Search Results

Collector:

Whitehead, Henry P. (Prenton), 1917-2002  Search this

Extent:

156.91 Linear feet (178 boxes)

Type:

Collection descriptions

Archival materials

Pamphlets

Sound recordings

Clippings

Memorabilia

Newspapers

Photographs

Books

Brochures

Date:

1843-2010

bulk 1940-1986

Summary:

The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection documents Whitehead's careers, as well as his family and personal life. The collection also includes the personal papers of Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The combined collection is comprised of black theatrical memorabilia; materials relating to civil rights activities in the District of Columbia; and the African American experience in general. Included are playbills, sheet music, admission tickets, newspapers, magazines, books, photographs, clippings, flyers, brochures, pamphlets, sound recordings, research files, and other material.

Scope and Contents note:

The papers of historian Henry P. Whitehead measure 156.91 linear feet and date from 1843 to 2010 (bulk 1945-1986). The collection includes the personal papers of Henry P. Whitehead, Tomlinson D. Todd, Elizabeth B. Delaney and the Howard Theatre Foundation. The collection is divided into four series.

Series I focuses on Whitehead and includes papers dating from 1843 to his death in 2011. This series includes biographical material including a large amount of appointment books, identification and membership cards, resumes, certificates, and personal and family material. There is a limited amount of correspondence, which focuses on his personal relationships with family, friends, and general correspondence relating primarily to his work as a local historian.

Also found within Whitehead's papers are countless records from his time employed by the Washington DC government. Materials include memoranda, notes, research material, handbooks, guides, manuals, affirmative action info and records, affirmative action plans, promotion recommendations, recruitment plans and summaries, personnel files (complaints), civil actions and reports related too Whitehead's 37 years of government employment. It reflects the activities of numerous departments, primarily in regards to employment and affirmative action.

There are also a number of files that document Whitehead's involvement in numerous community organizations. Among the organizations in which Whitehead was involved include U Street Festival, Lincoln Corporation, and the U Street Theater Foundation. The papers of the U Street Foundation document the production and establishment of the annual U Street Festival. The Lincoln Theater Foundation and the U Street Theater Foundation papers document the efforts to reopen the Lincoln Theater. Also included are Whitehead's research on the Lincoln as well as old Lincoln Theatre programs. Additionally found within this series are documents and clippings on the economic development within Washington DC particularly in the Shaw/U Street location.

The majority of this series consists of printed material. Printed material in this series includes books, clippings, magazines, newsletters, newspapers, press releases, sheet music, programs as well as promotional material for several Washington DC theaters and organizations. There is a large quantity of theater programs dating from 1900-1986. The majority of the clippings and magazines are theater related topics, coupled with a miscellaneous selection of clippings on topics that presumably captured Whitehead's attention.

Research, notes and writings include a large amount of scrapbooks compiled by Whitehead of mostly photocopied clippings documenting Washington DC history, African American theater history, and general African American history. Five scrapbooks were compiled by an unknown source and were previously housed in the New York Public Library collection. Two scrapbooks are about general theater history one about Frances Starr and one about Margaret Anglin. There is also one scrapbook pertaiing to Mae Hall. Also included are a large amount of research notes and notebooks along with general miscellaneous notes.

There are several photographs of African Americans in the performing arts as well as images of Washington DC and several unidentified men, women, and children.

Audio recordings include 23 cassette from the Alexandria Church of God.

The remainder of the collection consists of the papers of Tomlinson D. Todd, Elizabeth B. Delaney, and those about the Howard Theatre.

The Howard Theatre papers are arranged in Series II and include documents relating to the Washington DC historic Howard Theatre and date from 1910 to 1986. The papers in this series predominantly document the Howard Theatre Foundation's efforts to reestablish and run the Howard Theatre in which Whitehead was the vice president. Records include business correspondence, founding documents, photographs, memoranda, press releases, member lists, financial records, clippings, and scrapbooks of clippings pertaining to the organization and theatre.

The correspondence in the collection include a handful of letters from the Washington DC government along with individuals and organizations. Also included is a large amount of interoffice memoradums.

Administrative records include lawsuits, resolutions, meeting minutes, grant proposals, press releases, memoranda, member lists, studies and reports.

Financial records include check stubs, receipts, invoices, bank statements, expenses, and contribution lists. Printed material includes original and photocopied clippings relating to the history and coverage of the foundation activities. Mostly promotional material as flyers, brochures, and press releases along with programs. In particular two 1920 Howard Theatre programs.

The scrapbooks of original and photocopied clippings compiled by Whitehead chronicle the history of the theatre and coverage of the foundation activities.

There are three VHS cassette featuring Whitehead discussing the Howard Theatre. Also found in series 2 are numerous stock investment record books belonging to A.E. Lichtman one of the early managers of the Howard Theatre. In addition early correspondence between Lichtman and the Rex Amusement Company concerning operational management issues of the Howard Theatre.

The Tomlinson D. Todd papers are arranged in Series III and date from 1902-1986 they include organization files, collected printed materials, subject files, and personal papers.

The collection includes materials relating to organizations in which there was a relationship to Todd's work and in which he had an interest primarily during the 1940s and 1950s, organizations include the National Negro Congress (ca, 1946-1947); the Congress for Industrial Organizations (1943-1947); National Council of Negro Women (1947-1949); Committee for Racial Democracy in the Nation's Capital (1947-1948).

The subject files include documents from three of Todd's organizations; Institute on Race Relation, Club Internationale, and his radio program "Americans All". As well as printed material from Todd's alma mater Lincoln University.

The largest subject file is "Americans All" which includes radio scripts as well as audio recording of a few programs and public service announcements. Also found are several black and white photographs of Todd at the radio studio. Printed materials include newspapers, leaflets, convention proceedings, and flyers, There are a large amount of programs ranging from church worship to convention as well as performance. Also present is a small amount of personal papers, including resumes, certificates, admission tickets, family documents, and travel ephemera from his all expense paid trip to Nigeria.

There are a few photographs of Todd at functions and with notable individuals as well as some family, friends and travel.

Elizabeth's B. Delaney papers are arranged in Series IV and date from 1874-1973.

The papers primarily document her involvement in four organizations, the Grand Oder of Odd Fellow of Kentucky, the Order Eastern Star Kentucky, the State Federation of Colored Women's Clubs of Kentucky and the National Association of Colored Women. There is a small amount of printed material belonging to her son primarily the Alpha Phi Alpha material and Gospel Choral Sheet Music, and books.

The Scrapbook was complied by Whitehead consisting of photocopied clipping documenting the life of Elizabeth B. Delaney.

Arrangement note:

This collection is arranged into four series:

Series 1: Henry P. Whitehead papers Series 2: Howard Theatre Series 3: Tomlinson D. Todd Series 4. Elizabeth B. Delaney

Biographical/Historical note:

Henry Preston Whitehead Jr., was a native of Columbus Ohio. A graduate of Ohio State University, where he also attended law school and was a member of the Omega Psi Phi fraternity. Mr. Whitehead discovered Washington's "Black Broadway" in 1940, when he was a soldier in town on a weekend furlough. As he served in the Army in the South Pacific during World War II. Prior to moving to Washington DC Henry P. Whitehead worked for five years as a liquor inspector. Mr. Whitehead moved to Washington D.C. in 1949 and worked for the Post Office before working for the District of Columbia government where he stayed 21 years. He led several equal employment initiatives during the 1960s and 1970s, and was last employed as associate director of the District's Office of Human Rights. In 1980 after putting in 37 years of government service Mr. Whitehead retired. Mr. Whitehead was an historian who led efforts to restore Washington's U Street cultural corridor and achieved recognition as an authority on and collector of black theatrical memorabilia. Mr. Whitehead worked to promote and preserve the city's rich African American cultural heritage.

