Beaver Lake Nature Center (Onondaga County, New York)
Massachusetts Turnpike (Mass.)
Date:
circa 1980-1983
General:
Series includes images of national parks, historic landmarks and sites, roadside attractions, museums, and tourist attractions across America; as well as landscape and city views; and details of plants and flowers.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights or permission issues may be associated with any music or recorded interviews included in the sound recordings and any images showing people who can be identified.
National Portrait Gallery, Smithsonian Institution; acquisition made possible through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
The records of Los Angeles Heritage Gallery measure 13.8 linear feet and date from 1944-2000 with the bulk of the materials dating from 1960-1998. The majority of the collection consists of artists' files containing a wide variety of materials documenting the gallery's representation of its contemporary artists and gallery exhibitions, including biographical information, correspondence, and printed materials. About half of the artists' files are related to artist Charles White. Gallery records also include business correspondence, business records and additional printed materials.
Scope and Contents:
The records of Los Angeles Heritage Gallery measure 13.8 linear feet and date from 1944-2000 with the bulk of the materials dating from 1960-1998. The majority of the collection consists of artists' files containing a wide variety of materials documenting the gallery's representation of its contemporary artists and gallery exhibitions, including biographical information, correspondence, and printed materials. About half of the artists' files are related to artist Charles White. Gallery records also include business correspondence, business records and additional printed materials.
The bulk of the collection are artists' files which document the works and careers of Heritage Gallery artists through a wide variety of materials including biographical information, correspondence, scattered financial records, inventory lists and price lists, printed materials, and photographic materials. Especially rich are the folders of correspondence with Social Realist artist William Gropper, and materials related to artists José Clemente Orozco, David Alfaro Siqueiro, Moses Soyer and Raphael Soyer. Additionally, about half of the Artists' Files are related to African-American artist Charles White, for whom Horowitz was the sole representative of his artwork, but also a personal friend to White and his family.
Business correspondence and records contain incoming and outgoing correspondence with clients and galleries regarding artwork sales, consignments and exhibition loans; contracts, many with artists and lithographers; biographical information about Benjamin Horowitz; and other day-to-day business records.
Printed material documents exhibitions held at Heritage Gallery through exhibition announcement, catalogs, clippings, and posters, as well as a handful of printed materials for exhibitions held at other galleries and museums.
Arrangement:
The collection is arranged as 3 series.
Missing Title
Series 1: Artists' Files, 1944-2000, bulk 1960-1998 (11.6 linear feet; Boxes 1-12, 15-16, OV 17)
Series 2: Business Correspondence and Records, 1945-1997 (1.6 linear feet; Boxes 12-13)
Series 3: Printed Material, 1960s-1990s (0.6 linear feet; Boxes 13-14, 16)
Biographical / Historical:
Founder Benjamin Horowitz (1912-2004) was born in New York City and moved to Hollywood shortly before the outbreak of World War II. He began a career as a writer of detective fiction but was interrupted by the draft.
Horowitz opened Heritage Gallery in the early 1960s on La Cienega Boulevard in Los Angeles, California. His early dedication to African-American artists, chief among them Charles White to whom he gave more than 51 one-person exhibitions, distinguished the gallery.
Horowitz was the co-founder of the Art Dealers Association of California and also worked as an appraiser.
Related Materials:
The Archives of American Art holds several collections related to Heritage Gallery and Benjamin Horowitz, including the William Gropper papers and the Charles Wilbert White papers. Also found in the Archives is an oral history interview with Benjamin Horowitz conducted by Molly Saltman as a part of "Art and Artists" interviews, 1965-1966.
Provenance:
The Heritage Gallery records were donated by Benjamin Horowitz, founder of the gallery, in two accessions in 1998 and 2000.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art galleries, Commercial -- California
Citation:
Heritage Gallery records, 1944-2000, bulk 1960-1998. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collection Care Preservation Fund.
The Koplin Gallery and Koplin Del Rio Gallery records measure 4.0 linear feet and date from 1972 to 2006. The records document the history of the galleries through photographic material, loan agreements, press releases, and other exhibition files for specific exhibitions, as well as exhibition catalogs, resumes, photographic material, and other materials on artists who have exhibited at the gallieries.
