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Charismic Productions Records of Dizzy Gillespie

Creator:
Gillespie, Dizzy, 1917-1993  Search this
Fishman, Charles  Search this
Extent:
20 Cubic feet ( 31 boxes, 2 map folders)
Type:
Collection descriptions
Archival materials
Awards
Business records
Clippings
Manuscripts
Financial records
Photographs
Music
Posters
Audiovisual materials
Date:
1941-2006
bulk 1987-1993
Summary:
Collection documents the career of noted American jazz musician Dizzy Gillespie, through a donation from his former manager, Charles Fishman.
Scope and Contents:
The collection primarily documents Charles Fishman's tenure as Gillespie's manager, 1985-1993, and is composed of business records. There is also a significant amount of personal material and photographs from the 1940s-1980s, much of which was saved by Mr. Fishman when Dizzy Gillespie wanted to throw these materials away or take them home.
Arrangement:
The collection is divided into eleven series.

Series 1, Personal Materials, 1988-1993, undated

Series 2, Correspondence, 1987-2002

Series 3, Business Files, 1979-2001, undated

Series 4, Contracts, 1987-1993

Series 5, Performance Programs, 1984-1997

Series 6, Awards and Honors, 1989-1991

Series 7, Music Manuscripts, undated

Series 8, Photographs, 1941-1993, undated

Subseries 8.1, Dizzy Gillespie, 1941-1993, undated

Subseries 8.2, Albums, 1988-1993

Subseries 8.3, Other Artists, undated

Subseries 8.4, Negatives, undated

Series 9, Newspaper Clippings and Magazine Articles, 1958-2000, undated

Series 10, Artwork and Posters, 1982-2006, undated

Subseries 10.1, Artwork, 1990-2004, undated

Subseries 10.2, Posters, 1982-2006, undated

Series 11, Audio Visual Materials, 1950-1992, undated

Subseries 11.1, Sound Recordings, 1989-1992, undated

Subseries 11.2, Moving Images, 1946-1992, undated
Biographical / Historical:
Born in South Carolina in 1917, John Birks "Dizzy" Gillespie was a master jazz trumpeter, bandleader, singer, and composer. In the 1940s, he was one of the principal developers of both bebop and Afro-Cuban jazz. Through the multitudes of musicians with whom he played and who he encouraged; he was one of the most influential players in the history of jazz.

The youngest of nine children, Gillespie was exposed to music by his father, a part-time bandleader who kept all his band's instruments at home, where young Gillespie tried them out. At age twelve, he received a music scholarship to the Laurinburg Institute in North Carolina, where he played trumpet in the school band. In 1935, at age eighteen, he moved to Philadelphia and joined his first band, where his clownish onstage behavior and sense of humor earned him his nickname, "Dizzy." Thereafter, he was almost constantly joining and leaving, or forming and disbanding, bands of various size and style, as he set out to first hone his talent, then to develop his own creative innovations and to publish his recordings, and then to fulfill his lifelong desire to lead his own band. Along the way, he played with, collaborated with, encouraged, and influenced, all the major – and most of the minor – jazz musicians of his age, including Charlie Parker, Duke Ellington, Ella Fitzgerald, Benny Carter, Billy Eckstine, Cab Calloway, and John Coltrane.

In 1937, Gillespie moved to New York, where he joined Teddy Hill's band; with Hill he made his first overseas tour, to England and France. By 1939, he had joined Cab Calloway's band and had received his first exposure to Afro-Cuban music. In 1940, Gillespie met Charlie "Bird" Parker, Thelonious Monk, and Kenny Clarke and together they began developing a distinctive, more complex style of jazz that became known as bebop or bop. In the early 1940s, Gillespie made several recordings of this new sound. In 1945, he formed and led his own big band, which was quickly downsized into a quintet due to financial problems. He was able to reform the band the next year and keep it together for four years, but it was disbanded in 1950. During this time, he began to incorporate Latin and Cuban rhythms into his work. In 1953, a dancer accidentally fell on his trumpet and bent the bell. Gillespie decided he liked the altered tone and thereafter had his trumpets specially made that way.

In 1956, after leading several small groups, the United States State Department asked Gillespie to assemble a large band for an extensive cultural tour to Syria, Pakistan, Turkey, Greece, and Yugoslavia; a second tour, to South America, took place several months later. Although he kept the band together for two more years, the lack of government funding prevented him from keeping such a large group going and he returned to leading small ensembles. In 1964, displaying the humor for which he was well-known, Gillespie put himself forward as a candidate for President.

Gillespie continued to tour, perform, record, and to collaborate with a wide range of other musicians throughout the 1970s and 1980s. He continued to encourage new styles and new talents, such as Arturo Sandoval, whom he discovered during a 1977 visit to Cuba. In 1979, Gillespie published his autobiography, To Be or Not to Bop. In the late 1980s, he organized and led the United Nations Orchestra, a 15-piece ensemble that showcased the fusion of Latin and Caribbean influences with jazz. In these later years, although still performing, he began to slow down and enjoy the rewards of his extraordinary talent. He received several honorary degrees, was crowned a chief in Nigeria, was awarded the French Commandre d'Ordre des Artes et Lettres, won a Grammy Lifetime Achievement Award, and received both the Kennedy Center Medal of Arts and the ASCAP Duke Ellington Award for Fifty Years of Achievement as a composer, performer, and bandleader. Dizzy Gillespie passed away on January 6, 1993.
Related Materials:
Materials held in the Archives Center

John and Devra Hall Levy Collection NMAH.AC1221

Paquito Rivera NMAH.AC0891

James Moody Papers NMAH.AC1405

Chico O'Farrill Papers NMAH.AC0892

Boyd Raeburn Papers NMAH.AC1431

William Claxton Photographs NMAH.AC0695

Ray Brown Papers NMAH.AC1362

Earl Newman Collection of Monterey Jazz Festival Posters NMAH.AC1207

Graciela Papers NMAH.AC1425

Leonard Gaskin Papers NMAH.AC0900

Ella Fitzgerald NMAH.AC0584

Herman Leonard Photoprints NMAH.AC0445

Stephanie Myers Jazz Photographs NMAH.AC0887

John Gensel Collection of Duke Ellington Materials NMAH.AC0763

Duke Ellington Collection NMAH.AC0301

Benny Carter Collection NMAH.AC0757

Chuck Mangione NMAH.AC1151

Bill Holman Collection NMAH.AC0733

Duncan Schiedt Photograph Collection NMAH.AC1323

Fletcher and Horace Henderson Music and Photographs NMAH.AC0797

Ernie Smith Jazz Film Collection NMAH.AC0491

W. Royal Stokes Collection of Music Publicity Photoprints, Interviews, and Posters NMAH.AC0766

William Russo Music and Personal Papers NMAH.AC0845

Pat and Chuck Bress Jazz Portrait Photographs NMAH.AC1219

Milt Gabler Papers NMAH.AC0849

Floyd Levin Reference Collection NMAH.AC.1222

Materials held in the Division of Culture and the Arts

Includes Dizzy Gillespie's iconic "bent" trumpet (1986.0003.01); sound recordings, a button, and a sculpture.