Mr. Whitehead, served as the chairman and president for 10 years of the Howard Theater Foundation Inc., which he helped establish. There he led the effort to include Howard Theatre in the National Register of Historic Places.

Similarly he was an active member of the U Street Festival Foundation. He was an adviser to the Kennedy Center, Anacostia Museum, and other Smithsonian Institution units and contributed materials to their exhibitions. He was also a consultant to historical documentaries broadcast on public television and radio, including PBS's "Duke Ellington's Washington." His writings included "Remembering U Street," a book used for annual festivals in the historic area.

Mr. Whitehead was also the founder and board member of the Lincoln Theatre Foundation.

Henry P. Whitehead Jr. died on January 8th 2002 at the age of 84.

Provenance:

The collection was donated to the Anacostia Community Museum on September 1, 2005 by Michael A. Watkins.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Rights:

The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Topic:

Howard Theatre (Washington, D.C.)  Search this

African Americans  Search this

National Negro Congress (U.S.)  Search this

National Council of Negro Women  Search this

Radio broadcasting  Search this

African American neighborhoods  Search this

African American musicians  Search this

Genre/Form:

Pamphlets

Sound recordings

Clippings

Memorabilia -- 20th century

Newspapers

Photographs

Books

Brochures

Citation:

Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.

Identifier:

ACMA.06-042

See more items in:

Henry P. Whitehead collection

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa751389911-f3d5-474b-82b4-126047b9cc46

EDAN-URL:

ead_collection:sova-acma-06-042

Collection Collector:

Whitehead, Henry P. (Prenton), 1917-2002  Search this

Extent:

21.72 Linear feet (Box 98-131, 179)

Type:

Archival materials

Date:

1910-1986

Arrangement:

This series is arranged into nine subseries:

2.1 A.E. Lichtman Papers 2.2 Administrative and Business Files 2.3 Correspondence 2.4 Subject Files 2.5 Financial Records 2.6 Printed Material 2.7 Research, Notes and Writings 2.8 Photographs 2.9 Audio/Sound and Visual Recording

Biographical / Historical:

The Howard Theatre, a national Historic Landmark is one the great African American theaters. Built in 1910, it is the Nation's oldest legitimate theater devoted to African American performing arts. The theater was founded and owned by the white-owned National Amusement Company. Andrew Thomas served as manager of the theater during its early years. Sherman Dudley, an actor, producer, and entrepreneur, leased and ran the theater beginning in 1922. Abe Lichtman, a white owner of a chain of movie houses took over the theater in 1926. The theater flourished during the early decades of the 20th century and became a staging area for black entertainment industry during the 1920s, and 1930's. Among some of the most notable to perform at the theatre are Billie Holiday, Cab Calloway, Duke Ellington, Charlie Parker, Louis Armstrong, Sara Vaughn, Pearl Bailey, Ella Fitzgerald, and Count Basie. By the late 1960's, due in part to racial desegregation and the 1968 riots the theatre had difficulty attracting patrons. The theater closed in 1970 but due to the efforts of the Howard Theatre Foundation reopened in 1975. Unfortunately five years later in 1980 the theatre closed for a second time. The Theatre reopened in 2012.

Due to the efforts of the Howard Theatre Foundation the theatre was placed on the national register of historic places on February 15, 1974. Three years after the close in 1975 the theatre reopened. On March 10, 1977 the theatre was acquired from the Small Business Administration in part with a grant from the United Black Fund. The Howard Theater Foundation was established in 1973 by a group of local citizens to reestablish and preserve the cultural legacy of the Howard Theatre. The foundation purposes was to preserve the Howard Theatre as a viable cultural institution, foster recognition and appreciation of the African American contribution to the performing arts, foster recognition of outstanding local talent, provide suitable facilities for the presentation of theater, music and dance, and to institute programs for training and development of new talent in theatre, music and dance. The Howard Theatre Foundation collaborated with various cultural and historic organizations, including, Operation Heritage Inc., Tomorrow's World Art Center, and NUV-1.

Collection Restrictions:

Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Collection Rights:

The Henry P. Whitehead collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.

Collection Citation:

Henry P. Whitehead collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Michael A. Watkins.

Identifier:

ACMA.06-042, Series 2

See more items in:

Henry P. Whitehead collection

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa7724e716a-7ea1-4ee1-bacd-1e887f789b68

EDAN-URL:

ead_component:sova-acma-06-042-ref223

Creator:

Druse, Kenneth  Search this

Extent:

18.75 Cubic feet (15 boxes, Approximately 45,000 images: 35,000 transparencies + 10,000 35mm slides.)

Type:

Collection descriptions

Archival materials

Notes

Slides (photographs)

Articles

Transparencies

Date:

1978-2005

Summary:

The Ken Druse Garden Photography Collection contains approximately 45,000 film transparency and 35mm slide images, dating from 1978 to 2005, of gardens, garden features, and flora photographed by garden writer and photographer Ken Druse. The photographic images document numerous private and public gardens throughout the United States and a few in Canada. Many have appeared in Druse's own books and articles as well as those by other writers. Approximately half of the collection is arranged according to specific garden, the other half by garden feature. A small portion of the collection consists of slide lectures given by Druse. Some images are identified with general captions and dates. Images documenting specific gardens are sometimes accompanied by handwritten notes, garden descriptions, and articles. Annotations appearing on certain images indicate the publication in which they appeared. The collection includes 'outtakes' or bracketed images that give insight into Druse's photo shooting process.

Biographical Note:

Ken Druse is a garden photographer and author of over a dozen books and numerous newspaper and magazine articles on garden-related topics. His images appear in his own books and articles as well as those by other writers. He received the Sarah Chapman Francis Medal for Literary Achievement from the Garden Club of America in 2004 for his garden writing. He highlights the work of numerous gardeners, garden designers, and horticulture experts on his website and podcast.

Druse's books include Making More Plants: The Science, Art, and Joy of Propagation; Planthropology: The Myths, Mysteries, and Miracles of My Garden Favorites; The Collector's Garden: Designing with Extraordinary Plants; and The Passion for Gardening: Inspiration for a Lifetime.

Provenance:

Ken Druse donated his collection of garden transparencies and slides to the Archives of American Gardens in 2013.

Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- United States  Search this

Gardens -- Canada  Search this

Genre/Form:

Notes

Slides (photographs)

Articles

Transparencies -- 20th century

Citation:

Smithsonian Institution, Archives of American Gardens, Ken Druse garden photography collection

Sponsor:

Cataloging of this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.DRU

See more items in:

Ken Druse garden photography collection

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6766010f8-2336-463d-b952-a88e27fd06bc

EDAN-URL:

ead_collection:sova-aag-dru

Artist:

Benton, Thomas Hart, 1889-1975  Search this

Collector:

Marx, Groucho (Julius Henry), 1890-1977 (comedian)  Search this

Names:

Four Nightingales  Search this

Marx Brothers  Search this

Paramount Pictures  Search this

RKO Pictures (studio)  Search this

Three Nightingales  Search this

United Artists  Search this

Warner Brothers  Search this

Marx, Chico  Search this

Marx, Harpo, 1888-1964  Search this

Palmer, Minnie  Search this

Extent:

12 Cubic feet (39 boxes)

Type:

Collection descriptions

Archival materials

Personal papers

Photographs

Motion pictures (visual works)

Photographic prints

Scrapbooks

Sheet music

Correspondence

Place:

Hollywood (Los Angeles, Calif.)

Date:

1911-1978, undated

Summary:

Papers, films, and collected materials of 20th century comedian Julius Henry "Groucho" Marx.

