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Edward M. Plunkett mail art to Richard Shebairo

Creator:
Shebairo, Richard  Search this
Names:
Plunkett, Edward M. (1922-2011)  Search this
Extent:
0.02 Linear feet
Type:
Collection descriptions
Archival materials
Mail art
Date:
1983-1986
Summary:
Mail art from Edward M. Plunkett to Richard Shebairo measures 0.02 linear feet and date from 1983-1986, including letters, rubber-stamped envelopes, newspaper clippings, perforated faux postage stamps, several handmade booklets and rubber stamped communications, an unopened letter to Plunkett, which he altered with rubber stamps and signed "EMP 84." Also included is a 3x5 inch memo book inscribed "to Richard April 1, 1985 E M Plunkett," containing rubber-stamp narratives. Correspondence relates to accounting tasks and materials, accompanied with mentions of Plunkett's enclosed mail art.
Scope and Contents:
Mail art from Edward M. Plunkett to Richard Shebairo measure 0.02 linear feet and date from 1983-1986, including letters, rubber-stamped envelopes, newspaper clippings, perforated faux postage stamps, several handmade booklets and rubber stamped communications, an unopened letter to Plunkett, which he altered with rubber stamps and signed "EMP 84." Also included is a 3x5 inch memo book inscribed "to Richard April 1, 1985 E M Plunkett," containing rubber-stamp narratives. Correspondence relates to accounting tasks and materials, accompanied with mentions of Plunkett's enclosed mail art.
Arrangement:
Due to the small size of this collection the papers are arranged as one series.
Biographical / Historical:
Edward M. Plunkett (1922-) is a mail artist who coined the name "New York Correspondence School" in the early 1960s to describe the work he was making with contemporaries such as Ray Johnson. Richard Shebairo was Plunkett's accountant.
Provenance:
The Edward M. Plunkett mail art to Richard Shebairo, 1983-1986, was donated in 2018 by Richard Shebairo.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Rubber stamps  Search this
Genre/Form:
Mail art
Citation:
Edward M. Plunkett mail art to Richard Shebairo, 1983-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.shebrich
See more items in:
Edward M. Plunkett mail art to Richard Shebairo
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b6bc95fc-e2b8-49a5-acce-477883a471ae
EDAN-URL:
ead_collection:sova-aaa-shebrich

Ellen Lanyon papers

Creator:
Lanyon, Ellen  Search this
Names:
Cooper Union for the Advancement of Science and Art -- Faculty  Search this
Landfall Press  Search this
Ox-Bow Summer School of Painting  Search this
Chicago, Judy, 1939-  Search this
Golub, Leon, 1922-2004  Search this
Grooms, Red  Search this
Hunt, Richard, 1935-  Search this
Kozloff, Joyce  Search this
Lippard, Lucy R.  Search this
Nilsson, Gladys, 1940-  Search this
Petlin, Irving, 1934-  Search this
Plunkett, Edward M. (1922-2011)  Search this
Rockburne, Dorothea  Search this
Schapiro, Miriam, 1923-2015  Search this
Spector, Buzz  Search this
Stevens, May  Search this
Stuart, Michelle, 1933-  Search this
Extent:
62.6 Linear feet
84.47 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Electronic records (digital records)
Sketches
Interviews
Collages
Paintings
Sound recordings
Prints
Video recordings
Sketchbooks
Diaries
Transcriptions
Photographs
Scrapbooks
Date:
circa 1880-2015
bulk 1926-2013
Summary:
The papers of artist Ellen Lanyon measure 62.6 linear feet and 84.47 GB and date from circa 1880-2015, bulk 1926-2013. Biographical material; correspondence; interviews; writings; journals; project files; teaching files; exhibition files; personal business records; printed and broadcast material; scrapbooks; photographic material; artwork; sketchbooks; as well as sound and video recordings and digital material, provide a comprehensive view of Lanyon's career and of art circles in Chicago and New York. Correspondence with artists and friends make up a significant portion of the collection. Project and exhibition files reflect her professional and artistic career. Thousands of slides and photographs document her life and artwork over seven decades, and over seventy sketchbooks are filled with student sketches, portraits of friends and family, and preliminary drawings.
Scope and Contents:
The papers of artist Ellen Lanyon measure 62.6 linear feet and 84.47 GB and date from circa 1880-2015, bulk 1926-2013. Biographical material; correspondence; interviews; writings; journals; project files; teaching files; exhibition files; personal business records; printed and broadcast material; scrapbooks; photographic material; artwork; sketchbooks; as well as sound and video recordings and digital material, provide a comprehensive view of Lanyon's career and of art circles in Chicago and New York.

