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Joann and Gifford Phillips papers, circa 1950-2011

Creator:
Phillips, Joann  Search this
Phillips, Gifford, 1918-  Search this
Phillips, Joann  Search this
Subject:
Diebenkorn, Richard  Search this
Woelffer, Emerson  Search this
Motherwell, Robert  Search this
Reynolds, Jock  Search this
Moorhus, Donita  Search this
Heon, Laura Steward  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Type:
Scrapbooks
Interviews
Sound recordings
Topic:
Collectors and collecting -- New Mexico -- Sante Fe -- Interviews  Search this
Theme:
Art Market  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13520
(DSI-AAA_SIRISBib)246116
AAA_collcode_philjoan
Theme:
Art Market
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_246116

Oral history interview with Paul Caponigro, 1999 July 30-August 12

Interviewee:
Caponigro, Paul, 1932-  Search this
Caponigro, Paul, 1932-  Search this
Interviewer:
Larsen, Susan C., 1946-  Search this
Subject:
White, Minor  Search this
Lange, Dorothea  Search this
Adams, Ansel  Search this
Tice, George A.  Search this
Bufano, Beniamino  Search this
Cunningham, Imogen  Search this
Strand, Paul  Search this
Graves, Morris  Search this
Szarkowski, John  Search this
Chappell, Walter  Search this
Singer, Robert T.  Search this
Bunnell, Peter C.  Search this
Chiarenza, Carl  Search this
Cosindas, Marie  Search this
Uelsmann, Jerry  Search this
Ranney, Edward.  Search this
Scheinbaum, David  Search this
Russek, Janet  Search this
Clergue, Lucien.  Search this
O'Keeffe, Georgia  Search this
Newhall, Beaumont  Search this
Westin, Bert  Search this
Clift, William  Search this
Type:
Sound recordings
Interviews
Topic:
Photography, Artistic  Search this
Photographers -- Maine -- Cushing -- Interviews.  Search this
Photographers -- New Mexico -- Santa Fe -- Interviews.  Search this
Theme:
Photography  Search this
Record number:
(DSI-AAA_CollID)11968
(DSI-AAA_SIRISBib)222723
AAA_collcode_caponi99
Theme:
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_222723
Online Media:

Oral history interview with Judy Chicago, 2009 August 7-8

Interviewee:
Chicago, Judy, 1939-  Search this
Chicago, Judy, 1939-  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Subject:
Saint-Phalle, Niki de  Search this
Woodman, Donald  Search this
Taylor, Mary  Search this
Hopkins, Henry  Search this
Marisol  Search this
Copeland, John  Search this
Lucie-Smith, Edward  Search this
Schneemann, Carolee  Search this
Bullard, E. John(Edgar John)  Search this
Lemon, Jack  Search this
Rosenberg, Harold  Search this
Neel, Alice  Search this
Youdelman, Nancy  Search this
McFadden, David Revere  Search this
Bergen, Jeffrey  Search this
Semmel, Joan  Search this
Thompson, Viki D.  Search this
Dobbins, Norman  Search this
Dobbins, Ruth  Search this
Flack, Audrey  Search this
LaMonte, Karen  Search this
Lu, Jie  Search this
Rodee, Susannah  Search this
Pruitt, Tom  Search this
LewAllen, Arlene  Search this
Perkins, Flo  Search this
ACA Galleries  Search this
LewAllen Contemporary (Gallery)  Search this
Type:
Sound recordings
Interviews
Topic:
Women sculptors -- New Mexico -- Interviews  Search this
Feminism and art  Search this
Women painters -- New Mexico -- Interviews  Search this
Women photographers -- New Mexico -- Interviews  Search this
Art -- Technique  Search this
Glass artists -- New Mexico -- Interviews  Search this
Women printmakers -- New Mexico -- Interviews  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)15708
(DSI-AAA_SIRISBib)283567
AAA_collcode_chicag09
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_283567
Online Media:

Olive Rush papers, 1879-1967

Creator:
Rush, Olive, 1873-1966  Search this
Rush, Olive, 1873-1966  Search this
Subject:
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Type:
Sketches
Diaries
Photographs
Topic:
Women painters -- New Mexico -- Santa Fe  Search this
Painters -- New Mexico -- Santa Fe  Search this
American Indians in art  Search this
Art and state  Search this
Mural painting and decoration -- 20th century -- New Mexico -- Santa Fe  Search this
Muralists -- New Mexico -- Santa Fe  Search this
Illustrators -- New Mexico -- Santa Fe  Search this
Theme:
Diaries  Search this
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9223
(DSI-AAA_SIRISBib)211418
AAA_collcode_rusholiv
Theme:
Diaries
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211418
Online Media:

Louie H. Ewing papers, [ca. 1940]-1982

Creator:
Ewing, Louie H., 1908-1983  Search this
Ewing, Louie H., 1908-1983  Search this
Topic:
Navajo Indians -- New Mexico  Search this
Indians of North America -- New Mexico -- Pictorial works  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7022
(DSI-AAA_SIRISBib)209155
AAA_collcode_ewinloui
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209155

Eli Levin papers, 1949-1984

Creator:
Levin, Eli, 1938-  Search this
Levin, Eli, 1938-  Search this
Subject:
Sharp, Joseph Henry  Search this
Haddock, Arthur Earl  Search this
Ellis, Fremont F.  Search this
Levin, Meyer  Search this
Santa Fe Armory Show (1977 : Santa Fe, N.M.)  Search this
Type:
Sketchbooks
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9748
(DSI-AAA_SIRISBib)212118
AAA_collcode_levieli
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212118

Woody Gwyn papers, 1965-1984

Creator:
Gwyn, Woody, 1944-  Search this
Gwyn, Woody, 1944-  Search this
Topic:
Painting, Modern -- 20th century -- New Mexico  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10063
(DSI-AAA_SIRISBib)212925
AAA_collcode_gwynwood
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212925

Arthur Earl Haddock papers, 1895-1980

Creator:
Haddock, Arthur Earl, 1895-1980  Search this
Haddock, Arthur Earl, 1895-1980  Search this
Topic:
Painting, American  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10525
(DSI-AAA_SIRISBib)213996
AAA_collcode_haddarth
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213996