Scope and Contents:

Series 1: Correspondence, 1932-1977 is arranged alphabetically by correspondent. In 1965, Marx gave the Library of Congress a portion of his correspondence with well-known personages. The majority of the correspondence in this collection dates from the post World War II era (Marx's early correspondence is located at the Library of Congress.) This series includes correspondence from well-known persons, fans, admirers and friends. There is an extensive amount of correspondence with the screenwriter Nunnally Johnson. The series includes letters concerning public relations, Walt Disney caricatures of the Marx Brothers, The Grouchophile permission letters, unidentified correspondence and one letter from Chico Marx to Gummo Marx.

Series 2: Publications, Manuscripts and Print Articles by Marx, 1930-1958, undated is arranged chronologically with circa and undated material placed before the book manuscripts. This series contains written material by Groucho Marx excepting scripts and sketches. The series includes articles written by Marx for national magazines, various speeches and manuscripts for three of Marx's books.

Series 3: Scripts and Sketches, 1939-1959, undated, is arranged alphabetically with television scripts and sketches placed before full-length movie and theatre scripts. This series contains television, motion picture and theatre scripts and sketches, monologues, and related written material pertaining to works starring or featuring Marx. It also contains scripts for the one theatrical play written by Marx, A Time for Elizabeth.

Series 4: Scrapbooks, 1923-1978 is arranged chronologically and contains sixteen scrapbooks spanning Marx's career from his first Broadway success, I'll Say She Is to the year after his death. Of particular interest are the early scrapbooks for the Marx Brothers career, a scrapbook spanning the years 1934-1958 complied by Marx himself for his daughter Melinda, a photographic scrapbook compiled by the staff of Life magazine documenting a 1963 magazine layout of Marx and his then wife Eden Hartford Marx. There is also a scrapbook devoted to Chico Marx's brief career as a bandleader in the mid-late 1940s.

Series 5: Music,circa 1930-1975, undated is arranged alphabetically and includes original music manuscripts written by Marx and songs for Marx's shows and motion pictures and unidentified manuscripts perhaps written by Marx, his friends, his daughter Melinda or her music teacher. It also includes commercially produced sheet music purchased by Marx, copies of songs featured in Marx's motion pictures, music from "Minnie's Boys the theatrical production based on the Marx Brothers and their mother, an autographed copy of "Stay Down Here Where You Belong" by Irving Berlin, songs written by Marx published commercially, and Marx's copy of a collection of songs by Gilbert and Sullivan.

Series 6: Publicity, ca. 1911-1977 contains theatre programs, motion picture reviews, newspaper clippings both foreign and domestic, record album covers, a book cover and one poster of the Marx Brothers. There are items related specifically to Chico Marx. This series is arranged chronologically.

Series 7: Artwork and Photographs, 1911-1976, undatedis arranged according to subject matter and includes artwork, features cartoons and caricatures of the Marx Brothers by various artists including the Metro-Goldwyn-Mayer art department and Hirschfield, sketches of the Marx Brothers by Sheila Smith, Peggy Jacobs, Bridget Crowe and Mark E. Williams (all probably fans of the Marx Brothers), various candid photographs, publicity photographs and studio portraits of Marx, his brothers, his immediate family, correspondence and related images and photographic negatives and transparencies.

Series 8: Personal and Family Documents, 1925-1975, undated contains documents relating to Marx's personal life and his brothers Chico Marx, Harpo Marx, and his daughter Melinda. Of particular interest is Marx's copy of the transcript of his divorce deposition from Eden Hartford Marx, two proclamations from the City of Los Angeles and a portfolio cover made for him by his daughter Melinda. This series is arranged chronologically.

Series 9: Audiovisual, 1929-1970 includes home movies of Groucho, brothers Harpo and Chico, and Groucho's wife and children as well as film and kinescope copies of television programs featureing Groucho as the star or guest.

Arrangement:

The collection is organized into 9 series.

Series 1: Correspondence,1932-1977

Series 2: Publications, Manuscripts, and Print Articles by Groucho Marx, 1930-1958, undated

Series 3: Scripts and Sketches, 1939-1959, undated

Series 4: Scrapbooks, 1923-1978

Series 5: Music, circa 1930-1975, undated

Subseries 5.1: Original Music Manuscrpts

Subseries 5.2: Commercially Produced Sheet Music and Collections

Series 6: Publicity, circa 1911-1977

Series 7: Artwork and Photographs, 1911-1976, undated

Subseries 7.1: Artwork

Subseries 7.2: Photographs

Subseries 7.3: Photographic Negatives and Transparencies

Series 8: Personal and Family Documents, 1925-1978, undated

Series 9: Audiovisual

Subseries 9.1: Moving Images

Subseries 9.2: Sound Recordings

Biographical / Historical:

One of 20th century America's most enduring comics and cultural icons was Groucho Marx. Julius Henry Marx, better known as Groucho, was born in New York City on October 2, 1890. He was the third of five sons born to Minna and Samuel Marx. Minna's brother, Al Shean, was a part of the well-known vaudeville team, Gallagher and Shean.

The Marx family consisted of five boys: Leonard (Chico), Arthur (Harpo), Julius (Groucho), Milton (Gummo) and Herbert (Zeppo). The family lived in the Yorkville section of New York City. Groucho had a high soprano singing voice and his first job was singing in the choir of an Episcopal church. He joined Gus Hall and his vaudeville troupe when he was eleven. Groucho attended P.S. 86 but never went beyond the 7th grade. Minna organized the Three Nightingales with Groucho, Gummo and a girl singer. The girl was eventually replaced by a boy tenor and Harpo joined the troupe. The name of the group was changed to The Four Nightingales. Minnie acted as the group's manager. The group became known as the Marx Brothers with everyone except Gummo taking part in the act. The family moved to Chicago ca. 1904 where their grandfather lived.

The brothers toured the South and Midwest performing a vaudeville skit called, "Fun in Hiskule". It is noted that the comedy act began in Nacogdoches, Texas. The Marx Brothers first big success came in 1919 with their vaudeville act entitled "Home Again". In 1920, they were booked into the Palace Theatre in New York City and played there for thirteen months. They were later banished from the circuit due to a contract violation - they had accepted employment without Albee's permission. Groucho married Ruth Johnson on February 4th, 1920 and divorced her in July 1942. They had one daughter, Miriam and one son, Arthur born in 1921.

In 1923, they toured with the show, "I'll Say She Is", a collection of vaudeville routines that Groucho had written in collaboration. The show ran on Broadway for thirty-eight weeks. On December 8, 1925, the brothers (using their nicknames professionally for the first time) opened on Broadway in "The Cocoanuts". The play was written expressly for them by George S. Kaufman and Morris Ryskind with music by Irving Berlin. The brothers made a silent film circa 1924 called "Humor Risk" but it was never released. "Animal Crackers" opened on October 23, 1928. It was in this show that Groucho created one of his most famous characters, Captain Spaulding, the African explorer. Groucho was by this time paired with Margaret Dumont, stooge and foil, whom Groucho claimed never, really understood the Marx Brothers comedy.

On the strength of their success in "The Cocoanuts", they were signed to a film contract. In 1929, they made the film version of "The Cocoanuts" while performing "Animal Crackers" on the stage. Their mother, Minna Marx died the same year. The following year they starred in the film version of "Animal Crackers". Both films were made in New York City. In 1931, Groucho moved to Hollywood where The Marx Brothers made thirteen films. The brothers signed with Paramount Pictures and made "Monkey Business" (1931), "Horsefeathers" (1932) and "Duck Soup" (1933) while at the studio. In 1933, Zeppo left the troupe and Samuel Marx died.

