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Ira B. Allen

Artist:
Unidentified Artist  Search this
Copy after:
William Wood, 1808 - 1894  Search this
Former attribution:
Archibald Robertson, 8 May 1765 - 6 Dec 1835  Search this
Sitter:
Ira B. Allen, 1751 - 1814  Search this
Medium:
Watercolor on ivory
Dimensions:
8.8cm x 7cm (3 7/16" x 2 3/4")
Type:
Painting
Date:
early 20th century
Topic:
Exterior\Sky  Search this
Miniature  Search this
Ira B. Allen: Male  Search this
Ira B. Allen: Natural Resource Occupations\Pioneer\Frontiersman  Search this
Ira B. Allen: Politics and Government\Government official\Colonial government official  Search this
Ira B. Allen: Politics and Government\Politician  Search this
Ira B. Allen: Politics and Government\State Legislator\Vermont  Search this
Portrait  Search this
Credit Line:
Owner: Smithsonian American Art Museum
Object number:
1941.5.3
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm431985aab-1f6f-43e0-90f2-0e87cb1c151c
EDAN-URL:
edanmdm:npg_1941.5.3

Scurlock Studio Records, Series 1: Black and White Photographs

Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock, Addison N., 1883-1964  Search this
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Names:
Howard University -- 20th century  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
106 Boxes
Type:
Collection descriptions
Archival materials
Matrices, color separation
Photographs
Dye transfer process
Color separation negatives
Studio portraits
Place:
Shaw (Washington, D.C.)
Washington (D.C.) -- Small business -- 20th century
Washington (D.C.) -- African Americans
Date:
1888-1993
Summary:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 1 primarily consists of black and white photographs, but also includes job envelopes, order forms, correspondence, notes, and other photographic materials such as negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records.
Scope and Contents note:
Materials are almost entirely black and white photographs, but also include job envelopes, order forms, correspondence, notes, and other photographic material types that were included in the overall order. In addition, not all photographs in this series were taken by the Scurlock Studio; there are photographs by Abdon Daoud Ackad and other studios or photographers that were sent in to make copies. The series is arranged into two subseries: Subseries 1.1: Clients, and Subseries 1.2: Subjects.
Arrangement note:
Arranged in 2 subseries.

1.1: Clients Black and white photographs

1.2: Subjects Black and white photographs
Biographical/Historical note:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). More...
Forms Part Of:
This series forms part of the Scurlock Studio Records group.

Scurlock Studio Records

Series 1: Black and White Photographs

Series 2: Color Photographs

Series 3: Framed Prints

Series 4: Black-and-White Silver Gelatin Negatives

Series 5: Color Negatives

Series 6: Color Transparencies, Slides, and Other Formats

Series 7: Black-and-White Color Separation Negatives and Matrices

Series 8: Scurlock Studio Business Records

Series 9: Custom Craft Business Records

Series 10: Capitol School of Photography

Series 11: Washington Stock

Series 12: Background Materials and Publications
Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Politicians -- 20th century  Search this
Portraits -- 20th century  Search this
Commercial photography -- 20th century -- Washington (D.C)  Search this
Photography -- 20th century -- Washington (D.C.)  Search this
Segregation  Search this
African American photographers  Search this
African American entertainers -- 20th century  Search this
African Americans -- History -- 20th century  Search this
Genre/Form:
Matrices, color separation
Photographs -- 20th century
Dye transfer process
Color separation negatives
Studio portraits
Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Identifier:
NMAH.AC.0618.S01
See more items in:
Scurlock Studio Records, Series 1: Black and White Photographs
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8016336ae-23ec-4512-a76c-c1faa872aae0
EDAN-URL:
ead_collection:sova-nmah-ac-0618-s01
Online Media:

Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives

Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Names:
Howard University -- 20th century  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
320 Boxes
Type:
Collection descriptions
Archival materials
Photographs
Matrices, color separation
Dye transfer process
Studio portraits
Color separation negatives
Place:
Washington (D.C.) -- Small business -- 20th century
Washington (D.C.) -- African Americans
Shaw (Washington, D.C.)
Date:
undated
Summary:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.1 includes black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Scope and Contents:
Subseries 4.1 includes black and white silver gelatin negatives. The majority of the negatives, not all, have been scanned.
Arrangement note:
The negatives are not arranged in a clear order, and the negatives document clients and subjects. Researchers will need to look in two different box sizes for negatives of different sizes that were originally housed together in freezer boxes but are now housed separately according to size. A number of freezer boxes are missing, this is the reason for box number gaps, and contain varying numbers of negatives. The physical number of boxes was condensed during rehousing but the original freezer box numbers were retained in combination on the new boxes. The beginning and end of a freezer box are indicated inside the new box by blue dividers.
Biographical/Historical note:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). More...
Forms Part Of:
Subseries 4.1 forms part of Series 4, within the Scurlock Studio Records group.