Eugene Kingman papers, 1932-1975

Creator:
Kingman, Eugene, 1909-1975  Search this
Kingman, Eugene, 1909-1975  Search this
Topic:
Painting, American  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)10534
(DSI-AAA_SIRISBib)214006
AAA_collcode_kingeuge
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214006

Ernest Blumenschein papers, 1873-1964

Creator:
Blumenschein, Ernest Leonard, 1874-1960  Search this
Blumenschein, Ernest Leonard, 1874-1960  Search this
Subject:
Ufer, Walter  Search this
Gilbert, Cass  Search this
Tarkington, Booth  Search this
Glackens, William J.  Search this
Blumenschein, Helen G. (Helen Greene)  Search this
Blumenschein, Mary Greene  Search this
Kuhn, Walt  Search this
Meem, John Gaw  Search this
Sharp, Joseph Henry  Search this
Taos Society of Artists  Search this
National Academy of Design (U.S.)  Search this
Committee on Public Information  Search this
Salmagundi Club  Search this
National Academy of Design  Search this
Type:
Writings
Photographs
Topic:
World War I, 1914-1918  Search this
Illustrators -- New Mexico -- Taos  Search this
Taos School of Art  Search this
Works of art  Search this
Painting -- New Mexico -- Taos  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6744
(DSI-AAA_SIRISBib)208869
AAA_collcode_blumerne
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208869
Online Media:

Randall Davey papers, 1900-1974 and [undated]

Creator:
Davey, Randall, 1887-1964  Search this
Davey, Randall, 1887-1964  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American -- Southwestern States  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)7328
(DSI-AAA_SIRISBib)209481
AAA_collcode_daverand
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209481

Paul Burlin papers, 1884-1974

Creator:
Burlin, Paul, 1886-1969  Search this
Burlin, Paul, 1886-1969  Search this
Subject:
Burlin, Natalie Curtis  Search this
Type:
Sound recordings
Interviews
Sketchbooks
Scrapbooks
Drawings
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Audio - Visual  Search this
Record number:
(DSI-AAA_CollID)8976
(DSI-AAA_SIRISBib)211163
AAA_collcode_burlpaul
Theme:
Sketches & Sketchbooks
Lives of American Artists
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211163

Emil J. Bisttram papers, 1902-1982

Creator:
Bisttram, Emil, 1895-1976  Search this
Bisttram, Emil, 1895-1976  Search this
Subject:
Berninghaus, Oscar E. (Oscar Edmund)  Search this
Dows, Olin  Search this
Macdonald-Wright, Stanton  Search this
Ufer, Walter, Mrs  Search this
Saarinen, Eero  Search this
Higgins, Victor  Search this
Phillips, Bert Geer  Search this
Jonson, Raymond  Search this
Public Works of Art Project  Search this
Treasury Relief Art Project  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Topic:
Federal aid to the arts -- Arizona  Search this
Art and state -- Arizona  Search this
Federal aid to the arts -- New Mexico  Search this
New Deal, 1933-1939  Search this
Art and state -- New Mexico  Search this
Painting, Abstract  Search this
Taos School of Art  Search this
Design  Search this
Symmetry  Search this
Proportion (Art)  Search this
Theme:
Art Movements and Schools  Search this
Lives of American Artists  Search this
Government Sponsorship of the Arts  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)9018
(DSI-AAA_SIRISBib)211207
AAA_collcode_bistemil
Theme:
Art Movements and Schools
Lives of American Artists
Government Sponsorship of the Arts
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211207

Bill Barrett papers, 1930-2013, bulk 1950-2013

Creator:
Barrett, Bill, 1934-  Search this
Barrett, Bill, 1934-  Search this
Subject:
Audubon Artists (New York, N.Y.)  Search this
Hakone Bijutsukan  Search this
Type:
Interviews
Scrapbooks
Sketchbooks
Video recordings
Sketches
Photographs
Topic:
Sculptors -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Painters -- New Mexico -- Santa Fe  Search this
Record number:
(DSI-AAA_CollID)16141
(DSI-AAA_SIRISBib)363872
AAA_collcode_barrbill
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_363872
Online Media:

Andrew Dasburg and Grace Mott Johnson papers

Creator:
Dasburg, Andrew, 1887-1979  Search this
Names:
Carlson, John F., 1874-1945  Search this
Cramer, Florence Ballin, 1884-1962  Search this
Davidson, Florence Lucius, d. 1962  Search this
Davidson, Jo, 1883-1952  Search this
Frankl, Walter  Search this
Hartley, Marsden, 1877-1943  Search this
Howard, Lila  Search this
Johnson, Grace Mott, 1882-1967  Search this
Kuhn, Vera, d. 1961  Search this
Lockwood, Ward  Search this
Luhan, Mabel Dodge, 1879-1962  Search this
McFee, Henry Lee, 1886-1953  Search this
Riley, Mary G., 1883-1939  Search this
Simonson, Lee, 1888-  Search this
Sterling, Lindsey, 1876-1931  Search this
Wright, Alice Morgan, 1881-1975  Search this
Extent:
8.8 Linear feet
Type:
Collection descriptions
Archival materials
Poetry
Diaries
Sketchbooks
Photographs
Date:
1833-1980
bulk 1900-1980
Summary:
The papers of painter Andrew Dasburg and his wife and sculptor Grace Mott Johnson date from 1833 to 1980 (bulk 1900 to 1980), and measure 8.8 linear feet. The collection documents each artist's career and personal lives, including their brief marriage and their friendships with many notable artists in the New Mexico and New York art colonies during the early twentieth century. The papers of Dasburg (6 linear feet) and Johnson (2.8 linear feet) include biographical materials; extensive correspondence with family, friends, and fellow artists, such as John F. Carlson, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, and Ward Lockwood; writings by Dasburg, Johnson, and others; scattered legal, financial, and business records; clippings; exhibition materials; numerous photographs of Johnson and Dasburg, friends, family, and artwork; and original artwork, including two sketchbooks by Johnson.
Scope and Content Note:
The papers of painter Andrew Dasburg and sculptor Grace Mott Johnson date from 1833 to 1980, with the bulk of the materials dating from 1900 to 1980, and measure 8.8 linear feet. The collection is divided into the papers of Andrew Dasburg (6 linear feet) and the papers of Grace Mott Johnson (2.8 linear feet), and documents each artist's career and personal lives, including their brief marriage, and friendships with many notable artists in New Mexico and New York art colonies during the early twentieth century. Found are scattered biographical, legal, and financial materials. Extensive correspondence (particularly in Dasburg's papers) is with family, friends, and fellow artists, such as John F. Carlson, Florence Ballin Cramer, Mabel Dodge Luhan, Marsden Hartley, Henry Lee McFee, Vera Spier Kuhn, and Ward Lockwood. Dasburg's papers also include letters to Johnson and his two later wives.

