Search Results

Provenance:

North Shore Garden Club of Massachusetts  Search this

Former owner:

Phillips, John Charles  Search this

Phillips, Anna Tucker  Search this

The Trustees of Reservations  Search this

Owner:

Project Adventure  Search this

Landscape architect:

Olmsted Brothers  Search this

Farrand, Beatrix, 1872-1959  Search this

Kirkwood, Grace  Search this

Wirth, Thomas  Search this

Gibson, Laura  Search this

Photographer:

Gibson, Lolly  Search this

Mason:

Watson, John H.  Search this

Collection Creator:

Garden Club of America  Search this

Type:

Archival materials

Place:

United States of America -- Massachusetts -- Essex -- Beverly

Scope and Contents:

This file contains 2 folders, 2 35mm slides (1987), 11 digital images and 3 photographic prints (2020).

General:

The Tea House Garden is a small sunken flower garden that occupies 1/4 acre on the 175 acre Moraine Farm. The tea house itself is an octagonal shape with fluted columns and a shingled dome on top of a fieldstone grotto. It features a vast lawn that extends south from the house and terrace, as well as a circular pool. The east and west walls of the lawn are constructed of trees, shrubs, and dragon tooth. The property overlooks a panoramic view of Wenham Lake from a terrace that spans the length of the house.

Frederick Law Olmsted was involved in the development of the property between 1879 and 1880 when John C. Phillips acquired several small farms to renovate, including this one. Olmsted worked with the architectural firm Peabody and Stearns to determine the position of the house, as well as its visual and physical connection with the naturalistic landscape adjacent to the house and along the road. Though the first owner desired a vibrant flower garden, Olmsted discouraged his client from clashing the brilliance of a colorful garden with the native shrubs and trees. He ultimately decided to place the flower garden within the rock-bound framework of the residential landscape, and out of sight of the house. John W. Watson of Lawrence Watson and Son built a stone wall and terrace on the property in 1880.

The original owner continued to take interest in the Tea House Garden after her husband's death in 1885. In 1907, she commissioned Beatrix Jones [Farrand] to design a water garden. While Jones' original plans depicted a horseshoe shaped pond amongst perennials, photographs taken that year prove that the water garden created did not reflect Jones' plan. The idea for a shrubbery bed was replaced by a circular lily pond and fountain. After the original owner's death in 1925, her children sold the property to George and Katherine Batchelder Jr. In 1928, the new owners removed the grape arbor, kept the circular pond, and designed a new trap rock path system that reflected the horseshoe shape of the dragon tooth wall. In 2017, the Moraine Farm Landscape Committee asked member Lolly Gibson to simplify the garden to reduce maintenance requirements and make upkeep more sustainable. Her alterations are reflected in the current documentation of the garden, such as the added mulched maintenance paths in the large beds.

Inside the dragon tooth wall are azaleas, andromeda, laurel, white rose of Sharon, Summersweet and Lilacs that form a backdrop for summer blooming Astilbe, Fairy Candles, Hosta, Lysimachus, Sedum, Thalictrum, Thermopsis, and Turk's Cap Lily. European Ginger, Lady Ferns, Maidenhair Ferns, and Trillium lie beneath the shrubs. Roses, lilacs, sweetspire, and anemones frame the grotto of the teahouse. The circular pond is surrounded by roses, catmint, and peonies, and behind it are germander edged perennial beds. One can see azaleas through the tea house windows. Moss continues to cover the stone used as the tea house foundation as it did in Olmsted's day.

Persons associated with the garden include: John Charles and Anna Tucker Phillips (former owners, 1878 – 1885, 1885 – 1925); John Charles Phillips Sr., and William Phillips (former owners, 1925 – 1928); George Lewis Batchelder Jr., and Katherine Tiffany Abbot Batchelder (former owners, 1928 – 1977); George Lewis Batchelder III and Wilhelmina VanLier Batchelder (former owners, 1977 – 1999); Batchelder Trust (former owner, 1991 - present); Project Adventure (74 acres including garden area); (owner, 1999 to present); The Trustees of Reservations (37 acres) (owners, 2010 – present); Frederick Law Olmsted/ Olmsted Bros. (landscape architects, 1879 – 1884/ 1948 – 1968); Beatrix Jones {Farrand} (landscape architect, 1907); Grace Kirkwood (landscape architect, 1960); Thomas Wirth (landscape architect, 1986); Laura Gibson (landscape architect, 2017).

Related Materials:

Related materials include Tea House Garden Ledgers, correspondence, plans: The Trustees of Reservations, Archives and Research Center, Sharon, Massachusetts; Plans: Fairsted, Brookline, Massachusetts, National Park Service; Correspondence: Library of Congress; Frederick Law Olmsted, Designing the American Landscape, Charles E. Beveridge and Paul Rocheleu, Rizzoli; The Papers of Frederick Law Olmsted, Vol. III, page 203.

Collection Restrictions:

Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Collection Rights:

Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.

Topic:

Gardens -- Massachusetts -- Beverly  Search this

Tea House Garden, Moraine Farm (Beverly, Massachusetts)  Search this

Collection Citation:

Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.

Sponsor:

A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.

Identifier:

AAG.GCA, File MA169

See more items in:

The Garden Club of America collection

The Garden Club of America collection / Series 1: United States Garden Images / Massachusetts

Archival Repository:

Archives of American Gardens

GUID:

https://n2t.net/ark:/65665/kb612039030-a3fc-458e-aa41-f6cf49a0b8cf

EDAN-URL:

ead_component:sova-aag-gca-ref33239

Creator:

Anacostia Community Museum  Search this

Names:

Anacostia Community Museum  Search this

Anacostia Neighborhood Museum  Search this

Extent:

5.83 Linear feet (5 boxes)

Type:

Collection descriptions

Archival materials

Exhibition catalogs

Contact sheets

Correspondence

Clippings

Photographic prints

Negatives

Exhibition records

Oral histories (document genres)

Place:

Anacostia (Washington, D.C.)

Date:

1898-1988

Scope and Contents:

The records of the Evolution of a Community: 1972 Exhibition presented by the Anacostia Community Museum measure 5.83 linear feet and date from 1898 to 1988. Included are exhibit administrative files, lists of images, press releases for the promotion of the exhibit, oral history transcripts and permission forms, and extensive research files into the Anacostia community in southeast Washington D.C.

The Research Files series contains news clippings, publications, unpublished articles, project files, and research material for the exhibitions. Subjects include local figures and the Barry's Farm neighborhood, unpublished historical narratives, and project records related to archaeological investigations and neighborhood development programs.

The Interview series consists of the audio cassettes and transcripts of the oral history interviews collected in 1970-1971 for the Evolution of a Community exhibits. This series also includes interview notes and thank you letters from the museum to the interviewees. Digital audio files are available for some of the oral history interviews.

Exhibit File series includes an outline for exhibit themes and proposed layouts, drafts of the exhibit scripts, lists of exhibit objects, promotional press releases, and related correspondence.

Arrangement:

Evolution of a Community: 1972 exhibition records is arranged in 4 series.

Series 1: Research Files

Series 2: Interviews

Series 3: Exhibit Files

Series 4: Audiovisual Materials

Historical Note:

Evolution of a Community began as a research project to investigate the history of Anacostia through oral histories. This project was funded by the Carnegie Corporation of New York, the Housing and Urban Development Department, and the Cafritz Foundation of Washington, D.C. The purpose of creating an oral history project was to record Anacostia's history from the perspective of its residents and translate those stories into meaningful and interesting exhibits. Three exhibitions were created from this project by the Anacostia Neighborhood Museum (now Anacostia Community Museum) between 1972 and 1975 The first exhibition was The Evolution of a Community, Part 1: 1608-1955 and was held from February 27, 1972 – August 31, 1972. This exhibition centered on the history of Anacostia from 1608 until shortly after World War II, drawing from the 1970 oral histories interviews with longtime residents. The second exhibition was The Evolution of a Community, Part 2: 1955-Present and was held from September 1, 1972 – December 31, 1972. This exhibition showcased Anacostia's history from 1955 to 1972 and was organized into five major topics: housing, unemployment, education, crime, and drugs. The last exhibition was Anacostia Today: The Evolution of a Community, Part 2: Continued and was held from March 1, 1973 – July 31, 1973. This exhibition was the same exhibition as The Evolution of a Community, Part 2: 1955-Present but brought back for the museum's fifth anniversary and continued its focus on its five major topics.

Related Materials:

Anacostia Story: 1608-1930 Exhibition Records, M03-039.

Anacostia Oral History Project, 1975

Provenance:

Records of the Evolution of a Community: 1972 Exhibition were created by the Anacostia Community Museum.

Restrictions:

Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.

Rights:

Collection items available for reproduction, but the Archives makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives cost-recovery and use fees may apply when requesting reproductions.

Topic:

Museum exhibits  Search this

African American neighborhoods  Search this

African Americans  Search this

Genre/Form:

Exhibition catalogs

Contact sheets

Correspondence

Clippings

Photographic prints

Negatives

Exhibition records -- 1967-1989

Oral histories (document genres)

Citation:

Evolution of a Community: 1972 Exhibition Records, Anacostia Community Museum Archives, Smithsonian Institution.

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

Identifier:

ACMA.03-040

See more items in:

Evolution of a Community: 1972 Exhibition Records

Archival Repository:

Anacostia Community Museum Archives

GUID:

https://n2t.net/ark:/65665/qa75cac2f00-94cc-479a-bf58-1c9a3dd1ced4

EDAN-URL:

ead_collection:sova-acma-03-040

Creator:

Bellanca, Giuseppe M., 1886-1960  Search this

Names:

Bellanca Aircraft Corporation  Search this

Wright Aeronautical Corporation  Search this

Chamberlin, Clarence  Search this

Extent:

248.5 Cubic feet (245 boxes)

Type:

Collection descriptions

Archival materials

Correspondence

Financial records

Newspaper clippings

Drawings

Photographic prints

Date:

1919-1959

Summary:

This collection consists of the archives of Giuseppe M. Bellanca and his company, including the following types of mediums: drawings, stress analysis tests, reports, photographs/negatives, documents, correspondence, patent information, newspaper clippings, business records, and financial statements.

Scope and Contents:

Series I: Mr. Bellanca's professional life

Here, the researcher will find documents regarding the day-to-day operations of the Bellanca Aircraft Corporation. The material is generally divided into core documents of the corporation, correspondence, financial documents, subcontracting pursuits, patents, employee relations, and company history.

