Search results for: +Pipes + American Indian, page 1 | Collections Search Center, Smithsonian Institution

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Being Noka (Bear Clan): Lessons of Cultural and Linguistic Translation

Creator:: National Museum of the American Indian Search this

Type:: Conversations and talks; YouTube Videos

Uploaded:: 2016-06-07T15:32:37.000Z

YouTube Category:: Education Search this

Topic:: Native Americans;American Indians Search this

See more by:: SmithsonianNMAI

Data Source:: National Museum of the American Indian

YouTube Channel:: SmithsonianNMAI

EDAN-URL:: edanmdm:yt_xx-a-N7J7W8

Pipe bowl and pipestem

Culture/People:: Lakota (Teton/Western Sioux) Search this

Possible collector:: George H. Bingenheimer, Non-Indian, 1861-1920 Search this

Previous owner:: George H. Bingenheimer, Non-Indian, 1861-1920 Search this; Margaret Bingenheimer (Margaret G. Bowers/Mrs. George H. Bingenheimer), Non-Indian, 1865-1965 Search this

Seller:: Margaret Bingenheimer (Margaret G. Bowers/Mrs. George H. Bingenheimer), Non-Indian, 1865-1965 Search this

Object Name:: Pipe bowl and pipestem

Media/Materials:: Catlinite/pipestone, wood, porcupine quills, dye/dyes, horsehair, mallard duck skin/skins, sinew, cotton twine/string

Techniques:: Carved, dyed, quill-wrapped (braided)

Dimensions:: 65 x 3 x 1 cm

Object Type:: Pipes and Smoking

Place:: Standing Rock Reservation; Sioux County, Corson County; North Dakota, South Dakota; USA (inferred)

Date created:: circa 1880

Catalog Number:: 12/2202

Barcode:: 122202.000

See related items:: Lakota (Teton/Western Sioux); Pipes and Smoking

Data Source:: National Museum of the American Indian

GUID:: http://n2t.net/ark:/65665/ws6ead3db4c-b9e8-481b-8433-76f2ccd5d8fb

EDAN-URL:: edanmdm:NMAI_131517

Online Media:

Pipe bowl and pipestem

Culture/People:: Oglala Lakota (Oglala Sioux) Search this

Previous owner:: Chief Red Cloud (Makhpiya-luta [Scarlet Cloud]/Mahpina Luta), Oglala Lakota (Oglala Sioux), 1822-1909 Search this; Goyathlay (Geronimo/Guyiatle), Chiricahua Apache, ca. 1825-1909 Search this; Frederick W. Skiff (Frederick Woodward Skiff/F.W. Skiff), Non-Indian, 1868-1947 Search this

Collector:: Major Eugene Bonfils McDonald (Eugene B. McDonald), Non-Indian, 1870-1934 Search this

Seller:: Frederick W. Skiff (Frederick Woodward Skiff/F.W. Skiff), Non-Indian, 1868-1947 Search this

Object Name:: Pipe bowl and pipestem

Media/Materials:: Catlinite/pipestone, wood, glass bead/beads, horsehair, sinew, paint

Techniques:: Carved, bead-wrapped, painted

Dimensions:: 74 x 4 x 35 cm

Object Type:: Pipes and Smoking

Place:: South Dakota; USA (inferred)

Date created:: circa 1880

Catalog Number:: 13/8020

Barcode:: 138020.000

See related items:: Oglala Lakota (Oglala Sioux); Pipes and Smoking

Data Source:: National Museum of the American Indian

GUID:: http://n2t.net/ark:/65665/ws6869be294-6edd-4bb8-93d6-fed79faa09b7

EDAN-URL:: edanmdm:NMAI_148502

Online Media:

Pipe

Culture/People:: probably Iñupiaq (attributed) Search this

Collector:: Edward W. Nelson (Edward William Nelson/E.W. Nelson), Non-Indian, 1855-1934 Search this

Previous owner:: U.S. National Museum (United States National Museum/National Museum of Natural History) Search this

Object Name:: Pipe

Media/Materials:: Wood, metal, glass bead/beads

Techniques:: Strung

Object Type:: Pipes and Smoking

Place:: Norton Sound; Bering Straits Native Corporation; Alaska; USA

Catalog Number:: 2/378

Barcode:: 020378.000

See related items:: Iñupiaq; Pipes and Smoking

Data Source:: National Museum of the American Indian

GUID:: http://n2t.net/ark:/65665/ws67caa69a5-6ebc-4321-9887-4974315b728b

EDAN-URL:: edanmdm:NMAI_21581

Online Media:

Pipe tamper

Culture/People:: probably Kiowa (attributed); formerly identified as Oglala Lakota (Oglala Sioux) Search this

