Skip to main content Smithsonian Institution

Search Results

Collections Search Center
4,379 documents - page 1 of 219

Surreal worlds from Meret Oppenheim to Frida Kahlo

Editor:
Pfeiffer, Ingrid  Search this
Host institution:
Schirn Kunsthalle Frankfurt  Search this
Louisiana (Museum : Humlebæk, Denmark),)  Search this
Physical description:
419 pages illustrations (some color), facsimiles, portraits (some color) 30 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
History
Catalogues d'exposition
Place:
20th century
Date:
2020
20th century
20e siècle
Topic:
Surrealism  Search this
Women artists--History  Search this
Surréalisme  Search this
Femmes artistes--Histoire  Search this
Women artists  Search this
Malerei  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1158323

Photographs of Robert Adams

Artist:
Adams, Robert 1937-  Search this
Author:
Greenough, Sarah 1951-  Search this
Writer of afterword:
Williams, Terry Tempest  Search this
Host institution:
National Gallery of Art (U.S.),.)  Search this
Nevada Museum of Art  Search this
Subject:
Adams, Robert 1937-  Search this
Physical description:
332 pages illustrations 30 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Catalogues d'exposition
Place:
United States
États-Unis
Date:
2021
20th century
21st century
20e siècle
21e siècle
Topic:
Landscape photography  Search this
Photographie de paysages  Search this
PHOTOGRAPHY / General  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1158636

Contemporary photography in China

Editor:
Chiu, Melissa  Search this
Johnson, Betsy (Curator)  Search this
Contributor:
Roberts, Claire 1959-  Search this
Schell, Orville  Search this
Smith, Karen (Art historian)  Search this
Warsh, Larry  Search this
Issuing body:
Hirshhorn Museum and Sculpture Garden  Search this
Physical description:
ix, 225 pages (some folded) illustrations (chiefly color), portraits 29 cm
Type:
Books
Pictorial works
Exhibition catalogs
Photobooks
Illustrated works
Catalogues d'exposition
Livres de photographies
Place:
China
Chine
Date:
2023
20th century
21st century
20e siècle
21e siècle
Topic:
Photography--History  Search this
Photography, Artistic--History  Search this
Photographie--Histoire  Search this
Photographie artistique  Search this
Photography  Search this
History  Search this
Photography, Artistic  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1163665

[Trade catalogs from Folmer Graflex Corp.]

Company Name:
Folmer Graflex Corp.  Search this
Related companies:
Folmer-Schwing Mfg. Co. ; Graflex, Inc. ; Eastman Kodak Co.  Search this
Notes content:
Cameras: studio outfits ; multiple camera ; enlarging, reducing, copying camera ; printer ; film; portrait camera ; retouching desk ; tripods ; Graflex and speed graphic cameras ; etc.
Includes:
Trade catalog and price lists
Black and white images
Color images
Physical description:
4 pieces; 1 box
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Rochester, New York, United States
Date:
1900s
Topic (Romaine term):
Photographic equipment and supplies  Search this
Topic:
Cameras  Search this
Photographic industry  Search this
Record ID:
SILNMAHTL_16226
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_16226

Harbour Court

Creator:
Brown, John Nicholas, M/Ms  Search this
Brown, John Nicholas, Jr  Search this
Brown, Anne Seddon Kinsolving  Search this
Landscape architect:
Blossom, Harold Hill, 1879-1935  Search this
Olmsted Brothers  Search this
Olmsted, Olmsted, and Eliot  Search this
Olmsted, Frederick Law, 1822-1903  Search this
Photographer:
Fisher, Teddy  Search this
Collection Creator:
Garden Club of America  Search this
Extent:
1 Slides (photographs) (col.)
Type:
Archival materials
Slides (photographs)
Place:
Rhode Island -- Newport
United States of America -- Rhode Island -- Newport County -- Newport
Date:
circa 1950-1980
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Summer  Search this
Greenhouses  Search this
Walkways, grass  Search this
Flower beds  Search this
Faucets  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, Item RI028012
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Rhode Island / RI028: Newport -- Harbour Court
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6036b5789-5ea7-4a07-8c18-7f9af40777be
EDAN-URL:
ead_component:sova-aag-gca-ref10700

