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Terry Dintenfass, Inc. records

Creator:
Terry Dintenfass, Inc.  Search this
Names:
Art Dealers Association of America  Search this
Grace Borgenicht Gallery  Search this
Bloom, Hyman, 1913-  Search this
Cober, Alan E.  Search this
Dintenfass, Terry, 1920-  Search this
Dove, Arthur Garfield, 1880-1946  Search this
Evergood, Philip, 1901-1973  Search this
Fleischner, Richard, 1944-  Search this
Frasconi, Antonio  Search this
Goodman, Sidney  Search this
King, William, 1925-2015  Search this
Lawrence, Jacob, 1917-2000  Search this
Merkin, Richard  Search this
Pippin, Horace, 1888-1946  Search this
Suttman, Paul, 1933-1993  Search this
Tovish, Harold, 1921-2008  Search this
Extent:
22.1 Linear feet
Type:
Collection descriptions
Archival materials
Visitors' books
Date:
1947-1987
bulk 1961-1983
Summary:
The records of New York art gallery Terry Dintenfass, Inc. date from 1947 to 1987, with the bulk of the collection dating from 1961 to 1983, and measure 22.1 linear feet. The records are comprised of administrative files, correspondence, exhibition files, artists' files, and financial records.
Scope and Contents:
The records of New York art gallery Terry Dintenfass, Inc. date from 1947 to 1987, with the bulk of the collection dating from 1961 to 1983, and measure 22.1 linear feet. The records include administrative files, correspondence, exhibition files, artists' files, and financial records.

Administrative files include advertising and membership records, insurance documents, a guest book, resumes, and agreements with other corporations. Correspondence is with artists, galleries, museums, and arts organizations. There is a significant amount of correspondence regarding the Art Dealers Association of America. Exhibition files are found for numerous exhibitions to which Dintenfass either loaned art or helped to organize. There is extensive documentation of the 20 Galleries/20 Years exhibition held at the Grace Borgenicht Gallery and the Terry Dintenfass Gallery in 1982 and the "Machine Themed Shows" in 1974-1975.

Artists' files comprise the largest group of materials within the collection. Files for Hyman Bloom, Alan Cober, Arthur Dove, Philip Evergood, Richard Fleischner, Antonio Frasconi, Sidney Goodman, William King, Jacob Lawrence, Richard Merkin, Horace Pippin, Paul Suttman, and Harold Tovish bulk the largest.

Financial records contain artist expense and sales ledgers, consignment papers, invoices and receipts, as well as records for D Contemporary Paintings.
Arrangement:
The collection is arranged as 5 series.

Missing Title

Series 1: Administrative Files, 1961-1983 (1.0 linear feet; Box 1)

Series 2: Correspondence, 1961-1981 (1.0 linear feet; Boxes 1-2)

Series 3: Exhibition Files, 1962-1983 (4.5 linear feet; Boxes 2-7, OV 23)

Series 4: Artists' Files, 1947-1987 (8.5 linear feet; Boxes 7-15, OV 23)

Series 5: Financial Records, 1959-1981 (7.0 linear feet; Boxes 16-22, OV 23)
Biographical / Historical:
Terry Dintenfass, Inc. is a New York City art gallery founded in 1959 by Terry Dintenfass (1920-2004).

In 1954, Theresa "Terry" Dintenfass opened D Contemporary Paintings in Atlantic City, New Jersey. With financial backing from Armand Erpf, she moved the gallery to New York City in 1959 and changed the name to Terry Dintenfass Gallery. There, she became a protégé of Downtown Gallery owner Edith Halpert. Dintenfass was one of several notable female art dealers in the city during the 1940s-1980s among Edith Halpert, Betty Parsons, Grace Borgenicht, Antoinette Kraushaar, and others. She showed work on consignment from other dealers, and when Edith Halpert retired, Terry Dintenfass, Inc. began to represent the estate of Arthur Dove. Other notable artists represented by the gallery included social realists Philip Evergood and Robert Gwathmey, and African American painters Horace Pippin and Jacob Lawrence, whom she represented for 25 years. The gallery's stable also included William King, Sidney Goodman, Hyman Bloom, Antonio Frasconi, and others.

