This collection consists of a scrapbook relating to Manila Davis Talley and her aviation career.
Scope and Contents:
This collection consists of one scrapbook which contains newspaper clippings, membership cards, programs, photographs, and pilot's licenses, mostly relating to Manila Davis Talley and her aviation career. The focus of the collection is on the years 1929-42, and highlights Talley's career as a salesperson for Curtis-Wright, and her association with the 99s and the Betsy Ross Corps. Also included is the scrapbook is information on the Women's National Air Races, the Women's National Air Meets, and Talley's work with the Civil Air Patrol. The scrapbook also includes clippings and other items related to Amelia Earhart, Jimmy Doolittle and General Balbo.
Single item in original order.
Biographical / Historical:
Manila Davis Talley (1898-1973) soloed in October 1929 and received her pilot's license in April of 1930. She joined Curtis-Wright Corporation as a saleswoman in late 1929 or early 1930. Talley joined the 99s (international association of female pilots) in 1930 and was a founding member of Betsy Ross Corps, a private 1930s female auxiliary/reserve for the Army Air Corps. Talley was the third woman to go through Air Force War College, in December 1966.
Estate of Manila Davis Talley, Gift, Unknown, NASM.XXXX.0041
No restrictions on access.
Ruth Law Collection, Acc. NASM.XXXX.0387, National Air and Space Museum, Smithsonian Institution.
Mary Charles Collection, Accession XXXX-0011, National Air and Space Museum, Smithsonian Institution.
William John Eck: First Pan American Airlines Transatlantic Flight Scrapbook
0.33 Cubic feet (1 scrapbook)
New York, New York
June 12, 1939, through April 22, 1940
bulk June 28, 1939, through July 4, 1939
This collection consists of a scrapbook, "To Europe By Air," assembled by railroad executive William J. Eck to document his trip June 28 to July 4, 1939, on Pan American Airways' (PAA) first transatlantic passenger flight on the Boeing Model 314 Clipper "Dixie Clipper" flying boat and containing information on its crew, passengers, and ports of call.
Scope and Contents:
This collection consists of a scrapbook, "To Europe By Air," assembled by William J. Eck to document his trip on Pan American Airways' (PAA) first transatlantic passenger flight, and containing information on the Boeing Model 314 Clipper "Dixie Clipper" (r/n NC-18605) flying boat and its crew, passengers, and ports of call. The scrapbook is particularly rich in ephemera, with many illustrations trimmed from brochures used to embellish the black paper album pages. Contents include ephemera from the Pennsylvania Railroad (on which Eck started and ended his trip from his home in Washington, D. C.), Pan American Airways (PAA), Air France, Hotel Aviz (Lisbon), Splendide Hotel (Marseille), Hotel Plaza-Athenée (Paris), and various tourist sites; photographs; telegrams; greeting cards; maps; menus; post cards; postage stamps; a first day cover; newspaper clippings (predominantly in English, but also in Portuguese and French); PAA receipts and press releases; copy photographs of Eck's PAA tickets, ticket folder, and baggage claim check; photographs of commemorative cigarette cases presented to Eck and PAA pilot R. O. D. Sullivan; and clippings and ephemera relating fellow passengers' stories: Russell Sabor, James McVittie (who continued on to Chicago immediately after landing in New York on the return trip), Gwladys Whitney (Mrs. Cornelius Vanderbilt Whitney), Anne Lyon Haight (Mrs. Sherman Post Haight, who also flew aboard the Clipper that inaugurated the mail route between North and South America in 1931). Also included is a transcript of interviews with the passengers recorded on board the "Dixie Clipper" during the eastbound flight: Russell Sabor, William J. Eck, Mrs. Sherman Haight, Captain Torkild Rieber, Clara Adams, C. V. Whitney, Mrs. Juan Trippe, Mr. and Mrs. Graham B. Grosvenor, Mr. and Mrs. E. O. McDonnell, Roger Lapham, James McVittie, and Louis Gimbel; and on the westbound flight: J. Carroll Cone (Manager of the Atlantic Division of Pan American Airways Company).
The scrapbook is arranged chronologically.