Previous owner:: Mrs. Roberts, Non-Indian Search this

Previous seller:: Mrs. Roberts, Non-Indian Search this

MAI agent:: Dr. Frederick J. Dockstader (FJD), Non-Indian, 1912-1998 Search this

Possible owner:: Poor Buffalo (Mathew Poor Buffalo), Oglala Lakota (Oglala Sioux), ca. 1866-1929 Search this; Poor Buffalo (Pa'ta'dal /Pau-tautle-ty), Kiowa, ca. 1840-1903 Search this

Possible seller:: Roberts Indian Crafts and Supplies Search this

Object Name:: Pipe tamper

Media/Materials:: Wood

Techniques:: Carved

Dimensions:: 43 x 1 cm

Object Type:: Pipes and Smoking

Place:: South Dakota; USA

Date created:: circa 1880

Catalog Number:: 24/2459

Barcode:: 242459.000

See related items:: Kiowa; Oglala Lakota (Oglala Sioux); Pipes and Smoking

Data Source:: National Museum of the American Indian

GUID:: http://n2t.net/ark:/65665/ws6355bac52-affd-410f-a4b7-20076998364d

EDAN-URL:: edanmdm:NMAI_258180

Online Media:

Pipe bowl and pipestem

Culture/People:: Inuit [Arctic Bay/Ikpiarjuk] Search this

Artist/Maker:: Philip Qamanirq (Kominerk/Kaminerk), Inuit [Arctic Bay/Ikpiarjuk], b. 1933 Search this

Previous owner:: Philip H. Gray, Non-Indian, 1926-2009 Search this; Iris M. Gray (Iris McKinney), Non-Indian Search this

Donor:: Iris M. Gray (Iris McKinney), Non-Indian Search this

Object Name:: Pipe bowl and pipestem

Media/Materials:: Steatite/soapstone, musk ox bone, copper

Techniques:: Carved, polished, drilled, fused

Dimensions:: 5.8 x 12 x 16.1 cm

Object Type:: Pipes and Smoking

Place:: Arctic Bay (Ikpiarjuk); Qikiqtaaluk Region (Qitirmiut, Baffin); Nunavut; Canada

Archipelago:: Canadian Arctic Archipelago

Island Name:: Baffin Island

Island Grouping:: Baffin Island Group

Date created:: 1970

Catalog Number:: 26/9380

Barcode:: 269380.000

See related items:: Inuit [Arctic Bay/Ikpiarjuk]; Pipes and Smoking

Data Source:: National Museum of the American Indian

GUID:: http://n2t.net/ark:/65665/ws67463aa55-3f1e-4a18-9a44-cc846482c12d

EDAN-URL:: edanmdm:NMAI_410519

Online Media:

Cook Labs records

Creator:: Cook Labs Search this; Cook, Emory, 1913-2002 Search this

Names:: Cook Labs Search this

Extent:: 6.3 Cubic feet (Phonograph albums); 63.5 Cubic feet (Open-reel tapes); 8.75 Cubic feet (Business records); 78.55 Cubic feet

Culture:: Afro-Caribbean cults Search this; 10th Naval District Steel Band Search this; Almerico, Tony, 1905- Search this; American Indians Search this; Audio Engineering Society Search this; Ast, Anita Search this; Bach, Johann Sebastian, 1685-1750 Search this; Beethoven, Ludwig van, 1770-1827 Search this; Big Shell Band Search this; Boston Chorale Search this; Brahms, Johannes, 1833-1897 Search this; Brokenshire, Norman, 1898-1965 Search this; Brundage, Al (Alfred) Search this; Brute Force Band Search this; Camp, Red Search this; Carroll, Jimmy Search this; Crowley, Daniel J., 1921- Search this

Type:: Collection descriptions; Archival materials; Audiotapes; Photographic prints; Business records; Artifacts; Contracts; Phonograph records; Correspondence; Christmas music

Place:: Cuba; West Indies -- Lesser Antilles; Caribbean Area; Antigua; Barbuda; Amazon River Region; Benítez (Venezuela); Baja California (Mexico : Peninsula); Brazil; Connecticut; Cuba; Haiti

Date:: 1908-2002, bulk 1948-1965

Summary:: The Cook Labs records, which date from 1939-2002, document the activities of audio engineer Emory Cook and his label Cook Labs. The contents include business records, materials relating to recording artists, photographs, and production materials, as well as phonograph records, master recordings and unpublished recordings produced by or associated with the Cook Labs label. The collection also contains two interviews conducted with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer. There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

Scope and Contents note:: There are two primary components of the Cook Labs records: the records, master tapes and other audio recordings, and the related paper files.

The Cook Labs records contains about 150 of the 200 released Cook recordings, and 739 master tapes. In addition, there are 330 unpublished tapes.

