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George D. Sack papers, 1912-1957

Creator:
Sack, George D.  Search this
Subject:
Russell, Charles M. (Charles Marion)  Search this
Scheuerle, Joe  Search this
Bradford, Penelope Sack  Search this
Record number:
(DSI-AAA_CollID)8765
(DSI-AAA_SIRISBib)210947
AAA_collcode_sackgeor
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210947

Inventory to the Samuel Murray and Thomas Eakins papers at the Hirshhorn Museum and Sculpture Garden, undated

Creator:
Hirshhorn Museum and Sculpture Garden.  Search this
Subject:
Eakins, Thomas  Search this
Murray, Samuel  Search this
Record number:
(DSI-AAA_CollID)9949
(DSI-AAA_SIRISBib)212501
AAA_collcode_hirsmuse
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212501

Photographs of Thomas Schultze-Westrum's collection of artifacts from the Papuan Gulf

Collector:
Schultze-Westrum, Thomas  Search this
Extent:
1 Color print
5 Photocopies
33 Prints (silver gelatin)
Culture:
Papuans  Search this
Type:
Collection descriptions
Archival materials
Color prints
Photocopies
Prints
Photographs
Place:
Papua, Gulf of (Papua New Guinea)
Date:
circa 1966, 1984
Scope and Contents note:
Photographs depicting artifacts collected in 1966 in the central and western Papua New Guinea Gulf, particularly the Era and Wapo River area, Urama Island, and Kerewo. They include images of ancestral boards, figures, bark belts, and plaited straw masks.
Biographical/Historical note:
Dr. Thomas Schultze-Westrum collected extensively in the Papuan Gulf in the mid 1960s. He also published books and articles about the region, including "Neuguinea. Papua--Urwelt im Aufbruch" (1972).
Local Call Number(s):
NAA Photo Lot 89-48, USNM ACC 358974
Location of Other Archival Materials:
Pictured artifacts can be found in the Department of Anthropology in accession 358974.
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Genre/Form:
Photographs
Citation:
Photo Lot 89-48, Photographs of Thomas Schultze-Westrum's collection of artifacts from the Papuan Gulf, National Anthropological Archives, Smithsonian Institution.
Identifier:
NAA.PhotoLot.89-48
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-89-48

The arts and crafts of German settlers along the lower Missouri river / by Charles Van Ravenswaay

Creator:
Van Ravenswaay, Charles  Search this
Extent:
0.4 Linear feet ((552 p.))
Type:
Collection descriptions
Archival materials
Date:
1975
Biographical / Historical:
Art historian, born 1911.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art historians  Search this
Topic:
Arts and crafts movement  Search this
Decorative arts  Search this
Identifier:
AAA.vanrave
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vanrave

Frank Duveneck papers

Creator:
Duveneck, Frank, 1848-1919  Search this
Names:
Beatty, John W. (John Wesley), 1851-1924  Search this
Couper, William, 1853-1942  Search this
Duveneck, Elizabeth Boott, 1846-1888  Search this
French, Daniel Chester, 1850-1931  Search this
Hunt, William Morris, 1824-1879  Search this
Rolshoven, Julius, 1858-1930  Search this
Shirlaw, Florence M.  Search this
Welch, Thaddeus, 1844-1919  Search this
Wores, Theodore, 1858-1939  Search this
Extent:
0.2 Linear feet ((on a partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1845-1919
Scope and Contents:
Correspondence, 1845-1919, of Duveneck and his wife, Elizabeth Boott Duveneck. Included are two letters from Duveneck to Theodore Wores and 7 letters from Julius Rolshoven. Other correspondents include John W. Beatty, William Couper, Daniel Chester French, Mrs. Walter Shirlaw, and Thad Welch. Many of the letters from Elizabeth Boott were written from Europe, including 11 to William Morris Hunt's painting class (1876-1880), and a lengthy account of her travels written to her father (1881).
Biographical / Historical:
Painter and teacher; Munich, Germany and Cincinnati, Ohio. Married his student, Elizabeth Boott, 1886. Following her death in 1888, Duveneck returned to the United States to teach at the Cincinnati Art Academy.
Provenance:
Donated 1974 by Cincinnati Historical Society; photocopies discarded after microfilming.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art teachers  Search this
Painters  Search this
Topic:
Munich school of painting  Search this
Painting, American  Search this
Identifier:
AAA.duvefrap
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-duvefrap

