Skip to main content Smithsonian Institution

Search Results

Collections Search Center
16 documents - page 1 of 1

Oral history interview with Jack Pierson

Interviewee:
Pierson, Jack, 1960-  Search this
Interviewer:
Fialho, Alex, 1989-  Search this
Names:
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Hearn, Pat, 1955-2000  Search this
Izzo, Kathe  Search this
Morrisroe, Mark, 1959-1989  Search this
Tabboo!, 1959-  Search this
Extent:
5 Items (sound files (6 hrs., 10 min.), digital, wav)
84 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2017 January 16-17
Scope and Contents:
An interview with Jack Pierson, conducted 2017 January 16-17, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Pierson's home in New York, New York.
Pierson speaks of growing up in Plymouth, Massachusetts; being surrounded by "old stuff" amassed by his parents and relatives; working summers in his teen years in order to save enough money to live in New York City for several weeks with a family friend and visit museums; being particularly taken with the glamor of Nancy Sinatra and other singers from the age of six; being bullied as a young gay boy and relating more to children who didn't judge; the impact of seeing a Mark di Suvero show at the Whitney Museum of American Art in his teens; his early music obsessions with Nancy Sinatra, then Diana Ross and the Supremes, followed by Alice Cooper and David Bowie; writing poetry in high school and attending one year at Hofstra University with the intention to study graphic design; spending a month in Europe before taking a year to work in a factory and save money; attending Massachusetts College of Art and Design and being drawn to the performance program; his involvement in the punk scene; the influence of the B-52s in his '50s completist work; recalling the impact the Diane Arbus monograph had on him while at Hofstra; moving into photography; spending a summer in Provincetown with friends; the realization that he could become a successful photographer; working at Boston restaurant 29 Newbury among artists, writers, and musicians; his relationship with Mark Morrisroe; feeling the desire for fame; first learning of gay-related immunodeficiency (GRID); transferring to Cooper Union and moving to New York City; working at Patrick Fox Gallery; how a Christmas trip to Miami Beach turned into a six-month stay; being away from New England and embracing a new self-confidence and freedom; his first shows at Simon Watson and Pat Hearn; working odd jobs for several years while studio painting; befriending Robert Miller and eventually styling his home in Miami Beach; finding validation in his personal creativity when Bruce Weber hired him to style a Vogue shoot; printing 50 of his own photographs in poster size for a show; finding commercial success from works created after heartbreak in Los Angeles; testing positive for HIV; feeling more emboldened to live as fully as he could; attending the March on Washington and his response to the AIDS quilt; mourning the loss of a generation of gay mentors to youth today, and feeling strongly about giving back through teaching; perseverance and making work to perhaps make someone else's life better; working in Provincetown after being awarded a fellowship at the Fine Arts Work Center; the prayer-centered work in the Luhring Augustine show created as a direct result of being HIV-positive; his pink show as a celebratory show, of still being alive; his work in three Whitney biennials; the death of long-time friend Pat Hearn and honoring her at a Cheim & Read show; the genesis of his show at Regan Projects. Pierson recalls Azariah Eshkenazi, Rob Weiner, Donald Burgy, Stephen Tashjian [Tabboo!], Kathe Izzo, Mark Morrisroe, Pat Hearn, David Armstrong, Roberta Juarez, Colin de Land, Shaun Regan, and Pete Moran.
Biographical / Historical:
Jack Pierson (1960- ) is a multi-disciplinary artist in New York, New York. Alex Fialho (1989- ) is a curator and arts writer who is the Programs Director for Visual AIDS in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
The transcript and recording are open for research. Contact Reference Services for more information.
Topic:
Artists -- New York (State) -- New York -- Interviews  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.pierso17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pierso17

