Photographic postcards collected by Dr. Rudolf Wolff, a pediatrician from Krefeld, Germany during a trip to the United States in the early 1930's and brought back to America when the family immigrated in 1936.
Scope and Contents:
The collection consists of fifty three photographic postcards of New York City buildings and landmarks, including aerial views. The postcards were collected by Dr. Rudolf Wolff, a pediatrician from Krefeld, Germany during a trip to the United States in the early 1930s and brought back to America when the family immigrated in 1936. The cards are arranged into four series by the company that published or printed the materials.
System of Arrangement: The collection is arranged into four series.
Series 1, Cards published by the Franco-American Novelty Company, New York, consists of three items. The Franco-American Novelty Company was established in 1910 at 1209 Broadway in New York City. The cards published under this company's name have the same set numbering convention as series 4 and one is marked "Printed in England", suggesting they were printed by Rotary Photo.
Series 2, Cards published by William Frange, New York, consists of two cards. William Frange was a New York photographer who sold photographs to other publishers and published cards himself. His slogan, printed on the cards, was "Real Photographs, New York's Best Views". The cards in this group were printed in England.
Series 3, Cards printed in Germany published by L. Jonas & Company, Woolworth Building, New York, includes sixteen cards. The L. Jonas Company ran the observatory at the Woolworth Building. Most of the postcards in this series were published by them. No German printer is named but the cards in this set have a numbering convention differing from those printed in England.
Among these materials are eight cards copyrighted by photographer Irving Underhill (1872 -1960) whose studio was located at 17 Park Place in New York City. He became a leading contributor of images for many different postcard publishers. Underhill opened his studio in 1896, specializing in "artistic portraits, city views and panoramas, group photographs, marine, legal and machinery photography." He was so successful that his agency received exclusive commissions to photograph and promote new buildings like the Woolworth Building, which he would capture in timed intervals to track the construction process. One postcard has a copyright date of 1927 on the image, helping to establish the dates of this collection.
Photographs on three other cards in this set are copyrighted by photographer William Frange. Other cards include a photograph from the New York Central Railroad and a theater photograph from the Paramount Famous Lasky Corporation.
Series 4, Cards printed in England by Rotary Photo and published by L. Jonas & Company, Woolworth Building, New York, consists of thirty two cards. These materials were printed by Rotary Photo in England. Rotary Photographic Company, founded in 1899, was located at 23 Moorefields, London, England. It produced a wide variety of greetings and postcards as real photographs. These cards were manufactured in Great Britain and issued under many trade names. They also made photograph cards for other publishers as shown by the example above. In 1921 they became one of seven companies that joined together to form Amalgamated Photograph Manufacturing Ltd., and they are now part of Illford.
This series includes four photographs credited to Brown Brothers. Large publishers became desperate for photographs trying to meet the ever increasing demands of the postcard-collecting public. This generated a new type of business that would warehouse negatives and sell them on request. Brown Brothers was the first such company, founded in 1904 with a staff of twelve photographers. At first they targeted large newspapers, which at this time often did not have their own photographers. They went on to supply postcard publishers with images as well. They were a forerunner to the stock photography industry. There are also four photos taken from an "aeroplane" credited to Fairchild Aerial Surveys.
Arrangement:
The collection is arranged into four series.
Series 1: Cards published by the Franco-American Novelty Company, New York
Series 2: Cards published by William Frange, New York
Series 3: Cards printed in Germany published by L. Jonas & Company
Series 4: Cards printed in England by Rotary Photo and published by L. Jonas & Company
Biographical / Historical:
The first known photographic postcard made its appearance in 1899, but this type of card did not gain popularity until George Eastman marketed Velox developing out paper in 1902, which was a heavy stock that resisted curling and could be preprinted with a postcard back.
Most of the postcards during the early 1900s were printed in Europe, primarily in Germany, where the printing technology was considered the best. Imports dropped after the start of World War One, and from 1915 more printing was concentrated in England and the United States. White border cards were developed at this time, and they were popular until 1930.
