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Photographic slides

Series Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Series Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Container:
Box 143
Type:
Archival materials
Slides
Date:
1982, undated
Series Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 23: Brown, Adele "Del" and Herizon Social Club
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8c93bf7b4-c3a0-484c-a990-67321d05fe76
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2021

Photographs, Slides

Collection Creator:
Shibley, Gertrude  Search this
Container:
Box 1, Folder 6
Type:
Archival materials
Date:
1950-1974
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Gertrude Shibley papers, 1941-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Gertrude Shibley papers
Gertrude Shibley papers / Series 1: Gertrude Shibley Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96dd3e2a8-c52c-4997-a947-c242a7fc5eb8
EDAN-URL:
ead_component:sova-aaa-shibgert-ref8

Myrna Shiras Papers

Collection Creator:
Shiras, Myrna, 1936-  Search this
Extent:
0.7 Linear feet (Boxes 1-2, OV 3)
Type:
Archival materials
Date:
1954-1976
Scope and Contents:
Artworks consist of pencil drawings on tracing paper as studies for sculptures. Biographical materials include a resume and biographical sketch, and clippings regarding Shiras's wedding in 1956. Also found is a writing by Shiras entitled "A Sum of Small Vulgarities."

Early correspondence is with family and includes a note from David Shiras's mother Josefa Wilson to the Haupt family as well as a letter from David Shiras to Myrna. Correspondence from the 1970s is largely with feminist art organizations and publishing houses. Of note is a group of letters described by Shiras about Black Maria. Additional correspondence relates to Shiras's participation with the Palos Verdes Library District. Also found is a transcript for an interview with Shiras by Merrilyn Duzy in 1976.

Photographs depict Shiras, her friends, and family, many of which are labeled. Also found are photographs, slides, negatives, and photocopies of photographs of works of art. Printed material includes clippings, exhibition announcements and catalogs, and posters relating to Shiras's art career.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Mryna Shiras papers, 1954-1976. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.shirmyrn, Series 1
See more items in:
Myrna Shiras papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw915843c75-c416-4920-b9b0-888f2d14ed71
EDAN-URL:
ead_component:sova-aaa-shirmyrn-ref5

Photographs, Slides

Collection Creator:
Shore, Lily  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
1970-1976
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lily Shore papers, 1939-1976. Archives of American Art, Smithsonian Institution.
See more items in:
Lily Shore papers
Lily Shore papers / Series 1: Lily Shore Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw963fc3296-c396-406f-8e25-add4c5e344bd
EDAN-URL:
ead_component:sova-aaa-shorlily-ref6

Exhibition Records, circa 1983-1994 and undated

Creator:
National Museum of American History (U.S.)  Search this
Subject:
Closter, Harold A  Search this
Taylor, Lonn 1940-  Search this
Physical description:
27 cu. ft. unprocessed holdings
Type:
Audiotapes
Electronic records
Manuscripts
Clippings
Brochures
Black-and-white photographs
Date:
1983
1983-1994
circa 1983-1994 and undated
Topic:
Science museums  Search this
Historical museums  Search this
Museum exhibits  Search this
Local number:
SIA RS00327
See more items in:
Exhibition Records circa 1983-1994 and undated [National Museum of American History (U.S.)]
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_223014

Marchal Landgren Papers

Creator:
Landgren, Marchal E.  Search this
Names:
American Abstract Artists  Search this
Art Students League (New York, N.Y.)  Search this
Artists Equity Association  Search this
Contemporary Arts (Gallery)  Search this
Joseph Mitchell Gallery  Search this
Municipal Art Committee (New York, N.Y.)  Search this
Old Print Shop (New York, N.Y.)  Search this
University of Maryland at College Park  Search this
Washington, D.C.. Public Library  Search this
Abbott, Berenice, 1898-1991  Search this
Albers, Josef  Search this
Avery, Milton, 1885-1965  Search this
Beaton, Cecil Walter Hardy, Sir, 1904-  Search this
Constant, George  Search this
Cox, George Collins, 1851-1902  Search this
De Laittre, Eleanor, 1911-1998  Search this
Fitch, Clyde, 1865-1909  Search this
Force, Juliana, 1876-1948  Search this
Fruhauf, Aline, 1909-1978  Search this
Gallatin, A. E. (Albert Eugene), 1881-1952  Search this
Geist, Sidney  Search this
Gershwin, George, 1898-1937  Search this
Glackens, Ira, 1907-1990  Search this
Greene, Balcomb, 1904-1990  Search this
Harari, Hananiah, 1912-2000  Search this
Higgins, Eugene, 1874-1958  Search this
Holtzman, Harry  Search this
Hunt, William Morris, 1824-1879  Search this
Janauschek, Francesca Romana Magdalena, 1830-1904  Search this
Kane, John, 1860-1934  Search this
Kipling, Rudyard, 1865-1936  Search this
Laufman, Sidney, 1891-  Search this
Logasa, Charles, 1883-1936  Search this
Mitchell, Donald Grant, 1822-1908  Search this
Newman, Robert Loftin, 1827-1912  Search this
Orr, Elliot, 1904-1997  Search this
Portinari, Cândido, 1903-1962  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Sprinchorn, Carl, 1887-1971  Search this
Extent:
15.3 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Scrapbooks
Sketches
Drawings
Date:
1881-circa 1982
bulk 1930-1975
Summary:
The papers of Washington, D.C. art historian, librarian, author, educator, and art consultant Marchal Landgren measure 15.3 linear feet and date from 1881 to circa 1982, with the bulk of the material dating from 1930 to 1975. Included are biographical materials, correspondence, writings and notes, professional and organization files, research projects' files, scattered personal business records, printed materials, two clippings scrapbooks, photographical materials, and scattered artwork.
Scope and Contents:
The papers of Washington, D.C. art historian, librarian, author, educator, and art consultant Marchal Landgren measure 15.3 linear feet and date from 1881 to circa 1982, with the bulk of the material dating from 1930 to 1975. Included are biographical materials, correspondence, writings and notes, professional and organization files, research projects' files, scattered personal business records, printed materials, two clippings scrapbooks, photographical materials, and scattered artwork.

