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Oral history interview with John Wilson, 1993 March 11-1994 August 16

Interviewee:
Wilson, John Woodrow, 1922-  Search this
Wilson, John Woodrow, 1922-  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Aronson, David  Search this
Bengtz, Ture  Search this
Gaither, Edmund B.  Search this
Hurwitz, Sidney  Search this
Kay, Reed  Search this
Kramer, Jack  Search this
Léger, Fernand  Search this
Lewis, Elma  Search this
Rivera, Diego  Search this
Siqueiros, David Alfaro  Search this
Zerbe, Karl  Search this
Museum of Fine Arts, Boston. School  Search this
Boston University. School of Fine and Applied Arts  Search this
Type:
Sound recordings
Interviews
Topic:
African American artists  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)11501
(DSI-AAA_SIRISBib)216507
AAA_collcode_wilson93
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216507

William Robert Pearmain and Pearmain family papers, 1888-1955

Creator:
Pearmain, William Robert, 1888-1912  Search this
Pearmain, William Robert, 1888-1912  Search this
Subject:
Sanger, Margaret  Search this
Trautmann, W. E. (William Ernst)  Search this
Sanger, William  Search this
Upton, Sarah  Search this
Dole, Charles F. (Charles Fletcher)  Search this
Pearmain, Alice  Search this
Kent, Rockwell  Search this
Brush, George de Forest  Search this
Pearmain, Margaret  Search this
Pearmain, Jack  Search this
Pearmain, Summer  Search this
Pearmain, Mary  Search this
Berkman, Alexander  Search this
Clemens, Samuel Langhorne  Search this
Bowditch, Nancy Douglas  Search this
Brooks, John Graham  Search this
Industrial Workers of the World  Search this
Type:
Writings
Photographs
Sketches
Watercolors
Diaries
Topic:
Painters -- New York (State) -- New York  Search this
Travel -- Europe  Search this
Painters -- Massachusetts -- Boston  Search this
Art -- Study and teaching  Search this
Political activists -- Massachusetts -- Boston  Search this
Political activists -- New York (State) -- New York  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8812
(DSI-AAA_SIRISBib)210997
AAA_collcode_pearwill
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210997
Online Media:

Anthony Leeds Papers

Creator:
Leeds, Anthony, 1925-  Search this
Extent:
18.37 Linear feet (32 document boxes, 2 card file boxes, one photo album, one oversize box, 2 map folders, and one document box of restricted materials.)
Type:
Collection descriptions
Archival materials
Place:
Bahia (Brazil : State)
Date:
1946-1989
Summary:
This collection is comprised of the professional papers of Anthony Leeds, anthropologist and university professor. Leeds' reasearch was primarily concerned with urban development, though the fieldwork included in this collection is from rural areas. Included are correspondence, field notes, published and unpublished papers, photographs, newspaper and periodical clippings, conference papers, lecture notes, syllabi, critiques of colleague and student work, and several personal documents.
Scope and Contents:
This collection is comprised of the professional papers of Anthony Leeds, anthropologist and university professor. Included are correspondence, field notes, published and unpublished papers, photographs, newspaper and periodical clippings, conference papers, lecture notes, syllabi, critiques of colleague and student work, and personal documents such as calendars, biographical materials, and personal poems.

The materials in this collection reflect Leeds' field work in South America and Portugal, his role as a university professor, and his extensive involvement in various professional organizations. The majority of his anthropological endeavors focused on urban culture, the growth of technology and agriculture in society, and the philosophy behind anthropology and the social sciences. The fieldwork included in this collection is from early in his career, focusing on the study of Cacao agriculture in Brazil and the Yaruro people in Venezuela. The items in this collection document Leeds' various interests and activities.

Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
This collection is arranged in 7 series: (1) Correspondence, 1950-1989; (2) Research, 1949-1989; (3) Field Work, 1950-1973; (4) University, 1947-1989; (5) Professional Activities, 1951-1988; (6) Personal, 1946-1989; (7) Photo Album, circa 1952
Biographical Note:
Anthony Leeds was born January 26, 1925 on the Lower East Side of Manhattan. Because of his parents' strong ties to Europe (both were of Jewish descent, with kin in Germany and England), Leeds spent a fair amount of his childhood in Vienna and Switzerland, where he became fluent in French and German. His father, a businessman and lawyer, died when Leeds was only three years old. Though his family returned to the United States in 1933 due to political unrest in Europe, Leeds continued to be exposed to world cultures and politics through his family. For instance, Leeds' mother was an actor, translator, and psychoanalyst who once studied at Freud's Psychoanalytic Institute in Vienna. His stepfather was not only a sculptor and musician, but also a political activist. This rich familial environment fostered an interest in the social sciences and the arts from a young age.

Leeds also got a taste for rural life when his mother moved to a working farm in Clinton Corners, New York in 1935. For the next nine years Leeds intermittently helped his mother with the farm work and attended a small high school in the area. Of his time spent at Clinton Corners, Leeds felt a strong sense of community which would make a profound influence in his understanding of rural settings as an anthropologist.

Leeds eventually attended Columbia University in New York City and received a B. A. in Anthropology in 1949. He then went directly into the graduate program at Columbia, where his fellow anthropology colleagues included Marvin Harris and Andrew P. Vayda. Some of his favorite professors and later influences were Alfred L. Kroeber, William Duncan Strong, and Karl Polyani. His dissertation was a study of the politics behind cocoa production in the Bahia region of Brazil. Conducted in 1951-1952, Leeds' investigation was one of four in Bahia supervised by Charles Wagley and Brazilian anthropologist Thales de Azevedo. This study led to his dissertation, "Economic Cycles in Brazil: The Persistence of a Total-Cultural Pattern: Cacao and Other Cases," in which Leeds analyzed the topic from a Marxist viewpoint.

After receiving his Ph.D. in Anthropology from Columbia University in 1957, Leeds embarked on his primary career as a university professor. For the next 32 years, Leeds taught at a variety of institutions--first at Hofstra University and City College in New York City, then the University of Texas, and later at Boston University. In between, Leeds found the time to spend two years (1961-63) as the chief of the Program of Urban Development at the Pan-American Union (PAU) in Washington, D.C. He also spent a year (1972-73) at the Latin American centers in England associated with Oxford University and the University of London.

It was during his university years that Leeds focused on urban studies and urban analysis. Though he did conduct a brief study of the Yaruro peoples of Venezuela in 1958, the majority of his field work thereafter concerned urban development and its effects on society as a whole. Leeds made several field trips to Brazil and other areas of South America while working at the University of Texas; he specifically traveled to Rio de Janeiro, Sao Paulo, Bogota, Lima, and Santiago de Chile to study the cultural and political cultures of squatter settlements. From 1965 to 1966, Leeds received funding from the Social Science Research Council and the Ford Foundation to conduct a study of twelve specific favelas (squatter settlements) in Rio de Janeiro. For this fieldwork, Leeds organized Peace Corps volunteers, local community workers, academics (both foreign and Brazilian), and favela residents to help collect and analyze the data. It was during this trip that Leeds met Elizabeth Plotkin, a Peace Corps community action worker, who would later become Leeds' second wife and one of his most important collaborators. Together they wrote a book in Portuguese titled A Sociologia do Brasil Urbano (1978), based on their favela research.

In the 1970's Leeds and Plotkin made seven different trips to Portugal to follow different lines of research regarding the area. Leeds specifically researched the labor migration movements from the rural areas to the cities. He later wrote a book on his studies titled Minha Terra, Portugal: Lamentations and Celebrations (The Growth of an Ethnography and a Commitment), though it would go unpublished.

In his later years, Leeds not only took a more active role in various anthropological organizations (specifically those concerning the study of urban development), but he also became an active mentor to many students at Boston University. Leeds supported a variety of graduate student research in anthropology at Boston, as well as student research from other neighboring New England universities. In addition, Leeds began a "Thursday Night Group" that regularly met at his home in Dedham, Massachusetts to discuss a variety of anthropological subjects.