Richard D. Marshall papers

Creator:
Marshall, Richard, 1947-2014  Search this
Names:
Lever House (New York, N.Y.)  Search this
Museum of Contemporary Art, San Diego  Search this
Whitney Museum of American Art  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Bourgeois, Louise, 1911-2010  Search this
Calder, Alexander, 1898-1976  Search this
Mapplethorpe, Robert  Search this
Mitchell, Joan, 1926-1992  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pierson, Jack, 1960-  Search this
Ruscha, Edward  Search this
Extent:
15.8 Linear feet
26.07 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sound recordings
Photographs
Video recordings
Date:
1969-2014
Summary:
The papers of New York-based curator and art consultant Richard D. Marshall measure 15.8 linear feet and 26.07 GB and date from 1969-2014. The interviews, exhibitions and research files, client files, other professional files, printed material, photographic material of artwork, and born-digital material primarily reflect Marshall's work outside his role at the Whitney Museum. The exhibition and research files make up the bulk of the collection and document his independent curatorial and writing projects on artists Jean-Michel Basquiat, Alexander Calder, Robert Mapplethorpe, Jack Pierson, and Ed Ruscha, as well as his role in building the Lever House Art Collection. Sound and video recordings are also found in the collection, primarily with interviews and exhibition and research material.
Scope and Contents:
The papers of New York-based curator and art consultant Richard D. Marshall measure 15.8 linear feet and 26.07 GB and date from 1969-2014. The interviews, exhibitions and research files, client files, other professional files, printed material, photographic material of artwork, and digital material predominantly reflect Marshall's work outside his role at the Whitney Museum. Sound and video recordings are also found in the collection, primarily with interviews and exhibition and research material.

Thirteen interviews with artists are in the form of transcripts and sound recordings. Interviews are with many artists that Marshall had organized exhibitions for, including Louise Bourgeois, Robert Mapplethorpe, Ed Ruscha, and many featured in the exhibition New Image Painting at the Whitney in 1978.

Exhibition and research files may contain correspondence with artists, galleries, and museums; writings and notes; printed and research material; press packages; photographic material; and administrative documentation related to exhibition logistics, such as floors plans, items lists, consignment records, and shipping receipts. The most robust files and groups of files relate to the artists that Marshall worked with repeatedly over the course of his career, including Jean-Michel Basquiat, Alexander Calder, Robert Mapplethorpe, Joan Mitchell, Georgia O'Keeffe, Jack Pierson, and Ed Ruscha. Files relating to the Lever House Art Collection are also found here. The series contains sound and video recordings, as well as digital records containing broadcasts, documentaries, exhibition related material, writings, photographic material, and promotional material about artists from galleries.

Client files include correspondence, invoices, photographic material, floor plans, digital records, and other documentation related to Marshall's business as an independent art consultant.

Other professional files consists of business cards, Museum of Contemporary Art San Diego (MCASD) Board of Trustee's files, and photographic material Marshall accumulated as art editor of the Paris Review.

Printed and digital material consists of books, exhibition announcements, catalogs, press packages, posters, and other material. Material relates to artists and movements Marshall was interested in.

Photographic material is of artworks and is largely unsorted and not identified with any specific project. Formats include black and white photographs, slides, digital photographs, and transparencies.
Arrangement:
The collection is arranged as seven series

Series 1: Interviews, 1972-2009 (0.4 linear feet; Box 1, 0.173 GB; ER01)

Series 2: Exhibition and Research Files, circa 1970-2014 (11.5 linear feet; Box 1-12, OV 17-19, 23.40 GB; ER02-ER49)

Series 3: Client Files, 1998-2014 (1.5 linear feet; Box 12-14, 0.077 GB; ER50-ER51)

Series 4: Other Professional Files, circa 1980-2014 (0.9 linear feet; Box 14)

Series 5: Printed Material, 1969-2014 (0.5 linear feet; Box 15, OV 20, 2.27 GB; ER52)

Series 6: Photographic Material, 1990s-2000s (0.9 linear feet; Box 15-16, 0.145 GB; ER53)