Biographical / Historical:
William John Eck (1876-1957) graduated from Iowa State University in 1895 with a degree in electrical engineering and went to work in the telephone industry. In 1898, at the outbreak of the Spanish-American War, Eck joined the United States Army and was sent to the Philippines; after a year Eck transferred to the U.S. Quartermaster Department and spent his next three years at sea, eventually making a trip around the world. After leaving the Army, Eck switched to the railroad business, joining the Southern Railway in 1905. Over time, travel—particularly air travel—became a serious hobby for Eck, and by the early 1930s, he had become a pioneer passenger on several early airline routes. In 1931, after chatting to Pan American Airways (PAA) pilots on a flight to Santiago, Chile, Eck contacted PAA to apply for a ticket on PAA's first transatlantic passenger flight, whenever that might occur. Eight years later, Eck was delighted to be contacted by PAA with the news that he had been designated Passenger No. 1 on the historic flight, departing Port Washington, New York, on Wednesday, June 28, 1939, aboard the Boeing Model 314 "Dixie Clipper." The flight, carrying 22 passengers, was made via Horta, Azores, with an overnight stay at Lisbon, Portugal, on June 29, finishing at Marseille, France, on June 30. Eck continued on to Paris via a land-based Air France flight. Eck and many of the outbound passengers were also on the return flight of the "Dixie Clipper," departing Marseilles on Sunday, July 2, and following the same route to return to New York on Tuesday, July 4, 1939. At the time of the flight Eck, a resident of Washington, D. C., was Assistant to the Vice President, Southern Railway Company. The newspapers noted that Eck, a widower who had recently married his second wife, Emily Magdalene Kleb, three months earlier on March 20, 1939, was unable to take her along on the flight as he had only the single ticket bought well before their marriage.
Unknown gift, circa 1940-1967.
No restrictions on access
Charles Ingram Stanton, Sr., Papers, Acc. NASM.1987.0076, National Air and Space Museum, Smithsonian Institution.
Association of Curators Project Oral History Interviews
Association of Curators Project (National Museum of American History) Search this
3 audiotapes (Reference copies).
The Smithsonian Institution Archives began its Oral History Program in 1973. The purpose of the program is to supplement the written documentation of the Archives'
record and manuscript collections with an Oral History Collection, focusing on the history of the Institution, research by its scholars, and contributions of its staff. Program
staff conduct interviews with current and retired Smithsonian staff and others who have made significant contributions to the Institution. There are also reminiscences and
interviews recorded by researchers or students on topics related to the history of the Smithsonian or the holdings of the Smithsonian Institution Archives.
Margaret Brown Klapthor, J. Jefferson Miller, and John T. Schlebecker, Smithsonian curators, were chosen to present their reminiscences because of their long and distinguished
careers at the Smithsonian's National Museum of American History.
Harold D. Langley, chair of the Association of Curators, NMAH, moderated these sessions in 1983, and they were recorded by Smithsonian Institution Archives Historian,
Pamela M. Henson.
In 1983, the chair of the Association of Curators of the National Museum of American History (NMAH), Harold D. Langley, hosted a series of talks by senior curators
"On Being a Curator." Informal remarks were followed by a question and answer period with curatorial staff. Margaret Brown Klapthor, J. Jefferson Miller, II, and John T. Schlebecker
discussed their careers at the museum, focusing on development and curation of collections, and reminiscences of their museum years. Klapthor and Miller served on the NMAH
Collections Committee and also addressed issues of collecting policies and curatorial methods. Their reminiscences span the years of the United States National Museum (USNM),
the formation of a separate National Museum of History and Technology (NMHT), and its renaming as the National Museum of American History in 1980.
Margaret Brown Klapthor (1922-1994) received the B.A. from the University of Maryland and was appointed Museum Aid in the Division of History of the USNM in 1943. She advanced
to Assistant curator in 1947, Associate Curator in 1952, and Curator in 1970. After forty years at the museum, she retired in 1983. Her curatorial work focused on the First
Ladies gowns collection, White House china, and political campaign contributions.
