This collection consists of postcards gathered by Dr. Victor A. Blenkle, a twentieth century physician. The postcards primarily concern geographical locations and landmarks in the United States and Western Europe, but also include materials from six other continents.
Scope and Contents:
The Blenkle Collection consists of 29 boxes of postcards, principally about geographical locations, landmarks, monuments and other buildings of interest around the world. The bulk of the cards are about the United States and Western Europe, but countries in 6 continents are represented. The earliest cards included date from the late 1880s and the latest card date from the mid-1970s. The cards are arranged in alphabetical order by state name, name of country, and then specific locations.
Arrangement:
The collection is divided into four series:
Series 1 includes 16 boxes of cards about geographical locations within the United States. These cards are organized first by state in alphabetical order, secondly by city or place name (for example, Grand Canyon). Cities or locations with fewer than three postcards are arranged into general categories such as "Cities". Cards with no clear location are grouped by illustrated subject, such as "Winter Scenes."
Series 2 consists of 9 boxes of cards about places outside the United States. These cards are in alphabetical order by name Of country, and then by city, location or geographical name,also in alphabetical order. The names of countries are used as listed on the card. For example, most of the German cards appear to date from before the division into East and West Germany, consequently, the name is listed as Germany, with no regard for the location of a place between 1945 and 1990.
Series 3 consists of 4 boxes of cards organized by subject. These are the only cards without specific geographical locations.
Series 4 consists of 1 box of cards and letters written by Dr. Blenkle or what appear to be members of his family.
Divided into 3 series: (1) U.S.A., (2) Foreign (mostly Europe), (3) Subjects. Arranged geographically and alphabetically.
Biographical / Historical:
The Blenkle Collection of Postcards was collected by Dr. Victor A. Blenkle, who lived in New Jersey. Little was known about Dr. Blenkle until Ms. Lorraine Clemente, his great-niece, supplied biographical information in 2006. All relevant curators involved in this acquisition are now deceased. Through processing, some conclusions were reached based on evidence contained within the collection itself.
Victor A. Blenkle (born December 15, 1900; died April 15, 1978) was one of six children; his siblings were Ferdinand, Herbert, Albert, Helene, and Julius. His parents, Ferdinand and Bertha, probably emigrated to the United States from Germany in the 1890s (his father was born in 1871). Victor Blenkle practiced medicine in Teaneck, N.J., where he was affiliated with Holy Name Hospital; his wife's name was Elsie. Blenkle was active in medical organizations and was a founder of Family Practice of New Jersey. He served in both World Wars, attaining the rank of lieutenant colonel. Many of the postcards in this collection were from Blenkle's patients, as well as family members. (Ms. Lorraine Clemente, great-niece of Victor Blenkle, supplied biographical information in 2006.)
We do not know when Dr. Blenkle began collecting postcards, but cards sent to him or with what appears to be his handwriting begin in the 1920s. It seems as if Blenkle also either purchased or traded for collections that were originally owned by others. For example, within the overall Blenkle collection, there are three smaller groups of cards of earlier origin. Some of these include the earliest materials in the collection, dating from the late 1880s and 1890s. These three smaller groups include a group of cards sent to (and some sent by) a Reverend Leach in Noroton, Connecticut who was a Lutheran minister. He also apparently ran some kind of a Bible study by mail program and so received a number of cards from those interested in the Bible. Another group of cards sent to addresses in Elgin, Illinois and other related Midwestern locations by members of an extended family and some of their friends between about 1895 and 1910. A third set of cards includes smaller group of cards sent by a group of family and friends in Wisconsin, apparently centering on Milwaukee. All of these include messages written on front or back and postmarks.
Provenance:
Bequeathed to the Smithsonian Institution by Victor A. Blankle in 1977.
Restrictions:
The collection is open for research use.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
1,195 Prints (albumen, silver gelatin, and platinum)
Type:
Collection descriptions
Archival materials
Prints
Photomechanical prints
Photographs
Stereographs
Postcards
Place:
Wyoming
Virginia
New York
New Mexico
Vermont
South Carolina
Maine
Louisiana
Massachusetts
Maryland
Montana
Nebraska
Alaska
British Columbia
Arizona
Colorado
California
Date:
1871-1912
Scope and Contents note:
Photographs of geologic features and the natural environment of the American West, Alaska, and Mexico, most of which were created during government surveys and the expansion of railroads during the 1800s. There are also photographs collected and made by individuals who worked or traveled in the west. Depicted locales include Alaska, Arizona, British Columbia, California, Colorado, Louisiana, Maine, Maryland, Massachusetts, Montana, Nebraska, New Mexico, New York, South Carolina, Vermont, Virginia, and Wyoming, and there are some additional images of artifacts, artwork, and portraits. Photographers represented include William Henry Jackson, John K. Hillers, Timothy H. O'Sullivan, E. O. Beaman, James Fennemore, William Bell, and other professional and amateur photographers.