Series II: Technical Material

This material is separated into the following subseries: Miscellaneous Handwritten Notes and Sketches, Bellanca Aircraft Technical Data, Bellanca Aircraft Corporation Reports, Technical Research Files, Bellanca Aircraft Drawing Lists, Bellanca Aircraft Drawings, and Bellanca Aircraft Drawing Indexes. The Bellanca Collection is not a complete history of the Bellanca Aircraft Corporation. Over the years, it appears that many items were loaned out by the Bellanca Family to researchers and not returned. Therefore, there are significant gaps in correspondence, formal, numbered reports, and other areas of the collection. For example, the earliest report in the Bellanca Collection is Report #28, the next report which appears is report #45.

The Giuseppe M. Bellanca Collection contains over 10,000 drawings. (At the time of processing, not all drawings were entered into the Bellanca Drawings Database. These drawings will be entered as time allows.) The drawings vary in size from 8 x 11 inches to 36 x 185 inches. There are original pencil drawings, blueprints, and blueline drawings. Over 130 models of Bellanca aircraft are represented in the Collection. There are General Arrangement, or Three-View drawings for over 80 of these models. Bellanca drawings are not easy to decipher. Most of the drawings have data blocks which contain only a finite amount of information. Often the aircraft has been identified only by serial number. In some cases the model number of the aircraft is also the drawing number. Other times, the aircraft name would be given, but no model number, i.e. Skyrocket. Also, words were abbreviated and it was left up to the processing archivist to determine their probable meaning. Despite the explanation in the scope and content notes, the Bellanca Corporation was not consistent when assigning model numbers. Letters were sometimes assigned that reflected a United States War Department designation, i.e. the VSO and the VF. By using the Bellanca Drawing indexes, the processing archivist was able to supply model numbers for some of the drawings.

7136 Bellanca Aircraft Company Drawings have been added to the National Air and Space Museum Miscellaneous Drawings Database. As time allows, the remaining Bellanca Drawings will be added to this database. An Archives Staff member will assist researchers in retrieving these materials from the database finding aid.

The Bellanca drawings were stored for over thirty years in less-than-ideal conditions. Many of the drawings were drawn on poor-quality tracing paper, and have become extremely brittle and fragile. Therefore, many of the drawings in the Bellanca Collection may not be available to researchers.

During processing of the collection, the project archivist has gained some insight about how Mr. Bellanca chose the model designations for his aircraft. The earliest system of model designations was based upon letters of the alphabet. No model designations appear for any Bellanca design until his work for Maryland Pressed Steel in 1916. The CD, which he designed for that company, was his fourth aircraft design that was built, and the letter D is the fourth letter of the alphabet. This pattern continues through the Bellanca CF. During 1926, when Mr. Bellanca worked for the Wright Corporation, he already had in mind an improved version of the CF, which was designated the CG. This aircraft received the designation WB-1 from the Wright Corporation.

When Mr. Bellanca formed his own company in 1927, the letter pattern described above reasserted itself for a time with the introduction of the Bellanca CH. It was a common practice of manufacturers of the time to also include the engine horsepower as part of the model number, so the Bellanca CH actually received its Approved Type Certificate (ATC) as the CH-200. When the next model came out, it was the CH-300 with a 300 horsepower Wright Whirlwind engine. This system remained in place through the CH-400. Names were given to some Bellanca aircraft. It appears that the names were a marketing tool meant to appeal to the buying public. With this idea in mind, the CH-300 became the "Pacemaker", the CH-400 became the "Skyrocket", and the P 100 was christened the "Airbus". In the early 1930's, the Bellanca Corporation moved away from the alphabetical designations and moved to numerical designations. Later Bellanca aircraft model designations consist of a series of numbers, such as 31-50. The first number was the wing area, in this case, 310 square feet, divided by 10. The second number was the horsepower of the engine, 500, divided by 10. This resulted in a distinctive system of model designations, which lasted until Mr. Bellanca sold the company.

Series III: Mr. Bellanca's personal material.

In this series, the researcher will find personal correspondence among family members, from both Giuseppe and Dorothy Bellanca's families and personal, legal and financial records for Bellanca family. As the lines between Mr. Bellanca's personal and professional lives were sometimes blurred, a fine line of separation between the two was not always possible. For example, at one time or another, two of Mr. Bellanca's brothers, John and Frank, worked for the Bellanca Aircraft Corporation and Andrew Bellanca, Mr. Bellanca's nephew, was his lawyer throughout his life. Therefore, the processing archivist suggests that the researcher look in the professional series of documents as well as Mr. Bellanca's personal papers for a more complete representation of Mr. Bellanca's correspondence.

After processing was completed, publications which previously had been offered to the NASM Branch Library were returned to the collection. They are listed in an addendum at the end of this finding aid.

Series IV: Photographs.

The researcher will find photographs of Bellanca aircraft, including the Bellanca Aircraft Corporation's Master Photograph Files, photographs of the Bellanca factory and factory workers, and photographs of Giuseppe M. Bellanca, business associates, and family members.

Series V: Miscellaneous and Oversize Materials.

This series contains ephemera of the Bellanca Collection: Scrapbooks, Loose Newspaper Clippings, Artwork, Ephemera and Magazine Clippings.

The Bellanca Collection included 27 motion picture films. In May of 2000, this film was transferred to the NASM Film Archives. Researchers wishing to access this part of the collection should contact the NASM Film Archivist.

Arrangement:

Series I: Mr. Bellanca's Professional Life

Series II: Technical Data

Series III: Personal Papers

Series IV: Photographs

Series V: Miscellaneous and Oversize Materials

Biographical / Historical:

Giuseppe Mario Bellanca was born in 1886 in Sciacca, Sicily. As a young man, he attended the Technical Institute in Milan, graduating with a teaching degree in mathematics in 1908. During his quest for a second mathematics and engineering degree, he became enamoured of aviation, and set out to design and build his own airplane. Bellanca's first aircraft design was a "pusher" aircraft, somewhat similar to the Wright Flyer. Lacking funds for such an endeavor, he joined with two partners, Enea Bossi, and Paolo Invernizzi. The union of the three produced the first flight of a totally Italian-designed and Italian-built aircraft in early December of 1909. The flight was short, but it was a start. Bellanca's second design was a tractor-type aircraft. Although the aircraft was successfully constructed, it was never flown due to insufficient funds for an engine.

At the urging of his brother Carlo, who was already established in Brooklyn, New York, Giuseppe Bellanca immigrated to America in 1911. Before the end of the year, he began construction of his third airplane design, a parasol monoplane. After construction was completed, he took the small craft to Mineola Field on Long Island, NY, and proceeded to teach himself to fly. He began by taxiing. He then, taxied faster, which gave way to short hops. The hops got longer, until, on May 19, 1912, there was not enough room to land straight ahead, and Bellanca had to complete a turn in order land safely. Having successfully taught himself to fly, Bellanca then set about teaching others to fly, and from 1912 to 1916, he operated the Bellanca Flying School. One of his students was a young Fiorello La Guardia, the future mayor of New York City. In return for flying lessons, La Guardia taught Bellanca how to drive a car.

In 1917 the Maryland Pressed Steel Company of Hagerstown, MD hired Bellanca as a consulting engineer. While there, he designed two trainer biplanes, the CD, and an improved version, the CE. With the conclusion of WWI, Maryland Pressed Steel's contracts were cancelled and the company entered into receivership. Thus, the CE never went into production.

In 1921, a group of investors lured Bellanca westward to Omaha, NE, in hopes of establishing that town as a center for aircraft manufacture. Before the aircraft could be built, the company went bankrupt, but construction of the aircraft continued under the financial backing of a local motorcycle dealer named Victor Roos. The resultant aircraft, the Bellanca CF, was called by Janes's All the World's Aircraft "the first up-to-date transport aeroplane that was designed, built, and flown with success in the United States." Among the local people helping to build the aircraft was the daughter of Bellanca's landlord, Dorothy Brown. Giuseppe and she were married on November 18, 1922.

Despite its advanced design, the Bellanca CF could not compete with the economics of the time. In the days just after World War I, a surplus Curtiss Jenny could be purchased for as little as $250.00. A Bellanca CF, with a price tag of $5000.00, was just too expensive and the aircraft never went into production. After the disappointment of the CF, Bellanca designed wings for the Post Office Department's DH-4's. His new wings were a tremendous improvement over the original design, but only a few aircraft were so modified.

In 1925, Bellanca went to work for the Wright Aeronautical Corporation of Paterson, NJ. His assignment there was to develop an aircraft around the new Wright Whirlwind engine. He already had a design in mind, which was an improved version of the CF, called the CG. This design evolved into the Wright-Bellanca WB-1.

The WB-1 enjoyed a short, but successful flying career. The aircraft had already won one race and efficiency contest before an untimely accident destroyed the craft during preparation for an attempt to break the world's non-refueled endurance record. Fortunately, at the time of the crash, Bellanca was already working on an improved version, of the WB-1 designated the WB-2.

During 1926, the WB-2 won two efficiency trophies at the National Air Races in Philadelphia. Wright considered putting the aircraft into production, but decided against it to avoid alienating other aircraft companies that were potential customers for their engines. Disappointed by Wright's decision, Bellanca left the company and joined with a young businessman named Charles Levine to form the Columbia Aircraft Company. Wright sold the WB-2 and all drawings and production rights to the new company. The WB-2 went on to a long and fruitful flying career starting with establishing a new world's non-refueled endurance record of 51 hours, 11 minutes, and 59 seconds in April of 1927.

In the latter half of 1926, Charles Lindbergh wanted to buy the WB-2, now named the 'Columbia', for his proposed flight from New York to Paris. He was rebuffed by Levine who also had designs on the flight and the $25,000 prize money. Lindbergh then went to Ryan for his specially designed NYP. Meanwhile Levine, in choosing the crew, managed to promise two seats to three people. So while the Columbia was grounded by a court order brought by the third party, Lindbergh took off on his successful flight to Paris.

Eventually, the 'Columbia' was cleared of litigation and took off on its successful transatlantic flight on June 4, 1927. In the cockpit were Clarence Chamberlin, one of the pilots of the endurance record and Charles Levine, who became the first transatlantic passenger. The plan was to fly all the way to Berlin, and Chamberlin had vowed to fly until they ran out of fuel. Forty-three hours later, they landed in Eisleben, Germany, the first of two successful Atlantic crossings for Bellanca's most famous aircraft.

Disappointed because the 'Columbia' was not the first aircraft to accomplish the New York to Paris flight, Bellanca severed all relations with Levine, and started his own company, the Bellanca Aircraft Corporation of America, and rented facilities on Staten Island, NY. The new Bellanca model was designated the CH, and was basically a commercial version of the WB-2. The new company also had two other models that were built for special orders, the Bellanca Model J and the Model K.

