Search Results

Creator:

Hall, Lee  Search this

Names:

Betty Parsons Gallery  Search this

Rhode Island School of Design  Search this

Ajay, Abe  Search this

De Kooning, Elaine  Search this

De Kooning, Willem, 1904-1997  Search this

Parsons, Betty  Search this

Extent:

7.4 Linear feet

Type:

Collection descriptions

Archival materials

Interviews

Drawings

Sketchbooks

Diaries

Video recordings

Date:

circa 1870s-2017

bulk 1975-2010

Summary:

The papers of painter, author, and arts administrator Lee Hall measure 7.4 linear feet and date from circa 1870-2017, bulk 1975 to 2010. The papers document Hall's career through biographical material, correspondence, writings, studio records, printed material, photographic material, and artwork. Included is significant documentation on Hall's book projects, including biographies of Betty Parsons, Abe Ajay, and Willem and Elaine de Kooning.

Scope and Contents:

The papers of painter, author, and arts administrator Lee Hall measure 7.4 linear feet and date from circa 1870-2017, bulk 1975 to 2010. The papers document Hall's career through biographical material, correspondence, writings, studio records, printed material, photographic material, and artwork. Included is significant documentation on Hall's book projects, including biographies of Betty Parsons, Abe Ajay, and Willem and Elaine de Kooning.

Biographical material includes business cards, résumé and biographical texts, travel documents, and awards. Correspondence is professional and personal in nature and includes some collected historic correspondence from unknown authors. Correspondence regarding specific writing projects is found in the Writings series. The Writings series includes journals and notebooks focusing primarily on Hall's travels and study of Classics including the Greek language. The Writing Projects subseries includes titles intended for publication as well as college papers, essays, and lectures. Published titles are often accompanied by book proposals, contracts, research material, interviews, and correspondence. Also included are writings by others including reviews regarding Hall's art career. Studio records include artwork inventories, loan paperwork, and the mechanical for an exhibition catalog. Printed material includes exhibition invitations for Lee Hall's art career, exhibition catalogs for Hall's exhibitions and that of Betty Parsons, and general printed material regarding Elaine de Kooning, as well as press clippings on various topics. Photographic materials include images of Lee Hall and her circle of friends including Betty Parsons, images of Hall in her studio, installation images of Hall's exhibitions at the Betty Parsons Gallery, and extensive photographs of Hall's travels to the Mediterranean, primarily to Greece and Turkey. The Artwork series includes sketches, watercolors and other small paintings by Lee, as well as illustrated manuscripts for children's book titles.

Arrangement:

The collection is arranged in seven series:

Series 1: Biographical Material, circa 1970-2010 (0.2 Linear Feet; Boxes 1, 7)

Series 2: Correspondence, circa 1870-2016 (0.3 Linear Feet; Box 1)

Series 3: Writings, circa 1920-2010 (4.0 Linear Feet; Boxes 1-5)

Series 4: Studio Records, circa 1973-2010 (0.2 Linear Feet; Box 5)

Series 5: Printed Material, circa 1914-2016 (0.4 Linear Feet; Boxes 5, 7)

Series 6: Photographic Material, circa 1940-2017 (1.7 Linear Feet; Boxes 5-9)

Series 7: Artwork, circa 1950-2010 (0.6 Linear Feet; Boxes 6-7, Oversize 10)

Biographical / Historical:

Lee Hall (1935-2017) was a painter, author, and arts administrator who served as president of the Rhode Island School of Design from 1975-1983. Born in Lexington, North Carolina and raised in Florida following her parents' divorce, Lee Hall later returned to her birth state to attend the Woman's College of the University of North Carolina. She received her bachelor of fine arts in 1955, studying under the abstract painter John Opper. She eventually earned a masters degree in art education and a PhD in creative arts, both from New York University. Hall's paintings shared an Abstract Expressionist sensibility common with many of her peers at the Betty Parsons Gallery, imparted on the figurative tradition of landscape painting. Hall showed her paintings at the Betty Parsons Gallery from the late seventies until 1982 when the gallery closed following Parsons' death, after which she ceased exhibiting her work almost entirely until the last decade of her life. Hall maintained a studio at her home in South Hadley, Massachusetts throughout her life. A few years before Parson's death Hall had agreed to write Parsons' biography, finally released in 1991, on the condition that she and papers were made available for intensive research. Hall published titles on a wide variety of subjects including a comprehensive survey of American clothing (1992), and perhaps most notably the controversial biography of painters Elaine and Willem de Kooning (1993).

Separated Materials:

Three linear feet of Betty Parsons papers donated as part of the Lee Hall papers were transferred to the collection of Betty Parsons Gallery records and personal papers, also located at the Archives of American Art.

