Search Results

Creator:

Fuller, Diana Burgess, 1937-  Search this

Subject:

Wiley, William T.  Search this

De Forest, Roy  Search this

Levine, Marilyn  Search this

Holland, Tom  Search this

Brown, Joan  Search this

Fuller Goldeen Gallery  Search this

Hansen Fuller Goldeen Gallery  Search this

Hansen-Fuller Gallery  Search this

Fuller Gross Gallery  Search this

Hansen Galleries  Search this

Citation:

Diana Fuller papers and gallery records, 1958-2004. Archives of American Art, Smithsonian Institution.

Topic:

Art, Modern -- 20th century -- California -- San Francisco  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)10403

(DSI-AAA_SIRISBib)213779

AAA_collcode_fulldian

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_213779

Collection Creator:

Fuller, Diana Burgess  Search this

Container:

Box 66, Folder 10

Type:

Archival materials

Date:

circa 2000

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

See more items in:

Diana Fuller papers and gallery records

Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9a582985b-c8ea-4a95-beba-018ac7ae1a64

EDAN-URL:

ead_component:sova-aaa-fulldian-ref1851

Creator:

Fuller, Diana Burgess  Search this

Names:

Fuller Goldeen Gallery  Search this

Fuller Gross Gallery  Search this

Hansen Fuller Goldeen Gallery  Search this

Hansen Galleries  Search this

Hansen-Fuller Gallery  Search this

Brown, Joan, 1938-1990  Search this

De Forest, Roy, 1930-2007  Search this

Holland, Tom, 1936-  Search this

Levine, Marilyn, 1935-2005  Search this

Wiley, William T., 1937-2021  Search this

Extent:

67.9 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1958-2004

Summary:

The Diana Fuller papers and gallery records measure 67.9 linear feet and date from 1958 to 2004. The records shed light on the operations of Hansen-Fuller Gallery, Hansen-Fuller-Goldeen Gallery, Fuller-Goldeen Gallery, and Fuller-Gross Gallery through administrative files, correspondence files, artists' files, dealer and institution files, exhibition and event files, financial records, printed materials, photographic materials, as well as some audiovisual and born digital materials. Diana Fuller's papers concern her work with the Bay Area Consortium for the Visual Arts, her book, Art/Women/California, 1950-2000: Parallels and Intersections (2002), and include scattered project files, photographic materials, and more. Also present are correspondence files, artists' files, exhibition material, and financial records generated by Arts Unlimited and Hansen Galleries.

Scope and Contents:

The Diana Fuller papers and gallery records measure 67.9 linear feet and date from 1958 to 2004. The records shed light on the operations of Hansen-Fuller Gallery, Hansen-Fuller-Goldeen Gallery, Fuller-Goldeen Gallery, and Fuller-Gross Gallery through administrative files, correspondence files, artists' files, dealer and institution files, exhibition and event files, financial records, printed materials, photographic materials, as well as some audiovisual and born digital materials. Diana Fuller's papers concern her work with the Bay Area Consortium for the Visual Arts, her book, Art/Women/California, 1950-2000: Parallels and Intersections (2002), and include scattered project files, photographic materials, and more. Also present are correspondence files, artists' files, exhibition material, and financial records generated by Arts Unlimited and Hansen Galleries.

Administrative files include job descriptions, inventories of artwork, addresses, and contact lists; papers relating to foundries, photographers, framers, and printers; advertising records, property records, travel files, and one gallery guestbook. Correspondence files document the galleries' relationship with collectors, clients, art organizations, and consultants. The files include some sales records, agreements, printed material, and photos of artwork as well. Artists' files include biographical information, artist statements, correspondence, client lists, exhibition materials, loan and consignment records, and more. Among the artists featured extensively is Beth Van Hosen, William T. Wiley, Roy DeForest, Robert Arneson, Tom Holland, Robert Hudson, Marilyn Levine, and Joan Brown.

Exhibition and event files shed light on solo and group shows held at Fuller galleries, Art Unlimited and Hansen Gallery, and outside galleries, museums, and institutions; art fairs held in the U.S. and abroad, and auctions. Files related to film screenings, tours, luncheons, and other special events held at Fuller galleries are also present. Dealer and institution files consist of correspondence, loan and consignments records, bills of sale, commission agreements and contracts, printed material, price lists, and some photographic materials. Financial records contain account ledgers, invoices and receipts, gallery checks, and sales records. Also present are donation records, appraisal reports, and some financial records from Arts Unlimited and Hansen Gallery.

Diana Fuller's papers include project files, appraisal records, membership records, correspondence, and photographic materials. Records related to the Bay Area Consortium for the Visual Arts consist of administrative records, project files, grant applications, 1989 earthquake disaster relief material, and organization finances. Files relating toParallels and Intersections and its accompanying exhibition contain artist files, author files, correspondence, publishing agreements, drafts, cassette tapes, DVDs, and more.

Arrangement:

The collection is arranged as 7 series.

Series 1: Administrative Records, 1969-1992 (Box 1-3; 2.2 linear feet)

Series 2: Correspondence Files, 1963-1993 (Box 3-8; 5.5 linear feet)

Series 3: Artists' Files, 1959-1993 (Box 8-37; 28.5 linear feet)

Series 4: Exhibition and Event Files, 1967-1993, 2001 (Box 37-45; 8.3 linear feet)

Series 5: Dealer and Institution Files, 1965-1992 (Box 45-51; 6.3 linear feet)

Series 6: Financial Records, 1958-1990 (Box 51-58, 68-70; 7.9 linear feet)

Series 7: Diana Fuller Personal and Professional Papers, 1970s-2004 (Box 58-67; 9.2 linear feet)

Biographical / Historical:

The Diana Fuller galleries were contemporary art galleries in San Francisco, California, from 1969 to 1990. During this period, the gallery changed name and ownership on several occasions: Hansen-Fuller Gallery (1969-1979), Hansen-Fuller-Goldeen Gallery (1979-1982), Fuller-Goldeen Gallery (1982-1986), and Fuller-Gross Gallery (1987-1990). The three gallerists who partnered with Fuller were Wanda Hansen, Dorothy Goldeen, and Brian Gross. Among the artists represented by Fuller galleries were Beth Van Hosen, William T. Wiley, Roy DeForest, Robert Arneson, Tom Holland, Robert Hudson, Marilyn Levine, and Joan Brown. Fuller galleries held performance and conceptual art exhibitions, music performances, screened films, and rented its space out for luncheons and other special events. The gallery also exhibited at art fairs in the U.S. and Europe.

Diana Burgess Fuller is a curator, editor, and filmmaker who was previously a gallerist and art dealer. Diana Burgess worked at Saks Fifth Avenue when she married author Blair Fuller in 1965. Around 1967, she began working for Wanda Hansen's contemporary art gallery, which changed names from Art Unlimited to Hansen Galleries (sometimes Gallery). In 1969, Fuller and Hansen opened the Hansen-Fuller Gallery. That same year, Blair Fuller and novelist Oakley Hall started the Community of Writers at Squaw Valley. Diana Fuller has been involved with Squaw Valley since its inception, and currently serves as director of its screenwriting program. Fuller continued in the retail art business for a short period after closing the gallerey in 1990. In the late 1990s, Fuller began working on the seminal exhibition and book catalog, Art/Women/California, 1950-2000: Parallels and Intersections (2002), documenting more than 90 women artists working in California in the second half of the twentieth century. Fuller was the former president of the Film Arts Foundation and former chair of the Roxie Theater; she currently serves on the board of Artists in Residence Program at Recology.

Related Materials:

Also found in the Archives of American Art is the Dorothy Goldeen Gallery records.

Provenance:

The collection was donated by Diana Fuller, 1991-1995 and 2022.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art, Modern -- 20th century -- California -- San Francisco  Search this

Function:

Art galleries, Commercial -- California

Citation:

Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.fulldian

See more items in:

Diana Fuller papers and gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw990eb0854-d635-4089-b6e7-735e8b68cb2d

EDAN-URL:

ead_collection:sova-aaa-fulldian

Creator:

Jones, James C. (James Clyde), 1944-  Search this

Extent:

910 Slides (photographs) (color, 35mm)

2 Sound cassettes

Culture:

Moxo (Mojo)  Search this

Type:

Collection descriptions

Archival materials

Slides (photographs)

Sound cassettes

Sound cassette

Place:

Bolivia

Date:

1977-1979

1988

Summary:

This collection includes slides (photographic) and audio-cassettes created by James Jones during research trips to San Ingnacio de Moxos, Beni, Bolivia in 1977-1979 and 1988. Jones was conducting research to complete his dissertation in anthropology and photographed many indigenous Moxo (Mojo) community members he interviewed during the course of his research, as well as local festivals and agricultural activities.

Scope and Contents:

The James C. Jones collection includes photographic slides (35mm) and two audio-cassettes made by Jones in San Ignacios de Moxis, Beni, Bolivia in 1977-1979 and in 1988. The majority of the photographic slides in this collection were taken by Jones during his 1977-1979 research trip for his PhD dissertation. There are a small number of slides that were shot in 1988 on a return trip to Beni, Bolivia. The slides from 1977-1979 were shot in 25 rolls with 36 slides per roll. The majority of the photographs were shot in and near San Ignacio de Moxos in Beni, Bolivia an indigenous village in Norther Bolivia, though additional locations in Bolivia visited include Trinidad and La Paz. Jones interviewed around 70 local Moxo (Mojo) men and women in and near San Ignacio. During and in between interviews Jones shot photographs that documented daily life for his interviewees with a particular focus on agricultural activities such as farming and cooking. Many of the photographs include images of the Rivero family (Ignacito and Yolanda) with whom Jones stayed for extended periods of time. Jones also took a special interest in the many celebrations and festivals that occurred during his stay in Bolivia and took photographs of dancers, musicians and processions. He also shot many landscape views of the village, farms, "pampas," as well as aerial views of roads and rivers and close up images of the local flora and fauna.

The two audio-cassettes, recorded by Jones in 1977-1978, includes music played by local Moxo musicians during special occasions, such as Christmas, Independence Day as well as music played in the local church. There are also interviews with Juan Bautista Savala and Chaco war veteran Horacio Semani.

Arrangement:

Arranged chronologically and by slide roll or sound-cassette.

Biographical / Historical:

James C. Jones was born in Harlan, Kentucky in 1944. He graduated from University of Kentucky in 1966 with a B.A. in Science in Mathematics. Jones spent two years teaching math in Columbia (1969-1970) and developed an interest in Latin American studies while traveling around South America. Due to this interest, he pursued and received a Master's degree and later PhD in anthropology at the University of Florida. Jones first visited San Ignacio/Beni in 1976 for three months to define his topic for his PhD thesis with funding from the University of Florida's Tropical South American Program. He returned to Bolivia with funding from the Inter-American Foundation in 1977 (September) and stayed through the first quarter of 1979. Returning to Florida, Jones finished his dissertation in 1980 titled "Conflict between Whites and Indians on the Llanos de Moxos, Beni Department" (PhD diss., University of Florida, 1980).