After Dintenfass retired in 1999, her son Andrew took over the business and continues to run the gallery today. Terry Dintenfass died in 2004 in Manhattan.
Related Materials:
Also found at the Archives of American Art is an oral history interview with Terry Dintenfass conducted by Paul Cummings on December 2, 1974-January 13, 1975 for the Archives of American Art.
Provenance:
The collection was donated in 1995 by Terry Dintenfass.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American  Search this
Function:
Art galleries, Commercial -- New York (State)
Genre/Form:
Visitors' books
Citation:
Terry Dintenfass, Inc. records, 1947-1987, bulk 1961-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.terrdint
See more items in:
Terry Dintenfass, Inc. records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e485640b-ef7f-49bb-8964-fed4c50e6438
EDAN-URL:
ead_collection:sova-aaa-terrdint
Online Media:

Horace Pippin notebooks and letters

Creator:
Pippin, Horace, 1888-1946  Search this
Names:
Carlen, Robert, 1906-1990  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Date:
circa 1920, 1943
Summary:
The collection measures 0.2 linear feet and consists of three notebooks, notebook fragments, and two letters written by African American primitive painter Horace Pippin. The three notebooks and notebook fragments contain Pippin's World War I memoirs written in the 1920s, one of which is illustrated by Pippin with six drawings of war scenes. Two letters are dated 1943 and circa 1943. One of the letters is written to "Dear Friends" and begins with "life story of art."; the other is written to dealer Robert Carlen about showing his painting Domino [Game] Players.
Scope and Content Note:
The collection measures 0.2 linear feet and consists of three notebooks, notebook fragments, and two letters created by African American primitive painter Horace Pippin. The notebooks recount Pippin's World War I experiences, including his being wounded. One of the notebooks is illustrated.
Arrangement:
The collection is arranged into one series.

Missing Title

Series 1: Horace Pippin Notebooks and Letters, circa 1920s, 1943; 8 items
Biographical Note:
Horace Pippin (1888 -1946) was a self-taught painter from West Chester, Pennsylvania. Pippin was inspired to paint by his experiences in France during World War I. He lost the use of his right arm when wounded during the war and, when painting, had to use his left hand to guide his right. He gained a national reputation as "a true American primitive" in the 1940s for his paintings depicting childhood memories, war experiences, heroes, and religious subjects.
Provenance:
Horace Pippin's war memiors/notebooks and one letter were purchased from Robert Carlen, Pippin's dealer, in 1956. The 1943 letter from Pippin to Carlen was donated by Dr. and Mrs. Matthew Moore in 1983.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Pennsylvania -- Philadelphia  Search this
Topic:
Folk art  Search this
Painting -- United States  Search this
African American military personnel  Search this
African American artists  Search this
Self-taught artists  Search this
African American painters  Search this
World War, 1914-1918  Search this
Genre/Form:
Diaries
Citation:
Horace Pippin notebooks and letters, circa 1920, 1943. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pipphora
See more items in:
Horace Pippin notebooks and letters
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e2285ed2-314d-43e6-ae0b-cd7bce70aae8
EDAN-URL:
ead_collection:sova-aaa-pipphora
Online Media:

Oral history interview with Edward L. Loper

Interviewee:
Loper, Edward L., 1916-2011  Search this
Interviewer:
Pacini, Marina  Search this
Names:
Barnes Foundation  Search this
Carlen Galleries  Search this
Index of American Design  Search this
United States. Work Projects Administration.Art Program  Search this
Barnes, Albert C. (Albert Coombs), 1872-1951  Search this
De Mazia, Violette, 1899-  Search this
Pippin, Horace, 1888-1946  Search this
Extent:
132 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1989 May 12
Scope and Contents:
An interview of Edward Loper conducted 1989 May 12, by Marina Pacini, for the Archives of American Art. Loper speaks of his early life and education; his work on the WPA's Federal Art Project in Delaware, on the Index of American Design and the easel project; his self-education and stylistic development; meeting Albert Barnes; studying with Violette De Mazia at the Barnes Foundation; meeting Horace Pippin; his exhibition history and his affiliation with various galleries, including the Carlen Galleries; his teaching career; his experiences as an African American artist; the art scene in Wilmington.
Biographical / Historical:
Edward L. Loper (1916-2011) was a painter and instructor of Wilmington, Del.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 3 hrs., 33 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Painters -- Delaware -- Wilmington  Search this
Educators -- Delaware -- Wilmington  Search this
Topic:
African American artists  Search this
African American painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.loper89
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93e2a1d70-3066-4b22-bfc3-a2b7940efd8f
EDAN-URL:
ead_collection:sova-aaa-loper89
Online Media:

Horace Pippin printed material

Creator:
Pippin, Horace, 1888-1946  Search this
Extent:
1 Microfilm reel (25 items on partial microfilm reel)
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1939-1946
Scope and Contents:
This microfilm collection consists of printed material related to the artistic career of African American painter Horace Pippin. Materials include newspaper clippings, exhibition announcements, and exhibition catalogs.
Biographical / Historical:
Horace Pippin (1888-1946) was a self-taught painter from West Chester, Pennsylvania. Pippin was inspired to paint by his experiences in World War I. He lost the use of his right arm when he was wounded during the war and, when painting, had to use his left hand to guide his right. He gained a national reputation as "a true American primitive" in the 1940s for his paintings depicting childhood memories, war experiences, heroes, and religious subjects.
Related Materials:
The Archives of American Art also holds the Horace Pippin notebooks and letters, circa 1920.
Provenance:
Microfilmed in 1987 as part of AAA's Philadelphia Arts Documentation Project.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Pennsylvania -- West Chester  Search this
Topic:
Painting -- Pennsylvania -- West Chester  Search this
African American artists  Search this
Self-taught artists  Search this
African American painters  Search this
Identifier:
AAA.pipphopm
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw973a2828d-9f6c-487a-b1a5-fc27faca168e
EDAN-URL:
ead_collection:sova-aaa-pipphopm

Carlen Galleries, Inc., records

Creator:
Carlen Galleries  Search this
Names:
Peale family  Search this
Davies, Albert Webster, 1889-1967  Search this
Feuillate, Raymond, 1901-1971  Search this
Gainsborough, Lee  Search this
Hicks, Edward, 1780-1849  Search this
Kollwitz, Käthe, 1867-1945  Search this
Pippin, Horace, 1888-1946  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Extent:
10.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Date:
1775-1997
bulk 1940-1986
Summary:
The Carlen Galleries, Inc., records measure 10.4 linear feet (gift portions) and date from 1775 to 1997 (bulk 1940-1986). Correspondence, business records, subject files, a scrapbook, printed matter, and photographs document the operation and activities of Carlen Galleries, Inc., and its founder Robert Carlen.
Scope and Content Note:
The Carlen Galleries, Inc., records measure 10.4 linear feet (gift portions, Parts 1 and 3) and date from 1775-1998 (bulk 1940-1986). Correspondence, business records, subject files, a scrapbook, printed matter, and photographs document the operation and activities of Carlen Galleries, Inc., and its founder Robert Carlen.

Part 1: Received in 1986 as a gift from Robert Carlen, these records document the activities of Carlen Galleries and its founder, 1937-1986. Correspondence mainly concerns the sale and purchase of works of art. Also included are artist files containing correspondence, receipts, and printed matter regarding Albert Davies, Edward Hicks, Käthe Kollwitz, Horace Pippin, and Maurice Prendergast. Subject files concern African American artists, Raphael Peale, Raymond Feuillate, and the French Moderns. Business records consist of loan forms, documentation of exhibitions at Carlen Galleries, inventories, a scrapbook and clippings concerning the gallery, conservation reports, appraisals (not microfilmed), and financial records.

Part 2: Additional records documenting the activities of Carlen Galleries and its founder, 1937-1986, were loaned by Robert Carlen for microfilming in 1988. Included are letters about Horace Pippin and rare letters from the artist. Other correspondence concerns Carlen's search for paintings by Edward Hicks, and there is also a small selection of letters regarding more routine gallery business. Among the business records are and account book and receipts. Printed matter consists of exhibition catalogs, announcements, and clippings; a scrapbook contains printed matter about Horace Pippin. Photographs are of Allan Freelon and works of art.