J. Jefferson Miller, II (1928-2005) received the B.A. from The Johns Hopkins University and the L.L.B. from the University of Maryland. He changed careers after pursuing
a fellowship in American decorative arts at Winterthur and receiving the M.A. in American culture history from the University of Delaware. He came to the Division of Ceramics
and Glass of the NMHT as Assistant Curator in 1962, after completing his master's degree. He served as Associate Curator from 1964 to 1969 and Curator from 1970 until his
retirement in 1980. He then served as director of the Maryland Historical society from 1984 to 1989. His collecting and research focused on European ceramics and American
John T. Schlebecker, a noted scholar of agricultural history and a key player in the living historical farms movement, graduated from Hiram College in 1949 with a major
in social science, earned the M.A. in history from Harvard University in 1951 and the Ph.D. from the University of Wisconsin in 1954. He was curator of agricultural history
at the American History Museum from 1965 until his retirement in 1984, and also served as chair of the Department of History of Science and Technology in 1978.
Restricted. Contact SIHistory@si.edu to request permission.
Wenley, A. G. (Archibald Gibson), 1898-1962 Search this
24 Linear feet
China -- Description and Travel
USA -- New York -- New York
Scope and Contents:
Papers of art collectors Pauline Baerwald Falk (1910-2000) and Myron (Johnny) Falk Jr. (1906-1992), 1904-1998. Created and collected by the Falks, this collection includes: biographical data; black-and-white and color prints of art objects and people; photo albums of art objects in the Falk's art collection; symposium papers, scholarly reviews, and newspaper articles on Chinese art; Professor Alfred Salmony's lecture notes, Metropolitan Museum; purchase invoices for Chinese art, Japanese art, and Korean art; photographs, receipts, itineraries, one seal, atlases, and journals relating to the Falk's various trips to Asia and Europe, personal correspondence and correspondence with art dealers; guest books from 17 East 66th Street, New York and 888 Park Ave., New York, signed by guests from 1949-1997; committee papers; exhibition loan forms, Mr. Falk's notes about the collection and sale results from property consigned for sale; and four reels 16mm motion picture film taken during the Falk's 1937 trip to Asia.
The collection is organized into five series. 1. Correspondence; 2. Personal papers; 3. Professional papers; 4. Travel related materials; 5. Falk art collection related materials.
Biographical / Historical:
Myron S. (Johnny) Falk Jr., and his wife Pauline Baerwald Falk were active philanthropists, prominent Asian art collectors and were both active in the Jewish and Art communities.
The purchase that started their collection happened while on their 1935 honeymoon in the English countryside where they came upon two blue-and-white Ming Dynasty porcelain dishes. Later, taking one of the inaugural Pan Am Clipper flights to China in 1937, their collecting began in earnest. There are home movies in the collection taken by Johnny that document their trip to a largely untouched China. However, because China was closed to the West starting in 1950, they were unable to return until 1979.
As collectors, the Falks made a good team. Due to his engineering background from school, Johnny became an expert on firing techniques and glazes; while Pauline was known as the ''eye.'' Their fervent and long-term involvement in the Asian art community led them to become close friends with the biggest dealers in America and Europe.
Johnny and Pauline collected wares of the Song dynasty, archaic bronzes, jades, stone sculptures, several fine Ming and Qing porcelains, Korean ceramics, and nearly 100 Japanese paintings. After more than fifty years collecting their art work totaled over 700 items.
Johnny and Pauline lent their artworks to museums, advised art institutions in the United States and abroad, and fostered the training of a new generation of curators, scholars and other professionals in the Asian art field.
Johnny was an investment banker, philanthropist and prominent collector of Asian art. He was a longtime trustee of the Asia Society and helped found the Oriental Art Council, Roebling Society of the Brooklyn Museum and Japan Society Gallery. He also served as a director of the New York Foundation and Hebrew Technical Institute, a board member of the Federation of Jewish Philanthropies and chairman of the Bennington College board of trustees.
Pauline was a philanthropist, collector of Asian art, president of the Jewish Board of Family and Children Services, and founder of the New Lincoln School in Manhattan. She worked with displaced Jewish refugees before and during World War II. She was active in the American Jewish Joint Distribution Committee and became a founding member of the National Refugee Service, the Council for Jewish Women and the Jewish Social Service Association.