Johnson's correspondence is also with numerous artist friends and others, including John F. and Margaret Carlson, Florence Ballin Cramer, Jo Davidson, Florence Lucius, Walter Frankl, Lila Wheelock Howard, Henry Lee McFee, Mary Riley, Lee Simonson, Lindsey Morris Sterling, Alice Morgan Wright, Mabel Dodge Luhan, and Vera Spier Kuhn. Letters to her son Alfred are quite detailed and revealing. Writings are by Dasburg, Johnson, and others. Johnson's writings include a very brief diary and her poetry. Writings by others are about the Taos and New Mexico art communities. Printed materials about both artists include clippings and exhibition catalogs. There are numerous photographs of Dasburg and Johnson, individually and together, and with friends and family. Of note are a group photograph of Birge Harrison's art class in Woodstock, New York, which includes Johnson and Dasburg, and a photograph of Dasburg with friends Konrad Cramer and John Reed. Dasburg's papers also include snapshots of Florence Lucius, Konrad and Florence Ballin Cramer, Frieda and D. H. Lawrence, and Mabel Dodge Luhan. Original artwork by the two artists include two sketchbooks by Johnson and three prints and two drawings by Dasburg.
Arrangement:
The collection is arranged into 2 series of each artist's papers:

Series 1: Andrew Dasburg Papers, circa 1900-1980 (Box 1-7; 6.0 linear feet)

Series 2: Grace Mott Johnson Papers, 1833-1963 (Box 7-10; 2.8 linear feet)
Biographical Note:
Andrew Michael Dasburg (1887-1979) was born in Paris, France, to German parents. After his father died and when he was five, Dasburg and his mother moved to New York City. In 1902 Dasburg started attending classes at the Art Students' League and studied with Kenyon Cox and Frank Du Mond. He also took night classes with Robert Henri. In 1907 he received a scholarship to the Art Students' League summer school in Woodstock, New York and spent three summers studying there in Birge Harrison's painting class. While in school he became friends with many young artists, including Morgan Russell and his future wife, Grace Mott Johnson.

Grace Mott Johnson (1882-1967) was born in New York City. She began drawing when she was four years old, and when the family moved to a farm in 1900 she enjoyed sketching horses and other farm animals. At the age of 22 she left home to study at the Art Students' League with sculptors Gutzon Borglum and James Earle Fraser, and also attended Birge Harrison's painting class in Woodstock. Throughout her career she would sculpt animals from memory, and would often attend circuses and farms for inspiration.

In 1909 Johnson and Dasburg went to Paris and joined the modernist circle of artists living there, including Morgan Russell, Jo Davidson, and Arthur Lee. During a trip to London that same year they were married. Johnson returned to the United States early the next year, but Dasburg stayed in Paris where he met Henri Matisse, Gertrude and Leo Stein, and became influenced by the paintings of Cezanne and Cubism. He returned to Woodstock, New York in August and he and Johnson became active members of the artist community. In 1911 their son Alfred was born. Both Dasburg and Johnson showed several works at the legendary Armory Show in 1913, and Dasburg also showed at the MacDowell Club in New York City, where he met the journalist and activist John Reed who later introduced him to Mabel Dodge (Luhan), a wealthy art patron and lifelong friend. In 1914 Dasburg met Alfred Stieglitz and became part of his avant-garde circle. Using what he had seen in Paris, Dasburg became one of the earliest American cubist artists, and also experimented with abstraction in his paintings.

Dasburg and Johnson lived apart for most of their marriage. By 1917 they had separated and Dasburg began teaching painting in Woodstock and in New York City. In 1918 he was invited to Taos, New Mexico by Mabel Dodge, and returning in 1919, Johnson joined him there for a period of time. Also in 1919, Dasburg was one of the founding members of the Woodstock Artists Association with John F. Carlson, Frank Swift Chase, Carl Eric Lindin, and Henry Lee McFee. In 1922 Dasburg and Johnson divorced, and also at that time he began living most of the year in Santa Fe with Ida Rauh, spending the rest of the year in Woodstock and New York City. Dasburg became an active member of the Santa Fe and the Taos art colonies, befriending many artists and writers living in these communities, and remaining close friends with Mabel Dodge Luhan. Here he moved away from abstraction, and used the southwestern landscape as the inspiration for his paintings.

In 1928 he married Nancy Lane. When that marriage ended in 1932, he moved permanently to Taos, and with his third wife, Marina Wister, built a home and studio there. Dasburg periodically taught art privately and at the University of New Mexico. In 1937 he was diagnosed with Addison's disease, which left him unable to paint again until 1946. In 1945 he and his wife Marina separated. Dasburg was recognized for his career as an artist in a circulating retrospective organized by the American Federation of Arts in 1959. He also had retrospectives in Taos in 1966 and 1978. His artwork influence several generations of artists, especially in the southwest, and he continued creating art until his death in 1979 at the age of 92.

