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Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
American Federation of Teachers  Search this
Department of Defense, Comprehensive Review Working Group  Search this
Gay Officers Action League. GOAL  Search this
Gay, Lesbian, Bisexual and Transgender Community Center of Baltimore and Central Maryland  Search this
ONE National Gay and Lesbian Archives  Search this
San Diego LGBT Pride  Search this
Servicemembers Legal Defense Network  Search this
Smith College  Search this
University of Connecticut  Search this
William Way Community Center  Search this
Biren, Joan E.  Search this
Bushnell, Megan  Search this
Davidson, James, Dr.  Search this
Dietrich, Joe  Search this
Exline, Gregory  Search this
Florence, Laura  Search this
Huebner, David  Search this
Jain, Shawn  Search this
Karazsia, Amy  Search this
Karazsia, William G.  Search this
Lombardi, Angela  Search this
Lynch, Patsy  Search this
Meinke, Mark  Search this
Nitz, Ryan  Search this
Reichard, Bradley  Search this
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Ros, Silvia  Search this
Sabatino, Michael  Search this
Shannon, Michael A.  Search this
Sheets, Justin  Search this
Snodgrass, Adam  Search this
Voorheis, Robert  Search this
Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Other:
Larson, Gordon P., 1910-1988 -- 20th century  Search this
Names:
McWaine, Dwayne, Dr.  Search this
Extent:
66 Cubic feet (198 boxes, 21 map-folders)
64.2 Cubic feet (193 boxes, 21 map-folders)
Type:
Collection descriptions
Archival materials
Passports
Postcards
Photographs
Posters
Videocassettes
Advertising
Dvds
Songbooks
Periodicals
Place:
Canada -- Description and Travel
Germany -- description and travel
Amsterdam (Netherlands)
Washington, D.C. -- history
Los Angeles (Calif.)
New York, New York
Date:
1825-2023, undated
bulk 1960-2022
Summary:
This collection contains a variety of periodicals, photographs, correspondence, business and advertising ephemera (corporate and non-profit, personal), organizational records and ephemera, created by, for, and in reaction to the Lesbian, Gay, Bisexual, Transgender (LGBT) community.
Scope and Contents:
The Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection contains periodicals, ephemera, posters, postcards, advertisements, photographs, organizational records, publications, correspondence, and other materials related to all aspects of the LGBT community and the civil rights issues pertaining thereto. The collection was created by the Archives Center to bring together materials specifically pertaining to the LGBT community. This collection contains material from communities and individuals throughout the United States. The collection is currently strongest in periodicals, newspapers and ephemera and very strong in material from California and New York. The collection continues to add new items and the researcher would be wise to take a broad view in targeting their research topics in the collection.
Arrangement:
The collection is divided into twenty-five series.

Series 1: Periodicals, 1937-2021

Series 2: Agencies, Associations, and Organizations, 1965-2023, undated

Series 3: Community Life and Subject Files, 1825-2022, undated

Subseries 3.1: Photographs and Slides, 1870-2009, undated

Subseries 3.2: Ephemera and Buttons, 1969-2022, undated

Subseries 3.3: Posters and Prints, 1825-2018, undated

Subseries 3.4: Subject Files, 1958-2019, undated

Subseries 3.5: Pride, 1976-2022, undated

Subseries 3.6: HIV and AIDS, 1987-2020, undated

Subseries 3.7: Gay Games, 1982-2018

Series 4: Advertising, Business, and Publications, 1970-2021, undated

Subseries 4.1: Advertising, 1970-2018, undated

Subseries 4.2: Business, 1986-2021, undated

Subseries 4.3: Television, Theater, and Motion Pictures, 1978-2022, undated

Subseries 4.4: Bar ephemera and advertisement, 1979-2018, undated

Subseries 4.5: Publications, 1976-2019, undated

Series 5: Biren, Joan E. (JEB), 195-2018, undated

Subseries 5.1: Xerographic Copies of Photoprints, 1971-1995, undated.

Subseries 5.2: Posters and Oversize Advertisement, 1973-2018, undated

Series 6: Dietrich, Joseph A., 1992-2010

Series 7: Mattachine Society Records, 1942-1996, undated

Subseries 7.1: Correspondence, 1952-1991, undated

Subseries 7.2: Board of Directors Minutes, 1954-1974, undated

Subseries 7.3: Organizational Information, 1942-1993, undated

Subseries 7.4: Councils, Chapters, and Committees, 1953-1965, undated

Subseries 7.5: Conventions, 1953-1960, undated

Subseries 7.6: Publications, 1944-1996, undated

Series 8: Rainbow History Community Pioneers, 2003-2012, undated

Series 9: Strub, Sean O., addendum, 1987-2011, undated

Series 10: Gay and Lesbian Community Center of Baltimore (GLCCB, 1990-2014, undated

Series 11: Ros, Silvia, 2009-2011

Series 12: Huebner, David, 2009-2014

Series 13: St. George, Philip, 1945-1955, undated

Series 14: Will & Grace, 1995-2006

Series 15: Barna, Joseph T. and Heritage of Pride (HOP), New York, New York, 1910-2014, undated

