A Select bibliography for the study, sources, and literature of English mediƦval economic history / compiled by a seminar of the London School of Economics under the supervision of Hubert Hall
Smithsonian Institution. Program in African American Culture Search this
Container:
Box 25, Folder 1
Type:
Archival materials
Date:
1996 February 1-3
Scope and Contents:
The conference was cosponsored by the National Association for the Equal
Opportunity in Higher Education, The Office for the Advancement for Public Black Colleges, The College Fund/UNCF, the Anacostia Museum and the Center for African American History and Culture. Funding for the program was made possible in part by a grant from Nissan Motor Corporation, USA.
Mind on Freedon was inspired by research done by Spencer Crew, then Museum director, and Lonnie G. Bunch, then associate director for the National Museum of American History's research, documentation, exhibition and collection project Go Forth and Serve. The conference was designed to examine the relationship African Americans have had with education in the United States, the historical evolution of Historical Black Colleges and Universities (HBCUs), and the importance of these institutions on the life and culture of this nation. The program was held from Thursday, February 1, through Saturday, February 3, 1996, and it included panel discussions and performances.
Participants:
James D. Anderson, Ph.D., professor and head, Department of Educational Policy Studies, University of Illinois, Urbana-Champaign
Bettye J. Gardner, Ph.D., professor of history, Coppin State College; and national president of the Association for the Study of Afro-American Life and History
Phyllis Boanes, Ph.D., associate professor of history; director of the Program of African American Studies, Earlham College
Lonnie G. Bunch, associate director for historical resources, National Museum of American History
Alan K. Colon, Ph.D., assistant to the provost and professor of history, Hampton University
Spencer R. Crew, Ph.D., director of the National Museum of American History
William T. Dargan, Ph.D., professor of music and head of the Department of Music, St. Augustine's College, Raleigh, North Carolina
Willis "Bing" Davis, professor of the School of Art, Central State University
Glenda Dickerson, professor and chair of drama and dance at Spelman College
Richard K. Dozier, Arch. D., AIA, associate dean of the School of Architecture, Florida A&M University, Tallahassee, Florida
James C. Early, director of cultural studies and communications, Office of Folklife Programs and Cultural Studies, Smithsonian Institution
James N. Eaton, distinguished professor of history, Florida A&M University; and founder and director of the Black Archives, Research Center and Museum
William P. Foster, Ph.D., chair of the Music Department and director of bands, Florida A&M University
V.P. Franklin, Ph.D., is professor of history, Drexel University
Myrtle Gonza Glascoe, Ed.D., associate professor of educational foundations, School of Education, College of Charleston, South Carolina
Deborah Neman Ham, Ph.D., professor of African history and archival methods, Morgan State University, Baltimore, Maryland
Alferdteen Harrison, Ph.D., professor of history and the director of the Margaret Walker Alexander National Research Center
Darlene Clark Hine, Ph.D., John A. Hannah Professor of History, Michigan State University, East Lansing, Michigan.
William C. Hine, Ph.D., professor of history, South Carolina State College
Alton Hornsby Jr., Ph.D., Fuller E. Callaway Professor of History, Morehouse College; editor of the Negro Journal
Elizabeth Clark-Lewis, Ph.D., director of the graduate program and associate professor, Department of History, Howard University
Cynthia Neverdon-Morton, Ph.D., professor of history, Coppin State College
Thomas D. Pawley III, Ph.D., faculty member, Department of Speech and Theatre, University of Missouri, Jefferson City, Missouri
Linda Marie Perkins, Ph.D., associate professor of educational policy studies, University of Illinois, Urbana Champaign
Bernice Johnson Reagon, Ph.D., distinguished professor of history, American University; and curator emerita, National Museum of American History
Stephanie J. Shaw, Ph.D., associate professor, Department of History and Center for Women's Studies, Ohio State University
Bradley Skelcher, Ph.D., assistant professor, Department of History and Political Science, University of Delaware at Dover
J. Clay Smith, J.D., visiting professor, Georgetown Law Center
Jessie Carney Smith, Ph.D., university librarian and William and Camille Cosby Professor, Fisk University
Johnny E. Tolliver, Ph.D., dean of the School of Arts and Sciences and professor of English, Delaware State University at Dover
Eleanor W. Traylor, Ph.D., chairperson and professor, English Department, Howard University
Ronald Walters, Ph.D., professor and chairman, Political Science Department, Howard University
David K. Wiggins, Ph.D., professor of physical education, George Mason University
Daniel Thomas Williams, Ed.D., university archivist and curator, Daniel "Chappie" James Memorial Hall, Tuskegee University
Cultural Presenters
The Howard University Choir, director J. Weldon Norris
The Morgan State University Choir, director Nathan Carter
The Virginia State University Concert Choir, director Johnnella L. Edmonds
Alpha Kappa Alpha Sorority, Incorporated
Delta Sigma Theta Sorority, Incorporated
Zeta Phi Beta Sorority, Incorporated
Phi Beta Sigma Fraternity, Incorporated
Omega Psi Phi Fraternity, Incorporated
Kappa Alpha Psi, Incorporated
Alpha Phi Alpha Fraternity, Incorporated
Jerry Florence, Vice President for brand and consumer marketing for Nissan Motor Corporation, USA
Program number AC0408.96.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
Smithsonian Institution. Program in African American Culture Search this
Container:
Box 25, Folder 18
Type:
Archival materials
Date:
2000 February 5
Scope and Contents:
Annual national observance of African American history month program. The 1999 program was called 'W.E.B. DuBois Symposium: "Souls of Black Folk" in the 21st Century: Implications of Race, Culture, and Pan Africanism in the Global Village'. This program honored one of the greatest thinkers of the 20th century, the distinguished social historian, scholar, and activist William Edward Burghardt DuBois. DuBois lived during the time period between reconstruction and the modern Civil Rights era. DuBois' work provided new inquiries for both historical and sociological inquiry into African American life and culture; new models for research and study of urban sociology; and new intellectual tools for the sociological analysis of the unique complexities of race and class in the United States. DuBois changed the way scholars and the public viewed the "Negro Problem" and put the African American struggle within the context of racism and colonialism.
