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Valor in Black and White: War Stories of Horace Poolaw

Creator:
National Museum of the American Indian  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2016-11-17T15:43:57.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_Npi_Nrw-B9o

The Outwin Boochever Portrait Competition 2016: John Valadez Juror Interview

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2016-05-18T16:17:21.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_PVCXnImLNns

The Outwin Boochever Portrait Competition 2016: Helen Molesworth Juror Interview

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2016-05-18T16:17:04.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_hK_gwaawxgQ

(AT HOME) ON ART AND SYSTEMS: ARTIST TALK WITH CHARLES GAINES

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2021-03-18T00:14:20.000Z
YouTube Category:
Entertainment  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_FkJrjFSUres

Peter and Rose Krasnow papers, 1914-1984

Creator:
Krasnow, Peter, 1886-1979  Search this
Subject:
Danieli, Fidel  Search this
DeLuce, Robert  Search this
Clements, Grace  Search this
Cocker, Conrad  Search this
Budnick, Dan  Search this
Burton, Leslie  Search this
Weston, Edward  Search this
Blades, Harriet  Search this
Weston, Flora  Search this
Weston, Edward  Search this
Stone, Irving  Search this
Raboff, Ina  Search this
Raboff, Ernest Lloyd  Search this
Price, Aimée Brown  Search this
Owen, Elaine  Search this
Owen, Dale  Search this
Noer, Philip  Search this
Morley, Grace  Search this
Krasnow, Rose  Search this
Howe, Dudley  Search this
Drake, Alfred S.  Search this
United States. Aircraft Warning Service. Ground Observer Corps  Search this
Peter Krasnow Arts Foundation  Search this
Type:
Sketchbooks
Photographs
Sketches
Diaries
Poems
Notes
Essays
Short stories
Prints
Transcripts
Sound recordings
Citation:
Peter and Rose Krasnow papers, 1914-1984. Archives of American Art, Smithsonian Institution.
Topic:
Jewish artists  Search this
Printmakers -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9164
(DSI-AAA_SIRISBib)211359
AAA_collcode_kraspete
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211359
Online Media:

Model, Static, Lockheed Electra, Amelia Earhart

Manufacturer:
Lockheed Aircraft Corp.  Search this
Materials:
Overall - wood
Metal- propellers, landing gear
Dimensions:
Model: 23.5 × 73.7 × 104.1cm (9 1/4 in. × 2 ft. 5 in. × 3 ft. 5 in.)
3-D (Model Overall): 4.1kg (9lb.)
Type:
MODELS-Aircraft
Country of Origin:
United States of America
Credit Line:
Gift of Lockheed Aircraft Corporation.
Inventory Number:
A19600213000
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv918de48ff-0b6d-4734-8337-fdf932960d39
EDAN-URL:
edanmdm:nasm_A19600213000
Online Media:

Lucile Lloyd papers, 1916-1941

Creator:
Lloyd, Lucile, 1894-1941  Search this
Subject:
Stickney Memorial Art School  Search this
Federal Art Project  Search this
Type:
Scrapbooks
Citation:
Lucile Lloyd papers, 1916-1941. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women muralists  Search this
Women educators  Search this
Theme:
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6265
(DSI-AAA_SIRISBib)216604
AAA_collcode_lloyluci
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216604

Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection

Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
American Federation of Teachers  Search this
Department of Defense, Comprehensive Review Working Group  Search this
Gay Officers Action League. GOAL  Search this
Gay, Lesbian, Bisexual and Transgender Community Center of Baltimore and Central Maryland  Search this
ONE National Gay and Lesbian Archives  Search this
San Diego LGBT Pride  Search this
Servicemembers Legal Defense Network  Search this
Smith College  Search this
University of Connecticut  Search this
William Way Community Center  Search this
Biren, Joan E.  Search this
Bushnell, Megan  Search this
Davidson, James, Dr.  Search this
Dietrich, Joe  Search this
Exline, Gregory  Search this
Florence, Laura  Search this
Huebner, David  Search this
Jain, Shawn  Search this
Karazsia, Amy  Search this
Karazsia, William G.  Search this
Lombardi, Angela  Search this
Lynch, Patsy  Search this
Meinke, Mark  Search this
Nitz, Ryan  Search this
Reichard, Bradley  Search this
Robinson, Franklin A., Jr., 1959- (actor)  Search this
Ros, Silvia  Search this
Sabatino, Michael  Search this
Shannon, Michael A.  Search this
Sheets, Justin  Search this
Snodgrass, Adam  Search this
Voorheis, Robert  Search this
Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Other:
Larson, Gordon P., 1910-1988 -- 20th century  Search this
Names:
McWaine, Dwayne, Dr.  Search this
Extent:
66 Cubic feet (198 boxes, 21 map-folders)
64.2 Cubic feet (193 boxes, 21 map-folders)
Type:
Collection descriptions
Archival materials
Passports
Postcards
Photographs
Posters
Videocassettes
Advertising
Dvds
Songbooks
Periodicals
Place:
Canada -- Description and Travel
Germany -- description and travel
Amsterdam (Netherlands)
Washington, D.C. -- history
Los Angeles (Calif.)
New York, New York
Date:
1825-2023, undated
bulk 1960-2022
Summary:
This collection contains a variety of periodicals, photographs, correspondence, business and advertising ephemera (corporate and non-profit, personal), organizational records and ephemera, created by, for, and in reaction to the Lesbian, Gay, Bisexual, Transgender (LGBT) community.
Scope and Contents:
The Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection contains periodicals, ephemera, posters, postcards, advertisements, photographs, organizational records, publications, correspondence, and other materials related to all aspects of the LGBT community and the civil rights issues pertaining thereto. The collection was created by the Archives Center to bring together materials specifically pertaining to the LGBT community. This collection contains material from communities and individuals throughout the United States. The collection is currently strongest in periodicals, newspapers and ephemera and very strong in material from California and New York. The collection continues to add new items and the researcher would be wise to take a broad view in targeting their research topics in the collection.
Arrangement:
The collection is divided into twenty-five series.

Series 1: Periodicals, 1937-2021

Series 2: Agencies, Associations, and Organizations, 1965-2023, undated

Series 3: Community Life and Subject Files, 1825-2022, undated

Subseries 3.1: Photographs and Slides, 1870-2009, undated

Subseries 3.2: Ephemera and Buttons, 1969-2022, undated

Subseries 3.3: Posters and Prints, 1825-2018, undated

Subseries 3.4: Subject Files, 1958-2019, undated

Subseries 3.5: Pride, 1976-2022, undated

Subseries 3.6: HIV and AIDS, 1987-2020, undated

Subseries 3.7: Gay Games, 1982-2018

Series 4: Advertising, Business, and Publications, 1970-2021, undated

Subseries 4.1: Advertising, 1970-2018, undated

Subseries 4.2: Business, 1986-2021, undated

Subseries 4.3: Television, Theater, and Motion Pictures, 1978-2022, undated

Subseries 4.4: Bar ephemera and advertisement, 1979-2018, undated

Subseries 4.5: Publications, 1976-2019, undated

Series 5: Biren, Joan E. (JEB), 195-2018, undated

Subseries 5.1: Xerographic Copies of Photoprints, 1971-1995, undated.