Part 3: Received in 2002 as a gift from Robert Carlen's daughter Nancy Carlen, this portion of the Carlen Galleries, Inc., Records consists of two letters, business records, photographs, and selections from the galleries' library. Letters are from Joan Baez, circa 1960 and Charles M. Mount, 1968. Previously sealed letters from Charles M. Mount, undated, and 1962-1975, relating to John Singer Sargent have been integrated into this portion.

Part 4: Additional records borrowed for microfilming from Nancy Carlen in 2002 include documents dated 1775-1997 (bulk 1940s-1990). Correspondence concerns gallery business, but a small amount of personal correspondence is also included. Business records consist of appraisal reports, receipts for sales and purchases, and the contract and program for the 1964 University [of Pennsylvania] Hospital Antiques Show in which Carlen Galleries exhibited. Subject files document Edward Hicks, Anatol Jal, the Captain James Lawrence Goblet, Horace Pippin, and Antoine Roux. Five notebooks, containing material similar to that in the subject files, are about Horace Pippin (vols. 1-3), Edward Hicks (vol. 4), and chronicle the career of Robert Carlen (vol. 5).

Printed matter consists of clippings and other items concerning art and antiques, Robert Carlen and Carlen Galleries, Inc., and the Diplomatic Reception Rooms of the State Department where two Hicks paintings owned by Carlen were on extended loan. Among the miscellaneous records are biographical documents, personal financial records, business and research notes (including original documents and photocopies of archival materials), and four prints. Photographs are mostly of antiques and art work; also included are a few pictures of people, places, and miscellaneous subjects.
Arrangement:
The collection is arranged into four parts, representing gift and loan accessions received and microfilmed at various times. The two loans for microfilming (Parts 2 and 4) overlap and partially duplicate one another-particularly records relating to Horace Pippin and Edward Hicks-but are far from identical. Some of the Pippin and Hicks material was significantly rearranged in the interim between the first loan (1988) and the second (2002).

Missing Title

Part 1: Gift (1986), 1906-1986 (Boxes 1-7; 7.0 linear feet; Reels 4166-4175)

Part 2: Loan (1988), 1937-1986 (Reel 4175)

Part 3: Gift (2002), 1835-1992 (Boxes 8-12; 3.4 linear feet; Reel 5745)

Part 4: Loan (2002), 1775-1997 (Reels 5746-5748)
Historical Note:
Robert Carlen (1906-1990) worked as a secretary and attended evening classes at the Graphic Sketch Club in Philadelphia right after graduating from high school. He studied painting full-time at the Pennsylvania Academy of the Fine Arts during the academic year 1928/29, and from 1929-1936 he continued to study painting in the evenings while employed at a brokerage firm.

Since he wanted to be associated with the art world and needed to earn a living, Carlen decided to establish an art gallery that would show the works of young artists. In 1937, he opened in Carlen Galleries in his home at 323 South 16th Street, Philadelphia; the galleries operated in the same location for the remainder of Carlen's life. In its earliest years, Carlen Galleries housed exhibitions of the Associated American Artists' Group and featured prints by Wanda Gag, Käthe Kollwitz, Louis Lozowick, Lynd Ward, and other print makers.

In 1941, paintings by Horace Pippin were exhibited at Carlen Galleries. Carlen soon befriended the artist and began providing him with art supplies. He remained Pippin's agent for many years following the artist's death in 1946, and was a sought-after authority on the artist's work and life.

By the mid-1940s, Carlen had discovered a painting by Edward Hicks in Bucks County, Pa. He began researching the then-obscure Quaker artist. Through contacting descendants of Hicks's patrons, Carlen was able to acquire many of Hicks's paintings and Carlen Galleries became known for handling important early American folk paintings and antiques. Among his clients were Edward W. and Bernice Chrysler Garbisch, Winterthur Museum, Winterthur, Del., Abby Aldrich Rockefeller Folk Art Museum, Williamsburg, Va., and the Shelburne Museum, Shelburne, Vt.

