Skip to main content Smithsonian Institution

Search Results

Collections Search Center
202 documents - page 1 of 11

Poindexter Gallery records

Creator:
Poindexter Gallery  Search this
Names:
Corcoran Gallery of Art  Search this
Denver Art Museum  Search this
Fogg Art Museum  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Montana Historical Society  Search this
Oberlin College  Search this
Smithsonian Institution  Search this
Solomon R. Guggenheim Museum  Search this
University of Arizona  Search this
Worcester Art Museum  Search this
Yale University  Search this
De Kooning, Willem, 1904-1997  Search this
De Niro, Robert, Sr., 1922-1993  Search this
Dickinson, Eleanor, 1931-  Search this
Diebenkorn, Richard, 1922-1993  Search this
Harris, Paul, 1925-  Search this
Kerkam, Earl, 1891-1965  Search this
Kline, Franz, 1910-1962  Search this
Olitski, Jules, 1922-2007  Search this
Resnick, Milton, 1917-2004  Search this
Spaventa, George, 1918-  Search this
Extent:
7.1 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1931-1985
bulk 1955-1978
Summary:
The records of the Poindexter Gallery measure 7.1 linear feet and date from 1931-1985 with the bulk of the materials dating from 1955-1978 when the gallery was active. The majority of the collection consists of artists' files documenting the gallery's relationships with its artists, including exhibitions, and containing a wide variety of materials, including photographs. Also found are the "desk files" kept by the gallery's founder, Elinor Poindexter; correspondence; and financial and legal records.
Scope and Contents:
The records of the Poindexter Gallery measure 7.1 linear feet and date from 1931-1985 with the bulk of the materials dating from 1955-1978 when the gallery was active. The majority of the collection consists of artists' files documenting the gallery's relationships with its artists, including exhibitions, and containing a wide variety of materials, including photographs. Also found are the "desk files" kept by the gallery's founder, Elinor Poindexter; correspondence; and financial and legal records.

Elinor Poindexter's desk files consist of documents she kept as a reference for both her personal needs and gallery business. Correspondence is with artists, museums, colleges and universities, and art institutes. Notable correspondents include Worcester Art Museum, Corcoran Gallery of Art, Metropolitan Museum of Art, the Solomon Guggenheim Museum, Denver Art Museum, Yale University, Oberlin College, University of Arizona, the Fogg Art Museum at Harvard University, Smithsonian Institution, and the Montana Historical Association. Additional correspondence is found throughout desk files and artists' files as well.

Artists' files are found for artists represented by the gallery, or in whom the gallery took an interest. Contents of the files vary, but may contain correspondence, photographs, sales records, exhibition files, and printed materials. There is extensive material relating to artists Richard Diebenkorn, Willem de Kooning, Giorgio Spaventa, Robert De Niro, Earl Kerkam, Franz Kline, Milton Resnick, Eleanor Dickinson, Paul Harris, Jules Olitski, among others.

The remainder of the collection consists of financial and legal files containing sales inventories and receipts, price lists, bills, loan agreements, and documents pertaining to the estate of Giorgio Spaventa, as well as photographic materials consisting of prints, negatives, slides and color transparencies of artwork.
Arrangement:
This collection is arranged as 5 series.

Missing Title

Series 1: Elinor Poindexter Desk Files, 1947-1969 (Box 1, 8 folders)

Series 2: Correspondence, 1955-1971 (Box 1-2, 1.8 linear feet)

Series 3: Artists' Files, 1931-1983, undated (Box 2-5, 2.4 linear feet)

Series 4: Financial and Legal Files, 1955-1985 (Box 5-6, 1.0 linear feet)

Series 5: Photographic Materials, 1933-1977 (Box 6-7, 1.4 linear feet)
Biographical / Historical:
The Poindexter Gallery was founded in 1955 in New York City by Elinor Poindexter. The gallery specialized in sculpture, abstract, and figurative art and featured the works of such artists as Richard Diebenkorn, Jules Olitski, Nell Blaine, Willem de Kooning, Giorgio Spaventa, Franz Kline, Earl Kerkam, Milton Resnick and Robert De Niro, among others. The Poindexter Gallery closed in 1978.
Related Materials:
Among other resources relating to the Poindexter Gallery records in the Archives of American Art is an oral history with gallery owner, Elinor Poindexter, conducted by Paul Cummings on September 9, 1970.
Provenance:
The Poindexter Gallery records were donated over a period from 1968-1978 by the Poindexter Gallery via owners Elinor Poindexter and art director Harold Fondren. A 2006 accession was donated by Christie Poindexter Dennis, daughter of Elinor.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Photographs
Citation:
Poindexter Gallery records, 1931-1985, bulk 1955-1978, Archives of American Art, Smithsonian Institution
Identifier:
AAA.poingall
See more items in:
Poindexter Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a881e053-d7f5-4294-bdb7-1386100cf956
EDAN-URL:
ead_collection:sova-aaa-poingall
Online Media:

Folder 15 Poindexter Gallery

Container:
Box 33 of 287
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 321, National Museum of American Art, Office of Program Support, Records
See more items in:
Records
Records / Series 7: Collections and Collectors / Box 33
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0321-refidd1e5162

Poindexter Gallery, 1965

Container:
Box 91 of 117
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 313, National Collection of Fine Arts, Central Administrative File, Records
See more items in:
Central Administrative File, Records
Central Administrative File, Records / Series 11: STATE AND FOREIGN COUNTRY FILES / Box 91
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0313-refidd1e16253

Hyde Solomon papers, 1911-1983

Creator:
Solomon, Hyde, 1911-1982  Search this
Poindexter Gallery  Search this
Citation:
Hyde Solomon papers, 1911-1983. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7172
(DSI-AAA_SIRISBib)209309
AAA_collcode_solohyde
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209309

Poindexter Gallery records, 1931-1985, bulk 1955-1978

Creator:
Poindexter Gallery  Search this
Subject:
De Niro, Robert, Sr.  Search this
Harris, Paul  Search this
Spaventa, George  Search this
Diebenkorn, Richard  Search this
Dickinson, Eleanor  Search this
De Kooning, Willem  Search this
Resnick, Milton  Search this
Olitski, Jules  Search this
Kline, Franz  Search this
Kerkam, Earl  Search this
Yale University  Search this
Worcester Art Museum  Search this
Corcoran Gallery of Art  Search this
Smithsonian Institution  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Montana Historical Society  Search this
Denver Art Museum  Search this
Fogg Art Museum  Search this
University of Arizona  Search this
Solomon R. Guggenheim Museum  Search this
Oberlin College  Search this
Type:
Photographs
Citation:
Poindexter Gallery records, 1931-1985, bulk 1955-1978. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)8940
(DSI-AAA_SIRISBib)211126
AAA_collcode_poingall
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211126
Online Media:

Jack Tworkov papers, 1926-1993

Creator:
Tworkov, Jack, 1900-1982  Search this
Subject:
Forge, Andrew  Search this
Dickinson, Edwin Walter  Search this
Demarco, Ricky  Search this
Knaths, Karl  Search this
Katz, Paul  Search this
Herzbrun, Helene  Search this
Hartigan, Grace  Search this
Bartlett, Jennifer  Search this
Ashton, Dore  Search this
Ashbury, John  Search this
Cézanne, Paul  Search this
Cavallon, Giorgio  Search this
Calfee, William H. (William Howard)  Search this
Blinken, Donald M.  Search this
Ponsold, Renate  Search this
Praeger, David A.  Search this
Westenberger, Theo  Search this
Summerford, Joe  Search this
Thorne, Joan  Search this
Matter, Herbert  Search this
Lindeberg, Linda  Search this
Osborn, Robert Chesley  Search this
Newman, Arnold  Search this
Newman, Michael  Search this
Wise, Howard  Search this
Wheeler, Dennis  Search this
Yunkers, Adja  Search this
Rothko, Mark  Search this
Egan Gallery  Search this
Stable Gallery (New York, N.Y.)  Search this
Nancy Hoffman Gallery  Search this
Leo Castelli Gallery  Search this
Poindexter Gallery  Search this
Zabriskie Gallery  Search this
Type:
Photographs
Sketchbooks
Video recordings
Interviews
Motion pictures (visual works)
Sound recordings
Sketches
Diaries
Citation:
Jack Tworkov papers, 1926-1993. Archives of American Art, Smithsonian Institution.
Topic:
Painting -- New York (State)  Search this
Painters -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Theme:
Diaries  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)13402
(DSI-AAA_SIRISBib)211452
AAA_collcode_tworjack2
Theme:
Diaries
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211452
Online Media:

Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974

Creator:
Jacques Seligmann & Co.  Search this
Subject:
Hauke, Cesar M. de (Cesar Mange)  Search this
Glaenzer, Eugene  Search this
Haardt, Georges  Search this
Seligman, Germain  Search this
Seligmann, Arnold  Search this
Parker, Theresa D.  Search this
Waegen, Rolf Hans  Search this
Trevor, Clyfford  Search this
Seligmann, René  Search this
Seligmann, Jacques  Search this
De Hauke & Co., Inc.  Search this
Jacques Seligmann & Co  Search this
Eugene Glaenzer & Co.  Search this
Germain Seligmann & Co.  Search this
Gersel  Search this
Type:
Gallery records
Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Topic:
Mackay, Clarence Hungerford, 1874-1938 -- Art collections  Search this
Schiff, Mortimer L. -- Art collections  Search this
Arenberg, duc d' -- Art collections  Search this
Liechtenstein, House of -- Art collections  Search this
Art -- Collectors and collecting -- France -- Paris  Search this
Art -- Collectors and collecting  Search this
World War, 1939-1945 -- Art and the war  Search this
La Fresnaye, Roger de, 1885-1925  Search this
Art, Renaissance  Search this
Decorative arts  Search this
Art treasures in war  Search this
Art, European  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)9936
(DSI-AAA_SIRISBib)212486
AAA_collcode_jacqself
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212486
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974 digital asset number 1
Online Media:

Mary Frank papers, 1884-2017, bulk 1957-1990

Creator:
Frank, Mary, 1933-  Search this
Subject:
Frank, Robert  Search this
Gibson, Ralph  Search this
Lockspeiser, Eleanore  Search this
Meyerowitz, Joel  Search this
Steichen, Edward  Search this
Type:
Drawings
Sketchbooks
Citation:
Mary Frank papers, 1884-2017, bulk 1957-1990. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)16170
(DSI-AAA_SIRISBib)366510
AAA_collcode_franmary
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_366510

Sonia Gechtoff papers

Collection Creator:
Gechtoff, Sonia, 1926-2018  Search this
Extent:
0.4 Linear feet (Box 1)
Type:
Archival materials
Date:
1950-1980
Scope and Contents:
Artworks consist of rough sketches of Gechtoff's paintings that specify dimension and creation dates. Biographical materials include resumes and biographical sketches. The bulk of Gechtoff's correspondence focuses on the exhibition and gallery representation of her works. Correspondents include Carnegie Institute, Fairweather-Hardin Gallery, Ferus Gallery, Oakland Art Gallery, Poindexter Gallery, San Francisco Museum of Art, Solomon R. Guggenheim Museum, and the Walker Art Center. Also found are letters written by Gechtoff to her family in the late 1960s while she was in Europe.

Personal business records contain loan receipts, a letter of representation from the Ferus Gallery, and a faculty contract with the California School of Fine Arts. Photographs are of works of art and exhibitions. Printed materials include exhibition announcements and catalogs, and clippings. Writings by Gechtoff include a short story, a poem, an open letter to the Women's Caucus for Art, and a notebook used as an exercise in her painting procedure.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information
Collection Citation:
Sonia Gechtoff papers, 1950-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gechsoni, Series 1
See more items in:
Sonia Gechtoff papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw967e8a530-c67b-4eef-a24d-d362064cdcb6
EDAN-URL:
ead_component:sova-aaa-gechsoni-ref3

