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Henry S. Bukowski Big Band Collection, [primarily photoprints]

Creator:
Bukowski, Henry S., 1922-  Search this
Community Life, Div. of (NMAH, SI)  Search this
Extent:
1 Cubic foot (3 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Date:
ca. 1930s-1940s
Summary:
Publicity photographs and postcards of entertainers, mostly jazz musicians and leaders of dance bands, etc., and related memorabilia.
Scope and Contents note:
The collection contains primarily publicity photographs: a mixture of prints from original negatives, prints from copy negatives, etc. Most are 8" x 10" or 5" x 7", some smaller, and some are postcard size or smaller (these include Areal photo@ postcards, i.e., original photographic images printed on special silver gelatin paper). A few photomechanical images are included, as well as a few letters from celebrities to Mr. Bukowski, 1938-1939. The earliest item noted in the collection is a 1933 Christmas card. Several examples of Gene Krupa=s novelty pin, consisting of crossed drumsticks and a miniature phonograph record, are included. The actual number of items in each folder is shown in the Container List; items are conventional silver gelatin photoprints unless otherwise identified. There is also a scrapbook containing news clippings, photographs, and other memorabilia, with a list, affixed to the back cover, of bands which Mr. Bukowski heard in person. Although some of the photographs bear autographs with generic, somewhat impersonal messages, many are addressed personally to the collector and are fine examples of the interaction between celebrity and fan. The notation Asigned@ in the Container List identifies items autographed by performers.

Most of the subjects are musicians and entertainers associated with big jazz and popular music bands of the period; however, most of the images are studio publicity portraits of individual bandleaders and stars, rather than pictures of entire bands. Photographers represented include Bruno of Hollywood and Maurice Seymour, although many others are not identified.

Publicity photographs often were not archivally processed, and many photoprints in the collection show evidence of fading and yellowing from inadequate fixation or washing. Prints which are in exceptionally good condition are noted in the Container List.

Mr. Bukowski formed this collection in the 1930s and 1940s, but he added a few related items in the 1980s and 1990s.
Arrangement:
Collection is arranged into one series.
Biographical/Historical note:
Henry S. Bukowski collected these pictures and other memorabilia during the 1930s and 1940s as a fan of big band music. He began his collection while in grammar school through library research, by locating bands active in New York City, then sending them penny postcards to request autographed publicity pictures. He also listened to late-night radio broadcasts and copied the addresses of bands based in other parts of the country. AOut went my penny postcards,@ he notes. After hearing trombonist Tommy Dorsey=s band at a local ballroom at age fourteen, he became interested in the instrument, and his older brothers Bernie and Ted bought him his first trombone from a pawnshop for ten dollars. When he was old enough, he frequented the New Haven Arena and the State Theatre in Hartford, Connecticut to hear bands in person. These bands and the admission prices he paid (25 to 99 cents) are listed in his scrapbook. Mr. Bukowski maintained an avid interest in popular Abig band@ jazz and swing music as both a fan and a player, and eventually served with a U.S. Army band for three and a half years after being drafted.

Mr. Bukowski was born on April 11, 1922 in Wallingford, Connecticut, the youngest of nine children. He was married to Mildred Moss for forty-eight years until her death October 15, 2000; they had no children. In a letter of September 1, 2001, he reported that he had one surviving sibling, a brother in Wallingford.

Source

Letter, 2 pp., in Archives Center collection control file. The Archives Center is grateful to Mr. Bukowski for his generous gift as well as his thoughtfulness in providing the above information.
Provenance:
Collection donated by Henry S. Bukowski, 1984.
Restrictions:
Collection is open for research and access on site by appointment. Unprotected photographs must be handled with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Most of the photographs presumably are under copyright, but they were made and widely distributed for free publication.
Topic:
Publicity  Search this
Popular music -- 20th century -- United States  Search this
Portraits  Search this
Musicians -- 1900-1950  Search this
Big bands  Search this
Music -- 20th century -- United States  Search this
Jazz -- 20th century -- United States  Search this
Genre/Form:
Photographs -- 1900-1950
Citation:
Henry S. Bukowski Big Band Collection, ca. 1930s-1940s, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0678
See more items in:
Henry S. Bukowski Big Band Collection, [primarily photoprints]
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0678
Online Media:

Thomas Alva Edison Photoprints

Creator:
Keystone View Company  Search this
Shinn, Walter Scott  Search this
Underwood & Underwood, Inc.  Search this
Fotograms (New York (N.Y.)  Search this
International Newsreel Corp (New York (N.Y.)  Search this
ETL Testing Laboratories, Inc.  Search this
Names:
Coolidge, Calvin, President, 1872-1933 -- Photographs  Search this
Eastman, George  Search this
Edison, Thomas A. (Thomas Alva), 1847-1931  Search this
Ford, Henry -- Photographs  Search this
Harding, Warren G. (Warren Gamaliel), 1865-1923  Search this
Hoover, Herbert, President, 1874-1964 -- Photographs  Search this
Lindbergh, Charles A. (Charles Augustus), 1902-1974  Search this
Extent:
0.67 Cubic feet (2 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Date:
1890s-1933
Scope and Contents:
This collection is divided into two series: (a) Silver gelatin prints; and (b) xerographic copy prints made in the museum. The collection consists of approximately 340 photoprints (count to be verified) documenting the life of Thomas Alva Edison, especially the later period, beginning in his early fifties, continuing until his death in 1931 at age 84 (there are also later pictures, including his funeral, and awards and sculptures). The photographs are arranged chronologically and are clearly captioned with pasted labels containing dates, places, notations of circumstances and identification of persons. These photoprints show Edison, his family (including his wife and son Charles), friends, associates, and famous persons, including Charles Proteus Steinmetz, Henry Ford, Harvey Firestone, George Eastman, Charles Lindbergh, and Presidents Harding, Coolidge and Hoover, including scenes in New Jersey, Florida, Michigan, and other locations.

Some photographers' rubber stamps appear on the verso of prints. Photographers, studios, and agencies include Fotograms, Underwood & Underwood, Keystone View Co., International Newsreels Photos, and Walter Scott Shinn.

Many of the photographs are not original prints, but were made from copy negatives. Such copies, where fairly obvious, are identified in the Container List.Photographs are clearly captioned with dates, places, occasion and persons identified. More than 300 photoprints show Edison, his family, friends, associates, and famous persons, including Henry Ford, Harvey Firestone, George Eastman, Charles Lindbergh and Presidents Harding, Coolidge, and Hoover. Locations include New Jersey, Florida, Michigan. Photographers, studios, and agencies include Fotograms, Underwood & Underwood, Keystone View Co., International Newsreels Photos, and Walter Scott Shinn.
This collection is divided into two series: (a) Silver gelatin photoprints; and (b) xerographic reference copies made in the museum. The collection consists of approximately 340 photoprints (count to be verified) documenting the life of Thomas Alva Edison, especially the later period, beginning in his early fifties, continuing until his death in 1931 at age 84 (there are also later pictures, including his funeral, and awards and sculptures). The photographs are arranged chronologically and are clearly captioned with pasted labels containing dates, places, notations of circumstances and identification of persons. These photoprints show Edison, his family (including his wife and son Charles), friends, associates, and famous persons, including Charles Proteus Steinmetz, Henry Ford, Harvey Firestone, George Eastman, Charles Lindbergh, and Presidents Harding, Coolidge and Hoover, including scenes in New Jersey, Florida, Michigan, and other locations.