Participants included:
Mary Frances Berry, Ph.D., Geraldine R. Segal Professor of American Social Thought, University of Pennsylvania, teaches history and law
Marsha Coleman-Adebayo, Ph.D., director of the 21st Century DC AIDS Network organized to address the crisis in Africa, especially among women and orphans
The Honorable Ronald V. Dellums, President, Healthcare International Management Company
James C. Early, Director of Cultural Heritage Policy, Smithsonian Institution Center for Folklife and Cultural Heritage
Myrtle Gonza Glascoe, Ed.D., Associate Professor of Education and African American Studies, Gettysburg College
Clarence Lusane, Ph.D., assistant professor of Political Science, School of International Service, American University
Manning Marable, Ph.D., Professor of History and Political Science and Founding Director of the Institute for Research in African American Studies, Columbia University
Gay J. McDougall, Esquire, executive director of the Washington-based International Human Rights Law Group
Leith Mullings, Ph.D., Presidential Professor of Anthropology, City University of New York Graduate Center
Bernice Johnson Reagon, scholar, composer, singer, and activist
Her Excellency Sheila Violet Makate Sisulu, the South African Ambassador to the United States
Program number AC408.111.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
Smithsonian Institution. Program in African American Culture Search this
Container:
Box 26, Folder 8
Type:
Archival materials
Date:
2004 February 20-21
Scope and Contents:
Program held February 20, to Saturday, February 21, 2004, in the Carmichael Auditorium, National Museum of American History, Smithsonian Institution. The program commemorated the 50th anniversary of Brown v. Board of Education and was presented in conjunction with the exhibition "Separate Is Not Equal: Brown v. Board of Education." The Program in African American Culture cosponsored event with the Howard University School of Law and the National Association for the Advancement of Colored People (NAACP) Legal Defense Fund, Incorporated. The National Association for the Advancement of Colored People (NAACP) presented Race and Rights on Friday. Program included panel discussions, performances, and a video screening.
The Program in African American Culture holds an annual national observance of African American history month in February. The 2004 conference commemorated the 50th anniversary of the Brown v. Board of Education decision of 1954. The Brown decision legally ended the practice of segregated education in the United States. The program highlighted the lawyers that worked on the case and its legacy. It was emphasized throughout the program that much work remained to be done in fulfilling the promise of Brown. Several scholars convened to present papers about the case. There was a video screening of The Road to Brown, which highlighted the life of Charles Hamilton Houston, a civil rights lawyer and key figure in the case. Howard University School of Law hosted a town hall meeting in which there was an intergenerational discussion about Brown and the problems that still exist in education today.