Jack Tworkov papers

Creator:
Tworkov, Jack  Search this
Names:
Egan Gallery  Search this
Leo Castelli Gallery  Search this
Nancy Hoffman Gallery  Search this
Poindexter Gallery  Search this
Stable Gallery (New York, N.Y.)  Search this
Zabriskie Gallery  Search this
Ashbury, John  Search this
Ashton, Dore  Search this
Bartlett, Jennifer, 1941-  Search this
Blinken, Donald M., 1925-  Search this
Calfee, William H. (William Howard), 1909-1995  Search this
Cavallon, Giorgio, 1904-1989  Search this
Cézanne, Paul, 1839-1906  Search this
Demarco, Ricky  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Forge, Andrew  Search this
Hartigan, Grace  Search this
Herzbrun, Helene  Search this
Katz, Paul  Search this
Knaths, Karl, 1891-1971  Search this
Lindeberg, Linda, 1915-1973  Search this
Matter, Herbert, 1907-1984  Search this
Newman, Arnold, 1918-2006  Search this
Newman, Michael  Search this
Osborn, Robert Chesley, 1904-1994  Search this
Ponsold, Renate  Search this
Praeger, David A.  Search this
Rothko, Mark, 1903-1970  Search this
Summerford, Joe  Search this
Thorne, Joan, 1943-  Search this
Westenberger, Theo  Search this
Wheeler, Dennis  Search this
Wise, Howard  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
9.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketchbooks
Video recordings
Interviews
Motion pictures (visual works)
Sound recordings
Sketches
Diaries
Date:
1926-1993
Summary:
The Jack Tworkov papers measure 9.7 linear feet and are dated 1926-1993. Tworkov's work as a painter and influential teacher, as well as his personal life, are documented by extensive journals and substantive correspondence that record his ideas about art and teaching, and illuminate his relationships with friends, colleagues, and students. Many sketchbooks, writings, interviews, photographs, and moving images are also included.
Scope and Content Note:
The Jack Tworkov papers measure 9.7 linear feet and are dated 1926-1993, with the bulk from the period 1931-1982. Tworkov's work as a painter and influential teacher, as well as his personal life, are documented by extensive journals and substantive correspondence that record his ideas about art and teaching, and illuminate his relationships with friends, colleagues, and students. Many sketchbooks, writings, interviews, photographs, and moving images are also included.

Biographical material includes Tworkov's citizenship certificate, awards, diplomas, a copy of Jack Tworkov: Video Portrait, produced by Electronic Arts Intermix, and a motion picture film, USA Artists: Jack Tworkov, produced by National Education Television.

Correspondence consists largely of incoming letters. It is both professional and personal in nature and often combines both spheres. Correspondents include artists Jennifer Bartlett, William H. Calfee, Giorgio Cavallon and Linda Lindeberg, Grace Hartigan, Helene Herzbrun (also named Helene McKinsey), Karl Knaths, Joe Summerford, Joan Thorne, and Adja Yunkers; cartoonist Robert C. Osborn; collectors Donald M. Blinken and David A. Praeger (who was also Tworkov's lawyer); illustrator Roger Dovoisin; critics Dore Ashton and Andrew Forge; critic and poet John Ashbury; galleries that represented Tworkov: Egan Gallery, Leo Castelli, Nancy Hoffman Gallery, Poindexter Gallery, Stable Gallery and Zabriskie Gallery; and many museums, arts organizations, colleges and universities.

Interviews with Tworkov include one with Ricky Demarco videotaped in 1979 and two conducted on video by Twokov's daughter Helen in 1975. The remaining interviews are sound recordings, one conducted by Grace Alexander for the show Artists in New York in 1967, one conducted by Michael Newman in 1980, and the remainder by unidentified interviewers. None have transcripts.

All writings are by Tworkov and include poems, an artist's statement, and documentation for two children's books by Tworkov illustrated by Roger Duvoisin. Two additional notebooks contain miscellaneous notes, teaching notes, and some specific to identified courses. Lectures exist as untranscribed sound recordings.

Tworkov's journals (33 volumes) span a period of 35 years, from 1947 until 1982, with the final entry dated a few weeks before his death. They record his reflections on painting, his challenges as a painter, aesthetics, the role of the artist in society, Jewish identity, painters he admired (especially Cézanne and Edwin Dickinson), politics, and teaching. They also recount everyday life: the comings and goings of friends and family members, social engagements, professional activities, illness, and travel.

The lone subject file concerns Mark Rothko and includes a photograph of Rothko and the guest list for the dedication of the Rothko Chapel in Houston.

Artwork consists of a small number of sketches by Tworkov in pencil and ink. Tworkov's sketchbooks (28 volumes) contain sketches and some finished drawings. Most are in pencil, but scattered throughout are a few pencil sketches embellished with colored marker or pastel, and a small number in ink.

Photographs are of people, places and events. Most photographs are of Tworkov alone and with others including Giogio Cavallon, though most friends and students are unidentified. Of note are views of Tworkov producing a series of prints at Tamarind Institute. Also found is an informal portrait of Wally Tworkov. Events recorded include the jurying of "Exhibition Momentum" in Chicago, 1956. Among the places shown are Tworkov's studios at Black Mountain College and in Provincetown. When known, photographers are noted; among them are Paul Katz, Herbert Matter, Arnold Newman, Renate Ponsold, Theo Westenberger, Dennis Wheeler, and Howard Wise.