Unidentified -- Hampstead

Former owner:
Webb, Conrad, Col  Search this
Wallace, William J.  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Hampstead (Tunstall Station, Virginia)
United States of America -- Virginia -- New Kent County -- Tunstall Station
Scope and Contents:
The folder includes worksheets and photocopies of articles about the property.
General:
The Federal style house was built ca. 1825 by Colonel Conrad Webb, and overlooks the Pamunkey River. Some colonial era plantings on the property predate the house. There was a terraced garden leading to the river, at one time called the most elaborate in the state. The property was planted with magnolia trees, crape myrtle and boxwood bordered garden beds that contained old-fashioned flowers, and also had undisturbed old-growth forest trees.
The red brick house has identical porticoes in the front and back that are supported by four two-story columns, in the style identified with Adams. Also there are walls on the property built of red brick. The original roof parapet, of early 19th c. design survives and was studied as a model for the restoration of Virginia's capital building in Richmond, in the 1980s when the property was owned by Mr. and Mrs. William J. Wallace. An overseer's house with wooden siding also was found on the property.
Persons associated with the garden include the Webb family, Colonel Conrad Webb (former owner, 1825- ) and Mr. and Mrs. William J. Wallace (former owner, 1950s-1980s).
Related Materials:
Hampstead related holdings consist of 1 folder (2 glass lantern slides and 6 35mm slides (photographs))
See others in:
Hollerith Collection, ca. 1957-1974.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Topic:
Gardens -- Virginia -- Tunstall Station  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File VA046
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Virginia
Archival Repository:
Archives of American Gardens
GUID:
https://n2t.net/ark:/65665/kb6f86a9849-d7e9-4bc7-b6e9-e88915b5e4fe
EDAN-URL:
ead_component:sova-aag-gca-ref18942

Graphics

Collection Creator:
Falkenstein, Claire, 1908-1997  Search this
Container:
Box 33, Folder 2
Type:
Archival materials
Date:
circa 1950-1980
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Claire Falkenstein papers, circa 1914-1997, bulk 1940-1990. Archives of American Art, Smithsonian Institution.
See more items in:
Claire Falkenstein papers
Claire Falkenstein papers / Series 8: Photographs / 8.7: Works of Art
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95cd927f7-6550-420d-94c3-53c592f82685
EDAN-URL:
ead_component:sova-aaa-falkclai-ref1261

Walker Evans With an introd. by John Szarkowski

Author:
Evans, Walker 1903-1975  Search this
Author:
Museum of Modern Art (New York, N.Y.)  Search this
Subject:
Evans, Walker 1903-1975  Search this
Evans, Walker 1903-1975  Search this
Physical description:
189 pages (chiefly illustrations) 27 cm
Type:
Exhibitions
Expositions
Catalog
Exhibition
catalogs (documents)
Catalogs
Catalogues d'exposition
Catalogues
Exhibition catalogs
Œuvres visuelles
visual works (works)
Visual works
Place:
United States
Date:
1971
20th century
20e siècle
Topic:
Photography, Artistic  Search this
Photography  Search this
Photographie artistique  Search this
Artistic photography  Search this
Call number:
N40.1.E92 N5
TR647.E935N5
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_7316

Fletcher and Horace Henderson Music and Photographs

Creator:
Henderson, Horace, 1904-1988  Search this
Lewis, Barbara  Search this
Lewis, Barry  Search this
Henderson, Fletcher, 1897-1952  Search this
Extent:
22.5 Cubic feet (82 boxes)
Type:
Collection descriptions
Archival materials
Audiocassettes
Audiotapes
Manuscripts
Parts (musical)
Photographs
Date:
1930s-1980s
Scope and Contents:
The Fletcher and Horace Henderson Collection contains original scores and band books, loose sheet music, both original and published, from both Fletcher and Horace's libraries, playlists, lyrics, photographs, personal papers and correspondences, newspaper clippings, jazz publications, an oral history manuscript of an interview with Horace, audio tapes, and other personal memorabilia documenting the lives and careers of the two brothers as pianists, band leaders, and arrangers. The majority of the material dates from the mid 1920s to the early 1980s.