Together they were strong supporters of the Asia Society, the Chinese Art Society, they helped establish the Friends of Asia House Gallery in 1971, and founded the Friends of the China Institute in America Gallery. They also established the "Archives of Chinese Art" in 1945 an important scholarly journal that is published today by The Asia Society as the "Archives of Asian Art," and are among the founding members of the Friends of the Far Eastern Art at the Metropolitan Museum of Art and the Friends of Asian Art at the Brooklyn Museum.
Collection is open for research.
Permission to publish, quote, or reproduce must be secured from the repository.
2 Copies (Two copies of a bound volume of 226 typed pages, with 48 mounted silver gelatin prints with captions, 194p, 29 x 22 cm.)
Angkor Wat (Cambodia)
Scope and Contents:
A report prepared by archaeologist and art historian Langdon Warner on his travels of 1913-1914 to investigate the founding of an American school of Chinese archaeology to be established in Beijing. Warner's travels included Europe, Japan, Korea, China and Indo-China. Warner spoke with scholars, administrators and officials, and travelled to museums and archaeological sites. Warner traveled with his wife. The report contains two parts; the first being a summary of his travels, and the second, a series of recommendations for the proposed school.
Biographical / Historical:
Langdon Warner was an archaeologist and historian of Asian art in the first half of the 20th century. He was born on August 1, 1881 in Cambridge, Massachusetts and educated at Harvard University, which he graduated from in 1903. Between acting in various positions at museums across the country, most notably the Museum of Fine Arts, Boston, the Nelson-Atkins Museum, the Philadelphia Museum of Art, the Cleveland Museum of Art, and the Harvard Fogg Museum of Art, he travelled extensively in Asia. Including an 1913-14 trip sponsored by the Smithsonian Institution to explore the possibility of founding an American School of Chinese Archaeology in Beijing. Accompanied by his wife, their journey included visits to Europe, Japan, Korea, China, and Indochina. He spoke with scholars, administrators, and officials, and travelled to museums and archaeological sites. He compiled a two-part report: a summary of his travels and a series of recommendations for the proposed school.
During World War II, Warner taught a course on Japanese language, culture, and history to Civil Affairs Officers and acted as a Special Consultant for the U.S. Army's Monuments, Fine Arts and Archives program, the so-called "Monuments Men." He created the Official List of Monuments for Japan, China, Korea, and Thailand. Warner spent the summer of 1946 working as an Expert Consultant to the Arts and Monuments Division of the Civil Information and Education Section under the Supreme Commander for the Allied Powers. Upon his return to Massachusetts, he resumed working at the Fogg Museum of Art until his retirement in 1950. During his career, he wrote numerous books on Asian art such as The Enduring Art of Japan, The Long Old Road in China, and Japanese Sculpture of the Tempyo Period: Masterpieces of the Eighth Century. Warner died on June 9, 1955 in Cambridge, Massachusetts and was posthumously awarded the Order of the Sacred Treasures by the Japanese government for his efforts to preserve Japanese art and monuments during and after the war.
Other Archival Materials:
Landon Warner Papers, circa late 18th century-1987 (bulk 1900-1959). Houghton Library, Harvard University
Langdon Warner Photograph Collection, 1903-1950. Houghton Library, Harvard University.
Langdon Warner Records, 1916-1929 (bulk 1917-1923). Philadelphia Museum of Art Archives.
Some material in this folder has been restricted due to cultural sensitivity.
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to firstname.lastname@example.org.
Leuman Maurice Waugh collection, 1909-1963. National Museum of the American Indian Archive Center, Smithsonian Institution.
Material relates to Sutnar's career including exhibitions, designs for corporate clients, designs for books on packaging design and catalog information. Little office correspondence and personal information is provided.The major part of the collection consists of Sutnar's designs, including logos, letterheads, catalogs, and advertising campaigns for a large number of clients, notably Addo-X, Carr's Department Stores, JC Penney, RCA, and Vera, as well as product and catalog design for Sweet's Catalog Service. Also included are drafts of books, sketches, over 5,000 photographs, photoprints, and photonegatives. Other materials include clippings, page layouts, brochures and booklets about package design and magazine layouts.
Arranged by client account and by material size. A picture reference file is boxed separately.