In February 1934, Groucho and Chico teamed up in a radio program called, "Flywheel, Shyster and Flywheel", about characters who were comic lawyers. In March 1934, they replaced Ethel Waters on a weekly radio series sponsored by the American Oil Company. In 1935, the brothers starred in "A Night at the Opera" for Metro-Goldwyn-Mayer, a film produced by Irving Thalberg and a sequel, "A Day at the Races" (1937). In addition to working for MGM, the brothers starred in "Room Service" (1938) for the RKO studio.

The brothers discontinued the act in September 1941 but reunited for the film "A Night in Casablanca" (1946) and "Love Happy" (1949). Groucho found work as a solo artist making films for RKO, Warner Brothers and Paramount. In March 1943, the Pabst Blue Ribbon Brewery sponsored a half-hour variety show on CBS starring Groucho. Groucho married his second wife, Catherine "Kay" Gorcey in July 1945, they had one daughter Melinda. They divorced in 1951. Groucho continued to guest on many radio shows and continued to be at his peak when ad-libbing. John Guedel created "You Bet Your Life" for Groucho in October 1947. The show aired over the ABC radio network. It moved to CBS and in 1950 it was purchased by NBC and ran on television until 1961. The show ran for a total of four years on radio and eleven years on television. Groucho won radio's Peabody Award as best comedian on radio in 1948; an Emmy award in 1951; and the Motion Picture Daily Annual TV poll from 1951-1954.

Groucho was also musical. He played the guitar, but never as part of his shows. He was also an author and a playwright. He wrote the stage play, "A Time for Elizabeth", in 1948 with Norman Krasna. The play ran for eight days on Broadway but had longer runs in summer stock. In July 1954, Groucho married his third and final wife Eden Hartford. They divorced in December of 1969. In 1967, Simon and Schuster published excerpts from letters Groucho had donated to the Library of Congress in 1965. The book was entitled The Groucho Letters. Groucho authored other books, Groucho and Me (1959) his autobiography, The Secret Word is Groucho (1976) with Hector Arce and The Grouchophile (1976).

Groucho retired in 1961 but in 1972 with the help Erin Fleming, his companion and manager since 1969, he toured in a solo act. The show entitled, "An Evening with Groucho" played Carnegie Hall in New York City in May 1972. Groucho was made a Commander of the French Order of Arts and Letters at the Cannes Film Festival in 1972. In 1974, Groucho received an honorary Academy Award (Oscar) for the contribution of the Marx Brothers to the art of film. Marx died on August 19th, 1977.

Provenance:

Collection donated by Julius H. (Groucho) Marx, through the Estate of Groucho Marx, August 5, 1987.

Restrictions:

Collection is open for research but the films are stored off-site and special arrangements must be made to work with it. Reference copies of audiovisual materials must be used. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Comedians -- 1920-1970  Search this

Entertainment  Search this

Radio comedies  Search this

Comedy  Search this

Theater  Search this

Radio programs  Search this

Vaudeville  Search this

Television programs  Search this

Genre/Form:

Personal papers

Photographs -- 20th century

Motion pictures (visual works)

Photographic prints

Scrapbooks

Sheet music

Correspondence -- 1930-1950

Citation:

Groucho Marx Collection, 1911-1978, Archives Center, National Museum of American History, Smithsonian Institution.

Identifier:

NMAH.AC.0269

See more items in:

Groucho Marx Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep845dd2cd0-46ee-4664-8bb1-93308c140f43

EDAN-URL:

ead_collection:sova-nmah-ac-0269

Collector:

Marx, Groucho (Julius Henry), 1890-1977 (comedian)  Search this

Names:

Coward, Noel, 1899-1973  Search this

Collection Artist:

Benton, Thomas Hart, 1889-1975  Search this

Collection Collector:

Marx, Groucho (Julius Henry), 1890-1977 (comedian)  Search this

Extent:

1 Item (Silver gelatin on paper., 9.9" x 7.8")

Container:

Box 26, Folder 16

Type:

Archival materials

Photographs

Date:

Circa 1940

Scope and Contents:

According to a note on the back, this hung in the den of the Marx home. Signed in red, lower right.

Local Numbers:

AC0269-0000003 (AC scan)

Restrictions:

Unrestricted research use by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Occupation:

Composers -- 20th century  Search this

Topic:

Piano  Search this

Entertainers  Search this

Genre/Form:

Photographs -- 1930-1940 -- Black-and-white photoprints -- Silver gelatin

Collection Citation:

Groucho Marx Collection, 1911-1978, Archives Center, National Museum of American History, Smithsonian Institution.

See more items in:

Groucho Marx Collection

Groucho Marx Collection / Series 7: Artworks, Photographs, Negatives, and Transparences / 7.2: Photographs / Noel Coward photographic portrait undated

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep83dd0e75e-fa34-4156-85d1-11a3c8ca50a6

EDAN-URL:

ead_component:sova-nmah-ac-0269-ref933

Collector:

Marx, Groucho (Julius Henry), 1890-1977 (comedian)  Search this

Artist:

Dalí, Salvador, 1904-  Search this

Creator:

Theatre Arts (magazine)  Search this

Collection Artist:

Benton, Thomas Hart, 1889-1975  Search this

Collection Collector:

Marx, Groucho (Julius Henry), 1890-1977 (comedian)  Search this

Extent:

1 Item (ink on paper., 8.1" x 6.5")

Container:

Box 29, Folder 22

Type:

Archival materials

Cartoons (humorous images)

Works of art

Articles

Date:

C1939

Scope and Contents:

Photocopies of Salvador Dali artwork (drawings or prints) published in Theatre Arts.

Local Numbers:

AC0269-0000006 (AC scan)

AC0269-0000007 (AC scan)

Collection Restrictions:

Collection is open for research but the films are stored off-site and special arrangements must be made to work with it. Reference copies of audiovisual materials must be used. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Comedians -- United States  Search this

Entertainers  Search this

Surrealism  Search this

Genre/Form:

Cartoons (humorous images) -- 1930-1960

Works of art

Articles -- 20th century

Collection Citation:

Groucho Marx Collection, 1911-1978, Archives Center, National Museum of American History, Smithsonian Institution.

See more items in:

Groucho Marx Collection

Groucho Marx Collection / Series 7: Artworks, Photographs, Negatives, and Transparences / 7.1: Artwork / Marx Brothers from The Theatre Arts (copies) 1939 Salvador Dali

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8e5f6720f-31bb-45e1-8b58-902e2610b873

EDAN-URL:

ead_component:sova-nmah-ac-0269-ref936

Former owner:

Brenton, William  Search this

Auchincloss, John Winthrop  Search this

Auchincloss, Hugh D.  Search this

Auchincloss, Janet  Search this

Landscape designer:

Barrett, Nathan Franklin  Search this

Kellaway, Herbert J.  Search this

Timchenko, Boris V., 1898-1975  Search this

Landscape architect:

Olmsted Brothers  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Hammersmith Farm (Newport, Rhode Island)

United States of America -- Rhode Island -- Newport County -- Newport

Scope and Contents:

The folder includes worksheets, a brochure, and photocopies of photographs of and articles about the garden.

General:

Lying at the meeting of Narragansett Bay and the Atlantic, Hammersmith Farm was originally settled in the 17th century by surveyor William Brenton and named for his English residence. Eventually passing into the Auchincloss family, the property was landscaped by the Olmsted Brothers firm (records show that the firm was involved with the site from 1909 to 1946). Other designs for the property were developed by Nathan Franklin Barrett, Herbert Kellaway, and Boris V. Timchenko. An elaborate Italianate sunken garden was centered on a pool flanked by low mounds of flowers. Geometrically shaped flowers beds lay to either side, while the space was decorated by urns and columns. A pergola enclosed three sides. The property was the site of the wedding reception of Mrs. Hugh D. Auchincloss, Jr.'s daughter, Jacqueline Bouvier, and John F. Kennedy.