Grace Mott Johnson lived in the Johnson family home in Yonkers, New York during the 1920s and later moved to Pleasantville, New York. In 1924 she went to Egypt to study ancient Egyptian sculpture. During the 1930s she became a civil rights activist. She produced very little art during the last twenty years of her life.
Related Material:
Also found in the Archives of American Art are two oral history interviews with Andrew Dasburg, July 2, 1964 and March 6, 1974. Additional related collections at other repositories include the Andrew and Marina Wister Dasburg Papers at the New Mexico State Archives, the Andrew Dasburg Papers at Syracuse University Library, and the Grace Mott Johnson Papers at the Beinecke Rare Book and Manuscript Library, Yale University.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming. Reel 2803 contains photocopies of ten Morgan Russell letters to Dasburg. Reels 4276-4278 include biographical material, subject files, photographs, correspondence, writings, and exhibition material. The photocopies on reel 2803 were discarded after microfilming, and the items on 4276-4278 were returned to the lender. This material is not described in the collection container inventory.
Provenance:
The Andrew Dasburg and Grace Mott Johnson papers were donated by their son, Alfred Dasburg, in 1980. Syracuse Univresity lent materials for microfilming in 1978 and 1989.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Mexico  Search this
Painters -- New York (State)  Search this
Topic:
Works of art  Search this
Sculptors -- New York (State)  Search this
Function:
Artist colonies -- New York (State)
Artist colonies -- New Mexico
Genre/Form:
Poetry
Diaries
Sketchbooks
Photographs
Citation:
Andrew Dasburg and Grace Mott Johnson papers, 1833-1980 (bulk 1900-1980). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dasbandr
See more items in:
Andrew Dasburg and Grace Mott Johnson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dasbandr
Online Media:

Bror Julius Olsson (B.J.O.) Nordfeldt papers

Creator:
Nordfeldt, Bror Julius Olsson, 1878-1955  Search this
Names:
Arthur H. Hahlo (Firm)  Search this
Harriet Hanley Gallery (Minneapolis, Minn.)  Search this
Passedoit Gallery (New York, N.Y.)  Search this
Albinson, Dewey, 1898-1971  Search this
Bidwell, Watson, 1904-  Search this
Candell, Victor, 1903-1977  Search this
Catlin, Stanton L. (Stanton Loomis)  Search this
Cheney, Sheldon, 1886-  Search this
Coke, Van Deren, 1921-  Search this
Cook, Howard Norton, 1901-1980  Search this
Davison, Edward L.  Search this
Devree, Howard, 1891-1966  Search this
Dickerson, William Judson, 1904-  Search this
Ficke, Arthur Davison, 1883-1945  Search this
Forsyth, Constance, 1903-  Search this
Hale, John Douglass  Search this
Hanley, Harriet  Search this
Jonson, Raymond, 1891-1982  Search this
Knee, Gina, 1898-1982  Search this
Lester, William, 1910-1991  Search this
Mayor, A. Hyatt (Alpheus Hyatt), 1901-1980  Search this
Nordfeldt, Emily Abbott, 1900-  Search this
Passedoit, Georgette  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Extent:
3.6 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1909-1989
Scope and Contents:
Biographical material, correspondence, business records, writings and notes, printed material, scrapbooks, and photographs document Nordfeldt's career as a painter and instructor, and his widow's involvement after his death in exhibitions, biographies, and sales of his work.
REELS D166-D167: Biographical material includes a biographical sketch by Stanton L. Catlin, several letters from Nordfeldt's first wife Margaret to his second wife, Emily, and his nephew, Leonard Olson, in response to requests for biographical information, and biographical documents; correspondence of Emily and B.J.O., 1909-1959, with museum directors, gallery owners, patrons, artists, friends, universities, and others, mainly regarding the sale and exhibitions of his paintings and his teaching positions; artists' statements; exhibition catalogs; photographs of Nordfeldt; an excerpt from The Man on the Hilltop, by Arthur Davison Ficke; 5 sketchbooks; 3 scrapbooks; and an extensive catalog of Nordfeldt's paintings compiled by Emily, containing photographs and descriptive information.
Among the correspondents are Dewey Albinson, Watson Bidwell, Gina Knee Brook, Victor Candell, Howard N. Cook, Edward L. Davison, Howard Devree, William Dickerson, Constance Forsyth, Harriet Hanley of Harriet Hanley Gallery, Raymond Jonson, William Lester, A. Hyatt Mayor, Georgette Passedoit of the Passedoit Gallery, his student Roberta Shelton, Homer Saint-Gaudens, and Hudson D. Walker. Some of the letters are illustrated.
UNMICROFILMED: Resumes; correspondence, undated, 1923-1979, includes excerpts of letters from Nordfeldt to Constance Forsyth, 1942-1943 and Emily Abbott Nordfeldt, 1944; Emily Abbott Nordfeldt's correspondence with art collectors, art dealers, galleries and museums regarding exhibitions, gifts and sales of Nordfeldt's work; with Nordfeldt's biographers F. Van Deren Coke and J. Douglas Hale; and with the University of Minnesota, University Gallery, 1970-1972 regarding a Nordfeldt exhibition and the Nordfeldt Fund established by Emily; receipts and other business records; 1944-1979; writings and notes by Emily, ca.1930-1950, and others including the preface by Sheldon Cheney for Nordfeldt, the Painter by Coke, 1972;
a transcript of an interview with Raymond Jonson by Coke; printed material, including clippings, 1912-1984, exhibition catalogs, posters and announcements, undated, 1915-1991, notably a catalog of Nordfeldt's etchings shown at the Arthur H. Hahlo & Co. with an introduction by Robert W. Bruere, 1915; reproductions of graphic work for The Outlook and Harper's Monthly Magazine, 1910; miscellaneous printed material; a scrapbook of clippings and printed material, 1971-1980; photographs of Nordfeldt, undated 1910-1955, of the Santa Fe Players' production of "Grumpy," 1921; 3 photo albums of works of art, ca. 1930-1940; 10 seconds of motion picture film; and 2 sketches by Nordfeldt.
Biographical / Historical:
Painter, etcher, block printer, engraver, lithographer, watercolorist, teacher; Santa Fe, N.M. and Lambertville, N.J. Born in Tullstorp, Scania, Sweden, and came to the United States in 1891. Taught at the Minneapolis School of Art and the University of Texas. Moved to Lambertville, N.J. in 1937 from Santa Fe, N.M.
Provenance:
Material on reels D166-D167 lent for microfilming 1963 by Emily Abbott Nordfeldt, Bror's widow. In 1991 her estate donated additional material as well as portions of the previously microfilmed material. Material previously lent but NOT subsequently donated includes portions of the biographical material; several letters; artists' statements; a few personal photographs; the 5 sketchbooks; items from the scrapbooks; and the catalog of paintings. (The collection file contains a list of specific reel and frame numbers.)
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Watercolorists  Search this
Etchers  Search this
Painters -- New Jersey  Search this
Painters -- New Mexico -- Santa Fe  Search this
Topic:
Expressionism (Art)  Search this
Painting, Modern -- 20th century -- United States  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.nordbror
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nordbror