Graphic, display, and industrial designer. Born Pilsen, Austro- Hungary (now Plzen, Czech Republic), 9 November 1897. Sutnar immigrated to the United States in 1939. He was inspired by the Bauhaus and was an advocate for a constructivist and functional approach in graphic design stressing simplicity, order, and precision. He was the art editor of the Prague publishing house, "Druzstevni Prace." Sitmar was head designer for the Czech pavilion at 1939 New York World's Fair.
He served as art director for Sweet's Catalog Service from 1941 to 1960. Due to his belief that designers need to be capable of working in many fields of design, Sutnar established his own "full-service" firm in New York City in 1951. He developed a new typography called "information graphics". He was author of "Design for Point of Sale", 1952, "Package Design: The Force of Selling", 1953, and "Visual Design in Action", 1961. Sutnar also created corporate image products for McGraw-Hill and Printex. Died 1976.
Location of Other Archival Materials Note:
Cooper-Hewitt National Design Museum, Drawings and Prints Department.Seven posters, one magazine cover, two designs for glassware, and some duplicates of the archival material.
Cooper-Hewitt, National Design Museum, Applied Arts Department. One ceramic coffee service, one glass tea service.
Archives of American Art, Washington, D.C.Business and personal correspondence, biographical data, sketches, photographs, clippings, and other print miscellany, circa 1927-1976.
Rochester Institute of Technology, Rochester, N.Y.Approximately 215 items dating from 1940 to 1970 include printed samples of Sutnar's designs for periodical covers, advertisements, catalogs, books, displays, and posters.
Getty Research Institute for the History of Art and the Humanities, Special Collections, Los Angeles, C.A.Papers relating to Sutnar's designs and exhibitions, 1928-1969.
The Sutnar Papers were donated to Cooper-Hewitt, National Design Museum, in 1977 by Radoslav L. Sutnar and Citislav Sutnar.
Unrestricted research use onsite by appointment. Permission of staff required to photograph material.
Benjamin O. Davis, Jr. Collection, Acc. 1992.0023, National Air and Space Museum, Smithsonian Institution.
Home of George Maher, Architect (Kenilworth, Illinois)
United States of America -- Illinois -- Cook -- Kenilworth
Scope and Contents:
The folder includes worksheets, garden plan and plant list, correspondence, and photocopies of images.
Architect George Maher designed the house with Arts and Crafts influences in 1893 for his family, and had the garden designed by his friend and colleague Jens Jensen. Only the white pine in the front yard and a burr oak in the back yard remain from the Jensen landscape. An island bed of pachysandra and ferns surround the pine. A rose garden with heirloom and modern roses was planted circa 1990. Trellises with climbing roses, porcelain vines and trumpet vines were placed against the house and porch. The foundations plantings include hydrangeas, boxwoods and mature perennials. The pink brick walk to the front door was bordered by beds of perennials.
Persons associated with the garden include George W.(1864-1926) and Elizabeth Maher and Violet Wyld (architect and former owners, 1893-circa 1987; Chris Dreher (former owner, 1987-1988); Wild family (former owners, 1988-1989); Jens Jensen(1860-1951) (landscape architect, 1893-1895); Chalet Garden Design (garden designers, 1988), Jane Mueller and Mark Marcus, Private Gardens, Public Places (garden designers, 2000); Deidre E. Toner, ASLA (landscape architect, 2011).
Foradas Garden, also known as.
Home of George Maher, Architect related holdings consist of 1 folder (25 35 mm slides)
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: email@example.com.
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
National Museum of American History. Division of Political History Search this
14 cu. ft. (14 record storage boxes)
This accession consists of the records of Margaret Brown Klapthor, former Scientific Aide in the Civil Section of the Division of History, United States National Museum
(USNM), 1944-1946; Assistant Curator of the Section of Civil History, in the Division of History, USNM, 1947-1948; Assistant Curator, 1949-1953, and Associate Curator, 1954-1956,
of the Division of Civil History, USNM; and Associate Curator, 1957-1970, Curator, 1971-1984, and Curator Emeritus, 1985-1994, of the Division of Political History, National
Museum of American History.
