Recorded in: United States, Washington (D.C.), June 27, 1990.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Kurdish Music / Temo Ezzadin. French language.
105 Music of U.S. Coal Miners / Hazel Dickens, Dudley Connell. English language.
102 Music of the U.S. Civil Rights Movement / Freedom Singers. English language.
103 South African Music / South African Double Quartet.
104 Quichua Music / Feria Educativa. Quechua language.
Local Numbers:
FP-1990-1/2VHS-0032
General:
Tape 1
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.).
Restrictions:
Restrictions on access. SI Permission; 1/2VHS dub is 1990-0033..
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Kurdish Music / Temo Ezzadin. French language.
102 Israeli Music / Sarah Alexander. English language,Hebrew language.
103 Palestinian Music / Sabreen (Musical group).
104 Music of U.S. Coal Miners / Hazel Dickens, Dudley Connell. English language.
105 Music of the U.S.Civil Rights Movement / Freedom Singers. English language.
106 Irish Music / Frank Harte, Mick Moloney. English language.
107 Serer and Manding Dance Party / Senegalese Dancers, Moko Jumbie Dancers.
Local Numbers:
FP-1990-1/2VHS-0034
General:
tape 2
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.).
Restrictions:
Restrictions on access. SI Permission; 1/2VHS copy available 1990-0036.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
102 Music of U.S. Coal Miners / Hazel Dickens, Dudley Connell. English language.
103 We Shall Overcome- Group Performance / Group.
104 Chicano Music / Agustin Lira, Alma (Musical group). English language,Spanish language.
105 Kurdish Music / Temo Ezzadin. French language.
101 Quichua Music / Feria Educativa. Quechua language.
Local Numbers:
FP-1990-1/2VHS-0037
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.).
Restrictions:
Restrictions on access. SI Permission; 1/2VHS dub available 1990-0038..
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Comparative String Styles also included Barry Mitterhoff and Richard Underwood. The Dance Party also had Barry Mitterhoff, Marshall Wilborn, Richard Underwood and Ralph Rinzler.
Track Information:
101 Opening Ceremony / Various Artists.
102 Dress and Adornment for Festive Occasions / Mame Yaye Kanouté.
103 Music as a Motivator / Agustin Lira, Patricia Wells Solorzano, Cordell Hull Reagon, Bernice Johnson Reagon.
105 Dance Party / Dudley Connell, Hazel Dickens, Tom Adams. English language.
106 Wolof Cooking / Tie Bu Dienn, Anta Diop, Maimouna N'Diaye. Wolof language.
107 Women's Issues in Music of Struggle-Pan Festival Workshop / Hazel Dickens, Leona Watson, Jacqui Peters. English language.
Local Numbers:
FP-1990-1/2VHS-0041
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.).
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
105 Dance Party / Image (Musical group). English language.
Local Numbers:
FP-1990-1/2VHS-0042
General:
tape 6
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.).
Restrictions:
Restrictions on access. SI Permission.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
102 Marion Barry Serenade (Fragment) / James Thompkins.
103 My Name is Melissa / Melissa Worley.
104 War Own in Sandy Gully / Kate Rinzler. English language.
105 Untitled / Robert Forman.
106 Story of a Son of the German Immigration Movement (1830-1930) / Albert Jabs.
107 Captian of the Month / James I. Deutsch.
108 Look Can't You See / Daniel Mode.
109 Return to Yesterday / David Lord.
110 I Don't Want To! / Kathleen Vadala.
111 On Top of Old Smoky / Chad Skinner.
112 Earth Daze / David Sawyer.
113 Relax, Let it Go / Curtis McCoy.
114 Turn on Your Light / David Sawyer, Eleanore Walden.
115 Munge Si Tun Joachin / Joseph Connolly.
201 Goodnight Little Bird / Joseph Connolly.
202 The Land Far Away / Edward P. Rosney.
203 I Cannot Sleep / Eleanore Walden.
204 Wonderful World (Parody of Sam Cooke) / Edward P. Rosney.
205 Steps 'Long the Way / Edward P. Rosney.
206 Speak For Me / Eleanore Walden, Cordell Hull Reagon.
207 Gentrified / D.B. Fitzgerald.
208 Little Birdie / Kathryn Ann Shenkle.
209 Freedom Song Man / Eleanore Walden.
210 Remnants / Cordell Hull Reagon, Alice L.S. Timmins.
X01 Now is the Time (not recorded) / Lakeisha Harris.