After completing his degree, Jones left the field of anthropology and received a Master's degree in agricultural economics, entering the world of development for the next 15 years. During this time Jones worked on development and security issues across the globe. Jones resumed research on Bolivia in the late 1980's and 1990s and published an essay, "Development: Reflections from Bolivia" in the Society for Applied Anthropology's Human Organization, Vol. 56, No. 1 (Spring 1997), pp.111-120. Since then, Jones has worked as an independent contractor.

Separated Materials:

Jones took copious notes that describe that photographic and audio materials but these are still in the possession of Jones himself. The Archive Center has copies of these notes for reference purposes only.

Provenance:

Gift of James Jones, 2017.

Restrictions:

Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).

Rights:

Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.

Topic:

Indians of South America -- Bolivia  Search this

Photographs  Search this

Applied anthropology  Search this

Genre/Form:

Slides (photographs) -- 1950-2000

Sound cassette

Citation:

Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution

Identifier:

NMAI.AC.110

See more items in:

James C. Jones collection from Bolivia

Archival Repository:

National Museum of the American Indian

GUID:

https://n2t.net/ark:/65665/sv4d29abf08-ec3a-48a0-9436-35ad7b76ceeb

EDAN-URL:

ead_collection:sova-nmai-ac-110

Creator:

Gordon, Elizabeth, 1906-2000  Search this

Names:

Claiborne, Craig  Search this

Gordon, Elizabeth, 1906-2000  Search this

Leach, Bernard, 1887-1979  Search this

Extent:

3 Linear feet

Type:

Collection descriptions

Archival materials

Periodicals

Photographs

Correspondence

Personal papers

Place:

Japan

Date:

1958-1987

Summary:

Papers, 1959-1987, of Elizabeth Gordon, editor of the periodical, House Beautiful from 1941-1964, mostly related to her research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; notes; drafts for articles and lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; drawings of paper and foil art; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.

Scope and Contents:

The Elizabeth Gordon Papers measure 4.5 linear feet and span the years 1959-1987. The collection mainly documents Ms. Gordon's research for the August and September 1960 issues of House Beautiful regarding the Japanese aesthetic concept of "shibui", and the subsequent travelling "shibui exhibition" from 1961-1964. Included are correspondence, some photocopies, 1959-1963; research notes and materials; articles; lectures; printed material including magazine and newspaper clippings, 1959-1987; 2 books, and exhibition announcements; article materials; a photo album containing photos of exhibition installations; and photographs, slides, color transparencies, and lantern slides depicting people, sites, and objects reflecting the "shibui" aesthetic.

Arrangement note:

This collection is organized into eight series. 1. Biographical data, 2. Shibui research, 3. Shibui issues of, House Beautiful, 4. Correspondence, 5. Shibui promotion, 6. Exhibition files, 7. Printed materials, and 8. Photographs.

Biographical Information:

Born in Logansport, Indiana in 1906, Elizabeth Gordon served as editor of House Beautiful magazine 1941 to 1964. Ms. Gordon first became interested in Japanese aesthetics during the mid-1950s. As a result she began to read and study Japanese art, history and culture. In 1959, Gordon travelled to Japan with three staff people from, House Beautiful. In Kyoto she met Eiko Yuasa, a young woman then employed by the City of Kyoto to handle foreign V.I.P.s, who was assigned to assist Gordon during her stay there. It was Ms. Yuasa who, in the course of discussions of Japanese aesthetics, introduced the term "shibui." Around that term and its related concepts ("iki", "jimi", "hade") the theme for the issue began to crystallize. In August and September, 1960, House Beautiful, under the editorial control of Ms. Gordon, published two extremely popular issues devoted to the subject of "shibui". Due to the popularity of the issues, museum exhibits devoted to the concept of "shibui" travelled around the United States. Ms. Gordon died in Adamstown, Maryland in 2000.

Biographical Overview

1906 -- Born in Logansport, Indiana

1920s -- Attended the University of Chicago

1930s -- Moved to New York to work as a promotional copywriter for several newspapers

1930s -- Syndicated columnist on home maintenance for The New York Herald Tribune

1930s -- Editor at Good Housekeeping (here for 8 years)

1937 -- More House for your Money by Elizabeth Gordon and Dorothy Ducas published by W. Morrow and Company: New York.

1937 -- Married Carl Hafey Norcross

1939 -- Appointed editor of House Beautiful

1964 -- Left the magazine world

1972 -- Published a special issue on Scandinavian design and awarded the insignia of a knight, first class, in the Finnish Order of the Lion

1987 -- American Institute of Architects made her an honorary member

1988 -- Carl Hafey Norcross died

September 3, 2000 -- Died in Adamstown, MD

(The following biography of Elizabeth Gordon comes courtesy of curator Louise Cort. Written in consultation with Elizabeth Gordon, October 23, 1987)

The research papers, memoranda, magazines, books, photographs and color transparencies and other materials in this archives are related to the publication by Elizabeth Gordon (Mrs. Carl Norcross), editor of House Beautiful from 1941 to 1964 and creator of the August, 1960 issue of the magazine on the special theme of the Japanese aesthetic concept of "shibui". The "shibui issue" was followed by the September, 1960, issue of the same publication on the theme, "How to be shibui with American things." As a by-product of the issues, a "Shibui Exhibition" travelled to eleven museums in the United States during 1961-1964. Each exhibition was opened with a slide lecture by Elizabeth Gordon.

Miss Gordon first became curious about Japanese aesthetics in the mid-1950s when she began to see Japanese objects being displayed and used in the homes of Americans who had spent time in Japan during the Occupation and Japanese influence began to appear in wholesale showrooms of home furnishings manufacturers. It was clear that the time had come: she HAD to go to Japan!

She read for five years before going to Japan - history, social mores, art history. (Many of the books on Japan that she collected during this time have been presented to the library at the University of Maryland, College Park.)

An important bit of advice came from Alice Spaulding Bowen, owner of Pacifica, the highest quality shop of Asian antiquities in Honolulu, who told her, "Be sure to read, The Tale of Genji - then you'll understand everything."

She made her first trip to Japan in April, 1959, accompanied by three staff people from, House Beautiful. In Kyoto she met Eiko Yuasa, a young woman then employed by the City of Kyoto to handle foreign V.I.P.s, who was assigned to assist Miss Gordon during her stay there. It was Ms. Yuasa who, in the course of discussions of Japanese aesthetics, introduced the term "shibui." Around that term and its related concepts ("iki", "jimi", "hade") the theme for the issue began to crystallize.

Miss Gordon came home, planning to spend the summer researching "shibui" with the aid of the Japan Society. But she found virtually nothing written in English on the concept. So she returned to Japan in December, 1959 together with staff member Marion Gough, to dig deeper and to work out details and get better educated with Eiko Yuasa. One of their devices was to walk through department stores and discuss with sales personnel whether objects for sale were "shibui", or were "jimi" or "hade", and why. Between themselves, they did the same for the costumes of women they saw on the streets.

Lacking printed sources for information on "shibui", Miss Gordon sought out and interviewed experts, including Douglas Overton, head of the Japan Society in New York. In Japan in December, 1959, she met Yanagi Soetsu, founder of Japan's Folk Craft Movement and head of the Craft Museum in Tokyo (with an introduction from Tonomura Kichinosuke, head of the Craft Museum in Kurashiki). She met the chef Tsuji Kaichi, who was commissioned to write an article on "kaiseki" (that could not be used because of an inadequate English translation) and Frances Blakemore. She met several times with Bernard Leach and attended his lecture at Bonnier's while he was in New York in March, 1960. (He would later write a "fan letter" for the issue)

As the concept of "the shibui issue" began to take shape, a third trip in the spring of 1960 focused on photography - to produce the shooting script decided on the preceding December. This was executed by the noted photographer Ezra Stoller of Rye, New York, and John DeKoven Hill, House Beautiful's Editorial Director. (Mr. Hill worked with Frank Lloyd Wright except for the ten years that he was a member of the House Beautiful editorial staff)

Miss Gordon was back in Japan in Mid-August 1960 as the "shibui issue" was causing a sensation. Altogether she spent sixteen months in Japan.

As one of the experiences that influenced her strong interest in Japanese costumes and textiles, Miss Gordon remembers a spectacularly thorough exhibition at the Tokyo National Museum in Ueno on, 1200 Years of Japanese Costume. She saw it on the last day of its exhibition (possibly 1964).

The August 1960 issue sold out quickly. Copies of the magazine, which sold for fifty cents, were sold on the "black market" for ten dollars.

The publication of the August 1960 issue was followed by an unprecedented avalanche of "fan mail". Many department heads in colleges and universities, including the Harvard-Yenching Institute and the Oriental Institute of the University of Chicago (where Miss Gordon had worked as an undergraduate) wrote to comment on the issue. Many people in other fields of endeavor wrote: heads of firms concerned with interior design, landscape architecture, and related areas expressed their interest in the concept of "shibui" Other writers include Bernard Leach, Gertrude Natzler, Laura Gilpin, Mainbocher, the architect Yoshimura Junzo, the textile artist Marianne Strengell, Walter Kerr, Craig Claiborne, and Oliver Statler.

The "shibui issue" was followed immediately by the September issue dealing with the use of non-Japanese objects to express the concept of "shibui." (Miss Gordon convinced her advertisers, who had been skeptical about the potential success of the August issue, by promising the September issue dealing with American products.) Four American firms were involved in the production of an integrated line of paints, wallpaper, furniture and carpets expressive of the concept. Products were designed by the firms' designers following the clues offered by objects and fabrics purchased by Miss Gordon in Japan in December 1959 and spring 1960. Miss Gordon has expressed her dissatisfaction with the September issue, although public opinion was positive. She feels that some of the firms failed in the "shibui" project, though some "caught" the message: namely the paint company and the fabric/wallpaper company.

In response to strong public interest, the House Beautiful staff prepared a travelling exhibition to introduce the concept of "shibui" through a series of vignettes, mixing fabrics and objects, colors and textures. The museum installation was designed by John Hill of House Beautiful. Japan Air Lines underwrote shipping costs.

The exhibition began in Philadelphia in late 1961. Ezra Stoller was sent to photograph the installation in considerable detail at the Dallas Museum of Fine Arts in January, 1962, so that his photographs cold serve as guidelines for installations at the other museums, which included the San Francisco Museum of Art (April 1962), the Newark Pubic Library, and the Honolulu Academy of Art. Miss Gordon presented a lecture on "shibui" at each of the museum installations.

In appreciation of her work to introduce Americans to the concept of "shibui", the city of Kyoto presented a bolt of especially "shibui" kimono fabric executed by a Living National Treasure textile artist. Miss Gordon eventually tailored the fabric into a dress and jacket. She received the 1961 Trail Blazer Award from the New York Chapter of the National Home Fashions League, Inc. In June, 1987, Miss Gordon was named an honorary member of the American Institute of Architects, with her introduction of the concept of "shibui" and her promotion of an understanding of other culture cited as her major contributions to American architecture.

Provenance:

Elizabeth Gordon donated her papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1988.

Elizabeth Gordon donated her papers to the Freer Gallery of Art and Arthur M. Sackler Gallery Archives in 1988.