Emil J. Bisttram papers

Creator:
Bisttram, Emil, 1895-1976  Search this
Names:
Public Works of Art Project  Search this
Treasury Relief Art Project  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
Berninghaus, Oscar E. (Oscar Edmund), 1874-1952  Search this
Dows, Olin, 1904-1981  Search this
Higgins, Victor, 1884-1949  Search this
Jonson, Raymond, 1891-1982  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Phillips, Bert Geer, 1868-1956  Search this
Saarinen, Eero, 1910-1961  Search this
Ufer, Walter, Mrs  Search this
Extent:
2.3 Linear feet ((on 6 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1902-1982
Scope and Contents:
Papers relating to work done for the Federal Art Project; business and personal letters; printed material; biographical data; correspondence; and photographs.
REEL 79: Correspondence, memoranda, and other material relating to federal art programs in New Mexico and Arizona. Includes correspondence with Public Works of Art Project administrators about a mural in Taos County Court House done by Bisttram, Bert G. Phillips, and Victor Higgins; memoranda; press releases and reports; catalogs of Treasury Department art projects shown at the Corcoran Gallery; and Federal Art Project dismissals and a proposal for a Bureau of Fine Arts.
REEL 581: Business and personal letters to and from Bisttram, including a letter from Lily and Eero Saarinen, and letters from Raymond Jonson; clippings; 91 catalogs; 22 reproductions of Bisttram's work; newspaper and magazine articles describing the artist colony at Taos and Santa Fe.
REEL 2787: Baptismal and naturalization records; correspondence; a photograph of Bisttram; clippings and printed material.
REELS 2892-2894: Biographical material; one or more letters from Ray Jonson, Stanton Macdonald-Wright; Oscar Berninghaus, Mrs. Walter Ufer, and other artists; correspondence with Olin Dows and others involved in the Treasury Relief Art Project, with galleries, museums, art organizations, and students; writings and notes; the draft for a book about Dynamic Symmetry; drafts for a book The Creative Process in the New Age; sketches and drawings; business, financial, and legal records; exhibition catalogs and announcements; certificates and awards; transcripts of interviews of Bisttram; and photographs of Bisttram and his paintings.
Biographical / Historical:
Painter; Taos, N.M. Was an exponent of Dynamic Symmetry, a painting technique.
Provenance:
Papers microfilmed on reel 581were lent for microfilming 1973, and some was subsequently donated with a gift in 1983 (and refilmed on reels 2892-2894).
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New Mexico -- Taos  Search this
Topic:
Federal aid to the arts -- Arizona  Search this
Art and state -- Arizona  Search this
Federal aid to the arts -- New Mexico  Search this
New Deal, 1933-1939  Search this
Art and state -- New Mexico  Search this
Painting, Abstract  Search this
Taos School of Art  Search this
Design  Search this
Symmetry  Search this
Proportion (Art)  Search this
Identifier:
AAA.bistemil
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bistemil

Ivan Karp papers

Creator:
Karp, Ivan  Search this
Names:
Emory University  Search this
National Museum of Natural History (U.S.)  Search this
Smithsonian Institution  Search this
Kratz, Corinne Ann, 1953-  Search this
Masolo, D.A.  Search this
Extent:
16.24 Linear feet (43 boxes and 2 sets of rolled maps)
0.21 Gigabytes
19 Sound recordings
Culture:
Teso (African people)  Search this
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Manuscripts
Field recordings
Photographs
Field notes
Correspondence
Electronic records
Place:
Busia District (Kenya)
Date:
circa 1945-2012
bulk 1969-2012
Summary:
Ivan Karp (1943-2011) was a curator of African Ethnology at the Smithsonian Institution's National Museum of Natural History (NMNH) from 1984 to 1993. He was also a professor at Emory University from 1993 to 2011. He conducted fieldwork among the Iteso (Teso) of Kenya and made significant contributions to the areas of African systems of thought, social theory, museum studies, and public scholarship. His collection contains his research on the Iteso of Kenya; his work at Emory University and the Smithsonian Institution; his reviews of manuscripts and books; recommendations that he wrote for his colleagues and students; his published articles and papers presented at conferences; and his project files on various topics including museum studies, African philosophy, public scholarship, agency and personhood, and the history of social anthropology.
Scope and Contents:
This collection contains the professional papers of Ivan Karp, documenting his work as an anthropologist, professor, and museum curator. The materials include his research on the Iteso of Kenya; his work at Emory University and the Smithsonian Institution; his reviews of manuscripts and books; recommendations that he wrote for his colleagues and students; his published articles and papers presented at conferences; and his project files on various topics including museum studies, African philosophy, public scholarship, agency and personhood, and the history of social anthropology.

Karp's Iteso research files span from the late 1960s to the 1990s. These materials consist of his field notes, in both paper and digital form; household surveys; photographs; sound recordings; maps; grant proposals; bibliographic research; correspondence; notes and drafts of his dissertation; and his other writings. A great deal of the field materials was collected by his field assistants, particularly Steven Omuse. Some field materials were also collected by Karp's first wife, Patricia.

His Smithsonian files are electronic and contain little documentation regarding his administrative work. There are, however, some materials relating to the planning of exhibits at NMNH and a proposal to establish a program focusing on the African continent and the African Diaspora. There is also a memo with Karp's response to questions from a House Subcommittee regarding the National African American Museum and complaints about the NMNH Africa Hall. Other associated materials include his research and papers on museums and exhibits. While there are no files pertaining to the first two museum conferences he organized, a folder titled "Bellagio" contains documentation for the conference and associated workshops on museums and globalization that he organized while at Emory.