The printing of the photographer's or manufacturer's name on the back of real photos was an expensive proposition. This practice was only cost effective on cards printed in large numbers.
A postcard may have a number of different names printed on it. The most common name is that of the publisher who commissions the postcard and supplies the image. The next name is that of the printer who manufactures the card. The photographer who supplied the initial image may have his name on the card, often next to the picture.
One of the largest categories of postcards was those produced for tourist consumption, and they mostly consisted of views. This collection of New York landmarks falls into that category.
Sources
History of the Real Photo Postcard
http://www.metropostcard.com/card07realphoto.html
Rotary Photographic Company 1899-1921
http://www.metropostcard.com/publishersr1.html
The Fairchild Story
http://web.whittier.edu/fairchild/home.html
Provenance:
This collection was donated by Jan Wolff, son of Dr. Rudolf Wolff.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Two color prints of industrial subjects in Elgin, Texas, and Taylor, Texas, 1995-1996; and 35mm color slide copies of 20" x 24" color prints: 12 from "Texas Cotton Towns series, 1995-1996, and 10 from "Guatemalan Altars" series, 1989-1996.
Scope and Contents:
Collection consists of color prints of industrial subjects in Elgin, Texas, and Taylor, Texas, 1995-1996 and color slide copies of 20" x 24" color prints.
Arrangement:
The collection is arranged into twp series.
Series 1: Color Prints
Series 2: Color Slides
Biographical / Historical:
Born in Rho (Milan) Italy in 1963. BFA, San Francisco Art Institute; M.F.A. in photography, Yale University 1988. Since then, she has completed projects in Italy, Guatemala, Turkey and the United States. She has received several awards and fellowships, including the Friends of Photography/Calumet Emerging Photographer award in 2000 and the Paul Taylor/Dorothea Lange Prize from Duke University in 2001, Puffin Foundation Grant in 2003, a Guggenheim Fellowship in Photography in 2004 and Harnish Visiting Fellowship at Smith College 2005–11 and 2016–17. Her work has been collected by the Museum of Modern Art in New York. Ferrario is the author of 19 Pictures, 22 Recipes 2012. She has published criticism in such publications as Art in America and Photograph magazine. She is represented by Rick Wester Fine Art in New York. Asssistant Professor of Photography, Rhode Island College, Providence.
Provenance:
Collection donated by Paola Ferrario, December 18, 1998 and June 26, 2002.
Restrictions:
Collection is open for research.
Rights:
Paola Ferrario retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
The collection documents the activities of the United Shoe Machinery Corporation of Beverly, Massachusetts, manufacturers of shoe machinery equipment. The collection consists of engineering records, legal records, research and development records, employee/personnel records, correspondence, company catalogs, product literature, advertising materials, photographs, and moving images.
Scope and Contents:
This collection is among the largest and most complete bodies of business records in the holdings of the Archives Center. The records document in considerable detail the firm's engineering department and research and development efforts in shoe making machinery and in related technical areas, especially during World War II and as it attempted to diversify its activities after the war. There is detailed information, much of it on microfilm, about the leasing of United Shoe Machinery (USM) machines. The records also provide insight into the USM's culture of corporate paternalism, including its athletic and relief associations and its industrial school. The collection is rich in visual materials depicting both the machines made by the firm and the employees and the facilities.
Arrangement:
The collection is arranged into seventeen series.
