mary Lynde Oliver: Society and Social Change\Hostess  Search this
Portrait  Search this
Credit Line:
Owner: Private collection
Object number:
MA990028
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm428dfd06d-44bb-4949-8be5-b39045856eaa
EDAN-URL:
edanmdm:npg_MA990028

Portrait of a Young Girl

Attribution:
Samuel Miller, 1806/7 - 1853  Search this
Sitter:
Unidentified Girl  Search this
Medium:
Oil on canvas
Dimensions:
Stretcher: 101.6 x 68.6cm (40 x 27")
Frame: 114.3 x 81.3 x 5.1cm (45 x 32 x 2")
Type:
Painting
Date:
c. 1845
Topic:
Nature & Environment\Plant\Flower\Flowers  Search this
Exterior\Landscape  Search this
Nature & Environment\Animal\Cat  Search this
Nature & Environment\Plant\Tree  Search this
Exterior\Architecture  Search this
Container\Basket  Search this
Nature & Environment\Water\River  Search this
Nature & Environment\Water\River  Search this
Costume\Jewelry\Necklace\Coral  Search this
Unidentified Girl: Female  Search this
Portrait  Search this
Credit Line:
Owner: Private collection
Object number:
EXH.CP.63
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4419a5077-0443-49b3-9acd-e686a093d5bf
EDAN-URL:
edanmdm:npg_EXH.CP.63

Edwin Burrage Child photographs

Creator:
Child, Edwin Burrage, 1868-1937  Search this
Extent:
2.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Glass plate negatives
Place:
Dorset (Vt.) -- Photographs
Central Park (New York, N.Y.) -- Photographs
Date:
1902-1936
Summary:
The photographs of painter Edwin Burrage Child measure 2.2 linear feet and date from 1902-1936. Included in this collection are original photographic prints and copy prints; 101 negatives; 59 glass plate negatives; and one folder of miscellaneous papers including a sketch by Edwin Burrage Child. Photographs depict artwork, interiors, furniture, and people.
Scope and Contents:
The photographs of Edwin Burrage Child measure 2.2 linear feet and date from 1902-1936. Included in this collection are original photographic prints and copy prints; 101 negatives; 59 glass plate negatives; and one folder of miscellaneous papers including a sketch by Edwin Burrage Child. Photographs depict artwork, interiors, furniture, and people.

Photographs of people and other subjects depict several portrait images of Edwin Burrage Child, as well as many photographs and negatives of unidentified groups and events, children, men building a log cabin structure at Child's Dorset, Vermont home, and several models for painting.

Photographs of landscapes, buildings, and animals include a series of landscape photographs of Central Park, complete with the city in the background; many images of the Dorset, Vermont landscape with Child's house and barn structures depicted; landscapes with rainclouds and lightning, also in Dorset, Vermont; and images of horses attached to carriages and wagons, and cows and sheep, as well as several images of a dead horse on the streets of a small town.

Photographs of interiors, furniture, and lighting are made up primarily of copy prints and negatives, and include images of pieces of furniture, light fixtures and sconces, as well as entire interior rooms of what is probably Child's Dorset home. Additionally, photographs of Child's studio with paintings hung on walls are also found here.

Photographs of artwork make up the bulk of the collection, with original prints, copy prints, negatives, and glass plate negatives of primarily portrait paintings by Edwin Burrage Child. Many of the original photographic prints have been annotated on the backs with descriptive information about the portrait model, where they are from, and their occupation. Some annotations contain anecdotal information about Child's interactions or experiences with the sitters, and have been written by Child's youngest son, Sargent Burrage Child. While some of the descriptive information has been identified as written by both Edwin Burrage Child and Sargent Burrage Child, some writing could not be identified. A set of glass plate negatives without prints also depicts several of Child's landscape paintings. Additionally, a dismantled photograph album contains original prints of Child's portraits of men, women, and children, as well as containing the most descriptive information of all the prints in the collection.

Miscellaneous papers contains a sketch with note by Edwin Burrage Child; a handwritten letter in pencil, on Child's stationery, by Child; a typed exhibition inventory of portraits in the Washington, D. C. exhibit, "Portraits by Edwin Burrage Child," in 1930; and a copy of the 5 x 7 glass plate negatives box that previously stored glass plate negatives.
Arrangement:
The collection is arranged as 6 series. Glass plate negatives are housed in Series 6 and are closed to researchers.