Series 7: Unidentified Electronic Records, circa 2005 (1 folder; 1 folder)
Biographical / Historical:
Richard D. Marshall (1947-2014) was a New York-based curator and art consultant. Born in Los Angeles, Marshall attended the University of California, Irvine, and in 1973 moved to New York to attend the Independent Study Program at the Whitney Museum. He then became a curator at the Whitney from 1974-1993, organizing many biennials and solo exhibitions. While at the Whitney, Marshall also worked as art editor of the Paris Review (1975-1990), and organized exhibitions at other institutions of artists including Louise Bourgeois, Alexander Calder, and Robert Mapplethorpe. In 2003, he became curator of The Lever House Art Collection in New York, and worked with collectors Aby Rosen and Alberto Mugrabi to commission works for the lobby of the building by Tom Sachs, Urs Fischer, Liza Lou, Paula Hayes, and others. Marshall has also published monographs on Ed Ruscha, Jack Pierson, Alex Katz, Georgie O'Keeffe, Joan Mitchell, and Kenny Scharf.
Provenance:
Donated in 2015 by the Richard D. Marshall Estate, via William T. Georgis, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art consultants -- New York -- New York  Search this
Topic:
Transcripts  Search this
Curators -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Sound recordings
Photographs
Video recordings
Citation:
Richard D. Marshall papers, 1969-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.marsrich
See more items in:
Richard D. Marshall papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marsrich
Online Media:

Colin de Land collection

Creator:
De Land, Colin, 1955-2003  Search this
Names:
American Fine Arts, Co.  Search this
Armory Show (1913: New York, N.Y.)  Search this
Art Cologne  Search this
Art Forum Berlin  Search this
Biennale di Venezia  Search this
Documenta  Search this
International Art Fair  Search this
Balk, Dennis  Search this
Beckwith, Patterson  Search this
Davey, Moyra  Search this
Dion, Mark, 1961-  Search this
Fend, Peter  Search this
Fraser, Andrea  Search this
Greene, Carol  Search this
Heilmann, Mary, 1940-  Search this
Marks, Matthew  Search this
McDonald, Daniel  Search this
Morris, Paul  Search this
Pierson, Jack, 1960-  Search this
Wadlin, Craig  Search this
Waters, John, 1946-  Search this
Extent:
15.15 Linear feet
0.901 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Scrapbooks
Motion pictures (visual works)
Video recordings
Date:
1968-2008, bulk 1980-2003
bulk 1980-2003
Summary:
The Colin de Land collection measures 15.15 linear feet and 0.901 GB and dates from 1968 to 2008, with the bulk of the collection dating from the early 1980s through 2003. The majority of the collection consists of photographic material, primarily snapshots, documenting daily life in and around de Land's gallery American Fine Arts, Co., as well as de Land's pesonal life and affairs. There are candid photographs of exhibition openings, day-to-day gallery operations, art fairs, vacations, social gatherings, and New York City street scenes. Also included are some personal objects belonging to de Land and his wife Pat Hearn, as well as two scrapbooks containing items once decorating the walls of de Land's office at American Fine Arts. The collection includes video recordings documenting trips to Cape Cod, Hearn's illness, and occasional art world events.
Scope and Contents:
The Colin de Land collection measures 15.15 linear feet and 0.901 GB and dates from 1968 to 2008, with the bulk of the collection dating from the early 1980s through 2003. The majority of the collection consists of photographic material, primarily snapshots, documenting daily life in and around de Land's gallery American Fine Arts, Co., as well as de Land's pesonal life and affairs. There are candid photographs of exhibition openings, day-to-day gallery operations, art fairs, vacations, social gatherings, and New York City street scenes. Also included are some personal objects belonging to de Land and his wife Pat Hearn, as well as two scrapbooks containing items once decorating the walls of de Land's office at American Fine Arts. The collection includes video recordings documenting trips to Cape Cod, Hearn's illness, and occasional art world events.

The bulk of the collection consists of snapshots, along with their negatives and the envelopes provided by commercial photographic printers. The envelopes are sometimes annotated. The photographs, not typically identified by photographer, were taken by de Land, Hearn, and gallery employees, artists, and visitors. Most of the snapshots provide a candid record of life within de Land's circle, and not formal documentation of gallery exhibitions.

The figures in this collection often occupied blurred boundaries between artist, gallery employee, critic, and friend. Many of the photographs include AFA staff, including Daniel McDonald, Patterson Beckwith, and Craig Wadlin. Also of note are photos showing AFA artists, including John Waters, Mark Dion, Andrea Fraser, Moyra Davey, Dennis Balk, Peter Fend, and Jack Pierson.