William T. Evans letters

Creator:
Evans, William T., 1843-1918  Search this
Names:
American Watercolor Society  Search this
Salmagundi Club  Search this
Bierstadt, Albert, 1830-1902  Search this
Brown, John George, 1831-1913  Search this
Church, Frederic Edwin, 1826-1900  Search this
Coffin, William A. (William Anderson), 1855-1925  Search this
Dewing, Thomas Wilmer, 1851-1938  Search this
Hassam, Childe, 1859-1935  Search this
Homer, Winslow, 1836-1910  Search this
Inness, George, 1825-1894  Search this
Johnson, Eastman, 1824-1906  Search this
Nichols, Hobart, 1869-1962  Search this
Peale, Rembrandt, 1778-1860  Search this
Pennell, Joseph, 1857-1926  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Whittredge, Worthington, 1820-1910  Search this
Extent:
0.01 Linear feet (ca. 900 items (on 3 micofilm reels))
Type:
Collection descriptions
Archival materials
Date:
1842-1969
Scope and Contents:
Printed material and letters to Evans from collectors, dealers, and artists. Letters discuss business matters including the Munich International Art Exposition 1883, the American Watercolor Society, the Salmagundi Club, the Lotos Club, and Evans loaning work from his private collection for exhibitions, requests from artists wanting Evans to comment on and handle their work, thank you notes and invitations to openings and dinners. Significant correspondents include George Inness, Childe Hassam, Thomas W. Dewing, Worthington Whittredge, Albert Pinkham Ryder, Frederic Edwin Church, Joseph Pennell, Albert Bierstadt, Winslow Homer, Rembrandt Peale, Hobart Nichols, John George Brown, William A. Coffin and Eastman Johnson.
Biographical / Historical:
Art patron and collector. Born in Ireland, he came to the United States as a child. He gave collections of paintings to the National Gallery of Art, Washington, D.C. and the Montclair Museum.
Provenance:
Letters on reels 4054-4055 were lent to the Assistant Curator of Painting and Sculpture, National Collection of Fine Arts in 1970 by Robert Price who acquired them along with paintings from Evans' estate and elsewhere. They were photocopied and the copies were given to the NCFA-PG Librarian, who transferred them to the Archives of American Art in 1979. In 1988 the copies were microfilmed by the Archives and discarded. The original letter on reel 2804 was transfered from NMAA, 1981.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art patrons  Search this
Topic:
Art -- Collectors and collecting  Search this
Art, Modern -- 20th century -- United States  Search this
Identifier:
AAA.evanwill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-evanwill

Alexander Robertson James papers

Creator:
James, Alexander, 1890-1946  Search this
Names:
Faulkner, Barry, 1881-1966  Search this
Gugler, Eric, 1889-1974  Search this
James, Frederika Paine  Search this
James, Henry, 1843-1916  Search this
James, William, 1842-1910  Search this
James, William, 1882-1961  Search this
Kent, Rockwell, 1882-1971  Search this
Lankes, Julius J., 1884-1960  Search this
Sargent, John Singer, 1856-1925  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Wilder, Thornton, 1897-1975  Search this
Extent:
3.6 Linear feet ((on 7 microfilm reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1893-1983
bulk 1914-1946
Scope and Contents:
Family and professional correspondence; exhibition and sales records; sketches; sketchbooks; photographs and printed materials documenting the career and activities of Alexander James.
A marriage certificate; a genealogy of the James family; autobiographical notes; passports for James and his wife Frederika Paine James; a diary with entries by both James (1907) and his mother (1921); loose pages from diaries kept by James and his wife (intermittent, 1917-1939). Correspondence to and from James family members, including eight letters from his father, William James; letters to and from colleagues, friends, museums, galleries, clients, and posthumous exhibition correspondence. Correspondents include Abbott Handerson Thayer, Rockwell Kent, and Eric Gugler.
There are also biographical notes on Abbott Handerson Thayer; a notebook containing James' description of his gesso techniques; Frederika James' notes on her husband's paintings and her account of a family trip to France; reminiscences of James by Barry Faulkner and Thornton Wilder; exhibition files containing correspondence, lists of works, address lists, guest books, clippings and catalogs (1937-1978); commission files; a card file with information on James' paintings, exhibitions and sales; sketches of landscapes and people including sketches of his father and John Singer Sargent.
Five sketchbooks (one too faint to film); an oil study of his father; three watercolors of Giverny, France; three pigment studies (unfilmed); 12 woodcuts by Julius J. Lankes; and a sketch of James by his brother, William James; expense journals; bank records; tax returns; insurance figures for paintings; a notebook of sales' records; price lists; invoices and receipts for materials; deeds; a will; certificates of name changes; photos of James, his studio and his work; photos and a photo album of William James and other family members; two albums of exhibition photos; photos of two sketches of James, one by John Singer Sargent, and the other by Barry Faulkner.
Arrangement:
Reels 4195-4201: I. Biographical materials. II. Family correspondence. III. General correspondence. IV. Writings. V. Exhibition files. VI. Commission files. VII. Card file. VIII. Art works. IX. Financial materials. X. Legal materials. XI. Photographs. XII. Photograph albums. XIII. Printed materials. Chronologically arranged except for commission files which are arranged alphabetically by name of subject.
Biographical / Historical:
Portrait painter. The younger son of psychologist William James (1842-1910), brother of painter William James (1882-1961), and nephew of novelist Henry James, Alexander James was actually christened Francis Temple Tweedy James in 1890. In 1925 he had his name officially changed to Alexander Robertson James. Later in life he dropped the Robertson and became Alexander James. He studied with Abbott Handerson Thayer and was a close friend of John Singer Sargent and Rockwell Kent.
Related Materials:
Also found in the Archives on microfilm only (reel 3828) is a bound volume containing 37 letters from William James to his youngest son, Alexander James, one letter from his mother, Alice Howe Gibbens James, and 11 postcards.
Provenance:
Donated 1986 by Michael James, the son of Alexander James, except for the bound volume on reel 3828 which was lent for microfilming.
Rights:
Reel 3828: Authorization to publish, quote, or reproduce requires written permission from Alexander R. James, Glandore, County Cork, Ireland. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Portrait painters  Search this
Painters -- New Hampshire  Search this
Topic:
Gesso  Search this
Sculptors -- United States -- Interviews  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.jamealex
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jamealex