Provenance:

Donated in 2018 by the Lee Hall Estate via Carolyn Crozier and Deborah Jacobson, co-executors.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- Massachusetts  Search this

Authors -- Massachusetts  Search this

Arts administrators -- Rhode Island  Search this

Genre/Form:

Interviews

Drawings

Sketchbooks

Diaries

Video recordings

Citation:

Lee Hall Papers, circa 1870s-2017. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.halllee

See more items in:

Lee Hall papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw91d411a6e-e1cb-42cd-97de-96d9f710d658

EDAN-URL:

ead_collection:sova-aaa-halllee

Creator:

Lark, Sylvia, 1947-1990  Search this

Names:

University of California, Berkeley. Department of Art  Search this

Extent:

1.4 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1971 - 1994

Summary:

The Sylvia Lark papers measure 1.4 linear feet and date from 1971- 1994, documenting Lark's career as an abstract artist and college professor, particularly her tenure at the University of California, Berkeley. Included are biographical materials; correspondence with museums, galleries, universities, colleagues and other artists; writings by and about Lark's work; professional files such as gallery represented sale records, grant applications and inventory lists; exhibition files; teaching files; printed and photographic material.

Scope and Contents:

The Sylvia Lark papers measure 1.4 linear feet and date from 1971-1994, documenting Lark's career as an abstract artist and college professor, particularly her tenure at the University of California, Berkeley. Included are biographic material, such as resumes, an interview transcript and an award certificate from the College Art Association of America; correspondence between Lark and galleries, city art departments, Native American organizations and other artists, and colleagues regarding various exhibitions and teaching employment opportunities. Also found are writings by and about Lark's work, exhibition files which document select solo and group exhibitions that Lark participated in, as well as tribute exhibition. Professional files include materials documenting Lark's involvement serving as a juror for various exhibitions, her membership and participation in professional organizations and financial records related to the selling and loaning of her artwork. Teaching files include student evaluations, course schedules, U.C. Berkley employment documents, correspondence and reports regarding Lark's tenure case, U.C. Berkley personel informational paperwork, Faculty grant and fellowship documents and sabbatical leave applications and awards. Printed material primarily consists of newspaper and magazine clippings reviewing Lark's exhibitions along with exhibition announcements, flyers and catalogs. Photographs are of Lark's artwork as well as her Fulbright travels in Korea and Japan.

Arrangement:

The collection is arranged as eight series.

Series 1: Biographical Material, 1977-1991 (3 Folders: Box 1)

Series 2: Correspondence, 1976-1991 (0.3 Linear feet: Box 1)

Series 3: Writings, 1975-1987 (0.1 Linear feet: Box 1)

Series 4: Exhibition Files, 1978-1994 (0.2 Linear feet: Box 1)

Series 5: Professional Files, 1976-1994 (0.1 Linear feet: Box 1)

Series 6: Teaching Files, 1977-1990 (0.4 Linear feet: Box 1)

Series 7: Printed Material, 1973-1992 (0.3 Linear feet: Box 2)

Series 8: Photographic Material, 1971-1987 (0.1 Linear feet: Box 2)

Biographical / Historical:

Sylvia Lark (1947-1990) was a Seneca abstract expressionist painter, printmaker and educator from Buffalo, New York. Lark received her M.F.A from University of Wisconsin, Madision in 1972 before moving to California where she began teaching printmaking at California State University, Sacramento. In 1977 she received a Fulbright grant to travel and study in Korea and Japan. She also began teaching at the University of California, Berkeley that same year where she remained a professor for the rest of her life. She was awarded the Distinguished Teaching Award for teaching art by the College Art Association posthumously in 1991.

In addition to her professorial career, Lark was a widely exhibited artist who collaborated on a number of Native American exhibitions, and served as a member of a different women in the arts organizations. Her work can be found in numerous collections including that of the Fine Arts Museum of San Francisco, the Metropolitan Museum of Art, the Oakland Museum, and the Museum of Contemporary Art, Chicago.

Provenance:

Donated 1998 by Christine Carter.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact Reference Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Educators -- California  Search this

Painters -- California  Search this

Printmakers -- California  Search this

Topic:

Women artists  Search this

Women painters  Search this

Women educators  Search this

Women printmakers  Search this

Painting, Abstract  Search this

Native American artists  Search this

Citation:

Sylvia Lark Papers, 1971-1994. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.larksylv

See more items in:

Sylvia Lark papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9957aa453-c0f7-4dd1-ad6b-0a2f02464fba

EDAN-URL:

ead_collection:sova-aaa-larksylv

Creator:

Weihs, Erika  Search this

Extent:

0.2 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1933-1995

Summary:

The papers of New York painter and illustrator Erika Weihs measure 0.2 linear feet and date from 1933 to 1995. The collection concerns Weihs's exhibition career around New York City and the sale and gift of works to individuals and museums. Found are artworks, biographical material, correspondence, photographs, and printed material.

Scope and Contents:

The papers of New York painter and illustrator Erika Weihs measure 0.2 linear feet and date from 1933 to 1995. The collection concerns Weihs's exhibition career around New York City and the sale and gift of works to individuals and museums. Found are artworks, biographical material, correspondence, photographs, and printed material.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Erika Weihs (1917-2010) was a painter and illustrator in New York City, New York. Born in Vienna, Austria, Weihs came to the United States in 1940. She illustrated many children's books throughout her career.

