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Emerson Crosby Kelly research material relating to J. Francis Murphy

Creator:
Kelly, Emerson Crosby, 1899-  Search this
Hollinger & Co. photography firm.  Search this
Photographer:
Moffett (Firm)  Search this
Sarony, Napoleon, 1821-1896  Search this
Vandyk, C.  Search this
Names:
National Academy of Design (U.S.)  Search this
Pestalozzi Foundation of America  Search this
Salmagundi Club  Search this
Carlsen, Emil, 1853-1932  Search this
Murphy, Adah Clifford, 1860-1949  Search this
Murphy, John Francis, 1853-1921  Search this
Murphy, John Francis, 1853-1921 -- Catalogues raisonnés  Search this
Extent:
16.7 Linear feet ((on 21 microfilm reels))
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Place:
Arkville (N.Y.) -- Pictorial works
Date:
1761-1973
Scope and Contents:
Biography and catalogue raisonné of J. Francis Murphy by Emerson Crosby Kelly, M.D., and correspondence relating to Dr. Kelly's interest in Murphy. Personal papers of J. Francis Murphy and Adah Clifford Smith Murphy include diaries and notebooks, correspondence, Smith and Murphy family documents, financial records, printed matter, artifacts, photographs, and works of art.
Research notes, drafts, and manuscript of an unpublished biography, "J. Francis Murphy, N.A., (1853-1921): Tints of a Vanished Past," and illustrated catalogue raisonne of the works of J. Francis Murphy by Emerson Crosby Kelly (1953). Kelly corresponded with friends and relatives of the Murphys, with owners of Murphy paintings, publishers, printers, and possible financial backers for his book. Also documented is Dr. and Mrs. Kelly's involvement in the sale of "Weedwild," the Murphy's Arkville, N.Y. home, to the Pestalozzi Foundation of America.
Diaries of J. Francis Murphy (25 vols.) contain very brief entries that faithfully record weather conditions, garden progress, and other nature notes, with occasional mention of social engagements or service on art juries; entries recorded during trips to Europe mainly list places visited with little elaboration. Notebooks (16 vols.) include painting registers, daily listings of mail sent and received, address books, and jottings relating to Indian relics, his farmland, and paintings sent to dealers. Mrs. Murphy's diaries (46 vols.) also contain very brief entries mentioning friends, social engagements, travels, and an "Account of the pictures I painted and gave away. Portraits of them. + landscapes + old houses." Her notebooks (4 vols.) contain "Notes for a book. J.F.'s".
Correspondence concerns family matters, exhibitions, sales, professional memberships, involvement with the Salmagundi Club and National Academy of Design, and the couple's finances. Whenever separated, the Murphys exchanged lengthy letters with one another; the majority of these are from husband to wife.
Receipts and invoices are mainly for art supplies, framing, and shipping costs; expense records for personal purchases and farm upkeep and improvements; taxes; and legal papers concerning a property boundary dispute and lawsuit against the Murphys.
Photographs are of Mr. and Mrs. Murphy, their families and ancestors, friends, studios, "Weedwild" (country home) and surrounding Arkville, N.Y. area, landscape subjects, works of art by the Murphys, medals and certificates of award. Six tintypes are included. Photographers include: Hollinger, Moffett, Napoleon Sarony, and C. Vandyk. Commercially produced stereographs mainly depict U.S. scenes.
Art works consist of sketchbooks, oil sketches, and works of art on paper by both Murphys, Emil Carlsen, and other artists (ca. 500 items).
Other materials include exhibition catalogs and announcements, clippings, scrapbooks (probably compiled by Mrs. Murphy ca. 1885), medals awarded to J. Francis Murphy, copper plate etched by Adah C. Murphy, and artifacts.
Arrangement:
I. Writings and Research Notes. II. Kelly Correspondence and Miscellaneous Files. III. J. Francis and Adah Clifford Smith Murphy Papers.
Biographical / Historical:
Emerson Crosby Kelly, M.D., art collector, surgeon, and medical bibliographer; d. 1977. J. Francis Murphy, landscape painter and one of the leading tonalists of the American Barbizon school, lived and worked in New York City and Arkville, N.Y. Studied very briefly at the Chicago Academy of Design, 1875. Member of the National Academy of Design and active in the Salmagundi Club. His wife, Adah Clifford Smith Murphy, a painter and illustrator, studied at the Female Art School of the Cooper Union for the Advancement of Science and Art.
Provenance:
The donor, Sydney Kelly, is the widow of Dr. Emerson Crosby Kelly. Dr. Kelly acquired the Murphy papers in 1949 from Hulda Gregerson, Mrs. Murphy's long-time companion, for the purpose of writing a biography and catalogue raisonne of J. Francis Murphy.
Occupation:
Painters -- Biography  Search this
Biographers  Search this
Illustrators -- New York (State)  Search this
Landscape painters -- New York (State)  Search this
Topic:
Artists' studios -- Photographs  Search this
Landscape painting, American -- New York (State)  Search this
Art -- Collectors and collecting -- New York (State)  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.kellemer
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kellemer

