This collection includes the original documentary film "Guahiboland: Indian Life in the Orinoco Plains of Colombia," produced and directed by Felix V. DiGiovanni in 1941. Also included are 100 photographic prints, shot by DiGiovanni and his cameraman Paul Beer, that document the daily life of Guahibo community members in the Vichada and Orinoco regions of Colombia between 1935-1941. Other indigenous communities photographed include the Piapoco (Piapoko), Baniwa, and Tukano (Tucano).
Scope and Contents:
Series 1: "Guahiboland: Indian Life in the Orinoco Plains of Colombia" film, 1941, includes the original 16mm film produced and directed by Felix V. DiGiovanni. Paul Beer served as the cameraman. The original film (approximately 1200 feet) came in two parts, a metal can with black and white film and a small, metal can with Kodachrome film. The NMAI film and video center made several viewing copies on VHS tapes. There are also three video recordings on U-Matic tapes which include the original black and white, original color, a first generation copy and a second generation copy.
Series 2: Photographs from the Colombian Plains, 1935-1941, includes 100 mounted black and white photographic prints (13 ½ x 10 ½) made by Felix DiGiovanni and Paul Beer. The majority of the photographs were shot during the making of DiGiovanni's documentary film and highlight the daily life and activities of Guahibo community members in the Orinoco and Vichada regions of Colombia. A smaller amount of photographs include other indigenous communities in the region including the Piapoco (Piapoko), Baniwa, and Tukano (Tucano). The captions and descriptions of the photographs were provided by the DiGiovanni family in 1992.
Catalog numbers: P25101-P25200.
Series 3: The Call of the Curassow and the Land of the Guahibo Indians, includes a copy of the manuscript written by Felix V.D. Giovanni and published posthumously by his wife Pauline in 1994. This was formerly in the Museum of the American Indian, Heye Foundation records in Box 422, Folder 13.
Arrangement:
Arranged into series by format, the photographs are arranged by catalog number.
Biographical / Historical:
Felix V. DiGiovanni (ca. 1913-1990) was an American engineer, writer, photographer, and filmmaker. He was raised in the Bronx and graduated with an engineering degree from The City College of New York in 1933. As a young man, he traveled throughout Colombia, Venezuela, and Brazil, and later became interested in documenting the eastern plains of Colombia, known as Los Llanos, as well as its inhabitants. In the late 1930s, he returned to Colombia to film a documentary on the indigenous people of the Vaupés region.
DiGiovanni's partner in the expedition was Paul Beer. Beer (1904-1979) was a German photographer active in Bogota, Colombia, in the late 1920s.
By 1941, DiGiovanni's documentary film about the Guahibo, "Guahiboland" was completed. In 1944 he returned to Colombia to work with the U.S. Cinchona Mission, which comprised a team of scientists travelling to the Andes region to find cinchona trees, whose bark produces the alkaloid quinine, used for treating malaria.
DiGiovanni met Tom Bellis during this time. Bellis (1907-1993) was an officer with the Food and Drug Administration. From October 1942 until December 1945, he worked for the Board of Economic Warfare in Bogota, Colombia at the Instituto Nacional de Higiene Samper-Martinez. Here, he directed a laboratory which analyzed cinchona bark. In November 1945, Bellis purchased this set of photographs, along with 28 Guahibo artifacts, from DiGiovanni.
Felix DiGiovanni returned to New York in 1946 and became a mechanical engineer with a major oil company. In 1960, he completed a draft of a manuscript about his experiences with the Guahibo, titled The Call of the Curassow and the Land of the Guahibo Indians. He intended to publish it and also produce a Spanish translation, but he died December 31, 1990, before it could be finished. In 1994, Pauline DiGiovanni, DiGiovanni's widow, published 40 copies of the manuscript in English.
After the expedition with DiGiovanni, Paul Beer's photography focused primarily on architectural and industrial themes. He lived in Bogota until his death in 1979.
The National Anthropological Archives (NAA) holds a collection of Felix DiGiovanni and Paul Beer photographs of the Guahibo and other indigenous tribes of eastern Colombia, Photo lot 1995-41.
https://sova.si.edu/record/NAA.PhotoLot.1995-41
Separated Materials:
A collection of Guahibo ethnographic materials were also donated to the National Museum of the American Indian object collections with catalog numbers 25/4002-25/4047. See the Smithsonian Collections Search Center.
Provenance:
Gift of Felix V. and Pauline G. DiGiovanni, 1992.