It was not long before Bellanca caught the attention of the Du Pont family of Delaware. They wanted to start aircraft manufacturing in Delaware, and in late 1927, an agreement was made with Bellanca to locate his factory outside of Wilmington. The site was large enough for a first-class airfield, with a seaplane ramp on the nearby Delaware River.

This was a busy time in Bellanca's life. Along with all that was happening in his professional life, he and Dorothy celebrated the birth of their son August T. Bellanca in March of 1927.

With the exception of a few years immediately before and during the early stages of WWII, Bellanca was President and Chairman of the Board from the corporation's inception on the last day of 1927 until he sold the company to L. Albert and Sons in 1954. After his departure from the company, Giuseppe and his son, August, formed the Bellanca Development Company with the purpose of building a new aircraft. It would have increased performance due to the use of lighter materials for its structure. Work on this aircraft was progressing when Giuseppe Bellanca succumbed to leukemia and died on December 26, 1960. After his father's death, August continued the project, and under his guidance, the aircraft first flew in 1973.

In 1993, August Bellanca donated his father's personal and professional papers to the National Air and Space Museum Archives. Prior to that time, they were kept in the Bellanca home near Galena, MD, and administered by Dorothy and August Bellanca.

1886 -- Born in Sciacca, Sicily

1909 -- Built first airplane. It completed the first flight of an Italian-designed, Italian-built, aircraft on December 8, 1909.

1911 -- Immigrated to America, settled in Brooklyn, NY.

1912 -- Completed construction of parasol monoplane. Successfully learned to fly this aircraft at Mineola, Long Island, NY.

1912 - 1916 -- Taught others to fly the parasol monoplane, including Fiorello LaGuardia.

1917 - 1920 -- Employed as a consulting engineer for Maryland Pressed Steel Company of Hagerstown, MD. While there, Bellanca designed and built the Bellanca CD and CE tractor biplanes.

1921 - 1922 -- Moved to Omaha, NE, and with Victor Roos, formed the Roos-Bellanca Aircraft Company. Bellanca designed and built the Bellanca CF. Married Dorothy Brown on November 18, 1922, in Omaha, NE.

1923 -- Moved back to New York, and designed and built new sets of wings for the Post Office Department's DH-4 mailplanes

1925 -- Employed by the Wright Aeronautical Corporation of Paterson, NJ, designing an aircraft around their new "Whirlwind" engine. The Wright-Bellanca 1, or WB-1, was the result, and was first flown in the latter part of that year.

1926 -- First flight of the WB-2.

1927 -- Bellanca started the Bellanca Aircraft Corporation of America, on Staten Island, NY. Bellanca established the Bellanca Aircraft Corporation of New Castle, DE. Wright decided not to enter into quantity production of the WB-2. Bellanca entered into a partnership with Charles A. Levine, and together, they formed the Columbia Aircraft Corporation. From Tuesday, April 12 to Thursday, April 14, Clarence Chamberlin and Bert Acosta set a new world's non-refueled endurance record in the WB-2, which was shortly thereafter, renamed the "Columbia". On June 4th, the Columbia set off across the Atlantic, and landed in Eisleben, Germany.

1941 - 1943 -- Head of the aviation department at Higgins Industries, Inc., in New Orleans, designing large cargo aircraft for troop movement during the war.

1954 -- Formed the Bellanca Development Company, to conduct research in lightweight aircraft construction materials.

1960 -- Died of leukemia in New York, December 26.

Provenance:

Mr. and Mrs. August Bellanca, Gift, 1993, NASM.1993.0055

Restrictions:

No restrictions on access.

Rights:

Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.

Topic:

Aeronautics  Search this

Bellanca WB-2 "Miss Columbia"  Search this

Transatlantic flights  Search this

Genre/Form:

Correspondence

Financial records

Newspaper clippings

Drawings

Photographic prints

Citation:

Giuseppe M. Bellanca Collection, Acc. NASM.1993.0055, National Air and Space Museum, Smithsonian Institution.

Identifier:

NASM.1993.0055

See more items in:

Giuseppe M. Bellanca Collection

Archival Repository:

National Air and Space Museum Archives

GUID:

https://n2t.net/ark:/65665/pg271dc0842-f969-4959-847e-2fe8d6d09920

EDAN-URL:

ead_collection:sova-nasm-1993-0055

Creator:

Cox, Allyn, 1896-1982  Search this

Names:

American Battle Monuments Commission  Search this

Art Commission of the City of New York  Search this

Art Students League (New York, N.Y.)  Search this

Century Association (New York, N.Y.)  Search this

Cosmos Club (Washington, D.C.)  Search this

Dumbarton Oaks  Search this

George Washington Masonic National Memorial (Alexandria, Va.)  Search this

National Society of Mural Painters (New York, N.Y.)  Search this

Park Club of Kalamazoo  Search this

Smithsonian Institution  Search this

United States Capitol Historical Society  Search this

Bayley, John Barrington, 1914-1981  Search this

Bishop, Warner  Search this

Cassio, Fabrizio  Search this

Conrad, Arthur  Search this

Cox, Ethel  Search this

Cox, Kenyon, 1856-1919  Search this

Cox, Louise Howland King, 1865-1945  Search this

DeWitt, Roscoe, 1894-1975  Search this

Frost, Stuart  Search this

Harbeson, John F. (John Frederick), 1888-1986  Search this

Keally, Francis, 1889-1978  Search this

Keller, Deane, 1901-1992  Search this

Lamb, Adrian  Search this

Laning, Edward, 1906-1981  Search this

Lay, Charles Downing, 1877-1956  Search this

MacDonald, Pirie, 1867-1942  Search this

Schwengel, Fred, 1907-1993  Search this

Shutze, Philip Trammell  Search this

Young, Clifford, 1905-  Search this

Extent:

11 Linear feet

Type:

Collection descriptions

Archival materials

Interviews

Diaries

Sketchbooks

Sketches

Date:

1856-1982

Summary:

The papers of New York, N.Y., and Washington, D.C. painter and muralist Allyn Cox measure 11 linear feet and date from 1856-1982. The collection documents Cox's personal and professional life through biographical material, family and general correspondence, writings and notes, research material, printed material, sketchbooks and loose sketches, and photographs. Photographs are of Cox at work, the Cox family, including Kenyon and Louise Cox, Cox's friends and colleagues, events, and Cox's artwork.

Scope and Contents:

The papers of New York, N.Y., and Washington, D.C. painter and muralist Allyn Cox measure 11 linear feet and date from 1856-1982. The collection documents Cox's personal and professional life through biographical material, family and general correspondence, writings and notes, research material, printed material, sketchbooks and loose sketches, and photographs. Photographs are of Cox at work, the Cox family, including Kenyon and Louise Cox, Cox's friends and colleagues, events, and Cox's artwork.

Biographical material includes family birth, death, and marriage certificates, and passports for Cox and his wife Ethel, whom he married in 1927; professional membership cards, awards and certificates; records related to sales of furnishings from the Cox family home in Essex, Massachusetts; and an untranscribed interview of Cox by Tony Janak of NBC TV.

Cox's family correspondence is primarily with his mother, Louise Cox. Also found is correspondence with Cox's sister, Caroline Cox Lansing, and his brother Leonard Cox and Leonard's wife, Sylvia, and letters from Ethel Cox to her mother. Additional correspondence relating to the disposition of Kenyon Cox''s artwork and archives to various institutions, can also be found here.

General correspondence documents Cox's career and professional relationships with artists and architects, including John Barrington Bayley, Fabrizio Cassio, Arthur Conrad, Roscoe DeWitt, Stuart Frost, John Harbeson, Francis Keally, Adrian Lamb, Edward Laning, Charles Downing Lay, Deane Keller, Philip Trammell Shutze, and Cliff Young; art institutions and organizations including the Art Commission of the City of New York, the Art Students League, Dumbarton Oaks, the National Society of Mural Painters, and the Smithsonian Institution; federal, state and local government agencies including the American Battle Monuments Commission, the Architect of the Capitol, and the General Grant National Memorial; members of Congress including founder of the United States Capitol Historical Society, Representative Fred Schwengel; and private social clubs in which Cox was active, including the Century Association, the Cosmopolitan Club and the Cosmos Club. Correspondence documents Cox's most well known commissions including work for the George Washington Masonic National Memorial and the United States Capitol, as well as work for many private clients including banks and residences.

Also found are typescripts, manuscripts and notes for Cox's lectures, as well as Ethel Cox's diary from 1923-1936 and her diary excerpt from 1955. Ten folders of research files, consisting primarily of clippings, comprise Cox's source material. Additional printed material provides scattered documentation of Cox's career through announcements and catalogs, and magazine and newspaper articles written by him or about his work. Also found is one folder of clippings about Kenyon Cox.

Four sketchbooks and circa twenty-two loose animal, figure, architectural and landscape sketches comprise Cox's artwork, in addition to two 1943 sketches Cox entered into a War Department mural competition. Also found is an 1873 sketchbook of Kenyon Cox, with sketches of people and scenes in Ohio.

Photographs are of Cox from childhood to the 1980s; his family, including parents, siblings, and grandparents; friends including Philip Trammell Shutze and Warner Bishop; family residences; artist models; events; and artwork, including many of Cox's commissions. In addition to photographic prints, slides, and negatives, the series includes vintage formats such as an ambrotype, 8 tintypes, 2 cyanotypes, and a platinum print. Of particular note are circa 16 photos of Kenyon Cox, one taken by Pirie MacDonald and three of him teaching a class at the Art Students League, and a series of circa 1906 photos taken in a garden, of Louise and Kenyon Cox with their children and others. Also found are 10 glass plate negatives of artwork by Cox.

Arrangement:

The collection is arranged as 7 series. Glass plate negatives are housed separately and are closed to researchers.

Missing Title

Series 1: Biographical Material, 1916-1982 (0.33 linear feet; Boxes 1, 12)

Series 2: Correspondence, 1878-1982 (6.74 linear feet; Boxes 1-7, 12)

Series 3: Writings and Notes, 1919-1982 (0.58 linear feet; Boxes 7-8)

Series 4: Research Files, circa 1950s-circa 1970s (0.25 linear feet; Box 8)

Series 5: Printed Material, 1920s-1982 (0.5 linear feet; Boxes 8-9)

Series 6: Sketchbooks and Sketches, 1873-circa 1978 (0.25 linear feet; Box 9, OVs 13-14)

Series 7: Photographs, 1856-circa 1980 (2.25 linear feet; Boxes 9-12, OV 13)

Biographical / Historical:

New York, N.Y. and Washington, D.C. painter and muralist, Allyn Cox (1896-1982), was born in New York City to artists Kenyon and Louise Cox. Cox first trained as his father's assistant, serving as an apprentice to Kenyon Cox during the painting of the murals at the Wisconsin State Capitol, circa 1912. He attended the National Academy of Design from 1910-1915, and the Art Student's League with George Bridgman in 1915. In 1916 he was awarded the Prix de Rome and subsequently studied at the American Academy in Rome for 2 years before returning to New York City to begin a career in mural painting.