Provenance:

Donated 1977 and 1995 by Erika Weihs.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Illustrators -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women painters  Search this

Citation:

Erika Weihs papers, 1933-1995. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.weiherik

See more items in:

Erika Weihs papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9aa8025ce-3ab4-4874-9ef5-f340627522d5

EDAN-URL:

ead_collection:sova-aaa-weiherik

Creator:

Winkel, Nina, 1905-  Search this

Names:

Sculpture Center (New York, N.Y.)  Search this

Extent:

0.6 Linear feet

Type:

Collection descriptions

Archival materials

Diaries

Date:

1944-1985

Summary:

The papers of sculptor Nina Winkel measure 0.6 linear feet and date from 1944 to 1985. The papers document the career of Nina Winkel and the Sculpture Center. Found are biographical materials, correspondence, personal business records, photographs, printed material, and writings and notes.

Scope and Contents:

The papers of sculptor Nina Winkel measure 0.6 linear feet and date from 1944 to 1985. The papers document the career of Nina Winkel and the Sculpture Center. Found are biographical materials, correspondence, personal business records, photographs, printed material, and writings and notes.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Sculptor Nina Winkel (1905-1990) was active in New York City, New York and is known for small sculptures of the figure, including religious pieces, and animal sculptures, in a variety of mediums.

Born in Borken, Germany, Winkel studied sculpture at the Staedel Institute in Frankfurt/Main and in Paris from 1923 to 1941. She came to the United States in 1942, becoming a citizen in 1945, during which time she taught at the servicemen's canteen of the Sculpture Center. Winkel served as president of the Sculpture Center from 1970-1973. She is also known for her research on antique and Byzantine mosaics, becoming an outside reader at the Institute of Byzantine Studies at Dumbarton Oaks.

Provenance:

Donated 1973-1985 by Nina Winkel.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women sculptors  Search this

Art centers  Search this

Genre/Form:

Diaries

Citation:

Nina Winkel papers, 1944-1985. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.winknina

See more items in:

Nina Winkel papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b160264b-bf40-452d-9443-2073d129958e

EDAN-URL:

ead_collection:sova-aaa-winknina

Collection Creator:

Winkel, Nina, 1905-  Search this

Extent:

0.6 Linear feet (Boxes 1-2)

Type:

Archival materials

Date:

1944-1985

Scope and Contents:

Biographical material consists of a medal designed by Winkel for the Society of Medalists, resumes, and an award. Correspondence, primarily with colleagues, institutions, and patrons, concerns Winkel's work. Correspondents include the Architectural League of New York, Bruno Bearzi, Dumbarton Oaks, Metropolitan Museum of Art, National Academy of Design, National Sculpture Society, Pennsylvania Academy of the Fine Arts, Philadelphia Art Alliance, and the University of Notre Dame. Personal business records include applications for travel research and financial records concerning the reproduction and sale of her work. Photographs show Winkel in her studio and her works of art. Printed materials consist of clippings, exhibition announcements and catalogs, and press releases. Writings and notes include a typescript of a travel journal kept during a trip to Europe and Asia Minor and general notes. Also found is a file regarding the operation of the Sculpture Center.

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Nina Winkel papers, 1944-1985. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.winknina, Series 1

See more items in:

Nina Winkel papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9aad8c088-1f2f-4fae-b44f-65e450f14c5c

EDAN-URL:

ead_component:sova-aaa-winknina-ref4

Creator:

Wingate, Arline, 1906-1998  Search this

Extent:

0.2 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1932-1974

Summary:

The scattered papers of sculptor Arline Wingate measure 0.2 linear feet and date from 1932 to 1974. The bulk of the papers consists of photographs of Wingate, exhibitions, sculpture in situ, and other works of art including busts, human forms, and abstract figures. Also found are lists of works of art and locations and printed material.

Scope and Contents:

The scattered papers of sculptor Arline Wingate measure 0.2 linear feet and date from 1932 to 1974. The bulk of the papers consists of photographs of Wingate, exhibitions, sculpture in situ, and other works of art including busts, human forms, and abstract figures. Also found are lists of works of art and locations and printed material.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Sculptor and educator Arline Wingate (1906-1988) was active in East Hampton, New York. Wingate married Clifford Hollander and is sometimes known as Arline Wingate Hollander. Wingate studied at Smith College and the Art Students League and her work has been exhibited throughout the United States and internationally.

Provenance:

Donated 1975 by Arline Wingate.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Educators -- New York (State) -- East Hampton  Search this

Sculptors -- New York (State) -- East Hampton  Search this

Topic:

Women artists  Search this

Women sculptors  Search this

Women educators  Search this

Citation:

Arline Wingate papers, 1932-1974. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.wingarli

See more items in:

Arline Wingate papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw926fdeb68-1a3f-48b0-86b4-10840d1934cc

EDAN-URL:

ead_collection:sova-aaa-wingarli

Creator:

Walinska, Rosa Newman  Search this

Extent:

0.2 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1934-1954

Summary:

The scattered papers of New York poet and sculptor Rosa Newman Walinska measure 0.2 linear feet and date from 1934 to 1954. The material concerns Walinska's career as a poet and sculptor and includes correspondence, photographs, printed material, a project file for books, and a mixed-media scrapbook.