Local Numbers:
FP-1990-CT-0110
General:
SC1
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), Washington, United States, June 27, 1990.
Restrictions:
Restrictions on access.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Homework! / Dana and Jennifer Waits, Melissa and Emily Weberman.
102 Someone Cares / Gretchen Clabaugh.
103 Eternity / Ronald Noland.
104 Kleenex Blues / Dan Ward.
105 The Wild Rosalee / Janet L. Place. Guitar. English language.
106 Keep on Running / Doc Flamm.
107 Coal in the Stone / Eleanore Walden.
108 Standing Forest / Robert Forman.
109 Nan Kema A / Tanya Witte. Andoque language.
110 Beyond My Means / Mark Nensel.
X01 Mean Woman: Blues in F Flat (not recorded) / Lee Cowo Hutchinson.
201 Death to Punk Rock / Robert Adams. Guitar,Whistle. English language.
202 And And And I'm Afraid We're Going to Have to Ask You to Leave / Robert Adams. Guitar,Whistle. English language.
204 Please Don't Talk / Brian Hester, Shelly Green. Guitar.
205 Ode to the Odious 80's / Bruce Wackowski.
206 Himo Nacional de Mexico / Hank Klein.
207 The Virgin Islands March / Hank Klein.
208 Hot Time in the Old Town / Hank Klein.
209 Political Slogans and Campaign Songs for American Presidents / Hank Klein.
Local Numbers:
FP-1990-CT-0112
General:
SC3
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), Washington, United States, July 1, 1990.
Restrictions:
Restrictions on access.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
111 Roads of Freedom / Christopher Stanley, Tom Hughes. Guitar.
112 Seperate Ways / Tom Hughes. Guitar.
113 Dimlit Bay / Christopher Stanley. Guitar.
202 Thinking of Ways to Sell Death: A Song About a Meetingof the Advertising Executives of the RJ Reynolds Tobacco Co / Robert Adams. Guitar,Whistle. English language.
203 Hard Daily Life / Dan Schatz.
204 White Medicine / J.J Johnson, Jimmy Johnson.
205 Save the Children / Jimmy Johnson.
206 Tears Mama Cried / Jimmy Johnson.
207 Chessboard World / Mike Gubser.
208 May I Sleep in Your Barn Tonight, Mister / Jean Normandy-Dolberg.
209 Political Chants (instructional) / Michael Beer.
210 Ballad of the Broom-Corn Canary / Bruce Glassco.
Local Numbers:
FP-1990-CT-0113
General:
SC4
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), Washington, United States, July 5, 1990.
Restrictions:
Restrictions on access.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Corny Song About a Bad Acid Trip / Robert Adams. Guitar,Whistle. English language.
102 My Sister / Linda R. Brubaker. Autoharp.
103 Seeds of War / Linda R. Brubaker. Autoharp.
104 The Lion Shall Lie Down With the Lamb / Linda R. Brubaker. Autoharp.
105 Come Know the Lord / Linda R. Brubaker. Autoharp.
106 Let the People Free / Linda R. Brubaker. Autoharp.
107 Old Dan Walker / Linda R. Brubaker. Autoharp.
108 Blackbird / Michael Weiss.
Local Numbers:
FP-1990-CT-0114
General:
SC5
Date/Time and Place of an Event Note:
Recorded in: Washington, United States, Washington (D.C.), July 8, 1990.
Restrictions:
Restrictions on access.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recording includes discussion related to disability rights.
Track Information:
101 Deaf President Now / Gerald L. Covell, Jean Linquist, Mary Malzkuhn. English language.
102 Comparative Percussion Styles / Carlos Ajitimbay Cruz, Jose Manuel Leon Bastidas, Pedro Pablo Cayambe Morocho. Cuerdas,Guitar,Charango,Viento. Quechua language.
103 How Songs of Struggle are Composed / Bettie Mae Fikes, Candie Carawan, Hazel Dickens, Guy Carawan. Guitar. English language.
Local Numbers:
FP-1990-CT-0115
Date/Time and Place of an Event Note:
Recorded in: United States, Washington (D.C.), June 27, 1990.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 How Songs of Struggle are Composed / Candie Carawan, Guy Carawan, Odeh Turjman. Lute,Banjo,Guitar. English language.