Cox completed numerous murals and decorative paintings for private residences, businesses, churches, and public buildings. Some of his most famous commissions included murals for the Royal Arch Room and Memorial Hall of the George Washington Masonic National Memorial in Alexandria, Virginia; the Law School at the University of Virginia, Charlottesville; and the William A. Clark Memorial Library at the University of California, Los Angeles; panels for the National City Bank, the Continental Bank, and the Guaranty Trust Company in New York; and glass mosaics and inlaid stone maps for the United States Military Cemetery in Hamm, Luxembourg.

Cox is best known for his work in the United States Capitol, beginning in 1952 when he undertook a congressional commission to restore and complete the murals in in the Capitol rotunda begun by Constantino Brumidi and Filipo Costaggini in 1878. Over the course of the next two decades Cox, now residing in Washington, D.C., restored the Frieze of American History and the Apotheosis of Washington in the Rotunda, and designed murals for three first-floor corridors in the Capitol's House wing, now known as the Cox Corridors. Assisted by Cliff Young, Cox completed painting for two of these corridors before his death. In 1958 Cox also painted a portrait of Henry Clay for the Senate Reception Room and in 1975 completed a mural depicting the 1969 moon landing in the Brumidi Corridor.

Cox taught at the Art Students League in 1940 and 1941, and was active in professional organizations throughout his career. He served as President of the American Artists Professional League and the National Society of Mural Painters, and Vice President of both the Fine Arts Federation and the New York Architectural League. He was a member of the board of the New York Municipal Art Society and served on the the New York City Art Commission.

Cox retired in March 1982 at the age of 86 and died the following September.

Related Materials:

Also found in the Archives of American Art are the Allyn Cox papers relating to U.S. Capitol murals, 1970-1974, donated by the Committee on House Administration, via Cindy Szady in 1981. Papers include a resume; a cost estimate by Cox for designing and executing mural decorations in the U.S. Capitol, 1970; a letter, 1974, from the Office of the Architect of the Capitol to the Capitol Historical Society enclosing photocopies of printed material pertinent to the unveiling and dedication of the Capitol rotunda frieze in 1954; miscellaneous printed material, 1971-1974; and 15 photographs of the murals in the Capitol.

Provenance:

The bulk of the Allyn Cox papers was donated in 1977 and 1983 by the Estate of Allyn Cox, Stephen M. Pulsifer, Exectuor, including material that had been loaned for microfiliming in 1969. Two mural sketches were donated by the Essex County Greenbelt Association in 1984.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Glass plate negatives are housed separately and are not served to researchers. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Washington (D.C.)  Search this

Topic:

Painters -- New York (State) -- New York  Search this

Muralists -- Washington (D.C.)  Search this

Muralists -- New York (State) -- New York  Search this

Genre/Form:

Interviews

Diaries

Sketchbooks

Sketches

Citation:

Allyn Cox papers, 1856-1982. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.

Identifier:

AAA.coxally

See more items in:

Allyn Cox papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90c9efb57-6d34-4007-ad8a-8ce4b40537fd

EDAN-URL:

ead_collection:sova-aaa-coxally

Creator:

National Association of Civilian Conservation Corps Alumni  Search this

Ward, C.E.  Search this

Civilian Conservation Corps (U.S.)  Search this

Bidwell, Timothy  Search this

Bires, Andrew, G.  Search this

Extent:

155 Cubic feet (331 boxes, 57 map folders)

Type:

Collection descriptions

Archival materials

Panoramas

Photographs

Newspapers

Pamphlets

Audiovisual materials

Newsletters

Books

Blueprints

Cartoons (humorous images)

Logs (records)

Manuals

Magazines (periodicals)

Menus

Memoirs

Rosters

Poems

Sheet music

Date:

1853-2009, undated

bulk 1933-1942

Summary:

The Archival collections of the National Association of Civilian Conservation Corps Alumni (NACCCA) donated in 2006. The Civilian Conservation Corps (CCC), created as part of the New Deal legislation initiated by President Franklin D. Roosevelt in 1933, was a public work relief program for unemployed men designed to reduce high unemployment during the Great Depression. The CCC carried out a broad natural resource conservation program on national, state, and municipal lands from 1933 to 1942. This collection contains papers, photographs, and ephemera collected and created by alumni of the CCC and donated to the NACCCA archives.

Scope and Contents:

This material was acquired by the National Association of Civilian Conservation Corps Alumni (NACCCA)from CCC alumni and originally housed in the NACCCA archives in St. Louis, Missouri. Photographic materials, including loose photos, slides, snapshots, group photos, panoramic photos, and albums and binders of photographs; printed materials, including newspapers published by individual companies, camps and districts, and the national CCC newspaper, Happy Days; materials documenting each camp, including camp histories, personal memoirs, blueprints of camps and projects worked on; the papers of C.E. Ward, Educational Director of the CCC's 3rd Corps, which document the planning and implementation of educational activities in that region; miscellaneous materials, including camp rosters, cartoons, menus, poems, pamphlets, booklets, magazines, manuals, enrollee discharge papers, work logs, and sheet music; and other more recent materials such as research papers, books on the CCC, selected audiotape and video interviews with some of the alumni; and other miscellaneous items. The collection is arranged into nine series.

Arrangement:

The collection is divided into nine series.

Series 1: Scrapbooks, 1853-2003, undated

Series 2: State Material, 1922-2008, undated

Series 3: Publications, 1924-2006, undated

Series 4: C.E. Ward, 3rd Corps, 1933-2001, undated

Series 5: Photographs, 1929-2008, undated

Series 6: General Ephemera, 1915-2006, undated

Series 7: Bidwell Addendum, 1933-1987, undated

Series 8: Bires Addendum, 1934-1985, undated

Series 9: Audiovisual Materials, 1933-2009, undated

Biographical / Historical:

The Civilian Conservation Corps (CCC) was a New Deal era program, created in 1933 to reduce unemployment, a direct result of the Great Depression. The CCC provided national conservation work across the United States for young, unmarried men. Veterans could be enrolled in the CCC after verification of their service by the Veteran's Administration. Veterans were exempt from the age and marriage restriction. Projects included planting trees, bulding flood barriers, combatting forest fires, maintaining forest roads and trails, and building recreational facilities in the National Park system and a host of other projects. There were separate CCC programs for Native Americans of recognized tribes and African Americans. In 1942, with the waning of the Great Depression and America's entry into World War II in December 1941, resources devoted to the CCC (men and materials) were diverted to the war effort. Congress ceased funding for the CCC and liquidation of the CCC was included in the Labor-Federal Security Appropriation Act (56 Stat. 569) on July 2, 1942, and for the most part completed by June 30, 1943. Appropriations for the liquidation of the CCC continued through April 20, 1948.

Related Materials:

Materials at Other Organizations

National Archives and Records Administration

Record Group 35, Civilian Conservation Corps

Provenance:

Collection donated by National Association of Civilian Conservation Corps Alumni in 2006.

Restrictions:

This collection is open for research use.

Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.

Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Conservation of natural resources -- 1930-1950  Search this

Depressions -- 1929 -- United States  Search this

National parks and reserves  Search this

New Deal, 1933-1939  Search this

State parks  Search this

Genre/Form:

Panoramas

Photographs -- 20th century

Newspapers

Pamphlets

Audiovisual materials

Newsletters

Books

Blueprints -- 20th century

Cartoons (humorous images)

Logs (records)

Manuals

Magazines (periodicals) -- 20th century

Menus

Memoirs

Rosters

Poems

Sheet music -- 20th century

Citation:

Civilian Conservation Corps Collection, Archives Center, National Museum of American History

Identifier:

NMAH.AC.0930

See more items in:

Civilian Conservation Corps (CCC) Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8f608a47e-d1a4-4b39-8a85-c1a7bf9c84b6

EDAN-URL:

ead_collection:sova-nmah-ac-0930

Sponsor:

Civilian Conservation Corps (U.S.)  Search this

Collection Creator:

National Association of Civilian Conservation Corps Alumni  Search this

Ward, C.E.  Search this

Civilian Conservation Corps (U.S.)  Search this

Bidwell, Timothy  Search this

Bires, Andrew, G.  Search this

Extent:

1 Item (Silver gelatin on paper.)

Type:

Archival materials

Black-and-white photographic prints

Place:

Camp Smith

Date:

[ca- 1933-1942.]

Local Numbers:

AC0930-0000069.tif (AC Scan No.)

Collection Restrictions:

This collection is open for research use.

Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.

Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Camps  Search this

Pool (Game)  Search this

Genre/Form:

Black-and-white photographic prints -- Silver gelatin -- 1900-1950

Collection Citation:

Civilian Conservation Corps Collection, Archives Center, National Museum of American History

See more items in:

Civilian Conservation Corps (CCC) Collection

Civilian Conservation Corps (CCC) Collection / Series 5: Photographs / 5.2: Photograph Albums / Unidentified photographs

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep89d8720cd-048c-4647-ac8b-2261a5d39f90

EDAN-URL:

ead_component:sova-nmah-ac-0930-ref3764

Sponsor:

Civilian Conservation Corps (U.S.)  Search this

Collection Creator:

National Association of Civilian Conservation Corps Alumni  Search this

Ward, C.E.  Search this

Civilian Conservation Corps (U.S.)  Search this

Bidwell, Timothy  Search this

Bires, Andrew, G.  Search this

Extent:

1 Item (Silver gelatin on paper.)

Type:

Archival materials

Black-and-white photographic prints

Date:

[ca. 1933-1942]

Scope and Contents:

22 men in image.

Local Numbers:

AC0930-0000070.tif (AC Scan No.)

Collection Restrictions:

This collection is open for research use.

Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.

Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Pool (Game)  Search this

Uniforms  Search this

Guitar -- 20th century  Search this

Camps  Search this

Genre/Form:

Black-and-white photographic prints -- Silver gelatin -- 1900-1950

Collection Citation:

Civilian Conservation Corps Collection, Archives Center, National Museum of American History

See more items in:

Civilian Conservation Corps (CCC) Collection

Civilian Conservation Corps (CCC) Collection / Series 5: Photographs / Unidentified, Oversized Photographs

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8b6e3cfa9-38e3-4eb5-8337-0855f933bfbf

EDAN-URL:

ead_component:sova-nmah-ac-0930-ref3765

Sponsor:

Civilian Conservation Corps (U.S.)  Search this

Collection Creator:

National Association of Civilian Conservation Corps Alumni  Search this

Ward, C.E.  Search this

Civilian Conservation Corps (U.S.)  Search this

Bidwell, Timothy  Search this

Bires, Andrew, G.  Search this

Extent:

1 Item (Silver gelatin on paper.)

Type:

Archival materials

Black-and-white photographic prints

Place:

Utah

Local Numbers:

AC0930-0000072.tif (AC Scan No.)

Collection Restrictions:

This collection is open for research use.

Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.

Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Camps  Search this

Libraries  Search this

Genre/Form:

Black-and-white photographic prints -- Silver gelatin -- 1900-1950

Collection Citation:

Civilian Conservation Corps Collection, Archives Center, National Museum of American History

See more items in:

Civilian Conservation Corps (CCC) Collection

Civilian Conservation Corps (CCC) Collection / Series 5: Photographs / Utah, Oversized Photographs, Company 1152 and Unknown

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8a68b4a29-c8c0-4fd6-94d5-9215fc047a7e

EDAN-URL:

ead_component:sova-nmah-ac-0930-ref3767

Sponsor:

Civilian Conservation Corps (U.S.)  Search this

Photographer:

Spencer & Wyckoff  Search this

Collection Creator:

National Association of Civilian Conservation Corps Alumni  Search this

Ward, C.E.  Search this

Civilian Conservation Corps (U.S.)  Search this

Bidwell, Timothy  Search this

Bires, Andrew, G.  Search this

Extent:

1 Item (Silver gelatin on paper.)

Type:

Archival materials

Black-and-white photographic prints

Panoramas

Place:

Camp Sparta (Ill.)

Scope and Contents:

Panoramic image. Title in negative at left, photographer credit at right.

Local Numbers:

AC0930-0000073.tif (AC Scan No.)

Collection Restrictions:

This collection is open for research use.

Researchers must handle unprotected photographs with cotton gloves. Researchers may use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis and as resources allow.

Viewing film portions of the collection requires special appointment, please inquire; listening to LP recordings is only possible by special arrangement.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view materials in cold storage. Using cold room materials requires a three hour waiting period. Contact the Archives Center at 202-633-3270.

Collection Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Camps  Search this

Barracks  Search this

Genre/Form:

Black-and-white photographic prints -- Silver gelatin -- 1900-1950

Panoramas

Collection Citation:

Civilian Conservation Corps Collection, Archives Center, National Museum of American History

See more items in:

Civilian Conservation Corps (CCC) Collection

Civilian Conservation Corps (CCC) Collection / Series 5: Photographs / Illinois, Oversized Photographs, Company 1685 and 1698

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8ec987981-6bd3-434c-b58c-4c696f3ace94

EDAN-URL:

ead_component:sova-nmah-ac-0930-ref3768

Creator:

Warneke, Heinz (Heinrich), 1895-1983  Search this

Names:

Corcoran School of Art (Washington, D.C.) -- Faculty  Search this

United States. Work Projects Administration  Search this

Archer, Edmund, 1904-  Search this

Diederich, William Hunt, 1884-1953  Search this

Hancock, Walker Kirtland, 1901-1998  Search this

Hopper, Inslee  Search this

Zigrosser, Carl, 1891-  Search this

Extent:

6.25 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Sketchbooks

Date:

1928-1987

Scope and Contents:

Biographical material, financial material, correspondence, notes, writings, art work, photographs, printed material, and project files document the career of sculptor and educator, Heinz Warneke. Also included are some writings, art work, photographs, and printed material related to his wife, Jessie Warneke.

Biographical materials include autobiographical and biographical sketches about Warneke, and certificates, including his membership card to the Kunstler-Bund-Bremen, 1922-1923; personal financial materials, ca. 1931-1937, include household records for his East Haddam, Connecticut home, "The Mowings."

Correspondence, 1930-1987, with his wife, Jessie, friends, colleagues, clients, gallery owners, museum and art school administrators, various art guilds and societies, and foundries. Among the correspondents are Edmund (Ned) Archer, William Hunt Diederich, Walker Hancock, Dick and Julia Helms, Inslee A. Hopper, Rena T. Magee, Jessalee Sickman, Henry Vam Wolf, and Carl Zigrosser. The correspondence discusses exhibitions and sales of Warneke's sculptures, the Corcoran School of Art, and invitations to various White House and Embassy functions in Washington, D.C. Also included are illustrated letters from Henry Kriess and Jessie Warneke.

Notes are by Heinz Warneke, ca. 1928-1979, and others and include 5 address books, 2 notebooks, one regarding the Warneke School of Sculpture, ca. 1935-1937, scattered notes regarding Warneke's sculpture classes at the Corcoran School of Art, ca. 1950-1963, his formulas and processes for sculpting, and price lists for his art works. Notes by ohters include a guest book from the exhibition, "Heinz Warneke Looks Back," 1967 and research notes by Mary Mullen Cunningham, undated. Writings, ca. 1923-1977, by Heinz Warneke and others, include lectures, forewords to exhibition catalogs, and a statement of "Opinion regarding the Philosophy of the Corcoran School of Art and the Direction it should take."

Art works, ca. 1929-1932, include 2 sketchbooks, studies of figures, animals, and plant life, watercolors, several chalk sketches for a work possibly depiction life at "The Mowings," by Warneke, several sketches by Jessie Warneke, an etching, and three engravings by others. Photographs, ca. 1918-1983, are of Heinz, family and friends including Edmund Archer, Inslee Hopper, Roderick Seidenberg, Carl Zigrosser, his pet dogs, his homes and studios in Connecticut, New York, and Washington, D.C., students, travels, art works by Heinz and Jessie, exhibition installations, and source material.

Printed material include exhibition announcements and catalogs and clippings, and other materials for Heinz, Jessie, and others, ca. 1923-1981. There is a file regarding Warneke's participation on the jury for the Thomas Jefferson Memorial Committee, 1939-1940, and circa 136 project files for completed and proposed sculpture works for public and private commissions which include various works for the National Cathedral, Washington, D.C., an African cow elephant and calf for the Philadelphia Zoo, the Nittany Lion for Pennsylvania State University, and several Works Project Authority (WPA), and other federal projects, ca., 1911-1971.

Biographical / Historical:

Heinz Warneke (1895-1983) was a sculptor, animal sculptor and educator in East Haddam, Connecticut. Born and trained in Germany, Warneke worked on sculpture projects for WPA and was the head of the sculpture department at the Corcoran School of Art from the early 1940's to 1970.

Related Materials:

Heinz Warneke papers also at Syracuse University.

Provenance:

Donated 1977 by Warneke, and in 1983-1984, and 1994 by his stepdaughter and executrix of his estate, Priscilla Norton. The 1994 installment had been used by Micky Cunningham in her book, "Heinz Warneke, 1895-1983: A Sculptor First and Last" (University of Delaware Press, 1994). Additional photograph of Warneke by his stepson Edward Hall transferred 2013 from SAAM via George Gurney, Curator. Gurney received the photograph from Priscilla Norton.

Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.

Occupation:

Animal sculptors -- Connecticut -- East Haddam  Search this

Sculptors -- Connecticut -- East Haddam  Search this

Topic:

Sculpture -- Study and teaching  Search this

Sculpture, Modern -- 20th century -- United States  Search this

Genre/Form:

Drawings

Sketchbooks

Identifier:

AAA.warnhein

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw90536c46a-164a-4b1b-9986-1477624f9337

EDAN-URL:

ead_collection:sova-aaa-warnhein

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Drawings (visual works) (40.1 cm. x 34 cm.)

1 Item (note, 28 cm. x 21.5 cm.)

1 Item (photographic print, 24.1 cm. x 18.2 cm.)

Type:

Archival materials

Drawings (visual works)

Notes

Drawings

Photographic prints

Place:

Asia

Iraq

Mesopotamia

Sāmarrāʼ (Iraq)

Iraq -- Salah ad-Din -- Samarra -- Dar al-Khilafa

Date:

1911-1913

Arrangement:

- Drawings, sketches, notes and prints are arranged roughly in sequential number sequences, housed in document boxes or in flat file folders by size, and stored in the map case drawers.

- S-31 is organized into 32 subdivisions which include one or several items of original materials.

Local Numbers:

S-31

FSA A.06 07.31.10a

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Herzfeld's publication, "Geschichte der Stadt Samarra. Hamburg, Eckardt & Messtorff; Buchhändlerischer Vertrieb durch D. Reimer, Andrews & Steiner, Berlin, 1948," and Joseph Upton's Catalogue of the Herzfeld Archive.

- Series title in Joseph Upton's Catalogue of the Herzfeld Archive reads, "Records of Samarra Expeditions."

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Abbasids  Search this

Art of the Islamic World  Search this

Genre/Form:

Notes

Drawings

Photographic prints

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, Item FSA A.06 07.31.10a

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 7: Records of Samarra Expeditions / S-31: "Samarra, Geschichtliches"

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc39b6de3a8-fbd4-4ea3-91f1-641646c3e7cd

EDAN-URL:

ead_component:sova-fsa-a-06-ref24673

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Drawings (visual works) (11.2 cm. x 22.6 cm.)

1 Item (sketch, 9.3 cm. x 13.1 cm.)

1 Item (photographic print, 12.5 cm. x 18 cm.)

Type:

Archival materials

Drawings (visual works)

Sketches

Drawings

Photographic prints

Place:

Asia

Iraq

Mesopotamia

Sāmarrāʼ (Iraq)

Iraq -- Salah ad-Din -- Balad

Date:

1911-1913

Scope and Contents:

- Additional information from finds journal reads, "IN-253: Balad, Marz 1911."

- Additional information from finds journal reads, "IN-254. Balad"

Arrangement:

- Drawings, sketches, notes and prints are arranged roughly in sequential number sequences, housed in document boxes or in flat file folders by size, and stored in the map case drawers.

- S-31 is organized into 32 subdivisions which include one or several items of original materials.

Local Numbers:

S-31

FSA A.06 07.31.26

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Herzfeld's publication, "Geschichte der Stadt Samarra. Hamburg, Eckardt & Messtorff; Buchhändlerischer Vertrieb durch D. Reimer, Andrews & Steiner, Berlin, 1948."

- Series title in Joseph Upton's Catalogue of the Herzfeld Archive reads, "Records of Samarra Expeditions."