Scope and Contents:

The scattered papers of New York poet and sculptor Rosa Newman Walinska measure 0.2 linear feet and date from 1934 to 1954. The material concerns Walinska's career as a poet and sculptor and includes correspondence, photographs, printed material, a project file for books, and a mixed-media scrapbook.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Rosa Newman Walinska (1887-1953) was a sculptor and poet in New York City, New York. Born in Ukraine, Walinska settled in London as a child and and worked in the millinery trade to help support her family. She married Ossip Walinsky in 1906 and had two children. The Walinskys immigrated to the United States in 1915 where she began to experiment with sculpture and formally studied art in her 40s. By the time she was in her 50s, Walinksa was exhibiting her works in solo shows. She died in Manhattan in 1953.

Provenance:

Donated 1977 by Walinska's daughter, Anna.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Poets -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women sculptors  Search this

Scrapbooks  Search this

Citation:

Rosa Newman Walinska papers, 1934-1954. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.walirosa

See more items in:

Rosa Newman Walinska papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b7c4742a-8ac7-490c-aac6-9bb2d07bc2f7

EDAN-URL:

ead_collection:sova-aaa-walirosa

Creator:

Weber, Idelle, 1932-2020  Search this

Extent:

0.4 Linear feet

Type:

Collection descriptions

Archival materials

Sketchbooks

Date:

1963-1981

Summary:

The papers of Photorealist painter Idelle Weber measure 0.4 linear feet and date from 1963 to 1981. The scattered collection focuses on Weber's career in New York City. Found are biographical materials, correspondence, photographs of Weber, others, and artwork, and printed material. Also found are two sketchbooks containing sketches of figures and people.

Scope and Contents:

The papers of Photorealist painter Idelle Weber measure 0.4 linear feet and date from 1963 to 1981. The scattered collection focuses on Weber's career in New York City. Found are biographical materials, correspondence, photographs of Weber, others, and artwork, and printed material. Also found are two sketchbooks containing sketches of figures and people.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Chicago, Illinois painter Idelle Weber (1932-2020) was known for her Pop art compositions of black silhouettes set against flat, brightly colored backgrounds. Weber was also associated with the Photorealist movement and her work was exhibited extensively in New York.

Provenance:

Donated 1982 by Idelle Weber.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women painters  Search this

Photo-realism  Search this

Pop art  Search this

Genre/Form:

Sketchbooks

Citation:

Idelle Weber papers, 1963-1981. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.webeidel

See more items in:

Idelle Weber papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw996c8da70-773a-4940-bc01-45416dba91aa

EDAN-URL:

ead_collection:sova-aaa-webeidel

Creator:

Weinstein, Joyce, 1931-  Search this

Extent:

0.3 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1966-1979

Summary:

The scattered papers of New York painter Joyce Weinstein measure 0.3 linear feet and date from 1966 to 1979. Found are biographical materials, correspondence, photographs and slides, and printed material.

Scope and Contents:

The scattered papers of New York painter Joyce Weinstein measure 0.3 linear feet and date from 1966 to 1979. Found are biographical materials, correspondence, photographs and slides, and printed material.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Painter Joyce Weinstein (1931- ) is active in New York City, New York. She studied at the Art Students League and is known for her abstract landscapes in pastel and oil.

Provenance:

Donated 1979 by Joyce Weinstein.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Painters -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women painters  Search this

Citation:

Joyce Weinstein papers, 1966-1979. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.weinjoyc

See more items in:

Joyce Weinstein papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw92ecf4ca2-223c-41ce-aa55-fba164a5613a

EDAN-URL:

ead_collection:sova-aaa-weinjoyc

Creator:

Wald, Sylvia, 1915-2011  Search this

Extent:

0.6 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1939-circa 1979

Summary:

The papers of New York printmaker and sculptor Sylvia Wald measure 0.6 linear feet and date from 1939 to circa 1979. Found are biographical materials, correspondence, personal business records, photographs, and printed material.

Scope and Contents:

The papers of New York printmaker and sculptor Sylvia Wald measure 0.6 linear feet and date from 1939 to circa 1979. Found are biographical materials, correspondence, personal business records, photographs, and printed material.

Arrangement:

Due to the small size of this collection the papers are arranged as one series.

Biographical / Historical:

Sylvia Wald (1915-2011) was a sculptor and printmaker in New York City, New York. She worked as an art teacher with the Works Progress Administration and began to experiment with silkscreen techniques with oil paint. Later in her career, Wald worked in sculpture and assemblage. She exhibited her work in solo and group shows around the United States and with the Art in Embassies program through the U.S. Department of State.

Provenance:

Donated 1978 by Sylvia Ward.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Sculptors -- New York (State) -- New York  Search this

Printmakers -- New York (State) -- New York  Search this

Topic:

Women artists  Search this

Women sculptors  Search this

Women printmakers  Search this

Citation:

Sylvia Wald papers, 1939-circa 1979. Archives of American Art, Smithsonian Institution.

Sponsor:

Processing of this collection received support from the Smithsonian American Women's History Initiative.

Identifier:

AAA.waldsylv

See more items in:

Sylvia Wald papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9b06f91c0-c3f9-4d5e-9d4e-12800b05e6d2

EDAN-URL:

ead_collection:sova-aaa-waldsylv

Creator:

Warshaw, Isadore, 1900-1969  Search this

Extent:

2.59 Cubic feet (consisting of 4 boxes, 1 folder, 3 oversize folder, 1 map case folder, 2 flat boxes (partial).)

Type:

Collection descriptions

Archival materials

Business ephemera

Ephemera

Date:

undated

1876

Summary:

A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Dyestuffs forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana

Materials in the Archives Center:

Archives Center Collection of Business Americana (AC0404)

Forms Part Of:

Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material

Provenance:

Dyestuffs is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.

Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Genre/Form:

Business ephemera

Ephemera

Citation:

Warshaw Collection of Business Americana Subject Categories: Dyestuffs, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

Identifier:

NMAH.AC.0060.S01.01.Dyestuffs

See more items in:

Warshaw Collection of Business Americana Subject Categories: Dyestuffs

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8cf420cee-2ebc-4a60-be8f-92721b647c9c

EDAN-URL:

ead_collection:sova-nmah-ac-0060-s01-01-dyestuffs

Creator:

Montgomery, Evangeline J.  Search this

Names:

Andrews, Benny, 1930-2006  Search this

Jones, Lois Mailou, 1905-1998  Search this

Saar, Betye  Search this

Waddy, Ruth G. (Ruth Gilliam), 1909-2003  Search this

Extent:

26.1 Linear feet

Type:

Collection descriptions

Archival materials

Drawings

Interviews

Scrapbooks

Sketchbooks

Sound recordings

Video recordings

Date:

1928-2018

Summary:

The papers of African American artist, curator, and arts administrator Evangeline "EJ" Montgomery measure 26.1 linear feet and date from 1929-2019. The papers relate to Montgomery's career and involvement in the African American art scene in California and Washington, D.C. The collection includes biographical materials consisting of calendars and appointment books, certificates and awards, records regarding Montgomery's personal art collection, resumes and biographies, and other personal records; correspondence with colleagues and friends such as Benny Andrews, Willis Bing Davis, Edmund Barry Gaither, Eugene Grigsby, Dele Jegede, Samella Lewis, Nzegwu Nkiru, and A.M. Weaver; professional activity files documenting Montgomery's career as a consultant, curator, member, and volunteer for a myriad of organizations including the American Association for State and Local History, National Conference of Artists, and the Oakland Museum; and research files and notes on African and African American arts and history, Black media, Black photographers, the museum profession, and the artists Betye Saar, Lois Mailou Jones, Nike Davies-Okundaye, Romare Bearden, Ruth Waddy, Sam Gilliam, and Sargent Johnson. Also included are files regarding Montgomery's career as an artist containing material on the Brandywine Workshop, interviews with Floyd Coleman and for The Historymakers, sales and consignment records, and other material; printed and documentary material consisting of art reproductions, clippings, exhibition announcements and catalogs, and posters regarding Montgomery and other African American artists; artwork by Montgomery, including student sketchbooks, and others; photographic material of Montgomery, friends and colleagues, events, personal snapshots, and works of art; and unidentified audiovisual material.

Scope and Contents:

The papers of artist, curator, and arts administrator Evangeline "EJ" Montgomery measure 26.1 linear feet and date from 1929-2019. The papers relate to Montgomery's career and involvement in the African American art scene in California and Washington, D.C. The collection includes biographical materials consisting of calendars and appointment books, certificates and awards, records regarding Montgomery's personal art collection, resumes and biographies, and other personal records; correspondence with colleagues and friends such as Benny Andrews, Willis Bing Davis, Edmund Barry Gaither, Eugene Grigsby, Dele Jegede, Samella Lewis, Nzegwu Nkiru, and A.M. Weaver; professional activity files documenting Montgomery's career as a consultant, curator, member, and volunteer for a myriad of organizations including the American Association for State and Local History, National Conference of Artists, and the Oakland Museum; and research files and notes on African and African American arts and history, Black media, Black photographers, the museum profession, and the artists Betye Saar, Lois Mailou Jones, Nike Davies-Okundaye, Romare Bearden, Ruth Waddy, Sam Gilliam, and Sargent Johnson. Also included are files regarding Montgomery's career as an artist containing material on the Brandywine Workshop, interviews with Floyd Coleman and for The Historymakers, sales and consignment records, and other material; printed and documentary material consisting of art reproductions, clippings, exhibition announcements and catalogs, and posters regarding Montgomery and other African American artists; artwork by Montgomery, including student sketchbooks, and others; photographic material of Montgomery, friends and colleagues, events, personal snapshots, and works of art; and unidentified audiovisual material.

Arrangement:

The collection is arranged as 9 series.

Series 1: Biographical Materials, 1967-2015 (1.0 linear feet; Box 1, OV 27)

Series 2: Correspondence, 1963-2014 (2.0 linear feet; Boxes 2-4)

Series 3: Professional Activity Files, 1963-2017 (7.6 linear feet; Boxes 4-11)

Series 4: Research Files and Notes, 1928-2018 (4.0 linear feet; Boxes 11-16)

Series 5: Files Regarding Montgomery's Career as an Artist, 1970-2016 (1.5 linear feet; Boxes 16-17)

Series 6: Printed and Documentary Materials, 1964-2018 (7.2 linear feet; Boxes 17-23, 26, OVs 27-29, 31-34

Series 7: Artwork, circa 1957-2006 (0.2 linear feet; Boxes 23, 26, OV 30)

Series 8: Photographic Materials and Moving Images, circa 1965-2017 (3.0 linear feet; Boxes 23-27, OV 27)

Series 9: Unidentified Audiovisual Materials, circa 1990s (1 folder; Box 25)

Biographical / Historical:

Evangeline "EJ" Montgomery (1930- ) is an African American artist, curator, and arts administrator in California and Washington, D.C.

