Cabinet cards with portraits of Apache chief Pacer and a Kiowa man, both with blankets, braids wrapped in fur, and bows and arrows.
Biographical/Historical note:
William Stinson Soule (1836-1908) was the photographer at Fort Sill (now in Oklahoma) from its founding in 1869 to the end of the Indian campaigns in 1874-1875. Soule moved from New England circa 1868, first working as a photographer at Fort Dodge, Kansas, then at Camp Supply with General Philip Sheridan's campaigning troops. As the photographer for the United States Army at Fort Sill, he photographed the construction of the fort as well as many of the people and events associated with the Indian Wars in that area. Soule left Fort Sill in 1875 to return to Boston where he joined his brother's Soule Photograph Co. and then operated the Soule Art Company until his death.
Local Call Number(s):
NAA Photo Lot 97-6
Location of Other Archival Materials:
Additional Soule photographs held in National Anthropological Archives Photo Lot 4599, MS 4791, Photo Lot 3912, MS 2531, Photo Lot 24, and the BAE historical negatives.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 97-6, William S. Soule portraits of Chief Pacer and a Kiowa man, National Anthropological Archives, Smithsonian Institution.
Portraits of Native Americans made by Charles Milton Bell in his Washington, DC studio. Depicted individuals include Red Cloud, Oglala; Spotted Tail, Brule; Quanah Parker, Comanche; Nawat, Arapaho; Scabby Bull, Arapaho; Wolf Robe, Cheyenne; D. W. Bushyhead, Cherokee; John Jumper, Seminole; Plenty Coups, Crow; Rushing Bear, Arikara; Gall, Hunkpapa; John Grass, Sihasapa; Lean Wolf, Hidatsa; Chief Joseph, Nez Perce; and Lone Wolf, Kiowa; as well as people associated with Pawnee Bill's Wild West Show. The collection also includes copies of some images by other photographers, including G. G. Rockwood and F. T. Cummins.
Biographical/Historical note:
Charles Milton Bell (circa 1849-1893) was the youngest member of a family of photographers that operated a studio in Washington, DC, from around 1860-1874. Bell established his own studio on Pennsylvania Avenue in 1873 and it rapidly became one of the leading photography studios in the city. Bell developed the patronage of Ferdinand Vandeveer Hayden, who sent Native American visitors to the studio to have their portraits made. Bell also made photographs of Native Americans for the Department of the Interior and the Bureau of American Ethnology.
Local Call Number(s):
NAA Photo Lot 80, NAA MS 4661
Location of Other Archival Materials:
Copy prints previously filed in MS 4661 have been relocated and merged with Photo Lot 80. These are also copy prints of Bell negatives that were acquired from Boyce and form part of this collection.
Additional C. M. Bell photographs held in National Anthropological Archives Photo Lot 4420, Photo Lot 24, Photo Lot 60, Photo Lot 81-44, Photo lot 87-2P, and Photo Lot 90-1.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 80, Charles Milton Bell photographs of Native Americans, National Anthropological Archives, Smithsonian Institution
Herman J. Viola photograph collection relating to Star Hawk Pow Wow, American Indian Cultural Resources Training Program, and acquisition trips for NAA
Creator:
Viola, Herman J. (Herman Joseph), 1938- Search this
Names:
American Indian Cultural Resources Training Program Search this
Smithsonian Institution, Department of Anthropology, National Anthropological Archives, Native American Cultural Resources Training Program Search this
Photographs made by Herman J. Viola, depicting the 1973 Institute of American Indian Art meeting, Wolf Robe Hunt and his Acoma pottery, the transfer of Blue Eagle collection from Mae Abbott home to National Anthropological archives, and the 1974 Star Hawk Pow Wow in Watonga, Oklahoma. Additionally, there are photographs of NAA staff and the 1974 Acee Blue Eagle reception at NAA, possibly made by Viola. The collection also contains some photographs of Wounded Knee taken by Rev. Salvatore Genete, and copies of official portraits of Governor Aquillar of San Ildefonso Pueblo made by Harry B. Neufeld. There are also National Archives photographs of Chinese Boxer Rebellion prints, and Young watercolors and Alden sketches of American landscapes.