Subseries 15.1: Photographs, Photographic Negatives, and Slides, 1985-2010, undated

Subseries 15.2: Heritage of Pride (HOP), 1984-2014, undated

Subseries 15.3: Barna, Joseph T., 1910-2013, undated,

Series 16: Becker, John M., 1999-2014, undated

Series 17: Rohrbaugh, Richard, 1972-1986, undated

Series 18: Guest, Michael E., 2001-2009

Series 19: The Fosters, 2013

Series 20: Pride at Work, 1990-2015

Series 21: Sabatino, Michael and Voorheis, Robert, 1980-2016, undated

Subseries 21.1: Archilla, Gustavo A. and Lokkins, Elmer T., 1916-2014, undated

Series 22: Gay Officers Action League (GOAL), 1982-2016, undated

Series 23: Brown, Adele "Del" and Herizon's Bar, 1985-1991, undated

Subseries 1: Changing Herizons, and Herizons Newsletter, 1983-1991

Series 24: Universal Fellowship Metropolitan Community Churches (UFMCC), 1957-2019, undated

Series 25: The Christmas House, Crown Media Family Networks, 2020-2021
Historical Note:
While the quest for equal rights has been pursued by generations, it is generally acknowledged that the modern day Lesbian, Gay, Bisexual, and Transgender (LGBT) civil rights movement began in New York City in June 1969 with the Stonewall Riots. Prior to this time a number of activists, individuals, and organizations such as The Mattachine Society, Daughters of Bilitis and others, fought to bring recognition of LGBT civil rights to the forefront of American society. While the movement was primarily, and most visably, centered in New York City and San Francisco, periodicals, guide books, and ephemeral material interconnected the larger LGBT community throughout the United States. The increased visibility of the LGBT movement inspired affinity groups at odds with the LGBT community's new found visibility and quest for broader civil rights. The challenge to what was termed "traditional" values encouraged these counter-LGBT groups to define and solidfy their constituency and also become more pro-active. This collection comprises material that is generated by individuals and organizations promoting both points of view.
Related Materials:
Materials in the Archives Center

Michio and Aveline Kushi Macro-Biotics Collection (AC0619)

The Shamrock Bar: Photographs and Interviews (AC0857)

John-Manuel Andriote Victory Deferred Collection (AC1128)

Archives Center Wedding Documentation Collection (AC1131 )

Division of Science, Medicine, and Society HIV/AIDS Reference Collection (AC1134)

John-Manuel Andriote Hot Stuff: A Brief History of Disco Collection (AC1184)

Joan E. Biren (JEB) Queer Film Museum Collection (AC1216)

World AIDS Institute (WAI) Collection (AC1266)

Servicemembers Legal Defense Network (SLDN) Records (AC1282)

Helping Persons with AIDS (HPA) Records (AC1283)

DC Cowboys Dance Company Records (AC1312)

Bil Browning and Jerame Davis Papers (AC1334)

David Hadley Rockwell New York Disco Ephemera Collection (AC1342)

Leonard P. Hirsch Federal Globe Records (AC1357)

Corbett Reynolds Papers (AC1390)

Mark Segal Papers (AC1422)

The Mattachine Society of Washington "Love in Action" Collection (AC1428)

Academy of Washington Records (AC1458)

Matthew Shepard Papers (AC1463)

I'm From Driftwood Records (AC1503)

The Division of Political History holds artifacts related to gay activist Franklin Kameny and a variety of political buttons. They also hold LGBT related artifacts from Joan E. Biren (JEB).

The Division of Medical and Science holds objects donated from Dr. Renee Richards, Sean O. Strub, and Leonard Hirsch.

The Division of Entertainment and the Arts holds objects donated by The Fosters, Will & Grace, and The Christmas House.
Provenance:
This collection was assembled by the Archives Center, National Museum of American History, Smithsonian, beginning in 2004.
Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women's music  Search this
Transgender people -- Identity  Search this
Sexual orientation  Search this
Political activists  Search this
Lesbianism  Search this
Lesbian and gay experience  Search this
Gay activists  Search this
Homosexuality  Search this
HIV and AIDS  Search this
Feminism  Search this
Bisexuality  Search this
Bars (Drinking establishments)  Search this
Gay Pride  Search this
Genre/Form:
Passports
Postcards
Photographs -- 2000-2010
Posters
Videocassettes
Advertising
DVDs
Photographs -- 20th century
Songbooks
Periodicals
Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1146
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep80327b53b-2daa-47d1-8c11-89a7b3f4e1bd
EDAN-URL:
ead_collection:sova-nmah-ac-1146
Online Media:

Oral history interview with John Held, Jr

Interviewee:
Held, John, 1947-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Extent:
9 Items (Sound recording: 9 sound files (5 hr., 4 min.), digital, wav)
131 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2017 September 28-October 3
Scope and Contents:
An interview with John Held, Jr. conducted 2017 September 28 and October 3, by Paul Karlstrom, for the Archives of American Art, at Karlstrom's home in San Francisco, California.
Biographical / Historical:
John Held (1947-) is a rubberstamp artist, participant in the international mail art network, activist, performance artist, collector of mail art, and a fine arts librarian in San Francisco, California. Interviewer Paul Karlstrom (1941-) is a writer and art historian in San Francisco, California.
Related Materials:
The Archives of American Art also holds the papers of John Held.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Librarians -- California -- San Francisco -- Interviews  Search this
Mail art  Search this
Political activists -- California -- San Francisco -- Interviews  Search this
Performance artists -- California -- San Francisco -- Interviews  Search this
Rubber stamps  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.held17
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9343bff02-f7f7-46a6-9fdc-38a3e7c575ca
EDAN-URL:
ead_collection:sova-aaa-held17
Online Media:

Oral history interview with Rupert Garcia, 1995 Sept. 7-1996 June 24

Interviewee:
Garcia, Rupert, 1941-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Lippard, Lucy R.  Search this
Almaraz, Carlos  Search this
Montoya, Malaquias  Search this
Four (Art group)  Search this
San Francisco State University  Search this
Galería de la Raza (San Francisco, Calif.)  Search this
Asco (Group of artists)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Rupert Garcia, 1995 Sept. 7-1996 June 24. Archives of American Art, Smithsonian Institution.
Topic:
Chicano artists  Search this
Painters -- California -- San Francisco -- Interviews  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)13572
(DSI-AAA_SIRISBib)215906
AAA_collcode_garcia95
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215906
Online Media:

Oral history interview with Rupert Garcia

Interviewee:
Garcia, Rupert, 1941-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Asco (Group of artists)  Search this
Galería de la Raza (San Francisco, Calif.)  Search this
Los Four (Art group)  Search this
San Francisco State University -- Students  Search this
Almaraz, Carlos  Search this
Lippard, Lucy R.  Search this
Montoya, Malaquias, 1938-  Search this
Extent:
9 Sound cassettes (Sound recording (8 1/2 hrs.), analog)
166 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1995 Sept. 7-1996 June 24
Scope and Contents:
An interview of Rupert Garcia conducted 1995 Sept. 7-1996 June 24, by Paul J. Karlstrom, for the Archives of American Art, at Rupert Garcia's home and studio, in Oakland, Calif.
SEPT. 7, 1995 SESSION: Session opens with a discussion of Garcia's exhibition, Aspects of Persistence (1993); the deaths in 1968 of Martin Luther King, Jr. and Marcel Duchamp; Garcia's self-conception and his two roles as political activist and artist; the influence on him of Sartre's "Being and Nothingness"; racism, power, control; his background and being a Mexican-American; need to establish ethnic identity; his realization in high school of wanting to become an artist; his lost opportunity for a scholarship at the San Francisco Art Institute; moving to San Francisco; enlisting in the Air Force and serving in Vietnam; ambivalence about war; experiences at San Francisco State University and his switch from painting to silkscreen; Artes Seis and Galerie de la Raza; artists in the Mission District.
NOV. 10, 1995 SESSION: Painting vs. graphic art; posters; Lucy Lippard; Chicano art; Los Four, Asco, and other artists groups and conferences; conflicts between San Francisco and Oakland groups; emergence of identity groups; Malaquias Montoya, Carlos Almaraz; making art from experience.
JUNE 24, 1996: Politics of culture; social progress; being optimistic but realistic; the Latino movement in the 1990s; Mexican attitudes toward Chicanos; the CARA exhibition at UCLA; Garcia's students at San José State; current work, interests and projects; interest in art history and other intellectual pursuits; and the art market, dealers, and galleries.
Biographical / Historical:
Rupert Garcia (1941-) is a painter and teacher from the San Francisco Bay area, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Chicano artists  Search this
Painters -- California -- San Francisco -- Interviews  Search this
Latino and Latin American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.garcia95
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bd12475b-f019-4c09-a5bc-c5494b8eea44
EDAN-URL:
ead_collection:sova-aaa-garcia95
Online Media:

Oral history interview with Larry Jordan, 1995 Dec. 19 - 1996 July 30

Interviewee:
Jordan, Larry, 1934-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Berman, Wallace  Search this
Brackage, Stan  Search this
Conner, Bruce  Search this
Cornell, Joseph  Search this
DeFeo, Jay  Search this
Deren, Maya  Search this
Duncan, Robert Edward  Search this
Ernst, Max  Search this
Ginsberg, Allen  Search this
Hedrick, Wally  Search this
Herms, George  Search this
Jess  Search this
Jordan, Patricia M.  Search this
McClure, Michael  Search this
Nauman, Bruce  Search this
Rexroth, Kenneth  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Larry Jordan, 1995 Dec. 19 - 1996 July 30. Archives of American Art, Smithsonian Institution.
Topic:
Filmmakers -- California -- Interviews  Search this
Collagists -- California -- Interviews  Search this
Beat generation  Search this
Art -- California -- San Francisco Bay Area  Search this
Record number:
(DSI-AAA_CollID)12216
(DSI-AAA_SIRISBib)215955
AAA_collcode_jordan95
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215955
Online Media:

Oral history interview with Larry Jordan

Interviewee:
Jordan, Larry, 1934-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Berman, Wallace, 1926-1976  Search this
Brackage, Stan  Search this
Conner, Bruce, 1933-2008  Search this
Cornell, Joseph  Search this
DeFeo, Jay, 1929-1989  Search this
Deren, Maya  Search this
Duncan, Robert Edward, 1919-  Search this
Ernst, Max, 1891-1976  Search this
Ginsberg, Allen, 1926-1997  Search this
Hedrick, Wally, 1928-2003  Search this
Herms, George, 1935-  Search this
Jess, 1923-  Search this
Jordan, Patricia M., 1937-1989  Search this
McClure, Michael  Search this
Nauman, Bruce, 1941-  Search this
Rexroth, Kenneth, 1905-1982  Search this
Extent:
6 Sound cassettes (Sound recording, analog)
100 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1995 Dec. 19 - 1996 July 30
Scope and Contents:
An interview of Larry Jordan conducted 1995 Dec. 19-1996 July 30, by Paul Karlstrom, for the Archives of American Art, at the artist's home, in Petaluma, Calif.
Jordan discusses his family background in Denver; his attraction to contemporary avant-garde; his brief time at Harvard, and his mental breakdown and return to Denver; his move to San Francisco in 1954 because of the artistic and literary atmosphere there; meeting Kenneth Rexroth, Robert Duncan and other poets and his initial introduction to the creative community in San Francisco; his friendships with Jordan Belsen, Michael McClure, Wally Hedrick and Jay DeFeo; the San Francisco Renaissance, the beat era, and what it means to be "beat;" the distinction in intensity between bohemianism and the resurrection of the self during the beat era, the social impact of the anti-establishment movement; and the difference between artists and political activists.
Jordan discusses his influences and important moments in his experimental film career; the surrealist methods for social changes as seen in film; the west coast filmmakers focus on the interior and mystical; the rivalry in the film world; his association with Bruce Conner and their founding a film society together in 1956 and establishing an experimental theater; meeting Joseph Cornell and his invitation to assist him with films, their time spent together, Cornell as a filmmaker, preparing Cornell boxes, and the influence of Cornell on is own art. He discusses his own art; his role as an artist in society; the religious aspect in his art; his place in the avant-garde film world; the major influences in his art; and the concept of death and the celebration of the mind as a major theme in his film and artwork.
He recalls Wallace Berman, Stan Brackage, Bruce Conner, Jay DeFeo, Maya Deren, Robert Duncan, Max Ernst, Allen Ginsberg, Wally Hedrick, George Herms, Jess, Patricia Jordan, Michael McClure, Bruce Nauman, and Kenneth Rexroth.
Biographical / Historical:
Larry Jordan (1934- ) is a filmmaker and collagist from Petaluma, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the transcription of this interview provided by the Pasadena Art Alliance.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Filmmakers -- California -- Interviews  Search this
Collagists -- California -- Interviews  Search this
Beat generation  Search this
Art -- California -- San Francisco Bay Area  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.jordan95
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98208f7f1-7719-4cfd-be70-1fc2044c5781
EDAN-URL:
ead_collection:sova-aaa-jordan95
Online Media:

Oral history interview with John Held, Jr, 2017 September 28-October 3

Interviewee:
Held, John, 1947-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with John Held, Jr, 2017 September 28-October 3. Archives of American Art, Smithsonian Institution.
Topic:
Librarians -- California -- San Francisco -- Interviews  Search this
Mail art  Search this
Political activists -- California -- San Francisco -- Interviews  Search this
Performance artists -- California -- San Francisco -- Interviews  Search this
Rubber stamps  Search this
Record number:
(DSI-AAA_CollID)17514
(DSI-AAA_SIRISBib)390740
AAA_collcode_held17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_390740
Online Media:

John-Manuel Andriote Victory Deferred Collection

Creator:
Feinblum, Sandi  Search this
Fauci, Anthony S.  Search this
Fera, Joe  Search this
Feldblum, Chai R.  Search this
Dirkin, Eileen  Search this
Deyton, Lawrence  Search this
Duberman, Martin  Search this
Dodds, Sally  Search this
Dechant, Chris  Search this
Dean, Lauran  Search this
Decker, Curt  Search this
Decker, Bruce  Search this
Cox, Spencer  Search this
Cooper, Sally  Search this
D'Emilio, John  Search this
Gay Men's Health Crisis, Inc.  Search this
Gebbie, Kristine M.  Search this
Gerald, Gil  Search this
Fryer, John E.  Search this
Gambrell, Alan  Search this
Gamrecki, Diane  Search this
Garfield, Charles  Search this
Franklin, Maurice  Search this
Freeman, Bill  Search this
Friedman, David  Search this
Frutchey, Chuck  Search this
Fleming, Patsy  Search this
Foley, Alice  Search this
Forstein, Marshall, 1949-  Search this
Francis, Donald P.  Search this
Bellinger, George  Search this
Bean, Carl  Search this
Bates, Christopher  Search this
Basile, Vic  Search this
Barnich, John Paul  Search this
Baker, Cornelius, 1961-  Search this
Bailey, William  Search this
Bahlman, Bill  Search this
Apuzzo, Ginny  Search this
Anthony, Cynthia  Search this
Andriote, John-Manuel  Search this
Akman, Jeff  Search this
Agosto, Moisés  Search this
Abrams, Donald I.  Search this
Conant, Marcus A.  Search this
Cooper, Ellen  Search this
Coates, Tom  Search this
Cochrane, John  Search this
Campbell, Linda  Search this
Christen, Pat  Search this
Bross, Dan  Search this
Cabaj, Bob  Search this
Braswell, Tony  Search this
Bray, Robert  Search this
Boneberg, Paul  Search this
Bowen, Steve  Search this
Bloom, Leonard  Search this
Blount, Tom  Search this
Benzer, Suzanne  Search this
Beswick, Terry  Search this
McFarlane, Rodger  Search this
Mayer, Kenneth H.  Search this
McGuire, Jean  Search this
McFeeley, Timothy  Search this
McNaught, Tom  Search this
McNaught, Brian  Search this
Meisenheimer, Bill  Search this
Mealy, Ron  Search this
Lynch, Catherine G.  Search this
LoPiccolo, Charles J.  Search this
Maguire, Ann  Search this
MacDonald, Gary B.  Search this
Mass, Lawrence, 1946-  Search this
Margarelli, Dominick  Search this
Maupin, Armistead  Search this
Mathiasen, Karl  Search this
National AIDS Network.  Search this
National Lesbian and Gay Health Association. (U.S.)  Search this
Newmeyer, John  Search this
Norman, Pat  Search this
O'Neill, Joe  Search this
Odets, Walt  Search this
Osborn, Torie  Search this
Ostrow, David G., 1947-  Search this
Miller, Randy  Search this
Millhofer, Larry  Search this
Montoya, Mauro  Search this
Morin, Stephen F.  Search this
Morrison, Cliff  Search this
Murphy, Patrice, Sister  Search this
Nardoza, Peter  Search this
Jean, Lori  Search this
James, John S., 1941-  Search this
Isay, Richard A.  Search this
Iasino, Dick  Search this
Jones, Cleve  Search this
Johnson, Fenton  Search this
Johns, Judith  Search this
Jellinek, Paul  Search this
Graham, Michael  Search this
Goodkin, Karl  Search this
Gomez, Miguel  Search this
Gittings, Barbara, 1932-2007  Search this
Huffman, Lindy  Search this
Holmes, Chuck  Search this
Hanley-Hackenbruck, Peggy  Search this
Gravesen, Les  Search this
Leach-Lemens, Carole  Search this
Lee, Peter  Search this
Krajeski, James  Search this
Kramer, Larry  Search this
Levi, Jeffrey, PhD  Search this
Lew, Steve  Search this
Lemens, Carol  Search this
Leonard, John  Search this
Kantrowitz, Arnie  Search this
Kawata, Paul  Search this
Kalleigh, Bea  Search this
Kameny, Franklin E., 1925-  Search this
Kisliuk, Margaret  Search this
Klein, Sandra Jacoby  Search this
Kessler, Larry  Search this
Killen, Jack  Search this
Scaitch, Fred  Search this
Salustro, Greg  Search this
Schietinger, Helen  Search this
Schatz, Ben  Search this
Seltzer, Michael  Search this
Schwartzberg, Steven  Search this
Sheridan, Tom  Search this
Sharp, Matthew  Search this
Rios, Anthony  Search this
Remafredi, Gary  Search this
Rofes, Eric E., 1954-2006  Search this
Robinson, Alexander  Search this
Rosser, Simon  Search this
Rose, Gary  Search this
Ryan, Pam  Search this
Ryan, Caitlin  Search this
Peyton, Jackson  Search this
Pieri, Frank  Search this
Pillard, Richard  Search this
Plumb, Marj  Search this
Davis, Paul  Search this
Pollatskek, Judy  Search this
Portelli, Chris  Search this
Prater, Larry  Search this
Rasi, Richard A., 1949-  Search this
Ostrow, Stosh  Search this
Ouelette, Susanne  Search this
Page, Peter  Search this
Pannell, Phil  Search this
Patterson, Bruce  Search this
Payne, Ralph  Search this
Peel, Jesse  Search this
Penn, Scott  Search this
Wolfred, Tim  Search this
Wohlfeiler, Daniel  Search this
Wilson, Phil  Search this
Wilson, Hank  Search this
Wood, Bob  Search this
Wakefield, Steve  Search this
Villareal, Henry  Search this
Vasquez, Carmen  Search this
Van Ness, Paula  Search this
Williams, Reggie, 1951-1999  Search this
Westmoreland, Tim  Search this
Washington, Robert  Search this
Ward, Bruce  Search this
Triantafillakis, Dmitri  Search this
Turney, Anthony  Search this
Sweeney, Tim  Search this
Thompson, Ron  Search this
Vaid, Urvashi  Search this
Van Gorder, Dana  Search this
Tuttle, Raymond  Search this
Uselmann, Michael  Search this
Silverman, Mervyn  Search this
Smith, Don  Search this
Shriver, Mike  Search this
Silver, Jane  Search this
Strub, Jean  Search this
Suarez, Gene  Search this
South, Ken  Search this
Stone, Terry  Search this
Names:
Gay and Lesbian Medical Association.  Search this
Mobilization Against AIDS. (San Francisco (CA))  Search this
Extent:
10.2 Cubic feet (32 boxes)
Type:
Collection descriptions
Archival materials
Oral history
Interviews
Date:
1901-2016
bulk 1995-1999
Summary:
John-Manuel Andriote interviewed numerous individuals involved in the AIDS crisis for his book, Victory Deferred: how AIDS changed gay life in America, this collection contains his interview tapes, transcripts, and materials related to the research, writing, and update of his book. It also contains interview transcripts for Andriote's later book, Stonewall Strong.
Scope and Contents:
The collection consists of interviews and research material collected by Andriote in researching his book, Victory Deferred: how AIDS changed gay life in America, published in 1999. Included are recorded and transcribed interviews Andriote conducted with activists, researchers, authors, and others involved in the fight against HIV and AIDS. The creator's original order and topic designations were maintained; span dates reflect the dates of the materials contained within the folder. All cassettes are ninety minutes in length unless otherwise noted. An addenda of interviews notebooks for interviews conducted in 2010 for the revised and updated version of Victory Deferred were added in 2021. Series four contains interview transcripts and master cd for interviews conducted for Andriote's Stonewall Strong published in 2017.
Arrangement:
Collection is arranged into three series.