Subseries 5.2: Posters and Oversize Advertisement, 1973-2018, undated

Series 6: Dietrich, Joseph A., 1992-2010

Series 7: Mattachine Society Records, 1942-1996, undated

Subseries 7.1: Correspondence, 1952-1991, undated

Subseries 7.2: Board of Directors Minutes, 1954-1974, undated

Subseries 7.3: Organizational Information, 1942-1993, undated

Subseries 7.4: Councils, Chapters, and Committees, 1953-1965, undated

Subseries 7.5: Conventions, 1953-1960, undated

Subseries 7.6: Publications, 1944-1996, undated

Series 8: Rainbow History Community Pioneers, 2003-2012, undated

Series 9: Strub, Sean O., addendum, 1987-2011, undated

Series 10: Gay and Lesbian Community Center of Baltimore (GLCCB, 1990-2014, undated

Series 11: Ros, Silvia, 2009-2011

Series 12: Huebner, David, 2009-2014

Series 13: St. George, Philip, 1945-1955, undated

Series 14: Will & Grace, 1995-2006

Series 15: Barna, Joseph T. and Heritage of Pride (HOP), New York, New York, 1910-2014, undated

Subseries 15.1: Photographs, Photographic Negatives, and Slides, 1985-2010, undated

Subseries 15.2: Heritage of Pride (HOP), 1984-2014, undated

Subseries 15.3: Barna, Joseph T., 1910-2013, undated,

Series 16: Becker, John M., 1999-2014, undated

Series 17: Rohrbaugh, Richard, 1972-1986, undated

Series 18: Guest, Michael E., 2001-2009

Series 19: The Fosters, 2013

Series 20: Pride at Work, 1990-2015

Series 21: Sabatino, Michael and Voorheis, Robert, 1980-2016, undated

Subseries 21.1: Archilla, Gustavo A. and Lokkins, Elmer T., 1916-2014, undated

Series 22: Gay Officers Action League (GOAL), 1982-2016, undated

Series 23: Brown, Adele "Del" and Herizon's Bar, 1985-1991, undated

Subseries 1: Changing Herizons, and Herizons Newsletter, 1983-1991

Series 24: Universal Fellowship Metropolitan Community Churches (UFMCC), 1957-2019, undated

Series 25: The Christmas House, Crown Media Family Networks, 2020-2021
Historical Note:
While the quest for equal rights has been pursued by generations, it is generally acknowledged that the modern day Lesbian, Gay, Bisexual, and Transgender (LGBT) civil rights movement began in New York City in June 1969 with the Stonewall Riots. Prior to this time a number of activists, individuals, and organizations such as The Mattachine Society, Daughters of Bilitis and others, fought to bring recognition of LGBT civil rights to the forefront of American society. While the movement was primarily, and most visably, centered in New York City and San Francisco, periodicals, guide books, and ephemeral material interconnected the larger LGBT community throughout the United States. The increased visibility of the LGBT movement inspired affinity groups at odds with the LGBT community's new found visibility and quest for broader civil rights. The challenge to what was termed "traditional" values encouraged these counter-LGBT groups to define and solidfy their constituency and also become more pro-active. This collection comprises material that is generated by individuals and organizations promoting both points of view.
Related Materials:
Materials in the Archives Center

Michio and Aveline Kushi Macro-Biotics Collection (AC0619)

The Shamrock Bar: Photographs and Interviews (AC0857)

John-Manuel Andriote Victory Deferred Collection (AC1128)

Archives Center Wedding Documentation Collection (AC1131 )

Division of Science, Medicine, and Society HIV/AIDS Reference Collection (AC1134)

John-Manuel Andriote Hot Stuff: A Brief History of Disco Collection (AC1184)

Joan E. Biren (JEB) Queer Film Museum Collection (AC1216)

World AIDS Institute (WAI) Collection (AC1266)

Servicemembers Legal Defense Network (SLDN) Records (AC1282)

Helping Persons with AIDS (HPA) Records (AC1283)

DC Cowboys Dance Company Records (AC1312)

Bil Browning and Jerame Davis Papers (AC1334)

David Hadley Rockwell New York Disco Ephemera Collection (AC1342)

Leonard P. Hirsch Federal Globe Records (AC1357)

Corbett Reynolds Papers (AC1390)

Mark Segal Papers (AC1422)

The Mattachine Society of Washington "Love in Action" Collection (AC1428)

Academy of Washington Records (AC1458)

Matthew Shepard Papers (AC1463)

I'm From Driftwood Records (AC1503)

The Division of Political History holds artifacts related to gay activist Franklin Kameny and a variety of political buttons. They also hold LGBT related artifacts from Joan E. Biren (JEB).

The Division of Medical and Science holds objects donated from Dr. Renee Richards, Sean O. Strub, and Leonard Hirsch.

The Division of Entertainment and the Arts holds objects donated by The Fosters, Will & Grace, and The Christmas House.
Provenance:
This collection was assembled by the Archives Center, National Museum of American History, Smithsonian, beginning in 2004.
Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women's music  Search this
Transgender people -- Identity  Search this
Sexual orientation  Search this
Political activists  Search this
Lesbianism  Search this
Lesbian and gay experience  Search this
Gay activists  Search this
Homosexuality  Search this
HIV and AIDS  Search this
Feminism  Search this
Bisexuality  Search this
Bars (Drinking establishments)  Search this
Gay Pride  Search this
Genre/Form:
Passports
Postcards
Photographs -- 2000-2010
Posters
Videocassettes
Advertising
DVDs
Photographs -- 20th century
Songbooks
Periodicals
Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.1146
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep80327b53b-2daa-47d1-8c11-89a7b3f4e1bd
EDAN-URL:
ead_collection:sova-nmah-ac-1146
Online Media:

Dwan Gallery records, 1959-circa 1982, bulk 1959-1971

Creator:
Dwan, Virginia, 1931-  Search this
Subject:
Parker, Raymond  Search this
Reinhardt, Ad  Search this
Weber, John  Search this
Snelson, Kenneth  Search this
Flavin, Dan  Search this
Andre, Carl  Search this
Guston, Philip  Search this
Saint-Phalle, Niki de  Search this
Kienholz, Edward  Search this
Mitchell, Joan  Search this
Klein, Yves  Search this
Rauschenberg, Robert  Search this
Morris, Robert  Search this
Scarpitta, Salvatore  Search this
Smithson, Robert  Search this
LeWitt, Sol  Search this
Richenburg, Robert  Search this
Raysse, Martial  Search this
Rivers, Larry  Search this
Oldenburg, Claes  Search this
Kline, Franz  Search this
Arman  Search this
Arakawa, Shusaku  Search this
Goodnough, Robert  Search this
Anastasi, William  Search this
Dwan Gallery (New York, N.Y.)  Search this
Dwan Gallery (Los Angeles, Calif.)  Search this
Type:
Photographs
Slides (photographs)
Citation:
Dwan Gallery records, 1959-circa 1982, bulk 1959-1971. Archives of American Art, Smithsonian Institution.
Topic:
Art -- New York (State) -- New York -- Exhibitions  Search this
Art -- California -- Los Angeles -- Exhibitions  Search this
Earthworks (Art)  Search this
Minimal art  Search this
Abstract expressionism  Search this
Artists -- United States  Search this
Theme:
Art Movements and Schools  Search this
Art Gallery Records  Search this
Record number:
(DSI-AAA_CollID)6056
(DSI-AAA_SIRISBib)216037
AAA_collcode_dwangall
Theme:
Art Movements and Schools
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216037
Online Media:

Merle Schipper Papers, circa 1930s-1999

Creator:
Schipper, Merle  Search this
Subject:
Diebenkorn, Richard  Search this
Calder, Alexander  Search this
Guston, Philip  Search this
Smith, Kiki  Search this
Hélion, Jean  Search this
Holty, Carl  Search this
Bengston, Billy Al  Search this
Spratling, William  Search this
Biederman, Charles Joseph  Search this
De Kooning, Willem  Search this
Orr, Eric  Search this
Tworkov, Jack  Search this
Noland, Kenneth  Search this
Mullican, Matt  Search this
ArtScene (periodical)  Search this
Type:
Interviews
Photographs
Prints
Transcripts
Drawings
Place:
France -- Paris -- photographs
Los Angeles (Calif.) -- Social life and customs
Citation:
Merle Schipper Papers, circa 1930s-1999. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Theme:
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)5984
(DSI-AAA_SIRISBib)229044
AAA_collcode_schimerl
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_229044
Online Media:

William Eggleston

Artist:
William Greiner, born 08 Sep 1957  Search this
Sitter:
William Eggleston, born 27 July 1939  Search this
Medium:
Inkjet print
Dimensions:
Image: 38.1 × 56.5 cm (15 × 22 1/4")
Sheet: 40.7 × 50.9 cm (16 × 20 1/16")
Type:
Photograph
Place:
United States\California\Los Angeles\Los Angeles
Date:
1999 (printed 2020)
Topic:
Printed Material\Book  Search this
Nature & Environment\Plant\Tree  Search this
Interior\Interior with Exterior View  Search this
Home Furnishings\Furniture\Table  Search this
Artwork  Search this
Architecture\Window  Search this
Home Furnishings\Drinking vessel\Glass  Search this
Equipment\Camera  Search this
Home Furnishings\Lighting Devices\Lamp  Search this
Home Furnishings\Furniture\Seating\Couch  Search this
Costume\Outerwear\Coat\Jacket  Search this
William Eggleston: Male  Search this
William Eggleston: Visual Arts\Artist\Photographer  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Joanna and John Theriot
Object number:
NPG.2020.163
Restrictions & Rights:
Usage conditions apply
Copyright:
© William Greiner
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4bdb5e18a-30c9-4282-845a-99709033f5cc
EDAN-URL:
edanmdm:npg_NPG.2020.163

Esther Robles Gallery records

Creator:
Esther-Robles Gallery  Search this
Names:
Robles, Esther  Search this
Extent:
24.8 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1947-1986
Scope and Contents:
Artist's files, including business correspondence, price lists and invoices, newspaper and magazine clippings, press releases, photographs and slides, exhibition announcements, and catalogs and brochures from artists represented by the Esther Robles Gallery.
Arrangement:
Files are arranged alphabetically.
Biographical / Historical:
Art gallery; Los Angeles, Calif. Est. 1947. Closed 1979.
Provenance:
Donated 2005 and 2009 by Robert Robles, husband and business partner of Esther Robles who died in 2001.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Function:
Art galleries, Commercial -- California
Identifier:
AAA.esthrobg
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94325d62e-8ef6-41ec-b75b-7c1e241dc410
EDAN-URL:
ead_collection:sova-aaa-esthrobg

Merle Schipper Papers

Creator:
Schipper, Merle, 1922-2001  Search this
Names:
ArtScene (periodical)  Search this
Bengston, Billy Al  Search this
Biederman, Charles Joseph, 1906-2004  Search this
Calder, Alexander, 1898-1976  Search this
De Kooning, Willem, 1904-1997  Search this
Diebenkorn, Richard, 1922-1993  Search this
Guston, Philip, 1913-1980  Search this
Holty, Carl, 1900-1973  Search this
Hélion, Jean, 1904-1987  Search this
Mullican, Matt, 1951-  Search this
Noland, Kenneth, 1924-2010  Search this
Orr, Eric, 1939-1998  Search this
Smith, Kiki, 1954-  Search this
Spratling, William, 1900-1967  Search this
Tworkov, Jack  Search this
Extent:
12.1 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Prints
Transcripts
Drawings
Place:
France -- Paris -- Photographs
Los Angeles (Calif.) -- Social life and customs
Date:
circa 1930s-1999
Summary:
The papers of Los Angeles art historian, art critic, and writer Merle Schipper measure 12.1 linear feet and date from circa 1930s to 1999. The papers include biographical material, correspondence, writing and research project files, printed material, writings by others, photographs, and artwork.
Scope and Contents:
The papers of Los Angeles art historian, art critic, and writer Merle Schipper measure 12.1 linear feet and date from circa 1930s to 1999. The papers include biographical material, correspondence, writing and research project files, printed material, writings by others, photographs, and artwork.

Biographical material consists of a notebook planner and professional contact addresses, as well as Schipper's resume and bibliography. Scattered correspondence is both personal and professional with family and colleagues.

Over one-half of the collection consists of Schipper's writing, research, project, and exhibition files. There are drafts, essays, manuscripts, notes, and research documentation about California art and artists, an exhibition of craftsman William Spratling curated by Schipper, Schipper's dissertation and additional projects on Jean Helion, the exhibition Americans in Paris in the 1950s (1997), additional exhibitions, as well as transcripts of interviews with artists. The research files on Helion include an interview transcript with Willem de Kooning about Helion and correspondence with artists about Helion, including Charles Biederman, Alexander Calder, Philip Guston, Carl Holty, Jack Tworkov, and others. Additional exhibition files are found for Visions of Inner Space (1988) and Marmo: The New Italian Stone Age (1989). Artists interviewed by Schipper include Billy Al Bengston, Willem de Kooning, Richard Diebenkorn, Laddie John Dill, Kenneth Noland, Eric Orr, and others.

Extensive printed materials include clippings and copies of journals and periodicals containing Schipper's writings.

There are a few scattered writings by others about art and artists. Photographs are of Schipper, artists, artwork, and places, including Paris. Artwork includes one original poster print by Kiki Smith and one drawing by Matt Mullican.
Arrangement:
This collection is arranged as 7 series.

Missing Title

Series 1: Biographical Material, circa 1970s-1998 (5 folders; Box 1)

Series 2: General Correspondence, 1944-circa 1998 (0.3 linear feet; Box 1)

Series 3: Writing and Research Project Files, circa 1930s-1999 (7.8 linear feet; Boxes 1-9)

Series 4: Printed Material, 1933-1997 (3.1 linear feet; Boxes 9-12, OV14-16)

Series 5: Writings By Others, circa 1944-1991 (0.2 linear feet; Box 12)

Series 6: Photographs, circa 1960s-circa 1992 (0.6 linear feet; Boxes 12-13)

Series 7: Artwork, 1982-1992 (0.1 linear feet; Box 13, OV16)
Biographical / Historical:
Merle Schipper (1922-2001) was an art historian, writer, and art critic active in Los Angeles, California.