The the paper files include acquisition materials; business correspondence; recording reports; various production notes on records produced; news articles both about and by Emory Cook and Cook Labs; copyright, licensing, and trademark materials; photographs, correspondence, contracts, and other materials relating to recording artists; production materials for each Cook Labs release; and other miscellany. Many contracts are signed by both Cook Labs and the artist. Correspondence is primarily between business associates.

Two interviews were done with Emory Cook in 1990: one by Jeff Place and one by Anthony Seeger and Nicholas Spitzer; both interviews are included in the Cook Labs records.

There are several physical objects relating to Cook Labs including a bag of powdered vinyl, a binaural playing arm, and a condenser microphone.

Arrangement note:: Many of the items in this list have been assigned an accession number, and like materials have been grouped together to create seven series:

Series 1: Business Papers, 1939-1990

Series 2: Recording Artists, 1949-1981, bulk 1950-1959

Series 3: Photographs, undated, 1957

Series 4: Production files, 1948-1995, bulk 1952-1963

Series 5: Objects, undated, 1908-1964

Series 6: Audio Interviews, 1990

Series 7: Audio Recordings

Biographical/Historical note:: Emory Cook (1913-2002) is widely regarded as a highly influencial audio engineer. Born and raised in Albany, New York, he joined the Army Air Corps in 1932. After his discharge in 1934 he obtained his degree from Cornell University and began working for Western Electric in the Audio Engineering Force. During World War II, while still at Western Electric, Cook supervised the creation of a fire-controlled radar "Trainer," for which he received a Commendation from the Service.

In the late 1940's, convinced he could do better than what was on the market, Cook began experimenting with making his own audio equipment. Cook Laboratories was started in 1945 when he developed a new cutting head to be used in record production. Future development of equipment brought about the discovery that he could record frequencies as high as 20,000 hertz, more than any other recording company at the time. He cut a record of piano and organ music to demonstrate this discovery, and took it to the 1949 Audio Fair in New York. When he demonstrated the record with the hopes to sell the recording equipment, he found that people were much more interested in buying the record itself. Shortly after, Sounds of Our Times, later called Cook Records, was born.

Cook Records collected many different sounds and was mostly aimed at the devoted high-fidelity listener. Cook believed that hearing was a sense often overlooked by people, and he wanted listeners of his albums to be able to hear things they might otherwise miss. In a New Yorker profile by Daniel Lang in 1956, Cook claimed that hearing was "always being kicked aside in favor of sight… There's a time and a place for everything, and that includes sound." In order to encourage listening, he put out many albums full of everyday sounds, such as Voice of the Sea, an album of noises of the ocean and Eye of the Storm, recorded during a thunderstorm. One of the most successful albums was Rail Dynamics, an album of steam trains pulling in and out of a station.

Cook Records also produced traditional music albums from its plant in Stamford, Connecticut. The label produced everything from organ music to folk, flamenco guitar, calypso and steel band. Cook had little interest in name musicians and instead searched high and low for anything he thought might be an interesting contribution to his label. He even invited listeners to send in their favorite sounds, some of which he eventually recorded.

Cook had such a large interest in Calypso music that he set up a second pressing plant in Port-of-Spain, Trinidad. There he pressed calypso and steel band music for both a Trinidadian and American audience, and most albums sold well in both countries.

In addition to the wide range of music Cook recorded, he was also an inventor. It was Cook who first came up with the idea of pressing records with powdered, rather than solid, vinyl, a technique he dubbed "microfusion." This technique not only saved money, but cut out many of the traditional crackles and pops associated with records.

He also developed the binaural system of recording and playing records, which he thought was superior to the more commonly used stereo method. Binaural was more precise than stereo, and it required placing two microphones six inches apart, approximately the space between two ears, during the recording. It was then played back with a special two-needle playing arm. Binaural recordings were thought by Cook to best duplicate the original sound.

Emory Cook died at the age of 89 in 2002 after a long hospitalization.

Shared Stewardship of Collections:: The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

