The Emilio Herbruger Photographs consist mostly of full length portraits of Mayan people in Guatemala. The photos depict adults and children, sometimes demonstrating a domestic task, or wearing garments indicating leadership status or for special occasions.
Scope and Contents:
The Emilio Herbruger Photographs consists of 44 carte de visite photographs taken in Guatemala of Mayan peoples, prinicpally from the Kaqchikel, Quiché, and Tz'utujil ethnic communities. Many of the prints are hand labeled with a description of the ethnicity and place of origin of the person(s) photographed. It is not known if Herbruger traveled to take the photographs, nor if he provided any part of the regalia or objects depicted in them.
Please note that the contents of the collection and the language and terminology used reflect the context and culture of the time of its creation. As an historical document, its contents may be at odds with contemporary views and terminology and considered offensive today. The information within this collection does not reflect the views of the Smithsonian Institution or National Anthropological Archives, but is available in its original form to facilitate research.
Arrangement:
The materials are arranged in alphabetical order, first by the name of the ethnic and linguistic community of the person(s) photographed, then by town of origin, when indicated. It is not known whether the location reference refers to the location the photo was taken, or the origin of the subject of the photo. Prints lacking specification are located at the end.
Biographical / Historical:
Emilio ("Emil") Herbruger, Sr. was born in Rheda-Wiedenbruck, Germany in 1808 and died in New Jersey in 1894. Principally a daguerreotypist, ambrotypist, and photographer, he was also a composer, musician, and pharmaceutical agent. After immigrating to New Jersey as a young man, he lived and worked in several Latin American countries beginning in the 1840s. These include Cuba, Mexico, Guatemala, Colombia, Honduras, and Panama. He is considered the first commercial photographer in Guatemala, where he established a gallery in Guatemala City around 1846. His photographs often depict local people, nature, and city scenes. He worked on occasion with his sons, Florencio C. Herbruger and Emilio Herbruger, Jr., also known as Emilio Herbruger Rietbrok. Additionally, the noted Guatemalan photographer Alberto Valdeavellano studied with the Herbrugers in Antigua, Guatemala.
Sources Consulted
Cruz, Keneth. "Día Mundial de la fotografía: ¿Por qué se celebra el 19 de agosto?" Prensa Libre. 19 August 2019. https://www.prensalibre.com/vida/escenario/dia-mundial-de-la-fotografia-por-que-se-celebra-el-19-de-agosto/
Garzon Díaz, Valia. "Panamá a través de la lente de Emil Herbruger Wheling (1808-1894),"Mesoamérica 45 (Enero-Diciembre 2003), Pp. 85-99.
Palmquist, Peter, and Thomas Kailbourn. "Herbruger, Emil, Sr.," Pioneer photographers of the far west: A biographical dictionary, 1840-1865, 295-296. Stanford UP, 2000.
Chronology
1808 April 24 -- Born in Rheda-Wiedenbruck, Germany
1834 -- Emigrated to U.S. Participated in exhibition in Louisville, Kentucky
1840 -- Travelled through Cuba, Mexico, and Central America
1846 -- Established a gallery in Guatemala City, Guatemala
1849-1951 -- Lived in Colombia
1852-1857 -- Traveled in Peru and Brazil
1861 -- Opened Emilio Herbruger e Hijos in Panama City, Panama
1866 -- Opened gallery in Guatemala City, Guatemala
1868 -- Displayed at exhibition sponsored by Sociedad Económica Published polka composition "La Unión"
1868-1870 -- Worked and traveled through Honduras
1871 -- Established Fotografía Imperial gallery in Guatemala City, Guatemala
1870s -- Operated gallery with son Emilio Herbruger, Jr. in Panama City, Panama
1894 -- Died in Egg Harbor, New Jersey
Related Materials:
Information about the articles of clothing worn by the subjects of these photos is avaiable in the NAA vertical file.
Photographs by Emilio Herbruger are also held by the Centro de Investigaciones Regionales de Mesoamérica in the Fototeca Guatemala, and the Archivo Fotográfico of the Bilbioteca Pública Piloto in Colombia. Sheet music by Emil Herbruger is held by the Library of Congress.
Provenance:
There is currently no information available regarding the provenance of this collection.
Restrictions:
The Emilio Herbruger Photographs are open for research.
Access to Emilio Herbruger Photographs requires an appointment.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Lengua náhuat de comunidades indigenas, en el Departamento de Sonsonate primer ciclo = Nenépil Náhuat ipal Tejtéchan Mejmetsáli tik ne Nihueytúchan ipal Tsúntsun
Title:
Nenépil Náhuat ipal Tejtéchan Mejmetsáli tik ne Nihueytúchan ipal Tsúntsun
Author:
Asociación Coordinadora de Comunidades Indígenas de El Salvador Search this
Museum of the American Indian, Heye Foundation Search this
Collection Director:
Heye, George G. (George Gustav), 1874-1957 Search this
Container:
Box 404, Folder 3
Type:
Archival materials
Date:
1925 - 1927
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
INTERVIEW WITH FRANCISCO FRANCES ORTIZ, PAINTER AND SOCCER COACH OF LOS PIPILES. DISCUSSES SOCCER AND ROLE IN HIS FAMILY. TAPE 1 OF 2
Local Numbers:
FP-1988-CT-0790
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, January 27, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
INTERVIEW WITH FRANCISCO FRANCES ORTIZ, PAINTER AND SOCCER COACH OF LOS PIPILES. DISCUSSES SOCCER AND ROLE IN HIS FAMILY. TAPE 2 OF 2
Local Numbers:
FP-1988-CT-0791
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, January 27, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
INTERVIEW WITH ALBERTO BUSTILLO. CONSTRUCTION AND PAINTING, REFEREE FOR SOCCER GAMES, SON ALSO PLAYS WITH LOS PIPILES, INVOLVEMENT WITH SOCCER; ALSO OWNER OF MUSICAL GROUP, JUVENTUD LATINA SEE CADAVAL FW LOGS
Local Numbers:
FP-1988-CT-0797
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, February 6, 1988.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