Born in Toronto, Canada, Merle Solway Schipper was naturalized in Los Angeles in 1950 and received a PhD in art history from the University of California, Los Angeles in 1974. Schipper was a familiar figure on the Los Angeles art scene. Her primary scholarly focus grew out of her dissertation research on Jean Helion, but much of her writing attention was devoted to Los Angeles artists and art world events. She was a regular contributor to many art periodicals, including ArtScene, Images and Issues, Artweek, ARTnews, and the Los Angeles Daily News.

As an independent curator, Schipper's research interests led to several exhibitions, including Americans in Paris: the 50s (1979) at California State University, Northridge, Visions of Inner Space (1988) co-curated with Lee Mullican at UCLA's Frederick S. Wight Art Gallery, Marmo: the New Italian Stone Age (1989), Being There/Being Here: Nine Perspectives in New Italian Art (1991), traveling exhibition sponsored by the Italian Cultural Institute, and an exhibition of William Spratling for the Craft and Folk Art Museum in 1997. Schipper also taught and lectured at UCLA, USC, CSU Northridge, and Claremont Graduate School.

Merle Schipper died in 2001.
Provenance:
The Merle Schipper papers were donated to the Archives of American Art in 2002 by the Merle Schipper Estate via Schipper's daughter Amy Schipper Howe.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Authors -- California -- Los Angeles  Search this
Topic:
Artists -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Genre/Form:
Interviews
Photographs
Prints
Transcripts
Drawings
Citation:
Merle Schipper papers, circa 1930s-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schimerl
See more items in:
Merle Schipper Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f9def13e-db14-404e-bdeb-bd0882698b5f
EDAN-URL:
ead_collection:sova-aaa-schimerl
Online Media:

Reuben Kadish papers

Creator:
Kadish, Reuben, 1913-1992  Search this
Names:
Ashton, Dore  Search this
Cherry, Herman  Search this
Conant, Howard  Search this
De Kooning, Willem, 1904-1997  Search this
Guston, Philip, 1913-1980  Search this
Hiler, Hilaire, 1898-1966  Search this
Langsner, Jules, 1911-1967  Search this
Neininger, Urban  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Pollock, Charles C.  Search this
Pollock, Jackson, 1912-1956  Search this
Siqueiros, David Alfaro  Search this
Tully, Judd  Search this
Extent:
7.9 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Photographs
Date:
1851-1995
bulk 1913-1995
Summary:
This collection, which measures 7.9 linear feet and dates from 1851 to 1995 (bulk 1913-1995), documents the life and career of muralist, sculptor, and educator Reuben Kadish. The papers contain biographical material, letters, personal business records, an exhibition file, notes, writings, artwork, printed material, photographs, and artifacts.
Scope and Content Note:
The Reuben Kadish papers measure 7.9 linear feet and date from 1851 to 1995 with the bulk of the material dating from 1913 to 1995. The collection documents the life and career of muralist, sculptor, and educator Reuben Kadish and contains biographical material, letters, personal business records, an exhibition file, notes, writings, artwork, printed material, photographs, and artifacts.

Biographical material, 1938-1992, includes résumés and personal identification items. Letters are from friends and colleagues including Herman Cherry, Philip Guston, Hilaire Hiler, Jules Langsner, Urban Neininger, Charles Pollock, and Jackson Pollock. One letter from the Leonard Stark family contains a small photograph of Georgia O'Keeffe.

Personal business records, 1952-1995, consist of legal documents, including estate papers for Ida and Reuben Kadish, and financial records. The only specific exhibition file documents the 1990 exhibition Reuben Kadish: Works from 1930 to the Present at the New Jersey State Museum in 1990.

Notes include unbound notes on mural painting, printmaking, sculpture, and other art-related topics, and handwritten translations by William H. Thomson of thirty classic texts by Homer, Horace, and Demosthenes. Writings, 1975-1992, consist of an autobiographical manuscript by Kadish, and typescripts concerning Kadish and other art-related topics by other authors including Dore Ashton, Herman Cherry, Howard Conant, and Judd Tully.

Artwork, undated and 1981-1992, includes a hundred sketches and seventeen watercolors by Kadish, and a drawing for DIG (Archeology) by Barbara Kadish. Printed material relates primarily to exhibitions for Kadish and others but also includes a baseball program autographed by Darryl Strawberry. Photographs include prints of Kadish and other artists working on murals, and photographs picturing family and friends.
Arrangement:
The collection is arranged into ten series, based on type of material. Although acquired as a gift before the rest of the collection was loaned to the Archives of American Art in 1998, eight photographs are described in Series 9: Photographs, with those included in the 1998 loan.

Each series is arranged chronologically, except Series 2: Letters and Series 6: Writings, which are arranged alphabetically according to the surname of the writer.

Missing Title

Series 1: Biographical Material, 1938-1992 (box 1, 3 folders)

Series 2: Letters, 1934-1995, undated (boxes 1-3, 2.5 linear ft.)

Series 3: Personal Business Records, 1952-1995 (boxes 3-4, 37 folders)

Series 4: Exhibition File, 1989-1991 (box 4, 1 folder)

Series 5: Notes, 1851-1853, 1937-1992, undated (boxes 4-5, 35 folders)

Series 6: Writings, 1963-1992, undated (box 5, 14 folders)

Series 7: Artwork, 1981-1992, undated (boxes 5, 10, 8 folders)

Series 8: Printed Material, 1934-1993, undated (boxes 5-7, 76 folders)

Series 9: Photographs, 1913-1992, undated (boxes 7-9, sol 10, 2.0 linear ft.)

Series 10: Artifacts, undated (box 9, 1 folder)
Biographical Note:
Reuben Kadish was born in Chicago on January 29, 1913. His father and mother were from Latvia and the Ukraine respectively.

In 1921, the family moved to East Los Angeles, California, where Kadish studied painting under Lorser Feitelson. During this time, he befriended Jackson Pollock and Philip Guston, who attended the Manual Arts High School.

During a trip to New York City in 1930, Kadish was impressed with the modern art, especially the work of the Surrealists, which he saw there. Upon his return to Los Angeles the following year, Kadish attended the Otis Art School, the Stickney School of Art in Pasadena, and Los Angeles City College. He also shared a studio with Philip Guston.

In 1933, Kadish, Guston and Jules Langsner were apprenticed to Mexican muralist, David Alfaro Siqueiros. Their most notable work being the mural "Triumph of Good Over Evil", at the University of Morelia in Mexico. During the next three years, the three young artists collaborated on painting murals in California and Mexico. After another visit to New York, Kadish was invited to San Francisco by Bill Gaskin to head the art division of the WPA project there, a position he occupied until 1940.

From 1940, Kadish worked as a coppersmith and welder at the Bethlehem Steel Works in San Francisco until 1942, when he joined the Army as a member of the War Artist Unit, serving in India and Southeast Asia during World War II. In 1944, he rejoined his wife Barbara in the Bay Area, but they soon returned to New York City, where Kadish worked for Stanley William Hayter at Atelier 17. In the summer of 1945, the Kadish painted with Jackson Pollock and Lee Krasner in a shared Long Island house on Slow's Point in Amagansett.