On February 20th, 1989, Leeds died of a heart attack in his Randolph, Vermont farmhouse.

Sources Consulted

Sieber, Timothy R. "The Life of Anthony Leeds: Unity in Diversity." In Cities, Classes, and Social Order, by Anthony Leeds, edited Roger Sanjek, 3-26. Ithaca, New York: Cornell University Press, 1994.

Chronology

1925 -- Born January 26 in New York, New York

1949 -- Earns B.A. in Anthropology from Columbia University

1951-52 -- Conducts disseration field work in the Cacao region of Bahia, Brazil, where he studies the political economy of cocoa production

1956-61 -- Teaches at Hofstra University and later City College, both in New York City

1957 -- Completes dissertation, titled "Economic Cycles in Brazil: The Persistence of a Total-Cultural Pattern: Cacao and Other Cases"

1958 -- Conducts brief field work studying the Yaruro people in Venezuela

1961-63 -- Head of the Program of Urban Development at the Pan-American Union (PAU) in Washington, D.C.

1963-72 -- Professor at the University of Texas-Austin

1965-66 -- Organizes Peace Corps volunteers, Brazilian and foreign academics, and local residents to conduct an intense study of twelve favelas (Brazilian squatter settlements) in Rio de Janeiro

1972-73 -- Spends a transitional year teaching at the Latin American centers at Oxford University and the University of London

1973-89 -- Professor at Boston University

1976-80 -- Takes several field trips to Portugal with his second wife, Elizabeth Plotkin Leeds; there he studies Portuguese labor migrations

1978 -- Sociologia do Brasil Urbano, co-written with Elizabeth Plotkin Leeds, is published

1989 -- Leeds dies of a heart attack on February 20 in Randolph, Vermont at the age of 64

Selected Bibliography

1964 -- Leeds, Anthony. "Brazilian Careers and Social Structure: An Evolutionary Model and Case History." American Anthropologist 66 (1964): 1321-47.

1965 -- Leeds, Anthony and Andrew P. Vayda. Man, Culture, and Animals: The Role of Animals in Human Ecological Adjustment. Washington, DC: American Association for the Advancement of Science, 1965.

1968 -- Leeds, Anthony. "The Anthropology of Cities: Some Methodological Issues." In Urban Anthropology, Research Perspectives and Strategies, edited by M. Fried, M. Harris, and R. Murphy, 31-47. Athens, Georgia: University of Georgia Press, 1968.

1971 -- Leeds, Anthony. "The Culture of Poverty Concept- Conceptual, Logical, and Empirical Problems, with Perspectives from Brazil and Peru." In The Culture of Poverty, A Critique, edited by E. Leacock, 226-284. New York: Simon and Schuster, 1971.

1976 -- Leeds, Anthony and Elizabeth Leeds. "Accounting for Behavioral Differences: Three Political Systems and the Responses of Squatters to them in Brazil, Peru, and Chile." In The City in Comparative Perspective: Cross-National Research and New Directions in Theory, edited by J. Walton and L. H. Masotti, 193-248. Beverly Hills: Sage, 1976.

1978 -- Leeds, Anthony and Elizabeth Leeds. A Sociologia do Brasil Urbano. Rio de Janeiro: Zahar Editora, 1978.

1979 -- Leeds, Anthony. "Forms of Urban Integration: "Social Urbanization" in Comparative Perspective." Urban Anthropology 8, no. 3/4 (1979): 227-27.

1981 -- Leeds, Anthony. "Low Income Urban Settlement Types, Processes, Structures, Policies." In The Residential Circumstances of the Urban Poor in Developing Countries, edited by United Nations Centre for Human Settlements, 21-61. New York: Praeger, 1981.