A separate series of audiovisual recordings was established for those recordings that could not be readily identified to be arranged in other series. They consist of three videocassettes (2 VHS and 1 miniDV).
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, 1933-1981 (Boxes 1, 9, 11, FC 13; 0.7 linear ft.)

Series 2: Correspondence, 1926-1993 (Boxes 1-5; 3.8 linear ft.)

Series 3: Interviews, 1978-1982 (Boxes 5, 9-10; 1 linear ft.)

Series 4: Writings, Notes, and Lectures, 1955-1982 (Boxes 5, 9; 0.5 linear ft.)

Series 5: Journals, 1947-1982 (Boxes 5-7; 2.0 linear ft.)

Series 6: Subject File, 1961-1977 (Box 7; 1 folder)

Series 7: Printed Material, 1952-1981 (Box 7, OV 12; 0.1 linear ft.)

Series 8: Artwork, circa 1950s-1960s (Box 7: 3 folders)

Series 9: Sketchbooks, circa 1950s-1960s (Boxes 7-8, 11; 1.0 linear ft.)

Series 10: Photographic Materials, 1941-1981 (Boxes 8-9; 0.5 linear ft.)

Series 11: Audiovisual Recordings, 1961-1975 (Box 9; 0.1 linear ft.)
Biographical Note:
New York School painter Jack Tworkov (1900-1982), best known for his Abstract Expressionist paintings and as a highly regarded teacher, lived and worked in New York City and Provincetown, MA.

At age 13, Tworkov (born Yakov Tworkovsky) emigrated from Poland with his mother and sister to join his father already in the United States. In America, they chose to use the name of distant relatives, the Bernsteins, who were their sponsors. Eventually, Jack and his sister, Janice, reclaimed and shortened their name to Tworkov; later, she adopted the name of their hometown in Poland and became the painter Janice Biala.

As a high school student in New York City, Tworkov attended drawing classes. After graduating from Columbia University, where he had been an English major and considered becoming a writer, Tworkov instead turned to art. He studied with Ivan Olinsky at the National Academy of Design between 1923 and 1925, and from 1925 to 1926 attended painting classes taught by Guy Péne Du Bois and Boardman Robinson at the Art Students League. During his college years, Tworkov began visiting museums and became a great admirer of Cézanne. Tworkov's early paintings - still life, landscapes, and portraits - showed the influence of European modernism and Cézanne.

Tworkov spent his first summer in Provincetown while still a student and subsequently returned to study with Ross Moffet. In Provincetown he met and was greatly influenced by Karl Knaths and developed a lifelong friendship with Edwin Dickinson. By 1929, Tworkov was painting there year round. Over the years, Tworkov and his family continued to return for long stretches, and in 1958 he purchased a house in Provincetown.

During the Great Depression, Tworkov participated in the Treasury Department's Public Works of Art Project until 1934, and then moved to the easel division of the WPA Federal Art Project. He felt uncomfortable with the growing ideological and political influences on art and found it depressing to paint for the WPA rather than for himself, so he left the WPA in 1941. Tworkov, who had studied mechanical drawing while in high school, spent most of the War years employed as a tool designer and draftsman at an engineering firm with government contracts.

By the 1940s, Tworkov was painting in the Abstract Expressionist style. Between 1948 and 1953, he leased a studio on Fourth Avenue that adjoined that of his friend Willem de Kooning. During this time, they mutually influenced each other as they developed into mature Abstract Expressionists. At Yale in the 1960s, Tworkov became close friends with fellow student Josef Albers. Alber's influence on Tworkov resulted in a turn to geometric compositions of small, systematic, and repetitive strokes defined by a grid. He experimented with diagonal compositions, and later geometric work that featured large areas of color and soft texture.

Tworkov's first teaching experience was during 1930-1931 when he served as a part-time painting instructor at the Ethical Culture Fieldston School. His teaching career began in earnest when he joined the faculties of Queens College, 1948-1955, and Pratt Institute, 1955-1958. During the summers he taught at various schools, most notably Black Mountain College's 1952 summer session. Tworkov was a visiting artist at the Yale University School of Art and Architecture, 1961-1963, and became chairman of its Art Department from 1963 until his retirement in 1969. In retirement he lived in Provincetown and was a visiting artist for both short and extended periods at various universities and art schools.