Scurlock Studio Records

Series 1: Black and White Photographs

Series 2: Color Photographs

Series 3: Framed Prints

Series 4: Black-and-White Silver Gelatin Negatives

Series 5: Color Negatives

Series 6: Color Transparencies, Slides, and Other Formats

Series 7: Black-and-White Color Separation Negatives and Matrices

Series 8: Scurlock Studio Business Records

Series 9: Custom Craft Business Records

Series 10: Capitol School of Photography

Series 11: Washington Stock

Series 12: Background Materials and Publications
Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African Americans -- History -- 20th century  Search this
Commercial photography -- 20th century -- Washington (D.C)  Search this
Segregation  Search this
Photography -- 20th century -- Washington (D.C.)  Search this
Portraits -- 20th century  Search this
Politicians -- 20th century  Search this
African American photographers  Search this
African American entertainers -- 20th century  Search this
Genre/Form:
Photographs -- 20th century
Matrices, color separation
Dye transfer process
Studio portraits
Color separation negatives
Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Identifier:
NMAH.AC.0618.S04.01
See more items in:
Scurlock Studio Records, Subseries 4.1: Black-and-White Silver Gelatin Negatives
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8ec458f4e-274d-4d12-859d-aaea7f7fc0ed
EDAN-URL:
ead_collection:sova-nmah-ac-0618-s04-01
Online Media:

Beauford Halbert Jester

Artist:
John Moran, active mid-20th century  Search this
Sitter:
Beauford Halbert Jester, 1893 - 1949  Search this
Medium:
Oil on canvas
Dimensions:
115 x 85cm (45 1/4 x 33 7/16")
Type:
Painting
Date:
1949
Topic:
Interior  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Home Furnishings\Drape  Search this
Costume\Dress Accessory\Neckwear\Tie\Necktie  Search this
Beauford Halbert Jester: Male  Search this
Beauford Halbert Jester: Law and Law Enforcement\Lawyer  Search this
Beauford Halbert Jester: Military and Intelligence\Soldier  Search this
Beauford Halbert Jester: Politics and Government\Politician  Search this
Beauford Halbert Jester: Politics and Government\Governor\Texas  Search this
Portrait  Search this
Credit Line:
Owner: Texas State Library
Object number:
1989.377 TSL
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm42529d226-c1ce-4f78-aac5-c12c641703ae
EDAN-URL:
edanmdm:npg_1989.377_TSL

Arthur Francis Mullen

Artist:
Henry C. Wolff  Search this
Sitter:
Arthur Francis Mullen, 1873 - 1938  Search this
Medium:
Oil on canvas
Dimensions:
100.4 x 75.1cm (39 1/2 x 29 9/16")
Type:
Painting
Date:
20th century
Topic:
Costume\Jewelry\Chain  Search this
Costume\Dress Accessory\Neckwear\Tie\Necktie  Search this
Arthur Francis Mullen: Male  Search this
Arthur Francis Mullen: Law and Law Enforcement\Lawyer  Search this
Arthur Francis Mullen: Politics and Government\Politician  Search this
Portrait  Search this
Credit Line:
Owner: Museum of Nebraska History
Object number:
5-536P
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4481428a2-fdfe-4a85-bc3b-17b5f74fe0e0
EDAN-URL:
edanmdm:npg_5-536P

William Tuck

Artist:
Unidentified Artist  Search this
Sitter:
William Munford Tuck, 28 Sep. 1896 - 9 Jun. 1983  Search this
Medium:
Oil on canvas
Type:
Painting
Date:
mid 20th-20th century
Topic:
Interior  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Costume\Jewelry\Ring  Search this
Printed Material\Papers  Search this
Costume\Dress Accessory\Neckwear\Tie  Search this
Costume\Dress Accessory\Handkerchief  Search this
Costume\Jewelry\Pin  Search this
William Munford Tuck: Male  Search this
William Munford Tuck: Politics and Government\Governor  Search this
William Munford Tuck: Law and Law Enforcement\Lawyer  Search this
William Munford Tuck: Politics and Government\US Congressman\Virginia  Search this
William Munford Tuck: Politics and Government\Politician  Search this
William Munford Tuck: Military and Intelligence\Marine Corps\Soldier  Search this
Portrait  Search this
Credit Line:
Owner: Virginia State Capitol
Object number:
VA430001
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm49f983385-127d-408c-b227-9958dfd94550
EDAN-URL:
edanmdm:npg_VA430001