Series 1: Fletcher and Horace Henderson's Music ca. 1930s - 1980s Boxes 1-68. Original band books and scores, lyrics, playlists, loose music, and published music either arranged or used by Fletcher or Horace Henderson during their careers as pianists, band leaders, and arrangers. The series is organized into six subseries: Subseries 1A: Horace's Band Books, Subseries 1B: Loose Music, Subseries 1C: Original Scores, Subseries 1D: Lyrics, Suberies 1E: Playlists, and Suberies 1F: Published Music.

Suberies 1A, ca. 1940s -1980s, boxes 1-21. Horace Henderson Band Books. Each Band Book stands on its own, and is identified by the musician who used it or the location where the music was performed. Some performers include Gail Brochman, Eddie Calhoun, and George Reed. Many of the band books were used for performances at the Trianon Ballroom in Chicago.

Subseries 1B, ca. 1930s - 1980s, boxes 22-58. Music in boxes 22-54 comes from Horace Henderson's band library, and boxes 55-58 from Fletcher Henderson's band library. The music consists of full scores, piano scores, and parts arranged or used by Horace or Fletcher Henderson. Arranged alphabetically by title; FS - Full Score, PS - Piano Score, and P - Parts. * Indicates an overlap between loose music, and music known to have been performed at the Trianon Ballroom in Chicago. **Indicates an overlap between Horace and Fletcher's Libraries. The music is arranged alphabetically by music title.

Subseries 1C, ca. 1930s - 1940s, boxes 59-60. Original scores arranged by Fletcher Henderson, many for Benny Goodman and other bandleaders, including AHoneysuckle Rose@, AKing Porter's Stomp@, and AStealin' Apples@. There is also a complete band book written and arranged by Fletcher. Arranged alphabetically by title.

Subseries 1D, ca. 1940s - 1980s, box 61. Original lyrics used in performances by Horace Henderson's bands. Arranged alphabetically by title where identified.

Subseries 1E, ca. 1940s - 1980s, boxes 62-63. Playlists compiled in preparation for performances by Horace Henderson's orchestras, listing titles played at various performances. Un-arranged.

Subseries 1F, ca. 1920s-1980s, boxes 64-68. Published sheet music and books for piano/vocal parts. Includes art music, method books, popular music, fake books, and music book covers. Folders are arranged by type of publication, and the music is arranged alphabetically by title within each folder.

Series 2: Photographs, ca. 1920s - 1980s Boxes 69-70. Photographs documenting the lives of both Fletcher and Horace Henderson's personal lives and careers. Photographs are arranged by category including Fletcher Henderson Candids with Friends, Horace Henderson Candids, Performance Marquees, and both brothers with their orchestra. Some unique pictures include portraits of Mr. and Mrs. Henderson (Fletcher and Horace's parents), candids of Fletcher with Benny Goodman, and Horace with Lena Horne.

Series 3: Personal Papers and Correspondences, ca. 1920s - 1980s Boxes 71-78. Programs and broadsides, newspaper articles, letters, essays, publications, and other personal documents tracing the lives of Horace and Fletcher, as well as some personal items of their parents. The series is divided into six subseries: Subseries 3A: Programs and Broadsides, Subseries 3B: Newspaper Articles and Clippings, Subseries 3C: Personal Papers and Correspondences, Subseries 3D: Miscellaneous Publishings, Subseries 3E: Transcript of an Oral History Interview, and Subseries 3F: Henderson Family Scrapbook.

Subseries 3A, ca 1930s - 1980s Boxes 71-72. Contains broadsides and ad clippings promoting both Horace and Fletcher's performances, along with programs for various jazz festivals. There are also three sets of Las Vegas Programs, advertising the weekly happenings during the years Horace was performing there, mainly at the Riviera Hotel and Casino (1959-1961). These include; Ken's Spotlight Las Vegas, Fabulous Las Vegas Magazine, On The Go, and other miscellaneous circulations. Arranged by category (Fletcher's broadsides, Horace's broadsides, Programs), and by date within each set of publications or programs.