Biographical material includes address cards, an appointment book, curriculum vitaes, genealogical materials, and military records. Correspondence is with artists, clients, colleagues, museums, and universities, and is predominantly professional in nature. Correspondents include Albert E. Gallatin, George Gershwin, Ira Glackens, Sidney Laufman, Elliot Orr, Candido Portinari, and Carl Sprinchorn, among others.

Writings include miscellaneous published and unpublished writings and drafts by Marchal Landgren primarily those not associated with his major research projects. These include various articles written for magazines and journals, manuscript drafts, research notes, and notebooks. There is also a file of writings by others that includes the John Mitchell Gallery Notes.

Professional and organizational files document Landgren's positions and work for educational institutions and arts organizations, including the American Abstract Artists Group, Art Students League of New York, Association of Artists Equity of Washington D. C., Contemporary Arts, D. C. Public Library, Library Journal, New York City Municipal Art Committee, Old Print Shop, Inc., and the University of Maryland, among others. These files also contain correspondence, perhaps the most notable found in the file on the American Abstract Artists Group which includes letters from Josef Albers, Eleanor de Laittre, Sidney Geist, Balcomb Greene, Hananiah Harari, and Harry Holtzman.

Well over one-half of the collection consists of files for Landgren's ongoing research projects on numerous artists and photographers, Latin American art, as well as his bibliographic reference projects. The bulk of the files cover his research, writing, and curatorial work on Robert Loftin Newman. Files are also found for Berenice Abbott, Milton Avery, George Constant, George Collins Cox, Aline Fruhauf, Eugene Higgins, William Morris Hunt, John Kane, Charles Logasa, Elliot Orr, and Albert Pinkham Ryder, among many others.

Personal business records include personal and general expense documentation and scattered exhibition price lists. Printed materials include clippings, exhibition catalogs, and miscellaneous published articles and essays. There are two scrapbooks of clippings.

There are photographs, slides, and negatives of images of Landgren, other artists and notable figures in the art world, and of artwork. Of note is a portrait photograph of Juliana Force by Cecil Beaton, one photograph by Berenice Abbott, "Barclay Street Ferry", and 14 taken by George C. Cox of Rudyard Kipling, Clyde Fitch, Augustus Saint-Gaudens, Madame Fanny Janauschek, Donald G. Mitchell, and others.

The papers also include scattered artwork, including holiday cards illustrated by artists, and sketches and drawings by other artists.
Arrangement:
This collection is arranged as 10 series.

Missing Title

Series 1: Biographical Materials, circa 1890-circa 1981 (0.2 linear feet; Box 1)

Series 2: Correspondence, circa 1930-circa 1982 (0.6 linear feet; Box 1)

Series 3: Writings and Notes, circa 1932-circa 1982 (1.2 linear feet; Boxes 1-3)

Series 4: Professional and Organizational Files, circa 1910-circa 1977 (3.4 linear feet; Boxes 3-6)

Series 5: Research Projects' Files, 1881-circa 1982 (6.9 linear feet; Boxes 6-13, 15)

Series 6: Personal Business Records, circa 1934-circa 1982 (0.4 linear feet; Box 13)

Series 7: Printed Material, circa 1927-circa 1981 (1.0 linear feet; Boxes 13-14)

Series 8: Scrapbooks, circa 1931-circa 1979 (0.2 linear feet; Boxes 14-15)

Series 9: Photographic Materials, circa 1930s-circa 1978 (0.2 linear feet; Boxes 14-15)

Series 10: Artwork, circa 1930s-circa 1940s (0.2 linear feet; Boxes 14-15)
Biographical / Historical:
Marchal E. Landgren (1907-1983) was an art historian, librarian, educator, author, and art consultant, active in New York and Washington, D. C.

As associate director and board member of Contemporary Arts, Inc. in New York, Landgren established a program for providing artists with their first solo exhibition in New York, including those of John Kane and Mark Tobey. In 1932, he directed the exhibition schedule at the New School for Social Research; and in 1935, Landgren served as the director of art activities for the New York City Municipal Art Committee where he facilitated many exhibitions over the course of five years, including Recent Paintings by Boris Aronson at Babcock Galleries in 1938.

Working as a freelance art consultant, researcher, and author, Landgren organized numerous exhibitions between 1932 and 1950 of the work of Milton Avery, George C. Cox, Elliot Orr, Robert Loftin Newman, and Albert Pinkham Ryder. He also edited several arts publications, including the Old Print Shop Portfolio, John Mitchell Gallery Notes, and arts manuscripts for Oxford University Press.