Missing Title

Series 1: Photographs of People and Other Subjects, circa 1908-circa 1936 (15 folders; Box 1)

Series 2: Photographs of Landscapes, Buildings, and Animals, 1903-circa 1936 (24 folderst; Box 1)

Series 3: Photographs of Interiors, Furniture, and Lighting, circa 1902-circa 1936 (0.1 linear feet; Box 1)

Series 4: Photographs of Artwork, 1902-1936 (28 folders; Boxes 2-3, 6)

Series 5: Miscellaneous Papers, circa 1930 (1 folder; Box 3)

Series 6: Glass Plate Negatives, 1910-circa 1930 (0.9 linear feet; Boxes 4-5)
Biographical / Historical:
Edwin Burrage Child (1868-1937) was a landscape and portrait painter who lived and worked in New York City and Dorset, Vermont, and was most known for his male portraiture.

Child was born in Gouverneur, New York in 1868 to Jonathan Bush Child and Sarah Burnham. In the 1880s, Child attended Amherst College and received art lessons during the summers from artist Margaret C. Whiting (1860-1946). In 1890, he graduated from Amherst College and moved to New York City to pursue a career as an artist, becoming a student in 1891 at the Art Students League. Child's artistic debut was in 1892 at the National Academy of Design annual exhibition. From 1891 to 1895, he studied under painter, muralist, and stained-glass designer John LaFarge (1835-1910), and worked as his assistant from 1896-1901. Edwin Burrage Child then spent many years working as an illustrator and writer for leading periodicals such as Scribner's, Harper's, McClure's, and others.

As a landscape painter, Child was awarded a medal at the Louisiana Purchase Exhibition in St. Louis in 1904, and the majority of his landscapes were modeled from his summer home in Dorset, Vermont. In 1908, his focused moved to easel painting -- primarily landscapes and portraits. Child was most known for his portraits of intellectual males, with sitters including Senator Dwight M. Morrow, Governor Wilbur L. Cross of Connecticut, Professor John Dewey, and painter Ivan G. Olinsky, among many others. His work appeared in shows at the National Academy of Design and the Society of Independent Artists in New York, as well as the Pennsylvania Academy of Fine Arts, the Art Institute of Chicago, and the Corcoran Gallery of Art in Washington, D. C. He also had many one-man shows over the years, primarily in New York City. In 1930, the National Gallery of Art in Washington, D. C. held an exhibition of his portraits.

Child was married to Anna Gertrude Sykes in 1894, and they had three children: Katherine E. (1895-1966), Bradford (1896-1948), and Sargent Burrage (1900-1972). Child also made furniture as a hobby and remodeled his home in Dorset Hollow, as well as Gray's Tavern, which later became the Dorset Village Public Library. Additionally, he was a frequent lecturer, speaking at colleges and universities, including Yale, Michigan State College, Columbia, City College of New York, and Massachusetts State College at Amherst. Child spent the last ten years of his life living in Dorset, Vermont, and died in 1937.
Provenance:
The Edwin Burrage Child photographs were transferred to the Archives of American Art on June 6, 1979, from the National Collection of Fine Arts (NCFA) Library.
Restrictions:
Use of original papers requires an appointment. Glass plates are housed separately and not available to researchers. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists' studios -- Photographs  Search this
Genre/Form:
Photographs
Sketches
Glass plate negatives
Citation:
Edwin Burrage Child photographs, 1902-1936. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chiledwi
See more items in:
Edwin Burrage Child photographs
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9eb01763f-f8bb-4835-80cb-ace78ac9c4e1
EDAN-URL:
ead_collection:sova-aaa-chiledwi
Online Media:

Martin family papers and Campus Martius Museum records relating to Lilly Martin Spencer, 1825-1971

Creator:
Spencer, Lilly Martin, 1822-1902  Search this
Spencer, Lilly Martin, 1822-1902  Search this
Subject:
Bagley, Sarah G.  Search this
Eastman, Maria M.  Search this
Emerson, Mary Moody  Search this
Gage, Frances Dana Barker  Search this
Hebert, William  Search this
Parsons, Anna Q. T.  Search this
Severance, Caroline M. Seymour (Caroline Maria Seymour)  Search this
Swift, Adeline T.  Search this
Martin, Giles  Search this
Martin, Angelique  Search this
Trumbull Phalanx (Braceville, Ohio)  Search this
Ohio Historical Society  Search this
Campus Martius Museum  Search this
Topic:
Painting, Modern -- 19th century -- United States  Search this
Women's rights -- United States  Search this
Women's suffrage -- United States  Search this
Collective settlements -- Ohio  Search this
Women artists  Search this
Women painters  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6071
(DSI-AAA_SIRISBib)216162
AAA_collcode_spenlilm
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216162