Karp's files from Emory are also in digital form and more substantive than his Smithsonian materials. They document his work on the different committees he chaired and programs he directed and founded, including the Center for the Study of Public Scholarship. His Emory files also include his comments on students' dissertations, papers, and proposals.

The digital files also document Karp's other areas of interests, particularly African philosophy; concepts of identity, personhood, and agency; and the relationships between international development and personhood. His work on African philosophy largely consists of files from a number of collaborative projects with Kenyan philosopher Dismas Masolo, including the 1993 conference in Nairobi they organized and the associated volume they edited, African Philosophy as Cultural Inquiry (2000). There are a few files of research on the Luo people. His research on development and personhood focuses on Africa, particularly on Kenya, and includes his papers, notes, and reference sources, which also exist in paper form. There are also files of obituaries and memorials of Karp from numerous publications and events.

Other materials in Karp's collection include his doctorate diploma, his Master's thesis, family photos, and a wedding album from his first marriage.
Arrangement:
This collection is organized into 6 series: 1) Iteso Research; 2) Development Discourse; 3) Personal; 4) Photographs; 5) Sound Recordings; 6) Born Digital Files.
Biographical / Historical:
Ivan Karp (1943-2011) was a curator of African Ethnology at the Smithsonian Institution's National Museum of Natural History (NMNH) from 1984 to 1993. He conducted fieldwork among the Iteso (Teso) of Kenya and made significant contributions to the areas of African systems of thought, museum studies, and public scholarship.

Karp was born on August 27, 1943 in Stamford, Connecticut. He attended the University of Vermont as an undergraduate, majoring in Sociology and Anthropology (1961-1965), and pursued graduate studies in Social Anthroplogy at the University of Rochester (1967-1969). Karp received his M.A. (1969) and Ph.D. (1974) from University of Virginia. As a doctoral student he conducted research among the Iteso from 1969 to 1971. His dissertation, titled Fields of Change Among the Iteso of Kenya, was published in 1978. Karp continued his research on the Iteso into the 1990s and published various papers including "Beer Drinking and Social Experience in African Society" (1980) and "Laughter at Marriage: Subversion in Performance" (1987).

Before his employment at the Smithsonian, Karp held a teaching appointment at Colgate University from 1972 to 1975 and was a professor at Indiana University from 1976 to 1984. At Indiana University, he coedited with Charles S. Bird Explorations in African Systems of Thought (1980), the first of a 34-volume series published under his editorship.

He left Indiana University in 1984 to become the Curator of African Ethnology at the National Museum of Natural History. While at the Smithsonian, he served as Chair of the Ethnology Division and established with William Merrill the Smithsonian Series in Ethnographic Inquiry. It was also during this period that Karp began to critically examine museum practice, concepts of identity and agency, and systems of representation in relation to museum exhibits. He and Steven Lavine organized two major conferences on museums and co-edited the resulting conference proceedings: Exhibiting Cultures: The Poetics and Politics of Museum Display (1991) and Museums and Communities: The Politics of Public Culture (1992).

In 1993, Karp left the Smithsonian to direct the Graduate Institute of Liberal Arts (1993-1996) at Emory University. He also served as director of the university's Institute of African Studies (1996-1999) and the Emory Center for International Studies (1996-1999). In addition, he cofounded and codirected with Corinne Kratz, his second wife, the Center for the Study of Public Scholarship (CSPS) from 1994 to 2009 and the Grant Writing Program from 1992 to 2011. Through the CSPS, he and Kratz also established and codirected the Institutions of Public Culture program, a collaboration with South African colleagues that brought together scholars of public culture from universities, museums, NGOs, political and arts organizations and related institutions (2000-2008). Karp also continued to facilitate discussions on museums, working with Kratz and his colleagues at the Rockefeller Foundation to organize a series of international workshops and a conference in 2002 on museums and globalization. He coedited Museum Frictions: Public Cultures/Global Transformations (2006), a collection of papers presented at the conference.

Karp retired from teaching at Emory University in May 2011 but planned to continue working with the Laney Graduate School's Grant Writing Program until full retirement in August 2013. Not long after finishing his last graduate seminar, Ivan Karp died at the age of 68 on September 17, 2011 in New Mexico.

1943 -- Born on August 27 in Stamford, Connecticut.

1961-1965 -- Undergraduate studies at University of Vermont with major in Sociology and Anthropology.

1965-1967 -- Graduate studies in Social Anthropology at the University of Rochester.

1969 -- Earns M.A. from University of Virginia. Begins conducting fieldwork among the Southern Iteso in Busia District, Kenya.

1972-1975 -- Instructor and Assistant Professor of Anthropology at Colgate University.

1974 -- Earns Ph.D. from University of Virginia.

1976-1984 -- Professor of Anthropology at Indiana University.

1984-1993 -- Curator of African Ethnology, National Museum of Natural History, Smithsonian Insitution.

1987 -- Organizes conference on "The Poetics and Politics of Exhibiting Other Cultures."

1988 -- Organizes conference on "Museums and their Communities."

1993-1996 -- Director of Graduate Institute of Liberal Arts, Emory University.

1994-2009 -- Director of Center for the Study of Public Scholarship, Emory University.

1996-1999 -- Director of Emory Center for International Studies, Emory University. Director of Institute of African Studies, Emory University

2000-2008 -- Director of Institutions of Public Culture program through CSPS.

2002 -- Organizes conference on " Museums and Global Public Spheres" held in Italy at Bellagio Conference Center of the Rockefeller Foundation.

2009 -- Moves to Santa Fe, NM where he had bought a home in 2003.