Some photographers' rubber stamps appear on the verso of prints. Photographers, studios, and agencies include Fotograms, Underwood & Underwood, Keystone View Co., International Newsreels Photos, and Walter Scott Shinn.

Many of the photographs are not original prints, but were made from copy negatives. Such copies, where fairly obvious, are identified in the Container List.
Arrangement:
Collection is arranged into two series.

Series 1: Silver Gealtin Prints

Series 2: Xerographic Copy Prints
Biographical / Historical:
Photographs cover Edison's later life, beginning in his early 50's and continuing until his death in 1931 at age 84. Edison with an electric car: the car is a 1914 Detroit Electric Brougham model 47, serial number 5426. It was shipped December 19, 1913 to East Orange New Jersey, with an Edison Battery but with no motor (very unusual) (according to Galen Handy, 2/09/07; see http://earlyelectric.com).

Dr. Bernard Finn, Curator of Electricity, National Museum of American History organized a traveling exhibition based on these and other photographs (most supplied by the Edison National Historic Site), "Edison After the Electric Light: The Challenge of Success," in 1986; it was circulated by the Association of Science-Technology Centers. In 1994 a revised version of the exhibition was prepared (again curated by Dr. Finn) for display in the National Museum of American History basement photography gallery; it was retitled "Edison After Forty: The Challenge of Success." In 1996, copies of the exhibit were given to museums in Japan, India, Yugoslavia, and China for circulation in those countries. Another version of this compilation had been published as "Thomas Alva Edison After Forty: The Challenge of Success in USA Today, July 1994, pp. 84-92.
One of the most famous of all Americans in any walk of life, Thomas Alva Edison hardly needs an introduction. He was the quintessential "genius" who invented or perfected a variety of electrical and technological devices which are still fundamental features of everyday life, not only in the United States, but around the world. Many of his or his companies' "inventions," of course, built on the pioneering work of others. Another Archives Center collection, the Gordon Hendricks Collection, includes the efforts of one scholar to debunk or minimize Edison's personal role in the development of motion picture cameras and projectors.

Edison was born in Milan, Ohio, February 11, 1847, and died October 18, 1931 at 84 years of age. His Edison Electric Light Company was the predecessor of the General Electric Co. While operating this company, and later working at laboratories in Menlo Park and West Orange, New Jersey, he was credited with patents for over one thousand inventions. A bibliography follows.
Provenance:
Collection donated by ETL Testing Laboratories in 1985.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Most images probably public domain due to expired copyrights.
Topic:
Inventors -- 1900-1950  Search this
Electricity -- 1900-1930  Search this
Automobiles -- 1910-1920  Search this
Inventions -- 1900-1930  Search this
Presidents -- United States  Search this
Genre/Form:
Photographs -- 1900-1950
Citation:
Edison Photographs, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0299
See more items in:
Thomas Alva Edison Photoprints
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0299
Online Media:

Arthur Williams, Thomas A. Edison, John W. Lieb, Nicholas F. Brady and Thomas E. Murray in office of Mr. Murray [photoprint]

Donor:
ETL Testing Laboratories, Inc.  Search this
Names:
Edison, Thomas A. (Thomas Alva), 1847-1931  Search this
Collection Creator:
Keystone View Company  Search this
Shinn, Walter Scott  Search this
Underwood & Underwood, Inc.  Search this
Fotograms (New York (N.Y.)  Search this
International Newsreel Corp (New York (N.Y.)  Search this
ETL Testing Laboratories, Inc.  Search this
Extent:
1 Item (Silver gelatin on paper., 9.0" x 10.1")
Container:
Box 1, Folder 28 or 12
Type:
Archival materials
Photographs
Date:
1908
Local Numbers:
AC0299-0000001 (AC Scan)
Restrictions:
Unrestricted research use by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Most images probably public domain due to expired copyrights.
Topic:
Inventors  Search this
Genre/Form:
Photographs -- 1900-1950 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
Edison Photographs, Archives Center, National Museum of American History.
See more items in:
Thomas Alva Edison Photoprints
Thomas Alva Edison Photoprints / Series 1: Silver Gelatin Prints / 1.1: Item list with transcriptions of pasted captions / Men seated at table, one standing in back. Probably from copy neg. "1908 / Arthur Williams, ...Edison, John W. Lieb, / Nicholas F. Brady and Thomas E. Murray in office / or [sic] Mr. Murray". Pencil on verso: 65455
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0299-ref583

Merchant Marine/Navy World War Two Oral History and Memorabilia Collection

Creator:
Porter, John C.  Search this
Collector:
Armed Forces History, Division of (NMAH, SI).  Search this
Navarre, Jack B., 1925- (merchant seaman)  Search this
Armed Forces History, Division of (NMAH, SI).  Search this
Names:
San Mateo Coast Guard Station  Search this
United States. Merchant Marine  Search this
Extent:
0.5 Cubic feet (3 boxes)
Container:
Box 1
Type:
Collection descriptions
Archival materials
Newspapers
Oral history
Scrapbooks
Identity cards
Menus
Correspondence
Military passes
Photographs
Diaries
Passports
Place:
San Mateo (Calif.)
Date:
1943-2001
Summary:
The collection documents individuals who served in the Merchant Marine's and Navy between 1943 and 1946.
Scope and Contents:
This collection consists of primarily of reminscenes with individuals who served n the Merchant Marine and Navy.
Arrangement:
The collection is arranged into two series.

Series 1: Individual Reminiscences, 1945-1997

Series 2: Supplemental Documentation, 1943-2001-08
Provenance:
Collection donated by Delia Porter, date unknown, and Jack B. Navarre, August 24, 1990.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
World War, 1939-1945 -- Merchant Marine  Search this
Ships -- Manning  Search this
Merchant Marine -- Manning of vessels -- United States  Search this
Merchant Marine -- United States  Search this
Seamen -- 1940-1950  Search this
Merchant seamen  Search this
World War, 1939-1945 -- Naval operations  Search this
World War, 1939-1945 -- Campaigns -- Pacific Ocean  Search this
Marine engineers  Search this
Genre/Form:
Newspapers -- Ships -- 1940-1950
Oral history -- 1940-1950
Scrapbooks -- 1900-1950
Identity cards -- 1940-1950
Menus -- Ships -- 1940-1950
Correspondence -- 1940-1950
Military passes -- Ships -- 1940-1950
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1940-1950
Diaries -- 20th century
Passports
Citation:
Merchant Marine/Navy World War Two Oral History and Memorabilia Collection, 405, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0405
See more items in:
Merchant Marine/Navy World War Two Oral History and Memorabilia Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0405

[Shop area of Albert Moglie's violin making and repair shop in Washington, D.C.: photoprint.]