Audrey Flack papers

Creator:
Flack, Audrey  Search this
Names:
Arizona State University  Search this
Atlantic Center for the Arts (New Smyrna Beach, Fla.)  Search this
Cooper Union for the Advancement of Science and Art  Search this
Guild Hall of East Hampton  Search this
Louis K. Meisel Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Janson, Anthony F.  Search this
Extent:
15.8 Linear feet
0.897 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Motion pictures (visual works)
Video recordings
Scrapbooks
Sound recordings
Date:
1950-2009
Summary:
The papers of painter Audrey Flack measure 15.8 linear feet and 0.897 GB and date from 1950-2009. The collection documents Flack's career as an artist through biographical material, correspondence, extensive project files, writings and notes by Flack and others, exhibition catalogs, news and magazine clippings, other printed and digital material, and scrapbooks. Also found are photographs by Audrey Flack as well as photographs of the artist and works of art.
Scope and Contents:
The papers of painter Audrey Flack measure 15.8 linear feet and 0.897 GB and date from 1950-2009. The collection documents Flack's career as an artist through biographical material, correspondence, extensive project files, writings and notes by Flack and others, exhibition catalogs, news and magazine clippings, other printed and digital material, and scrapbooks. Also found are photographs by Audrey Flack as well as photographs of the artist and works of art.

Biographical material includes curricula vitae, diplomas, an award certificate, and bibliographies of monographs and articles by and about Audrey Flack. Flack's correspondence documents her professional activities and business dealings.

There is correspondence with galleries, museums, arts organizations; architects and foundries; and academic institutions. Included are letters from Arizona State University, Atlantic Center for the Arts, Cooper Union, Guild Hall, Louis K. Meisel Gallery, and the Museum of Modern Art. There are letters from art historians and critics, including Flack's correspondence with Anthony Janson. Letters from publishers and agents pertain to book projects, proposals for articles, and requests to reproduce artwork in monographs or catalogs.

Interviews with Flack from the 1970s through the 1990s are found, recorded on sound and video. Writings and notes include manuscript versions for a book, typescripts of speeches, and a notebook. Also found are audio and video recordings of lectures and talks by Flack discussing her paintings and sculptures. The collection includes extensive project files on Flack's commissioned public works and exhibitions. The files also include correspondence concerning book projects, permission requests, and Flack's participation in art educational programs, and some projects are documented with recorded sound and moving images, two if which are in digital format.

Printed material consists of catalogs of Flack's shows, invitations and announcements to openings, press releases, reproductions of artwork, exhibition posters, clippings, periodicals, and books reflecting Flack's professional activities from the 1950s-2008. Photographs are of portraits by Flack, Flack by herself and with colleagues and students, as well as of the artist's studio. Also found are photographs of artwork.
Arrangement:
The collection is arranged as 8 series.