Scope and Contents:
The Koplin Gallery and Koplin Del Rio Gallery records measure 4.0 linear feet and date from 1972 to 2006. The records document the history of the galleries through photographic material, loan agreements, press releases, and other exhibition files for specific exhibitions, as well as exhibition catalogs, resumes, photographic material, and other materials on artists who have exhibited at the gallieries.
Exhibition files consist of inventories, loan agreements, press releases, and some photographic material for specific exhibitions held at the galleries. Some of the exhibitions include "Figure Heads & Red Herrings," "Drawings," "Eleven Former LA Artists Who Went to NY," and some of the annual International Contmeporary Art Fair files from 1986 to 1993. The "Figure Heads & Red Herrings" exhibition also contains video recording related to the exhibition.
Artist files were compiled for artists who have exhibited at the gallery. Some of the included materials in the files are resumes, photographic material, exhibition announcements and catalogs, and newspaper and magazine clippings. Some of the files also contain audio and video recordings of the artists. Some of the artists include Ida Applebroog, Sandow Birk, Joan Brown, Robert Conal, Minoko Grimmer, Martha Koplin, and Eleana Del Rio. Some of the files also contain material on the artists from before the gallery was founded.
Arrangement:
The collection is arranged into two series.
Series 1: Exhibition Files, 1982-2004 (0.6 linear feet; Box 1)
Series 2: Artist Files, 1972-2006 (3.4 linear feet; Boxes 1-4)
Biographical / Historical:
Koplin Gallery opened in West Hollywood, Calif. under the direction of Martha Koplin in 1982. In 1996, Eleana Del Rio became business partners with Koplin. In 2002, at Koplin's retirement, the name changed to Koplin Del Rio Gallery.
Provenance:
Donated 2007 and 2009 by Eleana Del Rio, gallery director and Martha Koplin, retired Koplin Gallery director.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Function:
Art galleries, Commercial -- California
Genre/Form:
Video recordings
Sound recordings
Citation:
Koplin Gallery and Koplin Del Rio Gallery Records, 1972-2006. Archives of American Art, Smithsonian Institution.
Sponsor:
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Larson, Gordon P. and unidentified others, Hollywood, California; Montreal, Canada; Paris, France; Greece; Tijuana, Mexico; New York, New York; Fort Worth, Texas
Collection Collector:
Archives Center, National Museum of American History Search this
Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.
Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
The personal and business papers of the comedian and Marx Brother, Harpo Marx, relating to his family, and career. The papers include materials relating to his brothers Chico, Groucho, Gummo, and Zeppo Marx.
Scope and Contents:
The personal and business papers of the comedian and Marx Brother, Harpo Marx. The papers also include materials relating to his brothers Chico, Groucho, Gummo, and Zeppo Marx, his family, and career. The papers include theatrical scripts, photographs of productions and family, numerous news clippings, and extensive financial records for Harpo's investments. There is original correspondence from Harpo's friend, Alexander Woollcott. The papers include copies of Woollcotts correspondence and Harpo's replies. There is a series with material related to Harpo's son, William "Bill" W. Marx.
Arrangement:
The Harpo Marx Papers are arranged in six series.
Series 1, Correspondence and Personal Papers, 1919-2008, undated
Series 2, Scripts, Music Manuscripts, and Ephemera, 1917-1965, undated
Series 3, Photographs, 1896-1964, undated
Series 4, Marx, William "Bill" Woollcott, 1976-2009
Series 5, Financial and Investment, 1934-1991, undated
Series 6, Sound Recordings, Original Audio Discs, 1945-1957, undated
Related Materials:
Materials in the Archives Center, National Museum of American History
Groucho Marx Collection (NMAH.AC.0290)
Provenance:
Collection donated to the Archives Center, National Museum of American History, Smithsonian Institution by the Harpo Marx Estate, 2012.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Lockwood Greene Records, Archives Center, National Museum of American History
Sponsor:
Preservation of this collection was made possible in part by a generous gift from CH2M HILL.
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Duncan Schiedt Jazz Collection, 1900-2012, Archives Center, National Museum of American History
Sponsor:
Processing and encoding funded by a grant from the Council on Library and Information Resources.
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Duncan Schiedt Jazz Collection, 1900-2012, Archives Center, National Museum of American History
Sponsor:
Processing and encoding funded by a grant from the Council on Library and Information Resources.