Participants included:
February 20 Program
H. Patrick Swygert, president, Howard University
Kurt L. Schmoke, dean, School of Law, Howard University
Theodore M. Shaw, associate director-counsel, National Association for the Advance ment of Colored People (NAACP); Legal Defense and Educational Fund, Incorporated
Lorraine Miller, president, District of Columbia Branch, National Association for the Advancement of Colored People (NAACP)
Vincent G. Harding, professor, religion and social transformation, Iliff School of Theology, Denver, Colorado
February 21 Program: Panel Discussions
Pete Daniel, curator of southern and rural history, National Museum of American History (NMAH); professor of history, University of Maryland
Raymond Gavins, professor of history, Duke University
Linda Sheryl Greene, associate vice chancellor for faculty and staff programs, and Evjue-Bascom professor, law, University of Wisconsin-Madison
Reginald F. Hildebrand, associate professor with a joint appointment in history and Afro-American studies
Genna Rae McNeil, professor of history, University of North Carolina, Chapel Hill
Dianne Pinderhughes, professor of political science and Afro-American studies, University of Illinois, Urbana-Champaign
J. Clay Smith, professor of law, Howard University
Ronald Walters, distinguished leadership scholar and director, African American Leadership Institute, University of Maryland, College Park
Linda Williams, associate professor of government and politics, University of Maryland, College Park
Frank Wu, professor of law, Howard University; and adjunct professor of law, Columbia University
February 21 Program: Town Hall Meeting
Moderator
Charles J. Ogletree Jr., Climenko professor of law and prominent legal theorist,
Harvard University
Panelists
Carrie L. Billy, member of the Navajo nation, attorney from Arizona, and staff of the American Indian Higher Education Consortium (AIHEC)
Jaclyn A. Cole, president and co-founder, ROOTS
David Ari Collins, student, school of law, Howard University
Brumit B. De Laine, youngest child of the late Reverend Joseph Armstrong De Laine, who led the Briggs v. Elliot lawsuit from Clarendon County, South Carolina
Marisa J. Demeo, regional counsel of the Mexican American Legal Defense and Educational Fund's (MALDEF) DC office
Wade Henderson, executive director, Leadership Conference on Civil Rights; and counsel, Leadership Conference on Civil Rights Education Fund
Henry H. Jones, professor, school of law, Howard University School
Alana Murray, educator-activist, Montgomery County Public Schools, Maryland
John W. Stokes, educational consultant and adjunct professor, Morgan State and Baltimore City Community College
Craig A. Thompson, associate, law offices, Peter Angelos, Baltimore, Maryland
Michael R. Wenger, program consultant, Joint Center for Political and Economic Studies
Lia Wright-Tesconi, senior, School Without Walls Senior High School, George Washington University, Washington, DC
The Howard University Chapel Choir, diversified musical aggregation that provides the Andrew Rankin Memorial Chapel with the finest of sacred music on a consistent basis
Program number AC408.122.
Collection Restrictions:
Collection is open for research. Access and use of audiovisual materials available in the Archives Center reading room or by requesting copies of audiovisual materials at RightsReproductions@si.edu
Collection Rights:
Copyright restrictions exist. Collection items available for reproduction Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Program in African American Culture Collection, Archives Center, National Museum of American History.
101 International Boundaries: Problems Maintaining Cultural Ties / Felipe Molina, Frank Benedict, James S. Griffith.
102 Resource Management: Reintroducing Buffalo to the Reservation / Carl Whitman, William Bell.
103 Great Basin Problems Acquiring Willow for Basketry / Becky Eagle, Lily Sanchez, Norman DeLorme.
Local Numbers:
FP-1989-CT-0176
General:
"International Boundaries- Problems Retainig Cultural Ties", Frank Benedict, Jim Griffith, Felipe Molina, Tom Vennum (P); "Resource Management- Reintroducing The Buffalo To The Reservation", William Bell, Sr., Carl Whitman; Great Basin Basketry Tape 1 Of 3; Native American;mohawk;yaqui;canada;mexico;arizona;new York;buffalo;livestock;mandan;basketry Narrative Stage
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 24, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recorded in: Washington (D.C.), United States, June 25, 1989.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Philippines -- History -- Japanese occupation, 1942-1945
Spain -- History -- 1939-1975
Date:
1993 April 19-1997 January 10
Scope and Contents:
An interview of Eleanor Sayre conducted 1993 April 19-1997 January 10, by Robert F. Brown, for the Archives of American Art.
Sayre talks about her early childhood in Williamstown and Cambridge, Mass.; her family background; visits to the White House with her maternal grandfather, Woodrow Wilson; living abroad while her father was in government service in Bangkok, then Siam (now Thailand), Paris, and Switzerland, with extensive recollections of her brothers and schooling in Europe.
Attending Winsor School in Boston; her mother's death; her years at Bryn Mawr College, including her switch to art history from political science; Georgianna Goddard King as an influential teacher; an internship under Laura Dudley at the Fogg Art Museum's Print Room and the lasting effect of this experience.
Being a graduate student in fine arts at Harvard and the importance of Edward Forbes and Paul Sachs as teachers; her decision not to pursue a PhD; working with Jakob Rosenberg; helping to get young Jews out of Europe; her position as assistant for exhibitions at Yale University Art Gallery under Theodore Sizer; the trauma of her father's internment by the Japanese in the Philippines, where he was High Commissioner and his rescue; and her decision to turn down a military intelligence job in order to work with German Jewish refugees.