Gardner Cox papers, 1920-1995

Creator:
Cox, Gardner, 1906-1988  Search this
Massachusetts Art Commission  Search this
Subject:
Forbes, Edward Waldo  Search this
Saint-Gaudens, Augustus  Search this
Shaw, Robert Gould  Search this
Morison, Samuel Eliot  Search this
Stevens, Austin  Search this
Driver, Phoebe Barnes  Search this
American Academy in Rome  Search this
Saint Botolph Club (Boston, Mass.)  Search this
Putnam & Cox, (Boston, Mass.)  Search this
Portraits (Firm: New York, N.Y.)  Search this
Museum of Fine Arts, Boston. School  Search this
Boston Arts Festival  Search this
Type:
Interviews
Sketchbooks
Sound recordings
Citation:
Gardner Cox papers, 1920-1995. Archives of American Art, Smithsonian Institution.
Topic:
Portrait painting -- 20th century -- Massachusetts  Search this
Politicians -- Portraits  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8156
(DSI-AAA_SIRISBib)210327
AAA_collcode_coxgard
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210327

Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number

Creator:
Custom Craft  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Names:
Howard University. -- 20th century  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
320 Boxes
Note:
Cold Storage
Type:
Collection descriptions
Archival materials
Matrices, color separation
Photographs
Dye transfer process
Color separation negatives
Studio portraits
Place:
Washington (D.C.) -- Small business -- 20th century
Shaw (Washington, D.C.)
Washington (D.C.) -- African Americans
Date:
1928-1994
Scope and Contents:
The materials document the orders placed by the clients of the Scurlock Studio. The photographs primarily depict individual portrait sittings but there are also portraits of children, groups, and other subjects.
Arrangement note:
The negatives are arranged by job number.
Biographical/Historical note:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). More...
Forms Part Of:
Subseries 4.5 forms part of Series 4, within the Scurlock Studio Records group.

Scurlock Studio Records

Series 1: Black and White Photographs

Series 2: Color Photographs

Series 3: Framed Prints

Series 4: Black-and-White Silver Gelatin Negatives

Series 5: Color Negatives

Series 6: Color Transparencies, Slides, and Other Formats

Series 7: Black-and-White Color Separation Negatives and Matrices

Series 8: Scurlock Studio Business Records

Series 9: Custom Craft Business Records

Series 10: Capitol School of Photography

Series 11: Washington Stock

Series 12: Background Materials and Publications
Restrictions:
Collection is open for research.

Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American photographers  Search this
Politicians -- 20th century  Search this
Portraits -- 20th century  Search this
African Americans -- History -- 20th century  Search this
Photography -- 20th century -- Washington (D.C.)  Search this
African American entertainers -- 20th century  Search this
Commercial photography -- 20th century -- Washington (D.C)  Search this
Segregation  Search this
Genre/Form:
Matrices, color separation
Photographs -- 20th century
Dye transfer process
Color separation negatives
Studio portraits
Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Identifier:
NMAH.AC.0618.S04.05
See more items in:
Scurlock Studio Records, Subseries 4.5: Black and white negatives in cold storage arranged by job number
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c0c764e4-3c14-483e-b091-7fb65c6649da
EDAN-URL:
ead_collection:sova-nmah-ac-0618-s04-05
Online Media:

Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client

Creator:
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Custom Craft  Search this
Scurlock, Addison N., 1883-1964  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Scurlock Studio (Washington, D.C.)  Search this
Names:
Howard University -- 20th century  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
87 Boxes
The subseries consists of black and white silver gelatin negatives.
Note:
Cold Storage
Type:
Collection descriptions
Archival materials
Color separation negatives
Matrices, color separation
Studio portraits
Dye transfer process
Photographs
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- Small business -- 20th century
Shaw (Washington, D.C.)
Date:
1929-1989
Summary:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Subseries 4.6 consists of black and white silver gelatin negatives. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Scope and Contents note:
The negatives document the orders of the clients of the Scurlock Studio. The majority of the negatives are of portrait sittings but there are also negatives depicting children, couples, and groups.
Arrangement note:
The arrangement of the negatives is unclear; the arrangement will be in alphabetical order before it will start completely over again.
Biographical/Historical note:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, D.C. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). More...
Forms Part Of:
Subseries 4.6 forms part of Series 4, within the Scurlock Studio Records group.

Scurlock Studio Records

Series 1: Black and White Photographs

Series 2: Color Photographs

Series 3: Framed Prints

Series 4: Black-and-White Silver Gelatin Negatives

Series 5: Color Negatives

Series 6: Color Transparencies, Slides, and Other Formats

Series 7: Black-and-White Color Separation Negatives and Matrices

Series 8: Scurlock Studio Business Records

Series 9: Custom Craft Business Records

Series 10: Capitol School of Photography

Series 11: Washington Stock

Series 12: Background Materials and Publications
Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Segregation  Search this
Portraits -- 20th century  Search this
Photography -- 20th century -- Washington (D.C.)  Search this
Politicians -- 20th century  Search this
Commercial photography -- 20th century -- Washington (D.C)  Search this
African Americans -- History -- 20th century  Search this
African American entertainers -- 20th century  Search this
African American photographers  Search this
Genre/Form:
Color separation negatives
Matrices, color separation
Studio portraits
Dye transfer process
Photographs -- 20th century
Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Identifier:
NMAH.AC.0618.S04.06
See more items in:
Scurlock Studio Records, Subseries 4.6: Black and white negatives in cold storage arranged by client
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82ef0d27d-e9d8-46f8-a5ae-3ee02dc06dbf
EDAN-URL:
ead_collection:sova-nmah-ac-0618-s04-06
Online Media:

Scurlock Studio Records, Series 4: Black-and-White Silver Gelatin Negatives

Creator:
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Custom Craft  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock, Addison N., 1883-1964  Search this
Names:
Howard University -- 20th century  Search this
DuBois, W.E.B. (William Edward Burghardt), 1868-1963  Search this
Washington, Booker T., 1856-1915  Search this
Extent:
320 Boxes
The material type of the series is black and white silver gelatin negatives.
Type:
Collection descriptions
Archival materials
Photographs
Dye transfer process
Color separation negatives
Matrices, color separation
Studio portraits
Place:
Washington (D.C.) -- Small business -- 20th century
Washington (D.C.) -- African Americans
Shaw (Washington, D.C.)
Date:
1900-1994
Summary:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC. from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). Series 4 materials document the clients and individuals whose photographs were taken by the Scurlock Studio and a wide variety of subject matters. An overview to the entire Scurlock collection is available here: Scurlock Studio Records
Scope and Contents note:
The materials document the clients and individuals whose photographs were taken by the Scurlock Studio and a wide variety of subject matters. The subjects represented are individual portrait sittings, organizations, events, businesses, commercial ventures of the studio, and Washington, D. C.
Arrangement:
Arranged in 12 subseries.

4.1: Black-and-White negatives

4.2: Black and white negatives in freezers arranged by job number

4.3: Black and white negatives in freezer storage arranged by client

4.4: Black and white negatives in freezer storage arranged by subject

4.5: Black and white negatives in cold storage arranged by job number

4.6: Black and white negatives in cold storage arranged by client

4.7: Negatives in cold storage arranged by client with index cards

4.8: Negatives in cold storage arranged by subject

4.9: Black and white negatives for publication

4.10: Glass Plate Negatives

4.11: Customcraft Negatives

4.12: Banquet Negatives
Biographical/Historical note:
The Scurlock photographic studio was a fixture in the Shaw area of Washington, DC from 1911 to 1994, and encompassed two generations of photographers, Addison N. Scurlock (1883-1964) and his sons George H. (1920- 2005) and Robert S. (1916-1994). More...
Forms Part Of:
This series forms part of the Scurlock Studio Records group.

Scurlock Studio Records

Series 1: Black and White Photographs

Series 2: Color Photographs

Series 3: Framed Prints

Series 4: Black-and-White Silver Gelatin Negatives

Series 5: Color Negatives

Series 6: Color Transparencies, Slides, and Other Formats

Series 7: Black-and-White Color Separation Negatives and Matrices

Series 8: Scurlock Studio Business Records

Series 9: Custom Craft Business Records

Series 10: Capitol School of Photography

Series 11: Washington Stock

Series 12: Background Materials and Publications
Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American entertainers -- 20th century  Search this
African American photographers  Search this
African Americans -- History -- 20th century  Search this
Commercial photography -- 20th century -- Washington (D.C)  Search this
Segregation  Search this
Photography -- 20th century -- Washington (D.C.)  Search this
Politicians -- 20th century  Search this
Portraits -- 20th century  Search this
Genre/Form:
Photographs -- 20th century
Dye transfer process
Color separation negatives
Matrices, color separation
Studio portraits
Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Identifier:
NMAH.AC.0618.S04
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8607c1270-9c2c-4109-a459-9b8eaaab35d1
EDAN-URL:
ead_collection:sova-nmah-ac-0618-s04

