The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
Sponsor:
Processing of the collection was funded by the Getty Grant Program; digitization of the collection was funded by the Samuel H. Kress Foundation and the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
United States of America -- Kansas -- Johnson -- Mission Hills
Scope and Contents:
The folder includes worksheets and photocopies of articles.
General:
A side yard of 3000 square feet was transformed into a series of formal garden rooms with boxwood borders, brick walkways and strategically placed bronze sculptures. The large brick house had no views of the outdoors since the courtyard in back was covered by a Plexiglas conservatory, and the heart-shaped small courtyard at the front door was hidden by unpruned trees and boxwood. Tall trees on the neighbors' properties shaded the side yard which needed to be graded before boxwood hedges and brick walkways could be installed. Privacy was achieved by planting white pines, yew hedges and hemlock. A bluestone stepping stone path leads from the front of the house to the brick walkway and first garden room with perennial flower beds on either side of the walk and a large planted urn at the end of the walk. On the other side of the boxwood hedge there is an herb garden with dwarf fruit trees planted in containers and some of the owners' collection of millstones used to contain individual plants. A small kitchen garden is sited next to the house across the main walkway. Bronze sculptures with azaleas, hydrangea and vinca and lirope groundcovers are next in the progression to the rear of the property. There one finds a miniature garden and cutting garden with an armillary sphere and an arbor.
In the courtyard behind the house there are dogwood and hydrangea and white flowers bordered by boxwood, and a central brick fountain with a putti and goldfish; the conservatory was removed. The front courtyard garden planted with boxwood, Japanese maple and English ivy is entered through a wrought iron gate. In front of the house there is a semi-circular driveway with a lawn and mature trees. Across the driveway under the trees a garden with boxwood, yew, allium and hosta has a whimsical topiary gnome.
Persons associated with the garden include Paul and Betty Henson (former owners, 1966-2010); The Greensman (landscape and hardscape, 2010); Lorelei Gibson (garden designer, gardener and horticulturist, 2011).
Related Materials:
LL's Garden related holdings consist of 1 folder (21 digital images)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