Series 1, Audio Materials

Subseries 1, Original Interview Audio Cassettes, 1995-1997

Subseries 2, Transcripts of Interviews, 1993-1996, undated

Series 2, Victory Deferred Correspondence, Manuscript Drafts, Publication Material, and Writings, 1982-2008

Series 3, Research Notes and Collected Reference Materials, 1901-1998

Subseries 1, National AIDS Network (NAN), 1987-1990

Subseries 2, Publications, 1989-1997

Series 4, Stonewall Strong, interview transcripts and CD, 2015-2016, undated
Biographical / Historical:
John-Manuel Andriote writes in the preface to his book, Victory Deferred: how AIDS changed gay life in America, "I wrote Victory Deferred because, despite the abundance of books written about AIDS, no one until now has examined both the 'big picture' and its finer detail in considering the many ways AIDS affected the nation's hardest hit community, gay men." [1] To do this Andriote interviewed hundreds of persons involved in various aspects of the HIV/AIDS experience. The University of Chicago Press catalog for 1999 describes the book this way: "John-Manuel Andriote chronicles the impact of the disease from the coming-out revelry of the 1970s to the post-AIDS gay community of the 1990s, showing how it has changed both individual lives and national organizations." [2]

[1] Andriote, John-Manuel, Victory Deferred: how AIDS changed gay life in America, page xi, Chicago, Illinois: The University of Chicago Press, 1999.

[2] "Spring Books 1999 The University of Chicago Press", pg. 2, Chicago, IL: The University of Chicago Press, 1999
Related Materials:
Materials in the Archives Center

Michio and Aveline Kushi Macro-Biotics Collection (AC0619)

The Shamrock Bar: Photographs and Interviews, 1997-2003 (AC0857

Division of Science, Medicine, and Society HIV/AIDS Reference Collection (AC1134)

Archives Center Weddings Documentation Collection, 1945-2008 (AC1131)

Lesbian, Gay, Bi-Sexual, Transgender (LGBT) Collection, 1953-2010 (AC1146)

John-Manuel Andriote Hot Stuff: A Brief History of Disco Collection (AC1184)
Provenance:
This collection was donated by John-Manuel Andriote in 2008. Addenda donated in 2021.
Restrictions:
The collection is open for research use.

Researchers must use reference copies of audiovisual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow. Viewing film portion of collection requires special aarrangement with Archives Center staff. Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but copyright held by donor. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Homosexuality  Search this
HIV/AIDS awareness  Search this
Political activists  Search this
AIDS (Disease)  Search this
AIDS (Disease) -- Prevention  Search this
Epidemics  Search this
Gay activists  Search this
LGBTQ+  Search this
Gays -- California -- San Francisco -- Interviews  Search this
Lesbian and gay experience  Search this
Stonewall uprising-1969  Search this
Genre/Form:
Oral history -- 1980-2000
Interviews -- 1980-2000
Citation:
John-Manuel Andriote Victory Deferred Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1128
See more items in:
John-Manuel Andriote Victory Deferred Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep81f195200-4a48-4675-85e9-b029b3942891
EDAN-URL:
ead_collection:sova-nmah-ac-1128
Online Media:

Tomás Ybarra-Frausto research material

Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Names:
Mexican Museum  Search this
Royal Chicano Air Force  Search this
Studio 24 (San Francisco, Calif.)  Search this
Garza, Carmen Lomas  Search this
Goldman, Shifra M., 1926-2011  Search this
Mesa-Bains, Amalia  Search this
Extent:
33.1 Linear feet
1.27 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Slides (photographs)
Interviews
Place:
Mexico -- Religious life and customs
Date:
1965-2004
Summary:
The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.
Scope and Content Note:
The research material of Tomás Ybarra-Frausto, amassed throughout his long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States. As community leader and scholar, Ybarra-Frausto played dual roles of active participant and historian in the Chicano movement, chronicling this unique political and artistic movement from its inception in the 1960s to the present day.