Materials held in the Smithsonian Institution Archives

National Museum of American History. Office of Public Affairs Accession 95-150

Smithsonian Press/Smithsonian Productions Accession 04-091

Smithsonian Associates. Resident Associate Program Accession 03-086

Smithsonian Resident Associate Program Accession 98-031

Smithsonian Productions Accession 06-181

Smithsonian Resident Associate Program. Office of Public Affairs Record Unit 632

National Museum of American History. Department of Public Programs Accession 17-312

National Museum of American History. Office of Special Events Record Unit 595

Smithsonian Institution. Division of Performing Arts Accession T90055

America's Smithsonian. (Traveling exhibition) Accession 98-142

Smithsonian Institution. Division of Performing Arts Accession 84-012

Smithsonian Institution. Office of Telecommunications Record Unit 296

Smithsonian Institution. Office of Telecommunications Record Unit 590

Materials held in the Archives of American Art, Smithsonian Institution

Gertrude Abercrombie AAA.abergert

Materials at Other Organizations

Dizzy Gillespie Collection, circa 1987-2000, University of Idaho Library, Special Collections and Archives
Provenance:
The collection was donated by Charles Fishman, Dizzy Gillespie's manager, in 2007.
Restrictions:
The collection is open for research. Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- United States  Search this
Trumpet players -- 20th century  Search this
Genre/Form:
Awards
Business records -- 20th century
Clippings -- 20th century
Manuscripts -- Music -- 20th century
Financial records -- 20th century
Photographs -- Black-and-white photoprints -- 1940-2000
Music -- Manuscripts
Posters -- 20th century
Audiovisual materials
Citation:
Charismic Productions Records of Dizzy Gillespie, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0979
See more items in:
Charismic Productions Records of Dizzy Gillespie
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep845912e18-7dc1-4340-81f5-68770d687b08
EDAN-URL:
ead_collection:sova-nmah-ac-0979
Online Media:

Telescoping Shopping Cart Collection

Creator:
Watson, Orla E., 1896-1983  Search this
Watson, Edith, (estate of)  Search this
Names:
Telescope Carts, Inc.  Search this
Western Machine Company  Search this
Goldman, Sylvan  Search this
O'Donnell, George  Search this
Taylor, Fred  Search this
Extent:
1 Cubic foot (2 boxes, 1 oversized folder)
Type:
Collection descriptions
Archival materials
Letters (correspondence)
Patents
Photographs
Date:
1946-1983
2000
Scope and Contents:
The Telescoping Shopping Cart Collection, 1946-1983; 2000, provides information relating to the development of the product and the legal challenges encountered by its creator, Orla E. Watson, in the patenting, licensing, and manufacturing process.

The collection is divided into three series: Series 1: Background Information, 1983;2000; Series 2: Business Records, 1946-1979; and Series 3: Legal Records, 1946-1966.

Series 1: Background Information, 1983; 2000, contains two items, a document entitled Brief History of the Telescopic Grocery Cart, authored by Leslie S. Simmons, personal representative, Edith Watson estate, 2000, and Orla E. Watson's death certificate, 1983.

Series 2: Business Records, 1946-1979, contains information on the finances and operations of Telescope Carts, Inc. and the development and marketing of the telescoping cart. Materials include royalty and income tax statements of Orla E. and Edith Watson, business correspondence, a time line of cart development, blueprints, patents, details about the patent process, and marketing and publicity materials of brochures and photographs.

Series 3: Legal Records, 1946-1966, contains material relating to the manufacture and licensing of telescope carts, and legal challenges to both the company and Orla E. Watson, including the challenges to the patent process spearheaded by Sylvan Goldman, and the evidence collected for Watson's claim for a tax refund from the Internal Revenue Service.
Arrangement:
Divided into 3 series

Series 1: Background information, 1983, 2000

Series 2: Business Records, 1946-1979

Series 3; Legal Records, 1946-1966
Biographical / Historical:
The first shopping cart in the United States was developed in the late 1930s and patented by Sylvan Goldman of Oklahoma City, Oklahoma. Goldman received US Patent 2,155,896 in April 1939 for a "combination basket and carriage" and in April of 1940 he received US Patent 2,196,914 for a "folding basket carriage for self-service stores." It consisted of upper and lower baskets placed atop a folding frame similar to that of a folding chair with wheels. Following use, the baskets would be removed and stacked with others and the frame folded. Prior to each use the baskets and the frame needed to be assembled.

In 1946, Orla E. Watson, of Kansas City, MO, devised a plan for a telescoping shopping cart which did not require assembly or disassembly of its parts before and after use; this cart could be fitted into another cart for compact storage, hence the cart descriptor. The hinged side of the baskets allowed the telescoping. Watson's Western Machine Company made examples of this invention, and the first ones were manufactured and put to use in Floyd Day's Super Market in 1947.

Alongside the telescoping cart, Watson developed the power lift which raised the lower basket on the two-basket telescoping cart to counter height while lifting the upper basket out of the cashier's way at the check out counter. This made moving groceries, before the invention of the automatic conveyor belt, easier for the customer and the cashier. Watson manufactured and sold the power lift in 1947, but then discontinued efforts on the invention to focus on the telescoping cart. The patent application was abandoned and never granted.

The manufacturing, distribution, and sales of Watson's telescoping carts was handled by Telescope Carts Inc., established in 1947 by Watson, his partner, Fred Taylor, and George O'Donnell. The company had difficulty with the manufacture and sale of the carts, as authorized suppliers were not making carts of the quality expected. Other manufacturers saw an opportunity, and soon telescoped carts were being made and sold by unlicensed parties despite Watson's pending patent.

Watson applied for a patent on his shopping cart invention in 1946, but Goldman contested it and filed an application for a similar patent. In 1949 Goldman relinquished his rights to the patent and granted them to Watson. In exchange, Goldman received licensing rights in addition to the three other licenses previously granted; Watson continued to receive royalties for each cart produced.

The royalties Watson received for each cart manufactured led to his 1954 claim against the Internal Revenue Service, for refund of taxes paid on the profits of his invention, as a Congressional bill changed the status of invention-derived income from ordinary income to capital gains, thereby lowering the taxes owed.

Orla E. Watson was born in 1896, and after attending Nevada Business College for one year, he worked as a stock clerk in a hardware store in Kansas City, then joined the Army until 1918, when he entered a series of jobs as machinist, layout man, forman. He tinkered with mechanical inventions on the side (such as a Model T Ford timer). In 1933, he opened his own business making air conditioners, but he took two more jobs before opening Western Machine Co., a machine shop and contract manufacturing business in 1946.

He had also applied for and was granted four patents prior to the telescoping shopping cart, for mechanical valves, pumps, and gauges, none of which were ever licensed or manufactured.