WANN Radio Station Records

Donor:
Blum, Morris  Search this
Creator:
WANN Radio Station (Annapolis, Maryland)  Search this
Extent:
13 Cubic feet (32 boxes and 12 oversize folders)
Type:
Collection descriptions
Archival materials
Awards
Certificates
Business records
Sales records
Posters
Photographs
Correspondence
Audiotapes
Place:
Carr's Beach
Annapolis (Md.)
Maryland -- 20th century
Date:
1940-1999
Summary:
The collection documents the creative, technical and political aspects of managing WANN Radio Station in Annapolis, Maryland during the mid-Twentieth Century. Key areas of research include black radio stations; Annapolis African American communities; marketing to Black communities; political activism through media; Black-Jewish community relationships; church, community and media activism.
Scope and Contents:
The collection primarily documents the highly-segregated era of radio broadcasting and WANN's position within this historical context. It contains an extensive photographic history documenting the rise of the radio station. Other materials include programming timetables, forum broadcasts, and advertisement segments aired during the station's prime. Documents chronicling the station's business and regulatory history, including correspondence with fans, publicity materials, advertising, certificates and awards and sales reports are also included among these materials. There are newspaper clippings documenting political events and church programs covered by the radio station. Land survey maps for the placement of new station and broadcasting towers are also found among these materials. Morris Blum was involved with the Federal Communications Commission and there is a significant amount of material relating to the Emergency Broadcasting System including tutorials and regulations. Materials relating to Blum's personal life include local Jewish community and organization activities, naval history and a few family papers. Photographs and programming for WANN's sister radio station WXTC can also be found among these materials. In the early 1990s, WANN radio station became Bay Country 1190 in a move to be more profitable. There is a small amount of material relating to this new programming format. WANN radio is significant because the radio station became a place to discuss controversial topics concerning the African American community. Segregation, racial discrimination, and challenging political misrepresentation were all a part of WANN's programming. Blum and his staff did not avoid confronting what were at the time radical issues of racial justice and equality. Members of Congress, politicians and community organizers all appeared periodically on WANN radio. In addition to its talk radio format, WANN radio also played Rhythm and Blues, Gospel music, and hosted numerous dance parties and concerts at Carr's Beach. Blum hired a racially diverse staff, creating pathways to professional careers. Charles "Hoppy" Adams, who eventually became WANN's first executive vice president, began his career as a highly popular radio personality. Adams hosted the Carr's Beach dance parties and concerts featuring many young artists, including James Brown and Sarah Vaughn. The success of the radio station's hiring practices, relevant programming, social activities and political awareness makes it a valuable resource of information for both the Washington DC metropolitan area and the nation as a whole.
Arrangement:
The collection is arranged into twelve series.

Series 1: Photographic Materials, 1947-1996, undated

Series 2: Correspondence, 1947-1999

Series 3: Programming, 1947-1989

Series 4: Publicity, 1946-1999, undated

Series 5: Advertising and Marketing, 1947-1999, undated

Series 6: Engineering and Construction, 1947-1999, undated

Series 7: Office Files, 1953-1999, undated

Series 8: Communications and Emergency Management, 1946-1999, undated

Series 9: Awards and Recognition, 1940s-1999, undated

Series 10: WXTC Radio Station, 1959-1979, undated

Series 11: Morris Blum Papers, 1954-1997, undated

Series 12: Audiovisual Materials, 1953-1998
Separated Materials:
"Several artifacts were donated to the Museum's Division of Cultural History (now Division of Cultural and Community Life) in 2000. The associated accession numbers for the WANN Radio Station artifacts are as follows:

2000.0165-7,775 include sound recordings, two turntable pads, a microphone, and a studio wall clock, all used at the radio station from 1948-1995.

2002.0319-22 include eight name tags worn by on-air personalities at personal appearances, five pieces of equipment, three banners, two gold records, two public service award plaques, a pith helmet, and two T-shirts also from 1948-1995. "
Provenance:
The collection was donated by Morris Blum in July 2002.
Restrictions:
Collection is open for research. Researchers must use reference copies of audiovisual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Radio stations -- Maryland  Search this
African American radio stations  Search this
Radio audiences  Search this
Radio broadcasting  Search this
Ethnic radio programs  Search this
advertising -- 20th century  Search this
Genre/Form:
Awards
Certificates
Business records -- 20th century
Sales records
Posters -- 20th century
Photographs -- 20th century
Correspondence -- 20th century
Audiotapes
Citation:
WANN Radio Station Records, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0800
See more items in:
WANN Radio Station Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82fcb85dc-b516-4152-8091-10c4d8fc4b63
EDAN-URL:
ead_collection:sova-nmah-ac-0800
Online Media:

William Benton papers, 1940-1983

Creator:
Benton, William, 1900-1973  Search this
Subject:
Marsh, Reginald  Search this
Wood, Grant  Search this
Bohrod, Aaron  Search this
Dalí, Salvador  Search this
Dean, Abner  Search this
Der Harootian, Koren  Search this
Ernst, Jimmy  Search this
Hebald, Milton  Search this
Hirsch, Joseph  Search this
Johnson, Ben  Search this
Kent, Rockwell  Search this
Kleinholz, Frank  Search this
Levine, Jack  Search this
Poor, Henry Varnum  Search this
Rosenberg, James N. (James Naumburg)  Search this
Sachs, Hella Moravic  Search this
Vereisky, Orest G.  Search this
Albright, Ivan  Search this
Benton, Thomas Hart  Search this
Biddle, George  Search this
Bishop, Isabel  Search this
Citation:
William Benton papers, 1940-1983. Archives of American Art, Smithsonian Institution.
Topic:
Art -- Collectors and collecting -- United States  Search this
Art, Modern -- 20th century -- History -- United States  Search this
Art, American  Search this
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Patronage  Search this
Record number:
(DSI-AAA_CollID)8883
(DSI-AAA_SIRISBib)211068
AAA_collcode_bentwill
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Patronage
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211068

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
Online Media:

John S. Monagan papers relating to Naum Gabo, 1969-1982

Creator:
Monagan, John S., 1911-  Search this
Subject:
Gabo, Naum  Search this
Citation:
John S. Monagan papers relating to Naum Gabo, 1969-1982. Archives of American Art, Smithsonian Institution.
Topic:
Sculptors -- Connecticut -- Middlebury -- Photographs  Search this
Sculpture, Modern -- 20th century -- United States -- Photographs  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10631
(DSI-AAA_SIRISBib)214190
AAA_collcode_monajohn
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214190

[William Jennings Bryan seated at desk.] [Active no. 9402 : stereo photonegative.]