Much of the collection consists of portraits of participants in the NAA's American Indian Cultural Resources Training Program made by Smithsonian photographers, including Victor Krantz. These individuals include: Harry Walters, Navajo; Anna Walters, Otoe-Pawnee; George Sutton, Southern Arapaho; Sarah Yazzie, Navajo; Rubie Sootkis, Norther Cheyenne; David Fanman, Cheyenne; Augustine Smith, Navajo; Lorraine Bigman, Navajo; Jim Jefferson, Southern Ute; Rose Marie Pierite Gallardo, Tunica-Biloxi; George Horse Capture, Gros Ventre; Violet Zospah, White Mountain Apache; Gloria Anderson, Mille Lacs; Wenonah Silva, Wampanoag; Claire Lamont, Oglala; George Wasson, Coos-Coquille; Virginia Martin, Yakama; Gary Roybal, San Ildefonso; Richard Ground, Sihasapa; Almeda Baker, Hidatsa; June Finley, Hidatsa; Lida Young Wolf, Hidatsa; Christine Webster, Menominee; Rose Marie Roybal, Puyallup; Vivienne Jake, Kaibab-Paiute; Kim Yerton, Hupa; Dean Jacobs, Ojibwa; Lois Nowlin, Shawnee; Bonita McCloud, Nisqually; Gloria Maude Blackbird Cheswalla, Osage; Emily Peake, Ojibwa; Gordon McLester, Oneida; Mary Seth, Nez Perce; Bill Tohee, Oto-Missouria; Frank LaPena, Wintu; Juanita McQuistion, Wyandot; Carson Waterman, Seneca; Elton Stumbling Bear, Kiowa Apache; Patrick Chief Stick, Chippewa-Cree; Lynne Walks-on-Top, Spokane; Ethelyn Garfield, Paiute; Nora Dauenhauer, Tlingit; Caroline B. Jones, Tulalip; Grace F. Thorpe, Sauk and Fox; Dixie Lee Davis, Yavapai; Lynn D. Pauahty, Kiowa; David Lee Harding, Ojibwa; Robert V. Bojorcas, Klamath; Patty Leah Harjo, Seneca-Cayuga; Steven DeCoteau, Clallam; Robert Van Gunten, Ojibwa; Danny K. Marshall, Steilacoom; Meredith P. Flinn, Makah; Rhonda Hulsey, Chickasaw; Betty J. Brown, Choctaw; Vernon Calavaza, Zuni; Jack Bowen Jr., Upper Skagit; and Harry William Jr., Pima.
Biographical/Historical note:
Herman Joseph Viola is a historian of Native Americans who was director of the National Anthropological Archives from 1972-1989 and founding editor of Prologue: The Journal of the National Archives. In 1973, he launched the American Indian Cultural Resources Training Program, designed to encourage Native Americans to become professional archivists, librarians, curators, and historians through research and internships at the NAA.
Local Call Number(s):
NAA Photo Lot 74-17
Location of Other Archival Materials:
The National Anthropological Archives holds Viola's papers from 1980-1981.
Records relating to the American Indian Cultural Resources Training Program can be found in the National Anthropological Archives in the Records of the National Anthropological Archives.
Photo lot 74-17, Herman J. Viola photograph collection relate to Star Hawk Pow Wow, American Indian Cultural Resources Training Program, and acquisition trips for NAA, National Anthropological Archives, Smithsonian Institution
Indians of North America -- Great Plains Search this
Type:
Collection descriptions
Archival materials
Albums
Prints
Photographs
Place:
Kansas
Oklahoma
Date:
1867-1874
Scope and Contents note:
Photographs by William S. Soule of Native Americans and camps in the vicinity of Fort Dodge, Kansas and Camp Supply and Fort Sill, Oklahoma. Tribes represented include Arapaho, Caddo, Cheyenne, Comanche, Kiowa, Kiowa-Apache, and Wichita.
One albumen print mounted on a card with C. W. Carter's photographer imprint, though the photograph was made by Soule. One album includes silver gelatin prints made from original Soule negatives by Henry G. Peabody.
Biographical/Historical note:
William Stinson Soule (1836-1908) was the photographer at Fort Sill (now in Oklahoma) from its founding in 1869 to the end of the Indian campaigns in 1874-1875. Soule moved from New England circa 1868, first working as a photographer at Fort Dodge, Kansas, then at Camp Supply with General Philip Sheridan's campaigning troops. As the photographer for the United States Army at Fort Sill, he photographed the construction of the fort as well as many of the people and events associated with the Indian Wars. Soule left Fort Sill in 1875 to return to Boston where he joined his brother's Soule Photograph Co. and then operated the Soule Art Company until his death.