102 Music as a Motivator / Bettie Mae Fikes, Frank Harte. English language.
103 Comparative String Styles / Barry Mitterhoff, Mick Moloney, Temo Ezzadin. Banjo,Guitar,Tambour (Drum),Mandolin. English language,French language.
Local Numbers:
FP-1990-CT-0119
Date/Time and Place of an Event Note:
Recorded in: United States, Washington (D.C.), June 28, 1990.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Comparative String Styles / Barry Mitterhoff, Mick Moloney, Temo Ezzadin. Tambour (Drum),Mandolin,Banjo,Guitar. English language,French language.
102 Women's Issues in Music / Hazel Dickens, Leona Watson. Guitar,Triangle (Musical instrument),Conga (Drum). English language.
103 Censorship / Kamilya Jubran, Linda Bukhosini, Tsepo Mokone. Oud,Lute.
104 Comparative Vocal Styles / Linda Bukhosini, Rutha Harris, Sarah Alexander.
Local Numbers:
FP-1990-CT-0120
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 28, 1990.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recording includes discussion related to disability rights.
Track Information:
102 South American Aerophones / Feria Educativa, Manuel Morochco Gualán, Pedro Pablo Cayambe Morocho. Panpipes,Aerophone,Flute. Quechua language.
103 Music in the Deaf President Now Movement / Barbara Riggs, Gerald L. Covell, Mary Malzkuhn. Sign language.
101 Comparative Vocal Styles / Linda Bukhosini, Rutha Harris, Sarah Alexander.
Local Numbers:
FP-1990-CT-0121
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 28, 1990.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Music as an Organizational Tool / Carlos Ajitimbay Cruz, Candie Carawan, Manuel Morochco Gualán, Guy Carawan. Quechua language,English language.
102 Comparative Percussion Styles / Harold Muñiz, Ismael Rodriguez, Mike Madrigal. Drum,Conga (Drum),Guiro. English language,Spanish language.
Local Numbers:
FP-1990-CT-0122
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 28, 1990.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Comparative Vocal Styles / Bettie Mae Fikes, Sarah Alexander. English language.
102 South American Aerophones / Feria Educativa, Manuel Morochco Gualán, Pedro Pablo Cayambe Morocho. Aerophone,Panpipes,Flute. Quechua language.
103 American Sign Language- Deaf President Now / Gerald L. Covell, Mary Malzkuhn. Sign language.
Local Numbers:
FP-1990-CT-0123
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 29, 1990.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Recording includes discussion related to disability rights.
Contents:
Percussion workshop also features Andrew Lawton on Palitos
Track Information:
101 Comparative Percussion Styles / Harold Muñiz, Ismael Rodriguez, Mike Madrigal. Palillos,Conga (Drum),Bongo,Drum.
102 Music as an Educational Tool / Feria Educativa, Carlos Ajitimbay Cruz, Maria Natividad Ajitimbay Cruz. Quechua language.
103 Music in the Deaf President Now Movement / Barbara Riggs, Gerald L. Covell, Mary Malzkuhn. Sign language.
104 Music as an Organizational Tool / Agustin Lira, Candie Carawan, Patricia Wells Solorzano, Guy Carawan. Guitar,Banjo. English language.
Local Numbers:
FP-1990-CT-0124
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 29, 1990.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
103 Group Affirmation in Songs of Struggle / Mbongiseni Tshabalala, Rutha Harris, Worth W. Long.
Local Numbers:
FP-1990-CT-0125
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 29, 1990.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
103 Music as an Organizational Tool / Candie Carawan, Guy Carawan, Agustin Lira, Patricia Wells Solorzano. Guitar,Banjo. English language.
104 Deaf Protest Humor / Steve Ryan. Sign language.
Local Numbers:
FP-1990-CT-0126
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 29, 1990.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
101 Comparative Vocal Styles / Nenze, Frank Harte, Worth W. Long.
102 Musician's Struggles / Charles Neblett, Temo Ezzadin. English language,French language.
103 Comparative String Styles / David Gomez, Mick Moloney, Patricia Wells Solorzano. Tenor banjo,Banjo,Guitar. English language.
Local Numbers:
FP-1990-CT-0127
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 30, 1990.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