COOK RECORDINGS - NUMERICAL LISTING:: 001 20,000 Cycle Demo (1949) COOK00001

002 Night Rain and Surf COOK00002

003 Specimen Heart Beats COOK00003

004 Katydids, Frogs and Forrest Birds

E101 Grenada Stories and Songs (1957-58) COOK00101

E102 Amazon Sound: Yacu River Tribes (Rituals and Rites) (1954) COOK00102

E103 Music of St. Lucia (1953) COOK00103

E104 Rada (1958) COOK00104

E105 JOSE RAMON FORTUNE AND OLGA MAYNARD Nancy Stories (1956) COOK00105

106 Afro-West Indian Cultural Practices (1957-58) COOK00106

107 ESCOLA DE SAMBA DE BRAZIL The Boli, The Cocolute, and Brazil (1957-58) COOK00107

901 Steelband Jump Up Boys Town, Tropical Harmony, Silvertone COOK00901

904 THE ESSO STEEL BAND Esso Steelband of Bermuda (1958) COOK0904

906 LORD MELODY Lord Melody Sings Calypso (1958-59) COOK00906

911 TOM CHARLES AND HIS SYNCOPATER ORCHESTRA Fete for So! (1959) COOK00911

914 LORD MELODY Again! Lord Melody Sings Calypso (1957-58) COOK00914

916 Calypso Cross Section Young Killer, The Mighty Bomber, Small Island Pride, The Mighty Wrangler (1957-58) COOK00916

920 THE MIGHTY SPARROW King Sparrow's Calypso Carnival (1959) COOK00920

927 LORD MELODY Calypso through the Looking Glass (1959) COOK00927

928 CLARENCE CURVAN His Drums, His Orchestra COOK00928

930 Belly to Belly Clarence Curvan, Johnny Gomez, Tom Charles, Fitz Vaughn Bryan (1960-61) COOK00930

931 LORD MELODY Lord Melody, 1962 COOK0931

1000 TITUS MOODY DDDs of Binaural (1952) COOK01000

1011 The Christmas Music Box (1950) COOK01011

1012 Music Boxes of Long Ago (1950) COOK01012

1013 CHARLIE MAGNANTE Accordion Pops Concert (1954-55) COOK01013

1014 CHARLIE MAGNANTE AND LaVERGNE SMITH His and Hers (1954-55) COOK01014

1020 SAM ESKIN Sam Eskin's Songs of All Time COOK01020

1021 GROUPE MI-O Un Ti Bo (1958) COOK01021

1022 LAVINIA WILLIAMS' GROUPE FOLKLORIQUE Haiti Confidential (1958) COOK01022

1023 The Ramayana (Hindu Ceremony) (1961) COOK01023

1024 GUSTAVO ZEPOLI Concert Guitar (1954) COOK01024

1025 SEAN McGONIGAL AND ST. COLUMCILLE'S UNITED GAELIC PIPE BAND Kilts on Parade (1950) COOK01025

1026 ANITA AST AND THE VIENNA KONZERTSCHRAMMEREIN Inside Vienna (1952) COOK01026

1027 CARLOS MONTOYA AND THE JOSE GRECO TROUPE Fiesta Flamenca (1952) COOK01027

1028 CARLOS MONTOYA Montoya (1952) COOK01028

1030 EDWARD VITO The Harp (1951) COOK01030

1031 EDWARD AND JOSEPH VITO Dual Harp (1951) COOK01031

1032 RUTH WELCOME AND DICK MARTA Zither and Cimbalom (1951) COOK01032

1035 Barrelhouse Piano (1950) COOK01035

1036 FRANK GLAZER Liszt's Paganini Variations (1952) COOK01036

1037 GRETA AND JOSEF DICHLER Two Famous European Pianos (1952) COOK01037

1038 SAMUEL SORIN Piano: The Romantic Fabric (1953) COOK01038

1039 LEONID HAMBRO A Perspective of Beethoven (1953) COOK01039

1040 Steel Band Clash Brute Force Steel Band, Big Shell Band, and Hell Gate Band (1955)

1041 JIMMY CARROLL PERCUSSION EMSEMBLE WITH RED CAMP Speed the Parting Guest (1953) and The Hot Tempered Clavichord (1957) COOK01041