Local Call Number(s):
NAA Photo Lot 3912
Location of Other Archival Materials:
Additional Soule photographs held in National Anthropological Archives Photo Lot 4599, MS 4791, MS 2531, Photo Lot 24, Photo Lot 97-6, and the BAE historical negatives.
Correspondence from Henry G. Peabody and Lucia Soule relating to this collection held in the National Anthropological Archives in the Bureau of American Ethnology general correspondence.
The Huntington Library Photo Archives holds the Henry G. Peabody Collection of Photographs and Negatives.
Lucia A. Soule also donated a Lincoln peace medal, which was transferred to the US National Museum, Department of History, in Accession 205943.
Photo Lot 3912, William S. Soule photographs of Native Americans and camps in Kansas and Oklahoma, National Anthropological Archives, Smithsonian Institution
Photograph albums prepared by the Bureau of American Ethnology or the photographic lab, possibly for reference purposes by staff. The use of such albums has been mentioned by BAE photographer De Lancey W. Gill. The albums contain photographs made from the Bureau of American Ethnology's collection of negatives, documenting Apache, Arapaho, Assiniboin, Blackfoot, Cheyenne, Cocopa, Dakota, Flathead, Fox, Iowa, Kalispel, Kiowa Apache, Nez Perce, Omaha, Osage, Ponca, Santa Clara, Sauk, Shoshoni, Spokane Tonkawa, Wichita, and Winnebago people. The bulk of the photographs are studio portraits, made at the Trans-Mississippi Exposition in Omaha in 1898 or during delegation visits to Washington, DC. There are also other photographs made during Victor Mindeleffʹs work in Chaco Canyon, and on W J McGeeʹs expedition to Sonora, Mexico, in 1900.
Photographers include Charles Milton Bell, William Dinwiddie, Alexander Gardner, De Lancey W. Gill, John K. Hillers, William Henry Jackson, Frank Albert Rinehart, Wells Moses Sawyer, Antonio Zeno Shindler, Victor or Cosmos Mindeleff, Julian Vannerson with Samuel A. Cohner. Included are negative numbers formerly used by BAE, but the National Anthropological Archives also annotated them with current negative numbers.
Arrangement note:
Titles of the albums are (1) Omaha and Winnebago; (2) miscellaneous; (3) Sauk and Fox; (4) miscellaneous; (5) Arapaho and Cheyenne; (6) Chiricahua, San Carlos, and Apache; (7) Sauk and Fox; (8) Osage, Shoshoni and Nez Perce, Siouan, Oto; (9) Santa Clara and Flathead; (10) Ponca; (11) Sauk and (12) Wichita and Kiowa Apache; (13) Cocopa; and (14) Assiniboin and Blackfoot
Biographical/Historical note:
The Bureau of American Ethnology was founded in 1879 in part as a result of the federal geological surveys and under the administration of the Smithsonian Institution. Under the directorship of John Wesley Powell (1879-1902), the BAE supported field research by its staff and collaborators, initiated several anthropological publications, and supported the growth of the anthropological discipline, particularly as it related to Native Americans. In addition to its research and publications program, it developed a manuscript repository, library, and an illustrations section that included (in addition to the preparation of artwork for publications) photography and a photographic collection. The BAE commissioned studio portraits of visiting Indian delegates and hired De Lancey Gill served as the its official photographer and illustrator from the 1890s to 1930.
Local Call Number(s):
NAA Photo Lot 60
Location of Other Archival Materials:
The National Anthropological Archives also holds the Bureau of American Ethnology records and the BAE historical negatives, as well as Dinwiddie photographs of the W. J. McGee expeditions are held in (Photo Lot 89 and Photo Lot 144), Charles Milton Bell photographs (Photo Lot 80), and additional photographs by most photographers represented in this collection (Photo Lot 59 and Photo Lot 90-1)
See others in:
Bureau of American Ethnology photograph albums of Native Americans, 1858-1905
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 60, Bureau of American Ethnology photograph albums of American Indians, National Anthropological Archives, Smithsonian Institution
This collection consists of twenty-six photographic prints depicting individuals from a number of Southern Plains Indian communities in the region of Fort Sill and Camp Supply, Oklahoma Territory, and dating to the 1860s and 1870s.