Topic:
OTHER FAMOUS MEN
Publisher:
Underwood & Underwood  Search this
Names:
Bryan, William Jennings, 1860-1925  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (5" x 7".)
Type:
Archival materials
Portraits
Photographs
Stereoscopic photographs
Local Numbers:
RSN 14575
General:
Company catalog card included.
Similar to RSN 14576, 23307 and 23308.
Currently stored in box 3.1.34 [45].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Politicians -- 20th century  Search this
Offices  Search this
Genre/Form:
Portraits -- Men
Photographs -- 1900-1910 -- Black-and-white negatives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 14520-14605
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep81a10184b-837e-4995-b74b-b087d98d83f9
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref11176

Pres. Roosevelt speaks on Irrigation and Public Schools to wide-awake audience at Wallula, Wash. Copyright 1903 by Underwood & Underwood. [on negative] [Caption no. 23547 : stereoscopic photonegative,]

Publisher:
Underwood & Underwood  Search this
Names:
Roosevelt, Theodore, 1858-1919  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4-1/4" x 6-1/2" (incorrectly recorded as 3-3/4" x 7" in original cataloging).)
Type:
Archival materials
Photographs
Stereoscopic photographs
Place:
Wallula (Wash.) -- 1900-1910
Washington -- 1900-1910
Date:
1903
Scope and Contents:
Listeners in crowd include woman holding baby, with two other children, shown from back in foreground. "O.K. Saloon" sign appears behind Roosevelt.
Arrangement:
Formerly stored in box 3.1.57 [93].
Local Numbers:
RSN 16796

AC0143-0016796 (AC Scan number)
General:
Cancelled by scratching. Associated number, 6981.
Exhibitions Note:
Selected for use in NMAH virtual (Web) exhibit, "History Wired" (originally called "American Expressions"), 2001/07, at http://historywired.si.edu/index.html.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Railroads -- Trains  Search this
Railroads  Search this
Presidents -- United States -- 1900-1910.  Search this
Whistle-stop campaigning -- 1900-1910  Search this
Politicians -- 20th century  Search this
Genre/Form:
Photographs -- 1890-1920 -- Black-and-white negatives -- Glass
Stereoscopic photographs
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.1: Underwood and Underwood Negatives / RSN Numbers 16786-16846
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82bc0dbc4-9feb-4086-9967-f0f73e1ad6c3
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref13230

To Stop an Endless Cycle of Corruption, History Says Fix the System, Not the Politician

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 27 Oct 2015 15:40:56 +0000
Topic:
History  Search this
See more posts:
History | Smithsonian
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_f9861969d8a67f9b0b2db6df3490c691

Aesthetic life beauty and art in modern Japan Miya Elise Mizuta Lippit

Title:
Beauty and art in modern Japan
Author:
Lippit, Miya Elise Mizuta  Search this
Physical description:
xv, 315 pages illustrations (chiefly color) 27 cm
Type:
Books
Place:
Japan
Japon
Taiwan
Date:
2019
1868-
19th century
20th century
1868-19thcentury.20thcentury
Topic:
Feminine beauty (Aesthetics)  Search this
Feminine beauty (Aesthetics) in art  Search this
Feminine beauty (Aesthetics) in literature  Search this
Arts, Japanese  Search this
Aesthetics, Japanese  Search this
Beauté féminine (Esthétique)  Search this
Beauté féminine (Esthétique) dans l'art  Search this
Beauté féminine (Esthétique) dans la littérature  Search this
Arts japonais  Search this
Feminine beauty (Aesthetics) in literature.Feminine beauty (Aesthetics) in art.Feminine beauty (Aesthetics)Arts, Japanese.Aesthetics, Japanese.Aesthetics, JapaneseAesthetics, JapaneseArts, JapaneseFeminine beauty (Aesthetics) in literature.Feminine beauty (Aesthetics) in art.Feminine beauty (Aesthetics)  Search this
Identität  Search this
Kolonialismus  Search this
Literatur  Search this
Loyalität  Search this
Call number:
N72.S6 L56 2019
Restrictions & Rights:
Current Copyright Fee: GBP6.15 0. Uk
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1145151