Series 1: Historical and Background Materials, 1901-1985
Series 2: Executive Records, 1927-1987
Subseries 2.1: United Shoe Machinery, 1927-1975
Subseries 2.2: Emhart Corporation, 1976-1987
Series 3: Correspondence, 1890, 1901-1915
Series 4: Wilson Palmer Files, 1925-1952
Series 5: Research and Development Department Records, 1914-1980
Subseries 5.1: Background, 1947-1974
Subseries 5.2: Financial Information, 1947-1975
Subseries 5.3: Reports, 1962-1973
Subseries 5.4: Facilities, 1947-1975
Subseries 5.5: Personnel, 1942-1979
Subseries 5.6: Labor, 1961-1970
Subseries 5.7: Subject Files, 1943-1977
Subseries 5.8: Project Files, 1914-1968
Subseries 5.9: New Development (ND) Project Files, 1924-1970
Subseries 14.6: Quarter Century Club News, 1977-1987
Subseries 14.7: H.E. Smith & Company Catalogs, 1898-1930
Series 15: Product Literature, 1952-1979
Series 16: Advertising and Marketing Materials, 1902-1981
Series 17: Photographs, 1907-1960s
Subseries 17.1: Employees, 1907-1981
Subseries 17.2: Equipment/Products, 1961-1972
Subseries 17.3: Factories/Buildings, 1920s-1960s
Subseries 17.4: Trade Shows, 1954, 1968-1973
Subseries 17.5: Miscellaneous, undated
Subseries 17.6: Postcards, 1906-1938
Subseries 17.7: Prints from Glass Plate Negatives, undated
Subseries 17.8: Albums, 1915-1950s
Subseries 17.9: Film Negatives, 1956-1958
Subseries 17.10: Glass Plate Negatives, 1915-1923
Series 18: Audio-Visual Materials, 1934-1972
Biographical / Historical:
The United Shoe Machinery Company was formed in 1899 by the consolidation of the most important shoe machinery firms in the industry: Goodyear Shoe Machinery Company; Consolidated McKay Lasting Machine Company; and McKay Shoe Machinery Company. By this merger, conflicting patents were eliminated and patents supplementing each other were brought under United control to permit their prompt combination in a single machine or process. To ensure efficiency, the new company also continued the practice previously followed by its constituent firms of renting machinery that it manufactured instead of selling it. The authorized capital of the new company was twenty five million dollars. After the 1899 merger, United grew quite rapidly. In 1903, it began construction of a new factory in Beverly, Massachusetts about thirty-five miles from Boston. At its peak, this company employed 9,000 workers and produced eighty-five percent of all shoemaking machines in the United States. By 1910, it had an eighty percent share of the shoe machinery market with assets reaching forty million dollars, and it had acquired control of branch companies in foreign countries.
In 1911, the first of three civil anti-trust suits was brought against United by the United States government. It charged that the 1899 merger had restrained trade and violated the Sherman Act. The Massachusetts District Court ruled that the 1899 merger was not an attempt to restrain trade, only an attempt to promote efficiency. The court also said that the five companies that were merged to form United were not competitive with each other. The government appealed to the Supreme Court, which only affirmed the District Court's verdict.
In 1917, the United Shoe Machinery Corporation, incorporated in 1905, absorbed the United Shoe Machinery Company. The United Shoe Machinery Corporation had its headquarters in Boston and its main manufacturing plant in Beverly, Massachusetts.
The second government suit was brought against United Shoe in 1915. The government claimed that United Shoe's leasing system restricted the shoe manufacturer to exclusive use of United Shoe's products and that it was a violation of the newly enacted Clayton Act. The Massachusetts District Court ruled in favor of the government. The Supreme Court, hearing United Shoe's appeal case, only affirmed the District Court's ruling. In 1923, United modified its leasing policy.
The last government suit against United was filed in 1947 and charged United with monopolizing the trade, manufacture, and distribution of shoe machinery from 1923 to 1947. During this period, United had bought all shares, assets, and patents of twenty one companies that dealt in the shoe machinery manufacture. The court ruled that United had clearly violated the Sherman Act, and United was forced to modify its leasing policies and restrict its purchases of other shoe machinery businesses and its acquisition of patents. In 1968, the United Shoe Machinery Corporation changed its name to USM Corporation. In 1976, United Shoe Machinery Company merged with Emhart Industries and produced the modern-day Emhart Corporation.
In 1989, in order to resist a two billion dollar takeover attempt by a New York investment group (which included oil heir Gordon P. Getty), Emhart merged with Black & Decker Corporation. The merged company operates from Black & Decker's headquarters in Towson, Maryland. The company headquarters in Farmington, Connecticut, were closed in June 1989.