Montgomery was born in New York and moved to Harlem in New York City after the divorce of her parents, Oliver and Carmelite Thompson. Upon graduating from Seward Park High School in 1951, Montgomery worked painting faces on dolls and statues. In 1955, she married Ulysses "Jim" Montgomery and moved to Los Angeles. In California she began working for jewelry designer Thomas Usher while attending Los Angeles City College. She continued her education at California College of the Arts (California College of Arts and Crafts) where she received her Bachelor of Fine Arts degree in 1969. During the late 1960s, Montgomery began curating exhibitions. From 1971 to 1976, she was curator for Rainbow Sign Gallery in Berkeley. Other roles Montgomery held were as the national exhibits workshop coordinator at the American Association for State and Local History and as program development consultant at the African American Museums Association. From 1976 to 1979, she was art commissioner for the city of San Francisco.

Montgomery moved to Washington, D.C. in 1980 to serve as the community affairs director for Howard University's WHMM-TV station. She then began working for the United States Information Agency (USIA) as a program officer in their Arts America program in the early 1980s. In her role, she worked to promote cross-cultural exchanges through art, specializing in American exhibitions touring abroad. Montgomery retired from the USIA in 2008.

As an artist, Montgomery gained recognition for her work in printmaking and metalworking. She was the recipient of the D.C. Commission on the Arts and Humanities fellowship in 2012 and an Excellence in the Arts Award from the Brandywine Print Workshop in 2004. Due to her diagnosis of Parkinson's disease in the 1990s, Montgomery had to stop working with metal but continued her printmaking work.

Provenance:

The Evangeline J. Montgomery papers were donated in 2019 by Evangeline J. Montgomery, as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art museum curators -- Washington (D.C.)  Search this

Art museum curators -- California  Search this

Printmakers -- Washington (D.C.)  Search this

Metal-workers -- Washington (D.C.)  Search this

Metal-workers -- California  Search this

Printmakers -- California  Search this

Topic:

African American artists  Search this

African American art museum curators  Search this

Black Arts movement  Search this

Women artists  Search this

Women museum curators  Search this

Women printmakers  Search this

Women arts administrators  Search this

Genre/Form:

Drawings

Interviews

Scrapbooks

Sketchbooks

Sound recordings

Video recordings

Citation:

Evangeline J. Montgomery papers, 1928-2018. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Henry Luce Foundation.

Identifier:

AAA.montevan

See more items in:

Evangeline J. Montgomery papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9915d0dc7-2f94-41bd-9b8b-d04432f7df32

EDAN-URL:

ead_collection:sova-aaa-montevan

Creator:

Forum Gallery (New York, N.Y.)  Search this

Names:

Fishko, Bella  Search this

Fishko, Robert  Search this

Gross, Chaim, 1904-1991  Search this

Levine, David, 1926-2009  Search this

Soyer, Raphael, 1899-1987  Search this

Extent:

9 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1946-1992

bulk 1960-1992

Summary:

The Forum Gallery records measure 9 linear feet and date from 1946 to 1992, with the bulk of the records dating from 1960 to 1992. The collection sheds light on the gallery's operations through administrative records and artist files.

Scope and Contents:

The Forum Gallery records measure 9 linear feet and date from 1946 to 1992, with the bulk of the records dating from 1960 to 1992. The collection sheds light on the gallery's operations through administrative files and artist files. Administrative files include scant appraisal records, exhibition files, financial records, photographs, and printed material. Artists' files contain correspondence, photographs, contracts and agreements, loan records, price lists, mailing lists, writings, and more. Chaim Gross, Max Weber, Laura Ziegler, Raphael Sawyer, David Levine, Bruno Lucchesi, and Laura Shechter are among the many artists found in the collection.

Arrangement:

The collection is arranged as two series.

Series 1: Administrative Records, 1960s-1992 (Box 1; 0.8 linear feet)

Series 2: Artist Files, 1946-1990, bulk 1960-1990 (Box 1-9; 8.2 linear feet)

Biographical / Historical:

Forum gallery was founded in New York City in 1961 by Bella Fishko. The gallery is well known for exhibiting the figuritive art of prominent U.S. artists. Raphael Soyer, Gregory Gillespie, David Levine, and Chaim Gross were among the first artists represented by the gallery. The gallery expanded to include international artists in the 1980s, and today represents more than 30 artists from the United States and Europe. Bella Fishko's son, Robert Fishko, took over the gallery's operations after Bella's death in 1995. The gallery is also a founding member of the Art Dealers Association of America, founded in 1962.

Provenance:

The collection was donated by Robert Fishko in 1996.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Figurative art  Search this

Function:

Art galleries, Commercial -- New York (State)

Citation:

Forum Gallery records, 1946-1992. Archives of American Art, Smithsonian Institution.

Sponsor:

The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.