During the course of his long career, Robert Carlen served as an advisor to many Philadelphia collectors and developed an extensive knowledge of the genealogies and heirlooms of the city's prominent families. Because of his extensive experience and expertise, Carlen's opinion was widely valued and his services as an appraiser of art and antiques were in great demand.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reels 4175 and 5746-5748) including material relating to Horace Pippin. Loaned material was returned to the lender and is described in the collection container inventory.
Provenance:
The collection was acquired in various accessions of gifts and loans. Part 1: gift of Robert Carlen, 1986; Part 2: loaned by Robert Carlen for microfilming, 1988; Part 3: gift of Nancy Carlen, 2002 (previously sealed letters and appraisals received with Part 1 are housed with Part 3 and integrated for microfilming); Part 4: loaned by Nancy Carlen for microfilming, 2002.
Restrictions:
Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Decorative arts -- United States  Search this
African American artists  Search this
Folk art  Search this
Art -- Collectors and collecting  Search this
Art -- Exhibitions  Search this
Function:
Art galleries, Commercial -- Pennsylvania
Genre/Form:
Photographs
Scrapbooks
Citation:
Carlen Galleries, Inc., records, 1775-1997, bulk 1940-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.carlgall
See more items in:
Carlen Galleries, Inc., records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9438ea128-b58f-400f-9bb2-cb74b6c20041
EDAN-URL:
ead_collection:sova-aaa-carlgall
Online Media:

Horace Pippin notebooks and letters, circa 1920

Creator:
Pippin, Horace, 1888-1946  Search this
Subject:
Carlen, Robert  Search this
Type:
Diaries
Citation:
Horace Pippin notebooks and letters, circa 1920. Archives of American Art, Smithsonian Institution.
Topic:
Folk art  Search this
Painting -- United States  Search this
African American military personnel  Search this
African American artists  Search this
Self-taught artists  Search this
African American painters  Search this
World War, 1914-1918  Search this
Theme:
Diaries  Search this
African American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8586
(DSI-AAA_SIRISBib)210765
AAA_collcode_pipphora
Theme:
Diaries
African American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210765
Online Media:

Horace Pippin printed material, 1939-1946

Creator:
Pippin, Horace, 1888-1946  Search this
Citation:
Horace Pippin printed material, 1939-1946. Archives of American Art, Smithsonian Institution.
Topic:
Painting -- Pennsylvania -- West Chester  Search this
African American artists  Search this
Self-taught artists  Search this
African American painters  Search this
Theme:
African American  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10161
(DSI-AAA_SIRISBib)213144
AAA_collcode_pipphopm
Theme:
African American
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213144

Horace Pippin Notebooks and Letters

Collection Creator:
Pippin, Horace, 1888-1946  Search this
Extent:
8 Items (Box 1)
Type:
Archival materials
Date:
circa 1920s, 1943
Scope and Contents note:
This small collection consists of three notebooks and notebook fragments written by Pippin in the 1920s about his World War I experiences while serving in the 15th New York Infantry and as a corporal in the 369th Colored Infantry Regiment at Chateau-Thierry, Soissons, the Argonne, and elsewhere in France. One of the notebooks is illustrated by Pippin with six pencil and crayon drawings of war scenes. Also found are two letters written by Pippin in 1943 and circa 1943. One of the letters is written to Dear Friends and is entitled "life story of art"; the other is written to dealer Robert Carlen.
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Horace Pippin notebooks and letters, circa 1920, 1943. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.pipphora, Series 1
See more items in:
Horace Pippin notebooks and letters
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw990df61be-2af6-4bf2-b05c-4ed5e3e2db8a
EDAN-URL:
ead_component:sova-aaa-pipphora-ref13

Horace Pippin: artist file, [photographs]

Artist:
Pippin, Horace 1888-1946  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF002315
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_140954

Three Soldiers on March (from War Diary Notebooks), [drawing] / (photographed by Peter A. Juley & Son)

Artist:
Pippin, Horace 1888-1946  Search this
Type:
Photograph
Date:
1917-1918
Topic:
History--United States--World War I  Search this
Figure group  Search this
Occupation--Military--Soldier  Search this
Image number:
JUL J0041782
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_41783

