Search Results

Interviewee:

Butt, Harlan W., 1950-  Search this

Interviewer:

Riedel, Mija, 1958-  Search this

Creator:

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Names:

American Craft Council  Search this

Arrowmont School of Arts and Crafts -- Faculty  Search this

Enamelist Society  Search this

Haystack Mountain School of Crafts -- Faculty  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Penland School of Crafts -- Faculty  Search this

Rhode Island School of Design -- Faculty  Search this

San Diego State University -- Faculty  Search this

Society of North American Goldsmiths  Search this

Southern Illinois University at Carbondale -- Students  Search this

Tyler School of Art -- Students  Search this

University of North Texas -- Faculty  Search this

Brooks, Jan  Search this

Glantz, Ken  Search this

Kington, L. Brent (Louis Brent), 1934-2013  Search this

Lechtzin, Stanley, 1936-  Search this

Moty, Eleanor  Search this

Paley, Albert  Search this

Pijanowski, Eugene, 1938-  Search this

Pijanowski, Hiroko Sato, 1942-  Search this

Pujol, Elliot  Search this

Scanga, Italo, 1932-2001  Search this

Shirk, Helen Z., 1942-  Search this

Snyder, Gary, 1930-  Search this

Staffel, Rudolf, 1911-2002  Search this

Winokur, Robert, 1933-  Search this

Extent:

7 Items (Sound recording: 7 sound files (5 hr., 19 min.), digital, wav)

90 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Interviews

Sound recordings

Place:

Australia -- Description and Travel

India -- description and travel

Japan -- Description and Travel

Date:

2009 July 27-28

Scope and Contents:

An interview of Harlan W. Butt conducted 2009 July 27-28, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Butt's studio, in Ptarmigan Meadows, Colorado.

Harlan Butt speaks of the influence of Asian art on his work; the use of text and imagery in his work; the use of pattern in his work; his undergraduate minor in weaving; the influence of Asian religion and mythology; series The Earth Beneath Our Feet , Garden Anagogies, and Snakes in Heaven; his childhood growing up in Hopewell, New Jersey, near Princeton; undergraduate work at Tyler School of Art, Philadelphia, Pennsylvania; discovery of Buddhism and Eastern religions; his mother's death when he was 20; studying with Stanley Lechtzin and Elliot Pujol at Tyler; graduate school at Southern Illinois University, Carbondale; interest in Japanese tea ceremony; more exploration of Zen Buddhism; use of color in his work; studying with L. Brent Kington; reliquary series; move to Connecticut in 1974; second trip to Japan in 1984 to co-curate Kyoto Metal: An Exhibition of Contemporary Japanese Art Metalwork; introduction to Japanese system of artisan apprenticeship; early efforts as a writer and poet; the influence of poet Gary Snyder; summer teaching position at Rhode Island School of Design, Providence; teaching job at San Diego [California] State University in the mid-1970s; rattles and pipes series; exploring the Western landscape; the power of the snake image; taking a teaching position at University of North Texas, Denton (1976- ); first trip to Japan in 1980; differences in artisanal/metalworking practices in Japan and the United States; teaching workshops at various craft schools, Penland School of Crafts, Penland, North Carolina; Haystack School of Crafts, Deer Isle, Maine; and Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee, compared with teaching in a university; the pros and cons of the gallery system; work with the Nancy Yaw Gallery, Birmingham, Michigan; the challenge of commission work; National Parks Project, Denton Center for the Visual Arts, Denton, Texas; the role of haiku and text in his pieces; series 1,001 Views of Mt. Mu; series Snakes in Heaven; the influence of his wife and children; trip to India and organizing Colour & Light: The Art and Craft of Enamel on Metal, National Gallery of Modern Art, Mumbai, 2001; trip to Australia; involvement with the Society of North American Goldsmiths, Enamelist Society, and American Craft Council; subtle issues of environmentalism in his work; his affinity for metalsmithing and enameling. He also recalls [Rudolf] Staffel, Robert Winokur, Italo Scanga, Jan Brooks, Mike Riegel, Rachelle Thiewes, Eleanor Moty, Albert Paley, Shumei Tanaka, Ken Glantz (Ken Chowder), Randy Thelma Coles, Sandy Green, Mickey McCarter, Gene Pijanowski, Hiroko Pijanowski, Toshihiro Yamanaka, Helen Shirk, Ana Lopez, and Sarah Perkins.