Related Materials:
Materials at Other Organizations
Lynn Historical Society & Museum, Lynn, Massachusetts
Small volumes and pamphlets of shoe and shoe-related industry businesses in Lynn, Massachusetts, including miscellaneous articles and histories on the shoe industry in Lynn, manuals, catalogs, broadsides, patents, handbooks, patterns, price lists, brochures, and legal materials. Businesses represented include Beaudry Machine Company, Beckman Machine Company, Bresnahan Shoe Machinery Company, George W. Emerson & Company, Hamel Shoe Machinery Company, Gregory & Read Co., David Knox & Sons Machinery Company, Krippendorf Kalculator Company (manufacturers of a mechanical device to compute pattern values), Peerless Machinery Company, Quarmby & Hilliker, Machine Builders, Swain, Fuller Manufacturing Company, W.J. Young Machinery Company, and George J. Kelly, Inc. (maker of shoe polish).
United Shoe Machinery Company Records, 1915-1974
Materials assembled by Edward F. McCarthy, director of USM research, including notebooks, diagrams, manuals, brochures, catalogs, code sheets, flow charts, price lists, handbooks, lectures, directories, lexicons, catalogs of other firms, personal notebooks on shoe construction (1927-1931), factory visits to other shoe companies, and production of leading manufacturers (1939-1960), and floor directory of the plant; ledgers listing machines shipped and returned from the Lynn and Puerto Rico plants (nine volumes, 1935-1974); and machine development materials, including patents, chiefly those of Edward Quinn.
Peabody Essex Museum (PEM) Salem, Massachusetts
An accession in 1987 of institutional archives, includes publications, photographs, advertisements, lectures, scrapbook of shoes made for United Shoe Machinery Corporation of Beverly, Massachusetts, shoes from which are in the collection of the Peabody Essex Museum (87020).
The United Shoe and Machinery Company Collection contains a large quantity of the company's patents, most of which pertain to the production and manufacture of shoes. Additionally there are patents for golf balls, nail guns, and magnetic closures. The majority of the remaining materials are Quarter Century Club documents ranging from financial and membership records, to pictures and other ephemera. The remainder of the collection consists of miscellaneous objects including sample knives and knife parts from the Booth Brothers Company.
University of Connecticut, Dodd Center
Emhart Corporation Records, undated, 1883-1989
Emhart Corporation was a multinational company located in Farmington, Connecticut. Prior to its 1989 merger with Black & Decker, Emhart operated in over one hundred countries with a worldwide work force of 30,000 employees. Emhart's products included machines for the manufacture of glass bottles and shoes; filling, sealing and packaging machinery; security systems; electronics; chemical products; metal fasteners; rubber processing equipment; and consumer and do-it-yourself products. Brand name products included True Temper® hardware and sporting goods, and Price Pfister® plumbing fixtures. Emhart's domestic roots went back to the American Hardware Company, founded in New Britain, Connecticut, in 1902.
Beverly Public Schools (Beverly, Massachusetts)
Beverly Public Schools/Beverly trade school records, 1909-1995
Materials relating to the establishment and operation of the Beverly trade schools, including trustee minutes, annual reports, curriculum journals, correspondence, photographs, programs and ephemera, and calendars.
Cornell University, Division of Rare and Manuscript Collections
[United Shoe Machinery Company, of New Jersey, et al. court proceedings], 1911-1917
United Shoe buildings and properties
The Cummings Properties now owns and leases "the Shoe."
Separated Materials:
Materials at National Museum of American History
The Division of Work and Industry holds artifacts related to the United Shoe Machinery Corporation. Some artifacts include a drafting table (1989.0259.349), tool chest (1989.0259.348), and molds for shoes, shoe heels, shoe welts, threads, needles, awls, and show wax.
Provenance:
The collection was donated by United Shoe Machinery Corporation, through Kevin Cochrane on November 20, 1987.