Orla E. Watson died January 17, 1983.
Separated Materials:
The National Museum of American History's Division of Culture and the Arts (now Division of Cultural and Community Life) houses original shopping carts created by Sylvan Goldman and Orla E. Watson.
Provenance:
The collection was donated to the National Museum of American History in July, 2000, by the estate of Edith Watson, through Leslie S. Simmons, personal representative. The two telescoping Watson carts were donated in July 2000 by Leslie S. Simmons, personal representative, Edith Watson estate.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Shopping carts  Search this
Retail trade -- Equipment and supplies  Search this
Grocery trade  Search this
Container industry -- Equipment and supplies -- 1940-2000  Search this
Supermarkets -- 1940-2000  Search this
Genre/Form:
Letters (correspondence) -- 20th century.
Patents -- 1940-1950
Photographs -- Black-and-white photoprints -- 1940-2000
Citation:
Telescoping Shopping Cart Collection, 1946-1983, 2000, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0739
See more items in:
Telescoping Shopping Cart Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep86d599be3-427d-43c0-a627-b3de6739b5e1
EDAN-URL:
ead_collection:sova-nmah-ac-0739
Online Media:

Harold Lyons Atomic Clocks Collection

Author:
Lyons, Harold, Dr., 1913-1998  Search this
Donor:
Lyons, Sherrie  Search this
Extent:
2 Cubic feet (6 boxes)
Type:
Collection descriptions
Archival materials
Laboratory notebooks
Photographs
Diagrams
Correspondence
Technical notes
Articles
Patents
Date:
1935 - 1991
Summary:
Harold Lyons was a physicist whose primary interest was in atomic frequency standards and atomic clocks. The collection documents Lyons and his work with atomic clocks. The collection includes his research as manifested in published papers, presentations, reports, correspondence, laboratory notes, photographs and diagrams.
Scope and Contents:
The Harold Lyons Papers, 1935-1991, show his professional interests, especially his research from the 1950s, as manifested in published papers, presentations, reports, correspondence, laboratory results, and photographs. The bulk of the collection consists of papers and presentations of Lyons and others in the atomic physics field. Most of Lyons's work and the materials he collected address different aspects of microwave frequency.

Formats represented in the collection include published articles, typewritten and handwritten manuscripts, typewritten and handwritten personal correspondence, memorandums, photographs, diagrams, laboratory results, pamphlets, and newspaper clippings. The collection is arranged into five series.

Series 1, Biographical Information, 1955-1965; 1973, contains copies of Lyons's curriculum vitae (circa 1955, 1962, and 1971) and his entries in Who's Who in America and Who's Who in The West. This series also has two folders with materials relating to two honors he received, the Franklin Institute Certificate of Merit, in 1958, and the U.S. Department of Commerce's 25th Commemorative Award in 1973.

Series 2, Papers and Presentations, 1947-1962; 1973-1974, contains the journal articles and papers authored by Lyons and the conference and special presentations he gave during his career, most of which address research for aspects of the atomic clock. Included are papers he authored published in the Journal of Applied Physics, American Scholar, Scientific American, and Annals of the New York Academy of Sciences and presentations given at the National Bureau of Standards for the anniversary of the atomic clock.

Series 3, Correspondence, 1949-1991, contains general correspondence for the years 1949-1966, 1978, 1987, and 1991, as well as correspondence with the following individuals: Dirk Brouwer, Paul Forman, Polykarp Kusch, Koichi Shimoda, Wilbert F. Snyder, Charles H. Townes, and Jerrold R. Zacharias. The bulk of this series is incoming correspondence addressed to Lyons, although he did retain some copies of outgoing correspondence.

Series 4, Research, 1947-1958; 1970-1991, contains laboratory results for deuterated ammonia (via strip chart recordings) and general cesium atomic beam experiments through calibration of magnetic fields, calculation of c-fields in the magnetic chamber, and atomic beam measurements. It also contains brief information on other research interests, such as the International Scientific Radio Union, and scattered promotional materials for natural health and electrical products. In addition, this series contains a copy of the patent granted to Lyons and Benjamin F. Husten in 1955 for the atomic clock and photographs and diagrams relating to Lyons's work on the atomic clock. Included are black and white photographs of Lyons and his colleagues with views of the clock as well as diagrams and charts included in published and unpublished work and presentations. Most of the photographs and diagrams are undated and unlabeled.

Series 5, Collected Background Research Materials, 1935-1982, contains papers and presentation materials focused on atomic physics, including papers published in journals, memoranda, technical reports, conference programs, and conference proceedings. One folder in this series has materials relating to the promotion of the atomic clock through pamphlets, speeches, papers, and one oversize item of reproduced newspaper clippings. A folder relating to a university course of lectures, most likely authored by Polykarp Kusch of Columbia University, on molecular beams is also included in this series. In addition, this series contains copies of two patents, one granted to Friedrich H. Reder in 1960 for molecular resonance devices, and the other, an Australian patent, applied for in 1958, for an invention dealing with a frequency selective method and system.
Arrangement:
The collection is organized into five series.

Series 1, Biographical Information, 1955-1965; 1973

Series 2, Papers and Presentations, 1947-1962; 1973-1974

Subseries 1, Publications, 1947-1948; 1950-1953; 1957; 1959-1960; 1962; undated

Subseries 2, Presentations, 1946-1958; 1973-1974

Series 3, Correspondence, 1949-1991

Series 4, Research, 1947-1958; 1970-1991

Subseries 1, Laboratory Findings, 1952-1954; undated

Subseries 2, Other Research Interests, 1947-1957; 1970-1991

Subseries 3, Photographs and Diagrams, 1957; undated

Series 5, Collected Background Research Materials, 1935-1982
Biographical / Historical:
Harold Lyons was born February 16, 1913 in Buffalo, New York, and attended the University of Buffalo, graduating summa cum laude with a B.S. in Physics in 1933. After obtaining a Ph.D. in Nuclear Physics from the University of Michigan in 1939, he worked at the Naval Research Laboratories for two years and then joined the National Bureau of Standards (NBS) in 1941. In 1944, he was appointed chief of the Microwave Standards Section of an Interservice Radio Propagation Laboratory (IRPL) established at the NBS during World War II. He continued in that position after the war when the IRPL, in 1946, was reconstituted as the Central Radio Propagation Laboratory (CRPL).

Lyons's work on microwave frequency standards led directly to his interest in atomic frequency standards and atomic clocks. On his initiative a substantial program of research and development was pursued in the Microwave Standards Section from 1948-1951. There under his direction the first operative atomic clock, based on the absorption of microwaves of ammonia, was constructed in 1948 and announced in early 1949.

Lyons remained with the CRPL after it was moved to Boulder, Colorado, in 1954, but left a year later to work in Hughes Aircraft Company's Culver City, California, research labs. Here he continued his atomic physics research, particularly applications for the atomic clock, including satellite technology, and expanding to development work in lasers. He continued his work on lasers at Electro-Optical Systems Quantum Physics Division from 1960-1962. In the late 1960s and during the 1970s, he was an independent physics consultant and conducted research through an association with the University of California, Los Angeles.

Harold Lyons died March 23, 1998 in Los Angeles, California.
Related Materials:
Materials in the Archives Center

National Company (NATCO) Atomic Clocks Records, 1955-1968 (AC0547), contains related archival materials, principally on the development of the first commercial atomic clock, the Atomichron.

