St. Edward's University (Austin, Texas) Search this
Extent:
1 Item (Ink on paper, unmounted., 13" x 19" sheet.)
Container:
Box 1
Type:
Archival materials
Photographs
Photographs
Place:
Texas -- 21st century
Lockhart (Tex.)
Date:
2011
Scope and Contents:
Big Dog Neon, a neon sign manufacturing business, is owned and operated by Kirk Tunningley, Lockhart, Texas. This photograph depicts his personal bar, located in his shop, where his friends often hang out after work. An arrow-shaped sign on the wall says "signs." This digital print was made with Epson K-3 ink on Ilford Gold Fibre Silk alpha-cellulose paper.
Local Numbers:
AC1253-0000001m.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Gift of the Artist: Photographers as Donors," November 11, 2011-Feb. 29, 2012. David Haberstich, curator.
Related Materials:
Photographs by Aaron Reissig, St. Edward's University Documentary Project
Collection Restrictions:
Collection is open for research access on site by appointment. Unprotected photographs must be handled with gloves.
Collection Rights:
Each of the 12 photographers retains copyright and must be contacted individually for reproduction permission.
United States. National Aeronautics and Space Administration Search this
Extent:
.18 Cubic feet ((1 box))
2.062 Gigabytes ((17 digital images))
Type:
Collection descriptions
Archival materials
Gigabytes
Cd-roms
Digital images
Photographs
Date:
bulk 2003
Summary:
Photography by Robert McCullough, with The Dallas Morning News, capturing the reentry and disintegration of Space Shuttle Columbia on February 1, 2003.
Scope and Contents:
This collection contains 17 digital images showing the disintegration of the Space Shuttle Columbia upon its reentry on February 1, 2003. These images were shot by the donor, Robert McCullough, with his Canon EOS Elan 7E with a Canon 75-300mm Image Stabilizer Zoom set at 300mm and a 2x converter (600mm, 12x). McCullough held the camera in hand due to the speed of its traverse, and some images exhibit these camera movements. Prints on FujiChrome Provia 400F were made of the focused images and included in the donation as two sets of ten prints. The second set of these ten images are the original full frame images while the first set are duplicates enlarged to show details. The copyright for the images is held by The Dallas Morning News.
Arrangement:
Photos are in orginial order, which is chronological.
Biographical / Historical:
The Space Shuttle Columbia disintegrated upon reentry on February 1, 2003 due to a failure in the shuttle's heat-resistant tiles, which were damaged during its launch. As the shuttle reentered Earth's atmosphere, the compromised tiles allowed intense heat to penetrate the spacecraft, leading to its breakup over Texas. The loss of Columbia and its seven crew members highlighted the critical importance of safety measures and thorough risk assessment in space missions, prompting NASA to undertake extensive changes in shuttle design, inspection procedures, and safety protocols to prevent such a disaster from happening again.
Provenance:
Robert L. McCullough, Gift, 2004, NASM.2004.0029.
Restrictions:
No restrictions on access.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Environmental portraits of Cajun musicians: 64 inkjet photographic prints, 1980-2008, some in black-and-white and others in color.
Scope and Contents:
Environmental portraits of Cajun musicians, often taken in their homes, usually showing them with their instruments, typically accordions, violins, and guitars. Exterior images sometimes include automobiles. The collection consists of 64 inkjet photographic prints, 297 x 420 mm. (12" x 16-3/4"), some in black-and-white and others in color. They are beautifully crafted and include a wealth of detail. They are basically straightforward environmental portraits, and although the subjects are rendered with dignity, sometimes unusual, quirky aspects of some subjects' personalities, including seemingly incongruous details, also are on display in whimsical pictures imbued with gentle humor. This group of prints is in excellent, new condition. Waagenaar's pictures are sharp, clear, and demonstrate a sympathetic, warm attitude toward his subjects.bPrints are signed in pencil on verso. Printed on Hahnemule Fine Art Inkjet Paper.
Arrangement:
The collection is arranged into one series.
Biographical / Historical:
Emile Waagenaar lives in the Netherlands, where he works as a commercial photographer. He is an enthusiastic aficionado of Cajun music and because he loves the music, which he discovered in the 1970s, in 1982 he began photographing musicians who play this regional style in New Orleans and elsewhere in Louisiana, Texas, etc. Over the years, at his own expense, he has made many trips from his home to the United States in order to seek out, befriend, and photograph Cajun musicians with their instruments—in their homes, businesses, and concert environments in the United States. Since he fears that this music is always at risk of disappearing as older musicians die and other popular music styles of the moment attract audiences away from traditional forms and styles, he has a missionary spirit in engaging in this project. He hopes not only to preserve visual records of some of the most important musicians and their environments, but to engender interest in Cajun music on the part of those who view his photographs. This project seems is one to which he devotes considerable time and passion and is the most personal of his photographic projects because it is self-assigned rather than deriving from economic necessity. His enthusiasm for this style of music led him to form his own Cajun band in the Netherlands. Many of his images can be viewed on his web site at http://www.emilecajun.web-log.nl/.