Materials consist of Klapthor's correspondence and memoranda, most of which pertains to her publications and work on the First Ladies Collection of dresses (or Collection
of White House Gowns); research notes and manuscripts for the publication China for the President's House; and subject files on the First Ladies, as well as furniture
and china porcelain ware at the White House. Materials also include a draft of a speech for the 50th Anniversary of the First Ladies Collection; biographical information about
First Ladies; exhibition scripts; newspaper clippings, articles, and other publications pertaining to the First Ladies Collection; an inventory list of the First Ladies' dresses;
some drawings and photographs of the First Ladies; and photographs of the First Ladies Collection.
Philip, Prince, consort of Elizabeth II, Queen of Great Britain, 1921- Search this
1.5 Cubic feet
1924 - 1981
Scope and Contents:
This collection covers the period 1924-81 and consists of exhibition catalogs, correspondence, photographs, slides, drawings, photostats, contracts, book proofs, and related biographical material on Lissim. Extensive material on the designer's work for the Sevres porcelain factory includes correspondence, original contracts, photographs of porcelains and designs for porcelains, slides, drawings, and invoices.
Most of the material relating to Sevres is in French. A copy of the brochure for the Exposition Internationale des Arts Decoratifs et Industriels Modernes, 1925, is included, which features many of his designs. Also included are his designs for commencement caps and gowns, and other related ephemera for the City University of New York's City College.
The collection contains a mock-up of his 1952 publication, "How to be an Artist", which describes different techniques and how to apply them to greeting cards, porcelains, and textiles. Copies of the introduction and biographical sections of his book "An Artist's Interpretation of Nature", published in 1958 are included.
A scrapbook consists of articles, reviews, personal correspondence, press releases, and brochures. Among Lissim's personal correspondence are letters exchanged with Prince Philip of England, an avid collector of his work. Material on Lissim's work for the theater consists of exhibition brochures, correspondence, and lists of institutions in possession of his work. In addition, the collection contains photographs of Lissim's designs for jewelry, flatware, and textiles.
Biographical / Historical:
Porcelain, theater, and metalwork designer. Born, Kiev, Russia, 1900. Lissim left Russia in 1919 and moved to Paris where he resided until 1940. In all of Lissim's designs, his appreciation for nature is apparent in his use of fish, birds, flowers, and other motifs.
In 1921, he began designing scenery and costumes for the Theatre de l'Oeuve in Paris. In 1924, he created his first designs for the Sevres porcelain factory. His relationship with Sevres lasted for more than 40 years and some of his designs are still being produced. His work achieved a gold medal at the 1929 Exposition Internationale Des Arts Decoratifs et Industriels Modernes in Barcelona. Lissim made his first journey to the United States in 1935, and by 1936, his designs for the theater were featured in exhibitions in this country. His porcelains were featured in exhibitions at The Smith College Museum of Art, 1939, and Georg Jensen, Inc., 1941.
Lissim became Head of the Art Education Project at the New York Public Library in 1942. In 1947 he began teaching at the City Univerity of New York's City College campus, where he also designed commencement costumes for the Chancellor, President, and Chief Marshal. In 1952, Lissim became an art consultant for Castleton China, Inc. in New Castle, Pennsylvania. His work was featured in the exhibition, "A Designer's Interpretation of Nature", held at the American Museum of Natural History in New York in 1953. In 1954, Lissim created his first silver pieces of jewelry and flatware manufactured by Carl Sorensen & Son, Copenhagen, Denmark. In the early 60s, Lissim created three designs for plates that were executed by Claude Boulme. He continued to work and hold exhibitions at his studio in Dobbs Ferry, New York, until his death in 1981.
Related Archival Materials:
Cooper-Hewitt, National Design Museum, Applied Arts Department
A Lenox vase, plates, cups, and saucers. A sterling silver pin, paperweight, and cutlery.
Cooper-Hewitt, National Design Museum, Department of Drawings and Prints
Designs for plates, vases, and other porcelain pieces, silver cutlery, stage designs, playing cards, and greeting cards. Drawings of commencement robes, a gavel, and a mace designed for City College. Poster for the Musée Céramique de Sévres.
Additional archival materials can be found at The New York Public Library, Theater Division; City University of New York, City College Archives; and Columbia University Libraries, Bakhmeteff Archive, New York City.