William Benton papers

Creator:
Benton, William, 1900-1973  Search this
Names:
Albright, Ivan, 1897-1983  Search this
Benton, Thomas Hart, 1889-1975  Search this
Biddle, George, 1885-1973  Search this
Bishop, Isabel, 1902-1988  Search this
Bohrod, Aaron  Search this
Dalí, Salvador, 1904-1989  Search this
Dean, Abner, 1910-  Search this
Der Harootian, Koren, 1909-  Search this
Ernst, Jimmy, 1920-1984  Search this
Hebald, Milton  Search this
Hirsch, Joseph, 1910-1981  Search this
Johnson, Ben  Search this
Kent, Rockwell, 1882-1971  Search this
Kleinholz, Frank, 1901-  Search this
Levine, Jack, 1915-2010  Search this
Marsh, Reginald, 1898-1954  Search this
Poor, Henry Varnum, 1887-1970  Search this
Rosenberg, James N. (James Naumburg), b. 1874  Search this
Sachs, Hella Moravic  Search this
Vereisky, Orest G.  Search this
Wood, Grant, 1891-1942  Search this
Extent:
1 Linear foot ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1940-1983
Scope and Contents:
Correspondence; writings; notes; estate lists; contracts; photographs of works of art; exhibition catalogs; clippings; miscellaneous printed material.
REEL 925: Correspondence with artists, 1954-1968, concerning Benton's purchase and background of their works; and writings by Benton on Soviet art.
REEL 3134: A 13-page, incomplete, typescript, 1955, "Reginald Marsh as I Remember Him," by Benton. He writes of working with Marsh on the YALE RECORD and collecting Marsh's paintings.
REEL 4073: Correspondence, 1940-1983, with artists; typescripts on Marsh; writing by Jack Levine "How the Witches' Sabbath was Painted";
photographs and lists of works of art; a notebook "Works of Art on Loan to the William Benton Museum, University of Connecticut" from Benton's estate; a notebook "Painting Contracts" between artists, galleries, and Encyclopaedia Britannica, Inc.; notebook "Sold," containing data on the sale of Reginald Marsh's work;
printed material on Rockwell Kent, Thomas Hart Benton, Benton's collection, and others; photocopies of 2 portions of Ivan Albright's sketchbooks; a notebook "Britannica Painting Exhibitions Manual of Procedure"; a 2 p. typescript "The Story of My Portrait" by Grant Wood's sister Nan Wood Graham; 3 illustrated notebooks by Ivan Albright; and a sketchbook by Reginald Marsh containing 33 figure sketches.
Correspondents include Ivan Albright, Thomas Hart Benton, George Biddle, Isabel Bishop, Aaron Bohrod, Salvador Dali, Abner Dean, Koren Der Harootian, Jimmy Ernst, Milton Hebald, Joseph Hirsch, Ben Johnson, Rockwell Kent, Frank Kleinholz, Jack Levine, Reginald Marsh, Henry Varnum Poor, James N. Rosenberg, Hella Moravic Sachs, and Orest G. Vereisky.
Biographical / Historical:
Art collector, politician; Chicago, Ill. Publisher of ENCYCLOPAEDIA BRITANNICA, Vice-President of the University of Chicago, Congressman from Connecticut, and an avid collector of American art. Benton and Reginald Marsh were classmates and collaborated respectively as editor and illustrator for the Yale newspaper. During the Depression, Benton provided Marsh with a monthly stipend for which he received a monthly painting. When he became chairman of the board of ENCYCLOPAEDIA BRITANNICA, Benton collected contemporary American painting to Americanize BRITANNICA's British image.
Provenance:
Material on reel 925 and 3134 donated by Benton 1968. His family donated and lent additional material 1985-1986, including originals of some letters which were originally donated as photocopies.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Art -- Collectors and collecting -- United States  Search this
Art, Modern -- 20th century -- History -- United States  Search this
Art, American  Search this
Identifier:
AAA.bentwill
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93ed929af-0999-433d-95d6-a0e3b3a5f002
EDAN-URL:
ead_collection:sova-aaa-bentwill