Subseries 3B, ca. 1950s - 1980s, Boxes 73 & 78. Contains newspapers, articles, and clippings, ranging from 1951 to 1986, documenting the lives of Fletcher, Horace, and some of their contemporaries (ie: Duke Ellington) through the eyes of the media. Arranged by categories; reference to Fletcher, Horace, or Miscellaneous. Box 73 contains the oversized articles.

Subseries 3C, ca. 1920s-1980s, Box 74. Contains letters, contracts, and other personal documents of Fletcher, Horace, and their parents. Also contains a copied photo collection of Horace, a manuscript of AHorace Henderson Presents his Interpretation of Jazz@, and an essay (author unknown) about Fletcher's influence on jazz.

Subseries 3D, ca. 1960s - 1980s, Box 75. Contains miscellaneous publishings collected from the various locations Horace lived and worked. Includes weekly circulations from Denver and the surrounding area where Horace lived from the mid sixties until his death, along with various music magazines that he subscribed to (ADownbeat@, AInternational Musician@). Arranged by date within each category.

Subseries 3E, ca. 1975, box 76. Contains the original transcript of the Oral History Interview of Horace Henderson, for the Smithsonian Institution, performed by Tom MacCluskey on April 9-12, 1975.

Subseries 3F, box 77. Contains a Henderson Family Scrapbook which includes photographs of Fletcher's and Horace's father and mother, and various newspaper clippings commending the careers of Mr. Henderson, Horace, and Fletcher. The scrapbook's original order has been maintained.

Series 4: Audio Tape Recordings ca.1970s - 1980s Boxes 79-80. Contains a collection of recordings of live performances of Horace's orchestra in various Denver area locations such as the Esquire Supper Club and the Petroleum Club. Also includes a sample tape, a brief Atest@ recording by Horace and Angel, a radio tribute to Horace, and a few miscellaneous mix tapes. The tapes are arranged by date when available. Box 79 contains the original copies, and box 80 contains the duplicates.
Arrangement:
The collection is arranged into four series.

Series 1: Horace and Fletcher Henderson's Music, 1954-1955

Series 2: Photographs, 1942-1977

Series 3: Horace and Fletcher Henderson's Personal Papers, 1937-1987

Series 4: Horace Henderson Audio Tapes, 1978-1983, undated
Biographical / Historical:
Fletcher Hamilton Henderson, Jr. (a.k.a. Smack) was born on December 18, 1897 in Cuthbert, Georgia. He was born into a middle class black family, and as a child studied European art music with his mother, a piano teacher. His sister later became the head of the music department at the Tuskeegee Institute in Alabama, and his younger brother, Horace, would eventually follow in his footsteps as a jazz musician, arranger, and band leader. Horace W. Henderson (a.k.a. Little Smack) was born on November 22, 1904. He also studied piano with his mother and sister, and like his brother, began formal music training as a teenager. Fletcher Henderson attended Atlanta University where he earned a degree in chemistry and math in 1919.

In 1920, Fletcher Henderson moved to New York City to find a job as a chemist. Because employment in this field was hard to come by, especially for African Americans, he began working as a song demonstrator for the Pace Hardy Music Company. Shortly after Fletcher Henderson's arrival Harry Pace founded Pace Phonograph Corporation to produce records on the Black Swan label in 1921. Fletcher joined Pace's music team and was responsible for contracting and leading a jazz bands to accompany the label's singers.

In 1924, Fletcher's orchestra, under the direction of Don Redman, began to perform at Club Alabam (sic) on New York City's Broadway Avenue. That same year he and the band was offered a job performing at the Roseland Ballroom, where the band remained for ten years and gained national fame. His band was no different than the hundreds of dance bands, springing up across the country in response to the growing demand for social dance music, such as Count Basie's Orchestra, King Oliver and his Dixie Syncopators, and McKinney's Cotton Pickers. Don Redman left the Fletcher Henderson Orchestra in 1927 to direct McKinney's Cotton Pickers. However the music collaboration of Redman and Henderson had by then established what would become the "standard" big band arrangement for several decades, specifically the dynamic interplay between the brass and reed sections of the orchestra that included interspersed solos made famous by such esteemed soloists of the band as Louis Armstrong and Coleman Hawkins. Some of the band's most notable recordings made between 1924 and 1925 include Copenhagen and Sugarfoot Stomp.