Porcelains designed by Lissim are in the collections of the following museums: Musee des Arts Decoratifs, Paris; The Victoria and Albert Museum, London; The Metropolitan Museum of Art, New York City; The Brooklyn Museum, Brooklyn, New York; and The Museum of the City of New York, New York City, among others.
These materials were donated to Cooper-Hewitt by the museum's former Curator of Drawings and Prints, Elaine Evans Dee, in 1996. Transferred to the Archives Center in 2012.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at firstname.lastname@example.org or 202-633-3270.
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
National Museum of Natural History (U.S.). Department of Anthropology Search this
Smithsonian Institution. Department of Anthropology Search this
Smithsonian Institution. United States National Museum. Department of Anthropology Search this
(2 of 5)
1940 March 4
Scope and Contents:
Includes printed material; notes, some by E. H. Hawley, mostly on Japanese ceramics, with a glossary of terms; a letter, K. Tanaka to USNM, with map of kilns in Japan and photographs of pieces of ceramics; and a copy of an address of Counselor Dooman of American Embassy in Tokyo, "On Collecting Chinese Porcelains," Tokyo Women's Club, March 4, 1940.
Some materials are restricted.
Access to the Department of Anthropology records requires an appointment.
Department of Anthropology Records, National Anthropological Archives, Smithsonian Institution
These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after
approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no
manuscript minutes for the period from 1857 through 1890; and researchers must rely on printed minutes published in the Annual Report of the Smithsonian Institution instead.
Minutes are transferred regularly from the Secretary's Office to the Archives. Minutes less than 15 years old are closed to researchers. Indexes exist for the period from
1907 to 1946 and can be useful.
The Smithsonian Institution was created by authority of an Act of Congress approved August 10, 1846. The Act entrusted direction of the Smithsonian to a body called
the Establishment, composed of the President; the Vice President; the Chief Justice of the United States; the secretaries of State, War, Navy, Interior, and Agriculture; the
Attorney General; and the Postmaster General. In fact, however, the Establishment last met in 1877, and control of the Smithsonian has always been exercised by its Board of
Regents. The membership of the Regents consists of the Vice President and the Chief Justice of the United States; three members each of the Senate and House of Representatives;
two citizens of the District of Columbia; and seven citizens of the several states, no two from the same state. (Prior to 1970 the category of Citizen Regents not residents
of Washington consisted of four members). By custom the Chief Justice is Chancellor. The office was at first held by the Vice President. However, when Millard Fillmore succeeded
to the presidency on the death of Zachary Taylor in 1851, Chief Justice Roger Brooke Taney was chosen in his stead. The office has always been filled by the Chief Justice
since that time.
The Regents of the Smithsonian have included distinguished Americans from many walks of life. Ex officio members (Vice President) have been: Spiro T. Agnew, Chester A.
Arthur, Allen W. Barkley, John C. Breckenridge, George Bush, Schuyler Colfax, Calvin Coolidge, Charles Curtis, George M. Dallas, Charles G. Dawes, Charles W. Fairbanks, Millard
Fillmore, Gerald R. Ford, John N. Garner, Hannibal Hamlin, Thomas A. Hendricks, Garret A. Hobart, Hubert H. Humphrey, Andrew Johnson, Lyndon B. Johnson, William R. King, Thomas
R. Marshall, Walter F. Mondale, Levi P. Morton, Richard M. Nixon, Nelson A. Rockefeller, Theodore Roosevelt, James S. Sherman, Adlai E. Stevenson, Harry S. Truman, Henry A.
Wallace, William A. Wheeler, Henry Wilson.
Ex officio members (Chief Justice) have been: Roger B. Taney, Salmon P. Chase, Nathan Clifford, Morrison R. Waite, Samuel F. Miller, Melville W. Fuller, Edward D. White,
William Howard Taft, Charles Evans Hughes, Harlan F. Stone, Fred M. Vinson, Earl Warren, Warren E. Burger.