Biographical / Historical:

Harlan W. Butt (1950- ) is an artist, metalsmith, and educator in Denton, Texas. Mija Riedel (1958- ) is a writer and independent scholar in San Francisco, California.

General:

Originally recorded on 4 sound mini discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 19 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Art teachers -- Interviews  Search this

Topic:

Art, Asian  Search this

Art -- Study and teaching  Search this

Buddhism  Search this

Metal-workers -- Texas -- Interviews  Search this

Weaving  Search this

Japanese tea ceremony  Search this

Genre/Form:

Interviews

Sound recordings

Sponsor:

Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.butt09

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw990c0174f-3e27-4a2f-bccb-8d302a50d30d

EDAN-URL:

ead_collection:sova-aaa-butt09

Interviewee:

Pijanowski, Hiroko Sato, 1942-  Search this

Interviewer:

Fisch, Arline M.  Search this

Creator:

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Names:

Cranbrook Academy of Art -- Students  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

University of Michigan -- Faculty  Search this

Pijanowski, Eugene, 1938-  Search this

Extent:

123 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2003 May 13-15

Scope and Contents:

An interview of Hiroko Sato Pijanowski conducted 2003 May 13-15, by Arline F. Fisch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Honolulu, Hawaii.

Pijanowski speaks of her American/Japanese identity; childhood in Japan and her small family; the Christian schools she attended; Geidai University; learning Japanese jewelry design in the U.S.; attending Cranbrook Academy of Art; her thesis on line-inlay, a Japanese technique; meeting Eugene (Gene) Pijanowski, her future husband, at Cranbrook; life in Japan with Gene; moving back to the U.S.; her teaching philosophy; teaching at the University of Michigan; computers and other technological advances that have changed the way metals are taught; her presentation at a 1999 SNAG conference, "A Look Into the Future: The Implementation of Computer Aided Design and Manufacturing for Metalsmiths"; the importance of sharing information; her creative work and its relation to teaching; working with Japanese paper cord [mizuhiki]; Zen philosophy; her reoccurring childhood dreams; her line of jewelry "Hiroko Sato Pijanowski"; and the different types of molds she has made in wax, silicon, and rubber. Pijanowski also discusses jewelry tradeshows; her series Gentle Solitude; Issey Miyake's approach to design and his influence; her haiku club; orchids as inspiration; scuba diving experiences; the World Crafts Conference in Kyoto in 1978; the importance of exhibitions, such as "International Jewelry" in Vienna and "Poetry of the Physical" at the American Craft Museum, New York; galleries such as Helen Drutt in Philadelphia and Yaw Gallery in Michigan; the custom of "renting a gallery space" in Japan; and she concludes the interview with a discussion of the effects of of her depression. Pijanowski also recalls Ruth Taubman, Jim Hopfensperger, Leslie Leupp, Michael Rodemer; Stanley Lechtzin, Herman Junger, Albert Paley, David Watkins, Bob Ebendorf, Otto Kunzli, Michael Rowe, and others.

Biographical / Historical:

Hiroko Sato Pijasnowski (1942- ) is a Japanese American metalsmith from Honolulu, Hawaii. Arline M. Fisch is a jeweler.