Deeply rooted in American history, "El Movimiento," the Chicano movement, evolved from Mexican-Americans' struggle for self-determination during the civil rights era of the 1960s. It began as a grassroots community effort that enlisted the arts in the creation of a united political and cultural constituency. Chicano artists, intellectuals, and political activists were instrumental in mobilizing the Mexican-American community for the cause of social justice, and the movement was shaped by the affirmation of a cultural identity that embraced a shared heritage with Mexico and the United States.

Just as "El Movimiento" aimed to instruct and inspire through the recollection and conservation of culture, Ybarra-Frausto's own career as scholar and historian helped to shape the intellectual discourse of the Chicano art. As a leading historian and theoretician in the field of Chicano Studies, he has written extensively on the subject, and has been instrumental in defining the canons of Chicano art. His papers are accordingly rich and varied, and they will be of great use to future scholars.

His research material, dating from 1965 to 1996, are arranged in subject files containing original writings, notes, bibliographies compiled by Ybarra-Frausto and others, exhibition catalogues, announcements, newspaper clippings and other printed material, as well as slides and photographs. Many of these files also include interview transcripts and correspondence with prominent figures in the movement. While this research collection contextualizes Chicano art within the larger framework of Latino and Latin-American culture, the bulk of the files relates specifically to Chicano visual culture. The collection also contains pertinent documentation of the Chicano civil rights movement, material on Chicano poets and writers, and research files on the wider Hispanic community, but these also appear within the context of Chicano culture in general.

Prominent among the bibliographies are the many notes and drafts related to the publication of A Comprehensive Annotated Bibliography of Chicano Art, 1965-1981 (University of California, Berkeley, 1985), which Ybarra-Frausto co-authored with Shifra Goldman. Ybarra-Frausto's files on Goldman, like other files in the collection, document his close associations and collaborations with scholars.

Art historians have traditionally found the categorization of Chicano art a difficult task. Unsure whether to classify the work as "American" or "Latin American," critics often ignored the work altogether. An outgrowth of this dilemma was the proliferation of artists, curators, and critics within the Chicano community, and the papers contain many original writings by Chicano artists about Chicano art, found in extensive files on artists that will be of particular significance to researchers. These often contain exhibition essays, dissertation proposals, and course outlines authored by the artists, along with the standard biographies, exhibition records, and reviews. Some of the files contain rare interviews conducted and transcribed by Ybarra-Frausto. Highlights include conversations with Carmen Lomas Garza, Amalia Mesa-Bains, and members of the Royal Chicano Air Force artist cooperative.

As a member of several Chicano art organizations and institutions, Ybarra-Frausto kept active records of their operation. The extensive files on the Mexican Museum and Galerie de la Raza/Studio 24, both in San Francisco, not only chronicle the history of Chicano art through the records of exhibitions and programming, but also offer case studies on the development of non-profit art institutions. The files on artist cooperatives, organizations, and exhibition spaces cover several regions of the United States, but focus on California, Texas and New York.

Two notable events in the development of Chicano art were the 1982 Califas: Chicano Art and Culture in California seminar at the University of California at Santa Cruz, and the 1990 traveling exhibition Chicano Art: Resistance and Affirmation, 1965-1985 (CARA), of which Ybarra-Frausto served as organizer and catalogue essayist. His records document the planning and development of these seminal events. Ybarra-Frausto's files on folk art, altars, posters, murals, performance art, border art, Chicana feminist art, and Southwestern and Mexican imagery (both urban and rural expressions) mirror the diverse forms and subject matter of Chicano art.

Spanning almost four decades of American culture from a Chicano perspective, these files have a unique historical value. The legacy of Chicano art and its contribution to the cultural landscape of this country, kept alive in Ybarra-Frausto's files, attests to the richness and diversity of American art.

Henry C. Estrada

Research Fellow, 1997.
Arrangement:
The collection is arranged as a single series of subject files. The general contents of each folder have been listed. The subject files are arranged in alphabetical order. While no two files are alike, they may contain résumés, printed and digital material, letters, draft writings, and photographs. Unless otherwise noted, each listing represents one file folder. The abbreviation TYF was used to refer to the name Tomá Ybarra-Frausto throughtout the Series Description.
Autobiographical Note:
Papelitos (little bits of paper), whether rent receipts, paid bills, or piles of personal letters, can become layered bundles of personal history. I have always been a pepenador (a scavenger) and saver of paper scraps. Diary notes, scribbled annotations, and first drafts are often useful indicators of ideas and gestation. Papelitos are the fragments of every-day life that gain expanded meaning integrated into the larger historical events of a period.