Cecilia Beaux photographs and newsclippings, circa 1890-1912

Creator:
Beaux, Cecilia, 1855-1942  Search this
Beaux, Cecilia, 1855-1942  Search this
Subject:
Beaux, Cecilia  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women educators  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)13632
(DSI-AAA_SIRISBib)271424
AAA_collcode_beauceci3
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_271424

Robert Vickrey Papers, 1951-2008

Creator:
Vickrey, Robert, 1926-2011  Search this
Vickrey, Robert, 1926-2011  Search this
Type:
Sound recordings
Video recordings
Interviews
Record number:
(DSI-AAA_CollID)13646
(DSI-AAA_SIRISBib)272886
AAA_collcode_vickrobe
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_272886
Online Media:

Alexander Robertson James papers, 1893-1983, bulk 1914-1946

Creator:
James, Alexander, 1890-1946  Search this
James, Alexander, 1890-1946  Search this
Subject:
James, Henry  Search this
James, William  Search this
Thayer, Abbott Handerson  Search this
Sargent, John Singer  Search this
Wilder, Thornton  Search this
Faulkner, Barry  Search this
Gugler, Eric  Search this
Kent, Rockwell  Search this
Lankes, Julius J.  Search this
James, Frederika Paine  Search this
Type:
Sketchbooks
Topic:
Gesso  Search this
Sculptors -- United States -- Interviews  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8237
(DSI-AAA_SIRISBib)210408
AAA_collcode_jamealex
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210408

William James papers, 1883-1957

Creator:
James, William, 1882-1961  Search this
James, William, 1882-1961  Search this
Subject:
Duveneck, Elizabeth Boott  Search this
James, Catherine Barber  Search this
James, Henry  Search this
James, Marcia Ames  Search this
James, William  Search this
Warner, Langdon (1881-1955)  Search this
James, Alexander  Search this
De Glehn, Jane Erin Emmet  Search this
Thayer, Abbott Handerson  Search this
Type:
Scrapbooks
Topic:
Painting, American -- Massachusetts  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8238
(DSI-AAA_SIRISBib)210409
AAA_collcode_jamewill
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210409

Thomas Ball guestbook, 1874-1932

Creator:
Ball, Thomas, 1819-1911  Search this
Ball, Thomas, 1819-1911  Search this
Subject:
Davis, Charles H. (Charles Harold)  Search this
Type:
Scrapbooks
Autograph albums
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
American Art and Artists in a Global Context  Search this
Ephemera, Miscellany, and General Art Related  Search this
Record number:
(DSI-AAA_CollID)8275
(DSI-AAA_SIRISBib)210446
AAA_collcode_ballthom
Theme:
Sketches & Sketchbooks
Lives of American Artists
American Art and Artists in a Global Context
Ephemera, Miscellany, and General Art Related
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210446

Marie Danforth Page papers, 1867-2016

Creator:
Page, Marie Danforth, 1869-1940  Search this
Page, Marie Danforth, 1869-1940  Search this
Subject:
Page, Calvin Gates  Search this
Thayer, Abbott Handerson  Search this
Bellows, George  Search this
Beaux, Cecilia  Search this
Museum of Fine Arts, Boston. School  Search this
Type:
Sketchbooks
Drawings
Topic:
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8891
(DSI-AAA_SIRISBib)211076
AAA_collcode_pagemari
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211076

George Fuller papers, 1832-1959

Creator:
Fuller, George, 1822-1884  Search this
Fuller, George, 1822-1884  Search this
Topic:
Portrait painting -- Massachusetts -- Boston  Search this
Painting, Modern -- 19th century -- Massachusetts -- Boston  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8923
(DSI-AAA_SIRISBib)211109
AAA_collcode_fullgeor
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211109

Charles Hopkinson papers, 1892-1993

Creator:
Hopkinson, Charles, 1869-1962  Search this
Hopkinson, Charles, 1869-1962  Search this
Subject:
Shurcliff, Joan Hopkinson  Search this
Shurcliff, William A.  Search this
Type:
Sketches
Sketchbooks
Photographs
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9020
(DSI-AAA_SIRISBib)211209
AAA_collcode_hopkchar
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211209
Online Media:

MacIvor Reddie papers, 1869-1975

Creator:
Reddie, MacIvor, 1899-1966  Search this
Reddie, MacIvor, 1899-1966  Search this
Subject:
MacIvor Reddie Gallery  Search this
School of Practical Art (Boston, Mass.)  Search this
Type:
Sketchbooks
Topic:
Landscape painting -- 20th century -- Massachusetts  Search this
Marine painting -- 20th century -- Massachusetts  Search this
Watercolor painting -- 20th century -- Massachusetts  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9187
(DSI-AAA_SIRISBib)211382
AAA_collcode_reddmaci
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211382

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