General:

Originally recorded on 6 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 5 hr., 42 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Topic:

Asian American art  Search this

Asian American artists  Search this

Decorative arts  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American metal-workers  Search this

Jewelers -- Hawaii -- Interviews  Search this

Metal-workers -- Hawaii -- Interviews  Search this

Women artists  Search this

Metal-work  Search this

Jewelry making  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.pijanoh03

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9be3f93ac-2c5f-4b62-a0b3-b25d91ea2207

EDAN-URL:

ead_collection:sova-aaa-pijanoh03

Interviewee:

Pijanowski, Eugene, 1938-  Search this

Interviewer:

Fisch, Arline M.  Search this

Creator:

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Names:

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Pijanowski, Hiroko Sato, 1942-  Search this

Extent:

92 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2003 May 13-14

Scope and Contents:

An interview of Eugene Pijanowski conducted 2003 May 13-14, by Arline M. Fisch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Honolulu, Hawaii.

Pijanowski speaks of his childhood in suburban Detroit; his experience as a projectionist at the Marine Corp's Camp Pendleton; studying at Wayne State University in Detroit, Oxbow Summer School in Saugatuck, and Cranbrook Academy of Art, in Bloomfield Hills, Michigan, where he met his wife Hiroko Sato; he discusses moving to Japan, where he studied at Geidai and Sophia University in Tokyo, and worked at Renown Clothing; moving back to the U.S.; his teaching positions at San Diego State University, Purdue University, and University of Michigan at Ann Arbor; he comments on his administrative role at University of Michigan; his experience teaching workshops; his research on Japanese metal work, specifically mokume gane and its influence on western metalsmithing; he recalls his Fulbright in Vienna; the exchange between University of Michigan and Seika Art School in Kyoto, Japan; he discusses his studio production; how he is not interested in exhibiting; how objective critiques are missing in the field; nature as a source of inspiration; the east/west theme of his work; he speaks specifically of his series "Gentle Solitude," "Amaryllis," "Maple Seed," and "I am Precious;" the limited value of publications, exhibitions, and organizations; he discuss his relationship with galleries; the importance of teaching; grants, honors, and other accomplishments; and his current projects in Honolulu. In addition to his long professional and personal relationship with Hiroko Sato Pijanowski, Eugene Pijanowski recalls Philip Fike, Richard Thomas, Mr. Hiramatsu, Arline M. Fisch, Bruce Metcalf, Onno Boekhoudt, Inge Asenbaum, Helen Drutt, Hermann Junger, Ian Ferguson, and others.

Biographical / Historical:

Eugene Pijanowski (1938- ) is a metalsmith from Honolulu, Hawaii. Arline M. Fisch is a jeweler.

General:

Originally recorded on 5 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 4 hr., 55 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Topic:

Metal-workers -- Hawaii -- Interviews  Search this

Jewelers -- Hawaii -- Interviews  Search this

Decorative arts  Search this

Metal-work  Search this

Jewelry making  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.pijanoe03

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93fe2cb89-eb09-4191-ba8c-b6873a787b2d

EDAN-URL:

ead_collection:sova-aaa-pijanoe03

Interviewee:

Pijanowski, Eugene, 1938-  Search this

Pijanowski, Hiroko Sato, 1942-  Search this

Interviewer:

Fisch, Arline M.  Search this

Names:

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Extent:

102 Pages (Transcript)

102 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2003 May 15-16

2003 May 15-16

Scope and Contents:

An interview of Eugene and Hiroko Sato Pijanowski conducted 2003 May 15-16, by Arline M. Fisch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Honolulu, Hawaii.

The Pijanowskis speak of their unique relationship in life and work; their early years in Japan; the lack of art schools in Japan; their collaborative process; Gene's tendency to deviate from standard styles; Hiroko's work on Japanese metalwork; they comment on their interest in fabric, Japanese paper cord [mizuhiki], fish skin, and ColorCore (a surfacing material with integral solid color throughout its thickness); their series Gentle Solitude, Amaryllis, and Maple Leaves; student labor; their separate careers as teachers; the presence of Japanese and American cultures in their life; their interest in Dutch design; the significance of their international marriage while living in Michigan and Hawaii; they recall various symposia and workshops; they discuss how their travels have effected their works; Hiroko's enjoyment of scuba diving and inspiration from nature; they comment on the difficulties of working together at the same university; other artist couples they know; retiring to Hawaii; Hiroko's interest in haiku poetry; and her responsibilities in Japan of running her uncle's company and helping her elderly mother. The Pijanowskis also recall Kim Cridler, David Watkins, Wendy Ramshaw, Emmy van Leersum and Gijs Bakker, Takahiko Mizuno, Francis Pickens, Mike Capitan, and others.