1042 BRUTE FORCE STEEL BAND Brute Force Steel Band of Antigua with Big Shell Band (1955) COOK01042

1043 Three Rituals (1955) COOK01043

1044 The Compleat In Fidelytie: Sounds Natural and Unnatural (1956) COOK01044

1045 Drums of Trinidad (1956) COOK01045

1046 Champion Steel Bands of Trinidad The Highlanders, Southern All Stars, The Katzenjammers, others (1957) COOK01046

1047 THE KATZENJAMMERS The Enchanted Steelband (1957) COOK01047

1048 BRUTE FORCE STEEL BAND Music to Awaken the Ballroom Beast (1957) COOK01048

1049 BRUTE FORCE STEEL BAND Beauty and the Brute Force (1957) COOK01049

1050 MICHAEL CHESHIRE The Pipe Organ, volume 1 (1952) COOK01050

1051 MICHAEL CHESHIRE The Pipe Organ, volume 2 (1952) COOK01051

1052 REGINALD FOORT Percussion and Pedal, volume 3 (1952) COOK01052

1053 REGINALD FOORT Reginald Foort at the Mosque, volume 4 (1952) COOK01053

1054 REGINALD FOORT Organ in Symphony Hall, volume 1 (1954) COOK01054

1055 REGINALD FOORT Organ in Symphony Hall, volume 2 (1954) COOK01055

1056 ALFONSO VEGA NUÑEZ Morelia Cathedral Organ (1954) COOK01056

1057 REGINALD FOORT Foort Pops (1956) COOK01057

1058 REGINALD FOORT Waltz and Ballet: The Mosque Organ (1956) COOK01058

1059 REGINALD FOORT Intermission at the Mosque (1956) COOK01059

1060 NEW ORCHESTRAL SOCIETY OF BOSTON Brahms First Symphony (1954) COOK01060

1061 FESTIVAL CASALS ORCHESTRA Hector Campos Parsi (1958) COOK01061

1062 NEW ORCHESTRAL SOCIETY OF BOSTON Stravinsky, Villa Lobos, and Bach (1955) COOK01062

1063 NEW ORCHESTRAL SOCIETY OF BOSTON Debussy (1955) COOK01063

1064 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Dance (1955) COOK01064

1065 NEW ORCHESTRAL SOCIETY OF BOSTON Mozart Symphony No. 40 (1955) COOK01065

1066 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Theater (1955) COOK01066

1067 NEW ORCHESTRAL SOCIETY OF BOSTON Beethoven Symphony No. 5 (1955) COOK01067

1068 NEW ORCHESTRAL SOCIETY OF BOSTON New Orchestral Society of Boston (1966) COOK01068

1069 NEW ORCHESTRAL SOCIETY OF BOSTON Haydn Symphony No. 100: Military (1966) COOK01069

1070 Rail Dynamics: Steam Locomotives and Train Sounds (1950-54) COOK01070

1071 Burlesque Uncensored (1954) COOK01071

1072 Jump-up Carnival: Calypso Tent (1956) COOK01072

1073 Holy Week: Malaga (Spain) (1961) COOK01073

1074 Benevolent Society for the Preservation of Ancient Rhymes and Limerix Limerick Party COOK01074

1075 Voices of the Sky: Propellers and Jets (1957) COOK01075

1077 Voice of the Storm (1957-58) COOK01077

1078 A Double Barrel Blast: High Cost of Dying and Computer Conversations (1962) COOK01078

1079 Tour of High Fidelity (1965) COOK01079

1080 TRIO LEONES Trio Leones of Cabrito (1954) COOK01080

1081 LaVERGNE SMITH LaVergne Smith (01014B plus) (1954) COOK01081

1082 Le Jazz Primitif from Trinidad Rupert Clemendore and John Buddy Williams (1961) COOK01082

1083 Jawbone of an Ass: Musica de Cuba (1955) COOK01083

1084 SID DAVILLA AND FREDDIE KOHLMAN'S BAND WITH RED CAMP Blowout at Mardi Gras (1955) COOK01084

1085 TONY ALMERICO'S PARISIAN ROOM BAND Clambake on Bourbon Street (1954-55) COOK01085

1086 WILLIE RODRIGUEZ The Drums of Rodriguez (1953) COOK01086

1087 RED CAMP Camp Inventions: Jazz Piano and Zither Music (1955) COOK01087

1088 RED CAMP Red Camp Horizontal (1954) COOK01088

1089 RED CAMP Red Camp Upright (1954) COOK01089

1090 ARTHUR BILLINGS HUNT Arthur Billings Hunt Sings Hymns (1950) COOK01090

1091 ARTHUR BILLINGS HUNT Hunt Sings Old Favorites (1950) COOK01091

1092 HUFSTADER SINGERS Hufstader Singers (1953) COOK01092

1094 REGINALD FOORT AND THE BOSTON CHORALE The Seven Last Words of Christ (1954) COOK01094

1095 ST. JOHN'S RUSSIAN ORTHODOX CHOIR Russian Christmas (Spring Valley, New York) (1961) COOK01095

1096 ST. JOHN'S RUSSIAN ORTHODOX CHOIR Russian Easter Midnight Service (Spring Valley, New York) (1961) COOK01096

1097 ST. JOHN'S RUSSIAN ORTHODOX CHOIR St. John's Russian Orthodox Choir (1961) COOK01097

1101 THE INVADERS FROM ST. CROIX Steel Band in San Juan (1964) COOK01101

1102 10TH NAVAL DISTRICT STEEL BAND New Paths for Steel Band (1965) COOK01102

1120 BENITEZ-VALENCIA TRIO Ecuador (1958) COOK01120

1121 Island in the Moonlight Trio Los Rubies, Grupo Paquito Lopez Cruz, Las Hermanas Colón, Martita Cuadrado (1958) COOK01121