Missing Title

Series 1: Biographical Material, 1951-2006 (Box 1; 0.25 linear feet)

Series 2: Correspondence, 1950-2009 (Boxes 1-3; 2.4 linear feet)

Series 3: Interviews, circa 1970-1998 (Boxes 3-4; 0.8 linear feet)

Series 4: Writings and Notes, circa 1970-2007 (Boxes 4-6; 2.15 linear feet)

Series 5: Project Files, 1966-circa 2007 (Boxes 6-11, FC 18-21; 5.6 linear feet, ER01-ER02, 0.897 GB)

Series 6: Printed Material, 1950-2008 (Boxes 11-16, OV 17; 4.1 linear feet)

Series 7: Scrapbooks, 1977-2008 (Box 15; 2 folders)

Series 8: Photographs, 1966-2009 (Boxes 15-16; 0.5 linear feet)
Biographical / Historical:
Audrey Flack (1931-) is a painter and sculptor in New York City and in Long Island, New York. She earned a Bachelor of Arts from Cooper Union in 1951 and received a Bachelor of Fine Arts from Yale University in 1952. In the 1950s, she was part of the New York School that included the Abstract Expressionist painters Franz Kline and Jackson Pollock. By the 1960s, Flack had turned to painting in a realistic manner. She pioneered the technique of incorporating photographic images from contemporary sources such as magazines and newspapers; the art form became known as Photorealism. Her subjects have included families, celebrities, and public figures. An early work, The Kennedy Motorcade captured President John Kennedy moments before he was assassinated. Flack's paintings have also centered on the varied experiences of women as depicted in her Vanitas series done in the 1970s. Flack was the first Photorealist painter to have a work acquired by the Museum of Modern Art. By the 1980s, Flack was creating sculptures, goddess figures and other mythological deities of various cultures. The sculptures, many of monumental proportions were executed as commissioned works for public spaces. Flack's commissions have included Civitas: Four Visions, South Carolina, Galatea Fountain, South Pasadena, Florida, Islandia, New York City Technical College, and The Art Muse, Tampa, Florida. Further, Audrey Flack has also worked in other media such as photography and printmaking.

Audrey Flack has taught and lectured at colleges and universities in the United States and abroad, including Cooper Union, Pratt Institute of New York, and the Studio Art School International, Florence, Italy. She has been a Visiting Professor at a number of universities, including the University of North Dakota, University of Tennessee, and the University of Pennsylvania. Her paintings, watercolors, and sculptures have been featured in solo and group exhibitions in major museums and galleries. Flack's artwork has also been shown in a number of traveling exhibitions including "Saints and Other Angels: The Religious Paintings of Audrey Flack" sponsored by Cooper Union and "Breaking the Rules: Audrey Flack, A Retrospective, 1950-1990" organized by the J.B. Speed Museum. Flack has been represented by the Louis K. Meisel Gallery, the Vered Gallery, and the Gary Snyder Gallery. Among the many awards and honors she has received are the Honorary Ziegfeld Award, National Art Education Association, an Honorary Doctorate, Lyme Academy of Art, and the U.S. Government National Design for Transportation Award. Audrey Flack has also written two books and numerous articles. Audrey Flack lives and works in New York and in East Hampton, New York.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Audrey Flack conducted by Robert C. Morgan, February 16, 2009.
Provenance:
The collection was donated by Audrey Flack in April 2009.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Art -- Economic aspects  Search this
Women artists  Search this
Women painters  Search this
Women painters  Search this
Genre/Form:
Photographs
Motion pictures (visual works)
Video recordings
Scrapbooks
Sound recordings
Citation:
Audrey Flack papers, 1950-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.flacaudr
See more items in:
Audrey Flack papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-flacaudr