1984 -- Leeds, Anthony. "Cities and Countryside in Anthropology." In Cities of the Mind, edited by Lloyd Rodwin and Robert M. Hollister, 291-311. New York: Plenum, 1984.
Related Materials:
Anthony Leeds' correspondence and writings can also be found in the Marvin Harris papers at the National Anthropological Archives.
Provenance:
These papers were donated to the National Anthropological Archives by Columbia University's Department of Anthropology.
Restrictions:
Graded materials of Anthony Leeds' students and grant applications that he reviewed are restricted. His photo album is also restricted due to preservation concerns.
Rights:
Contact the respository for terms of use.
Topic:
Urban anthropology  Search this
Cacao  Search this
Yaruro Indians  Search this
Anthropology  Search this
Citation:
Anthony Leeds papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.1994-35
See more items in:
Anthony Leeds Papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-1994-35

William Robert Pearmain and Pearmain family papers

Creator:
Pearmain, William Robert, 1888-1912  Search this
Names:
Industrial Workers of the World  Search this
Berkman, Alexander, 1870-1936  Search this
Bowditch, Nancy Douglas  Search this
Brooks, John Graham, 1846-1938  Search this
Brush, George de Forest, 1855-1941  Search this
Clemens, Samuel Langhorne, 1835-1910  Search this
Dole, Charles F. (Charles Fletcher), 1845-1927  Search this
Kent, Rockwell, 1882-1971  Search this
Pearmain, Alice  Search this
Pearmain, Jack  Search this
Pearmain, Margaret  Search this
Pearmain, Mary  Search this
Pearmain, Summer  Search this
Sanger, Margaret, 1879-1966  Search this
Sanger, William, b. 1888?  Search this
Trautmann, W. E. (William Ernst), b. 1869  Search this
Upton, Sarah  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Writings
Photographs
Sketches
Watercolors
Diaries
Date:
1888-1955
Summary:
The papers of painter and activist William Robert Pearmain (1888-1912) and the Pearmain family measure 0.4 linear feet and date from 1888-1955. Papers are found for William Robert Pearmain, his wife Nancy Douglas Brush (later Bowditch), their daughter Mary "Polly" Pearmain, and other members of the Pearmain family. There are biographical materials; family correspondence; a watercolor; a travel diary and school essays by Pearmain; printed materials, including clippings and two publications by the Industrial Workers of the World; and photographs of the Pearmain family and artwork.
Scope and Content Note:
The papers of painter and activist William Robert Pearmain (1888-1912) and the Pearmain family measure 0.4 linear feet and date from 1888-1955. Papers are found for William Robert Pearmain, his wife Nancy Douglas Brush (later Bowditch), their daughter Mary "Polly" Pearmain, and other members of the Pearmain family. There are biographical materials; family correspondence; a watercolor; a travel diary and school essays by Pearmain; printed materials, including clippings and two publications by the Industrial Workers of the World; and photographs of the Pearmain family and artwork.

Scattered biographical information includes materials concerning the Pearmain and Upton families including a wedding invitation, school transcripts, biographical sketches and a debutate ball program from 1931.

Much of the correspondence is from William Robert Pearmain to his family written while in school and in Europe. Pearmain's correspondence with his family discusses his career, marriage, daughter, travel, and political views. Later correspondence is from both Robert and Nancy to family members. Other family correspondence is between Nancy, Polly, Sarah Upton, Sumner, Alice, Margaret, and Jack Pearmain.

There are a few incoming letters to Robert, including one from Margaret Sanger. There are condolence letters to Nancy from John Graham Brooks, Rockwell Kent, William Sanger, and Alexander Beckman. A letter from George de Forest Brush to Robert's mother, possibly dated 1906, discusses her unhappiness about Robert leaving Harvard and staying with the Brushs' in Italy. A photocopy of a letter from Samuel Clemens to George de Forest Brush is found. Additional correspondents include Charles F. Dole and William E. Trautmann.