Local Call Number(s):
NAA Photo Lot 37
Varying Form of Title:
Scenic Views of North America
Location of Other Archival Materials:
Charles Savage photographs previously filed in Photo Lot 37 have been relocated to National Anthropological Archives Photo Lot 156.
Bourne & May photographs previously filed in Photo Lot 37 have been relocated to National Anthropological Archives Photo Lot 159.
The National Anthropological Archives holds additional photographs by photographers or from accessions represented in this collection in Photo Lot 24, Photo Lot 40, and other photo lots.
See others in:
Photographs of North American geology and scenery, 1871-1912
Unbound album pages (labeled A through Q) with photographs documenting the people and culture of the Pocatello-Fort Hall area, including Native Americanss (particularly Shoshone-Bannock tribes), agency employees, and missionaries. Included are images of encampments, Sun Dance ceremonies, the Fort Hall Agency, Indian schools and churches, the Run for Fort Hall Lands on June 17, 1902, the War Bonnett Roundup at Idaho Falls, Shoshone Falls and other natural features and landscapes, a large number of street and aerial views of Pocatello, A. L. Cook's drug store in Pocatello, and members of the Cook family. In addition, there are photographs of Nez Perce, Hopi, San Juan, and Navaho Indians, and one image of the Lapps Indians at Port Townsend, Washington. A large number of the photographs were made by Benedicte Wrensted.
The albums were compiled by Robert Leonard, Eugene O. Leonard's son, who also made copy prints of many of the photographs and negatives. They include flyers, newspapers, envelopes, and other scraps collected by Leonard.
Biographical/Historical note:
Eugene O. Leonard (1884-1964) moved to Pocatello, Idaho, in 1893 to live with his aunt, the widow of A. L. Cook and owner of the Cook building and drugstore. Leonard attended Weiser College and Academy (now College of Idaho), Whitman College, and Northwestern University. He acquired degrees in phamacy and pharmaceutical chemistry from Northwestern University, and a degree in assaying studies from the Chicago College of Chemistry. After graduation from the College in 1908, Leonard returned to Pocatello to manage the Cook Drug Store until 1918. He worked as Pocatello City Chemist and set up the College of Pharmacy at Idaho State College, where he also taught and served as dean (1918-1954). In the 1930s, Leonard obtained a MS and PhD from Utah State University. Possibly encouraged by his collector aunt, Leonard established a collection of Native material culture objects and documentations, including artifacts and these photograhs, based on his interest in the Shoshoni and Bannock tribes at nearby Fort Hall.
Local Call Number(s):
NAA Photo Lot 92-3
Location of Other Archival Materials:
The Idaho Museum of Natural History at Idaho State University holds artifacts collected by Eugene O. Leonard.
The Bannock County Historical Museum in Pocatello holds the Leonard Family Papers, 1893-1917.
Restrictions:
Original nitrate negatives are in cold storage and require advanced notice for viewing. Many have associated prints.
Photo Lot 92-3, Eugene O. Leonard photograph collection relating to Pocatello and Fort Hall, Idaho, National Anthropological Archives, Smithsonian Institution
23 Photomechanical prints (halftone, photogravure, and collotype)
152 Photographic prints (silver gelatin and albumen)
8 Copy prints
6 Copy negatives
1 Print (offset lithography)
1 Print (probably chromolithograph)
11 Negatives (acetate)
3 Drawings
Type:
Collection descriptions
Archival materials
Prints
Photomechanical prints
Photographic prints
Copy prints
Copy negatives
Negatives
Drawings
Photographs
Date:
undated
Scope and Contents note:
Photographs relating to physical anthropologists from the 19th and 20th centuries in Europe and the United States. Many of the photographs depict Smithsonian staff, particularly Ales Hrdlicka and T. Dale Stewart, as well as people and artifacts relating to physical anthropology throughout history. Some of the portraits are signed and the collection also includes pamphlets from professional societies, prints mounted for publication, a copy of the Baltimore Sunday Sun relating to Adolph Schultz, and some correspondence.