Restrictions:

Collection is open for research.

Rights:

No restrictions on use.

Topic:

Interior decoration -- Periodicals  Search this

Landscape gardening  Search this

Art, Japanese  Search this

Aesthetics, Japanese  Search this

House funishings  Search this

Interior decoration  Search this

Museum exhibits  Search this

Interior decorators  Search this

Gardens -- Japan  Search this

Genre/Form:

Periodicals -- 1940-1970

Photographs

Correspondence

Personal papers -- 1950-2000

Citation:

The Elizabeth Gordon Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of Elizabeth Gordon, 1988

Identifier:

FSA.A1988.03

See more items in:

Elizabeth Gordon Papers

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3bd5683e5-f956-4a04-9d0c-4565a6b761b7

EDAN-URL:

ead_collection:sova-fsa-a1988-03

Creator:

Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.  Search this

Berger, Sondra  Search this

Moore, Ann, 1940-  Search this

Moore, Mike  Search this

Names:

Auckerman, Lucy  Search this

Extent:

2 Cubic feet (5 boxes , BetaCamSP, 1/2 inch VHS videotapes)

Type:

Collection descriptions

Archival materials

Audio cassettes

Betacam sp (videotape format)

Floppy disks

Interviews

Oral history

Videotapes

Place:

Africa, French-speaking West

Date:

1999-10

Summary:

Ann Moore is the inventor of the Snugli baby carrier and Air Lift oxygen carrier. The collection contains original, master, and reference videos, audiocassette recordings, and transcripts documenting Moore's inventive career.

Scope and Contents:

This collection contains 5.5 hours of original BetaCam SP recordings, 5.5 hours of master video copies, 5.5 hours of reference copies, 5.5 hours of audiocassette recordings, transcripts, and articles documenting the life and work of Ann Moore, inventor of the Snugli baby carrier and Air Lift oxygen carrier. The recordings include a presentation by Ann and Mike Moore for the Lemelson Center's Innovative Lives Program. Audience participants include students from Seven Locks Elementary School in Bethesda, Maryland; Burrville Elementary School in Washington, D.C.; Barrett Elementary School in Arlington, Virginia; and Jefferson Junior High School in Washington, D.C. Ann Moore's interview includes footage of her home in Colorado and discussions with users of the Air Lift oxygen carrier and Weego baby carrier.

Arrangement:

The collection is arranged into five series.

Series 1: Original videos, 1999

Series 2: Master videos, 1999

Series 3: Audiocassettes, 1999

Series 4: Reference videos, 1999

Series 5: Supplemental documentation, 1999

Biographical / Historical:

Ann Moore was born in 1940 in a small Ohio farming community and studied pediatric nursing at the University of Cincinnati. She joined the Peace Corps in 1962 as part of a medical team and was sent to Togo. She met her husband Mike Moore during training. While in Togo, Ann Moore noticed that most women tied their babies onto their backs with a long piece of fabric, which made the babies more content. Back in Colorado, Moore wanted to carry her newborn daughter Mandela in the same way. With the assistance of her mother, Lucy Aukerman, Moore designed the first Snugli baby carrier in 1969 (US Patent 3,481,517). She patented the Snugli in 1984 (US Patent 4,434,920). Snugli, Inc. grew from a small company where each Snugli was handmade by Aukerman and her neighbors to a large company with an international presence and a factory in Colorado. In 1985 Ann and Mike Moore sold Snugli, Inc. to Gerico, a Huffy Company. In 1986 Ann invented Air Lift, a soft mesh backpack oxygen carrier so people on oxygen could be more mobile (US Patent 4,739,913).

Ann and Mike Moore became disappointed in how Gerico had simplified the Snugli design so it could be manufactured less expensively so in 1999 the Moores launched Weego, a soft baby carrier similar to the original Snugli. The Weego has some modern improvements, including an adjustable buckle around the top of the carrier instead of pin tucks. The Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation was founded in 1995 at the Smithsonian Institution's National Museum of American History through a generous gift from the Lemelson Foundation. The Center's mission is to document, interpret, and disseminate information about invention and innovation; to encourage inventive creativity in young people; and to foster an appreciation for the central role invention and innovation plays in the history of the United States. The Innovative Lives series brings together Museum visitors and especially school age children, and American inventors to discuss inventions and the creative process and to experiment and play with hands-on activities related to each inventor's product. This collection was recorded by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.

Provenance:

This collection was recorded by the Innovative Lives Program of the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation on October 15, 1999.

Restrictions:

The collection is open for research use.

Rights:

Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: reproduction fees may apply.

Topic:

Infants -- Care  Search this

Inventions -- 1950-2000  Search this

Inventors -- 1950-2000  Search this

Slides  Search this

Women inventors  Search this

Women inventors -- 20th century  Search this

Genre/Form:

Audio cassettes -- 1990-2000

BetaCam SP (videotape format)

Floppy disks

Interviews -- 1980-2000

Oral history -- 1990-2000

Videotapes -- 1990-2000

Citation:

Ann Moore Innovative Lives Presentation and Interview, Archives Center, National Museum of American History, Smithsonian Institution

Identifier:

NMAH.AC.0706

See more items in:

Ann Moore Innovative Lives Presentation

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep807245371-e2c3-4d78-b05a-ebd7d0d9b573

EDAN-URL:

ead_collection:sova-nmah-ac-0706

Creator:

Blanch, Gertrude  Search this

Bloch, Richard M.  Search this

Bradburn, James  Search this

Brainerd, John G.  Search this

Brown, George W.  Search this

Brown, Gordon S.  Search this

Buchholz, Werner  Search this

Burns, Robert  Search this

Atanasoff, John V.  Search this

Atchison, William  Search this

Auerbach, Issac  Search this

Bartik, Jean  Search this

Bauer, William  Search this

Beek, Allan  Search this

Bernstein, Mort  Search this

Bigelow, Julian  Search this

Coleman  Search this

Cohen, I. Bernhard  Search this

Computer History Forum.  Search this

COT Meeting.  Search this

Coombs, John  Search this

Crawford, Perry O.  Search this

Couret, Lynn  Search this

Campbell, Robert V.  Search this

Campaigne, Howard  Search this

Cannon, Edward  Search this

Canning, R.G.  Search this

Clem, Mary  Search this

Cass, James  Search this

CODASYL Meeting.  Search this

Clippinger, Richard F.  Search this

MIT Club Talks (Brown & Wiener).  Search this

Andrews, Ernest G.  Search this

American Federation of Information Processing Societies  Search this

Alt, Franz  Search this

Alrich, John  Search this

Association for Computing Machinery.  Search this

Association for Computing Machinery.  Search this

Argonne National Laboratories R.  Search this

Allard, Gerry  Search this

Aiken, Howard  Search this

Adams, Charles  Search this

Acton, Forman  Search this

Halstead, Maurice H.  Search this

Harmon, Leon  Search this

Harvey, Samuel  Search this

Hazen, Dean Harold  Search this

Gruenberger, Fred  Search this

Gunning, William  Search this

Hagen, Glenn E.  Search this

Hall, W.  Search this

Greenwald, Irwin  Search this

Greenwarld, Sidney  Search this

Griswold, Ralph E.  Search this

Grosch, Herbert R. J.  Search this

Goheen, Harry E.  Search this

Good, I.J.  Search this

Goteib, C.C.  Search this

Granholm, Jackson  Search this

Israel, David R.  Search this

Huskey, Harry D.  Search this

Kates, Josef  Search this

Juncosa, Mario  Search this

Householder, Alston S.  Search this

Horwitz, Bernhard R.  Search this

Hurd, Cuthbert R.  Search this

Howard, Bernard  Search this

Hopper, Grace Murray, 1906-1992  Search this

Holbrook, Bernard  Search this

Horner, Joseph  Search this

Horn, Robert J.  Search this

Herold, Henry  Search this

Herget, Paul  Search this

Holberton, Betty  Search this

Hertz, Ted  Search this

Elkins, Harold  Search this

Estrin, Gerald  Search this

Edwards, Walt  Search this

Elbourn, Robert  Search this

Eckert, J. Presper (John Presper), 1919-1995  Search this

Eddy, Robert Philip  Search this

Downey, William  Search this

Eckdahl, Donald  Search this

Dodd, Stephen  Search this

Dotts, Richard D.  Search this

Dietzhold, Robert  Search this

Dimsdale, Bernard  Search this

Desch, Joseph  Search this

Dickinson, Arthur H.  Search this

Curtiss, John H.  Search this

Dederick, Louis S.  Search this

Glazer, T.  Search this

Givens, Wallace  Search this

Gill, Stanley  Search this

Geisler, Murray  Search this

Garrison, Ken  Search this

Frankel, Stanley  Search this

Forrester, Jay W.  Search this

Forrest, Cameron B.  Search this

Forbes, George  Search this

Fenaughty, Alfred L.  Search this

Fein, Louis  Search this

Feign, David  Search this

Farrand, William R.  Search this

Fall Joint Computer Conference, 12/6/72.  Search this

Fall Joint Computer Conference, 11/17/71.  Search this

Everett, Robert  Search this

Nelson, Eldred  Search this

Neisius, Vincent  Search this

Northrop, John  Search this

Neovius, G.  Search this

Parker, R.D.  Search this

Palevsky, Max  Search this

Phelps, Byron R.  Search this

Patrick, Robert  Search this

Pickrell, D.  Search this

Phister, Montgomery  Search this

Pollmyer, R.  Search this

Polachek, Harry  Search this

Quady, Emmett  Search this

Postley, John A. R.  Search this

Rajchman, Jan  Search this

Ream, Norman  Search this

Reed, Irving S.  Search this

Rees, Mina  Search this

Rhodes, Ida  Search this

Rice, Rex  Search this

Rochester, Nathaniel  Search this

Rogers, Jim  Search this

Rogers, Stanley  Search this

Rosenberg, Milton  Search this

Rosenthal, Paul R.  Search this

Rubinoff, Morris R.  Search this

Salzer, John M.  Search this

Samuel, Arthur L. R.  Search this

Sarkissian, Harold  Search this

Schuette, Roger  Search this

Serrell, Robert R.  Search this

King, Paul  Search this

Kilpatrick, Lester  Search this

Killian, James  Search this

Kaufold, Leroy R.  Search this

Lanzarotta, Sandy R.  Search this

Kreuder, Norman L.  Search this

Korn, Irving  Search this

Kirsch, Russell  Search this

Lovell, Clarence A.  Search this

Lehmer, Derrick H.  Search this

Legvold, Sam  Search this

Larson, Harry  Search this

Martin, Richard R.  Search this

Marden, Ethel  Search this

Madden, Don R.  Search this

Lowe, John  Search this

McPherson, John C.  Search this

Mendelson, Jerry  Search this

Mason, Daniel R.  Search this

Mauchly, John R.  Search this

Michel, J.G.L. R.  Search this

Miller, Frederick G.  Search this

Menzel, Donald H.  Search this

Metropolis, Nicholas C.  Search this

Mitchell, Joel  Search this

MITRE Meeting.  Search this

Mills, Roger L.  Search this

Morton, Paul  Search this

Mumford, Louis  Search this

Mock, Owen  Search this

Morse, Philip B.  Search this

Wilkinson, James H. R.  Search this

Wilkes, Maurice R.  Search this

Wizenbaum, Joe  Search this

Williams, Charles  Search this

Wieselman, Irving  Search this

Wiener, Robert  Search this

Wild, Arthur  Search this

Wieser, C. Robert  Search this

Wrench, John W. R.  Search this

Woodger, Michael  Search this

Yowell, E.C. R.  Search this

Youtz, Pat  Search this

Woo, Way Dong  Search this

Wolfe, Philip  Search this

Woodbury, William R.  Search this

Wood, Ben D.  Search this

Zemanek, Heinz  Search this

Zuse, Konrad  Search this

Smagorinsky, Joseph  Search this

Slutz, Ralph R.  Search this

Skramstad, Harold R.  Search this

Skillman, Sherwood R.  Search this

SIAM/SIGNUM Meeting.  Search this

SIAM-72.  Search this

SHARE XXXVIII.  Search this

SHARE Meeting for Pioneers.  Search this

Taylor, Norman  Search this

Tanaka, David  Search this

Strong, Jack  Search this

Stibitz, George  Search this

Steele, Floyd G. R.  Search this

Sprague, Richard E.  Search this

Snyder, Samuel  Search this

Smith, Charles V.L.  Search this

TV Program KQED.  Search this

Uncapher, Keith  Search this

Torfeh, Mark  Search this

Travis, Irven  Search this

Todd-Tausskky, Olga  Search this

Tomash, Erwin  Search this

Toben, Gregory  Search this

Todd, John  Search this

Wheeler, R.J.  Search this

Whirlwind Discussion.  Search this

Ware, Willis H.  Search this

Wegstein, Joseph Henry  Search this

Wagner, Frank  Search this

Wang, An R.  Search this

von Hippel, Arthur  Search this

von Neumann, John  Search this

Armer, Paul, 1924- (computer technician)  Search this

Interviewee:

Rabinow, Jacob, 1910-  Search this

Former owner:

National Museum of American History (U.S.). Division of Computers, Information and Society  Search this

Extent:

43.5 Cubic feet (158 boxes)

Type:

Collection descriptions

Archival materials

Audiotapes

Interviews

Oral history

Sound recordings

Transcripts

Videotapes

Date:

1969-1973, 1977

Summary:

The Computer Oral History Collection (1969-1973, 1977), was a cooperative project of the American Federation of Information Processing Societies (AFIPS) and the Smithsonian Institution. This project began in 1967 with the main objective to collect, document, house, and make available for research source material surrounding the development of the computer.

Scope and Contents:

This collection consists of approximately 43.5 cubic feet of material documenting the development of the computer.

ABC -- Atanasoff-Berry Computer

ACE -- Automatic Computing Engine

ACM -- Association for Computing Machinery

ALGOL -- ALGOLrithmic Language

ALWAC -- Axel Wenner-Gren Automatic Computer

ARPA -- Advanced Research Projects Agency

BACAIC -- Boeing Airplane Company Algebraic Interpretative Computing System

BARK -- Binar Automatisk Rela Kalkylator

BINAC -- Binary Automatic Computer

BIZMAC -- Business Machine

BMEW -- Ballistic Missile Early Warning (System)

BUIC -- Back-up Interceptor Control

CADAC -- Cambridge Digital Automatic Computer

CALDIC -- California Digital Computer

CEC -- Consolidated Electrodynamics Corporation

CEIR -- Council for Economic and Industry Research

COBOL -- Common Business-Oriented Language

CODASYL -- Conference on Data Systems Languages

CONAC -- Continental Automatic Command

COMTRAN -- Commercial Translator

CPC -- Card Programmed Calculator

CRC -- Computer Response Corporation

DARPA -- Defense Advanced Research Projects Agency

DINA -- Digital Network Analyzer

DDA -- Digital Differential Analyzer

EDSAC -- Electronic Delay Storage Automatic Calculator

EDVAC -- Electronic Discrete Variable Automatic Computer

EAM -- Electric [or Electronic] Accounting Machines [or Methods]

ENIAC -- Electronic Numerical Integrator and Automatic Computer

ERA -- Engineering Research Associates

ERMA -- Electronic Recording and Machine Accounting

FADAC -- Field Artillery Data Computer

FSQ -- Fixed Special eQuipment

IAS -- Institute for Advanced Study (Princeton University)

ICBM -- Intercontinental Ballistic Missile

ILLIAC -- Illinois Automatic Computer

INTERCOM -- Intercommunication System (Programming Language)

JOHNNIAC -- John [von Neumann's ] Integrator and Automatic Computer

JOSS -- Johnniac [John's Integrator and Automatic Computer] Open Shop System

LARK -- Livermore Atomic Research Computer

LAS -- Laboratories of Applied Science

LGP -- Librascope

MAC -- Magnetic Automatic Calculator/Multiple Access Computer

MADDIDA -- Magnetic Drum Digital Differential Analyzer

MAGIC -- Machine for Automatic Graphics Interface to a Computer

MANIAC -- Mathematical Analyzer, Numerical Integrator, and Computer

MIDAC -- Michigan [University of] Digital Automatic Computer

MIDSAC -- Michigan [University of} Digital Special Automatic Computer

MINAC -- Minimal Automatic Computer

MIT -- Massachusetts Institute of Technology

MITRE -- Massachusetts Institute of Technology Research Establishment

MX -- Missile, Experimental

NATDAN -- North American Digital Anaylzer

NATPAC -- North American Programmed Automatic Computer

NDRC -- National Defense Research Committee [of Office of Scientific Research and Development, World War II]

NELIAC -- Naval Electronics Laboratory International Algebraic Compiler

NORC -- Naval Ordnance Research Calculator [or computer] [Naval Ordnance Proving Ground]

NTDS -- Naval Tactical Data Systems

ONR -- Office of Naval Research

ORACLE -- Oak Ridge Automatic Computer and Logical Engine

ORDVAC -- Ordnance Discrete Variable Automatic Computer [AEC]

OSRD -- Office of Standard Reference Data [National Bureau of Standards]

PACT -- Project for the Advancement of Coding Techniques

QUAC -- Quadratic Arc Computer

RAMAC -- Random Access Memory Accounting Machine

RAYDAC -- Raytheon Digital Automatic Computer

REAC -- Reeves Electronic Analog Computer

RECOMP -- Reliable COMPuter

RESISTOR -- Reusable Surface Insulation Stresses [NASA computer program]

SCERT -- Systems and Computer Evaluation Review Technique

SCM -- Smith Corona Merchant

SEAC -- U.S. Bureau of Standards Eastern Automatic Computer

SHARE -- Society to Help Avoid Redundant Effort

SHOT -- Society for the History of Technology

SIAM -- Society for Industrial and Applied Mathematics

SILLIAC -- Sydney [version of the ] Illiac

SIMSCRIPT -- Simulation Script

SNOBOL -- String-Oriented Symbolic Language

SSEC -- Selective Sequence Electronic Calculator

SUBROC -- Submarine Rocket

SWAC -- U.S. Bureau of Standards Western Automatic Computer

TPM -- Tape Processing Machine

UDEC -- United Digital Electronic Computer

UNIVAC -- Universal Automatic Computer

WEIZAC -- Weizmann Automatic Computer [at Weizmann Institute]

WISC -- Wisconsin Integrally Synchronized Computer

NT=No Transcript

R=Restricted

Arrangement:

The collection is divided into six series.

Series 1: Transcripts, 1967-1973, 1977

Series 2: Supplemental Documentation, 1922-1974

Series 3: Patents, 1940-1973

Series 4: John Vincent Atanasoff's Materials, 1927-1968

Series 5: Audio Tapes, 1967-1974, 1977

Series 6: Video Tapes, 1968-1972

Biographical / Historical:

The Computer Oral History Collection (1969-1973, 1977), was a cooperative project of the American Federation of Information Processing Societies (AFIPS) and the Smithsonian Institution. This project began in 1967 with the main objective to collect, document, house, and make available for research source material surrounding the development of the computer. The project collected taped oral interviews with individuals who figured prominently in developing or advancing the computer field and supplemental written documentation--working papers, reports, drawings, and photographs. The AFIPS provided the "seed" money to support the project and to aid the Smithsonian with its expenditures. Interviews were conducted by I.B. Cohen, A. Dettinger, Bonnie Kaplan, Elizabeth Luebbert, William Luebbert, Robina Mapstone, Richard Mertz, Uta Merzbach, and Henry Tropp. In some instances, the audio tapes and/or transcripts are not "formal" interviews, but rather moderated panel discussions/meetings, or lectures delivered by interviewees.

Related Materials:

The Archives Center contains several "computer" related collections:

American National Standards Institute, 1969-1979

Association for Computing Machinery Collection, 1958-1978 (Washington, D.C., Chapter)

N.W. Ayer Advertsing Agency Records, 1889-1972

Paul Armer Collection, 1949-1970

Robert G. Chamberlain Numerical Control Collection, 1954-1984

J. Childs Numerical Control Collection, 1952-1970

Computer Standards Collection, 1958-1978

Computer World Smithsonian Awards Collection, 1989-2001

Data Processing Digest Collection, 1955-1974

Max Holland Machine Tool Industry Collection, c. 1941-1990

Grace Murray Hopper Collection, 1944-1965

Information Age Exhibition Records, 1979-1990

Institute for Advanced Study Computer Project Records, 1950-1957

Instrument Society of America Collection, 1911-1969

Odex I Walking Robot Collection, 1973-1986

Jacob Rabinow Papers, 1910-1917; 1947-1990

Terry M. Sachs Collection, 1965-1969

Scientists and Inventors Portrait File, c. 1950-1980

Share Numerical Analysis Project Records, 1964-1970

SHARE Records, c. 1954-1984

Cliff Shaw papers, c. 1954-1985

Society for the History of Technology (SHOT) Records, 1956-1992

Warshaw Collection of Business Americana, c. 1754-1965

Whirlwind I Computer Collection, 1945-1959

B.H. Worsley, 1946-1959

Within the National Museum of American History there are other related collections that may be found in the Division of Medicine and Science. These collections contain both artifacts and documents. Artifacts include: digital computing machines, automatic digital computers and electronic calculators, logic devices, card and tape processors, slide rules, integrators and integraphs, harmonic analyzers and synthesizers, differential analyzers, other analog computing devices, space measurement and representation, time measurement, and combination space and time measurement. Documentation includes the Electronic Computers History Collection and the Mathematical Devices History Collection. Photographs and video materials can also be found. The Smithsonian Institution Archives contains administrative documentation regarding the Computer History Project.

Provenance:

The Computer Oral History Collection was a cooperative project of the American Federation of Information Processing Societies (AFIPS) and the Smithsonian Institution. This project began in 1967 and was concluded in 1973. This collection was transferred to the Archives Center in approximately 1986 from the Division of Information, Technology & Society, formerly known as the Division of Electricity.