Collector:
Moglie, Albert F., 1890-1988  Search this
Collection Donor:
Moglie, Loretta  Search this
Collection Collector:
Moglie, Albert F., 1890-1988  Search this
Collection Photographer:
Rembrandt photo studio  Search this
Scavelli, Ramon  Search this
Harris & Ewing  Search this
Mishkin  Search this
Extent:
1 Item (7.4" x 9.5")
Type:
Archival materials
Photographs
Date:
undated
Scope and Contents:
Two men working by the windows. Photo credit - Commercial Photo Co., Washington, DC.
Arrangement:
In box 2, folder ?
Local Numbers:
AC0283-0000002 (AC Scan)
Restrictions:
Unrestricted research use by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Musical instruments  Search this
Violin -- Repairing  Search this
Genre/Form:
Photographs -- 1900-1950 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
The Albert F. Moglie Violinists and Violin-Making Collection, ca. 1917-1985, Archives Center, National Museum of American History. Gift of Loretta and Albert Moglie.
See more items in:
Albert F. Moglie Violinists and Violin-Making Collection
Albert F. Moglie Violinists and Violin-Making Collection / Series 1: Photoprints and Documents
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0283-ref631

Pablo Casals playing cello [photoprint]

Collector:
Moglie, Albert F., 1890-1988  Search this
Names:
Casals, Pablo, 1876-1973  Search this
Collection Donor:
Moglie, Loretta  Search this
Collection Collector:
Moglie, Albert F., 1890-1988  Search this
Collection Photographer:
Rembrandt photo studio  Search this
Scavelli, Ramon  Search this
Harris & Ewing  Search this
Mishkin  Search this
Extent:
1 Item (6.6" x 5.6")
Type:
Archival materials
Photographs
Date:
undated
Scope and Contents:
Autographed by Casals to A. F. Moglie.
Arrangement:
In box 2, folder ?
Local Numbers:
AC0283-0000003 (AC Scan)
Restrictions:
Unrestricted research use by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Musical instruments  Search this
Violoncellists  Search this
Violin -- Repairing  Search this
Genre/Form:
Photographs -- 1900-1950 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
The Albert F. Moglie Violinists and Violin-Making Collection, ca. 1917-1985, Archives Center, National Museum of American History. Gift of Loretta and Albert Moglie.
See more items in:
Albert F. Moglie Violinists and Violin-Making Collection
Albert F. Moglie Violinists and Violin-Making Collection / Series 1: Photoprints and Documents / Casals, Pablo, cellist.
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0283-ref632

Budapest String Quartet [photoprint]

Collector:
Moglie, Albert F., 1890-1988  Search this
Names:
Budapest String Quartet  Search this
Collection Donor:
Moglie, Loretta  Search this
Collection Collector:
Moglie, Albert F., 1890-1988  Search this
Collection Photographer:
Rembrandt photo studio  Search this
Scavelli, Ramon  Search this
Harris & Ewing  Search this
Mishkin  Search this
Extent:
1 Item (8.0" x 10.0")
Type:
Archival materials
Photographs
Date:
December 1939
Scope and Contents:
Autographed to Albert F. Moglie by each member..
Arrangement:
In box 2, folder ?
Local Numbers:
AC0283-0000004 (AC Scan)
Restrictions:
Unrestricted research use by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Musical instruments  Search this
Violoncellists  Search this
Violin -- Repairing  Search this
Genre/Form:
Photographs -- 1900-1950 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
The Albert F. Moglie Violinists and Violin-Making Collection, ca. 1917-1985, Archives Center, National Museum of American History. Gift of Loretta and Albert Moglie.
See more items in:
Albert F. Moglie Violinists and Violin-Making Collection
Albert F. Moglie Violinists and Violin-Making Collection / Series 1: Photoprints and Documents / Budapest String Quartet. Washington, 8 x 10".
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0283-ref633

Fritz Kreisler [photoprint]

Collector:
Moglie, Albert F., 1890-1988  Search this
Names:
Kreisler, Fritz (violinist)  Search this
Collection Donor:
Moglie, Loretta  Search this
Collection Collector:
Moglie, Albert F., 1890-1988  Search this
Collection Photographer:
Rembrandt photo studio  Search this
Scavelli, Ramon  Search this
Harris & Ewing  Search this
Mishkin  Search this
Extent:
1 Item (6.7" x 4.8")
Type:
Archival materials
Photographs
Date:
1915
Scope and Contents:
Autographed to Albert F. Moglie / Fritz Kreisler, 1915.
Arrangement:
In box 2, folder ?
Local Numbers:
AC0283-0000005 (AC Scan)
Restrictions:
Unrestricted research use by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Musical instruments  Search this
Violin -- Repairing  Search this
Genre/Form:
Photographs -- 1900-1950 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
The Albert F. Moglie Violinists and Violin-Making Collection, ca. 1917-1985, Archives Center, National Museum of American History. Gift of Loretta and Albert Moglie.
See more items in:
Albert F. Moglie Violinists and Violin-Making Collection
Albert F. Moglie Violinists and Violin-Making Collection / Series 1: Photoprints and Documents
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0283-ref634

Rudolph Wurlitzer and Emil Heermann [photoprint]

Collector:
Moglie, Albert F., 1890-1988  Search this
Names:
Heermann, Emil  Search this
Wurlitzer, Rudolph  Search this
Collection Donor:
Moglie, Loretta  Search this
Collection Collector:
Moglie, Albert F., 1890-1988  Search this
Collection Photographer:
Rembrandt photo studio  Search this
Scavelli, Ramon  Search this
Harris & Ewing  Search this
Mishkin  Search this
Extent:
1 Item (7.9" x 9.4")
Type:
Archival materials
Photographs
Date:
1916-1918
Scope and Contents:
Emil Heermann, violin, concert master of the Cincinnati Symphony, and Rudolph Wurlitzer (seated).
Arrangement:
In box 1, folder ?
Local Numbers:
AC0283-0000006.tif (AC Scan)
Restrictions:
Unrestricted research use by appointment. Photographs must be handled with gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Musical instruments  Search this
Violin -- Manufacture  Search this
Genre/Form:
Photographs -- 1900-1950 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
The Albert F. Moglie Violinists and Violin-Making Collection, ca. 1917-1985, Archives Center, National Museum of American History. Gift of Loretta and Albert Moglie.
See more items in:
Albert F. Moglie Violinists and Violin-Making Collection
Albert F. Moglie Violinists and Violin-Making Collection / Series 1: Photoprints and Documents / Wurlitzer, Rudolf and Herman, Emil, violinist, concertmaster, Cincinnati Symphony
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0283-ref635

[YMCA Benham, Ky. with Bandstand : photographic postcard with message on verso,]

Creator:
Sis Mollie (postcard author)  Search this
Collection Creator:
Hazen, Margaret Hindle  Search this
Hazen, Robert M.  Search this
Extent:
1 Item (Silver gelatin on paper, unmounted., 3.5" x 5.4")
Container:
Box 9, Item 168
Type:
Archival materials
Photographs
Postcards
Picture postcards
Place:
Benham Ky. -- Photographs -- 1900-1910
Date:
1913
Scope and Contents:
Postcard bears image of bandstand, Benham, Ky. Postmarked 1913. Message on verso from "Sis Mollie" to Clara B. Hoey, Louisa, Ky.
Local Numbers:
AC0253-0000010 (AC scan no.)