In 1939, Landgren was selected by the New York World's Fair Commision to prepare historical notes on Latin American art for the exhibition catalogs of the Latin American art exhibition. After the Fair, he continued his research on this topic and wrote several articles, as well as lecturing on Latin American painting at the Art Students League of New York, the Newark Art Club, and the National Education Association at the Boston Museum.

After serving in the U. S. Army Air Force during World War II, Landgren moved to Washington, D. C. in 1950 and began work as the arts division readers' advisor for the D. C. Public Library. For seventeen years, he built up the library's general collection of art books and created extensive files of art exhibition catalogs.

In 1967, he took a position as a bibliographic consultant for the fine arts department at the University of Maryland. He became director of the University's art gallery and of the art department museum training program. During his tenure at the University of Maryland, Landgren conducted graduate seminars in art history, edited and published exhibition catalogs, and organized exhibitions, including The Late Landscapes of William Morris Hunt in 1976.

Landgren was a visiting scholar at the Smithsonian Institution's National Collection of Fine Arts and curated an exhibition of paintings by Robert Loftin Newman held there from 1973 to 1974 and at the Tennessee Fine Arts Center in 1974.

Marchal Landgren authored two books: Years of Art: The Story of the Art Students League of New York (Robert M. McBride and Company, 1940), and Robert Loftin Newman (Smithsonian Institution Press, 1974). He was a regular reviewer of art books for the Library Journal from 1958 to 1972, and contributed reviews to Trend, Magazine of Art, and other journals. He was awarded a research grant by the American Council of Learned Societies in 1963 for his study of George C. Cox and did a great deal of research in American art and American art institutions for an unfinished manuscript. He also worked on a bibliography of art literature which he never completed.
Provenance:
The Marchal Landgren papers were donated by Landgren in 1974, and by the Landgren estate via David Huddle in 1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Librarians -- Washington (D.C.)  Search this
Educators -- Washington (D.C.)  Search this
Authors -- Washington (D.C.)  Search this
Art historians -- Washington (D.C.)  Search this
Art consultants -- Washington (D.C.)  Search this
Topic:
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Genre/Form:
Christmas cards
Photographs
Scrapbooks
Sketches
Drawings
Citation:
Marchal Landgren papers, 1881-circa 1982, bulk 1930-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.landmarc
See more items in:
Marchal Landgren Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw946a644a0-83cc-46a7-8c56-e9c63db0e1b4
EDAN-URL:
ead_collection:sova-aaa-landmarc

Gerome Kamrowski papers

Creator:
Kamrowski, Gerome  Search this
Names:
Art Students League (New York, N.Y.)  Search this
John Simon Guggenheim Memorial Foundation  Search this
University of Michigan  Search this
Whitney Museum of American Art  Search this
Breton, André, 1896-1966  Search this
Lange, Monique  Search this
Matter, Mercedes  Search this
Rebay, Hilla, 1890-1967  Search this
Sandler, Irving, 1925-  Search this
Interviewer:
Sawin, Martica  Search this
Extent:
8.3 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
1938-2004
Scope and Contents:
Biographical material, photographs, project files, subject files, correspondence, printed material and audio visual material concerning Gerome Kamrowski's career as a Surrealist painter.
Biographical material includes curriculum vitae and an interrview transcript with Kamrowski by Michael Sherker. Photographs, slides and negatives are of Kamrowski, his family, studio, artwork, exhibition installations and exhibitions. The bulk of the project files concern individual works of art and include correspondence, reviews, photographs and miscellany. Subject files pertain to the University of Michigan, exhibitions that involved Kamrowski, organizations and people who worked with Kamrowski, and include correspondence and printed material.
Correspondence includes letters from Andre Breton, Monique Lange, Hilla von Rebay, Mercedes Matter, Irving Sandler, and numerous dealers and institutions including the Guggenheim Foundation, The Whitney Museum of Art, the Andre Emmerich Gallery, The Metropolitan Museum of Art, and the Art Students League.
Audio visual material includes an interview on three cassettes of Kamrowski conducted by Martica Sawin, 1986, and three reels of motion picture film footage of sculptures, one labeled "Celestial Rhythms" and the others untitled, 1971. Printed material includes Kamrowski's portfolios, exhibition reviews, catalogs, and announcements, press releases, and newspaper clippings.
Biographical / Historical:
Gerome Kamrowski (1914-2004) was a Surrealist painter in New York, N.Y. and Ann Arbor, Michigan.
Provenance:
Donated 2008 by Mary Jane Kamrowski, Kamrowski's widow.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- Michigan -- Ann Arbor  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Surrealism  Search this
Function:
Artists' studios
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.kamrgero
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93a2ced0e-0a2d-4b79-86e9-dab7b8d534b7
EDAN-URL:
ead_collection:sova-aaa-kamrgero