By this time Horace Henderson had formed his own college jazz band in 1924, The Wilberforce Collegians, after transferring from Atlanta University to Wilberforce University to pursue a music degree. His older brother sent him arrangements and piano parts used by the Fletcher Henderson Orchestra for performances by the Collegians. Later that year Horace Henderson left the university to travel and perform with his band in New York City. His newly formed band included such notable musicians as Benny Carter and Ben Webster. While in New York he also began playing as a guest musician in his brother's band and learning from such legends of jazz as Coleman Hawkins, Buster Bailey, Louis Armstrong, and Don Redman that were working for the Fletcher Henderson Orchestra. During a Smithsonian Institution sponsored oral history interview with Tom MacCluskey, Horace recalled late night jam sessions at Hawkins' (Hawk) apartment where they would play through pieces from "Fletch's" library and analyze each individual's performance. We would "stop and discuss what had transpired during that session, you know, that particular tune. And man, that was a lesson...It was a session that was actually to help everybody, so that they would try things out and take another tune, and use these particular little points that Hawk would tell 'em.'"

Until the 1930s, the Fletcher Henderson Orchestra was the principal model for big jazz bands. However, his management of the band and its finances led to frequent band break-ups. In 1934, severe financial problems forced Fletcher to sell some of his best arrangements to Benny Goodman. Horace Henderson and others suggested Goodman's rapid rise in popularity among swing bands for white audiences was largely due to Fletcher Henderson's innovative band arrangements. Fletcher Henderson continued to lead bands until 1939 when he joined Goodman's orchestra as a full time staff arranger. In 1941 he returned to band leading and arranging, but suffered a severe stroke in 1950. Fletcher was partially paralyzed from the stroke, and died on December 29, 1952.

Horace, also, formed many bands throughout the 1930s and 40s, and became a sideman for leaders such as Don Redman (1931-33) and, most notably, his brother. He was a pianist and arranger for Fletch's band intermittently between 1931 and 1947. During this time, Horace spent a lot of time in Chicago with Fletcher's band at the Grand Terrace, and formed his own band at Swingland. Horace also worked as a freelance arranger for Benny Goodman, Charlie Barnet, and Earl Hines3. From November 1942 through August 1943, Horace was the leader of the 732nd Military Police Band in Joliet, Illinois. The position was first offered to Louis Armstrong, who turned it down and recommended Horace for the position. After leaving the army, he played with Fletcher's band for two years. Horace began writing for Charlie Barnet in 1944, where he first came across Lena Horne. During a job at the Paramount, Charlie had Called Horace to say that his vocalist had laryngitis, and he needed a new singer. Horace went to the Apollo in Harlem in search of some talent, and they sent him to the Regent where he could find Lena Horne. She joined Charlie's show the next day, and from there went on to fame. Horace joined her for an extended tour as a pianist and arranger, and later worked with Billie Holiday3.

Horace moved to Denver with his wife, Angel, in the late 1960s. The Horace Henderson Combo performed at many nightclubs and resorts in the Denver area, including Estes Park, the Broadmoor Hotel, and the Petroleum Club. He began playing the organ in 1970 because the clubs didn't want to pay for four or five piece bands, and with an organ to replace the piano, a bass player was no longer necessary3. Horace continued to lead bands in the Denver area until his death on August 29, 1988.