87-14224 (OPPS Neg.)

91-2452 (OPPS Neg.)
Collection Restrictions:
Unrestricted research use on site. Researchers must handle unprotected photographs with gloves.
Rights:
OPPS Neg. 91-2452, message side; OPPS Neg. 87-14224, image side. Copyright expired; public domain, but the Smithsonian Institution makes no warranty or representation regarding the fitness for publication of information derived from or copies from its collections. Permission to reproduce available through Archives Center and S.I. Office of Printing and Photographic Services.
Topic:
Bandstands -- 1900-1910.  Search this
Genre/Form:
Photographs -- 1900-1950
Photographs -- 1900-1910 -- Black-and-white photoprints
Postcards -- 1900-1910
Picture postcards -- 1890-1910
Collection Citation:
Hazen Collection of Band Photographs and Ephemera, ca. 1818-1931, Archives Center, National Museum of American History.
See more items in:
Hazen Collection of Band Photographs and Ephemera
Hazen Collection of Band Photographs and Ephemera / Series 1: Photographs / 1.7: Picture Postcards / Benham (Ky.) Bandstand. Postmarked 1913. Photographic postcard. Negative #87-14224. (PC 666) verso neg. # 91-2452.
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0253-ref1976

4th Cavalry, K Troop, Honolulu [photographic postcard]

Collector:
Hazen, Robert M.  Search this
Hazen, Margaret Hindle  Search this
Collection Creator:
Hazen, Margaret Hindle  Search this
Hazen, Robert M.  Search this
Extent:
1 Item
Type:
Archival materials
Photographs
Photographic postcards
Postcards
Picture postcards
Place:
Hawaii -- 1890-1920
Honolulu (Hawaii) -- 1910-1920
Date:
[ca. 1912-1918]
Scope and Contents:
Cavalry mounted on horseback with musical instruments.
Postcard printed on Azo paper. With message, apparently from a K Troop band member ("this is a Photo of the Band...") and is addressed, but not stamped. Message identifies the unit. Photographer unidentified.
General:
Item No. 786, Series 1, Subseries 7, box 10 (1.7.786). "163" imprinted in negative, lower left.
Collection Restrictions:
Unrestricted research use on site. Researchers must handle unprotected photographs with gloves.
Rights:
OPPS. Neg. No., from 99-382 to 99-385 [needs to be checked]. Copyright probably expired and image is in public domain; however, the Smithsonian Institution makes no warranty or representation regarding the fitness for publication of information derived from or copies from its collections. Reproduction permission available through Archives Center.
Topic:
Cavalry horses  Search this
Horsemen and horsewomen  Search this
Bands (Music) -- 1910-1920.  Search this
United States. Army -- 1910-1920.  Search this
Musicians -- 1900-1950  Search this
Cavalry -- 1910-1920  Search this
Genre/Form:
Photographs -- 1910-1920 -- Black-and-white photoprints -- Silver gelatin
Photographic postcards
Postcards -- 1910-1920
Picture postcards -- 1910-1920
Collection Citation:
Hazen Collection of Band Photographs and Ephemera, ca. 1818-1931, Archives Center, National Museum of American History.
See more items in:
Hazen Collection of Band Photographs and Ephemera
Hazen Collection of Band Photographs and Ephemera / Series 1: Photographs / 1.7: Picture Postcards / 4th Cavalry, K Troop, Honolulu. Ca. 1912-1918. Photographic postcard. (PC 491)
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0253-ref1983

John Philip Sousa and his band at Willow Grove Park [picture postcard.]

Collector:
Hazen, Robert M.  Search this
Hazen, Margaret Hindle  Search this
Names:
Sousa, John Philip, 1854-1932  Search this
Collection Creator:
Hazen, Margaret Hindle  Search this
Hazen, Robert M.  Search this
Extent:
1 Item (mounted on black paper, Silver gelatin on paper., 10.9" x 11.6")
Container:
Box 7, Item 121
Type:
Archival materials
Photomechanical prints
Photographs
Postcards
Picture postcards
Date:
1905
Scope and Contents:
Band posed outside white clapboard building.
Local Numbers:
AC0253-0000001 (AC scan no.)
Restrictions:
Unrestricted research use by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Archives Center cost-recovery and use fees may apply when requesting reproductions.Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Brass bands -- Photographs  Search this
Musicians -- Photographs -- 1900-1910  Search this
Bands (Music) -- 1900-1910 -- Washington  Search this
Musical instruments -- Photographs -- 1900-1910 -- Washington  Search this
Genre/Form:
Photomechanical prints
Photographs -- 1900-1950
Postcards -- 1900-1910
Picture postcards -- 1890-1910
Collection Citation:
Hazen Collection of Band Photographs and Ephemera, ca. 1818-1931, Archives Center, National Museum of American History.
See more items in:
Hazen Collection of Band Photographs and Ephemera
Hazen Collection of Band Photographs and Ephemera / Series 1: Photographs / 1.6: Mounted Photoprints / Sousa and his band at Oak Grove, Illinois, 1905. Jennings, photog. Negative #87-13991. (MBP 37)
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0253-ref1995

Carlos de Wendler-Funaro Gypsy Research Collection

Collector:
Community Life, Div. of (NMAH, SI)  Search this
Community Life, Div. of (NMAH, SI)  Search this
Photographer:
Alland, Alexander, Sr. (Alexander Landschaft), 1902-1989  Search this
Author:
Kaslov, Steve, ca. 1888-1949 (King of the Red Bandanna Romany Gypsies )  Search this
Names:
Jura, Chaiko (Gypsy leader)  Search this
Kaslov, Pupa  Search this
Kaslov, Steve, ca. 1888-1949 (King of the Red Bandanna Romany Gypsies )  Search this
Extent:
4.3 Cubic feet (15 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Journals
Dissertations
Scrapbooks
Manuscripts
Place:
West Virginia -- 1930-1950
New Jersey -- 1930-1950
Maspeth (Queens, Long Island, N.Y.) -- 1930-1950
New York (N.Y.) -- photographs -- 1930-1950
Date:
circa 1920-1975
Scope and Contents:
This collection consists of 4.3 cubic feet of manuscript, print, and photographic materials created or collected by Carl de Wendler-Funaro (1898-1985) in pursuit of his interest in Gypsy life and culture. (Carlos de Wendler-Funaro used several forms of his name; he wrote mostly as Carl de Wendler-Funaro.) The -collection was brought to the attention of the Division of Community Life, National Museum of American History, by Matt T. Salo and donated to the Smithsonian by Dr. de Wendler-Funarol's widow, Cornelia de Funaro, in May 1985, through Richard E. Ahlborn, Curator.