Restrictions:
Access to NMAI Archives Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Rights retrictions apply. Contact the NMAI Archives center (nmaiphotos@si.edu) for more information.
Genre/Form:
Documentary films
Photographic prints
Citation:
Identification of specific item; Date (if known); Felix V. DiGiovanni collection from Colombia, image #, NMAI.AC.300, National Museum of the American Indian Archives Center, Smithsonian Institution.
Photographs made by Paul Beer and Felix DiGiovanni depicting indigenous people, primarily the Guahibo, as well as the natural and cultural features of the Vaupés region of Eastern Colombia.
Scope and Contents:
The collection consists of 85 photographic prints mounted on
paperboard, with annotations made by Genevieve Bellis, wife of Tom Bellis. Also included are 18 enlargements mounted on black paper with annotations (not Bellis') in Spanish, and a number written on the back. With one exception (Item 29), the enlargements are of the photographs mounted on paperboard.
The photographs depict the indigenous people of eastern Colombia, primarily the Guahibo tribe, as well as the natural and cultural features of the Vichada region. Other tribes represented in the photographs include the Piapoco, Guanano, Banibo, Casanare, Guayabero, and Tucano tribes. The location depicted in the images is in the Vichada region, unless otherwise indicated.
The photographs show the customs and daily activities of the tribes, including bathing, washing clothes, cooking, fishing, hunting, making arrows and dugout canoes, house-building, creating water pitchers from clay, weaving cloth from the bark of trees, and preparing for ceremonies.
Biographical / Historical:
Felix V. DiGiovanni (ca. 1913-1990) was an American engineer, writer, photographer, and filmmaker. He was raised in the Bronx and graduated with an engineering degree from The City College of New York in 1933. As a young man, he traveled throughout Colombia, Venezuela, and Brazil, and later became interested in documenting the eastern plains of Colombia, known as Los Llanos, as well as its inhabitants. In the late 1930s, he returned to Colombia to film a documentary on the indigenous people of the Vaupés region.
DiGiovanni's partner in the expedition was Paul Beer. Beer (1904-1979) was a German photographer active in Bogota, Colombia, in the late 1920s.
By 1941, DiGiovanni's documentary film about the Guahibo was completed. In 1944 he returned to Colombia to work with the U.S. Cinchona Mission, which comprised a team of scientists travelling to the Andes region to find cinchona trees, whose bark produces the alkaloid quinine, used for treating malaria.
DiGiovanni met Tom Bellis during this time. Bellis (1907-1993) was an officer with the Food and Drug Administration. From October 1942 until December 1945, he worked for the Board of Economic Warfare in Bogota, Colombia at the Instituto Nacional de Higiene Samper-Martinez. Here, he directed a laboratory which analyzed cinchona bark. In November 1945, Bellis purchased this set of photographs, along with 28 Guahibo artifacts, from DiGiovanni.
Felix DiGiovanni returned to New York in 1946 and became a mechanical engineer with a major oil company. In 1960, he completed a draft of a manuscript about his experiences with the Guahibo, titled The Call of the Curassow and the Land of the Guahibo Indians. He intended to publish it and also produce a Spanish translation, but he died December 31, 1990, before it could be finished. In 1994, Pauline DiGiovanni, DiGiovanni's widow, published 40 copies of the manuscript in English.
After the expedition with DiGiovanni, Paul Beer's photography focused primarily on architectural and industrial themes. He lived in Bogota until his death in 1979.
Related Materials:
The National Museum of the American Indian (NMAI) holds the Felix V. DiGiovanni collection from Colombia, collection ID number NMAI.AC.300, donated by DiGiovanni's widow, Pauline DiGiovanni. It contains prints and negatives different from the NAA's collection, a 16mm film, and the book The Call of the Curassow and the Land of the Guahibo Indians. NMAI also has objects collected by DiGiovanni, including baskets, tools, necklaces, woven bags, hammocks, arrows, and pottery.
Separated Materials:
Along with the photographs, Genevieve Bellis donated 28 objects from the Guahibo tribe, which are held in the National Museum of Natural History's anthropology collections. These form accession number 400216, and include wooden bows, a woven hammock, arrows, a water jug, ceremonial necklaces, a gourd rattle, a reed tube rattle, a small gourd containing curare, incised spindle whorls, and bead necklaces.
Provenance:
The photographs were donated by Genevieve Bellis, widow of Tom Bellis, in 1995.