Although both brothers had a major impact on the future of jazz, Horace is often thought of merely as a shadow to his more celebrated brother. Fletcher Henderson's career as a pianist, bandleader, and arranger is one of the most important in jazz history. Bands of leaders such as Count Basie, Charlie Barnet, Tommy and Jimmy Dorsey, and Benny Goodman all played arrangements, which were either written or influenced by Fletcher Henderson. Fletcher constantly surrounded himself with the most talented musicians of his era, and patterned the basic formula, which were imitated throughout the big band era. However, at least thirty of Fletcher's arrangements, many for Benny Goodman, are accredited as Horace's work. His arrangement Hot and Anxious was based on the traditional riff that later became the basis for Glenn Miller's In the Mood. Christopher Columbus is the most notable example of Horace's potent piano style, which is often noted to be stronger than his brother's. Although the brothers had differences, Horace insists that they did not involve music. Fletcher's style and success had a huge influence on Horace's career, and he was incredibly grateful for all his brother taught him. In an interview in April of 1975, he was quoted as saying, "I idolize his way of thinking because he was successful. You don't fight success, you join it." 3

Sources

1. Biographical information derived from The New Grove Dictionary of Jazz, edited by Barry Kernfeld (New York: Macmillan Press Ltd, 1988). 2. The Pace Phonograph corporation was the first African-American-owned recording company in the United States. Historical information derived from The Greenwood Encyclopedia of Black Music; Biographical Dictionary of Afro-American and African Musicians, by Eileen Southern (USA: Greenwood Press, 1982).

3. Interview with Horace Henderson, April 2-12, 1975, Smithsonian Institution, Washington, DC.
Provenance:
The Fletcher and Horace Henderson collection was acquired by the museum in December of 2001, donated by Barbara and Barry Lewis.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Music -- 20th century -- United States  Search this
Genre/Form:
Audiocassettes
Audiotapes
Manuscripts -- Music -- 20th century
Parts (musical)
Photographs -- 20th century
Citation:
Fletcher and Horace Henderson Music and Photographs, 1930s-1980s, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0797
See more items in:
Fletcher and Horace Henderson Music and Photographs
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8b519292b-04b8-413a-a057-0c9c19f26b75
EDAN-URL:
ead_collection:sova-nmah-ac-0797
Online Media:

Patricia Matta christmas card to Joseph Cornell

Creator:
Matta, Patricia  Search this
Cornell, Joseph  Search this
Type:
Correspondence
Place:
Spain
Date:
19--
Citation:
Patricia Matta. Patricia Matta christmas card to Joseph Cornell, 19--. Joseph Cornell papers, 1804-1986. Archives of American Art, Smithsonian Institution.
Topic:
Dancers  Search this
Embroidery  Search this
Record number:
(DSI-AAA)11787
See more items in:
Joseph Cornell papers, 1804-1986, bulk 1939-1972
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_11787
Online Media:

Holiday card from Henri and Helena Hoppenot to Joseph Cornell

Creator:
Hoppenot, Henri  Search this
Cornell, Joseph  Search this
Type:
Correspondence
Date:
19--
Citation:
Henri Hoppenot. Holiday card from Henri and Helena Hoppenot to Joseph Cornell, 19--. Joseph Cornell papers, 1804-1986. Archives of American Art, Smithsonian Institution.
Record number:
(DSI-AAA)13222
See more items in:
Joseph Cornell papers, 1804-1986, bulk 1939-1972
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_13222
Online Media:

[Trade catalogs from Ford Motor Co.]