In 1946, the Kadishes moved to a dairy farm in Vernon, New Jersey, where they supported themselves by farming until 1957. A catastrophic fire in the studio destroyed most of Kadish's paintings in 1947, causing him to turn his interest to creating sculpture.

After teaching art and design at the Newark School of Fine and Industrial Art in 1957, Kadish taught sculpture at the Brooklyn Museum Art School from 1958-1959. In 1960, he began his thirty-year teaching career at Cooper Union, which ended only a few months before his death on September 20, 1992 in Manhattan.
Related Material:
Other resources relating to Reuben Kadish in the Archives of American Art include an oral history interview with Kadish, April 15, 1992.
Provenance:
The eight photographs on Reel 5660 were donated to the Archives of American Art in 1984 by Reuben Kadish. The other material on Reels 5655-5660 was lent for filming in 1998 by Morris and Ruth Kadish, brother and sister-in-law of Reuben Kadish, and executors of his estate, and subsequently donated to the Archives of American Art in 2002.
Restrictions:
The collection is open for research. Use requires an appointment. Microfilmed portion must be consulted on microfilm.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Sculptors -- New York (State) -- New York -- Interviews  Search this
Muralists -- California  Search this
Sculptors -- California  Search this
Genre/Form:
Drawings
Photographs
Citation:
Reuben Kadish papers, 1851-1995, bulk 1913-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kadireub
See more items in:
Reuben Kadish papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974482335-aae0-4e72-8e41-8c2fb3fe28f8
EDAN-URL:
ead_collection:sova-aaa-kadireub
Online Media:

Jules Langsner papers

Creator:
Langsner, Jules, 1911-1967  Search this
Names:
Art Institute of Chicago  Search this
Art in America  Search this
California Watercolor Society  Search this
Ford Foundation  Search this
Graham Foundation for Advanced Studies in the Fine Arts  Search this
International Association of Art Critics  Search this
Los Angeles County Museum of Art  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
New York Times  Search this
Pasadena Art Museum  Search this
Santa Barbara Museum of Art  Search this
Solomon R. Guggenheim Museum  Search this
University of Southern California -- Faculty  Search this
Adams, Clinton, 1918-2002  Search this
Brice, William, 1921-  Search this
Feitelson, Lorser, 1898-1978  Search this
Feldman, Eddy  Search this
Fogg, Adelaide  Search this
Guston, Musa  Search this
Guston, Philip, 1913-1980  Search this
Harwood, June  Search this
Kadish, Reuben, 1913-1992  Search this
Lebrun, Rico, 1900-1964  Search this
Lundeberg, Helen, 1918-  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Perls, Frank, 1910-1975  Search this
Ray, Julie  Search this
Ray, Man, 1890-1976  Search this
Turnbull, William, 2002  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Articles
Sound recordings
Essays
Lectures
Drafts (documents)
Manuscripts
Poems
Date:
circa 1910s-1998
bulk 1950-1967
Summary:
The papers of southern California contemporary art curator, critic, and historian Jules Langsner measure 4.4 linear feet and date from circa 1910s-1998, with the bulk of the materials dating from 1950-1967. Found within the papers are biographical material; correspondence with family, friends, and colleagues; writings normal="1941"> travel, and works of art; and audio recordings of Langsner's lectures and eulogies given at his funeral.
Scope and Contents note:
The papers of southern California contemporary art curator, critic, and historian Jules Langsner measure 4.4 linear feet and date from circa 1910s-1998, with the bulk of the materials dating from 1950-1967. Found within the papers are biographical material; correspondence with family, friends, and colleagues; writings by Langsner; exhibition files; printed materials; photographs of Langsner, others, travel, and works of art; and audio recordings of Langsner's lectures and eulogies given at his funeral.

Biographical materials consist of an address book and file, committee files, scattered financial statements, and documents related to the Ford Foundation and other foundations, teaching, and traveling.

The 0.9 linear feet of correspondence is of both a personal and professional nature. A significant portion of the correspondence is between Langsner and publications for which he wrote such as Art News, the New York Times, Meridian Books, Craft Horizons, Art International, and Art in America; galleries and museums where he lectured or curated exhibitions including the Art Institute of Chicago, California Water Color Society, Los Angeles County Museum of Art, Pasadena Art Museum, Santa Barbara Museum of Art, Museum of Modern Art, Guggenheim Museum, and the Fine Arts Patrons of Newport Harbor; colleges and organizations where he taught or was involved with such as the Graham Foundation, University of Southern California, International Association of Art Critics, and Ford Foundation; and artists that he worked with or knew personally including Rico Lebrun, William Turnbull, Man & Julie Ray, Lorser Feitelson, Helen Lundeberg, Adelaide Fogg, and Clinton Adams.

Letters to June Harwood were written while Langsner was traveling in 1964 and 1965 and discuss his travels and their relationship which culminated in marriage in Italy in 1965.

Among the 2.8 linear feet of the writings of Jules Langsner are articles for Art News, Art in America, Art International, Arts & Architecture, Aware, Beverly Hills Times, Craft Horizons, Creative Crafts, Goya Revista De Arte, Yomiuri, and Zodiac. There are also essays, lectures, poems, drafts, notes, jottings of ideas, proposals and published and unpublished manuscripts. There are drafts and unpublished versions of "Painting in the Modern World", and numerous other essays on contemporary art. There are also extensive handwritten notes on his travels, Asian art, European art, and other subjects.

Exhibition files concern "Black and White" (1958), "California Hard-Edge Painting" (1964), the Man Ray Exhibition (1966), and the William Turnbull Exhibition (1966).

Printed materials include miscellaneous flyers, brochures, and news bulletins, and press releases.

Photographs are of people, places, works of art, and exhibitions. There are photographs of Jules Langsner, June Harwood, Philip Guston, Musa Guston, William Brice, Eddy Feldman, Rube Kadish, Stanton MacDonald-Wright, Frank Perls, and unidentified individual people and groups. Photographs of Langsner's travels are of Japan, Korea, Taiwan, and other locations. Photographs of exhibitions include California Art Club, "Black and White," "California Painters & Sculptors, 35 & Under," and unidentified exhibitions. Photographs of works of art are by William Turnbull, Jack Zajac, Walter Mix, Marion Aldrich, Roger Majorowicz, and Jasper Johns.

Audio recordings include four untranscribed 7" reel-to-reel audio recordings and one cassette tape. The reel-to-reel tapes are of two lectures by Langsner, You & Art/Berlin Party, and of eulogies given at Langsner's funeral by Clement Greenberg, Henry Seldis, Peter Selz, Richard Brown, Donald Brewer, Tom Leavitt, Lorser Feitelson, Sam Francis, June Wayne, Gifford Phillips, and others. The cassette tape is a copy of eulogies.
Arrangement note:
The collection is arranged as 7 series. Photographs are arranged by subject, otherwise each series is generally arranged chronologically.