An avid reader of literature and poetry, Tworkov also wrote poems and essays. He published essays in It Is, Art Digest, and Art In America; his most notable piece, "The Wandering Soutine," appeared in Art News, November 1950. Tworkov also kept a journal for 35 years (1947-1982) that recorded his thoughts on a wide range of subjects concerning professional, personal, and philosophical issues, as well as details of everyday life.

Tworkov was among the founders of the Artists' Club or The Club in 1949, and for a decade actively participated in the stimulating discussions for which the group was known. In 1968 he helped to establish the Fine Arts Work Center in Provincetown. Its residency program enabled younger artists and writers to advance their careers and kept Provincetown's historic artists' colony active year round.

He was the recipient of the William A. Clark Award and Corcoran Gold Medal from the Corcoran Gallery of Art, 1963; Skowhegan School of Art's Painter of the Year Award, 1974; and Distinguished Teaching of Art Award from College Art Association, 1976. Tworkov was appointed to serve on the Massachusetts Art Commission, 1970-1971, and in 1981 was named a Fellow of The Cleveland Museum of Art and of the Rhode Island School of Design.

Following his second divorce in 1935, Rachel (Wally) Wolodarsky became Tworkov's third wife and their marriage endured. They had two daughters. Hermine Ford (b. 1939) is an artist married to fellow painter Robert Moskowitz. Helen Tworkov (b. 1943) is the founder of Tricycle: The Buddhist Review and the author of a book about yoga.

Tworkov remained physically and intellectually active after a diagnosis of bone cancer around 1980, and continued to paint until shortly before his death in Provincetown on September 4, 1982.
Related Material:
Among the holdings of the Archives of American Art are two oral history interviews with Jack Tworkov, one conducted by Dorothy Seckler, Aug. 17, 1962, and another by Gerald Silk, May 22, 1981. There is also a small collection of three letters written by Jack Tworkov to friend Troy-Jjohn Bramberger.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel N70-38 and 62) including writings by Tworkov, notebooks, notes for teaching and talks, notes on art and miscellaneous subjects, poems, artist's statements, biographical data, the transcript of a 1970 interview with Tworkov conducted by Phyllis Tuchman, and a few letters and drafts of letters, 1950-1963. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Jack Tworkov lent the Archives of American Art papers for microfilming in 1970-1971. Jack Tworkov's daughters, Hermine Ford and Helen Tworkov, donated the rest of the collection in 2009, which included some of the material from the original loan.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
Reels N70-38 and 62: Authorization to publish, quote, or reproduce requires written permission from Helen Tworkov or Hermine Ford. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts  Search this
Topic:
Painting -- New York (State)  Search this
Painters -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Photographs
Sketchbooks
Video recordings
Interviews
Motion pictures (visual works)
Sound recordings
Sketches
Diaries
Citation:
Jack Tworkov papers, 1926-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tworjack2
See more items in:
Jack Tworkov papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9345f5838-057f-4572-8063-0df7b8d00ad0
EDAN-URL:
ead_collection:sova-aaa-tworjack2
Online Media:

Biographical Data and Chronologies

Collection Creator:
Pollock, Jackson, 1912-1956  Search this
Krasner, Lee, 1908-1984  Search this
Container:
Box 7, Folder 14
Type:
Archival materials
Date:
1964-1983, undated
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Jackson Pollock and Lee Krasner papers
Jackson Pollock and Lee Krasner papers / Series 2: Lee Krasner Papers / 2.1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94b0d8ec7-f1fe-4d08-b41c-2ba3d8d636e1
EDAN-URL:
ead_component:sova-aaa-polljack-ref235
5 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Biographical Data and Chronologies digital asset number 1
  • View Biographical Data and Chronologies digital asset number 2
  • View Biographical Data and Chronologies digital asset number 3
  • View Biographical Data and Chronologies digital asset number 4
  • View Biographical Data and Chronologies digital asset number 5

Exhibition Lists

Collection Creator:
Pollock, Jackson, 1912-1956  Search this
Krasner, Lee, 1908-1984  Search this
Container:
Box 7, Folder 15
Type:
Archival materials
Date:
1965-1977
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
See more items in:
Jackson Pollock and Lee Krasner papers
Jackson Pollock and Lee Krasner papers / Series 2: Lee Krasner Papers / 2.1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ea96fa69-501a-4dbf-ae60-6120c76ff06d
EDAN-URL:
ead_component:sova-aaa-polljack-ref236
4 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Exhibition Lists digital asset number 1
  • View Exhibition Lists digital asset number 2
  • View Exhibition Lists digital asset number 3
  • View Exhibition Lists digital asset number 4