Local Call Number(s):
NAA Photo Lot 4822
Location of Other Archival Materials:
The National Anthropological Archives holds the Ales Hrdlicka papers, Thomas Dale Stewart papers, and John Lawrence Angel papers.
Additional photographs collected by the Division of Physical Anthropology held in National Anthropological Archives Photo Lot 8 and Photo Lot 83-41.
Contained in:
Numbered manuscripts 1850s-1980s (some earlier)
See others in:
Division of Physical Anthropology collection of photographs of physical anthropologists, undated
Photo Lot 4822, Division of Physical Anthropology collection of photographs of physical anthropologists, National Anthropological Archives, Smithsonian Institution
This collection contains 44 photographs in a photo album and 12 loose prints that depict American Indian leaders circa 1898 to 1901. The bulk of the photographs were shot at the Indian Congress of the Trans-Mississippi and International Exposition, 1898 and the Greater America Exposition, 1899, both held in Omaha, Nebraska.
Scope and Contents:
This collection contains 44 photographs in a photo album and 12 loose prints that depict American Indian leaders circa 1898 to 1901. The bulk of the photographs depict photographic portraits and scenes of sham battles shot at the Indian Congress of the Trans-Mississippi and International Exposition in Omaha, Nebraska, from June 1 to October 31, 1898. Frank A. Rinehart (ca. 1862-1928) and his assistant Adolph F. Muhr were the official photographers. During the Indian Congress they photographed more than 500 individuals and groups representing the estimated thirty-six tribes represented at the Exposition. Rinehart shot the majority of the outdoor battles, dance scenes, and events, while Muhr photographed the majority of the delegate portraits. Rinehart copyrighted the photographs under his own name in 1899 and 1900.
Other photographs in this collection are photographic portraits of American Indian leaders that were photographed by Herman Heyn and James Matzen at the Greater America Exposition in Omaha in 1899. Heyn copyrighted the photographs under his own name in 1899.
Finally, the collection also contains 7 loose photomechanical prints depicting portraits by photographer William Henry Jackson. These prints were colorized and published under Jackson's company the Detroit Photographic Co. Other loose color photomechanical prints include portraits shot by photographer William H. Rau (1855-1920) for the Chicago Inter-Ocean Newspaper in 1901.
The photograph titles were assigned by the photographers.
Arrangement:
The photographs in the album are in original order. The loose prints are organized into 3 folders.
Biographical / Historical:
Byron Harvey, III (1932-2005) was an anthropologist and collector specializing in southwestern American Indian tribes. He was the great-grandson of Frederick Harvey, best known as the founder of the Fred Harvey Company that ran a successful chain of gift shops, restaurants, and hotels known as Harvey Houses. The Company also amassed a collection of American Indian art and sold many collections to museums including the Museum of the American Indian (NMAI's predecessor museum).
The Trans-Mississippi and International Exposition World's Fair was held in Omaha, Nebraska from June 1 to October 1898. Over 500 Indian delegates from over thirty-five different tribes were present at the Fair. James Mooney (Bureau of Ethnology) and Captain William A. Mercer organized and managed the Indian Congress in conjunction with the Exposition. It included "living exhibitions," with mock Indian villages and demonstrations of dances, daily activities, and sham battles.
The official photographer of the U.S. Indian Congress was Frank A. Rinehart (ca. 1862-1928) with his assistant Adolph F. Muhr (ca. 1858-1913). The Rinehart and Muhr photographs are considered one of the most comprehensive photo documentations of American Indian leaders at the turn of the century.
After the Trans-Mississippi Exposition ended, the Greater America Exposition opened on the same fair grounds from July 1, 1899 to October 31, 1899. Herman Heyn and James Matzen won the contract to be the official photographer of the new Exposition. This Exposition featured many of the same buildings and set up as the Trans-Mississippi Exposition of the previous year.
Related Materials:
The Haskell Indian Nations University in Lawrence, Kansas has a large collection of Frank Rinehart photographs from U.S. Indian Congress of the Trans-Mississippi and International Exposition, including the original glass plate negatives.
The National Museum of the American Indian Archive Center also holds other photographs shot by Rinehart and Muhr at Trans-Mississippi and International Exposition, including collection NMAI.AC.118.
Provenance:
Donated by Byron Harvey, III in 1966.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Trans-Mississippi and International Exposition (1898 : Omaha, Neb.) -- Photographs Search this
Greater America Exposition (1899 : Omaha, Neb.) Search this
Genre/Form:
Photograph albums
Photographs
Citation:
Identification of specific item; Date (if known); Byron Harvey, III Collection of Exposition and Portrait photographs, P#####; National Museum of the American Indian Archive Center, Smithsonian Institution.