Variant company name:
Dearborn, MI  Search this
Company Name:
Ford Motor Co.  Search this
Related companies:
Continental Div. ; Lincoln Motor Co. ; Lincoln Motor Car Div. ; Fordson Div. ; Mercury Div. ; Lincoln-Mercury Div. ; Henry Ford & Son, Inc. ; C.E. Johansson, Inc. ; Dearborn Village ; Ford Tractor Operations (Troy, MI) ; Ford Motor Co. Ltd. (Dagenham, Essex, United Kingdom) ; Upholstery Leather Group, Inc. (New York, NY)  Search this
Notes content:
Ten envelopes OVERSIZE ; Organized by divisions and subject categories
Includes:
Trade catalog, price lists, manual, photographs and histories
Black and white images
Color images
Physical description:
1089 pieces; 46 boxes
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Detroit, Michigan, United States
Date range:
1900s-2000s
Topic (Romaine term):
Agricultural tools and machinery  Search this
Automobiles and automotive equipment (including trucks and buses)  Search this
Aviation (aircraft; balloons; etc.)  Search this
Boats and ships (including marine hardware and supplies)  Search this
Farm equipment and supplies (including dairy and poultry equipment)  Search this
Iron and steel products (castings; sheet steel; steel wire; wire rope; pig iron and structural steel products )  Search this
Luggage; travel; travel services and traveling accessories (including trunks; briefcases; and other traveling accessories)  Search this
Measuring; calculating and testing devices  Search this
Recreation  Search this
Topic:
Aeronautics  Search this
Agricultural implements  Search this
Agricultural machinery  Search this
Airplanes  Search this
Airships  Search this
Amusements  Search this
Automobiles  Search this
Balloons  Search this
Boats and boating  Search this
Briefcases  Search this
Calculators  Search this
Dairying  Search this
Farm equipment  Search this
Hobbies  Search this
Iron industry and trade  Search this
Luggage  Search this
Marine machinery  Search this
Measuring instruments  Search this
Motor vehicles  Search this
Recreation industry  Search this
Ships  Search this
Steel industry and trade  Search this
Travel  Search this
Weighing instruments  Search this
Record ID:
SILNMAHTL_16108
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_16108

[Trade catalogs from Paillard S.A.]

Variant company name:
Yverdon, Switzerland  Search this
Company Name:
Paillard S.A.  Search this
Related companies:
Paillard Inc. (Linden, NJ) ; Paillard Products, Inc.  Search this
Notes content:
Bolex stereo projection lens ; Pan Cinor zoom lens. "Paillard...Preparing for the Future" gives a history of the company, beginning with its founding in 1814 by a Swiss watchmaker. Issues of "Bolex Reporter" periodical ; Bolex underwater camera case, the photocell behind the Bolex 8mm camera ; Kern-Paillard lenses ; Bolex 8mm cameras, the H16 Reflex camera ; Pan Cinor lenses ; Bolex-Paillard Super Titler and the Bolex Projector ; Paillard Professional Photo and Movie News (Vol. 1, No. 1, June 1972); movie projectors ; zoom lenses ; 16mm motion picture cameras ; camera cases, stands, and other camera accessories ; SOM Berthiot lenses ; underwater camera housing ; portable Hermes typewriter
Includes:
Trade catalog, price lists and manual
Black and white images
Color images
Physical description:
38 pieces; 2 boxes
Language:
English
Type of material:
Trade catalogs
Trade literature
Place:
Sainte-Croix, Switzerland
Date:
1900s
Topic (Romaine term):
Office equipment and supplies  Search this
Photographic equipment and supplies  Search this
Topic:
Cameras  Search this
Office equipment and supplies industry  Search this
Photographic industry  Search this
Record ID:
SILNMAHTL_27772
Location:
Trade Literature at the American History Museum Library
Collection:
Smithsonian Libraries Trade Literature Collections
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILNMAHTL_27772

Personal Photographs

Collection Creator:
Klonis, Stewart, 1901-1989  Search this
Container:
Box 4, Folder 5-7
Type:
Archival materials
Date:
circa 1950-1980
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Stewart Klonis papers, circa 1886-1983, Archives of American Art, Smithsonian Institution.
See more items in:
Stewart Klonis papers
Stewart Klonis papers / Series 6: Photographic Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98898523e-d7a1-45c3-ab59-980ca7448b56
EDAN-URL:
ead_component:sova-aaa-klonstew-ref60

ONE: The Homosexual Viewpoint, "Homosexual, Servant of God", December, 1960 [periodical]

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Extent:
1 Item (Ink on paper., 8-1/2" x 5-1/2".)
Container:
Box 4
Type:
Archival materials
Magazines (periodicals)
Scope and Contents:
Cover has image of three Magi.
Local Numbers:
AC1146-0000017.tif (AC Scan No.)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Religion  Search this
Gay rights  Search this
Homosexuality  Search this
Genre/Form:
Magazines (periodicals) -- 1950-1980
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 1: Periodicals / ONE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep83f56d5f8-f807-4690-b0e1-e7a797e8da1b
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2720

ONE: The Homosexual Viewpoint, "John, Mowing", April, 1961 [periodical]