Elinor Poindexter Gallery, Joellen Hall, Cile Downs, Mary Lincoln Bonnel, Betty Klavun, Charlotte Park (1984 December 1-26)

Collection Creator:
Brooks, James, 1906-1992  Search this
Container:
Box 16, Folder 28-29
Type:
Archival materials
Date:
1984-1985
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James Brooks and Charlotte Park papers, 1909-2010, bulk 1930-2010. Archives of American Art, Smithsonian Institution.
See more items in:
James Brooks and Charlotte Park papers
James Brooks and Charlotte Park papers / Series 11: Charlotte Park papers / Park Exhibitions
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cdac5cd8-3e67-4e64-99db-318c94724889
EDAN-URL:
ead_component:sova-aaa-broojame-ref357

Letters related to Horace Pippin

Collection Creator:
Carlen Galleries  Search this
Container:
Box 6, Folder 7
Type:
Archival materials
Date:
1947-1979
Collection Restrictions:
Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carlen Galleries, Inc., records, 1775-1997, bulk 1940-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Carlen Galleries, Inc., records
Carlen Galleries, Inc., records / Series 1: Gift (1986) / 1.5: Artist Files: Horace Pippin
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c3d6d75e-a0a5-4816-9935-dfd270edc6a7
EDAN-URL:
ead_component:sova-aaa-carlgall-ref1134
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Letters related to Horace Pippin digital asset number 1

Poindexter Gallery

Collection Creator:
Swetzoff Gallery  Search this
Container:
Box 9, Folder 5
Type:
Archival materials
Date:
1957
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Swetzoff Gallery records, 1941-1968. Archives of American Art, Smithsonian Institution.
See more items in:
Swetzoff Gallery Records
Swetzoff Gallery Records / Series 3: Named Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw989121d6a-6f29-4540-8c54-0dea8ecd81ed
EDAN-URL:
ead_component:sova-aaa-swetgall-ref177

Woman by Window

Artist:
Richard Diebenkorn, American, b. Portland, Oregon, 1922–1993  Search this
Medium:
Gouache on paper
Dimensions:
17 x 13 7/8 in. (43.2 x 35.2 cm)
Type:
Painting
Date:
1957
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.1369
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Bay Area Figuration
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2729e4fad-f4cb-4ec8-8bb4-a62e44f6dba0
EDAN-URL:
edanmdm:hmsg_66.1369

Man and Woman in a Large Room

Artist:
Richard Diebenkorn, American, b. Portland, Oregon, 1922–1993  Search this
Medium:
Oil on canvas
Dimensions:
71 1/8 × 62 1/2 in. (180.7 × 158.8 cm)
Type:
Painting
Date:
1957
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of the Joseph H. Hirshhorn Foundation, 1966
Accession Number:
66.1371
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
School:
Bay Area Figuration
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py26f3c818f-3f5d-4cfd-92fa-2e53dc7db670
EDAN-URL:
edanmdm:hmsg_66.1371

Jutland I

Artist:
Budd Hopkins, American, b. Wheeling, West Virginia, 1931–2011  Search this
Medium:
Oil on linen
Dimensions:
40 3/4 x 51 3/4 in. (103.5 x 131.4 cm)
Type:
Painting
Date:
1961
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2502
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2ea619edc-2dfa-4844-bbff-8203ba0e2b75
EDAN-URL:
edanmdm:hmsg_66.2502

Jutland II

Artist:
Budd Hopkins, American, b. Wheeling, West Virginia, 1931–2011  Search this
Medium:
Oil on linen
Dimensions:
43 1/8 x 39 5/8 in. (109.5 x 100.7 cm)
Type:
Painting
Date:
1961
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.2503
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py2525df354-d4de-4544-b09a-27a988cd21ae
EDAN-URL:
edanmdm:hmsg_66.2503

Gamecock

Artist:
Rudolph Condon, American, 1905–1982  Search this
Medium:
Granite
Dimensions:
18 7/8 x 13 1/2 x 11 1/8 in. (47.9 x 34.3 x 28.3 cm)
Type:
Sculpture
Date:
(mid-1950s-early 1960s)
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Gift of Joseph H. Hirshhorn, 1966
Accession Number:
66.954
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py221831dd4-588e-4068-9489-71178960e92d
EDAN-URL:
edanmdm:hmsg_66.954

Modify Your Search







or


Narrow By