The number and breadth of the photographic materials, especially, the accompanying documentation and their representation of many Gypsy groups in a single time period, make this collection an important resource for research.

Print and Manuscript Materials

The print and manuscript materials in the collection are organized-into six series: (1) materials for which Carl de Wendler-Funaro is author, co-author or editor; (2) materials about de Wendler-Funaro; (3) correspondence; (4) journals, books, or extracts from them, by various authors; (5) newspaper and magazine articles; (6) photomechanical images from newspapers, magazines, and books.

The manuscript materials include drafts of portions of planned books, reading notes, and Gypsy language notes and transcriptions. De Wendler-Funaro seems to have planned two books. One was to have been a book of his photographs, with accompanying essays describing his encounters with Gypsies, the other a work on Gypsies, especially those in the United States. The major element of the second book was to have been the history of the Rom in this country as told by Steve Kaslov. The second work was to have included the manuscripts, 'The Last Caravan,' on Romnichels in the United States; 'Romanian Gypsies in Maspeth Village,' on the Ludar; 'Hungarian Gypsies,' orx these musicians in the United States; and some folk tale materials. Several outlines for the two books are in the collection.

The draft materials written with Steve Kaslov include an account of the Gypsy leader Chaiko Jura. The account, which seems to approach legend at some points, describes his immigration to the United States, adventures in this country, and death. Also among the draft materials, and intended to follow in the proposed book, is what may be termed an official biography of Steve Kaslov (c. 1888-1949). Apparently tentatively entitled "The Ways of my People,' the manuscript recounts a few incidents, told at length, in the experiences of Kaslov's family and social network from about 1900 to about 1938.

De Wendler-Funaro's notes suggest that the Kaslov biography was dictated to an unnamed lawyer in the early 1930s and given to de Wendler-Funaro in 1934. Kaslov dictated the story of Chaiko to de Wendler-Funaro. (Perhaps this is the source of a statement in the New York Sun, June 20, 1941, that Kaslov had written two books.)

The okaslov manuscripts' are written mostly in a variety of American English common among American Rom. Parts of the biographical section are written in the first person, others in the third. Cultural material includes descriptions of weddings, funerary ritual, business transactions, conflicts and conflict resolution. As factual sources the manuscripts are unreliable: dates, for example, are only very approximate; birth places for Steve Kaslov and his family are incorrect.

Evidence in the manuscripts indicates that de Wendler-Funaro hoped, through 1976, to publish these texts in some form. Apparently Kaslov made a first attempt to publish in 1940, when he sent a draft to Eleanor Roosevelt. Mrs. Roosevelt sent the manuscript on to George Bye, a literary agent, who returned it in 1941 as unpublishable, calling it a Oterribly disorganized manuscript .... [Kaslov] is now working with a doctor (de Wendler-Funarol who claims to be an author but the results are very unhappy' (Correspondence in FDR Library).

Correspondence in the collection (series 3) includes letters to and from de Wendler-Funaro; drafts of letters by Steve Kaslov, soliciting aid for Gypsy education; and correspondence between the U.S. Consulate in Matamoros, Mexico, and the U.S. Department of State. According to Mrs. de Funaro, Carl de Wendler-Funaro destroyed his other correspondence before his death.

Many of the books, journals, articles, and extracts in the collection (series 4)- are materials upon which de Wendler-Funarol's dissertation is based. They include typed transcriptions of published articles as well as printed matter; dates of the materials range from 1554 to 1979.

The collection includes about 2,000 photoprints, including multiple copies, and 2,000 negatives. These materials are organized into eleven series: (7) photographs by de Wendler-Funaro: Gypsies in the United States; (8)photographs by de Wendler-Funaro: Gypsies outside the United States; (9) heirloom photographs'; (10) photographs by other creators; (11) photographs ;rom commercial agencies; (12) photographs of non-Gypsies; (13) photocopies, of numbered photos, in numerical order; (14) negatives; (15) contact sheets made from negatives from by the Smithsonian Office of Printing and Photographic Services, 1986; (16) scrapbook sheets; (17) slides made from negatives and prints by the Smithsonian Office of Printing and Photographic. services, 1986.

The original photographs by Carlos de Wendlet-Funaro span the,period 1922 to 1966, but the majority were taken from about 1932 to about 1942. More than half the photographs are of the Rom group of Gypsies in the United States, and most of these were taken in New York City from about 1938 to about 1942. Other original photos by de Wendler-Funaro are of other Gypsy groups in the United States -- Ludar, Romnichels, 'Black Dutch,w and Hungarian musicians -- as well as of Gypsies in Mexico, Holland, Germany, Austria, France, England, and Hungary. Photographs by other creators include copies of portraits collected from Gypsy families, photos by other photographers, and commercial news photographs collected by de Wendler-Funaro.

De Wendler-Funaro seems to have used the photographs to gain access to Gypsy families and communities (many photos show Gypsies examining albums and sets of pictures). Some photographs were published in his 1937 article, and in two articles by Victor Weybright (1938a, 1938b). De Wendler-Funaro apparently also used lantern slides made from these photographs in lectures on the subject of Gypsies; a handbill advertising his availability on the lecture circuit is part of the collection.

Manuscript drafts for book outlines, introductions, and accompanying essays show that de Wendler-Funaro long nurtured hopes of publishing a popular tool-, 'Incorporating his photographs. To this end he numbered and captioned more than a hundred of these; a partial list of captions is part of the manuscript files. For the most part, the captions are not very helpful in understanding Gypsy cultures. Photocopies of these pictures with captions, in numerical order, are in box 8. With some exceptions, most of the photographs can be used to study costume, personal ornament, and kinesics; these will not be listed separately as subjects in the inventory. The photos of the Rom in New York City show several types of traditional costume, contemporary modish dress, and a wide range of variations on both. Taken together with the "heirloom photos' collected from the same group, they show change and variety in men's and women's dress.

In the photographs of individuals and groups one may compare, for example, sitting positions of women with relation to costume and use (or non-use) of chairs.

Most of the photographs of Rom taken in New York City show Gypsies relaxing on stoops or in the street during the summer, a common pastime in their neighborhoods. They contain little culturally specific information other than that discussed above.

Information on housing is most clearly represented in photographs of camps, in which the type of tent and, to some extent, the relationships of tents, are visible. All the tents shown appear to be commercially made. Since it was the practice to raise the tent walls in good weather, many photos also show tent interiors, with wooden platform floors used on non-grassy sites (Rom) or linoleum as a ground cloth (Romnichel). The use of featherbeds; either alone (Rom) or with bedsteads (Romnichel) is documented.

There are few photographs showing the use of interior space in urban storefront or apartment dwellings (Rom). The photographs taken in the Maspeth, Long Island, 'Gypsy village' show exteriors of the shacks built@by the Ludar.

Of cooking and heating equipment, the cast-iron or sheet-metal stoves of the Romnichels are most evident. The Rom are shown using a variety of equipment, the traditional trivet (Mexico), the Coleman-type camp stove (U.S), and the pot-bellied coal stove (New York City).