Her brief tenure at Lyman-Allyn Museum, Conn., under Winslow Ames; her years in the education department under Lydia "Ma" Powel at the Museum of Art of the Rhode Island School of Design with Gordon Washburn as director; and working closely with Heinrich Schwartz on prints and drawings.
The liberal tradition of her father's wealthy family; her father; being brought to the Museum of Fine Arts, Boston by its curator of prints, Henry Rossiter and on the charming collector and benefactor, Maxim Karolik; MFA curator of paintings, William George Constable; and George Harold Edgell, MFA director.
The collector, Philip Hofer, who by putting his Goya proofs on loan at the MFA, led to Sayre's life-long study of the artist; her research on Goya in Spain; raising of a large sum from Boston businesses to purchase Hofer's prints for the MFA, and the MFA's eminence by the 1960s in Goya's graphic work; the disgusting repression of dissent in Franco-era Spain; Goya's passionate self-assertion, which is what principally attracted Sayre to his work, and his conceptual process and method of work.
Earlier years at the MFA, Boston, including the accessibility of the print department's study rooms; Edwin J. Hipkiss, curator of American decorative arts; the Christmas poetry and prints exhibitions designed as profound learning experiences for a broad public; and being chosen as successor to Rossiter; and further comments on Maxim Karolik.
W.G. Russell Allen and other collectors who gave their collections to the MFA; her efforts to effectively present art to the broad public; her methods of appealing to the public coalescing at the MFA in 1989 with the "Goya and the Spirit of the Enlightenment" exhibition; and an exhibition of the work of Beatrix Potter.
Spain under the dictator, Francisco Franco; her first study in Spain of Goya's drawings and her urging the Prado Museum to conserve its drawings; the Prado's director, F. Sanchez-Canton; her research on prostitution at the Ministry of Justice; being decorated for her recommending the preservation of Goya's art and the marvelous private collections of Goya in Spain; and her obsession with interpreting the meaning of Goya's work.
The MFA, Boston, under the directorship of Perry Rathbone, who wanted many more people involved than had his predecessor, George Harold Edgell, who ran it like a Boston Brahmin Club; Rathbone's accomplishments; his downfall and that of his assistant (and curator of European decorative arts and sculpture) Hanns Swarzenski in bringing a so-called Raphael into this country by irregular means, which led to Rathbone and Swarzenski's firing by George Seybolt, the trustee president; Rathbone's reluctance to hire women curators and Sayre's finally becoming curator of prints and drawings in 1967; her philosophy as curator; on Hanns and Brigitte Swarzenski as dear friends; her exchange of positions with the curator of the Ashmolean Museum, Oxford, where she put their valuable but neglected print collection in order.
The exhibition and catalog, "Rembrandt: Experimental Etcher," (1969) in collaboration with the Pierpont Morgan Library; general views on exhibitions; co-authoring the exhibition catalog "Goya and the Spiris of Enlightenment" (1989); her contributions to Goya research; her current research and writing on Goya's Capaprichos print series; and her satisfaction in having spent her career in art museums.
Biographical / Historical:
Eleanor A. Sayre (1916-2001) was a curator and art historian from Boston, Mass.
General:
Originally recorded on 8 sound cassettes. Reformatted in 2010 as 15 digital wav files. Duration is 11 hrs., 21 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
102 A Cappella-Mennonite / Deer Creek Quartet, Ray Bender, Sid Rowland. Piano.
103 Politics / John Nelson, Kevin Crim, Mary Mascher.
Local Numbers:
FP-1996-CT-0141
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 30, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recorded in: Washington (D.C.), United States, June 30, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recorded in: Washington (D.C.), United States, July 3, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recorded in: Washington (D.C.), United States, July 4, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
103 Politics / John Nelson, Kevin Crim, Mary Mascher.
Local Numbers:
FP-1996-CT-0156
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 5, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
103 Politics / John Nelson, Kevin Crim, Mary Mascher.
Local Numbers:
FP-1996-CT-0158
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 6, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recorded in: Washington (D.C.), United States, July 6, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Iowa Community 4-H / Daisy Dell Benge, Kerry Ann Mehmen, Kyle Mehmen.
102 Researching Your Own Back Yard / Beth Hoven Rotto, Caroline Trumpold, Jack Libbey.
103 Taking Part in Local Politics / Dwight Lamb, Howard Lewis Titterington, Leroy Morton.
Local Numbers:
FP-1996-CT-0236
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Taking Part in Local Politics / Dwight Lamb, Howard Lewis Titterington, Leroy Morton.
102 Radio & Newspaper Communities / Chris Core, Evelyn Birkby, Harris Honsey.
103 Caring for the Community / Cheryl Johnson, John Sutcliffe, Kent Rosenberg.
Local Numbers:
FP-1996-CT-0237
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