Identifier:

AAA.forugall

See more items in:

Forum Gallery records

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9886862fd-04e5-481d-8d3f-a09c13d11063

EDAN-URL:

ead_collection:sova-aaa-forugall

Creator:

Brook, Alexander, 1898-1980  Search this

Subject:

Bacon, Peggy  Search this

Biddle, George  Search this

Brett, Catherine  Search this

Covarrubias, Miguel  Search this

Pollock, Jackson  Search this

Spencer, Niles  Search this

Knee, Gina  Search this

Bouché, Louis  Search this

Type:

Photographs

Watercolors

Sketches

Transcriptions

Scrapbooks

Sketchbooks

Interviews

Etchings

Illustrations

Citation:

Alexander Brook papers, 1900-1982. Archives of American Art, Smithsonian Institution.

Topic:

Post-impressionism (Art)  Search this

Painting, Modern -- 20th century -- New York (State) -- New York  Search this

Painters -- New York (State) -- New York  Search this

Theme:

Diaries  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)6833

(DSI-AAA_SIRISBib)208960

AAA_collcode_brooalex

Theme:

Diaries

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_208960

Creator:

Coffin, William A. (William Anderson), 1855-1925  Search this

Subject:

Stella, Joseph  Search this

Warren, Whitney  Search this

Mauer, Alfred  Search this

Benson, Frank Weston  Search this

Blashfield, Edwin Howland  Search this

Zorach, William  Search this

Gay, Walter  Search this

Gussow, Bernard  Search this

Bouché, Louis  Search this

Cortissoz, Royal  Search this

Pan-American Exposition (1901: Buffalo, N.Y.)  Search this

Société des artistes français  Search this

Exposition d'artistes de l'école Américaine (1919 : Paris, France)  Search this

American Rights Committee  Search this

American Artists' Committee of One Hundred  Search this

Lotos Club (New York, N.Y.)  Search this

Musée d'histoire et d'art (Luxembourg)  Search this

Committee for the Exhibition of American Painting and Sculpture (Paris, France)  Search this

Type:

Scrapbooks

Photographs

Citation:

William Anderson Coffin papers, 1886-1924. Archives of American Art, Smithsonian Institution.

Topic:

Harper's Weekly  Search this

New York Post  Search this

Art Exhibitions France Paris  Search this

Landscape painters -- New York (State) -- New York  Search this

Art, American  Search this

World War, 1914-1918  Search this

Theme:

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)7476

(DSI-AAA_SIRISBib)209634

AAA_collcode_coffwill

Theme:

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209634

Creator:

Kraushaar Galleries  Search this

Subject:

Wilson, Ralph L.  Search this

Fausett, Dean  Search this

Lasker, Joe  Search this

Murdock, Roland P.  Search this

Phillips, Duncan  Search this

Kuhn, Walt  Search this

Smith, Vernon  Search this

Robinson, Boardman  Search this

Lechay, James  Search this

Laurent, Robert  Search this

Hartell, John  Search this

Cantene, David  Search this

Schnakenberg, H. E. (Henry Ernest)  Search this

Kraushaar, Antoinette M.  Search this

Harrison, Preston  Search this

Heliker, John  Search this

Williams, Esther  Search this

Luks, George Benjamin  Search this

Glackens, Edith  Search this

Navas, Elizabeth S.  Search this

DeLonga, Leonard  Search this

Evett, Kenneth Warnock  Search this

Halberstadt, Ernst  Search this

Prendergast, Maurice Brazil  Search this

Morris, Carl  Search this

Ruellan, Andrée  Search this

Smalley, David  Search this

Flannery, Vaughn  Search this

Cowles, Russell  Search this

Penney, James  Search this

Beal, Gifford  Search this

Bacon, Peggy  Search this

Beal, Reynolds  Search this

Hardy, Thomas  Search this

Glackens, William J.  Search this

Prendergast, Charles  Search this

Demuth, Charles  Search this

Albrizio, Humbert  Search this

Lachaise, Gaston  Search this

Bignou, Etienne  Search this

Kirsch, Frederick D. (Frederick Dwight)  Search this

Sloan, John  Search this

Allard, J.  Search this

Bouché, Louis  Search this

Juley, Peter A.  Search this

Stanley, Alix W.  Search this

Arnest, Bernard  Search this

Brueming, Karen  Search this

Miller, Harriette  Search this

Kraushaar, John F.  Search this

Guillaume, Paul  Search this

Art Institute of Chicago  Search this

Toledo Museum of Art  Search this

Cleveland Museum of Art  Search this

Wichita Art Museum  Search this

Whitney Museum of American Art  Search this

New Britain Institute. Art Museum  Search this

Ernest Brown and Co.  Search this

Carnegie Institute  Search this

University of Nebraska--Lincoln. Department of Art  Search this

Museum of Modern Art (New York, N.Y.)  Search this

Type:

Photographs

Sketches

Drawings

Exhibition catalogs

Financial records

Notes

Sketchbooks

Citation:

Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.