Materials in the National Museum of American History

The Division of Work and Industry, formerly the Division of Information, Technology and Communication, holds the first operative atomic clock, constructed under Lyons's direction at the National Bureau of Standards in 1948.
Provenance:
The collection was donated by Harold Lyons's daughter, Sherrie L. Lyons, in January, 2000.
Restrictions:
The collection is open for research use.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Atomic frequency standards  Search this
Atomic clocks  Search this
Time -- Systems and standards  Search this
Physics  Search this
Atomic absorption spectroscopy  Search this
Genre/Form:
Laboratory notebooks
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-1960
Diagrams
Correspondence -- 1940-2000
Technical notes
Articles -- 20th century
Patents
Citation:
Harold Lyons Atomic Clocks Collection, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0701
See more items in:
Harold Lyons Atomic Clocks Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c80341a7-6d61-433a-8e66-4c27f27218fa
EDAN-URL:
ead_collection:sova-nmah-ac-0701
Online Media:

Gerber Scientific Instrument Company Records

Creator:
Gerber, H. Joseph, 1924-1996  Search this
Gerber Scientific Instrument Company (Hartford, Conn.).  Search this
Extent:
75 Cubic feet (182 boxes)
Type:
Collection descriptions
Archival materials
Articles
Marketing records
Photographs
Speeches
Correspondence
Catalogs
Clippings
Patents
Business records
Manuals
Legal documents
Date:
1911 - 1999
Summary:
Records document the Gerber Scientific Instrument Company, Hartford, Connecticut, and its four subsidiaries: Gerber Garment Technology, Inc., Gerber Scientific Products, Inc., Gerber Systems Corp., and Gerber Optical, Inc. Gerber Scientific designs, develops, manufactures, markets and services computer aided design and computer aided CAD/CAM systems. The records include correspondence, memoranda, product literature, trade literature, patent records, instruction manuals, proposals, engineering records, photographs, technical reports, drawings, press releases, and newspaper clippings.
Scope and Contents:
The Gerber Scientific Instrument Company Records document the company's designs, development, manufacture, and marketing of computer-aided design and computer-aided CAD/CAM systems. The records are arranged into twelve series and consist of Personal, Corporate Records, Engineering Department Records, Product Literature, Instruction Manuals/User Guides, Proposals, Photographs, Trade Literature, Press Releases and Newspaper Clippings, Patent Records, Lectra Systèmes Litigation Materials, and Audio Visual Materials.

Series 1, David R. Pearl, 1968-1984, contains three volumes of diaries kept by David R. Pearl, President of Gerber Garment Technology. The diaries were maintained by Pearl from July 21, 1968 to June 6, 1977, to document Pearl's and H. Joseph Gerber's activities concerning the development of the technology and the establishment of a business to market computer-controlled fabric cutting devices. One notebook contains some materials later than 1977. There are diary entries for September 12, 1979, February 1, 1980, and October 29, 1984.

Series 2, Corporate Records, 1968-1999, includes administrative records, an Industrial Projects Eligibility Review, annual reports, shareholders reports, newsletters, New York Stock Exchange (NYSE) materials, Securities and Exchange Commission (SEC) materials, Gerber Museum documents, and empty Gerber Scientific Instrument Company binders. The administrative documents consist of a corporate history, mission statement, organizational chart, company map, time line and biographies of key corporate personnel. There are two organizational charts: one for the Engineering Organization (software, mechanical and electrical divisions) from 1987 and one for the subsidiary Gerber Garment Technology, Inc. (Gerber Garment Technology (GGT)), dated 1985. Additional organizational charts can be found with the 1968 annual report. The Industrial Projects Eligibility Review was submitted to the Connecticut Development Authority by Gerber Scientific Intsrument (GSI) to facilitate financing for future expansion of the company. A copy of the company's articles of incorporation are here. The newsletters included in this series are in-house publications for employees only. The newsletter Communiqué, 1960, is in Series 4, Product Literature. The NYSE materials include press releases, photographs, the listing application to the NYSE and printed material about Gerber Scientific, Inc. joining the NYSE in October 1980. Gerber Scientific is traded on the Stock Exchange as GRB. The Securities and Exchange Commission files contain Form S-3, a registration statement and the Annual Report, and Form 10-K for Gerber Scientific, Inc. The Gerber Museum file includes photographs of artifacts and a 1996 memo and fax discussing the establishment of a museum to honor H. Joseph Gerber.

Series 3, Engineering Department Records, 1966-1990, is the largest series and is arranged alphabetically by the engineer's last name and then alphabetically by subject/topic. The records include the files of: Ed LaGraize, David Logan, Bud Rich, Ron Webster, and Ken Wood. The majority of engineering files belong to David Logan. Logan joined Gerber Scientific Instrument in 1957 as a project engineer. From 1959 to 1961, he was chief engineer and then became Vice President of Engineering from 1961 to 1963. From 1963 to 1980, Logan served as Senior Vice President of Engineering. He holds several patents, primarily in the field of plotting devices and control systems. The engineering files contain technical memoranda, correspondence, drawings, product literature, trade literature, notes, and drawings.

Series 4, Product Literature, 1953-1996, contains informational sheets for a variety of products available from Gerber Scientific, Inc. and its subsidiary companies. Gerber Scientific Instrument (GSI) creates designs, manufactures and promotes data reduction equipment of many types. Data reduction equipment allows complex mathematical problems to be solved quickly and accurately. Both analogue and digital systems are offered. The bulk of the product literature falls into the following categories: instruments, data reader systems, recorders, special scanning tables, oscillogram amplitude tabulators, standard system scanners, and plotters. The series is arranged alphabetically by name of product with a few exceptions.

Series 5, Instruction Manuals/User Guides, 1953-1980, undated, is divided into two subseries, Gerber Scientific Instrument Company manuals and other companies' manuals. This series contains instruction manuals, maintenance manuals, and users' guides for a variety of Gerber Scientific, Inc. products. The Gerber System Model 1434, Ultra Precise Artwork Generator which provides precision photo-plotting on photo-sensitive material is well represented among the manuals. The other companies represented include Bendix Industrial Controls and the KOH-I-NOOR Rapidograph, Inc.

Series 6, Proposals, 1961-1980, consists of bound certified and signed technical and bid proposals completed by Gerber Scientific Instrument Company detailing available and actual estimated costs and pricing data for Gerber products. The proposals were assembled for specific companies such as North American Aviation.

Series 7, Photographs, 1948-1974, undated, is further divided into three subseries: Product and Client Files, 1966-1974, undated; Gerber Scientific Instrument (Gerber Scientific Intsrument (GSI) Corporate, 1948-1970, undated; and Numerical, 1966-1974, undated photographs. The majority of photographs are 8" x 10" black-and-white prints. The product and client file photographs are arranged alphabetically. The Gerber Scientific Instrument (GSI) corporate photographs include photographs of GSI buildings both interior and exterior shots, employees, employee functions such as banquets, annual meetings, tours, stockholder meetings, and trade shows. The numerical photographs are arranged numerically according to the number assigned on the reverse of the photograph. Some of the numerical photographs are identified by product name, but others are labeled unidentified.

Series 8, Trade Literature, 1947-1992, is arranged alphabetically by company name. The trade literature in this series is from competitors or from companies that used Gerber products.

Series 9, Press Releases and Newspaper Clippings, 1943-1996, is divided into two subseries, Press Releases, 1972-1982 and Newspaper Clippings, 1943-1996. The press releases are arranged chronologically. This series contains information on H. Joseph Gerber, his company and its subsidiaries, and the garment and apparel industry. The newspaper clippings are arranged chronologically and include a wide variety of local Connecticut and United States newspapers and industry specific magazines such as Bobbin and Apparel Industry.

Series 10, Patent Records, 1911-1985, contains copies of patents, correspondence with patent attorneys and the United States Patent and Trademark Office, patent search results, and other legal filings associated with the patenting process. The materials are arranged chronologically with the name of the equipment or instruments being patented noted.