In the decade of the 1960s, I started saving ephemeral material--exhibition announcements, clippings of individual artists and of organizations fomenting a Chicano art movement. The social scenarios of the period such as marches, strikes, sit-ins, and mobilizations for social justice all spawned manifestos, posters, leaflets, and other forms of printed material. I somehow managed to assemble and protect the evanescent printed information that recorded the birth and development of Chicano art.

As I started to research and write about Chicano art and artists of the period, I continued to clip, photocopy, and preserve material given me by Mexican-American artists from throughout the nation. My idea was to form an archive that would be comprehensive rather than selective. I knew that it was the offbeat, singular piece of paper with a missing link of information that would attract the scholar.

Today, several decades after the flowering of Chicano art, there is still a lamentable paucity of research and information about this significant component of American art.

It is my fervent hope that this compendium of information will function as a resonant print and image bank for investigators of Chicano culture. Perhaps contained within the archive are the facts that will inspire new visions or revisions of Chicano art and culture--this is my fondest dream.

Dr. Tomás Ybarra-Frausto

New York City, 1998
Related Materials:
Tomás Ybarra-Frausto Papers are located at University of Texas Libraries, The University of Texas at Austin.
Provenance:
The collection was donated to the Archives of American Art by Tomás Ybarra-Frausto in 1997, and in 2004.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Santos (Art)  Search this
Household shrines -- Mexico  Search this
Chicano art  Search this
Chicano artists  Search this
Mexican American art  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Photographs
Slides (photographs)
Interviews
Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ybartoma
See more items in:
Tomás Ybarra-Frausto research material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e4916919-f4aa-4cd9-bf03-0335539ae06d
EDAN-URL:
ead_collection:sova-aaa-ybartoma
Online Media:

Oral history interview with Yolanda M. López, 2019 Dec.7-2020 Mar. 24

Interviewee:
López, Yolanda M., 1942-  Search this
Interviewer:
González, Jennifer, 1965-  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Yolanda M. López, 2019 Dec.7-2020 Mar. 24. Archives of American Art, Smithsonian Institution.
Topic:
Chicano movement  Search this
Women artists  Search this
Women educators  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)21931
(DSI-AAA_SIRISBib)399156
AAA_collcode_lopez20
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_399156

Oral history interview with Yolanda M. López

Interviewee:
López, Yolanda M.  Search this
Interviewer:
González, Jennifer, 1965-  Search this
Extent:
10 Items (sound files (7 hrs., 45 min.) Audio, digital, wav)
134 Pages (Transcript.)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2019 Dec.7-2020 Mar. 24
Scope and Contents:
An interview with Yolanda M. López conducted 2019 December 7- 2020 March 24, by Jennifer González, at López's home in San Francisco, California.
Biographical / Historical:
Interviewee Yolanda M. López (1942- ) is a political activist and artist in San Francisco, Calif. She is a prominent artist in the Chicano art movement. Interviewer Jennifer González (1965- ) is a professor of History of Art and Visual Culture at the University of California Santa Cruz.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Occupation:
Political activists -- California -- San Francisco  Search this
Topic:
Chicano movement  Search this
Women artists  Search this
Women educators  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lopez20
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw988994971-0247-4b6c-91d5-ef17b84ec1ed
EDAN-URL:
ead_collection:sova-aaa-lopez20
Online Media:

Oral history interview with Guillermo Gómez-Peña

Interviewee:
Gómez-Peña, Guillermo  Search this
Interviewer:
Franco, Josh T., 1985-  Search this
Names:
Pandemic Oral History Project  Search this
Extent:
1 Item ((23 min.), digital, mp4)
Type:
Collection descriptions
Archival materials
Interviews
Video recordings
Date:
2020 September 11
Scope and Contents:
An interview with Guillermo Gómez-Peña conducted 2020 September 11, by Josh Franco, for the Archives of American Art's Pandemic Oral History Project at Gómez-Peña's home in San Francisco, California.
Biographical / Historical:
Guillermo Gómez-Peña (1955- ) is a Chicano performance artist, arts educator, installation artist, and activist in San Francisco, California. Gómez-Peña was a founding member of Border Arts Workshop and is the executive director of La Pocha Nostra.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This interview is open for research.
Rights:
The Archives of American Art makes its Oral History Program interviews available for non-commercial, educational and personal use unless restricted by donor restrictions, including but not limited to access and publication restrictions. Quotation, reproduction and publication of the audio is governed by restrictions. If an interview has been transcribed, researchers must quote from the transcript. If an interview has not been transcribed, researchers must quote from the audio recording. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Performance artists -- California -- San Francisco  Search this
Installation artists -- California -- San Francisco  Search this
Educators -- California -- San Francisco  Search this
Political activists -- California -- San Francisco  Search this
Topic:
Pandemics  Search this
COVID-19 (Disease)  Search this
Latino and Latin American artists  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.gomez20
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9027e7ef2-e875-4a60-a06c-832a7bc07a77
EDAN-URL:
ead_collection:sova-aaa-gomez20
Online Media:

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