Photographs of autos and trucks, auto-drawn luggage trailers (Romnichels in the North), and horse-drawn wagons (by the horse and mule trading Romnichels in the South) reveal something of the transport of people and goods.

A few photographs show subjects at work, but most work pictures are static demonstrations or mere associations with productive enterprise. There are demonstrations of coppersmithing and fender repair work (Rom), and manufacture of rustic furniture (Romnichels), as well as posed demonstrations of palm-reading. Romnichels in the South are shown posing with horses and mules. The business that appears most frequently is fortune-telling, through photographs of roadside business tents (Romnichel); amusement, fair, and resort-area tents and stands (Rom); and canvas facades, banners and signs carrying the fortune-teller's message.

Ritual life is poorly represented in the photographs. There are some photos of a funeral procession, and one interior shot of a funeral; two photos of a saint's-day feast; one of a memorial feast; and one set taken in preparation for Christmas festivities. Curiously, there are no photographs of Rom weddings. The dearth of pictures of rituals and celebrations, which form so important a part of Rom life, may be due to difficulties with interior lighting.

Because of internal and other inconsistencies, exact dating of the photographs is often difficult. Discrepancies of as much as ten year occur in some of the dates in de Wendler-Funaro's notes.
Arrangement:
Collection is arranged into seventeen series.
Biographical / Historical:
According to information supplied by Mrs. de Funaro, Carl de Wendler-Funaro was born in Brooklyn, New York, on October 12, 1898. After attending Boys' High School and Erasmus Hall High School in Brooklyn, he attended the University of Illinois and Cornell University, receiving a bachelor's degree in entolomology from Cornell in 1923. Subsequently he taught foreign languages at New York University, the McBurney School of the YMCA in New York City, Newark Academy and Wagner College. He began graduate work in the late 1930s, and in 1958 earned a doctorate from Columbia University with a dissertation on 'The Gitano in Spanish Literature' (a copy is in the collection, Box 1, folders 2 and 3). De Wendler-Funaro retired from teaching in 1963; he died in Tucson, Arizona on February 15, 1985.

Carl de Wendler-Funaro was an avid amateur collector of insects, especially Coleoptera, as well as shells, minerals, stamps and coins; his insect collections were donated to the American Museum of Natural History in New York.

De Wendler-Funaro's interest in Gypsies, according to his manuscripts, began in childhood. The manuscripts and one published article indicate that this interest continued to be personal, rather than professional,,,,apd @hat,,he, did not pursue his contacts with Gypsies systematically. (it was, not, 'until' the late 1940s that anthropologists began systematic studies of GYPSY.@ cultures.) It appears that de Wendler-Funaro sought out Gypsies in fairgrounds, amusement parks and urban storefronts, collecting specimens of language and taking photographs. Irving Brown's letter to de Wendler-Funaro (1929), and de Wendler-Funarol's article in Leisure (1937) refer to his visits to amusement parks. Some of his Romnichel (English Gypsy) subjects recall him as the man who drove along the roads, stopping to take pictures wherever he saw a tent. About 1938 de Wendler-Funaro became involved with a Committee on Gypsy Problems of the Welfare Council, a social service agency of New York City. This involvement may have been an outgrowth of his association with Steve Kaslov, styled by some a Gypsy king. De Wendler-Funaro seems to have served as Kaslov's amanuensis.
Gypsies in the United States:
Several groups, all known to outsiders as "Gypsies," live today in the United Sates. In their native languages, each of the groups refers to itself by a specific name, but all translate their self-designations as 'Gypsy' when speaking English. Each had its own cultural, linguistic, and historical tradition before coming to this country, and each maintains social distance from the others. An overview of these groups and their interethnic relations is presented in "Gypsy Ethnicity: Implications of Native Categories and Interaction for Ethnic Classification," by Matt T. Salo.

Rom

The Rom arrived in the United States from Serbia, Russia and Austria-Hungary beginning in the 1880s, part of the larger wave of immigration from southern and eastern Europe in the late 19th and early 20th centuries. Primary immigration ' ended, for the most part, in 1914, with the beginning of the First World War and subsequent tightening of immigration restrictions (Salo and Salo 1986). Many people in this group specialized in coppersmith work, mainly the repair and retinning of industrial equipment used in bakeries, laundries, confectionaries, and other businesses. The Rom, too, developed the fortune-telling business in urban areas.

Two subgroups of the Rom, the Kalderash ('coppersmiths') and, Machwaya natives of machva,' a county in Serbia) appear in the photographs iiv, this collection. De Wendler-Funaro identified some, but not all, Kalderash as, 'Russian Gypsies.' Another group he identified as "Russian Gypsies' seem, to,, be the Rusniakuria ('Ruthenians'), who in New York are known as musicians and singers.

Ludar

The Ludar, or "Romanian Gypsies,' also immigrated to the United States during the great immigration from southern and eastern Europe between 1880 and 1914. Most of the Ludar came from northwestern Bosnia. Upon their arrival in the United States they specialized as animal trainers and show people, and indeed passenger manifests show bears and monkeys as a major part of their baggage. Most of de Wendler-Funarols photographs of this group were taken in Maspeth, a section of the borough of Queens in New York City, where the Ludar created a village of home-made shacks that existed from about 1925 to 1939, when it was razed. A similar settlement stood in the Chicago suburbs during the same period. One of de Wendler-Funarols manuscripts, "Romanian Gypsies at Maspeth Village,' (box 1, folder 9), and a letter from Ammiee Ellis, a social worker (box 2, folder 2), refer to this settlement.

Romnichels

The Romnichels, or English Gypsies, began to come to the United States from England in 1850. Their arrival coincided with an increase in the demand for draft horses in agriculture and then in urbanization, and many Romnichels worked as horse-traders. After the rapid decline in the horse trade following the First World War, most Romnichels relied on previously secondary enterprises, 'basket-making,* including the manufacture and sale of rustic furniture, and fortune-telling. Horse and mule trading continued to some extent in southern states where poverty and terrain slowed the adoption of tractor power (Salo and Salo 1982).

Photoprints in box 6, folders 2 through 10, correspond with de Wendler-Funarols trip described in his manuscript 'In Search of the Last Caravan' (box 1, folder 10). Discrepancies between this manuscript and the photos should be noted. De Wendler-Funarols notes date this trip variously between 1931 and 1945. I have dated it about 1940. Although one man appears as a frequent subject in the largest set of photos (box 6, folders 22 and 23), in the manuscript, de Funaro mentions having missed meeting him.