1122 Hellish Calypso King Fighter, The Mighty Bomber, others (1962) COOK01122

1123 Calypso Atrocities King Fighter, The Mighty Bomber, others COOK01123

1124 HAYWIRE MAC McCook LabsINTOCK Haywire Mac (1951) COOK01124

1125 LORD MYRTLE, CECIL MITCHEL, AND JAMES CONVERY Calypso Jamaica (1960) COOK01125

1126 THE MIGHTY SPARROW Sparrow in Hi-Fi (1963) COOK01126

1127 STEVE CAMACHO Folk and Other Songs (1962) COOK01127

1131 BRUCE PRINCE-JOSEPH The Pedal Harpsichord (1953) COOK01131

1132 SHINCHI YUIZE The Japanese Koto (1955) COOK01132

1133 RED CAMP The New Clavichord (1957) COOK01133

1134 LUIS BONFA Guitar in Brazil (1959) COOK01134

1140 Steelband Promenade Brute Force Steel Band, The Merrymakers, Southern All Stars (1958) COOK01140

1150 BILL FLOYD The King of Organs (1957) COOK01150

1151 REGINALD FOORT The Theatre Organ, volume 2 COOK01151

1152 REGINALD FOORT The Theatre Organ, volume 3 COOK01152

1154 REGINALD FOORT The Theatre Organ, volume 5 COOK01154

1155 REGINALD FOORT The Theatre Organ, volume 6 COOK01155

1156 REGINALD FOORT The Baroque Organ, volume 1 COOK01156

1157 REGINALD FOORT The Baroque Organ, volume 2 COOK01157

1169 NEW ORCHESTRAL SOCIETY OF BOSTON Tchaikovsky: Romeo and Juliet, Serenade for Strings (1962) COOK01169

1180 Dance Calypso Johnny Gomez Band, Small Island Pride, Dictator, others (1956) COOK01180

1181 LIZZIE MILES Lizzie Miles Buglin' Sam DeKemel and the Parisian All Stars (1954-55) COOK01181

1182 LIZZIE MILES Moans and Blues Red Camp and Tony Almerico's All Stars (1956) COOK01182

1183 LIZZIE MILES Hot Songs My Mother Taught Me Red Camp, Tony Almerico's All Stars, Albert French (1956) COOK01183

1184 LIZZIE MILES Torchy Lullabies My Mother Sang Me Red Camp and Tony Almerico's All Stars (1956) COOK01184

1185 Calypso Kings and Pink Gin: Trinidad Carnival Tent Lord Melody, The Might Sparrow, others (1957) COOK01185

1186 ENSEMBLE AUX CALEBASSES Meringue (1958) COOK01186

1187 A Night at the Tropicoro Juan Luis, Oswaldo Seda, and Lito Peña Band (1959) COOK01187

1188 Dirty Jazz from Down South: Trinidadian Instrumentals (1958) COOK01188

1189 Calypso Exposed Lord Melody, Brute Force Steel Band, King Sparrow, The Mighty Cypher, and Skipper (1961) COOK01189

1280 Caribbean Limbo Music Rupert Clemendore Orchestra, Cyril Diaz Orchestra, others COOK01280

1281 Songs from the Garden of Love Jefferson-Jones' Orchestra COOK01281

1282 Italian Moom Jefferson-Jones' Orchestra COOK01282

2004 Tour of Stereo (1958) COOK02004

2066 NEW ORCHESTRAL SOCIETY OF BOSTON Masterpieces of the Dance, volume 3 COOK02066

2070 Aboard a Fast Express / Jet Dynamics COOK02070

4057 REGINALD FOORT The Theater Organ COOK04057

4069 NEW ORCHESTRAL SOCIETY OF BOSTON Hayden Military Symphony COOK04069

5001 American Storytellers, Volume 1 Harry Wass, Master Marriner's Association (1952) COOK05001

5002 K.C. DOUGLAS K.C. Douglas (1952) COOK05002

5003 Caribeana: Hidden Music from the Caribbean (1949) COOK05003

5004 TIRORO Tiroro: Haitian Drummer (1948) COOK05004

5005 RED CAMP Camp Has a Ball (1954) COOK05005

5006 AL BRUNDAGE Square Dance (1951) COOK05006

5007 Mexican Marimba Band (1954) COOK05007

5008 American Storytellers, Volume 2 John Hawley Cook (1954) COOK05008

5009 American Storytellers, Volume 3 Captain Charles A. Chace, Matthew Richards (1954) COOK05009

5010 Calliope, Carousel, and Hand Organ (1953) COOK05010

5011 Voice of the Sea (1954) COOK05011

5012 Earthquake (1953) COOK05012

5013 Ionosphere (1955) COOK05013

5014 Mariachi Music of Mexico (1954) COOK05014

5015 Mexican Firecrackers (1951) COOK05015

5016 Calypso Lore and Legend (1956) COOK05016

5017 Bamboo-tamboo, Bongo, and Belair (1956) COOK05017

5018 East Indian Drums of Tunapuna, Trinidad (1956) COOK05018

5019 ALONZO CRUZ Blind Troubadour of Oaxaca (1956) COOK05019

5020 Epilogue to the String Band Tradition (1956) COOK05020

5022 ABCs of Hi Fi COOK05022

5025 BUCKMINSTER FULLER Buckminster Fuller Speaks His Mind COOK05025

5050 NORMAN BROKENSHIRE Radio Moscow and the Western Hemisphere COOK05050

5051 FRANKLIN D. ROOSEVELT The Four Inaugural Addresses COOK05051