Biographical material documents Lanyon's major life events and includes calendars; addresses and contacts; life documents; awards; diplomas and school records; resumes; horoscope readings and natal chart; residence documents; personal memorabilia; family papers and memorabilia; digital material; and items relating to Lanyon's memorial.

Correspondence, both personal and professional, consists of letters, postcards, holiday and greeting cards exchanged with family, friends, artists, collectors, publishers, print shops, museums, galleries, and cultural and educational institutions. Some material is in digital format. Notable correspondents include Judy Chicago, Leon Golub, Red Grooms, Richard Hunt, Joyce Kozloff, Lucy Lippard, Gladys Nilsson, Irving Petlin, Edward Plunkett, Dorothea Rockburne, Miriam Schapiro, Buzz Spector, May Stevens, and Michelle Stuart.

Fourteen interviews are with Ellen Lanyon conducted by various interviewers on behalf of a number of organizations and consist of transcripts, sound recordings, and video recordings, some in digital format.

Writings include general writings, lectures, presentations, and thirty-seven notebooks by Lanyon. A few writings by others about Lanyon and several sound recordings of lectures by other artists are also found here.

Twenty-five journals intermittently record Lanyon's reflections on her day-to-day life including her work, obligations, and relationships.

Project files include professional activities and files documenting projects and commissions. Files may contain project proposals, correspondence, printed and digital material, applications, contracts, research notes, invoices, receipts, notebooks, sketches, plans, organizational records, and photographic material. Three multi-year projects are extensively documented, including theMiami Metamorphosis mural, Riverwalk Gateway mural, and Hiawatha Rail Line mural.

Teaching files consist of correspondence, memoranda, course descriptions and proposals, rosters, administrative documents, and printed material from a number of institutions, including Cooper Union, where Lanyon taught from the 1970s to her retirement in 1993.

Exhibition files include files for individual exhibitions, exhibitions by women artists, and chronological files. Files may contain correspondence, inventories, consignment records, layout plans, printed and digital material, and photographic material.

Personal business, inventory, and estate records document the financial and administrative history of Lanyon's career and artworks.

Printed material, broadcast material, and published video recordings document Lanyon's career, art movements in Chicago and New York, and the women's movement in art. Files may contain books, booklets, broadsides, radio and television broadcasts, brochures, exhibition announcements and catalogs, lecture announcements, news and magazine clippings, newspapers and newsletters, periodicals, press releases, programs, video recordings, digital material, source material, and posters.

Eight scrapbooks contain predominantly clippings and exhibition material documenting Lanyon's career.

Photographic material consists of thousands of prints, slides, transparencies, digital photographs, and negatives of Lanyon, family, friends, artists, places, and artwork.

A small number of artworks include a self-portrait Lanyon carved in wood, a childhood painting, a photo collage, sketches, and one folder of assignments for an art course. Artworks by others are a hand colored photograph album by Marcia Palazzolo and prints distributed by Landfall Press.

Seventy-one sketchbooks are filled with student sketches, portraits of friends and family, and preliminary drawings done in pencil, watercolor, and colored pencil.
Arrangement:
The collection is arranged as fifteen series

Missing Title

Series 1: Biographical Material, circa 1880-2014, bulk 1926-2015 (5.3 linear feet; Box 1-6, 62, 3.94 GB; ER01-ER04)

Series 2: Correspondence, 1936-2013 (14.3 linear feet; Box 6-20, 1.51 GB; ER05-ER11)

Series 3: Interviews, circa 1975-2012 (0.7 linear feet; Box 20-21, 7.07 GB; ER12-ER19)

Series 4: Writings, Lectures, and Notebooks, circa 1947-2015 (3.2 linear feet; Box 21-24, 0.712 GB; ER20-ER24)

Series 5: Journals, 1967-2013 (1 linear foot; Box 24-25)

Series 6: Project Files, 1952-2014 (5.8 linear feet; Box 25-31, 62, OV 66, 13.42 GB; ER25-ER32)

Series 7: Teaching Files, 1953-2010 (0.9 linear feet; Box 31)

Series 8: Exhibition Files, circa 1944-2013 (2.7 linear feet; Box 32-34, 63, 3.87 GB; ER33-ER37)

Series 9: Personal Business, Inventory, and Estate Records, circa 1950-2015 (3 linear feet; Box 34-37, 9.10 GB; ER38-ER46)