Richard D. Marshall papers

Creator:
Marshall, Richard, 1947-2014  Search this
Names:
Lever House (New York, N.Y.)  Search this
Museum of Contemporary Art, San Diego  Search this
Whitney Museum of American Art  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Bourgeois, Louise, 1911-2010  Search this
Calder, Alexander, 1898-1976  Search this
Mapplethorpe, Robert  Search this
Mitchell, Joan, 1926-1992  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pierson, Jack, 1960-  Search this
Ruscha, Edward  Search this
Extent:
15.8 Linear feet
26.07 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Sound recordings
Photographs
Video recordings
Date:
1969-2014
Summary:
The papers of New York-based curator and art consultant Richard D. Marshall measure 15.8 linear feet and 26.07 GB and date from 1969-2014. The interviews, exhibitions and research files, client files, other professional files, printed material, photographic material of artwork, and born-digital material primarily reflect Marshall's work outside his role at the Whitney Museum. The exhibition and research files make up the bulk of the collection and document his independent curatorial and writing projects on artists Jean-Michel Basquiat, Alexander Calder, Robert Mapplethorpe, Jack Pierson, and Ed Ruscha, as well as his role in building the Lever House Art Collection. Sound and video recordings are also found in the collection, primarily with interviews and exhibition and research material.
Scope and Contents:
The papers of New York-based curator and art consultant Richard D. Marshall measure 15.8 linear feet and 26.07 GB and date from 1969-2014. The interviews, exhibitions and research files, client files, other professional files, printed material, photographic material of artwork, and digital material predominantly reflect Marshall's work outside his role at the Whitney Museum. Sound and video recordings are also found in the collection, primarily with interviews and exhibition and research material.

Thirteen interviews with artists are in the form of transcripts and sound recordings. Interviews are with many artists that Marshall had organized exhibitions for, including Louise Bourgeois, Robert Mapplethorpe, Ed Ruscha, and many featured in the exhibition New Image Painting at the Whitney in 1978.

Exhibition and research files may contain correspondence with artists, galleries, and museums; writings and notes; printed and research material; press packages; photographic material; and administrative documentation related to exhibition logistics, such as floors plans, items lists, consignment records, and shipping receipts. The most robust files and groups of files relate to the artists that Marshall worked with repeatedly over the course of his career, including Jean-Michel Basquiat, Alexander Calder, Robert Mapplethorpe, Joan Mitchell, Georgia O'Keeffe, Jack Pierson, and Ed Ruscha. Files relating to the Lever House Art Collection are also found here. The series contains sound and video recordings, as well as digital records containing broadcasts, documentaries, exhibition related material, writings, photographic material, and promotional material about artists from galleries.

Client files include correspondence, invoices, photographic material, floor plans, digital records, and other documentation related to Marshall's business as an independent art consultant.

Other professional files consists of business cards, Museum of Contemporary Art San Diego (MCASD) Board of Trustee's files, and photographic material Marshall accumulated as art editor of the Paris Review.

Printed and digital material consists of books, exhibition announcements, catalogs, press packages, posters, and other material. Material relates to artists and movements Marshall was interested in.

Photographic material is of artworks and is largely unsorted and not identified with any specific project. Formats include black and white photographs, slides, digital photographs, and transparencies.
Arrangement:
The collection is arranged as seven series

Missing Title

Series 1: Interviews, 1972-2009 (0.4 linear feet; Box 1, 0.173 GB; ER01)

Series 2: Exhibition and Research Files, circa 1970-2014 (11.5 linear feet; Box 1-12, OV 17-19, 23.40 GB; ER02-ER49)

Series 3: Client Files, 1998-2014 (1.5 linear feet; Box 12-14, 0.077 GB; ER50-ER51)

Series 4: Other Professional Files, circa 1980-2014 (0.9 linear feet; Box 14)

Series 5: Printed Material, 1969-2014 (0.5 linear feet; Box 15, OV 20, 2.27 GB; ER52)

Series 6: Photographic Material, 1990s-2000s (0.9 linear feet; Box 15-16, 0.145 GB; ER53)

Series 7: Unidentified Electronic Records, circa 2005 (1 folder; 1 folder)
Biographical / Historical:
Richard D. Marshall (1947-2014) was a New York-based curator and art consultant. Born in Los Angeles, Marshall attended the University of California, Irvine, and in 1973 moved to New York to attend the Independent Study Program at the Whitney Museum. He then became a curator at the Whitney from 1974-1993, organizing many biennials and solo exhibitions. While at the Whitney, Marshall also worked as art editor of the Paris Review (1975-1990), and organized exhibitions at other institutions of artists including Louise Bourgeois, Alexander Calder, and Robert Mapplethorpe. In 2003, he became curator of The Lever House Art Collection in New York, and worked with collectors Aby Rosen and Alberto Mugrabi to commission works for the lobby of the building by Tom Sachs, Urs Fischer, Liza Lou, Paula Hayes, and others. Marshall has also published monographs on Ed Ruscha, Jack Pierson, Alex Katz, Georgie O'Keeffe, Joan Mitchell, and Kenny Scharf.
Provenance:
Donated in 2015 by the Richard D. Marshall Estate, via William T. Georgis, executor.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art consultants -- New York -- New York  Search this
Topic:
Transcripts  Search this
Curators -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Sound recordings
Photographs
Video recordings
Citation:
Richard D. Marshall papers, 1969-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.marsrich
See more items in:
Richard D. Marshall papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9643ff989-b36c-4012-b44c-5f5de1c4aafa
EDAN-URL:
ead_collection:sova-aaa-marsrich
Online Media:

Space Telescope History Project

Creator:
National Air and Space Museum (U.S.). Division of Space History  Search this
Names:
National Air and Space Museum (U.S.). Division of Space History  Search this
National Air and Space Museum. Department of Space History  Search this
Space Telescope History Project (U.S.)  Search this
Adams, Robert  Search this
Aucremanne, M.  Search this
Bahcall, John N.  Search this
Bahcall, Neta  Search this
Baum, William  Search this
Belton, M. J. S.  Search this
Bensimon, March  Search this
Bless, Robert, 1927-  Search this
Boeshaar, Greg  Search this
Boggess, Albert  Search this
Brandt, John C.  Search this
Brown, Art  Search this
Brown, Robert A.  Search this
Bulkin, Bert  Search this
Burbidge, E. Margaret  Search this
Caldwell, J. J.  Search this
Carr, Frank  Search this
Chapman, Clark R.  Search this
Clark, John  Search this
Costa, Frank  Search this
Danielson, E. G.  Search this
Davidsen, Arthur Falnes, 1944-  Search this
Disney, Michael  Search this
Downey, John  Search this
Doxsey, Rodger E.  Search this
Edmondson, Frank K. (Frank Kelly)  Search this
Elliot, James, 1943-2011  Search this
Emanuel, Garvin  Search this
Fastie, William  Search this
Giacconi, Riccardo  Search this
Goldberg, Alan  Search this
Groth, Edward  Search this
Guha, Arun  Search this
Hall, Donald N. B.  Search this
Harms, Richard  Search this
Havens, Kitty  Search this
Henry, Richard B. C.  Search this
Hinners, Noel W.  Search this
Hulst, H. C. van de (Hendrik Christoffel), 1918-  Search this
Hunten, Donald M.  Search this
Keathley, William  Search this
Keller, Sam  Search this
Keller, Warren  Search this
King, Ivan R.  Search this
Lane, A. L.  Search this
Lasker, Barry M.  Search this
Laurence, Robin  Search this
Leckrone, David  Search this
Longair, M. S., 1941-  Search this
Lowrance, John  Search this
Macchetto, F.  Search this
McCandless, Bruce  Search this
Meserve, Kent  Search this
Mitchell, Jesse  Search this
Moore, Jim  Search this
Nein, Mas  Search this
Noah, Don  Search this
Norman, Memphis  Search this
Norris, T. Bland  Search this
Odom, James  Search this
Olivier, Jean  Search this
Pellerin, Charles  Search this
Reetz, Arthur  Search this
Rehnberg, Jack  Search this
Richards, Evan  Search this
Roman, Nancy Grace, 1925-  Search this
Rose, James  Search this
Rosendhal, Jeffrey D.  Search this
Russell, Jane  Search this
Scherrill, Thomas  Search this
Schreier, Ethan  Search this
Schroeder, D. J.  Search this
Simmons, F. Pete  Search this
Smith, Robert W. (Robert William), 1952-  Search this
Sobieski, Stanley  Search this
Speer, Fred  Search this
Spitzer, Lyman, 1914-  Search this
Stockman, Peter  Search this
Stuhlinger, Ernst, 1913-  Search this
Teem, John  Search this
Tenerelli, Domenik  Search this
Tifft, William G.  Search this
Trevino, Robert  Search this
Weiler, Edward  Search this
Welch, James  Search this
Westphal, James  Search this
White, Richard Lee, 1953-  Search this
Zedekar, Ray  Search this
Extent:
3.7 Cubic feet (15 cassette boxes; 5 letter-size document boxes)
Type:
Collection descriptions
Archival materials
Slides (photographs)
Press releases
Transcripts
Photographs
Reports
Publications
Date:
1983-1991
Summary:
This collection consists of the oral history transcripts and related research documentation for the Space Telescope History Project (STHP), which examined the space sciences, predominantly astronomy, viewed through the lens of a particular undertaking, the Hubble Space Telescope, 1970s-1980s.
Scope and Contents:
This collection consists of the oral history transcripts and related research documentation for the Space Telescope History Project (STHP), which examined the space sciences, predominantly astronomy, viewed through the lens of a particular undertaking, the Hubble Space Telescope, 1970s-1980s. The principal investigator for the STHP was Robert W. Smith, and the interview set contains 235 hours of interviews with 80 individuals. The central thread of this collection was the problem of configuring new political relations among the space sciences and sponsors. The following were interviewed: Bob Adams (with Robert Trevino and Kitty Havens); M. Aucremanne; John Bahcall; Neta Bahcall; William Baum; Michael Belton; March Bensimon; Robert Bless; Greg Boeshaar; Albert Boggess; John Brandt; Robert Brown; Bert Bulkin; Margaret Burbidge; J. J. Caldwell; Frank Carr; Clark Chapman; John Clark; Art Code; Frank Costa; E. G. Danielson; Arthur Davidsen; Mike Disney; John Downey; Rodger Doxsey; Frank Edmondson; James Elliot; Garvin Emanuel; William Fastie; Riccardo Giacconi; Alan Goldberg; Edward Groth; Arun Guha; Don Hall; Richard Harms; Richard Henry; Noel Hinners; Donald Hunten; William Keathley; Warren Keller; Sam Keller; Ivan King; A.L. Lane; Barry Lasker; Robin Laurence; David Leckrone; Malcolm