Aline Meyer Liebman papers

Creator:
Liebman, Aline Meyer, 1879-1966  Search this
Names:
Museum of Modern Art (New York, N.Y.)  Search this
Adams, Ansel, 1902-1984  Search this
Benton, Thomas Hart, 1889-1975  Search this
Bluemner, Oscar, 1867-1938  Search this
Borglum, Gutzon, 1867-1941  Search this
Lachaise, Gaston, 1882-1935  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Marin, John, 1870-1953  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Stieglitz, Alfred, 1864-1946  Search this
Strand, Paul, 1890-1976  Search this
Weston, Edward, 1886-1958  Search this
Extent:
1.3 Linear feet
0.4 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1906-1978
Scope and Contents:
Correspondence, photographs, business and financial records, printed matter, scrapbooks, and exhibition catalogs document Mrs. Liebman's acquisition of modern American art, European painting and decorative arts, her interest in and support of photography, her encouragement of individual artists, the inception and early history of the Museum of Modern Art, and her own painting career.
REEL 4203: Correspondence with Ansel Adams, Oscar Bluemner, Gutson Borglum, Gaston Lachaise, Stanton Macdonald-Wright, John Marin, the Museum of Modern Art, Alfred Stieglitz and An American Place, Paul Strand and Edward Weston, among many others. Among the business records are receipts for works of art purchased by Mrs. Liebman. Photographs show a photography exhibition opening (1935). Printed matter, mainly newspaper clippings and gallery announcements, relates to artists represented in the Liebman Collection, exhibitions which included loans from the Liebman Collection, and events in which Aline Meyer Liebman participated. Four scrapbooks (1936-1947), comprised of printed matter, correspondence, and photographs, relate to Aline Meyer Liebman's career as a painter. Six exhibition catalogs date from 1921 to 1935. Other material concerns Edgar Degas, Artistide Maillol, Pablo Picasso, Diego Rivera, and Gino Severini.
ADDITION (NOT MICROFILMED): Letters, 1906-1978; invoices for paintings purchased, 1929-1931; financial statements; photographs of Liebman's apartment, works in the Liebman Collection, paintings by Aline Meyer Liebman, and exhibition installations; and a catalog of Parke-Bernet's 1955 Liebman sale.
Biographical / Historical:
Aline Meyer Liebman (1879-1966) was a painter, art patron, and collector of modern art from New York, N.Y. Born in Los Angeles, Calif., Aline Meyer Liebman studied at Barnard College, and with Stefan Hirsch and Henry Mosler. She exhibited at Walker Galleries (1936), San Francisco Museum of Modern Art (1937), Bennington College (1937), Portland Museum (1939), and Weyhe Gallery (1943), among others.
Provenance:
Donated 1986 and 1989 by Margaret Liebman Berger, Aline Meyer Liebman's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art patrons -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Photographers -- United States  Search this
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century -- United States -- Collectors and collecting  Search this
Art patronage -- New York (State) -- New York  Search this
Modernism (Art) -- Collectors and collecting  Search this
Photography, Artistic -- Collectors and collecting  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.liebalin
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-liebalin

Oral history interview with Jane Hammond

Interviewee:
Hammond, Jane, 1950-  Search this
Interviewer:
Richards, Judith Olch  Search this
Extent:
9 Items (Sound recording, master: 9 sound files (8 hr., 21 min.), digital, wav)
234 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2012 Apr. 3-May 24
Scope and Contents:
Interview of Jane Hammond, conducted by Judith Olch Richards for the Archives of American Art, Smithsonian Institution, at Hammond's home and studio in New York, NY, from April 3 - May 24, 2012.
Hammond speaks of her family and her parents' families, including her maternal grandmother; attending college at Mount Holyoke; going to graduate school at Arizona State University and the University of Wisconsin; the influence of Eva Hesse on her early work; the influence of artists from California on Hammond's circle of artists in Madison, WI; moving to Nantucket to build a house for her parents; moving to New York; finding the loft that became her home and studio for 23 years; teaching at the Maryland Institute College of Art; the influence of Post-Minimalism and Conceptualism on her work; her first exhibition at Exit Art; beginning to make prints; the concepts and construction behind selected bodies of work, including the Untitleds, her collaboration with John Ashbery, Shanghai Costumes, the "rebus" works, the "butterfly maps", Fallen, and the Dazzle paintings; collecting vernacular photographs; the use of photography in her work; the influence of systems, recombination, the internet, and computers in her work; the influence of September 11th and the Iraq War on her work; her relationships with galleries; and how she organizes her studio and records; and her contemporary network of friends and collaborators. Hammond also recalls Craig McNeer, Judy Pfaff, Leonard DeLonga, John Ashbery, Nina Freudenheim, Roberta Lieberman, John Yau, Robert Creeley, Jane Rosen, Jose Freire, Vanessa Viola, Shelley Monder, Bill Goldston, Sebastian Junger, Wynn Kramarsky, Glenn Fuhrmann, Bud Shark, Michelle Zatta, Kathy Grove, Jean Frémon, Peter Cohen, and others.
Biographical / Historical:
Jane Hammond (1950- ) is a painter and printmaker in New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
Women printmakers  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.hammon12
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hammon12
Online Media:

Behind the Exhibition: "Outside the Spacecraft: 50 Years of EVA"

Creator:
National Air and Space Museum  Search this
Type:
YouTube Videos
Uploaded:
2015-01-07T13:57:35.000Z
YouTube Category:
Education  Search this
Topic:
Aeronautics;Flight;Space Sciences  Search this
See more by:
airandspace
Data Source:
National Air and Space Museum
YouTube Channel:
airandspace
EDAN-URL:
edanmdm:yt_sJ-lwySPEiI

Artist Carlee Fernandez in "Staging the Self" - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2014-12-18T15:29:27.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_7tZah-bIxpk

Artist María Martínez-Cañas in "Staging the Self" - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2015-04-09T15:30:24.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_JxOu9DuXuYM

Artist Karen Miranda Rivadeneira in "Staging the Self" - National Portrait Gallery

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2015-03-25T16:56:24.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_UFTnyt_xhCw

(At Home) On Art and Animation: Artist Talk with Kota Ezawa

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2020-12-17T01:11:42.000Z
YouTube Category:
Entertainment  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_A67nY6D2nqk

12 Minutes with Antonio Rovaldi

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2013-01-10T00:18:52.000Z
YouTube Category:
People & Blogs  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_ES_mSKszNI8

Ai Weiwei on seeing Trace for the first time- Hirshhorn Museum

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2017-10-11T19:24:55.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_KPD2a6oUBbE

(AT HOME) IN AND AROUND AMERICA: ARTIST TALK WITH CATHERINE OPIE

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2021-04-01T01:20:43.000Z
YouTube Category:
Entertainment  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_O0rBm9tN-T8

Down These Mean Streets: Community and Place in Urban Photography

Creator:
Smithsonian Education  Search this
Type:
YouTube Videos
Uploaded:
2018-07-06T14:10:06.000Z
YouTube Category:
Education  Search this
Topic:
Education  Search this
See more by:
SmithsonianEducation
Data Source:
Smithsonian Education
YouTube Channel:
SmithsonianEducation
EDAN-URL:
edanmdm:yt_x6nod3eiw5g

Documenting the Reality of Our Landscapes

Creator:
Smithsonian Education  Search this
Type:
YouTube Videos
Uploaded:
2014-03-13T20:06:41.000Z
YouTube Category:
Education  Search this
Topic:
Education  Search this
See more by:
SmithsonianEducation
Data Source:
Smithsonian Education
YouTube Channel:
SmithsonianEducation
EDAN-URL:
edanmdm:yt_xT9qIGIKodI

Moment of Zen: Buddhist Teachings for Turbulent Times

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2020-07-22T23:54:49.000Z
YouTube Category:
Entertainment  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_5LG2_X6OON4

Images from India: Sunil Gupta on Photography as Critical Practice

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2018-03-16T19:36:30.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_BwjqB-sWCrU

Tea and Conversation: Inspired by Hokusai

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2020-11-02T13:16:20.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_flbtT6D80BI

Join the Curator: A Conversation with Artist Vivan Sundaram

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-05-10T01:27:54.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_m8a4FIWqKdE

The Alonge Project: Collaborating with the Benin Museum

Creator:
Smithsonian Institution  Search this
Type:
YouTube Videos
Uploaded:
2019-07-25T14:52:59.000Z
YouTube Category:
Education  Search this
See more by:
SmithsonianGlobal
Data Source:
Smithsonian Institution
YouTube Channel:
SmithsonianGlobal
EDAN-URL:
edanmdm:yt_OfTRj2IYoL0

The Scurlocks and Black Washington

Creator:
Smithsonian Magazine  Search this
Type:
YouTube Videos
Uploaded:
2010-02-23T18:44:51.000Z
YouTube Category:
Education  Search this
See more by:
SmithsonianMagazine
Data Source:
Smithsonian Magazine
YouTube Channel:
SmithsonianMagazine
EDAN-URL:
edanmdm:yt_F4prS-WHUUw

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