Series 10: Printed and Broadcast Material, and Published Video Recordings, 1937-2013 (13.3 linear feet; Box 37-49, 63, OV 67-77, 2.18 GB; ER47-ER49)

Series 11: Scrapbooks, 1946-2013 (0.6 linear feet; Box 49-50)

Series 12: Photographic Material, circa 1920-2015 (7.7 linear feet; Box 50-57, 63, 42.44 GB; ER50-ER71)

Series 13: Artwork, circa 1938-1979 (0.2 linear feet; Box 58, 63)

Series 14: Sketchbooks, circa 1940-2010 (3.4 linear feet; Box 58-60, 64, 65)

Series 15: Unidentified Sound and Video Recordings, and Electronic Records, circa 1974-2013 (0.5 linear feet; Box 60-61)
Biographical / Historical:
Ellen Lanyon (1926-2013) was an American painter and printmaker working in Chicago and New York. She was born in Chicago, Illinois to Howard and Ellen (Nellie) Lanyon. Lanyon received her BFA from the School of the Art Institute of Chicago in 1948 and married classmate and artist Roland Ginzel that same year. In 1950, she received her MFA from the University of Iowa. As part of her post graduate work, Lanyon studied at the Courtauld Institute, University of London on a Fulbright Fellowship.

In the late 1940s, Lanyon began exhibiting her work and was featured in several Chicago and Vicinity Annual shows as well as the Momentum exhibitions. Influenced by surrealism, magic realism, and the work of the Chicago Imagists and the Hairy Who, Lanyon's subjects range from portraits of friends and family, to objects from her collection of curios, to flora and fauna. She produced paintings, drawings, print editions, artist's books, and some ceramics. In addition to her own artwork, Lanyon took on numerous commissions including the Riverwalk Gateway murals in Chicago, the Hiawatha Transit murals in Minneapolis, Minnesota, and a variety of illustration work.

Lanyon was active in many professional organizations and women's organizations including the College Art Association (CAA) and the Women's Caucus for Art. She organized panels at CAA, contributed writings and editing to journals, including Heresies, and served on a variety of panels and juries. Lanyon was also on the Board of the Ox-Bow Summer School of Painting, which she attended in her youth. Over the course of her career, she taught at many colleges and universities, including Cooper Union, where she was Associate Professor.

Throughout her career, Lanyon participated in exhibitions around the country, including a retrospective of her work at the National Museum for Women in the Arts in 1999. She was also the recipient of many awards and grants including the Logan Price and a National Endowment for the Arts grant.

Lanyon and Ginzel had two children, Andrew and Lisa Ginzel.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Ellen Lanyon conducted by James Crawford in 1975.
Provenance:
A majority of the collection was donated in 2015 by Andrew Ginszel, Ellen Lanyon's son and executor. Lanyon also donated material in 1990. Portions of the collection were lent for microfilming from 1977-1981 by Lanyon and subsequently donated.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Muralists -- Illinois -- Chicago  Search this
Painters -- Illinois -- Chicago  Search this
Printmakers -- Illinois -- Chicago  Search this
Topic:
Mural painting and decoration  Search this
Art -- Study and teaching  Search this
Feminism and art  Search this
Painting, Modern  Search this
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Genre/Form:
Electronic records (digital records)
Sketches
Interviews
Collages
Paintings
Sound recordings
Prints
Video recordings
Sketchbooks
Diaries
Transcriptions
Photographs
Scrapbooks
Citation:
Ellen Lanyon papers, circa 1880-2015, bulk 1926-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lanyelle
See more items in:
Ellen Lanyon papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c3c6cdad-0687-4ec6-90f7-f1c051a79c62
EDAN-URL:
ead_collection:sova-aaa-lanyelle
Online Media:

Edward Plunkett papers

Creator:
Plunkett, Edward M. (1922-2011)  Search this
Extent:
4.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1900-2006
Summary:
Edward Plunkett papers measure 4.2 linear feet and date from circa 1900-2006. Biographical material includes a hand-written biography, identification cards including a United States passport, and a series of autobiographical essays written by Plunkett in his later years at a retirement community in Madison, Wisconsin. The correspondence series is comprised heavily of mail art sent to Plunkett correspondents including Robert Delford Brown, Russell Butler (a.k.a. buZ blurr), Anna Banana, Buster Cleveland, Crackerjack Kid, Ken Friedman, John Held, Jr., E. F. Higgins III, Ray Johnson, Tim Mancusi, Carlo Pittore, May Wilson, William Wilson, and W. S. Stipe. The printed material series includes editioned mail art publications including Collective Farm, No. 3, Post-Office Dinner, 1982 (number 15/100), and unused source material for his mail and collage art. The photographic material series consists of some images of Plunkett, his earlier, more traditional artworks, and snapshots from his travels. The artwork series consists of traditional drawings, paintings, and collages on paper, in addition to a number of altered published books, miniature booklets, and collaged notebooks in various states of being finished. Many of the interleaved notebooks have not been glued to the paper.
Scope and Contents:
Edward Plunkett papers measure 4.2 linear feet and date from circa 1900-2006. Biographical material includes a hand-written biography, identification cards including a United States passport, and a series of autobiographical essays written by Plunkett in his later years at a retirement community in Madison, Wisconsin. The correspondence series is comprised heavily of mail art sent to Plunkett correspondents including Robert Delford Brown, Russell Butler (a.k.a. buZ blurr), Anna Banana, Buster Cleveland, Crackerjack Kid, Ken Friedman, John Held, Jr., E. F. Higgins III, Ray Johnson, Tim Mancusi, Carlo Pittore, May Wilson, William Wilson, and W. S. Stipe. The printed material series includes editioned mail art publications including Collective Farm, No. 3, Post-Office Dinner, 1982 (number 15/100), and unused source material for his mail and collage art. The photographic material series consists of some images of Plunkett, his earlier, more traditional artworks, and snapshots from his travels. The artwork series consists of traditional drawings, paintings, and collages on paper, in addition to a number of altered published books, miniature booklets, and collaged notebooks in various states of being finished. Many of the interleaved notebooks have not been glued to the paper.
Arrangement:
The collection is arranged in five series:

Series 1: Biographical Material, circa 1952-2004 (0.1 linear feet: Box 1)

Series 2: Correspondence, circa 1946-2002 (1 linear foot: Boxes 1-2)

Series 3: Printed Material, circa 1900-2006 (0.8 linear feet: Box 2)

Series 4: Photographic Material, circa 1950-1999 (0.2 linear feet: Boxes 2-3)

Series 5: Artwork, circa 1935-1999 (2.1 linear feet: Boxes 3-5, OV 6-9)
Biographical / Historical:
Edward M. Plunkett (1922-2011) was a mail artist, painter, and educator based in New York City. Plunkett was born in Highland Park, Michigan, attended the University of Chicago and the School of the Chicago Art Institute, and went on to teach at The Chicago Art Institute. Plunkett came to New York City in 1949 to pursue graduate studies at the Institute of Fine Arts, New York University and then the Sorbonne in Paris before settling permanently in New York. Plunkett's mature style as an exhibiting painter and illustrator often included social scenes and city life in a caricature-like style heavily influenced by Surrealism. In a 1977 article in Art Journal Plunkett describes his engagement with the emerging genre of mail art and how he coined the name "New York Correspondence School" in the early 1960s to describe the work he was making with contemporaries such as Ray Johnson. His paintings have been exhibited at The Whitney Museum in New York, in museums in Holland, Switzerland and The Museum of Modern Art in Paris. His work is found in numerous collections including The Metropolitan Museum of Art in New York, and his mail art is featured in many art and manuscript collections of mail artists.
Provenance:
The collection was donated in 2019 and 2020 by Wendy Fern Hutton, niece of Edward M. Plunkett.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Mail artists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Educators -- Illinois -- Chicago  Search this
Topic:
Mail art  Search this
Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.plunedwar
See more items in:
Edward Plunkett papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw902e81d71-99d2-4261-a8ea-d49ab6e70799
EDAN-URL:
ead_collection:sova-aaa-plunedwar

Biographical Material

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Extent:
0.1 Linear feet (Box 1)
Type:
Archival materials
Date:
circa 1952-2004
Scope and Contents:
Biographical material includes a hand-written biography, identification cards including a United States passport, and a series of autobiographical essays written by Plunkett in his later years at a retirement community in Madison, Wisconsin.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.plunedwar, Series 1
See more items in:
Edward Plunkett papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b50ecd53-54ce-45ca-8d90-f9c7f49a72c4
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref11

Correspondence

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Extent:
1 Linear foot (Boxes 1-2)
Type:
Archival materials
Date:
circa 1946-2002
Scope and Contents:
The correspondence series is comprised heavily of mail art sent to Plunkett correspondents including Robert Delford Brown, Russell Butler (a.k.a. buZ blurr), Anna Banana, Buster Cleveland, Crackerjack Kid, Ken Friedman, John Held, Jr., E. F. Higgins III, Ray Johnson, Tim Mancusi, Carlo Pittore, May Wilson, William Wilson, and W. S. Stipe.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.plunedwar, Series 2
See more items in:
Edward Plunkett papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97c5983fb-c58b-4c17-bf3c-54a01be8d45f
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref12