Persons and firms associated with the garden include: William Brenton (former owner, after 1638); John W. Auchincloss (former owner, c. 1887); Mr. and Mrs. Hugh D. Auchincloss (former owners, early 20th century); Mr. and Mrs. Hugh D. Auchincloss (former owners, mid-20th century); Olmsted Brothers Landscape Architects (landscape architects, 1909-1946); Nathan Franklin Barrett (landscape designer, 1912); Herbert J. Kellaway (landscape designer); and Boris V. Timchenko (landscape designer, 1959).

Related Materials:

Hammersmith Farm related holdings consist of 1 folder (12 glass lantern slides; 9 35 mm. slides)

Records related to this site can be found at the Frederick Law Olmsted National Historic Site, Olmsted Job Number 03794, H. D. Auchincloss.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Rhode Island -- Newport  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File RI025

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Rhode Island

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb69cf023d3-f1be-41a9-9a2e-70113cf774df

EDAN-URL:

ead_component:sova-aag-gca-ref10559

Architect:

van der Gracht, Ides  Search this

Landscape architect:

Shipman, Ellen  Search this

Creator:

Little Garden Club of Rye--provenance.  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Medway Plantation,(Goose Creek, South Carolina)

United States of America -- South Carolina -- Berkeley County -- Goose Creek

Scope and Contents:

The folder includes worksheets, site plans, plant lists, and photocopies of articles.

General:

Medway Plantation comprises 6700 acres of longleaf and loblolly pine, live oaks, tupelo, swampland and lakes as well as the oldest masonry house in South Carolina. An ornamental garden with irregularly-shaped beds and serpentine paths, known as Miss Lou's garden, was redesigned in the 1930s by Ellen Biddle Shipman. The earlier garden was described as a bird sanctuary and nursery growing anise and Chinese bay trees, azaleas, fringe trees, roses, flowering almond, lilacs, spireas, myrtle, and yellow Jessamine, with wisteria growing up into deciduous trees. The surplus from Miss Lou's garden was planted in long borders alongside three shallow brick terraces, and along paths that led to a schoolhouse on the property. The current drive to the house has double borders of live oak trees hung with Spanish moss that were first planted after the Civil War. In the 1930s architect Ides van der Gracht designed a greenhouse with stepped gables, echoing that feature from the house, and added serpentine brick walls surrounding a garden of flowers and vegetables, on the site of the historic kitchen garden. Prior to the Civil War rice was cultivated at Medway Plantation, followed by cotton and the current crop, timber.

Medway Plantation was first organized as a land grant to Johan (or Jan) van Aerssen in the last quarter of the 17th century. He started the original house which during its long history was burned and rebuilt, nearly abandoned and used only as a hunting lodge, and finally renovated. The house has unusual stepped gables in the Dutch style, reflecting the van Aerssen heritage. After van Aerssen's death circa 1867 and the remarriage of his widow, Sabina de Vignon to Thomas Smith in 1689, the property came into the prominent South Carolina Smith family.

In the early days land parcels routinely were acquired and sold and the dimensions of Medway Plantation changed frequently, finally ending up at 6700 acres under the ownership of Sidney J. and Gertrude S. Legendre in the 20th century, who had purchased and annexed neighboring plantations. Before her death in 2000 Gertrude Legendre put the property in a non-profit foundation with a conservation easement to preserve the pine forests, wetlands, and wildlife. It is recognized as a breeding site for endangered red-cockaded woodpeckers, bald eagles, wood ducks and wintering ring-necked ducks, and provides habitat for deer, turkey and quail.

Persons associated with the garden include Johan van Aerssen (former owner and builder of original house, 1686-circa 1688); Sabina de Vignon, (former owner, 1688-1689); Thomas Smith and members of the Smith family (former owners, 1689-1701); Edward Hyrne (former owner, 1701-1711); Peter Gaillard Stoney and family (former owners, 1833-1930); Sidney J. and Gertrude Sanford Legendre (former owners, 1930-1993; Ides van Waterschoot van der Gracht (architect, 1930s); Ellen Biddle Shipman (landscape architect, 1930s).

Related Materials:

Medway Plantation related holdings consist of 2 folders (2 35mm slides (photographs), 34 digital images)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- South Carolina -- Goose Creek  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File SC082

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / South Carolina

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6eef92d46-4ed6-41e2-8ee9-f17ee6b00d50

EDAN-URL:

ead_component:sova-aag-gca-ref12480

Landscape architect:

Briggs, Loutrel W.  Search this

Owner:

Chapman, Clarence  Search this

Provenance:

Little Garden Club of Rye  Search this

Creator:

Broughton, Thomas Col  Search this

Collection, John, Sir  Search this

Barker, Theodore G., Major  Search this

Chapman, Clarence  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Mulberry Plantation (Moncks Corner, South Carolina)

United States of America -- South Carolina -- Berkeley County -- Moncks Corner

Mulberry Plantation (Moncks Corner, South Carolina)

United States of America -- South Carolina -- Berkeley County -- Moncks Corner

Scope and Contents:

The folder includes worksheets, site plans, and photocopies of book excerpts and articles.

General:

The brick house at Mulberry Plantation was built on a bluff by the first owner, Thomas Broughton in 1714, the date inscribed in iron on the four weathervanes atop the four pavilions at the corners of the house. Situated along the Cooper River the current property comprises 805 acres and includes gardens on three levels: a formal boxwood parterre garden next to the house, a descending camellia walk, and a formal circle garden, all designed by Loutrel W. Briggs (b.1893-d.1977) circa 1930. Other features include a parterre kitchen garden, a Live oak allée, lagoon, rolling lawns and the oldest mulberry tree in the country. The plantation grew rice at various times in its history, as well as indigo and forest products. Another 19th century commercial project that did not succeed was breeding silk worms to produce domestic silk, with mulberry trees planted to house the worms. By the early 20th century the property was in decline and was sold out of the Broughton family to Mr. and Mrs. Clarence E. Chapman as a winter retreat. The Chapmans restored the house and brought in Briggs, known for developing the Charleston style for the many small gardens he designed in the city and at other Cooper River plantations.

Mulberry Plantation was listed in the National Register of Historic Places in 1966. The style of the house has been described as Jacobean and French, with a mansard roof, rather than a typical low-country wooden structure. The brick house may have been used as a fortress against attacks during the Yamesse War in 1715, between settlers and Native Americans. At one time there were many slave cabins on the property but now only one remains that has been used as a hunting lodge.

Persons associated with the garden include Thomas Broughton and descendents (former owners, 1714-1914); Mr. and Mrs. Clarence Chapman (former owners, 1915-1981); Historic Charleston Foundation (former owners, 1981-1987); Loutrel Winslow Briggs (December 12, 1893-May, 1977) (landscape designer, circa 1930)

Related Materials:

Mulberry Plantation related holdings consist of 2 folders (2 35mm slides (photographs) + 27 digital images)

Mulberry Plantation related holdings consist of 1 slide (photograph) (col., 35mm.)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- South Carolina -- Moncks Corner  Search this

Plantations  Search this

Spring  Search this

Box  Search this

Formal gardens  Search this

Sundials  Search this

Gardens -- South Carolina -- Moncks Corner  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File SC061

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / South Carolina

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb60ba6e02c-2caf-4c96-88a7-9520448a1b9b

EDAN-URL:

ead_component:sova-aag-gca-ref12489

Former owner:

Dennis, Mildred  Search this

Dennis, Edward  Search this

Kearns, John  Search this

Kearns, Ruth  Search this

Provenance:

Carrie T. Watson Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Stoneybroke Acres (Erie, Pennsylvania)

United States of America -- Pennsylvania -- Erie -- Erie

Scope and Contents:

The folder includes worksheets, site plans, and additional information.