Series 11, Lectra Systèmes Litigation Materials, 1968-1990, contains documents that mainly deal with Lectra (France), but there are documents about patent infringement for Lectra (Japan) and Lectra (United Kingdom). The materials consist of depositions by David Pearl, then president of Gerber Garment Technology, and David Siegelman, then Vice President and General Manager for Lectra Systèmes, Inc., in the United States. Confidential progress reports, memoranda, correspondence, competition reports, drawings and sketches, notes, and other documents summarize events in the litigation history.

Lectra Systèmes was formed on November 12, 1973 at Bordeaux-Cestas (France) by two visionary engineers, Jean and Bernard Etcheparre. They developed a computer system, the LECteur-TRAceur 200, which automatically calculated and plotted all sizes of an item of apparel. The Lectra Systèmes litigation materials document Gerber Garment Technology's claim that Lectra infringed upon Gerber's line of cutting machines. The specific patents being infringed are United States patents: 3,955,458; 4,205,835; and 3,765,289. In September 1986, Lectra introduced a new line of cutting machines that cost roughly half as much as Gerber's top-of-the-line competing system. Gerber Garment Technology filed suit in the United States and France as Gerber Garment Technology, Inc. v. Lectra Systems, Inc. Civil Action No. 1:86-cv-2054CAM. In 1992, Lectra Systems, Inc., appealled the judgment of the United States District Court for the Northern District infringement of Gerber's U.S. Patent No. 3,955,458 ('458 patent) and denied Lectra's claim that Gerber's U.S. Patent No., 4,205,835 ('835 patent) is unenforceable.

Series 12, Audio Visual Materials, 1986-1998, includes 3⁄4" U-matic, 1⁄2" VHS, audio cassettes, BetaCam SP, and one Super 8mm color, silent camera original reversal film. The majority the of audio visual materials cover interviews with H. Joseph Gerber, the National Technology of Medal ceremony, and sales and marketing footage for various Gerber products.
Arrangement:
The collection is organized into twelve series.

Series 1: David R. Pearl Materials, 1968-1984

Series 2: Corporate Records, 1968-2002

Subseries 2.1: Administrative, circa 1977-1995

Subseries 2.2: Industrial Projects Eligibility Review, undated (contains articles of incorporation for Gerber Scientific)

Subseries 2.3: Annual Reports, 1968-1999

Subseries 2.4: Shareholders Reports, 1990-1995, 1997, 1998

Subseries 2.5: Newsletters, 1969-1996

Subseries 2.6: New York Stock Exchange, 1980 October

Subseries 2.7: Securities and Exchange Commission (SEC), 1983-1992

Subseries 2.8: Gerber Museum, 1996

Subseries 2.9: Gerber Scientific Instrument Company binders (empty), undated

Subseries 2.10: Stock and Financial Information, 1949-2002

Series 3: Engineering Department Records, 1966-1990

Subseries 3.1: Ed LaGraize's Files, 1978-1990

Subseries 3.2: Dave Logan's Engineering Files, 1966-1990

Subseries 3.3: Dave Logan's Competitors Files, 1966-1982

Subseries 3.4: Bud Rich's Files, 1967-1980

Subseries 3.5, Ron Webster's Files, 1963-1992

Subseries 3.6: Ken Wood's Files, 1976-1980

Subseries 3.7: Ken Wood's Case Study of Model 1434, 1966-1989

Subseries 3.8: General Engineering Files, 1970-1980

Series 4: Product Literature, 1953-1996

Series 5: Instruction Manuals/User Guides, 1953-1980, undated

Subseries 5.1: Gerber Scientific Instrument Company, 1953-1979

Subseries 5.2: Other Companies, 1962, 1980

Series 6: Proposals, 1961-1980

Series 7: Photographs, 1948-1974, undated

Subseries 7.1, Product and Client Files, 1966-1974, undated

Subseries 7.2, Gerber Scientific Instrument Corporate, 1948-1970, undated

Subseries 7.3, Numerical, 1966-1974, undated

Series 8: Trade Literature, 1947-1992

Series 9: Press Releases and Newspaper Clippings, 1943-1998

Subseries 9.1: Press Releases, 1972-1998

Subseries 9.2: Newspaper clippings, 1943-1996

Subseries 9.3: Articles, 1969-1991

Series 10: Patent Records, 1911-1985

Series 11: Lectra Systèmes Litigation Materials, 1968-1990

Series 12: Audio Visual Materials, 1986-1998
Biographical / Historical:
Heinz Joseph "Joe" Gerber was born in Vienna, Austria, on April 17, 1924. In 1940, Gerber escaped the Nazis and immigrated to New York City and then to Hartford, Connecticut, with his mother Bertha Gerber, a dressmaker. Gerber's father, Jacob, is presumed to have died in a concentration camp. Gerber attended Weaver High School and graduated in two years (1943). He attended Rensselaer Polytechnic Institute (RPI) in Troy, New York, on a scholarship and earned a bachelor's degree in aeronautical engineering in 1947. As a junior at RPI, Gerber developed the Gerber Variable Scale, his first invention. The earliest version of the variable scale was fashioned from an elastic band removed from a pair of pajamas. Gerber created a rubber rule and scale that could flow with a curve, expand, contract, and turn a corner. The scale allows for direct reading of curves, graphs, and graphical representations, giving direct numerical readings of proportions, spacing and interpolation. The Variable Scale became the building block of what would become Gerber Scientific Instrument Inc.

With financial assistance from Abraham Koppleman, a newspaper and magazine distributor in Hartford, Gerber and Koppleman formed a partnership and incorporated Gerber Scientific Instrument Company in 1948. Gerber served as president, Koppleman as treasurer, and Stanley Levin as secretary. The manufacture of Variable Scale was jobbed out and the distribution was conducted from Hartford. Gerber also worked as a design analytical engineer for Hamilton Standard Propellers of United Aircraft and for Wright Patterson Air Force Base in Dayton, Ohio. Shares of Gerber Scientific Instrument Company were eventually sold to the public in 1961, and in 1978, the company changed its name to Gerber Scientific, Inc. In the 1960s and 1970s, Gerber developed the first series of precision, computer-driven cutting systems for the apparel industry called the Gerber Cutter. The cutters introduced automation to the garment industry. In 1967, Gerber realized that the U.S. garment industry, due to a lack of automation, was faced with increasing overseas competition. Gerber's solution was to engineer the GERBERcutter S-70, a machine that cuts apparel quickly and effectively while using less cloth.

Gerber holds more than 600 United States and foreign patents. Many of his patents relate to the United States apparel industry. In 1994, Gerber was awarded the National Medal of Technology by President Clinton for helping to revolutionize the optical, garment, automotive, and other industries. His pioneering achievements include:

-a generation of data readers (electromechanical devices that converted graphical data directly into computer readable format);

-projection systems that interactively converted information from aerial photographs for use in computers;

-devices that plotted digital output data from computer cards or tape;

-digital numerically-controlled drafting machines which verify the accuracy of the cutting path of numerical machine tools;

-a photoplotter (drafting machine configured with a unique light source to directly draw high accuracy layouts of printed circuit board masters on photographic film or glass with light beams); and

-systems with laser technology to draw at high speeds.1

Subsequent subsidiaries of Gerber Scientific, Inc., were: Gerber Garment Technology, Inc. (GGT); Gerber Scientific Products, Inc. (GSP); Gerber Systems Corp. (GSC), and Gerber Optical, Inc., (GO). GGT makes computer-controlled cutting and design equipment for apparel, automotive, aerospace and other industries. GSP produces systems for sign-making and graphic arts industries. GSC makes production systems for printing, industrial machinery and other industries. GO makes equipment for the optical-lens manufacturing industry.2

In 1954, Gerber married Sonia Kanciper. They had a daughter, Melisa Tina Gerber, and a son, David Jacques Gerber. H. Joseph Gerber died on August 9, 1996, at the age of 72.