Restrictions:

Collection is open for research but original audio tapes and videotapes are stored off-site. Reference copies do not exist for all of the audiovisual materials. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Computers  Search this

Engineers  Search this

Mathematics  Search this

Mathematicians  Search this

Physicists  Search this

Scientists  Search this

Genre/Form:

Audiotapes

Interviews -- 1950-2000

Oral history

Sound recordings -- Compact disks

Transcripts

Videotapes

Citation:

Computer Oral History Collection, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Online transcripts for select oral history interviews were made possible by the Morton I. Bernstein Fund and the Association for Computing Machinery, the Special Interest Group on Management of Data (SIGMOD), and the Special Interest Group on Programming Languages (SIGPLAN).

Identifier:

NMAH.AC.0196

See more items in:

Computer Oral History Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8b666ccc2-1644-4513-9a64-89be727d5419

EDAN-URL:

ead_collection:sova-nmah-ac-0196

Interviewer:

Edwards, Nanci  Search this

Fleckner, John A., 1941-  Search this

Green, Rayna, 1942- (Curator)  Search this

Johnson, Paula, Curator  Search this

Creator:

National Museum of American History (U.S.)  Search this

Names:

Red, White, and American (symposium, Washington, D.C. 1996).  Search this

Crew, Spencer R., 1949-  Search this

Interviewee:

Abreu, David  Search this

Barrett, James L. , 1926-2013  Search this

Black, Hollis  Search this

Black, Pat  Search this

Black, Tom, 1959-  Search this

Brambila, Gustavo  Search this

Browning, Keith  Search this

DePuy Dickenson, Joanne, 1927-  Search this

Dias Blue, Anthony  Search this

Draper, Paul, 1936-  Search this

Gallagher, Patricia  Search this

Gates, David S.  Search this

Grgich, Mike (Miljenko), 1923  Search this

Herrera, Rolando  Search this

Kinzbrunner, Rick  Search this

Kuhn, Ron  Search this

Mandy, Steven , Dr.  Search this

Orr, James  Search this

Robledo, Reynaldo  Search this

Schuster, Danny  Search this

Spurrier, Steven  Search this

Taber, George  Search this

Winiarski, Warren, 1928-  Search this

Speaker:

Foley, Dennis  Search this

Levenstein, Harvey A., 1938-  Search this

Extent:

3 Cubic feet (10 boxes)

Type:

Collection descriptions

Archival materials

Audiotapes

Interviews

Photographs

Print advertising

Programs

Videotapes

Date:

1976-2005

bulk 1996-2001

Scope and Contents:

The collection is divided into six series. It includes mostly printed materials and interviews, and dates from approximately 1976 to 2005. There are wine-related event materials, interview transcripts and audiotapes, printed material and histories from people and institutions representing a wide spectrum of the wine business. Wine-related objects, such vineyard and winery tools, are stored with the Museum's artifact collections; documentary materials are held in the Archives Center. Materials from each special event are organized into separate series, which contain records generated at the events and interviews. Series one contains the "Red, White and American Records," series two the "Collectors Event," and series three the "Wine Writers Event." Interviews conducted independently of these events are included in series four. All of the interviews have been partially transcribed and include an abstract and various forms of audiotapes and discs. Series five is composed of printed materials that relate to both specific individuals in the wine business and to more general American wine topics. Most of this material consists of photocopies of original articles. There are also files with materials by and about specific wine writers, such as Anthony Dias Blue, William Heinz, and Dick Rosano. Series five also contains an original telex of George Taber's article about the 1976 Paris Tasting. Series six consists of visual materials, including two landscape photographs of an vineyard in Oregon and two videotaped documentaries on Napa.

Arrangement:

The collection is arranged into seven series.

Series 1: Red, White, and American : Wine in American History and Culture Records, 1976-1996

Series 2: Collections Event, 2001

Series 3: Reflections: A Day in the Life of a Wine Writer Event, 2002

Series 4: Interviews, 1997-2001

Series 5: Printed Materials, 1997-2001

Series 6: Visual Materials, undated

Series 7; Interviews, 2013

Biographical / Historical:

The American Wine History Project began in 1996 with the intention to document the history of American winemaking, mainly for the post-1950 period. While the project includes winemaking areas around the country, the focus has been on northern and central California. The Project explores the convergence of craft, culture, science, technology, and the environment in modern American winemaking. In conjunction with the project, the Smithsonian held a 2-day symposium, "Red, White and American," with a small accompanying exhibition, entitled, "Doubtless as Good: Jefferson's Dream for American Wine Fulfilled," in 1996 and began gathering objects and other documentation.

Since 1997, National Museum of American History staff members have traveled to California to conduct interviews, take photographs and video footage, and gather materials for the Smithsonian collection from grape growers, winemakers, winery owners, and others important to the business, including wine writers and chefs. Some of the materials were generated from events in Napa, such as the collectors and wine writers events, that were held specifically for the purpose of adding documentation to the Smithsonian project. The documentation project is on-going so materials will continue to be added to the collection.

Provenance:

Some of the materials were generated by the Smithsonian Institution, such as those in series 1 through 3. Others were given by separate donors between 1996 and 2002.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Wine industry  Search this

Wine and wine making  Search this

Genre/Form:

Audiotapes -- 1990-2000

Interviews -- 1980-2000

Photographs -- 1950-2000

Print advertising

Programs -- 1980-2000

Videotapes -- 1990-2000

Citation:

American Wine Documentation Project, 1976-2002, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0817

See more items in:

American Wine Documentation Project

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c0ebfa21-e4c3-4bf2-ab52-27e5f59f9dd8

EDAN-URL:

ead_collection:sova-nmah-ac-0817

Presenter:

Crew, Spencer, Dr., 1949-  Search this

Creator:

Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.  Search this

Inventor:

Walker, Hal, Jr. (Hildreth), 1933-  Search this

Interviewee:

Stephens, Lee  Search this

Walker, Bettye Davis, Dr.  Search this

Speaker:

Lemelson, Jerome H., 1923-1997  Search this

Molella, Arthur P., 1944-  Search this

Travis, John  Search this

Heyman, Ira Michael, 1930-2011  Search this

Names:

A-MAN (African American Male Achievers Network)  Search this

Extent:

0.5 Cubic feet (3 boxes)

Type:

Collection descriptions

Archival materials

Interviews

Lectures

Betacam sp (videotape format)

Videotapes

Oral history

Slides

Date:

1995 June 1

Summary:

Collection documents inventor Hal Walker and his research and development work with lasers and electric automobiles.

Scope and Contents:

This collection contains original (Betcam SP), master (Betacam SP), reference (1/2" VHS) videos and photographs documenting Spencer Crew, Secretary I. Michael Heyman, Arthur Molella and Jerome Lemelson in honor of the establishment of the Lemelson Center and the first Innovative Lives Program (a series of lecture-demonstrations by American inventors and entrepreneurs for young people--by Hildreth "Hal" Walker. Hal Walker discusses his background and how he became an inventor. With John Travis, a chemist from the National Institute of Standards and Technology, Walker demonstrates the properties and applications of lasers, including measuring the distance to the moon and voice communications. Walker developed laser equipment that projected images of the moon back to the earth during the 1969 Apollo moon walk.

Arrangement:

Collection is arranged into four series.

Series 1: Original videos

Series 2: Master videos

Series 3: Reference videos

Series 4: Photographs

Biographical / Historical:

Hal Walker was born in 1933 in Louisiana. In 1951, he joined the Navy and served for four years as a qualified electrician's mate. In 1955, Walker joined Douglas Aircraft Company installing radar systems and at the same time began taking classes at L.A. City College. Soon after joining Douglas Aircraft, a series of layoffs occurred and Walker joined RCA working with the Ballistic Missile Early Warning System (BMEWS). He continued to sharpen his technical and managerial skills developing industrial and medical uses for lasers, plasma, quantum physics, and holography. By 1981, Walker joined Hughes Aircraft, the organization that brought Laser Target Designator Systems (LTDs) to the United States Army's weapons inventory. Walker retired from Hughes Aircraft in 1989 and with his wife, Dr. Bettye Davis Walker, founded A-MAN, the African American Male Achievers Network, Inc. Science Discovery Learning Center. A-MAN's mission is to utilize Science, Technology, Engineering and Mathematics (STEM)-related projects as a motivational tool and advance the educational achievement, and the intellectual and career development of African-American, Latino and other minority students pre-K thru 12thgrades.

Provenance:

Created by the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation in 1995.

Restrictions:

Collection is open for research but the original videos are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Signed copies of releases for Hal Walker and Mark Lee Stephens on file.

Topic:

Electric engineering -- 1980-2000  Search this

Inventors -- 1950-2000  Search this

Automobiles, Electric  Search this

Lasers  Search this

Inventions -- 20th century  Search this

Optics  Search this

Physics -- 20th century  Search this

African American inventors -- 20th century  Search this

Aerospace engineers  Search this

Aerospace industries  Search this

Photographs  Search this

Genre/Form:

Interviews -- 1980-2000

Lectures -- 1990-2000

BetaCam SP (videotape format)

Videotapes

Oral history -- 1990-2000

Slides

Citation:

Hal Walker Innovative Lives Presentation, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0602

See more items in:

Hal Walker Innovative Lives Presentation

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8c073da41-9132-467c-93f7-29ef12a33c9d

EDAN-URL:

ead_collection:sova-nmah-ac-0602

Interviewee:

Sun Ra  Search this

Gaskin, Leonard, 1920-  Search this

Taylor, Billy  Search this

Sullivan, Maxine, 1911-1987  Search this

Wells, Ronnie  Search this

Whiting, Margaret  Search this

Towers, Jack  Search this

Venuti, Joe, 1903-1978  Search this

Pullen, Don, 1941-  Search this

Roney, Wallace  Search this

Pizzarelli, Bucky, 1926-  Search this

Pizzarelli, John, 1960-  Search this

Shaw, Artie, 1910-2004  Search this

Shepp, Archie, 1937-  Search this

Sanders, Pharaoh  Search this

Grant, Felix, 1918-1993  Search this

Scott, Jimmy  Search this

McPhail, Jimmy  Search this

McPartland, Marian  Search this

McFerrin, Bobby  Search this

Krall, Diana  Search this

O'Connell, Helen  Search this

Mulligan, Gerry  Search this

Metheny, Pat  Search this

McShann, Jay  Search this

Horn, Shirley, 1934-  Search this

Hinton, Milt, 1910-2000  Search this

Hill, Andrew, 1937-  Search this

Hendricks, Jon, 1921-  Search this

Keane, Helen  Search this

Kaminsky, Max, 1908-  Search this

Jordan, Sheila, 1928-  Search this

Humes, Helen, 1913-1981  Search this

Hampton, Lionel  Search this

Harris, Eddie, 1934-  Search this

Heath, Jimmy, 1926-  Search this

Frishberg, Dave  Search this

Ennis, Ethel  Search this

Farmer, Art, 1928-  Search this

Flanagan, Tommy, 1930-  Search this

Hampton, Slide  Search this

D'Rivera, Paquito, 1948-  Search this

Daniels, Billy  Search this

Davison, Bill  Search this

Donegan, Dorothy, 1922-  Search this

Crouch, Stanley, 1945-2020  Search this

Conyers, John, 1929-  Search this

Cruz, Celia, 1920-  Search this

Byard, Jaki  Search this

Brown, Ruth  Search this

Carter, Betty, 1930-  Search this

Byron, Don  Search this

Betts, Keter, 1928-  Search this

Bellson, Louis  Search this

Bowie, Lester, 1941-  Search this

Blakey, Art, 1919-1990  Search this

Allen, Steve, 1921-2000  Search this

Adderly, Nat, 1931-  Search this

Bailey, Benny, 1925-  Search this

Collector:

Stokes, W. Royal, Dr., 1930-  Search this

Names:

Armstrong, Louis, 1901-1971  Search this

Davis, Miles  Search this

Ellington, Duke, 1899-1974  Search this

Gillespie, Dizzy, 1917-  Search this

Extent:

10 Cubic feet (39 boxes)

Type:

Collection descriptions

Archival materials

Audiotapes

Photographs

Publicity photographs

Date:

1940s-2005

Summary:

Publicity photographs of musicians and entertainers, mostly jazz musicians, such as Duke Ellington, Louis Armstrong, Miles Davis, and Dizzy Gillespie, but including many rock and even a few classical performers. The collection also contains tape recorded radio interviews conducted between 1970 and 2003. In addition there are posters relating to musical performances.