William Innes Homer papers

Creator:
Homer, William Innes  Search this
University of Delaware. Dept. of Art History  Search this
Delaware Art Museum  Search this
Names:
Adams, Ansel, 1902-1984  Search this
Benton, Thomas Hart, 1889-1975  Search this
Eakins, Thomas, 1844-1916  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Seurat, Georges, 1859-1891  Search this
Smith, David, 1906-1965  Search this
Walters, Carl, 1883-1955  Search this
Extent:
6.6 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1938-1980
Scope and Contents:
Correspondence, writings, notes, forms, printed material, exhibition records, research material and photographs.
REEL 2814: frames 561-576: Photocopies of letters from George Barker to Homer, 1961-1965, regarding Thomas Eakins.
UNMICROFILMED: Correspondence with dealers, patrons and museum curators concerning an exhibition of the sculpture of Carl Walters, 1956-1958, including some notes and a few photographs of Walter's sculpture; letters, mainly from artists; and a photocopy of Shinn's "Everett Shinn Treatment, #1 and #2, 1945-1978. Among the correspondents are: Ansel Adams, Peggy Bacon, Saul Baizerman, Maurice Becker, Thomas H. Benton, Charles Burchfield, Faber Birren, Mrs. Homer Boss, Imogen Cunningham, Nell Daniel, Andrew Dasburg, Randall Davey, Stuart Davis, Theodore Lux Feininger, Lyonel Feininger, Laura Gilpin, Edith Halpert, Jay Hambidge, Emil Holzhauer, Lotte Jacobi, Mrs. William Sargent Kendall, Leon Kroll, Julien Levy, Stanton Macdonald-Wright, Lewis Mumford, Georgia O'Keeffe, John H. Rhoades, Margery Ryerson, David Smith, Carl Sprinchorn, Edward Steichen, Mrs. Allen Tucker, and Carl Zigrosser. Also included are writings, notes, and printed material concerning the "Index of Dissertations and Theses in American Art" section of the Arts in America: A Bibliography (1979), edited by Bernard Karpel, covering years ca. 1930-1975.
Records of the 1975 exhibition "Avant-garde Painting and Sculpture in America, 1910-1925," organized by the Department of Art History and Division of Museum Studies, University of Delaware, in cooperation with the Delaware Art Museum. Included are correspondence regarding research, loans to the exhibition, and publicity; a grant proposal; photographs of artists, works of art, and installations of the exhibition; and an outline for the catalog.
Notebooks, 9 v. containing citations to dissertations and theses relating to American art, 1980-1997, compiled under Homer's direction, as a follow up to his "Index of Dissertations and Theses in American Art" section of the Bibliography of the Arts in America From Colonial Times to Modern Times (1979).
Homer's research material on Georges Seurat, ca. 1956-1980, including correspondence; essays, notes and draft writings; photocopies and microfilms of rare printed material; responses to questionnaires regarding ownership of paintings; bibliographies; biographical material on scientists and others who influenced Seurat; photographs and color transparencies of works by Seurat and his colleagues; and miscellany. Also included are correspondence and research notes on other Neo-Impressionists.
Biographical / Historical:
Art historian, educator; Newark, Del.; b. 1929. William Innes Homer is an art historian whose areas of expertise include European and American painting from 1865 to 1925 and American art after World War II. He has taught at Princeton University and Cornell University, but is most closely associated with the University of Delaware, where he is Professor Emeritus. He taught there from 1966 until his retirement in 1999.
Related Materials:
William Inned Homer papers are located at Georgia O'Keeffe Museum, Michael S. Engl Family Foundation Library and Archive.
Provenance:
Donated 1980-2004 by William Homer. Photocopies of letters from Barker to Homer were discarded after microfilming.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art historians  Search this
Art historians -- Delaware  Search this
Educators -- Delaware  Search this
Topic:
Art, American  Search this
Art, American -- Exhibitions  Search this
Art, Modern -- 20th century -- United States -- Exhibitions  Search this
Avant-garde (Aesthetics)  Search this
Identifier:
AAA.homewill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-homewill

