1.2 Linear feet ((ca. 700 items partially microfilmed on two reels))
Type:
Collection descriptions
Archival materials
Date:
1968-1977 and [undated]
Scope and Contents:
Photographs by Roxanne Everett, of artists fabricating and installing their sculpture at Lippincott, Inc., and other sites.
REEL 1400: 23 photographs including: Robert Breer, Ellsworth Kelly, Donald Lippincott, Clement Meadmore, Robert Morris, Louise Nevelson, Barnett Newman, Claes Oldenburg, Lucas Samaras, George Sugarman, and Minoru Yamasaki.
REEL 1875: 79 photographs including: Robert McIntyre Doty, Jean Dubuffet, Robert Indiana, Roy Lichtenstein, David McKee, Clement L. Meadmore, Robert Murray, Forest Warden Myers, Claes Oldenburg, James Rosati, Lucas Samaras, George Sugarman, and others.
UNMICROFILMED: 593 photographs, among them ca. 300 of Claus Oldenburg, and many of Robert Murray, George Sugarman, Louise Nevelson, Roy Lichtenstein, James Rosati, Ellsworth Kelly, and others.
Biographical / Historical:
North Haven, Ct. Founded in 1966 by Donald B. Lippincott as a place for artists to create large sculptures and receive help in transportation and installation of their work.
Provenance:
Photographs on reel 1400 donated 1974 by Roxanne Everett and Donald B. Lippincott; those on reel 1875 donated 1978 by Everett. Unmicrofilmed photographs donated by Roxanne Everett, October 4, 1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
Authorization to publish, quote or reproduce requires written permission from Jonathan Lippincott. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
44 transparencies of sculptural monuments in the United States, primarily in New York City and Massachusetts.
Provenance:
Donated 1978 by S. Dillon Ripley through James Goode. According to Mr. Goode, the transparencies belonged to Mr. Ripley's father.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
67 photographs of sculpture by Robert Aitken, John Gregory, Henry Hering and Charles Keck, submitted to the University of Virginia as part of a competition for a memorial to Thomas Jefferson, which was never built.
Provenance:
Lent 1983 by David Lawall of the UVA Art Museum.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish quote, or reproduce requires written permission from Curator, University of Virginia Art Museum. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Ten photographs taken by Withers of the construction of the mobile which Alexander Calder built for the National Gallery of Art, Washington, D.C. Photographs are annotated. Also included is a three page report by Withers, "Technical Data on Calder's Last Mobile for the National Gallery."
Biographical / Historical:
Brian Withers was a photographer from Merrick, N.Y. Alexander Calder was a modern sculptor.
Provenance:
Donated 1978 by Brian Withers.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Das Buch = The book. : Die Edition = The Edition : Mack/Expedition in Künstliche Gärten / fotografiert von Thomas Höpker. Sculpture safaris, photographic interpretations of artifacts in nature
![view [Lippincott, Inc. photographs] digital asset: Finding aid](https://ids.si.edu/ids/deliveryService?max=170&id=https://sirismm.si.edu/siris/findingaid.gif "Finding aid")