Printed Material

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Extent:
0.8 Linear feet (Box 2)
Type:
Archival materials
Date:
circa 1900-2006
Scope and Contents:
The printed material series includes editioned mail art publications including Collective Farm, No. 3, Post-Office Dinner, 1982 (number 15/100), and unused source material for his mail and collage art.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.plunedwar, Series 3
See more items in:
Edward Plunkett papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94a174a5c-8e2e-404a-8887-c39c291cf210
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref13

Photographic Material

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Extent:
0.2 Linear feet (Boxes 2-3)
Type:
Archival materials
Date:
circa 1950-1999
Scope and Contents:
The photographic material series consists of some images of Plunkett, his earlier, more traditional artworks, and snapshots from his travels.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.plunedwar, Series 4
See more items in:
Edward Plunkett papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw986f9eafe-22a9-462d-af3d-34d8c0d82027
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref14

Artwork

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Extent:
2.1 Linear feet (Boxes 3-5, OV 6-9)
Type:
Archival materials
Date:
circa 1935-1999
Scope and Contents:
The artwork series consists of traditional drawings, paintings, and collages on paper, in addition to a number of altered published books, miniature booklets, and collaged notebooks in various states of being finished. Many of the interleaved notebooks have not been glued to the paper.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.plunedwar, Series 5
See more items in:
Edward Plunkett papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93326cef2-1d36-4afe-931b-3e193edd26a3
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref15

United States Passport

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
circa 1952-1956
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Edward Plunkett papers
Edward Plunkett papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91d9b1bf9-909f-4214-b651-9803058a0e1c
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref16

Library, Credit Cards

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
circa 1980
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Edward Plunkett papers
Edward Plunkett papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw920d6c29b-6259-4bcc-a2d2-26642e40966d
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref17

Autobiographical Essays

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
circa 2001-2004
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Edward Plunkett papers
Edward Plunkett papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bb1259f3-d78d-41f7-b9d0-3307f12374cb
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref18

A - D

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Date:
circa 1961-1999
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Edward Plunkett papers
Edward Plunkett papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw999daf422-6be3-40bb-9a26-41c2be2a4bff
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref19

Mike Belt

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Container:
Box 1, Folder 5
Type:
Archival materials
Date:
circa 1973-1977
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Edward Plunkett papers
Edward Plunkett papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c0d170a0-ac67-4ec8-b2b0-6c23b86cf706
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref20

Robert Delford Brown

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Container:
Box 1, Folder 6
Type:
Archival materials
Date:
circa 1992-1995
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Edward Plunkett papers
Edward Plunkett papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9087f03ad-dd43-48dd-890a-bbfeb3140912
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref21

Robert Buecker, Buecker and Harpsichords

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Date:
1962, 1981
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Edward Plunkett papers
Edward Plunkett papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw961a7263d-3c1b-4ab3-a830-8ed020cce7fd
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref22

Russell Butler (buZ blurr)

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Date:
1998, 1999
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Edward Plunkett papers
Edward Plunkett papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e82f9407-3b7b-4d9b-b6d0-4c1285a8f762
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref23

Richard C.

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Container:
Box 1, Folder 9
Type:
Archival materials
Date:
1998, 2002
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Edward Plunkett papers
Edward Plunkett papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b390541d-a2be-4c33-af53-3fd5d8573e05
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref24

Buster Cleveland

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Container:
Box 1, Folder 10-13
Type:
Archival materials
Date:
1979, 1993-1998
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Edward Plunkett papers
Edward Plunkett papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b24f1c6a-8ca5-422f-9f8e-9df5ca5c7944
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref25

Bruce Conner

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Container:
Box 1, Folder 14
Type:
Archival materials
Date:
circa 1963-1974
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Edward Plunkett papers
Edward Plunkett papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91f946373-d83a-4488-ae33-da1c259d0c24
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref26

Fletcher Copp

Collection Creator:
Plunkett, Edward M. (1922-2011)  Search this
Container:
Box 1, Folder 15
Type:
Archival materials
Date:
1975, 1979
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Edward Plunkett Papers, circa 1900-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Edward Plunkett papers
Edward Plunkett papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90643e602-8ef9-43d0-bef4-bc27fdbd32b2
EDAN-URL:
ead_component:sova-aaa-plunedwar-ref27

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