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Abbasids  Search this

Animals in art  Search this

Art of the Islamic World  Search this

Decoration and ornament  Search this

Excavations (Archaeology)  Search this

Inscriptions  Search this

Genre/Form:

Sketches

Drawings

Photographic prints

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, Item FSA A.06 07.31.26

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 7: Records of Samarra Expeditions / S-31: "Samarra, Geschichtliches"

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc34fe41fcd-9f7f-47e6-866a-28bd9690fc9c

EDAN-URL:

ead_component:sova-fsa-a-06-ref24689

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Drawings (visual works) (46.5 cm. x 30.4 cm.)

Container:

Item D-1108

Type:

Archival materials

Drawings (visual works)

Drawings

Place:

Asia

Iraq

Mesopotamia

Sāmarrāʼ (Iraq)

Date:

1911-1913

Scope and Contents:

- Handwritten annotation in German reads, "IN 602; Nat. Groβe; Bleiglas."

- Handwritten number, probably by Joseph upton, reads, "D-1108."

- Finds Journal of the Excavation of Samarra (S-1), in Ernst Herzfeld Papers: "IN-602."

- Photographic print in Ernst Herzfeld Papers, Photo File 22: [FSA A.6 04.PF.22.148].

- Samarra Finds, Sketchbooks in Ernst Herzfeld Papers: S-16, p.21.

- Additional information from Finding Aid reads, "Samarra. Lead glass object. Inv. No.602. Profile D-1108a."

Arrangement:

Drawings are arranged roughly in sequential number sequences, housed in document boxes or in flat file folders by size, and stored in the map case drawers.

Local Numbers:

D-1108

FSA A.06 05.1108

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Joseph Upton's Catalogue of the Herzfeld Archive.

Date/Time and Place of an Event Note:

Drawings related primarly to the second campaign of excavation at Sāmarrāʼ (Iraq), carried out by Ernst Herzfeld on behalf of the Kaiser Friedrich Museum in Berlin in 1912-1913.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Abbasids  Search this

Antiquities  Search this

Architectural drawing  Search this

Art of the Islamic World  Search this

Decoration and ornament  Search this

Excavations (Archaeology)  Search this

Genre/Form:

Drawings

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, Item FSA A.06 05.1108

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 5: Drawings and Maps / D-1108: Samarra. Lead glass object. Inv. No.602. Profile D-1108a

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc39ea95202-5eb1-4548-aa05-d6282f5a7edd

EDAN-URL:

ead_component:sova-fsa-a-06-ref24696

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Drawings (visual works) (23.6 cm. x 38.7 cm.)

1 Item (note, 28 cm. x 21.5 cm.)

1 Item (photographic print, 11.7 cm. x 14.4 cm.)

Type:

Archival materials

Drawings (visual works)

Notes

Drawings

Photographic prints

Place:

Asia

Iraq

Mesopotamia

Sāmarrāʼ (Iraq)

Iraq -- Salah ad-Din -- Samarra -- Dar al-Khilafa

Date:

1911-1913

Arrangement:

- Drawings, sketches, notes and prints are arranged roughly in sequential number sequences, housed in document boxes or in flat file folders by size, and stored in the map case drawers.

- S-31 is organized into 32 subdivisions which include one or several items of original materials.

Local Numbers:

S-31

FSA A.06 07.31.10b

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Herzfeld's publication, "Geschichte der Stadt Samarra. Hamburg, Eckardt & Messtorff; Buchhändlerischer Vertrieb durch D. Reimer, Andrews & Steiner, Berlin, 1948," and Joseph Upton's Catalogue of the Herzfeld Archive.

- Series title in Joseph Upton's Catalogue of the Herzfeld Archive reads, "Records of Samarra Expeditions."

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Abbasids  Search this

Art of the Islamic World  Search this

Genre/Form:

Notes

Drawings

Photographic prints

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, Item FSA A.06 07.31.10b

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 7: Records of Samarra Expeditions / S-31: "Samarra, Geschichtliches"

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc35516203e-4d31-4bbc-b308-afa8f9758c3c

EDAN-URL:

ead_component:sova-fsa-a-06-ref24706

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Sobernheim, Moritz  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Drawings (visual works) (11.8 cm. x 18.9 cm.)

Type:

Archival materials

Drawings (visual works)

Drawings

Place:

Asia

Lebanon

Baʻlabakk (Lebanon)

Lebanon -- Beqaa -- Baalbek

Date:

1899-1914

Scope and Contents:

Additional information from staff reads, "Under the Ayyubids (1175-1250) and the Mamluks (1279-1516), Baalbek witnessed a revival of its political and economic role. To defend the city from crusader attacks, the Ayyubids built a citadel on the site of the temples of Jupiter and Bacchus, which continued to be used during the Mamluk period. Of this citadel and the town that existed within, the fortification wall, a gate, the towers and a mosque remain. Outside the fortified citadel, the old Shiite Mosque, the great and the small Ras al-Ain Mosques, Qubbat al-Amjad, Qubbat Douris and Qubbat as-Saadin were constructed."

Arrangement:

Drawings are arranged roughly in sequential number sequences, housed in document boxes or in flat file folders by size, and stored in the map case drawers.

Local Numbers:

D-1398

FSA A.06 05.1398

Date/Time and Place of an Event Note:

As early as 1893, Ernst Herzfeld, Moritz Sobernheim, Max Freiherr von Oppenheim participated in Max Van Berchem's project to create a Corpus Inscriptionum Arabicarum. During the following 25 years, research materials such as glass negatives, photographic prints, drawings, maps, and notebooks were exchanged between the four archaeologists. In the case of this glass negative, it may have been taken by Moritz Sobernheim on a visit to Baalbeck between 1899 and 1905, as mentioned in his 1922 publication, "Baalbek in Islamischer Zeit, in Voradruck aus dem Werke: Baalbek, Ergebnisse der Aus rabungen und Unterschungen in den Jahren 1898 bis 1905, Vol. 3."

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Art of the Islamic World  Search this

Archaeology  Search this

Architectural drawing  Search this

Architecture  Search this

Genre/Form:

Drawings

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, Item FSA A.06 05.1398

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 5: Drawings and Maps

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc31f48098a-e62a-4230-a9cc-3c750fc64072

EDAN-URL:

ead_component:sova-fsa-a-06-ref24878

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Item (loose leaves, various dimensions)

1 Item (photographic prints Folder 1 : 3 photographic prints, 10.5 cm. x 15.5 cm.)

1 Item (blue prints Folder 1 : 2 blue prints, 28.3 cm. x 21.7 cm. or smaller)

1 Sketch (Folder 1 : 19 sketches, various dimensions)

1 Drawings (visual works) (55 cm. x 58.4 cm.)

1 Letter (1 page, 11 cm. x 15 cm.)

2 Items (loose leaves Folder 2 : 35 loose leaves, 23.3 cm. x 29 cm. or smaller)

3 Items (loose leaves Folder 3 : 65 loose leaves, various dimensions)

3 Items (photographic prints, 10 cm. x 14.7 cm.)

4 Items (blue prints, various dimensions)

4 Items (photographic prints, various dimensions)

5 Items (blue prints Folder 5 : 32 blue prints, various dimensions)

5 Items (photographic prints Folder 5 : 7 photographic prints, various dimensions)

6 Items (loose leaves Folder 6 : 32 loose leaves, various dimensions)

6 Items (photographic print, various dimensions)

7 Items (note Folder 7 : 1 note ; 4 pages, 20 cm. x 25.2 cm.)

8 Items (loose leaves, various dimensions)

8 Letters (Folder 8 : correspondence : 2 letters ; 12 pages, 22 cm. x 28 cm.)

Type:

Archival materials

Sketches

Drawings (visual works)

Letters

Notebooks

Correspondence

Photographic prints

Place:

Asia

Iran

Naqsh-i Rustam (Iran)

Persepolis (Iran)

Date:

1904-1946

Scope and Contents:

- In Finding Aid, Joseph Upton's caption for N-127, folder 1 reads, "Marked "Pahlavi" contains studies of Pahlavi inscriptions, such as monograms on bullae, and what appears to be a preliminary draft of an article attempting to elucidate the relationships between monumental and cursive scripts and Pahhlavik, Parsik and book Pahlavi. It starts: "Die Awesta-schrift ist, trotzdem sie die einzelnen Buchstaben nicht verbindet, eine Schreibschrift, eine Kursive, keine Denkmalschrift, keine monumental."."

- In Finding Aid, Joseph Upton's caption for N-127, folder 2 reads, "Envelope containing pages apparently from a draft of The Persian Empire, Chaps. XIV-XV dealing with the Achaemenian Satrapies as reflected in the figures of Tribute-bearers and Throne-bearers at Bistun, Persepolis and Naqsh-i Rustam."

- In Finding Aid, Joseph Upton's caption for N-127, folder 3 reads, "Marked "Aramaeisches". Contains tracings and photographs of Aramaic inscriptions from various sources and a Table comparing Hebrew letters of the alphabet with those found in other inscriptions including Avroman, Naqsh-i Rustam, Hajjiabad, Paikuli, Persepolis and Taq-i Bustan."

- In Finding Aid, Joseph Upton's caption for N-127, folder 4 reads, "Photographs and blueprints of squeezes of the Kartīr inscription, Naqsh-i Rustam."

- In Finding Aid, Joseph Upton's caption for N-127, folder 5 reads, "Marked "File III" containing photographs and blueprints of squeezes of inscriptions at: (1) Sarpul (cuneiform); (2) Naqsh-i Rajab (Kartīr); (3) Hajjiabad; (4) Naqsh-i Rustam (Ardashir); (5) Arabic inscriptions at Persepolis."

- In Finding Aid, Joseph Upton's caption for N-127, folder 6 reads, "Marked "File II" contains reading notes on "Tabula Pentisgerdana (?), Tomascheck; also miscellaneous loose sheets found in "Corpus Inscriptionum Partharicarum", including Sasanian seal-stones, Hephthalite coins, Greek and cuneiform inscriptions; and an envelope with Oriental Institute photographs of stone blocks inscribed in Greek from the Fratadara temple, Persepolis (see SK-XIX. p.9 and 15); and a photo of three cylinder seals."

- In Finding Aid, Joseph Upton's caption for N-127, folder 7 reads, "Copy of the Pahlavi inscription on the Ka'ba at Naqsh-i Rustam (either for Ghirshman or by him)."

- In Finding Aid, Joseph Upton's caption for N-127, folder 8 reads, "Black, loose-leaf notebook marked "A Corpus of Parthian and Sasanian Inscriptions, Texts, Transcriptions, Translations". A note in the hand of Pere de Menasce says: "E.H. worked on this book up to the time of his death. The Illustrations are in Albums, I, II, III, IV."."