Biographical / Historical:

Eugene (1938- ) and Hiroko Sato (1942- ) Pijanowski are metalsmiths living in Honolulu, Hawaii. Arline M. Fisch is a jeweler and writer.

General:

Originally recorded on 4 sound discs. Reformatted in 2010 as 9 digital wav files. Duration is 4 hr., 12 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Topic:

Decorative arts  Search this

Asian American art  Search this

Asian American artists  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American metal-workers  Search this

Jewelers -- Hawaii -- Interviews  Search this

Metal-workers -- Hawaii -- Interviews  Search this

Japanese American women -- Interviews  Search this

Women artists  Search this

Jewelry making  Search this

Metal-work  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.pijanoeh03

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw995c119d9-e24c-41d2-8d04-c9e9b9de3169

EDAN-URL:

ead_collection:sova-aaa-pijanoeh03

Interviewee:

Pijanowski, Eugene, 1938-  Search this

Interviewer:

Fisch, Arline M  Search this

Subject:

Pijanowski, Hiroko Sato, 1942-  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Eugene and Hiroko Sato Pijanowski, 2003 May 15-16. Archives of American Art, Smithsonian Institution.

Topic:

Decorative arts  Search this

Asian American art  Search this

Asian American artists  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American metal-workers  Search this

Jewelers -- Hawaii -- Interviews  Search this

Metal-workers -- Hawaii -- Interviews  Search this

Japanese American women -- Interviews  Search this

Women artists  Search this

Jewelry making  Search this

Metal-work  Search this

Theme:

Craft  Search this

Asian American  Search this

Women  Search this

Record number:

(DSI-AAA_CollID)12728

(DSI-AAA_SIRISBib)240382

AAA_collcode_pijanoeh03

Theme:

Craft

Asian American

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_240382

Interviewee:

Pijanowski, Hiroko Sato, 1942-  Search this

Interviewer:

Fisch, Arline M  Search this

Subject:

Pijanowski, Eugene  Search this

Cranbrook Academy of Art  Search this

University of Michigan  Search this

Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this

Type:

Sound recordings

Interviews

Citation:

Quotes and excerpts must be cited as follows: Oral history interview with Hiroko Sato Pijanowski, 2003 May 13-15. Archives of American Art, Smithsonian Institution.

Topic:

Asian American art  Search this

Asian American artists  Search this

Decorative arts  Search this

Japanese American art  Search this

Japanese American artists  Search this

Asian American metal-workers  Search this

Jewelers -- Hawaii -- Interviews  Search this

Metal-workers -- Hawaii -- Interviews  Search this

Women artists  Search this

Metal-work  Search this

Jewelry making  Search this

Theme:

Craft  Search this

Asian American  Search this

Women  Search this

Record number:

(DSI-AAA_CollID)13104

(DSI-AAA_SIRISBib)242162

AAA_collcode_pijanoh03

Theme:

Craft

Asian American

Women

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_242162

Artist:

Pijanowski, Eugene 1938-  Search this

Pijanowski, Hiroko Sato 1942-  Search this

Physical description:

1 folder

Type:

Photograph

Artist files

Topic:

Art, American  Search this

Image number:

VFM VF002310

See more items in:

Photograph Study Collection

Data Source:

Photograph Study Collection, Smithsonian American Art Museum

EDAN-URL:

edanmdm:siris_jul_140949