Content Description:
The Oswald Schraubstadter collection of Fort Sill photographs consists of twenty-six photographic prints dating to the 1860s and 1870s. The bulk of the photographs are studio portraits and depict a number of Southern Plains Indian community members and leaders in the region of Fort Sill and Camp Supply, Oklahoma Territory. These photographs represent the work of various late twentieth-century photographers of the American West including William Stinson Soule (Will Soule), William P. Bliss (W.P. Bliss), and others so far unidentified. The photographs were collected by Oswald Schraubstadter, who donated them to the Museum of the American Indian, Heye Foundation, in 1928.
Arrangement:
This collection is arranged into folders by cultural group.
Biographical / Historical:
Oswald Schraubstadter was born in 1868 in St. Louis, Missouri. Along with his father and brothers, Oswald worked in the type foundry business. With his brothers he established the Inland Type Foundry in St. Louis in 1894, and later worked for the American Type Founders company in New York until his retirement in 1932. Oswald Schraubstadter died in 1955 in New York at the age of 86.
Photographers William Stinson Soule (Will Soule) and William P. Bliss (W.P. Bliss) were contemporaries who briefly lived and worked in the region of Fort Sill, Oklahoma Territory, at approximately the same time in the 1870s. Both men photographed the U.S. Army personnel and Southern Plains Indian communities living there, with Soule arriving in the area in the late 1860s and departing in 1874. Bliss arrived in either 1874 or 1875 and documented many of the same individuals and geographic features as Soule. At least some of Soule's original photography was later sold under Bliss's photographic imprint. Due to this, there continues to be debate over the correct attribution of the works of these two men in the Fort Sill region in the 1860s and 1870s.
Provenance:
This collection was donated by Oswald Schraubstadter in 1928.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Citation:
Identification of specific item; Date (if known); Oswald Schraubstadter collection of Fort Sill photographs, NMAI.AC.183; National Museum of the American Indian Archives Center, Smithsonian Institution.
Photograph of Plains Apache (Kiowa Apache) Chief Pacer (Peso) encampment near Fort Sill, Oklahoma Territory. Photographed by William Stinson Soule, between 1869 and 1874.
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Oswald Schraubstadter collection of Fort Sill photographs, NMAI.AC.183; National Museum of the American Indian Archives Center, Smithsonian Institution.
Compilation photograph of ten studio portrait photographs of Native American individuals representing Inunaina (Arapaho), Kiowa, Niuam (Comanche), Plains Apache (Kiowa-Apache), Tsitsistas/Suhtai (Cheyenne), and Wichita communities. The center photograph in this compilation is of Kiowa-Apache Chief Pacer (Peso) encampment near Fort Sill, Oklahoma Territory. All photographs taken by William Stinson Soule in the region of either Camp Supply or Fort Sill, Oklahoma Territory, between 1869 and 1874.
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Oswald Schraubstadter collection of Fort Sill photographs, NMAI.AC.183; National Museum of the American Indian Archives Center, Smithsonian Institution.
Photograph of Plains Apache (Kiowa Apache) Chief Pacer (Peso) encampment near Fort Sill, Oklahoma Territory. Photographed by William Stinson Soule, between 1869 and 1874.
Collection Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archives Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Oswald Schraubstadter collection of Fort Sill photographs, NMAI.AC.183; National Museum of the American Indian Archives Center, Smithsonian Institution.
Also includes vocabulary extracted from Captain John G. Bourke's "Gentile Organization of the Apache," in Folklore Journal, Boston, 1890, page 128. (pages 77-8 of Gatschet notebook)
Local Numbers:
NAA MS 62
Place:
Kiowa, Apache and Comanche Agency Anadarko Oklahoma Territory
General:
Previously titled "Vocabulary and brief texts with interlinear translation."
Topic:
Language and languages -- Documentation Search this
This collection consists of 43 photographic prints of Native American peoples from throughout North America. Dating from 1882 to 1913, the images in this collection document a variety of Native American communities and events, including the U.S. Indian Congress which took place at the 1898 Trans-Mississippi and International Exposition in Omaha, Nebraska. Photographers include Frank A. Rinehart, Adolph F. Muhr, and Roland W. Reed, as well as a series of images by an unknown photographer who also documented American Indian life.