Soldiers with Gas Masks in Trench (from War Diary Notebooks), [drawing] / (photographed by Peter A. Juley & Son)

Artist:
Pippin, Horace 1888-1946  Search this
Type:
Photograph
Date:
1917-1918
Topic:
History--United States--World War I  Search this
Figure group  Search this
Occupation--Military--Soldier  Search this
Image number:
JUL J0041783
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_41784

Spring Flowers with Lace Doily, [painting] / (photographed by Peter A. Juley & Son)

Title:
Vase of Flowers [painting] / (photographed by Peter A. Juley & Son)
Artist:
Pippin, Horace 1888-1946  Search this
Type:
Photograph
Date:
1944
Topic:
Still Life--Flower  Search this
Image number:
JUL J0041784
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_41785

Lilies, [painting] / (photographed by Peter A. Juley & Son)

Artist:
Pippin, Horace 1888-1946  Search this
Type:
Photograph
Date:
1941
Topic:
Object--Flower--Lily  Search this
Architecture interior  Search this
Image number:
JUL J0041785
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_41786

The Woman Taken in Adultery, [painting] / (photographed by Peter A. Juley & Son)

Artist:
Pippin, Horace 1888-1946  Search this
Type:
Photograph
Date:
1941
Topic:
Religion  Search this
Figure group  Search this
Image number:
JUL J0041786
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_41787

The Woman Taken in Adultery, [painting] / (photographed by Peter A. Juley & Son)

Artist:
Pippin, Horace 1888-1946  Search this
Type:
Photograph
Date:
1941
Topic:
Religion  Search this
Figure group  Search this
Image number:
JUL J0041788
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_41789

West Chester, Pennsylvania, [painting] / (photographed by Peter A. Juley & Son)

Artist:
Pippin, Horace 1888-1946  Search this
Type:
Photograph
Date:
1942
Topic:
Landscape--Pennsylvania--West Chester  Search this
Architecture exterior--Domestic  Search this
Image number:
JUL J0041789
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_41790

Temptation of St. Anthony, [painting] / (photographed by Peter A. Juley & Son)

Artist:
Pippin, Horace 1888-1946  Search this
Type:
Photograph
Date:
1946
Topic:
Religion--Saint--St. Anthony  Search this
Image number:
JUL J0080875
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_80876

Horace Pippin memoir of his experiences in France during World War I

Creator:
Pippin, Horace, 1888-1946  Search this
Subject:
World War, 1914-1918  Search this
Type:
Writings
Date:
between 1920 and 1943?
Citation:
Horace Pippin. Horace Pippin memoir of his experiences in France during World War I, between 1920 and 1943?. Horace Pippin notebooks and letters, circa 1920. Archives of American Art, Smithsonian Institution.
Topic:
African American artists  Search this
Memoirs  Search this
Record number:
(DSI-AAA)7432
See more items in:
Horace Pippin notebooks and letters, circa 1920
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7432

Horace Pippin memoir of his experiences in France during World War I

Creator:
Pippin, Horace, 1888-1946  Search this
Subject:
World War, 1914-1918  Search this
Type:
Writings
Place:
France
Date:
1920 Oct. 4
Citation:
Horace Pippin. Horace Pippin memoir of his experiences in France during World War I, 1920 Oct. 4. Horace Pippin notebooks and letters, circa 1920. Archives of American Art, Smithsonian Institution.
Topic:
African American artists  Search this
Memoirs  Search this
Record number:
(DSI-AAA)7433
See more items in:
Horace Pippin notebooks and letters, circa 1920
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7433

Horace Pippin memoir of his experiences in World War I

Creator:
Pippin, Horace, 1888-1946  Search this
Subject:
World War, 1914-1918  Search this
Type:
Writings
Place:
Europe
Date:
ca. 1921
Citation:
Horace Pippin. Horace Pippin memoir of his experiences in World War I, ca. 1921. Horace Pippin notebooks and letters, circa 1920. Archives of American Art, Smithsonian Institution.
Topic:
African American artists  Search this
Memoirs  Search this
Soldiers  Search this
Record number:
(DSI-AAA)7434
See more items in:
Horace Pippin notebooks and letters, circa 1920
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_7434

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