Sources

1 National Medal of Technology, 1994.

2 W. Joseph Campbell, "High Tech and Low Key as Gerber Scientific Mounts a Recovery Philosophy that Reflects Innovative Founder," Hartford Courant, May 16, 1994.
Related Materials:
Materials in the Archives Center

Gerber Fabric Cutter Video Documentation, February 1996 (AC0609)

This videohistory documents the inventor, engineers, assembly workers, operators and other technicians who worked with the computer-controlled fabric cutter.

Heinz Joseph Gerber Papers (AC1336)

This collection documents Joseph Gerber's personal life including his highschool and college years, correpondence with family and friends, and speeches given by Gerber throughout his life.
Provenance:
The collection was donated by David Gerber, son of H. Joseph Gerber, on December 23, 2006.
Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Fabric cutters -- 1960-1990  Search this
Inventors  Search this
Computerized instruments -- 1960-1990  Search this
Automation -- 1960-1990  Search this
Machinery -- 1960-1990  Search this
Machine-tool industry  Search this
Genre/Form:
Articles
Marketing records
Photographs -- Black-and-white photoprints -- 1940-2000
Speeches
Correspondence -- 20th century
Catalogs
Clippings
Patents
Business records -- 1950-2000
Manuals
Legal documents
Citation:
Gerber Scientific Instrument Company Records, Archives Center, National Museum of American History, Smithsonian Institution.
Identifier:
NMAH.AC.0929
See more items in:
Gerber Scientific Instrument Company Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep88334dd19-fd95-4a08-86ae-c77d0c0e2958
EDAN-URL:
ead_collection:sova-nmah-ac-0929
Online Media:

Lead vocalist Anna Mae Winburn and musical Director Maurice King led the Sweethearts on their USO tour. [black-and-white photoprint]

Names:
King, Maurice  Search this
Winburn, Anna Mae  Search this
Collection Creator:
Cron, Rosalind  Search this
International Sweethearts of Rhythm  Search this
Piney Woods School  Search this
Moon, Dixie Hardy  Search this
Hughes, Cathy  Search this
Extent:
1 Item (Silver gelatin on paper., 4-3/4" x 6-7/8".)
Culture:
African Americans  Search this
Type:
Archival materials
Photographs
Scope and Contents:
Undated photo. Photographer unidentified.
Local Numbers:
AC1218-0000083.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "Women and Jazz: The International Sweethearts of Rhythm, 1937-1949", from March 25, 2011 through May 31, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Big band music  Search this
Women musicians  Search this
Jazz musicians  Search this
Bands (Music)  Search this
African American soldiers -- 1940-2000.  Search this
Genre/Form:
Photographs -- 1940-1950 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
International Sweethearts of Rhythm Collection, Archives Center, National Museum of American History
See more items in:
International Sweethearts of Rhythm Collection
International Sweethearts of Rhythm Collection / Series 3: Dixie Hardy Moon Materials / Collection of photographs
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep83e1b6bf2-a2d2-4755-bdd1-38023477d895
EDAN-URL:
ead_component:sova-nmah-ac-1218-ref616

Maid of Cotton, 1966, Nancy Bernard [black-and-white photoprint]

Collector:
Cotton Museum at the Memphis Cotton Exchange  Search this
Names:
Bernard, Nancy  Search this
Collection Creator:
Cotton Museum at the Memphis Cotton Exchange  Search this
National Cotton Council  Search this
Extent:
1 Item (Silver gelatin on paper., 10" x 8".)
Type:
Archival materials
Photographs
Arrangement:
Box No.6.
Local Numbers:
AC1176-0000009.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "The Experience of a Lifetime: The Maid of Cotton Story, 1939-1993", from December 1, 2010 to March 25, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Beauty contests -- United States  Search this
Cotton industry  Search this
Cotton textile industry  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- 1940-2000
Collection Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maid of Cotton Records
Maid of Cotton Records / Series 1: Organizational and Pageant Files / 1.1: Maid of Cotton Files / Nancy Bernard
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8eb30545f-e249-44d3-baec-bf8220d863b1
EDAN-URL:
ead_component:sova-nmah-ac-1176-ref690

Maid of Cotton, 1955, DeLois Faulkner. [black and white photoprint]

Collector:
Cotton Museum at the Memphis Cotton Exchange  Search this
Names:
Cano, Antonio, Dr.  Search this
Faulkner, DeLois  Search this
Collection Creator:
Cotton Museum at the Memphis Cotton Exchange  Search this
National Cotton Council  Search this
Extent:
1 Item (Silver gelatin on paper., 5" x 7".)
Type:
Archival materials
Photographs
Place:
Colombia
Scope and Contents:
Medellin, Colombia, Dec. 1955. Maid of Cotton tours Tejicondor cotton mill with Dr. Antonio Cano, plant manager as host. Woven design for bedspreads and drapes in on loom
Arrangement:
Box No. 3 (blue photo box)
Local Numbers:
AC1176-0000011.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "The Experience of a Lifetime: The Maid of Cotton Story, 1939-1993", from December 1, 2010 to March 25, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Beauty contests -- United States  Search this
Cotton industry  Search this
Cotton textile industry  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- 1940-2000
Collection Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maid of Cotton Records
Maid of Cotton Records / Series 1: Organizational and Pageant Files / 1.1: Maid of Cotton Files / DeLois J. Faulkner
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c00a3bd3-67bf-42d5-b3ae-8e26547b6292
EDAN-URL:
ead_component:sova-nmah-ac-1176-ref692

Maid of Cotton Contest, 1960. [black and white photoprint]

Collector:
Cotton Museum at the Memphis Cotton Exchange  Search this
Collection Creator:
Cotton Museum at the Memphis Cotton Exchange  Search this
National Cotton Council  Search this
Extent:
1 Item (Silver gelatin on paper., 8" x 10".)
Type:
Archival materials
Photographs
Scope and Contents:
1960.
Arrangement:
Box No. Blue photo box.
Local Numbers:
AC1176-0000013.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "The Experience of a Lifetime: The Maid of Cotton Story, 1939-1993", from December 1, 2010 to March 25, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Beauty contests -- United States  Search this
Cotton industry  Search this
Cotton textile industry  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- 1940-2000
Collection Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maid of Cotton Records
Maid of Cotton Records / Series 1: Organizational and Pageant Files / 1.1: Maid of Cotton Files / Sandra Lee Jennings
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep855238749-539c-4861-92c5-4ad3129ecaa2
EDAN-URL:
ead_component:sova-nmah-ac-1176-ref694

Madilyn Buntz being interviewed. [black-and-white photoprint]