Regents on the part of the Senate have been: Clinton P. Anderson, Newton Booth, Sidney Breese, Lewis Cass, Robert Milledge Charlton, Bennet Champ Clark, Francis M. Cockrell,
Shelby Moore Cullom, Garrett Davis, Jefferson Davis, George Franklin Edmunds, George Evans, Edwin J. Garn, Walter F. George, Barry Goldwater, George Gray, Hannibal Hamlin,
Nathaniel Peter Hill, George Frisbie Hoar, Henry French Hollis, Henry M. Jackson, William Lindsay, Henry Cabot Lodge, Medill McCormick, James Murray Mason, Samuel Bell Maxey,
Robert B. Morgan, Frank E. Moss, Claiborne Pell, George Wharton Pepper, David A. Reed, Leverett Saltonstall, Hugh Scott, Alexander H. Smith, Robert A. Taft, Lyman Trumbull,
Wallace H. White, Jr., Robert Enoch Withers.
Regents on the part of the House of Representatives have included: Edward P. Boland, Frank T. Bow, William Campbell Breckenridge, Overton Brooks, Benjamin Butterworth,
Clarence Cannon, Lucius Cartrell, Hiester Clymer, William Colcock, William P. Cole, Jr., Maurice Connolly, Silvio O. Conte, Edward E. Cox, Edward H. Crump, John Dalzell, Nathaniel
Deering, Hugh A. Dinsmore, William English, John Farnsworth, Scott Ferris, Graham Fitch, James Garfield, Charles L. Gifford, T. Alan Goldsborough, Frank L. Greene, Gerry Hazleton,
Benjamin Hill, Henry Hilliard, Ebenezer Hoar, William Hough, William M. Howard, Albert Johnson, Leroy Johnson, Joseph Johnston, Michael Kirwan, James T. Lloyd, Robert Luce,
Robert McClelland, Samuel K. McConnell, Jr., George H. Mahon, George McCrary, Edward McPherson, James R. Mann, George Perkins Marsh, Norman Y. Mineta, A. J. Monteague, R.
Walton Moore, Walter H. Newton, Robert Dale Owen, James Patterson, William Phelps, Luke Poland, John Van Schaick Lansing Pruyn, B. Carroll Reece, Ernest W. Roberts, Otho Robards
Singleton, Frank Thompson, Jr., John M. Vorys, Hiram Warner, Joseph Wheeler.
Citizen Regents have been: David C. Acheson, Louis Agassiz, James B. Angell, Anne L. Armstrong, William Backhouse Astor, J. Paul Austin, Alexander Dallas Bache, George
Edmund Badger, George Bancroft, Alexander Graham Bell, James Gabriel Berrett, John McPherson Berrien, Robert W. Bingham, Sayles Jenks Bowen, William G. Bowen, Robert S. Brookings,
John Nicholas Brown, William A. M. Burden, Vannevar Bush, Charles F. Choate, Jr., Rufus Choate, Arthur H. Compton, Henry David Cooke, Henry Coppee, Samuel Sullivan Cox, Edward
H. Crump, James Dwight Dana, Harvey N. Davis, William Lewis Dayton, Everette Lee Degolyer, Richard Delafield, Frederic A. Delano, Charles Devens, Matthew Gault Emery, Cornelius
Conway Felton, Robert V. Fleming, Murray Gell-Mann, Robert F. Goheen, Asa Gray, George Gray, Crawford Hallock Greenwalt, Nancy Hanks, Caryl Parker Haskins, Gideon Hawley,
John B. Henderson, John B. Henderson, Jr., A. Leon Higginbotham, Jr., Gardner Greene Hubbard, Charles Evans Hughes, Carlisle H. Humelsine, Jerome C. Hunsaker, William Preston
Johnston, Irwin B. Laughlin, Walter Lenox, Augustus P. Loring, John Maclean, William Beans Magruder, John Walker Maury, Montgomery Cunningham Meigs, John C. Merriam, R. Walton
Moore, Roland S. Morris, Dwight W. Morrow, Richard Olney, Peter Parker, Noah Porter, William Campbell Preston, Owen Josephus Roberts, Richard Rush, William Winston Seaton,
Alexander Roby Shepherd, William Tecumseh Sherman, Otho Robards Singleton, Joseph Gilbert Totten, John Thomas Towers, Frederic C. Walcott, Richard Wallach, Thomas J. Watson,
Jr., James E. Webb, James Clarke Welling, Andrew Dickson White, Henry White, Theodore Dwight Woolsey.