Missing Title

Series 1: Biographical Materials, 1957-circa 1960s (Box 1; 9 folders)

Series 2: Correspondence, 1948-1998 (Boxes 1-2; 0.9 linear feet)

Series 3: Writings, 1934-circa 1960s (Boxes 2-4; 2.8 linear feet)

Series 4: Exhibition Files, 1919, circa 1958-1966 (Box 4; 4 folders)

Series 5: Printed Materials, circa 1960s (Box 5; 2 folders)

Series 6: Photographs, circa 1910s-1960s (Box 5; 0.25 linear feet)

Series 7: Audio Recordings, 1954-1967 (Box 5; 0.25 linear feet)
Biographical/Historical note:
Jules Langsner (1911-1967) worked primarily in the Los Angeles area as a contemporary art critic, historian, and curator. He curated several seminal exhibitions of contemporary art, including the 1959-1960 show "Four Abstract Classicists" featuring the work of Southern California artists Lorser Feitelson, Karl Benjamin, Frederick Hammersley, and John McLaughlin.

Born Julius Harold Langsner in New York City on May 5, 1911, his family moved to Ontario, California in 1922. The family lived on a farm and opened the Paradise Health Resort which was run by Langsner's father, chiropractor Isadore Langsner, and was popular in Jewish and intellectual circles. In Ontario, Langsner became friends with three of the Pollack family sons, Jackson, Frank, and Sanford, as well as Philip Guston, Reuben Kadish, Leonard Stark, and Don Brown as a teenager. Guston, Kadish, and Jackson Pollock were later mentored by Lorser Feitelston which helped to foster in Langsner an interest in avant-garde painting.

Langsner went on to study philosophy at the University of California, Los Angeles. In the early 1940s, Langsner married and had a son, Drew Langsner. He divorced in 1946. In 1944, he enlisted in the United States Army and served as a psychiatric social worker and psychologist during World War II in the United States.

Art & Architecture magazine was the first to publish Langsner's art criticism in 1948. Throughout the 1950s and 60s his work was published widely in Art & Architecture as well as Art News, Art in America, Craft Horizons, Beverly Hills Times, Zodiac, and others. Langsner wrote extensively about art history in both published and unpublished manuscripts, including Painting in the Modern World which he worked on until his death. Additionally, he taught art history classes at the Chouinard Art Institute and University of Southern California and lectured for a variety of organizations and occasions.

Langsner curated several influential exhibitions in southern California, including the "Four Abstract Classicists" exhibition for the Los Angeles County Museum of Art in 1959 and in whose catalog he and Peter Selz coined the term "Hard-Edge painting." He curated the first full-scale retrospective of Man Ray in the United States at the Los Angeles County Museum of Art in 1966.

Langsner received a grant from the Ford Foundation in 1964 that allowed him to travel throughout Asia, the Middle East, and Europe for a year studying regional art and architecture. He wrote notes on his travels and corresponded frequently with June Harwood, a Hard-Edge painter, whom he married in Italy in 1965.

Jules Langsner died unexpectedly of a heart attack on September 29, 1967, in Los Angeles.
Related Archival Materials note:
The papers of Lorser Feitelson and Helen Lundeberg at the Archives of American Art contain a significant amount of writings by Jules Langsner, including exhibition catalog essays.

Papers of Jules Langsner, 1941-1967, are also located at the University of California, Los Angeles.
Provenance:
The Jules Langsner papers were donated to the Archives of American Art in several installments from 1973-1996, and in 2004 by June Harwood Langsner, widow of Jules Langsner. Notes for a lecture given at the Art Institute of Chicago in 1966 and 39 pieces of correspondence were donated in 1982 by the University of California Art Library, Los Angeles, via Librarian Virginia Steele.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Topic:
Works of art  Search this
Painting, Abstract -- California  Search this
Art -- Study and teaching  Search this
Art criticism  Search this
Curators -- California -- Los Angeles  Search this
Genre/Form:
Photographs
Articles
Sound recordings
Essays
Lectures
Drafts (documents)
Manuscripts
Poems
Citation:
Jules Langsner papers, circa 1910s-1998, bulk 1950-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.langjule
See more items in:
Jules Langsner papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96ca20c0c-5a91-42e5-9ff4-d5217f7fd266
EDAN-URL:
ead_collection:sova-aaa-langjule
Online Media:

Jan Butterfield papers

Creator:
Butterfield, Jan  Search this
Names:
Lapis Press  Search this
Pacific Enterprises  Search this
Bell, Larry, 1939-  Search this
Bischoff, Elmer, 1916-1991  Search this
Dugmore, Edward, 1915-  Search this
Francis, Sam, 1923-1994  Search this
Gehry, Frank O., 1929-  Search this
Goode, Joe, 1937-  Search this
Greene, George  Search this
Guston, Philip, 1913-1980  Search this
Harrison, Helen Mayer, 1929-  Search this
Harrison, Newton, 1932-  Search this
Hopkins, Henry, 1928-2009  Search this
Hudson, Robert, 1938-  Search this
Irwin, Robert, 1928-  Search this
Karp, Michael  Search this
Kienholz, Edward, 1927-  Search this
Nauman, Bruce, 1941-  Search this
Nordman, Maria  Search this
Orr, Eric, 1939-1998  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Resnick, Milton, 1917-2004  Search this
Roche, Jim  Search this
Ruscha, Edward  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Still, Clyfford, 1904-1980  Search this
Turrell, James  Search this
Wheeler, Douglas  Search this
Wortz, E.  Search this
Wortz, Melinda  Search this
Young, R. Joshua  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Extent:
15 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Date:
1950-1997
Summary:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.
Scope and Contents:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.

Interviews and Lectures include hundreds of interviews conducted by Butterfield between 1971 and 1987 with contemporary artists about whom she was writing at the time. The artists Robert Irwin and Sam Francis are represented particularly well. Also found are slide talks, class discussions, and lectures given by artists, which are assumed to have been recorded by Butterfield in most cases. Also among the recordings are recorded performances by John Cage, Joe Goode, Newton and Helen Harrison, Jim Roche, and George Greene. Panel discussions include two notable recordings involving Milton Resnick, one with the painter Edward Dugmore in 1959, and the other with the painter Ad Reinhardt at The Club in 1961, which was later dubbed "The Attack."

The bulk of the writings relate to Butterfield's published work The Art of Light and Space, represented here in multiple drafts, research, and photographs of works of art by the artists discussed in the work including Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. Also found are extensive drafts and research for catalog essays for exhibitions of Larry Bell, Richard Shaw, Robert Hudson, and Elmer Bischoff. Drafts of articles and publicity writing are mainly about artists but also some galleries and other art events. There are a few transcripts of recorded interviews, and it appears that many of the writings are based on Butterfield's interviews.

Project files include records relating to Butterfield's involvement with the production of a catalog for the corporate art collection of Pacific Enterprises. These also include additional artist interviews and artist files containing research and writing, mainly by her associate Michael Karp. Also found are photographs and sound recordings for the Waterfront Project at the San Francisco Art Institute, an interdisciplinary community-centered development project that involved Larry Bell, Robert Irwin, Melinda Wortz, Eric Orr, Dr. E. Wortz, Frank Gehry, Newton and Helen Harrison, Josh Young, and students at the Art Institute. And finally, project files include photographs, interviews, and printed material related to publications of Lapis Press, where Butterfield was Executive Director.