In addition to life within the gallery, de Land's cameras also documented a larger art world of the era, candidly showing openings at other galleries, art fairs such as Art Basel, Art Cologne, and the Berlin Artforum, as well as festivals including the Venice Biennale and Documenta, many of which included AFA artists. There is some documentation of the Gramercy International Contemporary Art Fair and The Armory Show. The photographs frequently include de Land and Hearn's friends and fellow art dealers Paul Morris, Matthew Marks, and Carol Greene. Some images include artists that showed at Pat Hearn Art Gallery, such as Mary Heilmann. Collectors, celebrity visitors to the gallery, and critics also occasionally appear in the photographs. There is one 1968 photograph of de Land's mother and a small number of 1970s images of both de Land and Hearn.

In addition to the snapshots, there are a variety of other photographic formats, including digital, in the collection. The contents of the slides are of similar nature to the snapshots. The contact sheet binders offer some formal exhibition installation documentation, but are not exhaustive.

The collection also includes film and video footage. Thirty-five reels of Super-8 motion picture film primarily documents frequent vacations to Cape Cod, as well as the final stages of Hearn's illness and subsequent death. The 31 DV-mini cassettes include similar content, and some footage of opening receptions and other art world events.

Most of the official gallery records are missing, most likely lost in the frequent floods in the gallery basement. Two scrapbooks include material that was often photographed on the walls surrounding de Land's desk at AFA. Additional artifacts include one small painting by artist Charles Clough, inscribed to Hearn, a baseball hat frequently worn by de Land and appearing in many of the snapshots, and one page of an autographed calendar.
Arrangement:
This collection is arranged in 4 series:

Series 1: Photographic Material, 1968-2003, bulk 1980-2003 (14 linear feet; Box 1-14, 0.901 GB; ER01)

Series 2: Scrapbooks, circa 1980s-2003 (0.2 linear feet; Box 19)

Series 3: Video and Film Recordings, circa 1980-2003 (1.1 linear feet; Box 15, 16, 18)

Series 4: Artifacts, 1988-2008 (0.3 linear feet; Box 14, 17, 19)
Biographical / Historical:
Colin de Land (1955-2003) was a gallery owner whose New York City spaces challenged traditional modes of exhibition and art dealing.

Raised in Union City, New Jersey, de Land came to the art world from an academic background, having studied philosophy and linguistics at New York University. In 1984, de Land opened Vox Populi, a largely unrenovated space in the East Village, at 511 East 6th Street. The gallery showed experimental work by emerging artists, including the enigmatic John Dogg, thought to be a collaboration between de Land and artist Richard Prince.

In 1986, De Land opened his longest standing gallery, American Fine Arts, Co. (AFA), in the same space previously occupied by Vox Populi. The gallery moved to SoHo in 1988, first to 40 Wooster Street then to 22 Wooster Street in 1993. During the late 1990s, as most SoHo galleries moved to Chelsea, AFA remained a mainstay of the downtown arts scene. De Land's wife, Pat Hearn, whom he married in 1999 after over a decade together, was also a well known art dealer. Her gallery, Pat Hearn Art Gallery, also moved from the East Village to SoHo, later becoming one of the first to set down roots in Chelsea.

Known for his eccentric fashion and unorthodox business style, de Land cultivated a culture of experimentation within the AFA community. He typically hired young art students or recent graduates, often nurturing their own artistic careers. Along with a group of Cooper Union graduates, many of whom worked at the gallery, he founded the artist collective Art Club 2000. De Land often showed artists working in hybrid media, for example film and photography or music and installation. He was especially interested in ecological and environmental art, as well as work that took as its subject exhibition practice and the act of creating art. He often staged large thematic group shows. Artists who showed at the gallery included Mark Dion, John Waters, Andrea Fraser, Moyra Davey, Dennis Balk, Peter Fend, Tom Burr, James Welling, Mariko Mori, Dan Graham, Jessica Stockholder, Alex Bag, Christian Philipp Muller, and Jack Pierson.

In 1994, de Land and Hearn, along with gallerists Matthew Marks and Paul Morris, established the Gramercy International Contemporary Art Fair. Fashioned after the tradition of inexpensive hotel art fairs, four galleries were invited to exhibit artwork in rooms of the Gramercy Park Hotel, to be sold in a cash and carry model. The fair became an annual event, branching out to other cities, including Miami and Los Angeles, and growing significantly in size in New York. It later became known as The Armory Show.