Photographs depicting members of the Smithsonian's Bureau of American Ethnology and Department of Anthropology. The collection includes photographs of William Duncan Strong, Robert Stephenson, and M.T. Newman in the field (1933, 1938, and 1952); a photograph of Walter Hough and Neil M. Judd (1935); a group portrait of the Department of Anthropology staff on the steps of the Natural History Building (1952); and winners at an award presentation for the department (1952). The collection also includes a photomechanical print with a portrait of William Henry Holmes, made by Harris & Ewing.
Biographical/Historical note:
Clifford Evans (1920-1981) was curator of Latin American archeology for the Smithsonian Institution's Museum of Natural History. Born in Dallas, Dr. Evans grew up in California and graduated from the University of Southern California in 1941. He served in the Army Air Force in World War II and later earned a doctorate at Columbia University.
A former instructor in archeology and anthropology, Dr. Evans joined the Smithsonian Museum of Natural History as a curator in 1951. A pioneer in studies of the prehistoric past of the Amazonian forest and lowlands, he conducted archeological field work throughout South America and in the Pacific Islands. He and his wife, anthropologist Betty Meggers, collaborated on more than 100 scientific articles and monographs. Dr. Evans was honored with the Washington Academy of Sciences Award for Scientific Achievement, the 37th International Congress of Americanists Gold Medal and the Order of Merit from the Government of Ecuador.
Local Call Number(s):
NAA Photo Lot 77-80
Location of Other Archival Materials:
Additional photographs of Smithsonian anthropologists can be found in the National Anthropological Archives in Photo Lot 4822, Photo Lot 7A, Photo Lot 7D, Photo Lot 33, Photo Lot 39, Photo Lot 77-52, and Photo Lot 92-35.
Additional photographs by Harris & Ewing can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 33, and Photo Lot 78-20.
The Library of Congress holds the Harris & Ewing Collection of glass and film negatives.
Restrictions:
The collection is open for research.
Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo lot 77-80, Clifford Evans collection of photographs of Smithsonian anthropologists, National Anthropological Archives, Smithsonian Institution
The bulk of the collection comprises portraits of American political figures, including Ulysses S. Grant, John Russell Young, and John A. Halderman. The collection also includes a photomechanical reproduction of Hermann Kretzschmer's painting, "Patience," depicting a boy holding yarn for an old woman spinning, with two boys calling from doorway. This print may have hung in John A. Halderman's office or residence during his service as United States minister to Siam (Thailand).
Biographical/Historical note:
Collector John A. Halderman (1833?-1908) was a lawyer in Kentucky and a member of the Kansas House of Representatives and Senate. In 1880 he was appointed Consul at Bangkok, later Consul-General. In 1883, he was the first U.S. Minister to Siam, where he was decorated as Knight Commander of the Order of the White Elephant, and later Commander of the Royal Order of Cambodia. He resigned in 1885 and returned to Leavenworth, Kansas.
Local Call Number(s):
NAA Photo Lot 164, USNM ACC 27737
Location of Other Archival Materials:
This collection has been relocated from Photo Lot 82-3 and Photo Lot 125.
Additional photographs collected by Halderman can be found in the National Anthropological Archives in Photo Lot 97.
objects donated by Halderman can be found in the Department of Anthropology in accession 27737.
Photo lot 164, John A. Halderman photograph collection relating to political figures and a Hermann Kretzchmer painting, National Anthropological Archives, Smithsonian Institution.
Access to the collection requires an advanced appointment. Contact collection staff at least two weeks prior to preferred date, at AmericanArtCornellStudy@si.edu.
Series 9: Artifacts and Ephemera, Series 13: Personal Library and Book Collection, and Series 14: Record Album Collection, are still undergoing processing and preservation and may not be available for research use. Record albums are unavailable for playback. Contact collection staff for full lists of publications and record albums.
Collection Rights:
Unpublished materials are protected by copyright. Permission to
publish, quote, or reproduce must be secured from the repository and the copyright holder.
Collection Citation:
Joseph Cornell Study Center collection, 1750-1980, bulk 1930-1972. Joseph Cornell Study Center, Smithsonian American Art Museum.
Sponsor:
Funding for the processing of this collection was generously provided by the Joseph and Robert Cornell Memorial Foundation.
Oversized material removed from Box 55, Folder 40.
Collection Restrictions:
Access to the collection requires an advanced appointment. Contact collection staff at least two weeks prior to preferred date, at AmericanArtCornellStudy@si.edu.