Scope and Contents:

This collection was formed by W. Royal Stokes in the course of his professional work as a music and arts critic. It is composed primarily of publicity portraits of musical performers, both single acts and groups. The emphasis is on jazz musicians and singers, although many rock stars and groups, and other popular musical performers are included. Even a few classical musicians are represented. The pictures are primarily mass-produced black and white publicity photographs distributed to newspapers, writers, etc., by agents for entertainment personalities. Some prints were made from the original negatives, while others clearly were made from copy negatives after typography was stripped together with a print and re-photographed. However, there are some rarer original photographs included in the collection, such as personal color snapshots, higher quality prints by art photographers, etc. Nearly all the prints are unmounted, and are 8 x 10 inches or smaller in size. The bulk of the photographs date from circa 1970 to 2000, however, a number of the earlier photographs are included as well as slightly later examples.

Arrangement:

The collection is divided into nine series.

Series 1, Photographs of Musicians and Ensembles, circa 1970-2000; undated

Subseries 1.1, Musicians and Ensembles

Subseries 1.2, Recording Company Photographs

Subseries 1.3, Unidentified Musicians

Series 2, Photographs of Performances, 1987-2002; undated

Subseries 2.1, Music Festivals, 1987-2002; undated

Subseries 2.2, Concerts, Music Clubs and Other Venues, 1920s-1940s and circa 1980s-1990s; undated

Series 3, Formal and Informal Groups, circa 1980s-2000; undated

Series 4, Photographs of Musicians in Films, Radio, Television and Theater, 1940s-2000; undated Series 5, Photographs of Subjects and Products related to Musicians and Music, 1970-2000; undated

Series 6, Photographs of Non-Musicians, circa 1980s-2000; undated

Series 7, Interviews with Musicians, 1970-2003

Series 8, Audiovisual Materials, 1970-2003

Subseries 8.1, Audio Recordings - Audiocassettes

Subseries 8.2, Audio Recordings-Audiotapes

Series 9, Posters, 1976-1990; undated

Biographical / Historical:

Born in Washington, D.C., W. Royal Stokes served in the Army and then embarked on an academic career, teaching at the University of Pittsburgh, Tufts University, Brock University and the University of Colorado. He left the academic profession in 1969 and become a writer, broadcaster and lecturer, journalist, and critic and authority on jazz music. A follower of jazz since his teens in the 1940s, Stokes has written about music for such publications as Down Beat, Jazz Times, and the Washington Post, and hosted the public radio shows "I Thought I Heard Buddy Bolden Say . . ." and "Since Minton's". Today he is the editor of the quarterly Jazz Notes, and is the author of The Jazz Scene: An Informal History From New Orleans to 1990 and Swing Era New York: The Jazz Photographs of Charles Peterson.. He is also the author of Living the Jazz Life: Conversations with Forty Musicians about Their Careers in Jazz (Oxford; New York: Oxford University Press, 2000). Dr. Stokes lives in Silver Spring, Maryland.

Materials in the Archives Center, National Museum of Ameican History:

Duke Ellington Collection, 1928-1988 (AC0301)

Herman Leonard Photoprints, 1948-1993

Frank Driggs Collection of Duke Ellington Photographic Reference Prints [copyprints], 1923-1972

Jazz Oral History Collection, 1988-1990

Ernie Smith Jazz Film Collection, 1910s-1970s (mostly 1930s-1960s)

Jeffrey Kliman Photographs

Stephanie Myers Jazz Photographs, 1984-1987, 2005

Chico O'Farrill Papers

Paquito D'Rivera Papers, 1989-2000.

Louis Armstrong Music Manuscripts, undated

Tito Puente Papers, 1962-1965.

Audrey Wells "Women in Jazz Radio Series, 1981-1982

Mongo Santamaria Papers, 1965-2001

Ramsey Lewis Collection, 1950-2007

Earl Newman Collection of Monterey Jazz Festival Posters, 1963-2009

James Arkatov Collection of Jazz Photographs, 1995-2003

Francis Wolff Jazz Photoprints, 1953-1966

Floyd Levin Jazz Reference Collection, circa 1920s-2006

Jazz Oral History Program Collection, 1992-2009

Leslie Schinella Collection of Gene Krupa Materials

Provenance:

Donated by W. Royal Stokes to the Archives Center in 2001.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Jazz musicians -- 1950-2000 -- United States  Search this

Musicians  Search this

Publicity  Search this

Portraits -- Musicians  Search this

Popular music -- 20th century -- United States  Search this

Entertainers  Search this

Rock music  Search this

Genre/Form:

Audiotapes

Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000

Publicity photographs

Citation:

W. Royal Stokes Collection of Jazz Musicians' Photographs, ca. 1970-2000, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0766

See more items in:

W. Royal Stokes Collection of Music Photoprints and Interviews

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8b79b5a94-c967-451e-bafb-e62dc2d8ff45

EDAN-URL:

ead_collection:sova-nmah-ac-0766

Collector:

National Museum of American History (U.S.). Division of Community Life  Search this

Interviewer:

Ahlborn, Richard E., 1933-2015  Search this

Martin, Juana  Search this

Author:

Martinez, Emiliano  Search this

Extent:

0.15 Cubic feet (1 box)

Type:

Collection descriptions

Archival materials

Audiocassettes

Audiotapes

Interviews

Oral history

Photographs

Transcripts

Place:

Fort Chaffee (Ark.)

Date:

1984

Summary:

Papers, oral history, and transcripts relating to Emiliano Martinez, a Cuban immigrant.

Scope and Contents:

Papers and photographs related to the immigration experience of Cuban refugee Martinez: a story from the Washington Post, March 12, 1984; a 45-minute cassette recording of an interview (in Spanish) by Richard E. Ahlborn with Martinez; a transcription in Spanish of the interview; six photographs of the hut taken by a zoo photographer; a covering memorandum from Ahlborn; a copy of Martinez's earnings from the sale of cans; and a diagram of his hut. Ahlborn, a curator in the Division of Community Life, was assisted by Juana Martin, a social worker.

Biographical / Historical:

The story of Emiliano Martinez, a Cuban refugee, was publicized as an example of the ingenuity and survival skills of recent immigrants to this nation. Martinez fled Cuba in one of the freedom flotillas of 1980. After a year in a refugee camp at Fort Chaffee, Arkansas, he arrived in Washington, D.C. in April 1981. He shared apartments with other Cuban refugees until October 1982. Using his carpentry skills, he constructed a hut on undeveloped land at the National Zoo, where he lived from December 1982 until March 1984. He then moved into a boarding house in the Adams-Morgan neighborhood. He made his livelihood by selling aluminum cans to a Safeway grocery store for an average of sixty-five dollars a month.

Provenance:

Collection donated by Emilio Martinez.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Carpentry  Search this

Emigration and immigration  Search this

Hispanic Americans -- 1950-2000  Search this

Homelessness  Search this

Housing  Search this

Political refugees  Search this

Poverty  Search this

Genre/Form:

Audiocassettes

Audiotapes

Interviews -- 1980-2000

Oral history

Photographs -- Black-and-white photoprints -- Silver gelatin -- 1980-2000

Transcripts

Citation:

Emiliano Martinez Collection, 1984, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0176

See more items in:

Emiliano Martinez Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep86b08cf62-f39f-45dc-888b-2a21680f2041

EDAN-URL:

ead_collection:sova-nmah-ac-0176

Collection Creator:

Bechtle, Robert, 1932-2020  Search this

Container:

Box 14, Folder 1-5

Type:

Archival materials

Photographs [31027000927430]

Date:

circa 1950s-2000

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

The donor has retained all intellectual property rights, including copyright, that they may own in the following material: 40 demonstration works of art on papers by Robert Bechtle.

Collection Citation:

Robert Bechtle papers, circa 1950-2015. Archives of American Art, Smithsonian Institution.

See more items in:

Robert Bechtle papers

Robert Bechtle papers / Series 8: Photographic Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw94856efa2-3b58-471d-a4fb-839187d6a857

EDAN-URL:

ead_component:sova-aaa-bechrobe-ref239

Collection Creator:

Bechtle, Robert, 1932-2020  Search this

Container:

Box 15, Folder 1-4

Type:

Archival materials

Photographs [31027000927448]

Date:

circa 1950s-2000

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

The donor has retained all intellectual property rights, including copyright, that they may own in the following material: 40 demonstration works of art on papers by Robert Bechtle.

Collection Citation:

Robert Bechtle papers, circa 1950-2015. Archives of American Art, Smithsonian Institution.

See more items in:

Robert Bechtle papers

Robert Bechtle papers / Series 8: Photographic Material

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw957b21718-64f7-4d31-8997-97c1f9629a97

EDAN-URL:

ead_component:sova-aaa-bechrobe-ref240

Creator:

Hann, Catherine (Huynh bach Thuy)  Search this

Names:

United Nations. Office of the High Commissioner for Human RIghts.  Search this

United States Catholic Conference. Migration and Refugee Services  Search this

Extent:

0.6 Cubic feet (2 boxes)

Type:

Collection descriptions

Archival materials

Photographs

Interviews

Oral histories (document genres)

Correspondence

Identity cards

Diaries

Audiotapes

Checkbooks

Date:

1953-2006

Summary:

Papers relating to Catherine Hann's life in Vietnam (1953-1981), her flight by boat to Malaysia and stay at Pulau Bidong refugee camp (February --September 1981), her immigration to the United States (September 1981), and her work in Maryland as a circuit board assembler, manicurist and esthetician.

Scope and Contents:

The Catherine Hann Papers are divided into five series: Life in Vietnam, pre-1981; Stay in Malaysia, 1981; United States, 1981-2006; Oral History Interviews, 2002, 2006; and Photographs, 1955-2005.