Collector:
Cotton Museum at the Memphis Cotton Exchange  Search this
Names:
Buntz, Madilyn  Search this
Collection Creator:
Cotton Museum at the Memphis Cotton Exchange  Search this
National Cotton Council  Search this
Extent:
1 Item (Silver gelatin on paper., 7-1/4" x 10".)
Type:
Archival materials
Photographs
Place:
Tennessee
Memphis (Tenn.)
Scope and Contents:
Maid of Cotton Scrapbook, 1957.
Arrangement:
Folder: Loose Materials Folder.
Local Numbers:
AC1176-0000014.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "The Experience of a Lifetime: The Maid of Cotton Story, 1939-1993", from December 1, 2010 to March 25, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Beauty contests -- United States  Search this
Cotton industry  Search this
Cotton textile industry  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- 1940-2000
Collection Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maid of Cotton Records
Maid of Cotton Records / Series 3: Scrapbooks / Helen Landon
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep81c811adc-4531-4bad-b1eb-52834c4a6a05
EDAN-URL:
ead_component:sova-nmah-ac-1176-ref695

Maid of Cotton, 1957, Helen Landon [black and white photoprint]

Collector:
Cotton Museum at the Memphis Cotton Exchange  Search this
Names:
Landon, Helen  Search this
Collection Creator:
Cotton Museum at the Memphis Cotton Exchange  Search this
National Cotton Council  Search this
Extent:
1 Item (Silver gelatin on paper., 10" x 8".)
Type:
Archival materials
Photographs
Arrangement:
Box No. ? Blue photo box.
Local Numbers:
AC1176-0000015.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "The Experience of a Lifetime: The Maid of Cotton Story, 1939-1993", from December 1, 2010 to March 25, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Beauty contests -- United States  Search this
Cotton industry  Search this
Cotton textile industry  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- 1940-2000
Collection Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maid of Cotton Records
Maid of Cotton Records / Series 1: Organizational and Pageant Files / 1.1: Maid of Cotton Files / Helen Landon
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8144529d0-d0d4-476d-9943-7e0708973fe2
EDAN-URL:
ead_component:sova-nmah-ac-1176-ref696

Maid of Cotton, 1993, Anna Spiller. [black and white photoprint]

Collector:
Cotton Museum at the Memphis Cotton Exchange  Search this
Names:
Spiller, Anna  Search this
Collection Creator:
Cotton Museum at the Memphis Cotton Exchange  Search this
National Cotton Council  Search this
Extent:
1 Item (Silver gelatin on paper., 10" x 8".)
Type:
Archival materials
Photographs
Arrangement:
Box No.13.
Local Numbers:
AC1176-0000016.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "The Experience of a Lifetime: The Maid of Cotton Story, 1939-1993", from December 1, 2010 to March 25, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Beauty contests -- United States  Search this
Cotton industry  Search this
Cotton textile industry  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- 1940-2000
Collection Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maid of Cotton Records
Maid of Cotton Records / Series 1: Organizational and Pageant Files / 1.1: Maid of Cotton Files / Anna Spiller
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82805c2eb-a8e9-458a-8402-959004c9333b
EDAN-URL:
ead_component:sova-nmah-ac-1176-ref697

Maid of Cotton, 1953, Alice Corr. [black and white photoprint]

Collector:
Cotton Museum at the Memphis Cotton Exchange  Search this
Names:
Corr, Alice  Search this
Collection Creator:
Cotton Museum at the Memphis Cotton Exchange  Search this
National Cotton Council  Search this
Extent:
1 Item (Silver gelatin on paper., 10" x 8".)
Type:
Archival materials
Photographs
Scope and Contents:
"Alice Corr, 1953 Maid of Cotton, is all set for a gala evening. She's distinctively gowned by Celia Phillips of Frank Starr in black-on-white printed organdie-- a dress calculated to make any girl the belle of the ball. Jet sequins outline the print in the bodice and are scattered throughout the skirt. A high-rising sash nips in the waistline, bells out the full skirt. The organdie is by Menke Liberman with a Heberlein finish. Coro jewelry. Dawnelle gloves."
Arrangement:
Box No. Blue file box.
Local Numbers:
AC1176-0000018.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "The Experience of a Lifetime: The Maid of Cotton Story, 1939-1993", from December 1, 2010 to March 25, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Beauty contests -- United States  Search this
Cotton industry  Search this
Cotton textile industry  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- 1940-2000
Collection Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maid of Cotton Records
Maid of Cotton Records / Series 1: Organizational and Pageant Files / 1.1: Maid of Cotton Files / Alice Julia Corr
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep85c9af1f1-1e76-4b18-b166-0c81f06c7bd7
EDAN-URL:
ead_component:sova-nmah-ac-1176-ref699

Maid of Cotton, 1953, Alice Corr. [black and white photograph]

Collector:
Cotton Museum at the Memphis Cotton Exchange  Search this
Photographer:
Hillmer, Davis B.  Search this
Names:
Corr, Alice  Search this
Collection Creator:
Cotton Museum at the Memphis Cotton Exchange  Search this
National Cotton Council  Search this
Extent:
1 Item (Silver gelatin on paper., 10" x 8-1/4".)
Type:
Archival materials
Photographs
Scope and Contents:
A photograph of Alice Corr as part of a cotton textiles display at The J.L.Hudson Company department store in Detroit , Michigan. Davis B. Hillmer, photographer, 8228 Woodward Ave., Detroit 2, Michigan.
Arrangement:
Box No. Blue photo box.
Local Numbers:
AC1176-0000019.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "The Experience of a Lifetime: The Maid of Cotton Story, 1939-1993", from December 1, 2010 to March 25, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Beauty contests -- United States  Search this
Cotton industry  Search this
Cotton textile industry  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- 1940-2000
Collection Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maid of Cotton Records
Maid of Cotton Records / Series 1: Organizational and Pageant Files / 1.1: Maid of Cotton Files / Alice Julia Corr
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8df32c3ed-c9d7-45db-ba27-2688d42d0d83
EDAN-URL:
ead_component:sova-nmah-ac-1176-ref700

Maid of Cotton, 1954, Beverly Pack. [black and white photoprint]

Collector:
Cotton Museum at the Memphis Cotton Exchange  Search this
Names:
Pack, Beverly  Search this
Collection Creator:
Cotton Museum at the Memphis Cotton Exchange  Search this
National Cotton Council  Search this
Extent:
1 Item (Silver gelatin on paper., 8-1/4" x 10".)
Type:
Archival materials
Photographs
Scope and Contents:
Photograph of Beverly Pack as part of a window display at Kesslar's Department Store, Atlanta, Georgia.
Arrangement:
Box No. Blue photo box.
Local Numbers:
AC1176-0000020.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "The Experience of a Lifetime: The Maid of Cotton Story, 1939-1993", from December 1, 2010 to March 25, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Beauty contests -- United States  Search this
Cotton industry  Search this
Cotton textile industry  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- 1940-2000
Collection Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maid of Cotton Records
Maid of Cotton Records / Series 1: Organizational and Pageant Files / 1.1: Maid of Cotton Files / Beverly Louise Pack
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8208ce466-1f20-49a3-b85c-2ee894e5c784
EDAN-URL:
ead_component:sova-nmah-ac-1176-ref701

Maid of Cotton, Michelle Pitcher, 1985. [black and white photoprint]