Waagenaar has had a number of exhibitions of his work on Cajun musicians in Europe and the United States, including the solo exhibit, "La Joie de la Musique," Sept. 9-Nov. 25, 2006 (La Musées de Lafayette, Louisiana). His work is discussed and critiqued by Johan von Gurp in the catalog Schatten van Breda's Museum (Breda, Netherlands, 2003).
Waagenaar's aims are both aesthetic and historical. He has tried to document the most important and innovative musicians, first among the generation of musicians who were the founders of Cajun music in the beginning of the 20th century. He writes, "After that I think it is important to have the second, third and fourth generation of these musicians. Every generation gives…Cajun music another drive, but the people I want to photograph must…respect the old traditional style and stay close to that. These days I use the Internet to find new musicians, but the best [way to] locate these people is talking with the musicians I already know…when I am in Louisiana. Mostly I give them a phone call and explain my intentions."
Provenance:
Donated by Emile Waagenaar.The photographer had these prints made specifically for this gift.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Emile Waagenaar retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Emile Waagenaar Photoprints of Cajun Musicians, Archives Center, National Museum of American History. Gift of the artist. Copyright held by the artist.
Title imprinted under image. Subject plays a concertina while sitting on a totally wrecked and dismantled automobile, as a seated dog observes.
Local Numbers:
AC1150-0000002.tif (AC Scan No.)
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Emile Waagenaar retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Emile Waagenaar Photoprints of Cajun Musicians, Archives Center, National Museum of American History. Gift of the artist. Copyright held by the artist.
Title imprinted under image. Subject plays a violin while sitting on the shell of an automobile.
Local Numbers:
AC1150-0000004.tif (AC Scan No.)
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Emile Waagenaar retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Emile Waagenaar Photoprints of Cajun Musicians, Archives Center, National Museum of American History. Gift of the artist. Copyright held by the artist.
Title imprinted under image. Subject plays an accordion while sitting on a high curb.
Local Numbers:
AC1150-0000003.tif (AC Scan No.)
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Emile Waagenaar retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Emile Waagenaar Photoprints of Cajun Musicians, Archives Center, National Museum of American History. Gift of the artist. Copyright held by the artist.
Title imprinted under image. Subject plays a guitar while seated in living room.
Local Numbers:
AC1150-0000005.tif (AC Scan No.)
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Emile Waagenaar retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Emile Waagenaar Photoprints of Cajun Musicians, Archives Center, National Museum of American History. Gift of the artist. Copyright held by the artist.
Title imprinted under image. Subject holds a violin while sitting on the porch of his house. Laundry is shown drying on racks.
Local Numbers:
AC1150-0000006.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Gift of the Artist: Photographers as Donors," November 11, 2011-Feb. 29, 2012. David Haberstich, curator.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Emile Waagenaar retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Emile Waagenaar Photoprints of Cajun Musicians, Archives Center, National Museum of American History. Gift of the artist. Copyright held by the artist.
Title imprinted under image. Subject plays a concertina in a room with two mounted animal heads on the wall and a small stuffed animal.
Local Numbers:
AC1150-0000007.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Gift of the Artist: Photographers as Donors," November 11, 2011-Feb. 29, 2012. David Haberstich, curator.
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Emile Waagenaar retains copyright. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Emile Waagenaar Photoprints of Cajun Musicians, Archives Center, National Museum of American History. Gift of the artist. Copyright held by the artist.
Color digital photographic prints by Nancy Sirkis, some panoramic, depicting scenes in New York City and Buffalo, N.Y., and small towns.
Scope and Contents:
These photographs are digital prints from two ongoing projects by this photographer: (1) "Five Boroughs," a study of New York City; and (2) "Small Towns," which has led her to travel widely across America. Some of the images are panoramic, which the photographer creates by taking multiple incremental exposures, rather than a single panoramic view. These prints vary in size, the largest being 17" x 29".
Arrangement:
Collection is arranged into one series.
Biographical / Historical:
Nancy Sirkis was born in New York City. She received her Bachelor of Fine Arts degree from the Rhode Island School of Design and an M.A., from Hunter College. She has published books of her photographs, including Pleasures and Palaces (1962), "One Family" (1971), and Reflections of 1776: The Colonies Revisited (1974); has had her work published in many magazines, and has exhibited photographs in numerous galleries and museums since 1970.
Provenance:
Collection donated by Nancy Sirkis, date unknown.
Restrictions:
Collection is open for unrestricted research on site.
Rights:
Nancy Sirkis retains copyright. Reproduction requests must be referred to the photographer. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Through the African American lens / Smithsonian National Museum of African American History and Culture, Earl W. and Amanda Stafford Center for African American Media Arts ; [foreword by Lonnie G. Bunch III ; introduction by Rhea L. Combs ; essay by Deborah Willis]
Cutters there is nothing I hate more than myself : words and photographs by those practicing self-harm compiled, edited, post processed and printed by social documentary photographer Daniel D. Teoli Jr
The preservation management handbook : a 21st-century guide for libraries, archives, and museums [edited by] Ross Harvey, Martha R. Mahard ; revised by Donia Conn