2011 -- Retires from teaching at Emory University. Dies on September 17 at the age of 68.
Related Materials:
Artifacts collected by Ivan Karp can be found in the National Museum of Natural History's Department of Anthropology Collections (Accession #390893 and 416181). Indiana University Archives of Traditional Music holds some of Karp's original Iteso sound recordings.
Separated Materials:
Four DVDs and a videotape were separated from the collection and transferred to the Human Studies Film Archives. One of the recordings is an interview with Karp that Robert Lavenda and Emily Schultz conducted in 1989 to accompany their introductory anthropology textbook, Cultural Anthropology: A Perspective on the Human Condition. The rest of the recordings are of Karp giving presentations.
Provenance:
This collection was donated to the National Anthropological Archives by Corinne Kratz in 2014.
Restrictions:
Recommendations that Karp wrote for his colleagues and students are restricted until 2061.

Access to the Ivan Karp papers requires an appointment.
Topic:
Museum techniques  Search this
Luo (African people)  Search this
Social sciences -- Philosophy  Search this
Philosophy, African  Search this
Language and languages -- Documentation  Search this
Teso language  Search this
Genre/Form:
Sound recordings
Manuscripts
Field recordings
Photographs
Field notes
Correspondence
Electronic records
Citation:
Ivan Karp papers, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.2013-30
See more items in:
Ivan Karp papers
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-2013-30

Ernest Blumenschein papers

Creator:
Blumenschein, Ernest Leonard, 1874-1960  Search this
Names:
Committee on Public Information  Search this
National Academy of Design  Search this
National Academy of Design (U.S.)  Search this
Salmagundi Club  Search this
Taos Society of Artists  Search this
Blumenschein, Helen G. (Helen Greene)  Search this
Blumenschein, Mary Greene  Search this
Gilbert, Cass, 1859-1934  Search this
Glackens, William J., 1870-1938  Search this
Kuhn, Walt, 1877-1949  Search this
Meem, John Gaw, 1894-1983  Search this
Sharp, Joseph Henry, 1859-1953  Search this
Tarkington, Booth, 1869-1946  Search this
Ufer, Walter, 1876-1936  Search this
Extent:
2.1 Linear feet
Type:
Collection descriptions
Archival materials
Writings
Photographs
Date:
1873-1964
Summary:
The papers of southwest painter and illustrator Ernest Blumenschein measure 2.1 linear feet and date from 1873-1964. The collection documents Blumenschein's artistic career, his relationship with his wife and daughter, his love of the American southwest, and his involvement in the art community of Taos, New Mexico. Found are biographical materials, personal and professional correspondence, scattered personal business records, writings, a large amount of juvenilia artwork, and photographs of artwork.
Scope and Content Note:
The papers of southwest painter and illustrator Ernest Blumenschein measure 2.1 linear feet and date from 1873-1964. The collection documents Blumenschein's artistic career, his relationship with his wife and daughter, his love of the American southwest, and his involvement in the art community of Taos, New Mexico. Found are biographical materials, personal and professional correspondence, scattered personal business records, writings, a large amount of juvenilia artwork, and photographs of artwork.

Biographical materials include biographical sketches, school notebooks and curriculum vita, family genealogical materials and other family records, certificates, diplomas, and materials commemorating Blumenschein's election to the National Academy of Design. Also found are scattered ephemera items, such as membership cards, tickets, and travel materials.

Correspondence consists primarily of letters between Blumenschein, his wife Mary, and his daughter Helen. These discuss Blumeschein's career, domestic life, financial matters, Helen's schooling, and travel. Blumenschein's activities during World War I are documented by correspondence with the Committee of Public Information, the Salmagundi Club, and with Aide de Camps of army bases. There are a few letters from other artists and writers including William Glackens, Walt Kuhn, Ward Lockwood, Booth Tarkington, and a long letter from Cass Gilbert.

Scattered personal business records consist of a guest list, a list of Blumenschein works in a private collection, a jury duty certificate, and a car payment record.

Writings include personal, critical, and creative writings. There are writings by Blumenschein about the founding of the Taos Society of Artists and the artistic community of Taos and his memoirs about his first trip to Taos. Additional writings include a satirical discussion of modern art, and essays about artists John Gaw Meem, Joseph Henry Sharp, and Walter Ufer, and discussions of select paintings. Blumenschein also wrote of his travels in Paris, Switzerland, and Pittsburgh, as well as about French churches and cemeteries. Creative writings explore the landscape, life and culture of the American southwest.

Artwork consists primarily of fourteen folders of Blumenschein's illustrations for "Tomfoolery," a handwritten and hand drawn magazine that Blumenschein contributed to in high school. His illustrations for "Tomfoolery" include portraits, caricatures, and sequential art. Also found is one folder of small sketches.

Printed materials about Blumenschein include clippings, exhibition announcements, and exhibition catalogs. There are also brochures related to the Taos Art Colony and a 1902 menu for a Salmagundi Club program/dinner Also found here is a 1915 signed menu from a National Academy of Design event signed by Gifford Beal, George Bellows, and Eugene Spiecher among others.

Photographs include two portraits of Blumenschein and a group portrait of National Academy of Design members that includes Blumenschein. There are also photographs of Blumeschein's artwork and installation views of Blumenschein exhibitions.
Arrangement:
The collection is arranged into 7 series:

Series 1: Biographical Materials, 1873-1971 (Boxes 1, OV1; 17 folders)

Series 2: Correspondence, 1891-1970 (Box 1; 0.5 linear feet)

Series 3: Personal Business Records, 1918-1950s (Box 1; 4 folders)

Series 4: Writings, 1880s-1959 (Box 1-2; 0.5 linear feet)

Series 5: Artwork, 1888-1925 (Box 2; 0.25 linear feet)

Series 6: Printed Materials, 1891-1964 (Box 2, OV1; 0.5 linear feet)

Series 7: Photographs, 1880s-1955 (Box 2, OV1; 0.25 linear feet)
Biographical Note:
Ernest Blumenschein was born on May 26th, 1874 in Pittsburgh, Pennsylvania. He moved to Dayton, Ohio at the age of four, the same year his mother died. His father was a professional musician and composer, who chiefly made his living as a conductor of large choruses. During high school he contributed illustrations to "Tomfoolery," a handwritten and hand drawn weekly humor magazine. Besides his artistic talents, Ernest Blumenschein was a skilled violin player, and was awarded a scholarship to the Cincinnati College of Music. In 1892, Blumenschein auditioned for the New York National Conservatory, and was chosen by Anton Dvorak for the role of first violin. With the income from playing violin, Blumenschein attended classes at the Art Students League.