Personal business records include correspondence, price lists, financial records, notes, press releases, and career documentation of Butterfield. Printed materials include articles by Butterfield, articles about Butterfield, and articles by Henry Hopkins, most of which are photocopies. There are also clippings, exhibition catalogs, exhibition posters, and publicity. Of note is a disassembled scrapbook pertaining to the controversial Ed Kienholz exhibition at the Los Angeles County Museum of Art in 1966, and a directory of art spaces in Los Angeles from 1978.

Most of the photographs are of works of art by artists about whom Butterfield wrote. Also found are a few files of photographs of artists, some taken by Butterfield, including Philip Guston, Ed Kienholz, Henry Hopkins with Clyfford Still, Robert Irwin, Robert Rauschenberg, and James Turrell. Additional video and sound recordings include artist installations, a documentary on Sam Francis, and an acoustiguide for an Ed Ruscha exhibition.
Arrangement:
This collection is arranged as 7 series.

Missing Title

Series 1: Interviews and Lectures (Boxes 1-5; 4.2 linear feet)

Series 2: Writings (Boxes 5-7, 16, OV 17; 3.7 linear feet)

Series 3: Project Files (Boxes 8-10, 16; 1.6 linear feet)

Series 4: Personal Business Records (Boxes 10-11, OV 17-19; 1.1 linear feet)

Series 5: Printed Materials (Boxes 11-12, 16, OV 17-19; 1.8 linear feet)

Series 6: Photographs (Boxes 12-14, 16; 2.2 linear feet)

Series 7: Sound and Video Recordings (Box 15; 0.4 linear feet)
Biographical / Historical:
Jan Butterfield (1937-2000) was an art writer and critic of contemporary art who spent most of her career in California. She is best known for her writings on late twentieth century installation and craft artists, particularly those who worked in California and the American West.

Butterfield was born Jan Van Alstine in Los Angeles, California in 1937 and attended the Univeristy of California, Los Angeles. She received numerous fellowships and grants from the National Endowment for the Arts as an art critic, and contributed art writing to dozens of exhibition catalogs and art publications including Art International, Images and Issues, Art News, Art in America, and Flash Art. Her most ambitious work of writing was The Art of Light and Space (Abbeville Press: 1993), which profiles the work of contemporary artists Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. She was also the author of a 1972 monograph of the Abstract Expressionist painter Sam Francis.

Butterfield held positions in public relations at the Los Angeles County Museum of Art from its opening until 1970, and at the Fort Worth Art Museum from 1970 to 1974. She taught at Northwood Experimental Art Institute in Dallas, Texas, the San Francisco Art Institute, San Jose State University, and Mills College in Oakland, California between 1973 and 1983. At the San Francisco Art Institute, she was Director of the extension program and Coordinator of the visiting artist program and the Waterfront Project between 1976 and 1978. In 1984, Butterfield and the artist Sam Francis co-founded the Lapis Press, where she served as Executive Director from its founding until 1988.

Butterfield was married twice, the second time to Henry Hopkins, Museum Director at LACMA, the Museum of Fine Art of Houston, and the San Francisco Museum of Modern Art. She died in 2000 after an extended illness.
Related Materials:
Also found among the collections of the Archives of American Art is a 1981 panel discussion on Bay area art criticism sponsored by the National Women's Caucus for Art, in which Butterfield participated, as well as an oral history interview Butterfield conducted with Helen Lundeberg for the Archives' Oral History Program in 1980.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming on reel 1042 including two volumes of scrapbooks. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Jan Butterfield lent material in 1975 for microfilming. She donated the Robert Irwin material in 1980 of and most of the interviews and audio tapes in 1989. An additional 12 feet of papers, including some material previously loaned and microfilmed, along with two additional audio tapes, were donated by Butterfield's brother, and Trustee of the Jan Butterfield Trust, Derek Van Alstine in 2002.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- San Francisco  Search this
Art historians -- California -- San Francisco  Search this
Authors -- California -- San Francisco  Search this
Topic:
Women art critics  Search this
Women art historians  Search this
Women authors  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.buttjan
See more items in:
Jan Butterfield papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cc490739-2463-4f67-9f43-570692783628
EDAN-URL:
ead_collection:sova-aaa-buttjan
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Online Media:

Dwan Gallery records

Creator:
Dwan, Virginia  Search this
Names:
Dwan Gallery (Los Angeles, Calif.)  Search this
Dwan Gallery (New York, N.Y.)  Search this
Anastasi, William, 1933-  Search this
Andre, Carl, 1935-  Search this
Arakawa, Shusaku, 1936-  Search this
Arman, 1928-2005  Search this
Flavin, Dan, 1933-  Search this
Goodnough, Robert, 1917-  Search this
Guston, Philip, 1913-1980  Search this
Kienholz, Edward, 1927-  Search this
Klein, Yves, 1928-1962  Search this
Kline, Franz, 1910-1962  Search this
LeWitt, Sol, 1928-2007  Search this
Mitchell, Joan, 1926-1992  Search this
Morris, Robert, 1931-2018  Search this
Oldenburg, Claes, 1929-  Search this
Parker, Raymond, 1922-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Raysse, Martial, 1936-  Search this
Reinhardt, Ad, 1913-1967  Search this
Richenburg, Robert  Search this
Rivers, Larry, 1925-  Search this
Saint-Phalle, Niki de, 1930-  Search this
Scarpitta, Salvatore, 1919-2007  Search this
Smithson, Robert  Search this
Snelson, Kenneth, 1927-2016  Search this
Weber, John, 1932-2008  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Slides (photographs)
Date:
1959-circa 1982
bulk 1959-1971
Summary:
The Dwan Gallery records measure 2.3 linear feet and consist primarily of files of exhibitions curated by Virginia Dwan at Dwan Galleries in Los Angeles (1959-1967) and New York (1965-1971). Found within this nearly comprehensive set of exhibition files may be lists of exhibited works, price lists, photographs, slides or color transparencies of installations, invitations, full-size posters, magazine and newspaper clippings and exhibition catalogs.
Scope and Contents:
The Dwan Gallery records measure 2.3 linear feet and consist primarily of files of exhibitions curated by Virginia Dwan at Dwan Galleries in Los Angeles (1959-1967) and New York (1965-1971). Found within this nearly comprehensive set of exhibition files may be lists of exhibited works, price lists, photographs, slides or color transparencies of installations, invitations, full-size posters, magazine and newspaper clippings and exhibition catalogs.

Artists that held exhibitions at the Dwan Gallery in New York and Los Angeles include: Robert Goodnough, Robert Richenburg, Larry Rivers, Philip Guston, Yves Klein, Salvatore Scarpitta, Arakawa, Martial Raysse, Ad Reinhardt, Arman, Franz Kline, Edward Kienholz, Claes Oldenburg, Niki de Sainte Phalle, Joan Mitchell, Robert Rauschenberg, Robert Morris, Dan Flavin, Raymond Parker, Kenneth Snelson, Carl Andre, Sol LeWitt, Robert Smithson, and Anastasi. Also, the exhibition files are nearly comprehensive and include: Language to be Looked at and/or Things to be Read annual series (1967-1970), Boxes (1964), Earth Works (1968), My Country 'tis of Thee (1962) and 10 (1967 and 1968). Many of the multiple artist shows were created and organized by gallery director John Weber and/or Virginia Dwan. Many of these exhibition files include full-sized posters and panoramic photos showing installations.