Collector:
Cotton Museum at the Memphis Cotton Exchange  Search this
Names:
Pitcher, Michelle  Search this
Collection Creator:
Cotton Museum at the Memphis Cotton Exchange  Search this
National Cotton Council  Search this
Extent:
1 Item (Silver gelatin on paper., 10" x 8".)
Type:
Archival materials
Photographs
Arrangement:
Box No.Blue file box.
Local Numbers:
AC1176-0000021.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "The Experience of a Lifetime: The Maid of Cotton Story, 1939-1993", from December 1, 2010 to March 25, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Beauty contestants  Search this
Cotton industry  Search this
Cotton textile industry  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- 1940-2000
Collection Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maid of Cotton Records
Maid of Cotton Records / Series 1: Organizational and Pageant Files / 1.1: Maid of Cotton Files / Michelle Pitcher
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep88e61ad22-b4c5-4b21-aa85-9f1f6340b917
EDAN-URL:
ead_component:sova-nmah-ac-1176-ref702

Maid of Cotton, Melissa Mock, 1980. [black and white photoprint]

Collector:
Cotton Museum at the Memphis Cotton Exchange  Search this
Names:
Mock, Melissa  Search this
Collection Creator:
Cotton Museum at the Memphis Cotton Exchange  Search this
National Cotton Council  Search this
Extent:
1 Item (Silver gelatin on paper., 8" x 10".)
Type:
Archival materials
Photographs
Scope and Contents:
In this photo, Melissa Mock is on the right, and on the left is Karen Starr, Manager of The Cottonworks at Cotton, Incorporated"s New York office.
Arrangement:
Box No. File box , folder: 1980 Photos.
Local Numbers:
AC1176-0000022.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "The Experience of a Lifetime: The Maid of Cotton Story, 1939-1993", from December 1, 2010 to March 25, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Beauty contests -- United States  Search this
Cotton industry  Search this
Cotton textile industry  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- 1940-2000
Collection Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maid of Cotton Records
Maid of Cotton Records / Series 1: Organizational and Pageant Files / 1.1: Maid of Cotton Files / Melissa Mock
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep86c4517bc-f5b0-43e7-a32e-a2c6f8a92cab
EDAN-URL:
ead_component:sova-nmah-ac-1176-ref703

Maid of Cotton, Patricia Anne Cowden, 1956. [black and white photoprint]

Collector:
Cotton Museum at the Memphis Cotton Exchange  Search this
Names:
Cowden, Patricia Anne  Search this
Collection Creator:
Cotton Museum at the Memphis Cotton Exchange  Search this
National Cotton Council  Search this
Extent:
1 Item (Silver gelatin on paper., 8" x 10".)
Type:
Archival materials
Photographs
Scope and Contents:
Patricia Anne Cowden, speaking in front of an audience, 1956.
Arrangement:
Box No. Blue photos box#3 , folder: 1956 Domestic Tour.
Local Numbers:
AC1176-0000023.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "The Experience of a Lifetime: The Maid of Cotton Story, 1939-1993", from December 1, 2010 to March 25, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Beauty contests -- United States  Search this
Cotton industry  Search this
Cotton textile industry  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- 1940-2000
Collection Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maid of Cotton Records
Maid of Cotton Records / Series 1: Organizational and Pageant Files / 1.1: Maid of Cotton Files / Patricia Anne Cowden
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8fed74fec-2074-4585-ab4f-deaadba99617
EDAN-URL:
ead_component:sova-nmah-ac-1176-ref704

Maid of Cotton, Alice Beasley, 1941. [black and white photoprint]

Collector:
Cotton Museum at the Memphis Cotton Exchange  Search this
Creator:
Purdy (photographer-U.S.D.A.)  Search this
Names:
Beasley, Alice  Search this
Collection Creator:
Cotton Museum at the Memphis Cotton Exchange  Search this
National Cotton Council  Search this
Extent:
1 Item (Silver gelatin on paper., 10" x 8-1/4".)
Type:
Archival materials
Photographs
Scope and Contents:
U.S.D.A. Photograph by Purdy. "No. 1 -- Alice Erle Beasley, 1941 Maid of Cotton, sitting atop a cotton-wrapped bale of cotton in the patio of the Department of Agriculture administration building, gives a miniature cotton-wrapped bale to Secretary of Agriculture Claude R. Wickard, of Indiana. The Secretary has in his hand an invitation to the Memphis Cotton Carnival, May 13-17, signed by Gov. Cooper. The cotton house of the Surplus Marketing Administration, Marketing Division, Department of Agriculture, is in the background."
Arrangement:
Box No. Blue photo box, folder: 1941.
Local Numbers:
AC1176-0000024.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "The Experience of a Lifetime: The Maid of Cotton Story, 1939-1993", from December 1, 2010 to March 25, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Beauty contests -- United States  Search this
Cotton industry  Search this
Cotton textile industry  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- 1940-2000
Collection Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maid of Cotton Records
Maid of Cotton Records / Series 1: Organizational and Pageant Files / 1.1: Maid of Cotton Files / Alice Erle Beasley
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8477c24e9-94d0-41ff-b014-a41f03496b24
EDAN-URL:
ead_component:sova-nmah-ac-1176-ref705

Maid of Cotton, Alice Corr, 1953. [Black and white photoprint]

Collector:
Cotton Museum at the Memphis Cotton Exchange  Search this
Names:
Corr, Alice  Search this
Collection Creator:
Cotton Museum at the Memphis Cotton Exchange  Search this
National Cotton Council  Search this
Extent:
1 Item (Silver gelatin on paper., 8" x 10".)
Type:
Archival materials
Photographs
Scope and Contents:
Alice Corr, walking on a runway in front of an audience, 1953. KIRVEN'S, Columbus, GA. Ray Martin, Planning Engineer.
Arrangement:
Box No. Blue photo box.
Local Numbers:
AC1176-0000025.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "The Experience of a Lifetime: The Maid of Cotton Story, 1939-1993", from December 1, 2010 to March 25, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Beauty contests -- United States  Search this
Cotton industry  Search this
Cotton textile industry  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- 1940-2000
Collection Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maid of Cotton Records
Maid of Cotton Records / Series 1: Organizational and Pageant Files / 1.1: Maid of Cotton Files / Alice Julia Corr
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e0ff4445-1cac-4dc4-bc9a-714530d0b31a
EDAN-URL:
ead_component:sova-nmah-ac-1176-ref706

Maid of Cotton, Alice Corr, 1953. [black and white photoprint]

Collector:
Cotton Museum at the Memphis Cotton Exchange  Search this
Names:
Corr, Alice  Search this
Collection Creator:
Cotton Museum at the Memphis Cotton Exchange  Search this
National Cotton Council  Search this
Extent:
1 Item (Silver gelatin on paper., 10" x 8".)
Type:
Archival materials
Photographs
Arrangement:
Box No. Blue photo box.
Local Numbers:
AC1176-0000026.tif (AC Scan No.)
Exhibitions Note:
Displayed in Archives Center exhibition, "The Experience of a Lifetime: The Maid of Cotton Story, 1939-1993", from December 1, 2010 to March 25, 2011. Craig Orr, curator.
Collection Restrictions:
Collection is open for research but the negatives are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beauty contestants  Search this
Beauty contests -- United States  Search this
Cotton industry  Search this
Cotton textile industry  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- 1940-2000
Collection Citation:
Maid of Cotton Records, 1939-1993, undated, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Maid of Cotton Records
Maid of Cotton Records / Series 1: Organizational and Pageant Files / 1.1: Maid of Cotton Files / Alice Julia Corr
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep84da947fe-1400-48ae-b388-bf24ffa6a378
EDAN-URL:
ead_component:sova-nmah-ac-1176-ref707

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