Topic:

Works of art  Search this

Art, American  Search this

Artists -- United States  Search this

Depressions -- 1929  Search this

Theme:

Art Gallery Records  Search this

Art Market  Search this

Record number:

(DSI-AAA_CollID)7781

(DSI-AAA_SIRISBib)209946

AAA_collcode_kraugall

Theme:

Art Gallery Records

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209946

Creator:

Navas, Elizabeth S., 1885-1979  Search this

Subject:

Bacon, Peggy  Search this

Bouché, Louis  Search this

Brice, William  Search this

Burchfield, Charles Ephraim  Search this

Burlin, Paul  Search this

Callahan, Kenneth  Search this

Copley, John Singleton  Search this

Cowles, Russell  Search this

Curry, John Steuart  Search this

Davis, Stuart  Search this

De Creeft, José  Search this

Dehn, Adolf  Search this

Dehner, Walt  Search this

Demuth, Charles  Search this

Dove, Arthur Garfield  Search this

Pène Du Bois, Guy  Search this

Eakins, Thomas  Search this

Glackens, William J.  Search this

Gleitsmann, Raphael  Search this

Grosz, George  Search this

Heliker, John  Search this

Homer, Winslow  Search this

Hopper, Edward  Search this

James, Alexander  Search this

Kinigstein, Jonah  Search this

Kirsch, Frederick D. (Frederick Dwight)  Search this

Kuhn, Walt  Search this

Kuniyoshi, Yasuo  Search this

Lachaise, Gaston  Search this

Lechay, James  Search this

Marin, John  Search this

Marsh, Reginald  Search this

Mattson, Henry E. (Henry Elis)  Search this

Morris, Carl  Search this

Morris, George L. K.  Search this

Moyer, Roy  Search this

Murdock, Louise Caldwell  Search this

Murdock, Roland P.  Search this

Oscar, Charles  Search this

Penney, James  Search this

Poor, Anne  Search this

Poor, Henry Varnum  Search this

Ryder, Albert Pinkham  Search this

Schnakenberg, H. E. (Henry Ernest)  Search this

Shahn, Ben  Search this

Sheeler, Charles  Search this

Sloan, John  Search this

Smith, Houghton Cranford  Search this

Sparhawk-Jones, Elizabeth  Search this

Watkins, Franklin Chenault  Search this

Weber, Max  Search this

Williamson, Clara McDonald  Search this

Zerbe, Karl  Search this

Zorach, William  Search this

Wichita Art Museum  Search this

Citation:

Elizabeth S. Navas papers, 1939-1963. Archives of American Art, Smithsonian Institution.

Topic:

Art, American -- Kansas -- Witchita  Search this

Art -- Collectors and collecting  Search this

Theme:

Patronage  Search this

Record number:

(DSI-AAA_CollID)8075

(DSI-AAA_SIRISBib)210246

AAA_collcode_navaeliz

Theme:

Patronage

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210246

Creator:

Wilson, Sol, 1896-1974  Search this

Subject:

Hopper, Edward  Search this

Bouché, Louis  Search this

Burliuk, David  Search this

Evergood, Philip  Search this

Babcock Galleries  Search this

Citation:

Sol Wilson papers, 1919-1975. Archives of American Art, Smithsonian Institution.

Topic:

Painting, American  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)9380

(DSI-AAA_SIRISBib)211577

AAA_collcode_wilssol

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211577

Creator:

Park, Marlene, 1931-  Search this

Subject:

Palmer, William  Search this

Magafan, Ethel  Search this

Markowitz, Gerald E.  Search this

Reisman, Philip  Search this

Rothschild, Lincoln  Search this

Burchfield, Charles Ephraim  Search this

Refregier, Anton  Search this

Van Veen, Stuyvesant  Search this

Solman, Joseph  Search this

Sternberg, Harry  Search this

Walton, Marion  Search this

Alston, Charles Henry  Search this

Bolotowsky, Ilya  Search this

Barnet, Will  Search this

Brooks, James  Search this

Cadmus, Paul  Search this

Cronbach, Robt. (Robert M.)  Search this

Citron, Minna Wright  Search this

Gottlieb, Adolph  Search this

Gellert, Hugo  Search this

Bouché, Louis  Search this

King, Roy E.  Search this

Katz, Leo  Search this

Lanning, Edward P.  Search this

Kotin, Albert  Search this

National Personnel Records Center (U.S.)  Search this

United States. Work Projects Administration  Search this

Type:

Sound recordings

Interviews

Transcripts

Photographs

Citation:

Marlene Park and Gerald E. Markowitz research materials on New Deal Art, 1931-1999. Archives of American Art, Smithsonian Institution.

Topic:

Federal aid to the arts  Search this

Theme:

Research and writing about art  Search this

Record number:

(DSI-AAA_CollID)6277

(DSI-AAA_SIRISBib)216622

AAA_collcode_parkmarl

Theme:

Research and writing about art

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_216622

Creator:

Petlin, Irving, 1934-2018  Search this

Subject:

Golub, Leon  Search this

Kitaj, R. B.  Search this

Selz, Peter Howard  Search this

Type:

Drawings

Sketchbooks

Citation:

Irving Petlin papers, 1952-2014, bulk 1970-1990. Archives of American Art, Smithsonian Institution.

Topic:

Art and war  Search this

Vietnam War, 1961-1975 -- Protest movements -- United States  Search this

Theme:

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)21701

(DSI-AAA_SIRISBib)398508

AAA_collcode_peltirvi

Theme:

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_398508