Artwork consists of one watercolor by William Robert Pearmain. Writings and notes include one diary written by Robert while in Europe (1907), school essays, and a list of European trip expenses. Printed materials include clippings, and one issue each of Solidarity , and Mother Earth. Photographs are of a drawing of William Robert Pearmain by Will Loring and family snapshots of Robert, Nancy, and Polly Pearmain in New Hampshire (1911).
Arrangement:
The collection is arranged into 6 series:

Series 1: Biographical Material, 1888-circa 1955 (Box 1; 5 folders)

Series 2: Correspondence, 1899-1955 (Box 1; 0.25 linear feet)

Series 3: Artwork, circa 1910 (Box 1; 1 folder)

Series 4: Writings and Notes, circa 1900-1908 (Box 1; 3 folders)

Series 5: Printed Material, 1907-1913 (Box 1; 3 folders)

Series 6: Photographs, circa 1900-1911 (Box 1; 2 folders)
Biographical Note:
William Robert Pearmain (1888-1912), known as Robert, was a painter and political activist working in Boston and New York City. Born to a wealthy family in New England, Pearmain attended Harvard University to study architecture and studied painting in Italy under George de Forest Brush.

Between 1907 and 1908, Pearmain travelled through France and Italy studying with Brush and other artists. Upon returning to the United States, Pearmain married the eldest daughter of his mentor, Nancy Douglas Brush in Dublin, New Hampshire. Also an artist, Nancy settled with Robert in Boston and later in New York City. While in New York, Pearmain worked as an assistant to muralist Barry Faulkner. In 1911, the Pearmains welcomed their daughter Mary Alice, whom they called Polly.

While in New York, Pearmain grew dissatisfied with his artistic career. He discovered an interest in the conditions of the working class and his social and political viewpoints became increasingly radical. Despite his privilaged upbringing, he immersed himself in the world of manual labor. Leaving his wife and daughter behind, Robert walked from New York City to Pittsburgh, Pennsylvania to work at the Westinghouse Electric Company. Additionally, Pearmain became associated with the Industrial Workers of the World organization and participated in anarchist demonstrations.

Soon after arriving in Pittsburgh, Pearmain's health started to fail. His family believed the hard working conditions caused his illness and a doctor suggested that he return to Massachusetts to recover. In September of 1912, Robert Pearmain died of leukemia. Later, Nancy remarried Dr. Harold Bowditch.
Related Material:
Also found in the Archives of American Art is the Nancy Douglas Bowditch papers, circa 1900s-1970s that contain materials relating to her first husband, William Robert Pearmain and an oral history interview with Nancy Douglas Bowditch conducted on January 30, 1974 by Robert F. Brown.
Separated Material:
That Archives of American Art also holds material lent for microfilming (reel 4589) including a drawing by Will Loring of William Robert Pearmain as a child. This item was returned to the lender and is not described in the collection container inventory.
Provenance:
Nancy Bowditch and Edward F. McClennen, Pearmain's widow and grandson, donated the William Robert Pearmain and Pearmain family papers in 1973 and 1974. The photograph of the drawing on microfilm reel 4859 was lent for microfilming by William Robert Pearmain, Pearmain's nephew, in 1974.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Travel -- Europe  Search this
Painters -- Massachusetts -- Boston  Search this
Art -- Study and teaching  Search this
Political activists -- Massachusetts -- Boston  Search this
Political activists -- New York (State) -- New York  Search this
Genre/Form:
Writings
Photographs
Sketches
Watercolors
Diaries
Citation:
William Robert Pearmain and Pearmain family papers, 1888-1955. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pearwill
See more items in:
William Robert Pearmain and Pearmain family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pearwill
Online Media:

Oral history interview with John Wilson

Interviewee:
Wilson, John, 1922-2015  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Boston University. School of Fine and Applied Arts  Search this
Museum of Fine Arts, Boston. School  Search this
Aronson, David, 1923-2015  Search this
Bengtz, Ture, 1907-1973  Search this
Gaither, Edmund B.  Search this
Hurwitz, Sidney, 1932-  Search this
Kay, Reed  Search this
Kramer, Jack  Search this
Lewis, Elma  Search this
Léger, Fernand, 1881-1955  Search this
Rivera, Diego, 1886-1957  Search this
Siqueiros, David Alfaro  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
497 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1993 March 11-1994 August 16
Scope and Contents:
An interview of John Woodrow Wilson conducted 1993 March-1994 August, by Robert F. Brown, for the Archives of American Art.
Wilson discusses his childhood as a member of a family of middle class blacks from British Guiana (now Guyana); his father's grave disappointments in the face of racial discrimination; his parents' push for their children to succeed; early urge to read and draw; encouragement by School of the Museum of Fine Arts, Boston students who taught at the Roxbury Boys Club; his secondary education; and friends.
He talks about his education at the MFA School, Boston, and comments on such teachers as Ture Bengtz and Karl Zerbe and compares their exacting methods with those of Fernand Leger, his teacher in Paris.
His work of the 1940s prior to going to Paris; the importance of early awards and sales received while still a student at the MFA School; the excitement of sharing a studio with fellow students, Francesco Carbone and Leo Prince; and encouragement to stay in school during WW II with the promise of a European study fellowship after the war.
The great impact of his years in Paris (1948-49); the lack of racial prejudice; the liberating effect of Leger's teaching; his awe of the work of Masaccio and Piero della Francesca during a trip to Italy; and the deep impression made on him by seeing tribal art in the Musee de l'Homme, Paris.
Continued discussion of Leger; his teaching methods; and influences on his work.
His first teaching position at the MFA School; his involvement in civil rights in Boston; his gregariousness and the use of his studio as a meeting place for artists and political activists; his involvement with socialism in Boston and New York; and working in a socialist children's camp. He remembers meeting Paul Robeson, Charles White, Elizabeth Catlett, and Bob Blackburn, who was then setting up his printmaking atelier in New York; marriage to a fellow socialist (June 1950); move to Mexico on a fellowship to study with Jose Orozco on the advice of Leger, only to find that Orozco had died; terrors of travel as an interracial couple through the U.S.; and different racial attitudes in Mexico and the U.S.
Living in Mexico (1950-56) and anecdotes of David Alfaro Siqueiros and Diego Rivera; his wife's meeting with Frieda Kahlo and seeing her collection of folk art; their free and cosmopolitan, if impoverished, life in Mexico; his work in a printmaking atelier and on the production of frescoes, and a lengthy aside about his brilliant brother, Freddie, who because he was black was not allowed to pursue his first love, geology, for many years.
Continued discussion of his experiences in Mexico; the dreary year (1957) he spent doing commercial art for a meatpackers' union in Chicago, a city he disliked; his move to New York in 1958, taking on commercial work to support his family, and teaching anatomy at the Pratt Institute.
Teaching art at a junior high school in the Bronx, and his gaining respect of students through special projects; teaching drawing at Boston University (1965-86), his approach to teaching including his demanding standards, the seriousness of the students, his opposing rigid attendance and grading rules, and colleagues, such as David Aronson who had created the School, Reed Kay, Jack Kramer, Sidney Hurwitz, and the University president, John Silber.
Working with the black arts entrepreneur, Elma Lewis, in setting up a visual arts program for the Boston black community (late 1960s-1970s), including the selection of a curator, Edmund Barry Gaither, a young art historian, who eventually established a museum of African-American art; his participation in various black art exhibitions, despite his belief that art should be seen regardless of the ethnic origins of artists; his move toward sculpture, beginning in the early 1960s, as a medium most expressive of black persons, culminating in the 1980s in a series of colossal heads and a statue of Martin Luther King, Jr. for the U.S. Capitol (1985-86); and why he makes art and will so long as he is able.
Biographical / Historical:
John Wilson (1922- ) is an African American painter, sculptor, illustrator, printmaker, and educator from Boston, Massachusetts. Full name John Woodrow Wilson.
General:
Originally recorded on 11 sound cassettes. Reformatted in 2010 as 22 digital wav files. Duration is 16 hr., 2 min.
Uneven transcription reflects Wilson's unusual speech pattern.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription and microfilming of the interview provided by the Newland Foundation.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Educators -- Massachusetts -- Boston  Search this
Printmakers -- Massachusetts -- Boston  Search this
Sculptors -- Massachusetts -- Boston  Search this
Topic:
African American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.wilson93
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wilson93

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