'Black Dutch'

Gypsies from Germany, whom de Wendler-Funaro refers to 'as Chikkeners (Pennsylvania German, from the German Zigeuner), sometimes refer to themselves as wblack Dutch.w They are few in number and claim to have largely assimilated to Romnichel culture. They are represented in de Wendler-Punarols photographs by a few portraits of one old man and briefly referred to in the manuscript mIn Search of the Last Caravan.*

Hungarian Gypsies

The Hungarian musicians also came to this country with the eastern European immigration. In the U.S. they continued as musicians to the Hungarian and Slovak immigrant settlements.
Provenance:
Collection donated by Mrs. Cornelia de Funaro, June 26, 1985.
Restrictions:
Collection is open for research.
Rights:
Photographs by de Wendler-Funaro are available for reproduction. Fees for commercial use. Permission to reproduce photographs by Alexander Alland must be granted by the photographer's estate; other photographs may have copyright restrictions.
Topic:
Funeral rites and ceremonies -- manuscripts -- Gypsies  Search this
Wagons, Gypsy -- 1920-1980  Search this
Weddings -- manuscripts -- Gypsies  Search this
Orthodox Eastern Church -- Photographs -- 1920-1980  Search this
Tents -- Photographs -- 1920-1980  Search this
Housing -- Photographs -- Wagons -- 1920-1980  Search this
Bears -- performing -- 1920-1980 -- Maspeth (N.Y.)  Search this
Housing -- Photographs -- Tents -- 1920-1980  Search this
Labor and laboring classes -- Photographs -- 1920-1980  Search this
Coppersmiths -- 1930-1950  Search this
Musicians -- 1930-1950  Search this
Furniture-making -- 1930-1950  Search this
Horse-trading -- 1930-1950  Search this
Fortune-telling -- 1930-1950  Search this
Training -- Animals -- 1930-1950  Search this
Collectors and collecting  Search this
Gypsies -- 1920-1980 -- United States  Search this
Costume -- Gypsies -- 1920-1980  Search this
Portraits -- Gypsies  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1900-1950
Journals -- 1930-1950
Dissertations
Scrapbooks -- 20th century
Photographs -- Black-and-white negatives -- Acetate film -- 1930-1950
Manuscripts -- 1920-1970
Citation:
Carlos de Wendler-Funaro Gypsy Research Collection, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0161
See more items in:
Carlos de Wendler-Funaro Gypsy Research Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0161
Online Media:

[Charles Joseph Doumar : glass plate black-and-white negative]

Collector:
Naff, Alixa, 1919-2013  Search this
Names:
Doumar family  Search this
Doumar, Charles Joseph  Search this
Collection Creator:
Naff, Alixa, 1919-2013  Search this
Extent:
1 Item (6.4" x 4.2".)
Culture:
Arab Americans  Search this
Type:
Archival materials
Photographs
Place:
Norfolk (Va.)
Virginia -- 1900-1950
Date:
Circa 1916
Scope and Contents:
Photograph taken at the Wells Theatre, Norfolk, Virginia. Photographer unidentified
Arrangement:
Series 12, box 14, folder ?.
Local Numbers:
AC0078-0000012 (AC Scan No.)

94-5555 (OPS neg no.)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
Faris and Yamna Naff Arab-American Collection Archives Center, National Museum of American History
See more items in:
Faris and Yamna Naff Arab American Collection
Faris and Yamna Naff Arab American Collection / Series 2: Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0078-ref4326

[Interior of Doumar ice cream stand at Ocean View Park, Norfolk, Virginia : b&w photoprint.]

Collector:
Naff, Alixa, 1919-2013  Search this
Names:
Doumar family  Search this
Collection Creator:
Naff, Alixa, 1919-2013  Search this
Extent:
1 Item (5.2" x 7.3".)
Culture:
Arab Americans  Search this
Type:
Archival materials
Photographs
Place:
Virginia -- 1900-1950
Norfolk (Va.)
Date:
1922
Scope and Contents:
George Elicas Doumar using the 12 iron semi automatic waffle cone making machine, Elmer Handy, Jeo Blake, and unknown man using the four iron hand waffle cone machines.
Arrangement:
Series 12, box 7.
Local Numbers:
AC0078-0000024 (AC Scan No.)

94-7637 (OPS neg no.)
Restrictions:
Unrestricted research use on site by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Ice cream industry  Search this
Ice cream, ices, etc.  Search this
Concessions (Amusements, etc.)  Search this
Genre/Form:
Photographs -- 1910-1920 -- Black-and-white negatives -- Glass
Collection Citation:
Faris and Yamna Naff Arab-American Collection Archives Center, National Museum of American History
See more items in:
Faris and Yamna Naff Arab American Collection
Faris and Yamna Naff Arab American Collection / Series 2: Photographs
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0078-ref4332

[Dr. Chevalier Jackson standing behind desk : photoprint.]

Collector:
Jackson, Chevalier, Dr,, 1865-1958 (physician)  Search this
Names:
Jackson, Chevalier, Dr,, 1865-1958 (physician)  Search this
Collection Source:
Medical Sciences, Division of (NMAH, SI)  Search this
Collection Creator:
Jackson, Chevalier, Dr,, 1865-1958 (physician)  Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 8.0" x 9.7".)
Container:
Box 1, Folder 11
Type:
Archival materials
Photographs
Date:
undated
Scope and Contents:
Dr. Jackson is holding and surrounded by framed displays of "intestinal foreign bodies" [swallowed objects].
Local Numbers:
AC0023-0000001.tif (AC Scan No.)
Restrictions:
Unrestricted research use on site by appointment. Negatives must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Medicine  Search this
Genre/Form:
Photographs -- 1900-1950 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
Chevalier Jackson Papers, 1883-1960, Archives Center, National Museum of American History.
See more items in:
Chevalier Jackson Papers
Chevalier Jackson Papers / Series 5: Photographs / Negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0023-ref554

Quebec Bridge Photograph Collection

Donor:
Enterline, Stevenson  Search this
Eney, William J.  Search this
Collector:
History of Technology, Division of, NMAH, SI  Search this
Work and Industry, Division of, NMAH, SI  Search this
Engineering and Industry, Division of, NMAH, SI.  Search this
Engineering and Industry, Division of, NMAH, SI.  Search this
History of Technology, Division of, NMAH, SI  Search this
Work and Industry, Division of, NMAH, SI  Search this
Creator:
Quebec Bridge Company.  Search this
Extent:
0.5 Cubic feet (3 boxes, 1 oversized folder)
Type:
Collection descriptions
Archival materials
Photograph albums
Postcards
Photographs
Place:
Canada
Quebec
Date:
1905-1986
bulk 1905-1916
Summary:
The collection documents the construction of the first and second Quebec Bridges over the St. Lawrence River. Construction on the first bridge began in 1900 and the bridge collapsed before completion in 1907. Construction on the second Quebec Bridge, which is the longest cantilever bridge in the world, was completed in 1917.
Scope and Contents:
The collection documents the construction of the first and second Quebec Bridges over the St. Lawrence River primarily through photographs. The collection is arranged into two series: Series 1, Photographic Materials, 1905-1965 and Series 2, Other Materials, 1916-1986.

Series 1, Photographic Materials, 1905-1965, is divided into two subseries: Subseries 1.1, Photographs, 1907-1965 and Subseries 1.2, Photograph Album, 1905. The black-and-white photographs primarily document the construction of the second Quebec Bridge, 1907-1917. Many of these photographs were taken in a workshop where the production of the bridge parts and building materials occurred. One picture, marked number 24, is of the Prime Minister of Canada, Robert Borden, attending the construction site in October 1913. This series also contains photographs of the 1907 bridge collapse and pictures taken in 1965 of the current second bridge. Subseries 2, Photograph Album, 1905, documents the construction of the first Quebec cantilever bridge. The album contains mounted black-and-white photographs taken between May 12 and November 23, 1905.