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Extent:
1 Item (Ink on paper., 8-1/2" x 5-1/2".)
Container:
Box 4
Type:
Archival materials
Magazines (periodicals)
Local Numbers:
AC1146-0000018.tif (AC Scan No.)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Mowing  Search this
Gay rights  Search this
Homosexuality  Search this
Lawn mowers  Search this
Genre/Form:
Magazines (periodicals) -- 1950-1980
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 1: Periodicals / ONE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e5a51088-2f10-452d-b4cc-c2bcf02e5bbc
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2721

ONE: The Homosexual Viewpoint, "10th Year", January, 1962 [periodical]

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Extent:
1 Item (Ink on paper., 8- 1/2" x 5-1/2".)
Container:
Box 4
Type:
Archival materials
Magazines (periodicals)
Local Numbers:
AC1146-0000019.tif (AC Scan No.)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Gay rights  Search this
Homosexuality  Search this
Genre/Form:
Magazines (periodicals) -- 1950-1980
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 1: Periodicals / ONE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8f2bf8c84-28dd-42c9-b847-7a4f18b0c72a
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2722

ONE: The Homosexual Viewpoint, "Let's Push Homophile Marriage", June 1963 [periodical]

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Extent:
1 Item (Ink paper., 8-1/2" x 5-1/2".)
Container:
Box 4
Type:
Archival materials
Magazines (periodicals)
Local Numbers:
AC1146-0000020.tif (AC Scan No.)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Marriage  Search this
Gay rights  Search this
Homosexuality  Search this
Genre/Form:
Magazines (periodicals) -- 1950-1980
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 1: Periodicals / ONE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep84a18165e-b7ec-4638-9287-4f80bdd01077
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2723

ONE, April, 1964 [periodical]

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Extent:
1 Item (Ink on paper., 8-1/2" x 5-1/2".)
Container:
Box 4
Type:
Archival materials
Magazines (periodicals)
Local Numbers:
AC1146-0000021.tif (AC Scan No.)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Gay rights  Search this
Architecture -- Spain -- Granada  Search this
Homosexuality  Search this
Genre/Form:
Magazines (periodicals) -- 1950-1980
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 1: Periodicals / ONE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8364573c4-7daa-44ca-8220-a48d556c3170
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2724

ONE: The Homosexual Viewpoint, "Life, Liberty, Happiness", July 1964 [periodical]

Collection Collector:
Archives Center, National Museum of American History  Search this
Collection Donor:
Becker, John M.  Search this
Gay Officers Action League. GOAL  Search this
Heritage of Pride (HOP)  Search this
Rohrbaugh, Richard  Search this
Atlantic States Gay Rodeo Association (ASGRA)  Search this
Collection Creator:
Hirsch, Leonard  Search this
Guest, Barbara  Search this
Barna, Joseph T.  Search this
Guest, Michael E.  Search this
Cruse, Howard, 1944-2019  Search this
Extent:
1 Item (Ink / Silver gelatin on paper., 8 1/2" x 5 1/2".)
Container:
Box 4
Type:
Archival materials
Magazines (periodicals)
Scope and Contents:
Red, white, and blue design.
Local Numbers:
AC1146-0000022.tif (AC Scan No.)
Collection Restrictions:
The collection is open for research use.

Researchers must handle unprotected photographs with gloves. Researchers must use reference copies of audio-visual materials. When no reference copy exists, the Archives Center staff will produce reference copies on an "as needed" basis, as resources allow.

Do not use original materials when available on reference video or audio tapes.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Patriotism  Search this
Gay rights  Search this
Homosexuality  Search this
Genre/Form:
Magazines (periodicals) -- 1950-1980
Collection Citation:
Archives Center Lesbian, Gay, Bisexual, and Transgender (LGBT) Collection, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection
Archives Center Lesbian, Gay, Bisexual, Transgender (LGBT) Collection / Series 1: Periodicals / ONE
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep875484b17-07f7-47a3-ab19-2959280176cf
EDAN-URL:
ead_component:sova-nmah-ac-1146-ref2725

Modify Your Search







or


Narrow By