Also found are records created by a consulting firm hired by the Dwan Gallery to inventory the exhibition files prior to donation to the Archives of American Art. These guides appear at the beginning of each series and outline a chronology of exhibitions held at each branch.
Arrangement:
The collection is arranged into two series:

Missing Title

Series 1: Los Angeles Exhibition Files, 1959-1967, after 1981 (Box 1-2, 5, OV6, OV8; 1.3 linear feet)

Series 2: New York Exhibition Files, 1965-1971, after 1982 (Box 2-4, OV7; 1.0 linear feet)
Biographical / Historical:
In 1959, Virginia Dwan opened her first gallery on 1091 Broxton Avenue in the Westwood Village neighborhood of Los Angeles, California. Her independent wealth allowed her to open a gallery without worrying about business and sales. Three years after opening, the Dwan Gallery moved into a new Westwood Village space especially designed to express the gallery's contemporary aesthetic. In 1965, Virginia Dwan moved to New York City and founded an east coast branch of the Dwan Gallery at 29 West 57th Street.

Early exhibitions at the Dwan Gallery showed Abstract Expressionist artists and works of art from New York which Dwan consigned from other galleries. After traveling to New York and France, Virginia Dwan's interests and tastes manifested in exhibitions by 1961 with Yves Klein. Through Klein, Dwan made connections to other Nouveaux Réalistes artists that the gallery featured in solo and group shows. Later exhibitions featured Land and Minimilist artists. Dwan recognized that many of her shows were not considered salable but continued to show the avant-garde. She saw the gallery as an opportunity to expose the public to different styles of art.

Virginia Dwan maintained a close and personal relationship with many of her artists. She allowed large stipends to gallery artists and invited them to spend time at her home in Malibu, California. When working with artists concentrating on found objects, Dwan would accompany them on scavenger hunts and shopping trips. In the case of Robert Smithson and other Land Art artists, she traveled to offsite locations to visit works of art in progress. Dwan relied on her longtime gallery director, John Weber to interact with collectors as she preferred to maintain her connection with the artists.

The Dwan Gallery Los Angeles closed in mid-1967 but the New York branch remained open. By 1971, Virginia Dwan felt pressure to support her thirteen artists through a period of economic insecurity. She decided to close the gallery secretly and only informed her artists at the last minute. The final exhibition at Dwan Gallery New York closed in June of 1971.
Related Materials:
Also found within the Archives of American Art is an interview with Virginia Dwan conducted March 21 through June 1, 1984 by Charles Stuckey.
Separated Materials:
Dwan Gallery exhibition catalogs that were donated to the Archives in 1989 were transferred to the Smithsonian Institution American Art and National Portrait Gallery Library.

Bard College's Center for Curatorial Studies and Art in Contemporary Culture holds Dwan Gallery materials related to exhibitions in the Library and Archives.
Provenance:
The Dwan Gallery records were donated in 1996 by Virginia Dwan, the former owner of the gallery.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- New York (State) -- New York -- Exhibitions  Search this
Art -- California -- Los Angeles -- Exhibitions  Search this
Earthworks (Art)  Search this
Minimal art  Search this
Abstract expressionism  Search this
Artists -- United States  Search this
Function:
Art galleries, Commercial -- California
Art galleries, Commercial -- New York (State)
Genre/Form:
Photographs
Slides (photographs)
Citation:
Dwan Gallery records, 1959-circa 1982, bulk 1959-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dwangall
See more items in:
Dwan Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94e337be1-1336-40b7-a8a2-03c8589bab03
EDAN-URL:
ead_collection:sova-aaa-dwangall
Online Media:

Hans and Thordis Burkhardt papers

Creator:
Burkhardt, Hans Gustav, 1904-1994  Search this
Burkhardt, Thordis W., 1908-1993  Search this
Names:
De Kooning, Willem, 1904-1997  Search this
Gorky, Arshile, 1904-1948  Search this
Tobey, Mark  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Scrapbooks
Date:
1905-1981
Scope and Contents:
Resumes, awards, and memberships; letters thanking the Burkhardts for paintings, regarding visits to their home and studio, and from scholars and institutions requesting information about his own work as well as his collection of works by Mark Tobey and Arshile Gorky; writings and notes by and about Burkhardt; 2 bound sketchbooks, undated and 1961, containing black felt-tip pen drawings; exhibition related materials including lists of works exhibited, acknowledgements of gifts, loan agreements, and receipts; exhibition announcements and catalogs; clippings, press releases, and bulletins, and 2 scrapbooks of clippings; and photographs of Burkhardt, his wife Thordis, and others including Mark Tobey and Willem de Kooning.
Biographical / Historical:
Painter and collector; Los Angeles, Calif.; d. 1994.
Provenance:
Donated 1975-1981 by the Burkhardts.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- California -- Los Angeles  Search this
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Painting, Modern -- 20th century -- California -- Los Angeles  Search this
Genre/Form:
Sketchbooks
Scrapbooks
Identifier:
AAA.burkhans
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c2530c31-6c7e-42a3-b5ee-22a95b17a7aa
EDAN-URL:
ead_collection:sova-aaa-burkhans

Janice Lovoos papers, 1870-1991

Creator:
Lovoos, Janice Dolores, 1903-  Search this
Subject:
Penney, Edmund F.  Search this
Citation:
Janice Lovoos papers, 1870-1991. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century -- California  Search this
Women artists  Search this
Women authors  Search this
Women painters  Search this
Women designers  Search this
Women textile designers  Search this
Women muralists  Search this
Women illustrators  Search this
Women art historians  Search this
Theme:
Women  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6351
(DSI-AAA_SIRISBib)215084
AAA_collcode_lovojani
Theme:
Women
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215084

George Takei

Artist:
Grav Weldon, born 1971  Search this
Sitter:
George Hosato Takei, born 20 Apr 1937  Search this
Medium:
Inkjet print
Dimensions:
Image/Sheet: 40.6 × 40.6 cm (16 × 16")
Type:
Photograph
Place:
United States\Arkansas\Desha\Rohwer
Date:
April 16, 2013 (printed 2020)
Topic:
Exterior  Search this
Nature & Environment\Clouds  Search this
Costume\Dress Accessory\Eyeglasses  Search this
Equipment\Camera  Search this
Costume\Dress Accessory\Eyeglasses\Sunglasses  Search this
Nature & Environment\Animal\Insect\Butterfly  Search this
Equipment\Podium  Search this
Costume\Dress Accessory\Belt  Search this
George Hosato Takei: Male  Search this
George Hosato Takei: Performing Arts\Performer\Actor  Search this
George Hosato Takei: Society and Social Change\Reformer\Activist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2019.116
Restrictions & Rights:
Usage conditions apply
Copyright:
© 2013 Grav Weldon
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm43c694b33-4f02-4b05-b51f-d1adeaa679f6
EDAN-URL:
edanmdm:npg_NPG.2019.116

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