Longair; John Lowrance; Duccio Macchetto; Bruce McCandless; Kent Meserve; Jesse Mitchell; Jim Moore; Mas Nein; Don Noah; Memphis Norman; T. Bland Norris; James Odom; Jean Olivier; Charles Pellerin; Arthur Reetz; Jack Rehnberg; Evan Richards; Nancy Roman; James Rose; Jeffrey Rosendhal; Jane Russell; Ethan Schreier; Daniel Schroeder; Thomas Sherrill; F. Pete Simmons; Stanley Sobieski; Fred Speer; Lyman Spitzer; Peter Stockman; Ernst Stuhlinger; John Teem; Domenick Tenerelli; William Tifft; Hedrick van de Hulst; Edward Weiler; James Welch; James Westphal; Richard White; and Ray Zedekar. The collection also contains the following documentation gathered from a variety of sources: photographs, slides, NASA publications and reports, contractor reports and studies, press releases, and finding aids produced by the Space History Department, NASM.
Arrangement:
The Space Telescope History History Project interviews are arranged alphabetically by interviewee. Boxes 1-14 contain interviews on audio cassette tapes. Boxes 15-20 contain the transcripts for these cassette tapes. Most of these transcripts are available to researchers though, restrictions are placed on a small number of them. A NASM staff member will advise the patron which transcripts are available for copying and/or viewing and how to order copies of transcripts. Transcripts with user restrictions are highlighted in bold type.
Biographical / Historical:
This collection contains the interviews for the Space Telescope History Project. These interviews examine the early planning and development of what would eventually be known as the Hubble Space Telescope (HST). The period covered is from the 1970s into the 1980s. This project constitutes one of several oral history projects carried out within the National Air and Space Museum's (NASM) Department of Space History. This interview set consists of over 235 hours of interviews with 94 individuals. Please note that there are a few instances where audio cassette tapes of the interview subjects exist but without written transcripts while there are a few cases of existing transcripts of the interviews without any audio cassette tapes. Those interviewed include astronomers, scientists, engineers, as well as administrators, all of whom were involved in the space telescope project. The following were interviewed for this project: Bob Adams, Ken Ando, Marcel Aucremanne, John N. Bahcall, Neta Bahcall, William Baum, Michael J.S. Belton, Marc Bensimon, Livingston Biddle, Robert C. Bless, Greg Boeshaar, Albert Boggess, III, John Brandt, Robert A. Brown, Bert Bulkin, Margaret E. Burbridge, J.J. Caldwell, Frank Carr, Clark R. Chapman, John Clark, Art Code, Frank V. Costa, Allan Cree, E.G. Danielson, Arthur Davidsen, Mike Disney, James A. Downey, III, Roger Doxsey, Frank K. Edmondson, James L. Elliot, Garvin Emmanuel, William G. Fastie, George Field, Don Fordyce, Laurence W. Fredrick, Riccardo Giaconi, Alan Goldberg, Edward Groth, Arun K. Guha, Don Hall, Richard Harms, Kitty Havens, Richard Henry, Noel Hinners, Donald Hunten, William W. Keathley, Warren J. Keller, Sam Keller, Ivan King, A.L. Lane, Barry Lasker, Robin J. Laurance, David Leckone, Malcolm Longair, John L. Lowrance, Duccio Macchetto, Bruce McCandless, Kent Meserve, Jesse L. Mitchell, Jim Moore, Max Nein, Don Noah, Memphis Norman, T. Bland Norris, James B. Odom, Jean R. Olivier, Charles Pellerin, Arthur J. Reetz, Jack Rehnberg, Evan Richards, Nancy Roman, James Rose, Jeffrey D. Rosendahl, Jane Russell, Ethan Schreier, Daniel J. Schroeder, Thomas J. Sherrill, Pete F. Simmons, Stanley Sobieski, Fred A. Speer, Lyman Spitzer, Peter Stockman, Ernst Stuhlinger, John Teem, Domenick Tenerelli, William G. Tifft, Rodger Thompson, Robert Trevino, Hendrick C. van de Hulst, Edward Weiler, James C. Welch, James A. Westphal, Richard L. White and Ray Zedekar.
General note:
Additional material: This collection consists only of the interview transcripts, not the tapes. The tapes are housed in the National Air and Space Museum Department of Space History.
Provenance:
Department of Space History, NASM, Transfer, 1999, 1999-0035, Varies.
Restrictions:
Some restrictions apply; see permission forms in the collection accession file.
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Topic:
Astronautics  Search this
Astronomy  Search this
Space sciences  Search this
Telescopes  Search this
Genre/Form:
Slides (photographs)
Press releases
Transcripts
Photographs
Reports
Publications
Citation:
Space Telescope History Project, NASM.1999.0035, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.1999.0035
See more items in:
Space Telescope History Project
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg28f1ca8cd-bf66-41c9-a0f9-72d1b05e5962
EDAN-URL:
ead_collection:sova-nasm-1999-0035
Online Media:

James C. Jones collection from Bolivia

Creator:
Jones, James C. (James Clyde), 1944-  Search this
Extent:
910 Slides (photographs) (color, 35mm)
2 Sound cassettes
Culture:
Moxo (Mojo)  Search this
Type:
Collection descriptions
Archival materials
Slides (photographs)
Sound cassettes
Sound cassette
Place:
Bolivia
Date:
1977-1979
1988
Summary:
This collection includes slides (photographic) and audio-cassettes created by James Jones during research trips to San Ingnacio de Moxos, Beni, Bolivia in 1977-1979 and 1988. Jones was conducting research to complete his dissertation in anthropology and photographed many indigenous Moxo (Mojo) community members he interviewed during the course of his research, as well as local festivals and agricultural activities.
Scope and Contents:
The James C. Jones collection includes photographic slides (35mm) and two audio-cassettes made by Jones in San Ignacios de Moxis, Beni, Bolivia in 1977-1979 and in 1988. The majority of the photographic slides in this collection were taken by Jones during his 1977-1979 research trip for his PhD dissertation. There are a small number of slides that were shot in 1988 on a return trip to Beni, Bolivia. The slides from 1977-1979 were shot in 25 rolls with 36 slides per roll. The majority of the photographs were shot in and near San Ignacio de Moxos in Beni, Bolivia an indigenous village in Norther Bolivia, though additional locations in Bolivia visited include Trinidad and La Paz. Jones interviewed around 70 local Moxo (Mojo) men and women in and near San Ignacio. During and in between interviews Jones shot photographs that documented daily life for his interviewees with a particular focus on agricultural activities such as farming and cooking. Many of the photographs include images of the Rivero family (Ignacito and Yolanda) with whom Jones stayed for extended periods of time. Jones also took a special interest in the many celebrations and festivals that occurred during his stay in Bolivia and took photographs of dancers, musicians and processions. He also shot many landscape views of the village, farms, "pampas," as well as aerial views of roads and rivers and close up images of the local flora and fauna.

The two audio-cassettes, recorded by Jones in 1977-1978, includes music played by local Moxo musicians during special occasions, such as Christmas, Independence Day as well as music played in the local church. There are also interviews with Juan Bautista Savala and Chaco war veteran Horacio Semani.
Arrangement:
Arranged chronologically and by slide roll or sound-cassette.
Biographical / Historical:
James C. Jones was born in Harlan, Kentucky in 1944. He graduated from University of Kentucky in 1966 with a B.A. in Science in Mathematics. Jones spent two years teaching math in Columbia (1969-1970) and developed an interest in Latin American studies while traveling around South America. Due to this interest, he pursued and received a Master's degree and later PhD in anthropology at the University of Florida. Jones first visited San Ignacio/Beni in 1976 for three months to define his topic for his PhD thesis with funding from the University of Florida's Tropical South American Program. He returned to Bolivia with funding from the Inter-American Foundation in 1977 (September) and stayed through the first quarter of 1979. Returning to Florida, Jones finished his dissertation in 1980 titled "Conflict between Whites and Indians on the Llanos de Moxos, Beni Department" (PhD diss., University of Florida, 1980).

After completing his degree, Jones left the field of anthropology and received a Master's degree in agricultural economics, entering the world of development for the next 15 years. During this time Jones worked on development and security issues across the globe. Jones resumed research on Bolivia in the late 1980's and 1990s and published an essay, "Development: Reflections from Bolivia" in the Society for Applied Anthropology's Human Organization, Vol. 56, No. 1 (Spring 1997), pp.111-120. Since then, Jones has worked as an independent contractor.
Separated Materials:
Jones took copious notes that describe that photographic and audio materials but these are still in the possession of Jones himself. The Archive Center has copies of these notes for reference purposes only.
Provenance:
Gift of James Jones, 2017.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Indians of South America -- Bolivia  Search this
Photographs  Search this
Applied anthropology  Search this
Genre/Form:
Slides (photographs) -- 1950-2000
Sound cassette
Citation:
Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
Identifier:
NMAI.AC.110
See more items in:
James C. Jones collection from Bolivia
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4d29abf08-ec3a-48a0-9436-35ad7b76ceeb
EDAN-URL:
ead_collection:sova-nmai-ac-110
Online Media:

Photographic slides taken in San Ignacio de Moxos, Beni, Bolivia

Collection Creator:
Jones, James C. (James Clyde), 1944-  Search this
Extent:
910 Slides (photographs) (color)
Culture:
Moxo (Mojo)  Search this
Type:
Archival materials
Slides (photographs)
Date:
1977-1979
1988
Scope and Contents:
The majority of the photographic slides in this Series were taken by Jones during his 1977-1979 research trip for his PhD dissertation. There are a small number of slides that were shot in 1988 on a return trip to Beni, Bolivia. The slides from 1977-1979 were shot in 25 rolls with 36 slides per roll. The majority of the photographs were shot in and near San Ignacio de Moxos in Beni, Bolivia an indigenous village in Norther Bolivia, though additional locations in Bolivia visited include Trinidad and La Paz. Jones interviewed around 70 local Moxo (Mojo) men and women in and near San Ignacio. During and in between interviews Jones shot photographs that documented daily life for his interviewees with a particular focus on agricultural activities such as farming and cooking. Many of the photographs include images of the Rivero family (Ignacito and Yolanda) with whom Jones stayed for extended periods of time. Jones also took a special interest in the many celebrations and festivals that occurred during his stay in Bolivia and took photographs of dancers, musicians and processions. He also shot many landscape views of the village, farms, "pampas," as well as aerial views of roads and rivers and close up images of the local flora and fauna.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
Identifier:
NMAI.AC.110, Series 1
See more items in:
James C. Jones collection from Bolivia
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv44db051a6-f5ac-4090-8e49-c075496a8784
EDAN-URL:
ead_component:sova-nmai-ac-110-ref1