De Land often carried a point-and-shoot camera and kept several on hand in the gallery. He documented opening receptions, art world social gatherings, concerts, and day-to-day happenings and invited visitors to the gallery and employees to do the same.

After Hearn's death from liver cancer in 2000, de Land became involved with Kembra Pfahler, the performance artist and leader of the rock band The Voluptuous Horror of Karen Black. De Land took over Hearn's Chelsea gallery, operating it as a second location of AFA. Following his own struggle with cancer, de Land passed away in 2003. AFA remained open, closing at the end of 2004 with a tribute group exhibition to de Land.
Related Materials:
The archival gallery records of Colin de Land's art gallery American Fine Arts, Co. as well as the gallery records of the Pat Hearn Gallery are available at the Center for Curatorial Studies at Bard College in New York. The gallery records there also include a fair amount of de Land's personal papers. Bard also acquired de Land's and Hearn's personal library.
Provenance:
The Colin de Land papers were donated to the Archives of American Art in 2008 by Dennis Balk, an artist represented by American Fine Arts, Co. and a close friend of de Land.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Genre/Form:
Photographs
Scrapbooks
Motion pictures (visual works)
Video recordings
Citation:
Colin de Land papers, 1968-2008, bulk 1980-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.delacoli
See more items in:
Colin de Land collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-delacoli
Online Media:

Oral history interview with Jack Pierson, 2017 January 16-17

Interviewee:
Pierson, Jack, 1960-  Search this
Interviewer:
Fialho, Alex, 1989-  Search this
Subject:
Morrisroe, Mark  Search this
Tabboo!  Search this
Izzo, Kathe  Search this
Hearn, Pat  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Type:
Interviews
Sound recordings
Topic:
Artists -- New York (State) -- New York -- Interviews  Search this
Photographers -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)17423
(DSI-AAA_SIRISBib)385011
AAA_collcode_pierso17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_385011
Online Media:

Nan Goldin, Noritoshi Hirakawa, Jack Pierson, Wolfgang Tillmans, Andrea Zittel : exposition du 26 janvier au 24 mars 1996

Author:
CAPC Musée d'art contemporain de Bordeaux  Search this
Subject:
Goldin, Nan 1953-  Search this
Hirakawa, Noritoshi 1960-  Search this
Pierson, Jack 1960-  Search this
Tillmans, Wolfgang 1968-  Search this
Zittel, Andrea 1965-  Search this
Physical description:
66 pages : illustrations (chiefly color) ; 28 cm
Type:
Books
Exhibitions
Exhibition catalogs
Date:
1996
[1996]
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1098277

Jack Pierson / [editor, Rachael Thomas ; assistant editor, Maeve Butler ; assistant editor, Lucia Pietroiusti]

Author:
Pierson, Jack 1960-  Search this
Thomas, Rachael  Search this
Butler, Maeve  Search this
Pietroiusti, Lucia  Search this
Irish Museum of Modern Art (Kilmainham, Dublin, Ireland)  Search this
Subject:
Pierson, Jack 1960-  Search this
Pierson, Jack 1960-  Search this
Physical description:
436 p. : chiefly ill. (chiefly col.) ; 24 cm
Type:
Exhibitions
Interviews
Specimens
Artists' books (books)
Smithsonian Libraries artists' books
Place:
United States
Date:
2008
C2008
20th century
21st century
Topic:
Artists' books  Search this
Art, American  Search this
Photography, Artistic  Search this
Call number:
N6537.P483 A4 2008
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_903835

Jack Pierson : onthisisland / [editor, Ellen Robinson]

Title:
Onthisisland
On this island
Artist:
Pierson, Jack 1960-  Search this
Editor:
Robinson, Ellen (Editor)  Search this
Author:
Container of (work): Avgikos, Jan Echo painting  Search this
Host institution:
Cheim & Read  Search this
Subject:
Pierson, Jack 1960-  Search this
Physical description:
1 volume (unpaged) : chiefly color illustrations ; 28 cm
Type:
Exhibitions
Exhibition catalogs
Date:
2015
Topic:
Painting, Abstract  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1046627