Series 9: Artifacts and Ephemera, Series 13: Personal Library and Book Collection, and Series 14: Record Album Collection, are still undergoing processing and preservation and may not be available for research use. Record albums are unavailable for playback. Contact collection staff for full lists of publications and record albums.
Collection Rights:
Unpublished materials are protected by copyright. Permission to
publish, quote, or reproduce must be secured from the repository and the copyright holder.
Collection Citation:
Joseph Cornell Study Center collection, 1750-1980, bulk 1930-1972. Joseph Cornell Study Center, Smithsonian American Art Museum.
Sponsor:
Funding for the processing of this collection was generously provided by the Joseph and Robert Cornell Memorial Foundation.
Copy negative of a half-tone photomechanical print (lithoprint stereo card); thumbtack visible above images. Caption in French on card: "Jésus tombe pour la 3me foix IXme Stn."
Arrangement:
Formerly stored in box 3.1.74 [135].
Local Numbers:
AC0143-0019164 (AC Scan No.)
RSN 19164
General:
Same as RSN 19165, 19166, 19167, 19168, 19169 and 19170. Orig. no. RR17 (label on plate).
Collection Restrictions:
The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Joseph H. Douglass (1871-1935), grandson of great abolitionist Frederick Douglass, was billed the most talented violinist of the race. He studied at the New England Conservatory from 1889 to 1891, and later played professionally in Washington D.C., where he lived with his family. During the next 40 years he played recitals throughout the United States, even playing with individuals such as Paul Lawrence Dunbar. Unfortunately, his gift was only recorded on 2 titles and never issued and it was known that he never recorded again.
General:
Image is autographed: To Mr. Roy W. Tibbs, compliments of Joseph H. Douglas
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.
Image and poem were used by Mayflower donuts. "As you / ramble on thru / Life, Brother / Whatever be / your Goal, / Keep your / Eye upon the / Doughnut / And not upon / the Hole!"
Local Numbers:
AC0439-0000047.tif (AC Scan)
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Black-and-white photograph (reproduction) depicting the aftermath of a battle. There is a cart holding a pile of bodies and people standing around it. To the left stand some children, while the other figures are adults. Faces are difficult to decipher, as they are turned away from the camera. Photograph probably taken ca. 1910-20, during the Mexican Revolution.
Arrangement:
In series 3, box 27, grouping Military--General.
Local Numbers:
AC0200-0000023 (AC scan no.)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Military history, Modern -- 20th century Search this
Reproduction of a photograph: A woman sits next to her wares, large clay pots. She wears a straw sombrero and a long apron over her clothes. She sits on a wooden crate with her hands on her knees. A woman stands behind her next to pottery. She wears a white skirt and a black rebozo (shawl). There are other vendors and shoppers in the background.
Arrangement:
In series 3, box 27, grouping Local Color (People)---Mexico
Local Numbers:
AC0200-0000028 (AC Scan No.)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Reproduction of a photograph of a bridge at the U.S.-Mexico border, perhaps Nogales, Arizona. There is a large, one-story building to the left, and far off to the right, another row of one- and two-story buildings. At the ledge, where the river marks the border, stands a very small figure of a woman with a child in her arms, and four other children of various sizes around her.
Local Numbers:
AC0200-0000011 (AC Scan)
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Reproduction of a photograph: Bird's-eye view of a street in the town of Nogales, which has the border running right through it. In the middle of the photograph is a wooden fence that is the dividing line, and to each side are city buildings, cars and carriages.
General:
Series I, Box 1, U.S.A.--Arizona--Cities.
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
A color photograph (photomechanical reproduction?) taken in the main walkway at Olvera Street. At the far left sits a man with a sombrero that reads "Mexico"; he plays a harp. Directly in front of him are two small children sitting: the boy wears a charro outfit and the girl a typical folk costume. Two slightly older kids wear identical costumes and dance. Next to them are two adults in similar folk costume, standing next to wares for sale.
General:
Series I, Box 1, U.S.A.--California--Los Angeles.
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Indians of North America -- California Search this
Type:
Archival materials
Picture postcards
Postcards
Photographs
Place:
California
Scope and Contents:
Black-and-white photograph (photomechanical reproduction) of a statue of Fray Serra with an Indian child at his side. Serra wears the traditional friar's robe while the boy wears a band on his head and cloth on his waist.
General:
Series I, Box 1, U.S.A.--California--Missions.
Collection Restrictions:
The collection is open for research use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