Series 2, Other Materials, 1916-1986, consists of newspaper articles and postcards. The newspaper articles detail the 1916 construction accident on the second Quebec bridge; one 1917 article about the bridge; and one 1986 article about the 1907 collapse of the first bridge. There are three postcards, both black-and-white and color, of the Quebec Bridge.
Arrangement:
Collection is arranged into two series.

Series 1, Photographic Materials, 1905-1965

Subseries 1, Photographs, 1907-1965

Subseries 2, Photograph Album, 1905

Series 2, Other Materials, 1916-1986
Biographical / Historical:
The first Quebec Bridge was built over the St. Lawrence River in order to connect important railroad lines.[1] This bridge collapsed on August 29, 1907, killing 79 men.[2] The engineers for the second bridge were Maurice Fitzmaurice, H.E. Vautelet, and Ralph Modjeska.[3]

Notes: [1] "Bridge of 1,800-FT. Span Across the St. Lawrence," Popular Mechanics Vol. 8, No. 12 December 1906

[2]"Wrecked Quebec Bridge to be Recommended"[3] "Wrecked Quebec Bridge to be Recommended"
Provenance:
Originally collected for the Division of Mechanical and Civil Engineering's reference collections; exact date and source of acquisition unknown.
Restrictions:
The collection is open for research use.

Physical Access: Researchers must handle unprotected photographs with gloves.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Reproduction permission from Archives Center: reproduction fees may apply.
Topic:
Bridges -- Design and construction  Search this
Bridges -- Canada  Search this
Bridge failures  Search this
Bridges -- Quebec  Search this
Rivers -- Quebec  Search this
Genre/Form:
Photograph albums -- 20th century
Postcards -- 1900-1920
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1900-1950
Citation:
Quebec Bridge Photograph Collection, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1026
See more items in:
Quebec Bridge Photograph Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1026
Online Media:

Wheeling and Lake Erie Railway Photographs

Collector:
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
History of Technology, Division of, NMAH, SI  Search this
Work and Industry, Division of, NMAH, SI  Search this
History of Technology, Division of, NMAH, SI  Search this
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
Work and Industry, Division of, NMAH, SI  Search this
Donor:
Rehor, John A.  Search this
Rehor, John A.  Search this
Creator:
Wheeling and Lake Erie Railway  Search this
Extent:
2 Cubic feet (6 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Black-and-white negatives
Place:
Ohio
West Virginia
Date:
1925-1942.
Scope and Contents:
Over nine hundred official company photographs documenting the history of the railroad. Subjects include trains, locomotives and cars; employees and employee gatherings and events; structures such as stations, track, bridges, crossings, towers, coaling stations.
Arrangement:
Divided into 2 series: Series 1, Negatives and Series 2, Prints.
Biographical / Historical:
Founded in 1871, the Wheeling and Lake Erie Railway was built to haul coal from southeastern Ohio mines to the Lake Erie ports of Huron and Toledo. After World War II, WLE had several owners, the Nickel Plate, then the Norfolk & Western,and later, the Norfolk & Western and Southern (NS) merged. The WLE was dissolved in 1989 but was revived in 1990 by new investors.
Provenance:
Donated to the Museum's Division of Mechanical and Civil Engineering in 1981 by John A. Roher.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Railroads -- Rolling-stock  Search this
Railroad stations -- United States  Search this
Railroad tracks  Search this
Railroad companies  Search this
Railroads  Search this
Railroads -- Buildings and structures  Search this
Railroads -- Employees  Search this
Locomotives  Search this
Railroad bridges  Search this
Genre/Form:
Photographs -- Black-and-white photoprints -- Silver gelatin -- 1900-1950
Black-and-white negatives
Citation:
Wheeling and Lake Erie Railway Photographs, 1905-1942, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1075
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1075

Chase Co. headquarters (completed building) [photoprint]

Architect:
Gilbert, Cass, 1859-1934  Search this
Names:
Chase Co.  Search this
Collection Creator:
Valentine, P. O. (33 Homestead, Park, Newark)  Search this
Gilbert, Cass, 1859-1934  Search this
Belden & Company (45 Clinton Street, Newark, N.J.)  Search this
Collection Source:
Mechanical and Civil Engineering, Division of (NMAH, SI)  Search this
Extent:
1 Item (in loose-leaf album, Silver gelatin on paper, mounted on linen or canvas, punched for loose-leaf binder., 7.5" x 9.6")
Container:
Box 20
Type:
Archival materials
Photographs
Date:
1918 - 1919
Local Numbers:
AC0214-0000009 (AC Scan No.)

2000-11261 (OIPP Scan)
Restrictions:
Unrestricted research use by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architectural design  Search this
Architectural photography  Search this
Genre/Form:
Photographs -- 1900-1950
Photographs -- 1910-1920 -- Black-and-white photoprints -- Silver gelatin
Collection Citation:
Cass Gilbert Collection, 1897-1936, Archives Center, National Museum of American History.
See more items in:
Cass Gilbert Collection
Cass Gilbert Collection / Series 6: Photoprints / 6.1: Bound Volumes / Chase Offices, Waterbury, Connecticut 1917-1919
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0214-ref639

Auditorium, American Academy of Arts and Letters, New York : [photoprint]

Architect:
Gilbert, Cass, 1859-1934  Search this
Photographer:
Thompson-Starrett Company, Inc. (250 Park Avenue, New York, N.Y.)  Search this
Names:
American Academy of Arts and Letters  Search this
Collection Creator:
Valentine, P. O. (33 Homestead, Park, Newark)  Search this
Gilbert, Cass, 1859-1934  Search this
Belden & Company (45 Clinton Street, Newark, N.J.)  Search this
Collection Source:
Mechanical and Civil Engineering, Division of (NMAH, SI)  Search this
Extent:
1 Item (in loose-leaf album, Silver gelatin on paper, mounted on linen or canvas, punched for loose-leaf binder., 7.5" x 9.6")
Container:
Box 5
Type:
Archival materials
Photographs
Date:
1929-1930
Scope and Contents:
Photographic studio stamp on verso, along with stamp, "CASS GILBERT / RECEIVED / NOV 24 1930". Another stamp imprint, in red: "HEATING, PIPING AND / AIR CONDITIONING". "1187" in pencil.
Local Numbers:
AC0214-0000010 (AC Scan No.)

2000-11262 (OIPP Scan)
Restrictions:
Unrestricted research use by appointment. Photographs must be handled with cotton gloves unless protected by sleeves.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Architectural design  Search this
Architectural photography  Search this
Genre/Form:
Photographs -- 1900-1950
Collection Citation:
Cass Gilbert Collection, 1897-1936, Archives Center, National Museum of American History.
See more items in:
Cass Gilbert Collection
Cass Gilbert Collection / Series 6: Photoprints / 6.1: Bound Volumes / American Academy of Arts & Letters, New York City, 1929-1930
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0214-ref640

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