Restrictions:
The collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage and audio visual materials. Using cold room materials requires a three hour waiting period, reference copies do not exist for audio visual materials. Arrangements must be made with the Archives Center staff two weeks prior to a scheduled research visit. Contact the Archives Center at 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Original photographic negatives, prints (black-and-white and color), and color slides and transparencies by Fishback, reflecting his career in advertising, calendar, and editorial photography; drafts of articles and correspondence by Fishback (typescripts), and incoming correspondence; copies of publications, such as magazines and annual reports, with reproductions. Lessons, assignments, outlines, and meeting minutes related to his school of photography.
Subjects of the photographs include children, sports, circuses, stage performers, landscapes, the Far East, the Air Force, industrial, female nudes and glamour, etc. Many photos were used in advertisements for photographic manufacturers such as Ansco, Kodak, Kalart, Rolleiflex, etc. His photos appeared in articles and on covers of popular camera periodicals and in Life, Look, Colliers, Saturday Evening Post, and Holliday.
Most of his pictures have cheerful, optimistic themes or subjects, such as his laughing daughter, Judy, posing with circus clowns.
Arrangement:
Divided into twenty-two series.
Series 1: Fishback Career and Biography
Subseries 1.1: Writings and Personal Materials
Subseries 1.2: Glen Fishback School of Photography
Series 2: Photographs--Advertisements and Contests
Series 3: Numbered and labeled envelopes in Glen Fishback's numbering system
Series 4-17: Photographs by Subject
Series 4: Air Force
Series 5: Animals
Series 6: Circus
Series 7: Far East
Subseries 7.1: Places
Subseries 7.2: People
Series 8: Landscapes and places
Subseries 8.1: Architecture
Subseries 8.2: Grand Tetons
Subseries 8.3: Nature
Series 9: Industrial
Series 10: Kids
Subseries 10.1: Babies
Subseries 10.2: Children
Series 11: Men
Subseries 11.1: Glen Fishback
Subseries 11.2: Other
Series 12: Mixed Groups
Subseries 12.1: Men and Women
Subseries 12.2: Men, Women, and Children
Series 13: Nudes
Series 14: Sports
Series 15: Stage Performers
Series 16: Transportation
Series 17: Women
Series 18: Reproductions
Series 19: Duplicates
Series 20: Magazines
Series 21: Ephemera
Series 22: Slides
Series 23: Audio Visual Materials
Biographical / Historical:
Glen Fishback was born in Orange, California in 1912. He became interested in photography in the early 30s after his friend took a photograph of him diving. He bought his first camera, a 39 cent univex camera, in 1934. He began his professional career as a staff reporter at the Sacramento Bee from 1937 until 1939. He owned his own portrait and commercial studio for the next 17 years; he sold the studio in the mid-1950s in order to devote his time to free-lancing. In 1958, flew over the Far East with the U.S. Air Force as a brigadier general on a special assignment sponsored by U.S. Camera magazine, Ansco, Rolleiflex, and the Air Force. Fishback and his wife also established the Glen Fishback School of Photography in the 1950s. It was the only school at the time which taught how to become a freelancer. The school lasted until the 1990s, even after Fishback's death.
Fishback also wrote technical and popular articles for photographic magazines and publications.
Fishback won 10 first places in major national and international photography contests; at the time of his death, he had reportedly won more money in contests than any other photographer.
He developed an accurate and reliable exposure system which Pentax included with each of their spotmeters. Fishback's system worked for both black and white and color photography.
Fishback and his wife were friends with Edward Weston Fishback took photographs of Weston at Point Lobos. The two exchanged photos and correspondence. Fishback supplied his photos for a film on Edward Weston's Daybooks; He also wrote an article "Edward Weston, A Legend in His Own Time" for Petersen's Photographic. Fishback and his wife named their son, Kurt Edward Fishback, in honor of their friend.
Provenance:
Collection donated by Fishback's daughter, Judy White, who, with her brother Kurt, inherited it on her father's death. Ms. White made the availability of the collection known on an Internet listserv, where the archivist saw the description and contacted Ms. White.
Restrictions:
Collection is open for research. Some materials are restricted until 2050 and are noted in the container list.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