Series 1 consists of four documents from Hann's life in Vietnam: an official copy of Hann's 1953 birth certificate, her college student ID, her Gia Long High School student ID and her 1974 South Vietnamese identity card.

Series 2 documents Hann's stay in the Pulau Bidong refugee camp off the coast of Malaysia and her family's medical processing in Kuala Lumpur. Especially interesting is a small diary Hann kept in 1981 documenting the building of the fishing boat, the voyage in the Gulf of Thailand, the stay at Pulau Bidong and Kuala Lumpur, and the family's first few months in the United States. There is an English translation of the diary. Other materials in this series include letters sent by relatives and friends to Hann in the refugee camp, papers documenting a family member's attempt to sponsor the family in the U.S., and hand-made Certificates of Commendation awarded to Hann's husband for his work in the refugee camp. The original letter with attached photographs from the U.S. Embassy in Kuala Lumpur granting permission for the family to immigrate is included.

Series 3 describes Hann's life in the United States as she transitioned from refugee to financially successful American citizen. Uncommon pieces of ephemera are cancelled checks repaying a loan from the United States Catholic Conference for the purchase of plane tickets from Malaysia to the United States. Also included are papers from Hann's seventeen years in the electronics industry, textbooks for manicurist training, a ledger and checkbook from Hann's short-lived Nails & Beauty Spa, Inc., and daily schedules with earnings from her current job at Totally Polished.

Series 4 consists of the original audiocassettes, reference CDs and typed transcript of an oral history conducted by Susan B. Strange, associate curator, with Hann on March 7, 2006, as well as a typed transcript of a December 14, 2002, interview with Hann conducted by Daniel Ekman, a student at St. Andrew's Episcopal School in Potomac, Maryland.

Original photographs in Series 5 document Hann's life in Vietnam, her husband's work in the refugee camp, the family's departure from Pulau Bidong, and Hann at work at Fairchild Space Co. Also in Series 5 is a folder with photocopies of seven photographs taken in 2005 by a Smithsonian staff member of Hann working at her manicure table. Smithsonian negative numbers are included with the photocopies; releases from the photographer, Hann, and the woman having a manicure, are in the Archives Center's control file for this collection. In the same folder are photocopies of five photographs (originals retained by Hann) showing Hann's life in Vietnam; the Archives Center scan number is printed on each photocopy. Hann granted copyright in these five photographs to the National Museum of American History on April 22, 2006; the release form is in the Archives Center's control file.

Arrangement:

The collection is divided into five series with chronological arrangement.

Series 1: Life in Vietnam, 1953-1981

Series 2: Stay in Malaysia, 1981

Series 3: United States, 1981-2006

Series 4: Oral History Interviews, 2002, 2006

Series 5: Photographs, 1955-2005

Biographical / Historical:

Catherine Hann was born in Saigon, State of Vietnam, on November 14, 1953 as Huynh bach Thuy. (She changed her name to Catherine Hann when she became a naturalized American citizen on June 19, 1987.) Hann, her parents and younger siblings lived in Saigon where her father worked as an instructor at Truong Quan Y, a South Vietnamese Army medical school. In 1968 Hann's family moved further south to Rach-Gia in Kien Giang province to care for Hann's recently-widowed paternal grandmother. Hann, the eldest of twelve children, stayed behind in Saigon, living with a great-uncle, so that she could continue attending Gia Long High School, one of the most prestigious and academically challenging public schools for girls in the country.

After graduation from Gia Long in 1973, Hann attended the University of Science in Saigon where she studied to become a biologist. In 1975, Hann's father, who had worked in a South Vietnamese military hospital in Rach-Gia since his arrival there in 1968, was sent to a "re-education camp." Hann returned to Rach-Gia to be with her mother and to help support the family. She then began attending a teacher training program in Rach-Gia where she trained as a biology teacher. At the training program, Hann met Han Huu Vinh who became her husband in 1976. After graduation, Hann taught biology in a high school in Rach-Gia while her husband taught mathematics in the same school. Their son, Kinh, was born in 1977.

In addition to supplementing the family income with her teacher salary, she also purchased unprocessed rice or "rough rice," had it milled, and sold the resulting white rice. To make a little more money for the family, the hulls and other residue from the milling process were sold as hog food. The future looked bleak, and Hann and her husband decided to take their young son and flee the country.

After two failed attempts to escape by boat, the Hanns were luckier the third time. A family friend obtained permission to build a fishing boat, a small wooden craft only 11.5 meters by 2.1 meters. Hann's family, one of the initiators and organizers of the scheme to use the fishing boat as a means of escape, hired a man who had served in the South Vietnamese Navy to navigate. At 2:05 a.m. on the morning of February 14, 1981, ninety-two people left Rach-Gia on the overloaded boat and headed southwest. Three days later the fishing vessel, towing another boat found stranded after being attacked by pirates, docked at Pulau Bidong, an island off the coast of Malaysia. After five months in the United Nations refugee camp on Pulau Bidong, Hann, husband, son, brother, and husband's nephew were taken to Kuala Lumpur for processing in preparation for immigration to the United States.

Hann's husband's sister, a naturalized American living in Rockville, Maryland, was their sponsor, and on September 11, 1981, the five-member family group arrived in the United States. The five continued to live together for about four years before Hann's brother and her husband's nephew went out on their own. After being on welfare and receiving intensive English-language training, Hann and her husband gradually became self-sufficient. Hann's first job was working in the cafeteria at Montgomery College in Rockville which she left to work at Denro Labs doing electronic assembly. Hann's husband's first job was at Solarex testing solar panels.

After almost ten years in the electronic assembly field, a Vietnamese friend encouraged Hann to train as a manicurist, and in 1992 Hann graduated from the Aesthetics Institute of Cosmetology in Gaithersburg, Maryland. At first she only manicured her own nails, but a year or so later Hann began working on Saturdays at a busy nail salon while continuing to work full-time in the electronics industry. When she learned that doing facials and waxing was faster and more profitable than doing manicures, Hann obtained training and a license to become an esthetician. After her week-day employer, Orbital Science Corp., moved to Sterling, Virginia, in 2000, a long commute for Hann, she started working full-time as an esthetician and manicurist at Totally Polished in Potomac, Maryland.

Hann works six days a week at Totally Polished, and on her day off she spends the morning doing manicures and waxing for private clients in their homes. This hard work has enabled Hann and her husband to pay off the mortgage on their single-family house in Gaithersburg and purchase a rental house in Florida. Their only child, Kinh, also has done well, earning a Master's Degree from the University of Maryland and now (2006) working on his PhD in biomedical engineering. Kinh is employed by Digene Corporation; he bought a house three years ago; and, as his mother proudly states, he drives a brand new BMW. Hann's stated reason for fleeing her country was "for my son's future;" the family's hard work and sacrifices seem to have made her hopes come true.

Separated Materials:

In 2005, the Division of Work and Industry collected manicure tools and soldering test equipment from Hann; in 2006 the division collected facial and waxing-related objects from Hann. Clothing worn on the boat fleeing Vietnam was donated in 2006 to the Division of Home and Community Life, along with tweezers Hann purchased in Saigon and carried throughout her immigration experience. The wedding of Kinh Hann to Leila Poursedehi in 2008 is documented in the Archives Center Weddings Documentation Collection, collection number 1131. The Vietnamese wedding dress that Leila Poursedehi wore at their wedding dinner was donated to the costume collection in the Division of Home and Community Life in 2008.

Provenance:

The collection was donated by Catherine Hann, March 18, 2006.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Manicuring  Search this

Naturalization  Search this

Emigration and immigration  Search this

Refugees  Search this

Beauty culture  Search this

Vietnam War, 1961-1975  Search this

Vietnamese Americans -- Biography  Search this

Small business  Search this

Genre/Form:

Photographs -- 2000-2010

Interviews

Oral histories (document genres)

Correspondence

Identity cards

Photographs -- 1950-2000

Diaries -- 20th century

Audiotapes

Checkbooks

Citation:

Catherine Hann Papers, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0921

See more items in:

Catherine Hann Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep85731561f-8d9f-426e-87e6-76c6c86e99d3

EDAN-URL:

ead_collection:sova-nmah-ac-0921

Creator:

Morrison, Joan, -2010  Search this

Morrison, Robert K.  Search this

Beirne, Barbara T.  Search this

Names:

Gold Star Mothers, Inc.  Search this

Peace Corps (U.S.) -- 1960-1970  Search this

Moore, Harold (Gold Star parent)  Search this

Moore, Irma (Gold Star parent)  Search this

Extent:

6 Cubic feet (20 boxes )

Type:

Collection descriptions

Archival materials

Audiocassettes

Transcripts

Photographs

Oral history

Audiotapes

Date:

1985 - 1987

Scope and Contents:

The collection is comprised of 139 audiocassettes (original copies only), 80 transcripts and tape summaries, and photographs (including some negatives). The transcripts and photographs also exist in single copies only, but they may be used with care by researchers.

Arrangement:

The collection is arranged in four series.

Series 1: Original Audio Cassette Tapes, 1983-1986

Series 2: Transcripts/Tape Summaries, 1984-1986

Series 3: Photographs, 1984-1986

Series 4: Reference Tapes and CDs, undated

Biographical / Historical:

In 1985, Joan and Robert Morrison conducted approximately 100 oral history interviews with a wide variety of Americans about their experiences during the 1960s. They also collected photographs of each of their interviewees—one taken during the 1960s and the other taken at the time of the interview. Portions of fifty-nine of those interviews were published in their 1987 book, From Camelot to Kent State: The Sixties Experience in the Words of Those Who Lived It (Times Books). Some of the new photographs, which were taken by Barbara Beirne, also were exhibited at The New School in 1989.

The interviewees include civil rights activists, anti-war activists, Vietnam War soldiers, Gold Star mothers, Peace Corps members, Weathermen, black leaders, and counter culture figures. Some of the narrators are members of the rank-and-file, others played leading roles. The in-depth interviews focus on three main questions: 1) What motivated you to act as you did in the Sixties? 2) What actions did you take and what were the results? 3) How did your experiences in the Sixties affect the way your life has developed since then?

Source Information taken from memo to National Museum of American History Collections Committee.

Provenance:

The Morrison's donated this collection of audiocassettes, transcripts, and photographs to the National Museum of American History Archives Center in 1989.

Restrictions:

Tape recordings not available for playback until researcher copies are made; researchers must use transcripts until then.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Some original interviews have restrictions; these have been withheld by the Morrisons' until they can get clearances from the interviewees.