Scope and Contents:
The Frank A. Rinehart and Roland W. Reed photograph collection consists of 43 photographic prints of Native American peoples at the turn of the twentieth century. Dating from 1882 to 1913, the images in this collection document a variety of Native American communities and events, including the U.S. Indian Congress which took place at the 1898 Trans-Mississippi and International Exposition in Omaha, Nebraska. This exposition, also referred to as the 1898 World's Fair, was held in Omaha, Nebraska from June through October, 1898. Attending the U.S. Indian Congress at the fair were over 500 American Indian delegates representing more than 35 Native communities from throughout the United States.
In addition to the Rinehart and Muhr 1898 photographs are also a number of staged portrait images created by Roland W. Reed in the early decades of the twentieth century. Traveling throughout the U.S. West and Canada, Reed photographed Native communities ranging from Minnesota to Montana and Canada, and extending to Arizona in the Southwest U.S.
This collection also consists of 18 photographs contemporary to those of Rinehart and Reed, dating approximately 1882 – 1904. The photographer(s) of these images is unknown. Although specific communities are not identified, many images appear to portray Northern Plains and Central Plains American Indian peoples.
Arrangement:
This collection is arranged into three series, organized by photographer, and then regionally by location or culture group. Series 1: Frank A. Rinehart photographs, Series 2: Roland W. Reed photographs, Series 3: Unknown photographer
Biographical / Historical:
Frank A. Rinehart (ca. 1862-1928) was born in Illinois, opened a photography studio in Omaha, Nebraska in 1885 or 1886, and is best known for his work as the official photographer of the 1898 Trans-Mississippi and International Exposition in Omaha. In addition to portrait photographs of Native American delegates attending the U.S. Indian Congress of 1898, Rinehart as official exposition photographer also documented the broader exhibits and events that took place at the 1898 Omaha World's Fair.
Adolph R. Muhr (ca. 1858-1913) worked as Frank A. Rinehart's assistant at the 1898 Trans-Mississippi and International Exposition, creating a photographic record of the events and attendees. While Rinehart documented many of the outdoor sham-battles, dance scenes, and other events related to the U.S. Indian Congress, Muhr was responsible for the majority of the posed delegate portraits. Muhr in later years worked with photographer Edward S. Curtis in Seattle, until Muhr's death in 1913.
Roland W. Reed (1864-1934) was born in Wisconsin, and is best known for traveling widely throughout the western United States and Canada, photographing Native American communities. Having apprenticed with photographer Daniel Dutro in 1890s Montana, Reed later ran photography studios in both Ortonville and Bemidji, Minnesota in the early 1900s. Over the next few decades he continued to document the lives and cultures of Native peoples, opening photography studios in Kalispell, Montana in 1909, and later in San Diego, California in 1915. Many of Reed's photographs are clearly staged, representing romanticized and stereotyped images of what Reed believed Native American life to be. He died in Colorado in 1934.
Related Materials:
The NMAI Archive Center collections also include an album of 18 photographic prints of Frank A. Rinehart's U.S. Indian Congress images: U.S. Indian Congress of the Trans-Mississippi and International Exposition photograph album, NMAI.AC.118.
Provenance:
This collection was donated by the Dakota County Historical Society, South St. Paul, MN, in 2013.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Trans-Mississippi and International Exposition (1898 : Omaha, Neb.) -- Photographs Search this
Identification of specific item; Date (if known); Frank A. Rinehart and Roland W. Reed photograph collection, NMAI.AC.289; National Museum of the American Indian Archive Center, Smithsonian Institution.
This series contains 15 portrait photographs of various Native American men and women photographed by Adolph F. Muhr, under the direction of Frank A. Rinehart, at the 1898 Trans-Mississippi Exposition in Omaha, Nebraska. Rinehart was the official photographer for this exposition, and as such, photographed a large number of Native American delegates who took part in the exposition's U.S. Indian Congress. The photographs that Rinehart and Muhr shot during the Exposition depict the largest gathering of American Indian leaders at the turn of the twentieth century.
Photograph titles were written by Rinehart and/or Muhr.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Trans-Mississippi and International Exposition (1898 : Omaha, Neb.) -- Photographs Search this
Collection Citation:
Identification of specific item; Date (if known); Frank A. Rinehart and Roland W. Reed photograph collection, NMAI.AC.289; National Museum of the American Indian Archive Center, Smithsonian Institution.