6061 BUCKMINSTER FULLER The Clock Is Stopping COOK06061

8374 BUCKMINSTER FULLER Dymaxion Ditties: Buckminster Fuller Sings COOK08374

10001 Sound Effects, volume 1 COOK10001

10002 Sound Effects, volume 2 COOK10002

10003 Sound Effects, volume 3 COOK10003

10120 Music Boxes, Carousels, and Hand Organs (01012 and 05010) (1950-53) COOK10120

10248 The Voice of Mexico Gustavo Zepoli, Trio Leones (01024 and 01080) (1954) COOK10248

10251 SEAN McGONIGAL AND ST. COLUMCILLE'S UNITED GAELIC PIPE BAND Kilts on Parade (01025 plus solos) (1950-53) COOK10251

10271 CARLOS MONTOYA AND THE JOSE GRECO TROUPE Fiesta Flamenca (selections from 01027 and 01028) (1952) COOK10271

10289 CARLOS MONTOYA Montoya (selections from 01028 plus) (1952) COOK10289

10301 EDWARD AND JOSEPH VITO The Harp (selections from 01030 and 01031 plus) (1951-54) COOK10301

10326 Cafe Continental Ruth Welcome, Dick Marta, and Anita Ast (selections from 01026 and 01032) (1951-52) COOK10326

10350 Nickelodion and Calliope (selections from 01035 and 05010) (1950-53) COOK10350

10500 REGINALD FOORT The Theater Organ COOK10500

10501 MICHAEL CHESHIRE Pipe Organ in the Mosque (selections from 01050 and 01051) (1952) COOK10501

10523 REGINALD FOORT Percussion and Pedal (selections from 01052 and 01053) (1952) COOK10523

10545 REGINALD FOORT The Organ at Symphony Hall (01054 plus) (1954) COOK10545

10579 REGINALD FOORT Foort Pops (selections from 01057 and 01058) (1956) COOK10579

10646 NEW ORCHESTRAL SOCIETY OF BOSTON Tempo Vivace: Symphonic Masterpieces of Dance & Theater (selections from 01064 and 01066) (1955-56) COOK010646

10657 NEW ORCHESTRAL SOCIETY OF BOSTON Two Classical Symphonies: Mozart Symphony No. 40, Beethoven Symphony No. 5 (01065 and 01067) (1955) COOK10657

10659 NEW ORCHESTRAL SOCIETY OF BOSTON Two Classical Symphonies: Mozart Symphony No. 40, Haydn Symphony No. 100 (01065 and 01069) (1955-56) COOK10659

10683 NEW ORCHESTRAL SOCIETY OF BOSTON Modern Orchestral Textures (01068 and 01063) (1955) COOK10683

10850 RUPERT Cook LabsEMENDORE BAND Le Jazz Trinidad COOK10850

10867 Before and After Willie Rodriguez (selections from 01086 and 05007) (1953-54) COOK010867

10889 RED CAMP Horizontal & Upright & Downright & Dunright (01088 and 01089) (1954) COOK10889

10890 The Castiliane Johnny Gomez Band, John Buddy Williams Band, Girl Pat Steel Band, And Grand Curacaye String Orchestra (1956) COOK10890

11312 BRUCE PRINCE-JOSEPH AND HUFSTADER SINGERS The Forgotten Pedal Harpsichord and Hufstader Singers (01131 and 01092) (1953) COOK11312

11815 TONY ALMERICO'S PARISIAN ROOM BAND AND LIZZIE MILES Clambake on Bourbon Street (1954-55) COOK11815

50130 Tour of Cook Labs COOK50130

70889 RED CAMP Popular Piano and Combo COOK70889

80134 LUIZ BONFA Waterfall: Guitar COOK80134

80417 MARIMBA ORCHESTRA Waterfall: Children's Music COOK80417

80680 NEW ORCHESTRAL SOCIETY OF BOSTON Waterfall: Symphonic COOK80680

XX1 Audio Follies Sampler COOK00XX1

XX2 Calypso Jazz Sampler COOK00XX2

Series 10 Cook Series 10 COOK_Series10

Series 30 Cook Series 30 COOK_Series30

Series 60 Cook Series 60 COOK_Series60

Series 70 Cook Series 70 COOK_Series70

Series 80 Cook Series 80 COOK_Series80

Series 90 Cook Series 90 COOK_Series90

Series 100 Cook Series 100 COOK_Series100

Series 300 Cook Series 300 COOK_Series300

Series 301 Cook Series 301 COOK_Series301

Series 302 Cook Series 302 COOK_Series302

Series 303 Cook Series 303 COOK_Series303

Provenance:: The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired the Cook Labs Records in 1990, when Emory and Martha Cook donated their company records to the Center for Folklife and Cultural Heritage. Anthony Seeger, then Director of Smithsonian Folkways Records, received a call from Mr. Cook in the summer of 1989 offering to donate the Cook label to the Smithsonian. Dr. Seeger visited him in August of that year to view the contents of the collection, and the Smithsonian received custody of the collection in May 1990. In return for the donation from Mr. Cook, the Center for Folklife and Cultural Heritage agreed to keep the record titles available and to store the papers in the archives.