General:

The two and one-half acre property had an unfinished ranch style house, four trees and three arborvitae planted at the foundation in 1971, providing the current owners with a nearly blank landscape to develop into gardens. Once the house and brick porch were finished rhododendrons, azaleas and climbing hydrangea were planted at the foundation of the porch. Flower beds, trees and shrubs followed, with fast-growing Christmas trees and poplars among the shade trees and conifers, now numbering about 40. Also there are 25 island flower beds including naturalized swathes of daffodils intended to reduce the use of fertilizers on the land and a bed of ornamental grasses. There is a shade garden under five poplars planted in the 1970's that has many varieties of hostas, ferns, astilbes, wood poppies, ginger and Joe Pye weed, and does not require much maintenance. Along a dry stone wall are planted beds of bearded iris and day lilies. There is an enclosed garden for vegetables; recent crops include heirloom tomatoes and fingerling potatoes.

At one end of the property a field of native grasses and wildflowers, milkweed and a brush pile under towering conifers planted for Christmases past is an accredited national wildlife habitat. The three arborvitae at the foundation were transplanted many years ago and have grown into a 75 by 75 foot hedge. Two curving perennial flower gardens are connected by a wrought iron trellis that supports a climbing rose. Other decorative iron pieces are placed in flower beds; other features include a staddle stone, an antique statue of a girl holding a sheaf of wheat, an umbrella pine, a 60-foot tall copper beech, and a rock garden with a fountain. After 43 years the owners are still planting trees and an annual flower bed that is different every year.

In 1868 the property was part of the 45-acre Wilkens farm along the south shore of Lake Erie, growing wheat, oats and livestock. At the beginning of the 20th century nine commercial greenhouses were built to grow vegetables, but after five of them blew down in a 1944 snow storm the family's descendant sold the farm for subdivision development.

Persons associated with the garden include Mildred and Edward Dennis (former owners, 1959-); John and Ruth Kearns (former owners, 1965-).

Related Materials:

Stoneybroke Acres related holdings consist of 1 folder (17 digital images; 14 photographic prints)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Pennsylvania -- Erie  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File PA730

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6aa98c3ad-e540-4962-b93c-8666d9721afc

EDAN-URL:

ead_component:sova-aag-gca-ref16458

Former owner:

Kugler family  Search this

Reed, George  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Longview Farm (Malvern, Pennsylvania)

United States of America -- Pennsylvania -- Chester County -- Malvern

Scope and Contents:

The folders include worksheets, a garden plan, and an extensive bibliography of writings about and published photographs of the garden.

General:

This 17-acre site has been under continuous development by the same individual since 1942. Immediately surrounding the farm's four buildings are a series of small garden rooms. Some of these are level, while others follow the natural slope of the land. A simple underlying architecture ties together the gardens and buildings. Plants soften the hard edges while grass paths and stone or brick steps connect the spaces. The continuation of these paths leads to and through a former vegetable garden and island beds. These larger areas are filled with mass plantings of perennials, both exotic and native. Shrubs, along with an occasional tree, build up the centers of the beds. Their fruits provide fall and winter color. The garden's perimeter is made up of a meadow and woods (part native, part planted to screen a highway). More paths lead into the woods, creating island spaces where shrubs, ground covers, and ferns have been added or natives encouraged. The bulk of the plants are perennials, chosen for hardiness and ease of culture. Many provide more than one season of interest. Bulbs are used throughout the beds and borders and are naturalized in the meadow and woods. Biennials are allowed to self seed throughout. It is a country garden with order and chaos in equal measure.

Persons associated with the garden include: the Kugler family (former owners, before 1780-early 20th century); and George Reed (former owner, 1942-1982).

Related Materials:

Longview Farm related holdings consist of 2 folders (15 35 mm. slides)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Pennsylvania -- Malvern  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File PA469

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb67b5f8908-e9bb-44a3-a042-a9c7b180e72a

EDAN-URL:

ead_component:sova-aag-gca-ref16487

Former owner:

Hannaway, Peter J.  Search this

Hannaway, Gertrude T. Mrs  Search this

Architect:

Smith, Brandon, 1931-1935  Search this

Landscape designer:

Keely, Elise E., 2008  Search this

Provenance:

Village Garden Club of Sewickley  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Digital images

Photographic prints

Place:

Beeches (Sewickley, Pennsylvania)

United States of America -- Pennsylvania -- Allegheny County -- Sewickley

Scope and Contents:

The folder includes worksheets, historical and biographical information, and images.

General:

The area was settled circa 1790 by soldiers from the Revolutionary War who were compensated with land to farm. Descendants subdivided their properties during the 19th and early 20th centuries, and eventually there were residences and a 9-hole golf course on 40 acres that had been rich farmland. In the 1930's the golf course was converted to residential properties, and this property's slightly more than one-half acre were the first and second holes of the old golf course. The Beaux Arts red brick house has both neoclassical and Italianate features that are complemented by renovations to the house and gardens by the current owners. The property was densely shaded by white pine, hemlock and Norway spruce; about 28 trees have been removed. Existing square brick pillars with globular finials and an acanthus leaf design were replicated and six unadorned pillars were erected on the street side of the property among pleached copper beeches. A hedge of false cypress along the driveway leads to a wooden fence with old and new pillars at either end and new garages. The main entrance is at the side of the house and was remodeled with neoclassical features, as was the rebuilt two-story porch at the rear of the house. A brick freestanding wall opposite the main entrance has Italianate arched insets with topiary shrubs pruned to fit as well as small statues of cherubs.

An existing medallion shaped swimming pool had to be fenced to conform to local codes so graded beds were added and planted with shrubs that eventually will disguise the ornamental wrought iron picket fence. These include hybridized hydrangeas in purple and pink, tree peonies, boxwood and white azaleas. Outside the fence the graded beds are filled with serviceberry, ornamental cherries, Japanese maple, leucothoe, and serviceberry under original hemlocks and pines; and in one corner there is an understory of witch hazel. These beds separate the pool from the rest of the garden. An arbor and gate that is the egress from the pool garden is painted white to match all the trim on the house and planted with clematis and climbing hydrangea. Two espaliered pear trees and a pruned peach tree grow against the new brick wall that separates the pool garden from the driveway. At the back of the property a row of rainbow knockout roses adds color.

Persons associated with the garden include: Peter J. and Gertrude T. Hannaway (former owners prior to October 2006); Brandon Smith (architect, circa 1931-1935); and Elise E. Keely (landscape designer, 2008).

Related Materials:

Beeches related holdings consist of 1 folder (8 photographic prints; 40 digital images)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Pennsylvania -- Sewickley  Search this

Genre/Form:

Digital images

Photographic prints

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File PA831

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Pennsylvania

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6a2b86f96-ea96-4ed7-b05b-b925df2b72c2

EDAN-URL:

ead_component:sova-aag-gca-ref16578

Preservation architect:

Chandler, Joseph Everett  Search this

Gardener:

Tennis, Lawrence  Search this

Sculptor:

Seamans, Beverly Benson  Search this

Former owner:

Kent, John H. B.  Search this

Peach, Benjamin F.  Search this

Peach, Adelaine L.  Search this

Daniels, Alanson L.  Search this

Daniels, Frances Pomeroy  Search this

Amory, John S.  Search this

Amory, Mary B.  Search this

Landscape architect:

Shipman, Ellen  Search this

Provenance:

North Shore Garden Club of Massachusetts  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Old Farm (Wenham, Massachusetts)

United States of America -- Massachusetts -- Essex -- Wenham

Scope and Contents:

The folder includes worksheets, photocopies of articles, historical images, and biographical and other information.