Bolivia: Slide Roll 6

Collection Creator:
Jones, James C. (James Clyde), 1944-  Search this
Extent:
36 Slides (photographs)
Container:
Box 1, Sheet 11-12
Type:
Archival materials
Slides
Slides (photographs)
Date:
1978 February 2-March 2
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
See more items in:
James C. Jones collection from Bolivia
James C. Jones collection from Bolivia / Series 1: Photographic slides taken in San Ignacio de Moxos, Beni, Bolivia
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv457703420-b7c2-4c14-b626-4b640adefb76
EDAN-URL:
ead_component:sova-nmai-ac-110-ref10

Bolivia: Slide Roll 7

Collection Creator:
Jones, James C. (James Clyde), 1944-  Search this
Extent:
36 Slides (photographs)
Container:
Box 1, Sheet 13-14
Type:
Archival materials
Slides
Slides (photographs)
Date:
1978 March 3-24
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
See more items in:
James C. Jones collection from Bolivia
James C. Jones collection from Bolivia / Series 1: Photographic slides taken in San Ignacio de Moxos, Beni, Bolivia
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4c2d8ec6a-49bd-4c63-a244-b2290d2b1cda
EDAN-URL:
ead_component:sova-nmai-ac-110-ref11

Bolivia: Slide Roll 8

Collection Creator:
Jones, James C. (James Clyde), 1944-  Search this
Extent:
36 Slides (photographs)
Container:
Box 1, Sheet 15-16
Type:
Archival materials
Slides
Slides (photographs)
Date:
1978 March 25-July 11
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
See more items in:
James C. Jones collection from Bolivia
James C. Jones collection from Bolivia / Series 1: Photographic slides taken in San Ignacio de Moxos, Beni, Bolivia
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4a5dc9809-10a1-47fd-b352-3af8503a1209
EDAN-URL:
ead_component:sova-nmai-ac-110-ref12

Bolivia: Slide Roll 9

Collection Creator:
Jones, James C. (James Clyde), 1944-  Search this
Extent:
36 Slides (photographs)
Container:
Box 1, Sheet 17-18
Type:
Archival materials
Slides
Slides (photographs)
Date:
1978 July 13-30
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
See more items in:
James C. Jones collection from Bolivia
James C. Jones collection from Bolivia / Series 1: Photographic slides taken in San Ignacio de Moxos, Beni, Bolivia
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv415459701-0a88-47f5-a544-235efe06f5c9
EDAN-URL:
ead_component:sova-nmai-ac-110-ref13

Bolivia: Slide Roll 10

Collection Creator:
Jones, James C. (James Clyde), 1944-  Search this
Extent:
36 Slides (photographs)
Container:
Box 1, Sheet 19-20
Type:
Archival materials
Slides
Slides (photographs)
Date:
1978 July 31-August 9
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
See more items in:
James C. Jones collection from Bolivia
James C. Jones collection from Bolivia / Series 1: Photographic slides taken in San Ignacio de Moxos, Beni, Bolivia
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4288155a4-e311-4abd-bd17-fc8c4b90eea4
EDAN-URL:
ead_component:sova-nmai-ac-110-ref14

Bolivia: Slide Roll 11

Collection Creator:
Jones, James C. (James Clyde), 1944-  Search this
Extent:
36 Slides (photographs)
Container:
Box 1, Sheet 21-22
Type:
Archival materials
Slides
Slides (photographs)
Date:
1978 August 9-12
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
See more items in:
James C. Jones collection from Bolivia
James C. Jones collection from Bolivia / Series 1: Photographic slides taken in San Ignacio de Moxos, Beni, Bolivia
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv41fdb8f25-9c05-4c44-9a62-10f43039c2cf
EDAN-URL:
ead_component:sova-nmai-ac-110-ref15

Bolivia: Slide Roll 12

Collection Creator:
Jones, James C. (James Clyde), 1944-  Search this
Extent:
36 Slides (photographs)
Container:
Box 1, Sheet 23-24
Type:
Archival materials
Slides
Slides (photographs)
Date:
1978 August 15-17
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
See more items in:
James C. Jones collection from Bolivia
James C. Jones collection from Bolivia / Series 1: Photographic slides taken in San Ignacio de Moxos, Beni, Bolivia
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv40ca3cab2-2d9c-415f-898b-58ba5301e71e
EDAN-URL:
ead_component:sova-nmai-ac-110-ref16

Bolivia: Slide Roll 13

Collection Creator:
Jones, James C. (James Clyde), 1944-  Search this
Extent:
36 Slides (photographs)
Container:
Box 1, Sheet 25-26
Type:
Archival materials
Slides
Slides (photographs)
Date:
1978 August 17-September 17
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
See more items in:
James C. Jones collection from Bolivia
James C. Jones collection from Bolivia / Series 1: Photographic slides taken in San Ignacio de Moxos, Beni, Bolivia
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv490105096-ded0-43c1-86b4-551e5546dc0f
EDAN-URL:
ead_component:sova-nmai-ac-110-ref17

Bolivia: Slide Roll 14

Collection Creator:
Jones, James C. (James Clyde), 1944-  Search this
Extent:
36 Slides (photographs)
Container:
Box 2, Sheet 1-2
Type:
Archival materials
Slides
Slides (photographs)
Date:
1978 September 24-October 3
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); James Jones collection from Bolivia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution
See more items in:
James C. Jones collection from Bolivia
James C. Jones collection from Bolivia / Series 1: Photographic slides taken in San Ignacio de Moxos, Beni, Bolivia
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4544286a9-3887-40de-b0f1-7499118f8b26
EDAN-URL:
ead_component:sova-nmai-ac-110-ref18

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