Arrangement:

In the original arrangement of the Ernst Herzfeld Archive, Notebooks were included in a larger body of diverse material acknowledged by Ernst Herzfeld as his study collection. In the early 1970s, Joseph Upton, for research purpose, rearranged the collection and created a specific series (Ernst Herzfeld Papers, Series 3: Notebooks, 1904-1946, 1957, n.d.) for 131 notebooks, including four ledgers and eight travel journals. Upton has given this notebook an accession number, N-127, related to the series he created for the notebooks, probably following Herzfeld's original organization.

Local Numbers:

Ernst Herzfeld Papers; N-127

FSA A.6 03.127

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Joseph Upton's Catalogue of the Herzfeld Archive.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Ancient Near Eastern Art  Search this

Archaeology  Search this

Cuneiform inscriptions  Search this

Inscriptions  Search this

Inscriptions, Aramaic  Search this

Inscriptions, Greek  Search this

Inscriptions, Pahlavi  Search this

Relief (Sculpture)  Search this

Genre/Form:

Notebooks

Correspondence

Photographic prints

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, Item FSA A.6 03.127

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 3: Notebooks

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc322f9cf94-cfb9-4567-8652-6ed753855a97

EDAN-URL:

ead_component:sova-fsa-a-06-ref30018

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Drawings (visual works) (68 cm. x 32.8 cm.)

1 Item (photographic prints Folder 1 : 4 photographic prints, various dimensions)

1 Item (blue prints Folder 1 : 4 blue prints, various dimensions)

1 Item (sketch, 13 cm. x 18 cm.)

1 Item (notes Folder 1 : 2 notes ; 3 pages, various dimensions)

2 Items (note Folder 2 : 1 note ; 9 pages, 42.4 cm. x 34.8 cm.)

2 Items (note Folder 2 : 1 note ; 11 pages, 42.4 cm. x 34.8 cm.)

3 Sketches (Folder 3 : 26 sketches, 28 cm. x 21.7 cm.)

4 Blueprints (Folder 4 : 42 blueprints, 28 cm. x 23 cm. or smaller)

4 Blueprints (Folder 4 : 22 blueprints, 28 cm. x 23 cm. or smaller)

5 Items (photographic prints Folder 5 : 4 photographic prints, various dimensions)

5 Blueprints (Folder 5 : 24 blueprints, 28 cm. x 23 cm. or smaller)

3 Items (loose leaves Folder 3 : 65 loose leaves, various dimensions)

3 Items (photographic prints, 10 cm. x 14.7 cm.)

4 Items (blue prints, various dimensions)

4 Items (photographic prints, various dimensions)

5 Items (blue prints Folder 5 : 32 blue prints, various dimensions)

5 Items (photographic prints Folder 5 : 7 photographic prints, various dimensions)

6 Items (blue prints Folder 6 : 22 blue prints, various dimensions)

6 Items (photographic prints, various dimensions)

1 Negatives (photographic) (Folder 7 and 8, 29 cm. x 23 cm.)

9 Items (photographic negative Folder 9 : 1 photographic negative, 29 cm. x 23 cm.)

9 Items (loose leaves Folder 9 : multiple loose leaves, various dimensions)

10 Volumes (Folder 10 : Notebook : 1 volume (51 pages), 17.7 cm. x 10.5 cm.)

11 Volumes (Folder 11 : Notebook : 1 volume (62 pages), 17.7 cm. x 10.5 cm.)

11 Items (loose leaves, 14.7 cm. x 8.3 cm.)

12 Volumes (Folder 12 : Notebook : 1 volume (50 pages), 13.2 cm. x 8.7 cm.)

13 Envelopes (Folder 13 : notes (A) : 7 envelopes ; multiple loose leaves, various dimensions)

13 Envelopes (Folder 13 : notes (B) : 6 envelopes ; multiple losse leaves, various dimensions)

Type:

Archival materials

Drawings (visual works)

Sketches

Blueprints

Negatives (photographic)

Volumes

Envelopes

Notebooks

Correspondence

Cyanotypes

Photographic prints

Place:

Asia

Iraq

Paikuli (Iraq)

Date:

1904-1946

Scope and Contents:

- In Finding Aid, Joseph Upton's caption for N-128, folder 1 reads, "A brown envelope marked "Pahlavi Material List". The bulk of the material on the inscriptions at Paikuli is in N-128, supplemented by an Album of photographs and blueprints in N-129 and a black, loose-leaf notebook (Corpus), No.8 in N-127. The material was examined and catalogued in 1953 by Prof. J. de Menasce, University of Fribourg, Switzerland. His detailed catalogue and comments are given in two papers in the file, one entitled "A Provisional Inventory of the Literary Remains of the late Professor E.E.Herzfeld concerning Iran..."; the other "A Guide to the Middle Persian material in the Herzfeld Archive.". The Guide also has additions or emendations in pencil, presumably entered at a later date, probably by Prof. R.N.Frye. An element of confusion is introduced in the Paikuli material by the 32 blocks either newly discovered or cleaned, re-photographed and re-drawn by Herzfeld in 1924, after the publication of the earlier blocks had appeared in the Paikuli volume. The new blocks required some re-arrangement in the ordering of the original blocks. As Prof. de Menasce implies in his note, only a close study of the material by a competent scholar can determine which of the proposed arrangements is the correct one. In addition to the above guides, there is (1) a separate undated and unsigned sheet entitled "Pahlavi Material in the Herzfeld Collection" and (2) a new summary of Herzfeld's last arrangement of Paikuli blocks, including those unpublished, based on the arrangement in No.13, N-128. The summary gives the old (Herzfeld's) numbers of the original squeezes in the Archive (noted on separate file catalogue cards) and the new numbers given to the squeezes when they were re-organized for storage. The summary also gives the negative numbers of the squeezes and stones (when available) and the numbers of the published blocks as they appear in Herzfeld's last copy. With the papers noted above is a detailed catalogue of three of the four large Albums in N-129, prepared by Pére de Menasce, as well as correspondence of Mr. Wenley, Prof. de Menasce and others concerning the publication of the Paikuli material. For information about the squeezes themselves, see the "Catalogue of Squeezes"."

- In Finding Aid, Joseph Upton's caption for N-128, folder 2 reads, "A folder of heavy white paper with the Kartīr inscription at Sar Mashhad, enclosing 4 photographs (with blueprints) of sections of the inscription; a tracing of an unidentified amulet with page giving inscriptions in two Pahlavi scripts: cursive and book Pahlavi; 2 pages of what appear to be Pahlavi inscriptions on bullae. The folder is marked "All these to be microfilmed for Rev, J. de Menasce"."

- In Finding Aid, Joseph Upton's caption for N-128, folder 3 reads, "Manila folder containing: (1) the Pahlavi and Greek texts of the Ka'ba inscription, Naqsh-i Rustam; (2) a comparative table of transliterated texts of the Kartīr inscriptions at Sar Mashhad, Naqsh-i Rustam. K i Z (Ka'ba) and Naqsh-i Rajab."

- In Finding Aid, Joseph Upton's caption for N-128, folder 4 reads, "Tracings of 26 Paikuli block inscriptions, and photographs of 126 (all but three) of the small transcripts of the blocks from Herzfeld's last copy. Those missing are (1) transcript of a seal inscription, (2) of an unnumbered block E 1, and (3) of a new unnumbered block marked "before D-5." See No.13 for the small transcripts. On the back of each photograph is noted the number of the block and its location in the series of blocks."

- In Finding Aid, Joseph Upton's caption for N-128, folder 5 reads, "Manila folder marked "Paikuli, the Sasanian Version. Blueprints of the unpublished squeezes. The numbers on the back refer to those given by E.H. to his latest copies of the blocks"."

- In Finding Aid, Joseph Upton's caption for N-128, folder 6 reads, "Manila folder of blueprints of unpublished Pahlavik or Parthian squeezes. A note on the cover (which also includes folder 5) by P. de Menasce says: "Blueprints. These are photographs of E.H.'s latest squeezes mostly unpublished or photographed anew." The numbers on the backs are from Herzfeld's last copy."

- In Finding Aid, Joseph Upton's caption for N-128, folder 7 reads, "Manila folder with blueprints of Kartīr inscription, Naqsh-i Rajab; large photographs of (1) Greek inscription at Sarpul, (2) Kartīr inscription, Naqsh-i Rajab, (3) (right side of Main Staircase, Persepolis, and (4) Pahlavi and Greek inscriptions on horse's rump, Naqsh-i Rustam."

- In Finding Aid, Joseph Upton's caption for N-128, folder 8 reads, "Photographic negative of Squeeze 93, 9 Ã&#x2014 11". Paikuli, p.109. Another Neg.4396."

- In Finding Aid, Joseph Upton's caption for N-128, folder 9 reads, "Photographic negative of Squeeze 93, 9 Ã&#x2014 11". Paikuli, p.145. Another Neg.4317."

- In Finding Aid, Joseph Upton's caption for N-128, folder 10 reads, "Long manila envelope contains small drawings of individual Paikuli blocks and long strips of transcript, apparently showing an attempt to reconstruct the lines of the inscriptions. Envelope also contains tracing of a coin of Phraates IV with Greek inscriptions."

- In Finding Aid, Joseph Upton's caption for N-128, folder 11 reads, "("Parthian") A record of the Pahlavik stones as prepared by Rawlinson in Hebrew script with Herzfeld's notations of changes."

- In Finding Aid, Joseph Upton's caption for N-128, folder 12 reads, "("Sasani") Similar record of Rawlinson's list of the Parsik stones in Hebrew with, in some cases, Herzfeld's transliteration into Pahlavi. Also contains 11 slips of blocks with existing text supplemented by Rawlinson's copies."

- In Finding Aid, Joseph Upton's caption for N-128, folder 13 reads, "Manila envelope of Institute of Advanced Study contains two white envelopes marked A and B. On the large envelope is written "Paikuli, Last Copy. All numbers written by J, de Menasce refer to this". On A de Menasce wrote "The Paikuli Inscription, pahlavīk. Last state of Herzfeld's arrangement. Contains unpublished material." On B de Menasce wrote "The Paikuli Inscription, parsīk. Last state of Prof. Herzfeld's arrangement. Contains unpublished material." (The unnumbered block marked "before D-5" seems to be another version of the block following E-7 (J.M.U.'74))."

- In Finding Aid, Joseph Upton's caption for N-128, folder 14 reads, "("Paikuli II, 1923, 1-7 Juni") This is the field sketchbook of Herzfeld's last trip to Paikuli with sketches of new inscriptions and notes. Also contains sketch of an inscribed Sasanian bulla from Sarpul."