Restrictions:: Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:: Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:: Popular music -- 20th century -- United States Search this; Wit and humor Search this; Calypso (Music) Search this; Folk music -- Caribbean Area Search this; Folk music Search this; Sounds Search this; Music -- 18th century Search this; Folk music -- United States Search this; Jazz -- Louisiana -- New Orleans Search this; Jazz Search this; Accordion music Search this; Airplane sounds Search this; Animal sounds Search this; Audio equipment industry Search this; Blues (Music) Search this; Bonfá, Luiz Search this; Calypso (Music) Search this; Burlesque (Theater) Search this; Calliope music Search this; Calypso (Music)--Trinidad and Tobago Search this; Campos Parsi, Héctor, 1922- Search this; Catholicism Search this; Christianity Search this; Christmas Search this; Cimbalom and zither music Search this; Clavichord Search this; Clemendore, Rupert Search this; Drum Search this

Genre/Form:: Audiotapes; Photographic prints; Business records; Artifacts; Contracts; Phonograph records; Correspondence; Christmas music

Citation:: Cook Labs records, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:: CFCH.COOK

See more items in:: Cook Labs records

Archival Repository:: Ralph Rinzler Folklife Archives and Collections

GUID:: https://n2t.net/ark:/65665/bk50980aef1-30c4-4f77-9de4-97337007b9f0

EDAN-URL:: ead_collection:sova-cfch-cook

Online Media:

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"A Portrait Pipe From San Salvador, Central America," "A Gold Ornament From Florida,"

Collection Creator:: Museum of the American Indian, Heye Foundation Search this

Collection Director:: Heye, George G. (George Gustav), 1874-1957 Search this

Container:: Box 429, Folder 4

Type:: Archival materials

Date:: 1889 - 1890

Collection Restrictions:: Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:: Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.

Collection Citation:: Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.

See more items in:: Museum of the American Indian/Heye Foundation records; Museum of the American Indian/Heye Foundation records / Series 12: Publications / 12.3: Publications by Other Sources

Archival Repository:: National Museum of the American Indian

GUID:: https://n2t.net/ark:/65665/sv42b275af0-df75-402b-9341-2a1dde666ee3

EDAN-URL:: ead_component:sova-nmai-ac-001-ref10484

M.R. Harrington: Correspondence, General

Collection Creator:: Museum of the American Indian, Heye Foundation Search this

Collection Director:: Heye, George G. (George Gustav), 1874-1957 Search this

Container:: Box 231, Folder 12

Type:: Archival materials

Date:: 1902-1913, 1919-1926

Collection Restrictions:: Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:: Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.

Collection Citation:: Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.

See more items in:: Museum of the American Indian/Heye Foundation records; Museum of the American Indian/Heye Foundation records / Series 6: Collectors

Archival Repository:: National Museum of the American Indian

GUID:: https://n2t.net/ark:/65665/sv4092386d4-591b-42e7-8da2-d1c9348fabf7

EDAN-URL:: ead_component:sova-nmai-ac-001-ref6543

3 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center

M.R. Harrington: Correspondence, General

Collection Creator:: Museum of the American Indian, Heye Foundation Search this

Collection Director:: Heye, George G. (George Gustav), 1874-1957 Search this

Container:: Box 231, Folder 13

Type:: Archival materials

Date:: 1926 - 1928

Collection Restrictions:: Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Collection Rights:: Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.

Collection Citation:: Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.

See more items in:: Museum of the American Indian/Heye Foundation records; Museum of the American Indian/Heye Foundation records / Series 6: Collectors

Archival Repository:: National Museum of the American Indian

GUID:: https://n2t.net/ark:/65665/sv498f228e6-217f-4343-afdc-5cd2945335c9

EDAN-URL:: ead_component:sova-nmai-ac-001-ref6545

Pipe tomahawk

Culture/People:: Non-Indian; said to have been used by the Miami Search this

Previous owner:: Chief Little Turtle (Mihšihkinaahkwa/Michikinikwa), Miami, ca. 1752-1812 Search this; Charles McMurray, Non-Indian, 1868-1947 Search this; Harold J. Hibben (Harold James Hibben), Non-Indian, 1881-1956 Search this