General:

Old Farm has a sunken and enclosed garden designed in 1912-1913 by Ellen Biddle Shipman in the Colonial Revival style to complement the 17th century farm house, described as a cloistered space within the more than one hundred acres of fields and woodlands that comprise this property. The garden was one of Shipman's earliest documented professional commissions, a rectangular plot sub-divided by stone and gravel walks into smaller rectangular beds surrounded by a low dry stone wall. At the far end there is a stone apse or excedrae with room for outdoor seating and a lily pond, now dry. Shipman's original stone terrace directly behind the house, stone walkway down the middle of the garden, and stone steps that lead up to the excedrae have grown over with grass and the American elm trees that shaded the enclosed garden have been replaced by other mature trees. The flower beds have been retained in their original shapes and siting, and have three distinct seasons of blooms: first daffodils, followed by irises, phlox and peonies, then fall asters.

The original 17th century house had rooms on either side of the chimney in front with a lean-to rear section. In the late 19th century the rear section was raised to two stories, and in the early 20th century the house was restored by preservation specialist Joseph Everett Chandler. Ellen Biddle Shipman added trellises for vines and a garden in front of the house planted with boxwood, roses and oleander.

Persons associated with the garden include: John H. B. Kent (former owner, 1836-1910); Benjamin F. and Adelaine L. Peach (former owners, 1899-1910); Alanson L. and Frances Pomeroy Daniels (former owners, 1910-1933); John S. and Mary B. Amory (former owners, 1933-1961); Ellen Biddle Shipman (landscape architect, 1912-1913); Joseph Everett Chandler (preservation architect, 1915); Lawrence Tennis (gardener, 2004- ); Beverly Benson Seamans (1928-2012) (sculptor).

Related Materials:

Old Farm related holdings consist of 1 folder (3 35mm slides (photographs); 15 digital images)

Additional materials also located in the Benjamin Howe Conant Collection of Photographs, Wenham Museum, Wenham, Massachusetts; Ellen McGowan Biddle Shipman archive #1259, Carl A. Kroch Library Division of Rare and Manuscripts Collection, Cornell University , Ithaca, New York

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Massachusetts -- Wenham  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File MA611

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Massachusetts

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6c40427c7-9295-4e38-9c08-e7a7467c0021

EDAN-URL:

ead_component:sova-aag-gca-ref17687

Former owner:

Carter, Robert Wormley, ca. 1735-1797  Search this

Wellford, Armistead Nelson  Search this

Wellford, Dabney S. Rev  Search this

Wellford, Hill B.  Search this

Carter, Landon, 1710-1778  Search this

Carter, Elizabeth, 1717-1806  Search this

Carter, Winifred, ca.1740  Search this

Wellford, Robert, 1775-1844  Search this

Wellford, Ida  Search this

Wellford, William  Search this

Wellford, Katherine Davis  Search this

Carter, Katherine  Search this

Carter, Elizabeth Merrie  Search this

Carter, Landon, II  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Sabine Hall (Warsaw, Virginia)

United States of America -- Virginia -- Richmond County -- Warsaw

Scope and Contents:

The folder includes worksheets and photocopies from publications.

General:

Sabine Hall is a plantation residence in the Georgian style built by Robert "King" Carter for his son Colonel Landon Carter, circa 1730, on a property of 4,000 acres, in an axial plan with formal parterre gardens. Sabine Hall was named for Horace's Roman villa and passed down through the Carter family for nine generations. The family kept the original geometric plan intact, although not all the beds were planted over time. Facing the Rappahannock River, and encompassing several hundred feet are six terraced beds with connecting grass ramps, with a centered gravel walk nearly six feet wide leading from the porch steps into the first terrace. Gravel walks continued to at least the second and third terraces. The first terrace, planted in grass, was called a bowling green. There were formal flower beds planted in a symmetrical English style on the second terrace. The third terrace was likely planted in small fruits and medicinal herbs, the fourth and fifth terraces planted in vegetables, and the sixth with fruit trees. There was another vegetable garden (the kitchen garden) planted with necessities that did not conform to the aesthetics of the parterres, planted beyond the boxwood hedges, out of sight from the house. The fifth and sixth terraces were not maintained into the 20th century, but the outlines remain. The borders were hedged in boxwood. The front portico of the house has leads to a planted lawn surrounded and interplanted with both native and imported tree species.

Colonel Landon Carter is presumed to have been responsible for the initial geometrical design of the garden, based on 17th century English and Continental precepts. Indentured English gardeners may have been early workers, as well as slaves passed down through family bequests. The third owner, Robert Wormeley Carter, named slave gardeners in his will of 1794.

Flowers mentioned by Landon Carter include bulbs, roses, and wildflowers. Vegetables included artichokes, French beans, broccoli, cabbages, carrots, cauliflower, cucumbers, endives, lettuce, melons, mushrooms, onions, parsley, peas, potatoes, radishes, savoys, spinach, and turnips.

Following ownership by Colonel Landon Carter (1710-1778) and his wife Elizabeth Wormeley of Rosegill, the estate passed to Robert Wormeley Carter and his wife Winifred Beale; then to their son Colonel Landon Carter II and his wife Katharine Tayloe of Mount Airy; next to Robert Wormeley Carter II and his wife Elizabeth Merrie Tayloe of Mount Airy. Ownership then skipped a generation and went to Robert Carter Wellford (a grandson) in 1861, who married Elizabeth Harrison of Berkeley. She died in 1919, leaving Sabine Hall to two sons, Armistead Nelson Wellford and his wife Katherine Davis and William Harrison Wellford and his wife Ida Beverly. The property was passed on to ensuing sons, the Reverend Dabney S. Wellford and Hill B. Wellford.

Persons associated with the garden include the Carter family (1730) and their descendents.

Related Materials:

Sabine Hall related holdings consist of 1 folder (12 35 mm. slides (photographs))

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Virginia -- Warsaw  Search this

Plantations  Search this

Gardens, English  Search this

Vegetable gardening  Search this

Parterres  Search this

Terraces  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File VA009

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Virginia

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6978b12aa-84e7-4a13-abe2-452ff77d35dd

EDAN-URL:

ead_component:sova-aag-gca-ref18924

Collection Creator:

Garden Club of America  Search this

Extent:

1 Photograph (lantern slide, black-and-white, 3.25 in. x 4in.)

Type:

Archival materials

Photographs

Lantern slides

Place:

Miscellaneous Billboards and Signage (Summit, New Jersey)

United States of America -- New Jersey -- Union -- Summit

Date:

[between 1914 and 1949?]

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- New Jersey -- Summit  Search this

Cigarettes  Search this

Billboards  Search this

Roads  Search this

Utility poles  Search this

Tobacco -- 20th century  Search this

Roadside improvement  Search this

Genre/Form:

Lantern slides

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item NJ661002

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / New Jersey / NJ661: Summit -- Miscellaneous Billboards and Signage

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb698d04629-2f7d-41a3-a1f9-1409e19a68d9

EDAN-URL:

ead_component:sova-aag-gca-ref21337

Engineer:

Blake, William P. (William Phipps), 1826-1910  Search this

Former owner:

Blake, William P. (William Phipps), 1826-1910  Search this

Blake, Whitney  Search this

Whitney, Stephen Mr. Mrs.  Search this

Fulton, John, MD  Search this

Fulton, Lucia Pickering  Search this

Gardener:

Fulton, Lucia Pickering  Search this

Photographer:

Radford, Jennifer  Search this

Owner:

Axion Cushing-Fulton Corporation  Search this

Provenance:

Garden Club of New Haven  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Mill Rock (Hamden, Connecticut)

United States of America -- Connecticut -- New Haven County -- Hamden

General:

"The English manor style house was built in 1870 by William Phipps Blake, a grand nephew of Eli Whitney. Blake was a geologist for the Union Pacific Railroad; later he became Director of the School of Mines at the University of Arizona. He was appointed by the Smithsonian Institution as Executive Commissioner for the Centennial Exposition of 1876 in Philadelphia. His late 19th century garden layout is down a sheltered southern slope. Massive retaining walls, masonry pillars linked by copper chains, and glazed brick paths, bricked-edged, have proved a very durable hardscape. Some features were added mid 20th century including the small fountain pool."