Arrangement:

In the original arrangement of the Ernst Herzfeld Archive, Notebooks were included in a larger body of diverse material acknowledged by Ernst Herzfeld as his study collection. In the early 1970s, Joseph Upton, for research purpose, rearranged the collection and created a specific series (Ernst Herzfeld Papers, Series 3: Notebooks, 1904-1946, 1957, n.d.) for 131 notebooks, including four ledgers and eight travel journals. Upton has given this notebook an accession number, N-128, related to the series he created for the notebooks, probably following Herzfeld's original organization.

Local Numbers:

Ernst Herzfeld Papers; N-128

FSA A.6 03.128

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Joseph Upton's Catalogue of the Herzfeld Archive.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Ancient Near Eastern Art  Search this

Archaeology  Search this

Architecture  Search this

Inscriptions  Search this

Inscriptions, Pahlavi  Search this

Inscriptions, Parthian  Search this

Middle Persian language  Search this

Sassanids  Search this

Genre/Form:

Notebooks

Correspondence

Cyanotypes

Photographic prints

Sketches

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, Item FSA A.6 03.128

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 3: Notebooks

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc352ed12c5-eeb1-463a-9152-6eaa9b9e2da3

EDAN-URL:

ead_component:sova-fsa-a-06-ref30019

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Letter (1 page, 21 cm. x 27 cm.)

1 Item (loose leaves Folder 1 : illustrations : 22 loose leaves, various dimensions)

1 Item (loose leaf, various dimensions)

1 Item (photographic prints Folder 1 : 9 photographic prints, various dimensions)

1 Sketch (Folder 1 : 46 sketches, various dimensions)

1 Postcard (Folder 1 : 10 postcards, 14 cm. x 9 cm.)

2 Items (loose leaves Folder 2 : illustrations : 14 loose leaves, various dimensions)

2 Items (photographic prints Folder 2 : 24 photographic prints, various dimensions)

2 Sketches (various dimensions)

2 Postcards (Folder 2 : 1 postcard, 14 cm. x 9 cm.)

3 Items (loose leaves Folder 3 : illustrations : 28 loose leaves, various dimensions)

3 Sketches (various dimensions)

3 Drawings (visual works) (Folder 3 : 9 drawings, various dimensions)

Container:

Volume N-95

Type:

Archival materials

Letters

Sketches

Postcards

Drawings (visual works)

Notebooks

Correspondence

Drawings

Illustrations

Photographic prints

Place:

Asia

Iran

Taq-e Bostan Site (Iran)

Date:

1904-1946

Scope and Contents:

- In Finding Aid, Joseph Upton's caption for N-95 reads, "Marked "Sasanidische Stoffe." Material for a study of Sasanian textiles, including drawings, photographs, notes and two original water-colors."

Ernst Herzfeld Papers, Series 3: Notebooks; Various Sassanid Textile Design (N-95)

Arrangement:

In the original arrangement of the Ernst Herzfeld Archive, Notebooks were included in a larger body of diverse material acknowledged by Ernst Herzfeld as his study collection. In the early 1970s, Joseph Upton, for research purpose, rearranged the collection and created a specific series (Ernst Herzfeld Papers, Series 3: Notebooks, 1904-1946, 1957, n.d.) for 131 notebooks, including four ledgers and eight travel journals. Upton has given this notebook an accession number, N-95, related to the series he created for the notebooks, probably following Herzfeld's original organization.

Local Numbers:

Ernst Herzfeld Papers; N-95

FSA A.6 03.095

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Joseph Upton's Catalogue of the Herzfeld Archive.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Ancient Near Eastern Art  Search this

Archaeology  Search this

Sassanids  Search this

Textile design  Search this

Clothing and dress  Search this

Animals in art  Search this

Genre/Form:

Notebooks

Correspondence

Drawings

Illustrations

Photographic prints

Postcards

Sketches

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, File FSA A.6 03.095

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 3: Notebooks

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc39796172e-5011-4ce5-a84c-94949e58291c

EDAN-URL:

ead_component:sova-fsa-a-06-ref8347

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Item (loose leaves Folder 1 : illustrations : 23 loose leaves, various dimensions)

1 Item (loose leaves Folder 1 : notes : 20 loose leaves, various dimensions)

1 Sketch (Folder 1 : 55 sketches, various dimensions)

1 Postcard (Folder 1 : 10 postcards, 14 cm. x 9 cm.)

2 Items (loose leaves, various dimensions)

2 Items (photographic prints Folder 2 : 5 photographic prints, various dimensions)

2 Sketches (Folder 2 : 3 sketches, various dimensions)

2 Drawings (visual works) (Folder 2 : 28 drawings, various dimensions)

3 Items (loose leaves Folder 3 : illustrations : 28 loose leaves, various dimensions)

3 Sketches (various dimensions)

3 Drawings (visual works) (Folder 3 : 9 drawings, various dimensions)

Container:

Volume N-96

Type:

Archival materials

Sketches

Postcards

Drawings (visual works)

Notebooks

Blueprints

Cyanotypes

Illustrations

Photographic prints

Place:

Asia

Iran

Taq-e Bostan Site (Iran)

Date:

1904-1946

Scope and Contents:

- In Finding Aid, Joseph Upton's caption for N-96 reads, ""Sasanidische Sculptur." Notes, drawings, tracings, photographs dealing with Sasanian sculpture, especially costumes and head-dresses, much of it published."

Ernst Herzfeld Papers, Series 3: Notebooks; Various Sassanid Relief Sculptures (N-96)

Arrangement:

In the original arrangement of the Ernst Herzfeld Archive, Notebooks were included in a larger body of diverse material acknowledged by Ernst Herzfeld as his study collection. In the early 1970s, Joseph Upton, for research purpose, rearranged the collection and created a specific series (Ernst Herzfeld Papers, Series 3: Notebooks, 1904-1946, 1957, n.d.) for 131 notebooks, including four ledgers and eight travel journals. Upton has given this notebook an accession number, N-96, related to the series he created for the notebooks, probably following Herzfeld's original organization.

Local Numbers:

Ernst Herzfeld Papers; N-96

FSA A.6 03.096

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Joseph Upton's Catalogue of the Herzfeld Archive.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Ancient Near Eastern Art  Search this

Animals in art  Search this

Archaeology  Search this

Architecture  Search this

Clothing and dress  Search this

headgear  Search this

Sassanids  Search this

Textile design  Search this

Panoramas  Search this

Relief (Sculpture)  Search this

Royalty (Nobility)  Search this

Genre/Form:

Notebooks

Blueprints

Cyanotypes

Illustrations

Photographic prints

Sketches

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, File FSA A.6 03.096

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 3: Notebooks

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3a777168c-d3a0-4165-9ddf-fef4c1e9eb32

EDAN-URL:

ead_component:sova-fsa-a-06-ref8348

Creator:

Herzfeld, Ernst, 1879-1948  Search this

Names:

Herzfeld, Ernst, 1879-1948  Search this

Collection Creator:

Herzfeld, Ernst, 1879-1948  Search this

Extent:

1 Notebook (Folder 1 : 3 notebooks ; 23 pages, various dimensions)

1 Item (paper squeeze ; 1 leaf, 9 cm. x 26 cm.)

1 Letter (Folder 1 : correspondence : 6 letters ; 9 pages, various dimensions)

1 Item (article ; 9 pages, 13.6 cm. x 21.7 cm.)

1 Map (31.2 cm. x 19.3 cm.)

1 Sketch (Folder 1 : 17 sketches, 24 cm. x 35 cm. or smaller)

1 Item (illustrations Folder 1 : 9 illustrations, various dimensions)

1 Item (photographic prints Folder 1 : 12 photographic prints, 12.8 cm. x 18 cm. or smaller)

1 Item (notes Folder 1 : 17 notes, 24 cm. x 35 cm. or smaller)

2 Letters (Folder 2 : correspondence : 3 letters ; 5 pages, various dimensions)

2 Items (notes Folder 2 : 35 notes, various dimensions)

2 Sketches (Folder 2 : 4 sketches, various dimensions)

Container:

Volume N-102

Type:

Archival materials

Notebooks

Letters

Maps

Sketches

Correspondence

Paper squeezes

Photographic prints

Place:

Asia

Iran

Persepolis (Iran)

Date:

1904-1946

Scope and Contents:

- In Finding Aid, Joseph Upton's caption for N-102 reads, "Contains notes and tracings of throne-bearers at Persepolis; a folder of cuneiform inscriptions; another with notes relating to a bronze with cuneiform inscriptions."

Ernst Herzfeld Papers, Series 3: Notebooks; Transcription of Various Cuneiform Inscriptions and Registers Picturing Representatives of All Nations of the Empire (N-102)

Arrangement:

In the original arrangement of the Ernst Herzfeld Archive, Notebooks were included in a larger body of diverse material acknowledged by Ernst Herzfeld as his study collection. In the early 1970s, Joseph Upton, for research purpose, rearranged the collection and created a specific series (Ernst Herzfeld Papers, Series 3: Notebooks, 1904-1946, 1957, n.d.) for 131 notebooks, including four ledgers and eight travel journals. Upton has given this notebook an accession number, N-102, related to the series he created for the notebooks, probably following Herzfeld's original organization.

Local Numbers:

Ernst Herzfeld Papers; N-102

FSA A.6 03.102

General:

- Title is provided by Xavier Courouble, FSg Archives cataloger, based on Joseph Upton's Catalogue of the Herzfeld Archive.

Collection Restrictions:

Collection is open for research.

Collection Rights:

Permission to publish, quote, or reproduce must be secured from the repository.

Topic:

Ancient Near Eastern Art  Search this

Archaeology  Search this

Architecture  Search this

Cartography  Search this

Cuneiform inscriptions  Search this

Inscriptions  Search this

Relief (Sculpture)  Search this

Genre/Form:

Notebooks

Correspondence

Maps

Paper Squeezes

Photographic prints

Sketches

Collection Citation:

Ernst Herzfeld Papers. FSA.A.06. National Museum of Asian Art Archives. Smithsonian Institution, Washington, D.C. Gift of Ernst Herzfeld, 1946.

Identifier:

FSA.A.06, File FSA A.6 03.102

See more items in:

Ernst Herzfeld Papers

Ernst Herzfeld Papers / Series 3: Notebooks

Archival Repository:

Freer Gallery of Art and Arthur M. Sackler Gallery Archives

GUID:

https://n2t.net/ark:/65665/dc3a16c91fc-8a1d-4a51-82a2-8975adc74c38

EDAN-URL:

ead_component:sova-fsa-a-06-ref8355