La Ligne Aérienne France-Afrique-Amérique du Sud [Victor Cambon] Publication

Extent:
0.05 Cubic feet (1 folder, 1 booklet, 1 photograph)
Type:
Collection descriptions
Archival materials
Date:
1920s; publication circa 1926
Summary:
This collection consists of a circa 1926 French-language booklet written by French author Victor Cambon entitled La Ligne Aérienne France-Afrique-Amérique du Sud (The France-Africa-South America Airline) and possibly intended to be an investment prospectus for the early French airline Lignes Aériennes Latécoère. The publication, heavily illustrated with aerial photographs, discusses postal (air mail) routes operated by Lignes Aériennes Latécoère linking France via Spain to North Africa, details of Pierre-Georges Latécoère's proposed idea of a France-Africa-South America air route, and reference to test flights made in 1925 over the South American portion of the proposed route.
Scope and Contents:
This collection consists of a circa 1926 French-language booklet (11 x 8.5 inches, 28 pages) written by Victor Cambon entitled La Ligne Aérienne France-Afrique-Amérique du Sud (The France-Africa-South America Airline) and possibly intended to be an investment prospectus for Lignes Aériennes Latécoère. The cover features a color illustration of a stylized Latécoère LAT 15 airliner in flight over a partial globe marked with a postal route linking several cities in France, Africa, and South America. The first part of the publication provides an introduction detailing the amount of time it took for mail delivery between France and South America via ship as of 1925 and how that time would be greatly reduced if Pierre-Georges Latécoère's ideas of a France-Africa-South America air route were to be put into action. A map detailing the route and distances between France and Buenos Aires, Argentina is included; a dotted line indicates a special ship route connecting the Cape Verde islands and the islands of Fernando de Noronha off the coast of Brazil. The author provides a history of Latécoère's successful France-Morocco air mail route (started September 1, 1919, between Toulouse and Casablanca via Spain) and France-Dakar route (started June 1, 1925, to continue service on to Dakar, Senegal) as proof of the commercial viability of the concept. A section on the technical organization of Lignes Aériennes Latécoère provides information on the routes, aircraft, engines, repair facilities and procedures then in use by the manufacturer and its airline, and features several photographs of Latécoère aircraft including the LAT 15, LAT 17, and LAT 21; views of the airfield at Toulouse, France; and photographs of noted passengers on the France to Morocco route (Ligne Aérienne France-Maroc) including King Albert I of Belgium, French politicians Laurent Eynac and Paul Painlevé, Marshal Philippe Pétain and Marshal Hubert Lyautey. The second part provides more detailed information on the proposed France-Africa-South America air route, with references to test flights made over the South American portion of the route. The publication includes numerous aerial photographs of locations along the air portion of the route: Toulouse and Carcassonne, France; Barcelona, Alicante, Granada, Peñíscola, and Málaga, Spain; Gibraltar; Tangier, Rabat, and Casablanca, Morocco; Dakar, Senegal; Recife (Pernambuco), Bahia, São Paulo, Porto Alegre, Pelotas, and Rio de Janeiro, Brazil; Montevideo, Uruguay; and Buenos Aires, Argentina. The publication also contains a heavily retouched black and white aerial print photograph of Carcassonne, France, circa early to mid-1920s.
Arrangement:
No arrangement.
Biographical / Historical:
Following the end of World War I, French aircraft designer and builder Pierre-Georges Latécoère (1883--1943) became interested in creating an air network linking France with cities in Africa and South America. In September 1919, Lignes Aériennes Latécoère (often referred to at the time simply as "La Ligne" or "The Line") initiated service between the Latécoère base at Toulouse, France, with Casablanca, Morocco (then a French protectorate) via several intermediate stops along Spain's Mediterranean coast. In June 1925 service was extended across the Spanish colony of Rio de Oro to Dakar, Senegal (then French West Africa). Although Latécoère did not yet have an aircraft capable of making the South Atlantic crossing between Africa and South America, he went ahead with test flights in 1925 from Rio de Janeiro, Brazil, to Buenos Aires, Argentina (with six stops enroute), and to Recife, on Brazil's northeast coast (with three stops). The proposed air route would encompass five legs: France, through Casablanca to Saint-Louis-du-Sénégal by airplane; Senegal to the Cape Verde islands off the coast of Africa by seaplane; Cape Verde to the islands of Fernando de Noronha off the coast of Brazil via a special fast surface ship; Fernando de Noronha to Recife by seaplane; and Recife to Rio and Buenos Aires by airplane. Latécoère obtained financial support in Brazil from wealthy French banker Marcel Bouilloux-Lafont (1871--1944), who increased his stake in the business until he took over Lignes Aériennes Latécoère in 1927, renaming it Compagnie Générale Aéropostale (better known simply as Aéropostale) to reflect its strong investment in air mail service. Latécoère returned to aircraft design and manufacturing, with the company becoming most famous in the 20th century for its numerous seaplane models. Still active in the 21st century as the aerospace subcontractor Groupe Latécoère, the company is now known for manufacturing aircraft equipment and substructures such as doors and fuselage sections.

French engineer and journalist Victor Cambon (1852-1927) graduated from and was later a professor at the École Centrale des Arts et Manufactures in Paris, France. Cambon was a prolific author who published articles and books predominantly on agricultural issues, French economic and colonial problems, and German industrial power, and at one time served as the editor of the scientific journal La Nature.
Provenance:
Unknown (found in collection), 2010, NASM.XXXX.0938
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Aeronautics  Search this
Airlines  Search this
Air mail service  Search this
Aerial photography  Search this
Airplanes  Search this
Citation:
La Ligne Aérienne France-Afrique-Amérique du Sud [Victor Cambon] Publication, Acc. NASM.XXXX.0938, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.XXXX.0938
See more items in:
La Ligne Aérienne France-Afrique-Amérique du Sud [Victor Cambon] Publication
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg2b1300e99-8ee0-4385-820a-e612f449e6f0
EDAN-URL:
ead_collection:sova-nasm-xxxx-0938
Online Media:

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