Persons associated with the property include: William Phipps Blake (former owner and engineer); Whitney Blake (former owner); Mr. and Mrs. Stephen Whitney (former owner);John Fulton, MD (former owner); Lucia Pickering Fulton (former owner); Axion Cushing-Fulton Corporation (owner); Jennifer Radford (photographer).

Related Materials:

Mill Rock related holdings consist of 1 folder (24 35 mm. slides)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Connecticut -- Hamden  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File CT187

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Connecticut

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb663dc62eb-162a-4e40-8877-7edda60b3c53

EDAN-URL:

ead_component:sova-aag-gca-ref21521

Former owner:

Schonewald, George  Search this

Allen, George P. Dr.  Search this

Spotts, Albert T. Mrs.  Search this

Bellani, Zueletta  Search this

Provenance:

Orinda Garden Club  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Spottswoode (St. Helena, California)

United States of America -- California -- Napa County -- Saint Helena

Scope and Contents:

The folder includes worksheets, detailed historical information about the property, a narrative garden description and details about garden components, a real estate brochure from ca. 1910, a photocopy of an article featuring the garden, and other information.

General:

This estate and winery in the Napa Valley has a rich history dating to the early 19th century, when it was part of an 1841 Mexican land grant to Eduardo Bale. Spottswoode was named by an early 20th-century owner, Mrs. Albert T. Spotts, although between 1908 and 1910 the property had been called "Lyndenhurst" by its then-owner, Dr. George P. Allen. It has now been in the same family since the early 1970s and the gardens reflect its historical heritage as well as new design and planting undertaken since that time. Native oaks are complemented by date and other palms, as well as a host of other trees, such as redwoods, citrus, and lindens. Stone terraces, perennial and rose beds, a vegetable garden, and other features highlight the property. Lying adjacent to the estate's vineyards and winery, the gardens incorporate many countryside vistas, including the surrounding hills. The Spottswoode Winery website provides additional information about Spottswoode's history as well as images and a virtual tour of the estate and gardens.

Persons associated with the property include: George Schonewald (former owner, ca. 1883); Dr. George P. Allen (former owner, 1908-1910); Mrs. Albert T. Spotts (former owner, 1910-1930); and Zueletta Bellani (former owner, 1937-1967).

Related Materials:

Spottswoode related holdings consist of 1 folder (7 35 mm. slides (photographs))

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- California -- St. Helena  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File CA234

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / California

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb673907131-edc2-41db-82ae-6ca7f7460bbb

EDAN-URL:

ead_component:sova-aag-gca-ref24368

Creator:

Ely, Helena Rutherfurd, -1920  Search this

Provenance:

Garden Club of Orange and Dutchess Counties  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

Meadowburn (Warwick, New York)

Meadowburn (Vernon, New Jersey)

United States of America -- New York -- Orange County -- Warwick

Scope and Contents:

The folder includes worksheets; landscape plans; copies of photographs; copy of biography of Helena Rutherfurd Ely(October 1951); compilation of notes from oral history by Albert Furman, Jr. (1998-2000); and copies of articles and programs.

Former Title:

Ely Gardens [Middletown Daily Times-Press, 7 November 1925]

General:

Meadowburn was the summer home of Helena Rutherfurd Ely, a prominent gardening author who wrote three books at the beginning of the 20th century. Her first book, A Woman's Hardy Garden, is reflected throughout the five acres of gardens she designed at Meadowburn. She has been called the American Gertrude Jekyll, as they both advocated a casually abundant, hardy, no-fuss gardening style. Towards the end of her career as a designer/gardner, Mrs. Ely was more and more drawn to the use of evergreens.

Vernon, New Jersey, Warwick, New York's "sister town" across the state line, is also shown as Meadowburn's location. Meadowburn straddles the border between the two states. According to Helena Ely Rutherfurd Meade's biography of her mother written in 1951, "Meadowburn Farm is mainly in New Jersey, but there is still a good bit of it in the State of New York." Though it is listed in a registration form (1992) for the National Register of Historic Places as being located in Vernon Township, New Jersey, this designation only covered the "significant features of the house and gardens at Meadowburn Farm; five acres, more or less."

Persons and organizations associated with this garden include: Louisa and Mary Rutherfurd (former owners, 1853-1860); John and Charlotte Rutherfurd (former owners, 1860-1881); Helena Rutherfurd Ely (former owner, 1881-1920); Alfred Ely, Jr. (former owner); Charles H. Coster (former owner, 1930-1977); Albert Furman, Sr. (gardener, 1893-1948); Albert Furman, Jr. (gardener (1948-2004); and Kurt Seligman (frog sculpture and fountain pool).

Related Materials:

Meadowburn related holdings consist of 3 folders (26 35 mm. slides)

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- New York -- Warwick  Search this

Gardens -- New Jersey -- Vernon  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File NY286

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / New York

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb64ebec3d4-4da0-4ca9-b047-593e01fcd9e1

EDAN-URL:

ead_component:sova-aag-gca-ref27161

Creator:

Cassebeer, F. W.  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)

Type:

Archival materials

Photographs

Lantern slides

Place:

New York (State) -- New York City

United States of America -- New York -- New York

Date:

1947 Mar.

General:

No Names for Picture. "20th century room, Mon. mantelpiece feature foliage; other plant material allowed." 1st prize, Mrs. Erik A. Thomee, Hortulus Garden Club.

Mount reads: "Kodachrome Transparency by F. W. Cassebeer, New York, N. Y."

Historic plate number: "31."

Historic plate caption: "N. Y. Flower Show, 47; 20th Century Room -Mon.; 1st Prize Mantelpiece; Feat. Foliage; other plant mat. allowed; By Mrs. Erik A. Thomee; Hortulus Club."

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Flower shows  Search this

Flower arrangement  Search this

Genre/Form:

Lantern slides

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item NY208309

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / New York / NY208: New York -- New York Flower Show

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb63f7bc6c9-7728-47e8-9e31-27eaffcce796

EDAN-URL:

ead_component:sova-aag-gca-ref28620

Creator:

Cassebeer, F. W.  Search this

Collection Creator:

Garden Club of America  Search this

Extent:

1 Photograph (lantern slide, hand-colored, 3.25 x 4 in.)

Type:

Archival materials

Photographs

Lantern slides

Place:

New York (State) -- New York City

United States of America -- New York -- New York

Date:

03/00/1947

General:

No Names for Picture. "20th century room, Mon. mantelpiece feature foliage; other plant material allowed." 1st prize, Mrs. Erik A. Thomee, Hortulus Garden Club.

Mount reads: "Kodachrome Transparency by F. W. Cassebeer, New York, N. Y."

Historic plate number: "30."

Historic plate caption: "N. Y. Flower Show 1947; 20th Century Room -- Mon.; Arr. featuring foliage; other plant mat. allowed."

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Spring  Search this

Flower shows  Search this

Flower arrangement  Search this

Interior views  Search this

Mantels  Search this

Driftwood  Search this

Sculpture  Search this

Tables  Search this

Genre/Form:

Lantern slides

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, Item NY208310

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / New York / NY208: New York -- New York Flower Show

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb6299a8859-825a-4d79-96f0-634af37a958a

EDAN-URL:

ead_component:sova-aag-gca-ref28621