Collection consists of photographs, commercially published sheet music, and original music manuscripts from the McNallys' vaudeville careers. Materials include minstrel show and blackface material; photo of Albert Tovell, once the master of ceremonies for Frances H. "Peaches" Browning; and a photograph of "Gov. Jordan," a blackface female impersonator.
Scope and Contents:
Series 1: Original Music Manuscripts/Arrangements contains original manuscripts used in the Hokem is Hokem act orchestrated by Neva Satterlee Mello. There are parts scores for five musical instruments and various instruments have additional music scores as well for individual selections. The series is arranged alphabetically.
Series 2: Commercial Sheet Music contains commercially printed sheet music, mostly from the vaudeville era with a few exceptions such as Hello Dolly and others. The series contains some well worn sheet music selections, some of which were presumably used by Neva's orchestra or the Hokem is Hokem troupe. One piece, Lily of the Valley, has been sewn along its spine by a sewing machine to help keep it together. The series is arranged alphabetically.
Series 3: Photographs contains photographs of George Mello and some of the Mello's/McNally's vaudeville contemporaries. Of special interest is one photograph of a man dressed in drag and blackface and a photograph of Albert Tovell, one time master of ceremonies for the somewhat infamous Frances H. Browning aka Peaches Browning (1910-1956). There is also another photograph of two men dressed in blackface.
Series 4: Memorabilia contains the music covers for the Hokem is Hokem act and one publication.
Collection is divided into four series.
Series 1: Original Sheet Music
Series 2: Commercial Sheet Music
Series 3: Photographs
Series 4: Memorabilia
Biographical / Historical:
According to family history, Neva Satterlee at the age of seventeen formed an orchestra and was its leader for many years. At one time she was under contract with Charles Hoyt Productions, probably the same Hoyt of Morgan & Hoyt's who boasted a Ladies Band and Imperial Singing Orchestra on their bill. She was an accomplished musician and actress. Neva married George McNally and they took the stage surname of Mello. Neva did all the musical arrangements as she was the only one of the pair who could read music. Their home base was the town of Fulton, New York. The couple remained on the vaudeville circuit as entertainers until Neva's death during child birth in 1909. The couple had at least one child, Angeline McNally. George continued to work in vaudeville. The act was under the direction of George Mello and Eddie Shaw. The act, titled Hokem is Hokem, was a minstrel, musical revue style show and apparently consisted of at least five musical selections; the opening Hot-Time, followed by He's Goin' to Hab a Hot Time Bye an' Bye termed (the greatest coon song ever published), Tall Girl (arranged by Neva Satterlee Mello), Snaps, and The Man Behind the Plow. The act's band consisted of a piano, violin, cornet, trombone, drums, clarinet, and flute but may have included other instruments. According to family tradition, Mello ceased his vaudeville career by 1928.
The vaudeville tradition began in the aftermath of the Civil War when numerous minstrel companies began touring the country in minstrel shows presenting songs and comedy in an easily accessible format. Vaudeville became the staple American family entertainment during the late 19th and early 20th centuries. Tony Pastor gave the first big time vaudeville show in New York City in 1881 and by 1919 there were reportedly 900 vaudeville theatres in the country. Featuring a collection of sketches, short plays, popular songs, and simple comedy routines, the show often featured minstrel-type acts presented by actors in blackface. With the influx of immigrants in the latter 19th century, the tradition continued but was changed by European and ethnic influences. Booking agents operated in the major cities of New York, Chicago and San Francisco promoting and developing their own Vaudeville Acircuits. Booking agents booked small troupes of actors, specialty acts and musical performers to tour the circuit traveling from one town's vaudeville house to the next. (Encarta Encyclopedia, IATSE)
Collection donated to the Archives Center by the granddaughter of the McNallys, Beatrice M. LaClair, in 2000.
Collection is open for research.
Rights situation uncertain. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection consists of court proceedings in Yuma County, Arizona relating to the remains of W.C. Gilbert and charges against Rex Dalgish, Manuel Leobo, R. W. Wilson, and Andrew Chavez. In addition, there is a scrapbook documenting a trip along the Mississippi, Ohio, and Tennessee Rivers.
Scope and Contents:
Collection consists of material collected by Bogart in his role as a professional writer. It is arranged in two series. Series one is a scrapbook documenting a trip along the Mississippi, Ohio, and Tennessee Rivers. Series two is court proceedings in Yuma County, Arizona relating to the remains of W.C. Gilbert.
Collection is divided into two series.
Series 1: Frank E. Lark Scrapbook, 1914
Series 2: Court Proceedings, 1911-1927
Biographical / Historical:
Brad Bogart is a Michigan based writer. He acquired the court materials in this collection to write a novel and to pursue the possibility of his work becoming a movie. He was intrigued by the images in the scrapbook of stevedores working along the docks in different cities along the Mississippi, Ohio, and Tennessee Rivers. Bogart furthered researched and planned to build a monument dedicated to these workers in St. Louis, but there is no further evidence of his plans.
Collection donated by Brad J. Bogart on November 12, 1984. Bogart acquired the scrapbook at a flea market in Montague, Michigan and the owner purchased it in Sturgis, Michigan. The immediate source of the court proceedings is unknown.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at email@example.com or 202-633-3270.
Copyright held by the Smithsonian Institution. Collection items available for reproducution, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives: fees for commercial use.
Colorado River Indian Reservation (Ariz. and Calif.) -- 1910-1930 Search this