In 1892, Ernest Blumenschein first traveled to Paris to study at the Académie Julian. While in Paris, he met Joseph Henry Sharp who inspired Blumenschein with his stories and sketches of the American southwest, particularly the Taos area. He returned to American in 1896, rented a studio with another Académie Julian student Bert Phillips, and began a successful career as a commercial illustrator working for magazines such as Century, Harper's, Scribner's, and McClure's.

Blumenschein first visited Taos in the fall of 1898 while traveling en route to Mexico on a sketching trip with Phillips. A wheel on the wagon carrying their belongings broke and they took it to the nearest blacksmith in the area, which was in Taos. Upon arriving at Taos, Blumenschein was struck by the "the superb beauty and serenity" of the landscape and was "stirred deeply." The town made a strong impact on both Blumenschein and Phillips, but while Phillips decided to stay, Blumenschein returned to New York for a short while and continued working as an illustrator. The following year Blumenschein decided to concentrate on painting, and re-enrolled at the Académie Julian while supporting himself with his commercial work. In 1903, he met Mary Greene, an American painter living in Paris and they married in 1905, and began sharing a Paris studio. Their daughter and only child, Helen, was born in November of 1909.

While Ernest Blumenschein continued to study in Paris, he also kept working as an illustrator, supporting himself easily. His illustration work was much in demand by American magazines and book publishers. Blumenschein was commissioned to illustrate Jack London's first book, Love of Life, in 1904. He also worked with other famous writers such as Stephen Crane, Willa Cather, and Joseph Conrad.

Upon returning to New York after the birth of their daughter, Ernest and Mary taught at the Pratt Institute. Ernest spent every summer in Taos. In 1919, the family moved permanently to Taos, with Helen returning to New York for school. It was during this time that Blumenschein co-founded the Taos Society of Artists and became part of the Taos art colony. For four decades, Blumenschein created paintings of the landscape, local inhabitants, the Taos Pueblo culture, and city skylines. He won numerous awards for his work and exhibited widely. His work was responsible for changing perceptions about the native culture and peoples of the area - the Navajo and Pueblo Indians. Blumenschein also indulged his love of the outdoors and sports. He avidly camped, played tennis, and was part of the Taos amateur baseball team. His artistic output in the 1950s was hampered by his declining health, and the death of Mary in 1958. Blumenschein died in June of 1960, and his ashes are repositioned at the Taos Pueblo Reservation.
Related Material:
Found in the Archives of American Art is a small collection of "Ernest Blumenschein letters and transcripts", available on microfilm reel 3281, and consisting of eleven letters between Blumenschein and Thomas Gilcrease, a letter between Helen Blumenschein and Gilcrease, and the transcript of a 1958 radio interview with Blumenschein.

Additionally, the Fray Angélico Chávez History Library in Santa Fe, New Mexico holds papers related to Ernest Blumenschein, Mary Greene Blumenschein, and Helen Greene Blumenschein.
Provenance:
The collection was donated to the Archives of American Art by Helen Greene Blumenschein, Ernest Blumenschein's daughter, in 1971.
Restrictions:
Use of the original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New Mexico -- Taos  Search this
Topic:
World War I, 1914-1918  Search this
Illustrators -- New Mexico -- Taos  Search this
Taos School of Art  Search this
Works of art  Search this
Painting -- New Mexico -- Taos  Search this
Genre/Form:
Writings
Photographs
Citation:
Ernest Blumenschein papers, 1873-1964. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blumerne
See more items in:
Ernest Blumenschein papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-blumerne
Online Media:

Joann and Gifford Phillips papers

Creator:
Phillips, Joann  Search this
Phillips, Gifford  Search this
Names:
Museum of Modern Art (New York, N.Y.)  Search this
Diebenkorn, Richard, 1922-1993 -- Photographs  Search this
Heon, Laura Steward  Search this
Motherwell, Robert -- Photographs  Search this
Reynolds, Jock  Search this
Woelffer, Emerson, 1914- -- Photographs  Search this
Interviewer:
Moorhus, Donita  Search this
Extent:
2.6 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Interviews
Sound recordings
Date:
circa 1950-2011
Scope and Contents:
Correspondence, photographs, writings, interview transcripts, a sound recording, printed material and miscellany concerning the careers of art collectors Joann and Gifford Phillips.
Correspondence is both professional and personal. Photographs are of Richard Diebenkorn, Emerson Woelffer and Robert Motherwell.
Writings are by Gifford Phillips and include a 122 p. manuscript, undated, and an updated version (May 2007) describing his forty-year term as a trustee of the Museum of Modern Art in New York; a 23 p. manuscript "Notes on Frontier Magazine, A Memoir," 2009 in which Phillips writes about his experience starting Frontier magazine in California during the 1950s; "Collecting," 2009, a discussion about collecting art based on Phillips' personal experience; and a 16 p. typescript (with copy on CD), 2011, in which Phillip's writes about his involvement with the Pasadena Museum of Art.
The interview transcript is of a March 2004 interview with Joann and Gifford Phillips conducted by Donita Moorhus for the Phillips Collection in Washington, D.C. The sound recording is a conversation on CD recorded at a public event at SITE, a contemporary arts organization in Santa Fe, N.M., regarding the topic My Life in Art with SITE director Laura Heon, artist Jock Reynolds, and Joann and Gifford Phillips. Printed material includes scrapbooks and newspaper clippings. Miscellany includes appointment books.
Biographical / Historical:
Joann and Gifford Phillips are art patrons and collectors from Santa Fe, N.M. Gifford Phillips is the nephew of Duncan Phillips and a collector and founder of the Phillips Collection, Washington, D.C.
Provenance:
Donated 2003- 2011 by Joann and Gifford Phillips.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Collectors and collecting -- New Mexico -- Sante Fe -- Interviews  Search this
Genre/Form:
Scrapbooks
Interviews
Sound recordings
Identifier:
AAA.philjoan
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-philjoan

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