Every single one of them / Jack Pierson

Author:
Pierson, Jack 1960-  Search this
Subject:
Pierson, Jack 1960-  Search this
Physical description:
1 volume (unpaged) : chiefly illustrations (chiefly color) ; 31 cm
Type:
Books
Date:
2004
Topic:
Photography, Artistic  Search this
Photography, Erotic  Search this
Call number:
TR654 .P63 2004
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_724756

Jack Pierson : desire despair / Richard D. Marshall

Title:
Desire despair
Author:
Marshall, Richard 1947-2014  Search this
Kotz, Liz  Search this
Subject:
Pierson, Jack 1960-  Search this
Physical description:
288 pages : color illustrations, portraits ; 34 cm
Type:
Books
Catalogs
Place:
United States
Date:
2006
©2006
Topic:
Photography, Artistic  Search this
Assemblage (Art)  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_840103

Jack Pierson

Author:
Pierson, Jack 1960-  Search this
Subject:
Pierson, Jack 1960-  Search this
Physical description:
1 volume (unpaged) : all color illustrations ; 20 cm
Type:
Books
Date:
2007
[2007]
Topic:
Photography, Artistic  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_904382

Emotions & relations : Nan Goldin, David Armstrong, Mark Morrisroe, Jack Pierson, Philip-Lorca diCorcia / edited by Hamburger Kunsthalle ; texts by F.C. Gundlach ... [et al.]

Title:
Emotions and relations
Author:
Gundlach, F. C  Search this
Hamburger Kunsthalle  Search this
Subject:
Goldin, Nan 1953-  Search this
Armstrong, David 1954-  Search this
Morrisroe, Mark 1959-1989  Search this
Pierson, Jack 1960-  Search this
DiCorcia, Philip-Lorca  Search this
Physical description:
200 p. : ill. (some col.) ; 30 cm
Type:
Exhibitions
Date:
1998
C1998
Topic:
Photography, Artistic  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_727046

Jack Pierson

Author:
Pierson, Jack 1960-  Search this
CAPC Musée d'art contemporain de Bordeaux  Search this
Subject:
Pierson, Jack 1960-  Search this
Physical description:
1 v. (unpaged) : col. ill. ; 25 cm
Type:
Books
Exhibitions
Date:
1997
Call number:
TR647 .P54 1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_622331

Jack Pierson

Title:
Traveling show
Jack Pierson, traveling show
Author:
Pierson, Jack 1960-  Search this
Molon, Dominic  Search this
Museum of Contemporary Art (Chicago, Ill.)  Search this
Subject:
Pierson, Jack 1960-  Search this
Physical description:
23 p. : ill. (chiefly col.) ; 28 cm
Type:
Books
Exhibitions
Date:
1995
C1995
Call number:
TR647 .P54 1995
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_628383

Jack Pierson : the lonely life / edited by Gérard A. Goodrow and Peter Weiermair ; with texts by Yilmaz Dziewior, Gérard A. Goodrow and Peter Weiermair

Title:
Lonely life
Author:
Pierson, Jack 1960-  Search this
Goodrow, Gérard A  Search this
Weiermair, Peter  Search this
Dziewior, Yilmaz  Search this
Subject:
Pierson, Jack 1960-  Search this
Physical description:
143 p. : chiefly col. ill. ; 24 cm
Type:
Books
Date:
1997
C1997
Topic:
Photography, Artistic  Search this
Installations (Art)  Search this
Call number:
N40.1.P6196 G6 1997
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_525281

Alex Katz : paintings : [exhibition] November 10-December 4, 1993 / catalogue text by Jack Pierson

Author:
Katz, Alex 1927-  Search this
Pierson, Jack 1960-  Search this
Marlborough Gallery  Search this
Subject:
Katz, Alex 1927- Exhibitions  Search this
Physical description:
[32] p. : col. ill. ; 25 x 30 cm
Type:
Books
Date:
1993
C1993
Call number:
N40.1.K233 M3p 1993
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_472245

All of a sudden / Jack Pierson

Author:
Pierson, Jack 1960-  Search this
Subject:
Pierson, Jack 1960-  Search this
Physical description:
1 v. (unpaged) : all col. ill. ; 30 cm
Type:
Books
Date:
1995
C1995
Topic:
Photography, Artistic  Search this
Photography, Erotic  Search this
Call number:
TR647.P586 P6 1995
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_492706

Modify Your Search







or


Narrow By