Topic:

African Americans -- Civil rights  Search this

United States -- History -- 1960-1990  Search this

Vietnam War, 1961-1975 -- Protest Movements  Search this

Peace movements -- 1960-1970  Search this

Soldiers -- 1960-1970  Search this

Civil rights  Search this

Portraits -- 1960-1970  Search this

Civil rights workers  Search this

Genre/Form:

Audiocassettes

Transcripts

Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000

Oral history

Audiotapes

Citation:

Joan and Robert K. Morrison Collection, 1983-1987, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0359

See more items in:

Joan and Robert K. Morrison Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep822fab27b-07fb-46f8-90e2-3cdf43e1aabc

EDAN-URL:

ead_collection:sova-nmah-ac-0359

Creator:

McCloskey, William B., 1928-  Search this

Extent:

5.3 Cubic feet (10 boxes)

Type:

Collection descriptions

Archival materials

Articles

Photographs

Field notes

Place:

Portugal

Peru

Vietnam

Taiwan

Singapore

Indonesia

India

Malaysia

Japan

Burma

Brazil

Chile

Canada

Alaska

Norway

New England

New Zealand

Date:

1952-2005

Scope and Contents:

The collection consists primarily of photographic slides taken by McCloskey while aboard commerical fishing vessels. The photographs were taken in bodies of water spanning the globe, including those off the coasts of Japan, New Zealand, Alaska, New England, Canada, Norway, Taiwan, Indonesia, Vietnam, Malaysia, Singapore, India, Burma, Chile, Peru, the Caribbean, Portugal and numerous other places. In addition, there are photographs taken aboard fishing boats on rivers, including those in China and in Brazil. Also included in the collection are field notebooks kept by McCloskey, articles and other printed materials, and papers relating to two of McCloskey's books on fishing.

Arrangement:

The collection is divided into three series.

Series 1: Photographs

Series 2: Field notebooks

Series 3: Printed materials

Biographical / Historical:

Author, photographer, and authority on commerical fishing, fisheries and fishing boats.

Provenance:

Donated to the Archives Center by William B. McCloskey in 2010.

Restrictions:

Collection open for research on site by appointment. Unprotected photographs must be handled with gloves.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Sealing  Search this

Rivers -- China  Search this

Rivers -- Brazil  Search this

Rivers  Search this

Whaling  Search this

Trawlers (Vessels)  Search this

Fisheries  Search this

Fisheries -- Equipment and supplies  Search this

Crabbing  Search this

Fur trade  Search this

Ocean  Search this

Fishing  Search this

Fishing boats  Search this

Genre/Form:

Articles

Photographs -- Color transparencies -- 2000-2010

Photographs -- Color transparencies -- 1950-2000

Field notes

Citation:

William McCloskey Fishing and World Fisheries Photographic Collection, 1952-2005, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.1192

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep83cf1cb77-6a57-4659-b087-64eca4c59286

EDAN-URL:

ead_collection:sova-nmah-ac-1192

Interviewee:

Ochoa, Ellen, Dr., 1958-  Search this

Creator:

Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation.  Search this

Names:

United States. National Aeronautics and Space Administration  Search this

Extent:

0.75 Cubic feet (3 boxes)

Type:

Collection descriptions

Archival materials

Lectures

Slides

Videotapes

Date:

1996-09-24

Scope and Contents:

Original master and reference videos documenting children's program by Dr. Ellen Ochoa. Dr. Ellen Ochoa discusses her role as an inventor, scientist, and astronaut at NASA.

Arrangement:

Divided into 3 series: 1. Original videos; 2. Master videos; 3. Reference videos.

Biographical / Historical:

Dr. Ochoa was born in Los Angeles, Calif. B.S. in physics, San Diego State, 1975; master's and doctorate in electrical engineering, Stanford University, 1981 and 1985. Dr. Ochoa holds three patents in the field of optical processing and has worked as a research scientist at the National Aeronautics and Space Administration (NASA) since 1988. In 1990 she became the first Hispanic woman astronaut selected by NASA. In April 1993, Ochoa flew as a mission specialist on the space shuttle Discovery.

Provenance:

Created by the Jerome and Dorothy Lemelson Center for the Study of Invention and Innovation, National Museum of American History, 1996.

Restrictions:

Collection is open for research but the original videos are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions. Signed copies of releases on file.

Topic:

Astronauts -- 1990-2000  Search this

Astronautics -- 1990-2000  Search this

Electric engineering -- 1980-2000  Search this

Hispanic Americans -- 1950-2000  Search this

Inventions -- 1980-2000  Search this

Inventors -- 20th century  Search this

Space flight -- 1990-2000  Search this

Women inventors  Search this

Women inventors -- 20th century  Search this

Space shuttles -- 1990-2000  Search this

Genre/Form:

Lectures -- 1990-2000

Slides

Videotapes -- 1990-2000

Citation:

Ellen Ochoa Innovative Lives Presentation, 1996, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0595

See more items in:

Ellen Ochoa Innovative Lives Presentation

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8bcf0d752-ff9d-40a3-a5fa-95de9bff7e23

EDAN-URL:

ead_collection:sova-nmah-ac-0595

Donor:

Newman, Earl  Search this

Names:

Monterey Jazz Festival  Search this

Extent:

0.6 Cubic feet (12 oversize folders)

Type:

Collection descriptions

Archival materials

Posters

Screen prints

Date:

1963-2009, undated

Summary:

Collection contains sixty-two posters commemorating the Monterey Jazz Festival created and signed by Earl Newman.

Scope and Contents:

Collection consists of a set of sixty-two posters created by Earl Newman to publicize the Monterey Jazz Festival. The prints are numbered and signed by Mr. Newman and feature Ray Charles, BB King, Etta James, Dizzy Gillespie, Duke Ellington, Louis Armstrong, and others. They are arranged in chronological order. Folders one through eleven contain the prints. Advertising and the cloth-covered portfolio to hold the poster collection are in folder twelve.

Arrangement:

The collection is arranged into one series.

Related Materials:

Archives Center, National Museum of American History

Duke Ellington Collection, NMAH.AC.0301

William H. Quealy Collection of Duke Ellington Recordings, NMAH.AC.0296

Duke Ellington Oral History Project, NMAH.AC.0368

Billy Strayhorn Ephemera Collection, NMAH.AC.0383

Collection of Duke Ellington Ephemera and Related Audio-visual Materials, NMAH.AC.0386

Robert Udkoff Collection of Duke Ellington Ephemera, NMAH.AC.0388

Frank Driggs Collection of Duke Ellington Photographic Reference Prints, NMAH.AC.0389

New York Chapter of the Duke Ellington Society Collection, NMAH.AC.O390

Felix Grant Collection, NMAH.AC.0410

Carter Harman Collection of Interviews with Duke Ellington, NMAH.AC.0422

Archives Center Collection of Music Transcriptions of Duke Ellington Compositions, Carter Harman NMAH.AC.0430

Jazz Oral History Collection about Duke Ellington, NMAH.AC.0431

Herman Leonard Photoprints, NMAH.AC.0445

Don Brown Collection of Duke Ellington Recordings, NMAH.AC.0472

Betty McGettigan Collection of Duke Ellington Memorabilia, NMAH.AC.0494

Dr. Theodore Shell Collection of Duke Ellington Ephemera, NMAH.AC.0502

Jay McCarter Phonograph Record Collection, NMAH.AC.0541

Tom Whaley Collection, NMAH.AC.0652

William Claxton Photographs, NMAH.AC.0695

Edward and Gaye Ellington Collection of Duke Ellington Materials, NMAH.AC.0704

Andrew Homzy Collection of Duke Ellington Stock Arrangements, NMAH.AC.0740

Benny Carter Collection, NMAH.AC.0757

John Gensel Collection of Duke Ellington Materials, NMAH.AC.0763

W. Royal Stokes Collection of Music Publicity Photoprints, Interviews and Posters, NMAH.AC.0766

Milt Gabler Papers, NMAH.AC.0849

Paquito D'Rivera Music Manuscripts and Photograph, NMAH.AC.0891

Charismic Productions Records of Dizzy Gillespie, NMAH.AC.0979

Floyd Levin Jazz Reference Collection, NMAH.AC.1222

Al Celley Collection of Duke Ellington Materials, NMAH.AC.1240

James Moody Papers, NMAH.AC.1405

Provenance:

The collection was donated to the Archives Center by Earl Newman, 1992 and 2010.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Jazz musicians -- United States  Search this

Art and music  Search this

Jazz  Search this

Music -- 20th century  Search this

Genre/Form:

Posters -- 1950-2000

Screen prints

Citation:

Earl Newman Collection of Monterey Jazz Festival Posters, 1963-2009, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.1207

See more items in:

Earl Newman Collection of Monterey Jazz Festival Posters

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8dba909ce-d8c9-46da-a5ab-0acb5170074a

EDAN-URL:

ead_collection:sova-nmah-ac-1207

Photographer:

Blair, Paul  Search this

Names:

Jazz Photographs: Composed and Improvised (Archives Center display cases, National Museum of American History, March 28-May 10, 2005).  Search this

Bellson, Louis  Search this

Carter, Benny, 1907-2003  Search this

Gillespie, Dizzy, 1917-1993  Search this

Collection Creator:

Carter, Benny, 1907-2003  Search this

Extent:

1 Item (3-7/16" x 5".)

Culture:

African Americans  Search this

Type:

Archival materials

Chromogenic color prints

Photographs

Date:

[ca. 1985.]

Scope and Contents:

Verso contains handwritten notes: "B.C.--Dizzy--Louis" and "Paul Blair--Photos--VDA."

Exhibitions Note:

Shown in exhibition "Jazz Photographs: Composed and Improvised," Archives Center display cases, National Museum of American History, March 28-May 10, 2005.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Reproduction restricted due to copyright.

Topic:

African American musicians  Search this

Jazz musicians  Search this

Genre/Form:

Chromogenic color prints

Photographs -- 1950-2000 -- Color photoprints

Collection Citation:

Benny Carter Collection, 1928-2000, Archives Center, National Museum of American History.

See more items in:

Benny Carter Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8d5c97050-371b-4110-9252-4f6acfc4d713

EDAN-URL:

ead_component:sova-nmah-ac-0757-ref5163

Photographer:

Blair, Paul  Search this

Names:

Jazz Photographs: Composed and Improvised (Archives Center display cases, National Museum of American History, March 28-May 10, 2005).  Search this

Bellson, Louis  Search this

Blair J.J.  Search this

Carter, Benny, 1907-2003  Search this

Flanagan, Tommy, 1930-  Search this

Gillespie, Dizzy, 1917-1993  Search this

Collection Creator:

Carter, Benny, 1907-2003  Search this

Extent:

1 Item (3-7/16" x 5".)

Culture:

African Americans  Search this

Type:

Archival materials

Photographs

Date:

ca. 1985

Scope and Contents:

Verso contains handwritten notes: "B.C.--Dizzy--Louis--Tommy--J.J.J." and "Paul Blair--Photos--VDA."

Exhibitions Note:

Shown in exhibition "Jazz Photographs: Composed and Improvised," Archives Center display cases, National Museum of American History, March 28-May 10, 2005.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Reproduction restricted due to copyright.

Topic:

Jazz musicians  Search this

Genre/Form:

Photographs -- 1950-2000 -- Color photoprints

Collection Citation:

Benny Carter Collection, 1928-2000, Archives Center, National Museum of American History.

See more items in:

Benny Carter Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8aa76a029-f1b1-4bf9-a2df-2d3c0d2b0e6a

EDAN-URL:

ead_component:sova-nmah-ac-0757-ref5164