Inventory to the Samuel Murray and Thomas Eakins papers at the Hirshhorn Museum and Sculpture Garden

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Names:
Eakins, Thomas, 1844-1916  Search this
Murray, Samuel  Search this
Extent:
78 Pages ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Pages
Date:
undated
[ca. 1974]
Scope and Contents:
Inventory briefly describes the Murray-Eakins collection held by the Hirshhorn Museum and Sculpture Garden.
Biographical / Historical:
Eakins and Murray were Philadelphia artists and close friends. Eakins, a painter, sculptor, and photographer, founded the Art Students League of Philadelphia, where Murray (1870-1941), a sculptor, studied.
Provenance:
Inventory copied for the Archives 1974 and discarded after microfilming. The actual collection includes over 100 letters to Murray; 4 Eakins letters regarding his commission to paint Robert Ogden's portrait; Eakins exhibition catalogs and miscellany; photographs by Eakins, of Eakins, of Murray, of their painting and sculpture, of their studio, and of others; and sketches, clippings, letters, and miscellany.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art teachers -- Pennsylvania -- Philadelphia  Search this
Painters -- Pennsylvania -- Philadelphia  Search this
Sculptors -- Pennsylvania -- Philadelphia  Search this
Identifier:
AAA.hirsmuse
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hirsmuse

Alexander Francis Harmer papers and Alexander Francis Harmer Trust records

Creator:
Harmer, Alexander Francis, 1856-1925  Search this
Names:
Anshutz, Thomas Pollock, 1851-1912  Search this
Eakins, Thomas, 1844-1916  Search this
Extent:
1.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1882-1985
Scope and Contents:
Alexander Franis Harmer papers include: letters, 1882-1920, to Harmer from artists Frank Stephens, Thomas Eakins (illustrated; providing instructions on how to make a camera), and Thomas Anshutz (writing about the Pennsylvania Academy of the Fine Arts), also curator Hector Alliot, Captain John G. Bourke, Editor of "The Land of Sunshine," Charles F. Lumis, attorney Joseph D. Redding, George Wharton James, J.L. Wallace, and others; photographs, negatives, slides, and reproductions of works of art by Harmer, a photograph of Harmer, and photographs possibly of his studio; published biographies of Harmer and other printed material; Library of Congress copyright registrations for paintings, 1906; and periodicals, with illustrations by Harmer, including seven issues of "The Land of Sunshine," "The Magazine of California and the West," 1895-1899, the "Overland Monthly," March 1896, and "The Californian, Illustrated Magazine" September and October 1893.
Records, 1954-1985, of the Alexander Francis Harmer Trust include correspondence; conservation records; inventories; financial statements; deeds and emendations; minutes of trustees meetings; photocopies of Santa Barbara Historical Society Registration Data Sheets concerning works of art on loan from the Harmer Trust, notes and miscellany.
Biographical / Historical:
Painter; Santa Barbara, Calif. Harmer is known for his paintings and illustrations of frontier life in Southern Calif.
Provenance:
Donated 2002 by Florence Weston Harmer, daughter-in-law of Alexander Francis Harmer via her executor, Linda C. Weston .
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Artists -- California  Search this
Identifier:
AAA.harmalex
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-harmalex

Lloyd Goodrich papers

Creator:
Goodrich, Lloyd, 1897-1987  Search this
Names:
American Art Research Council  Search this
American Federation of Arts  Search this
Artist Tenants Association (New York, N.Y.)  Search this
Artists Equity Association  Search this
Association of Art Museum Directors  Search this
National Council on the Arts and Government  Search this
Whitney Museum of American Art  Search this
Dows, Olin, 1904-1981  Search this
Eakins, Thomas, 1844-1916  Search this
Evergood, Philip, 1901-1973  Search this
Homer, Winslow, 1836-1910  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Newman, Elias, 1903-  Search this
Rich, Daniel Catton, 1904-1976  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Soyer, Raphael, 1899-1987  Search this
Extent:
35.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Transcripts
Interviews
Scrapbooks
Date:
1884-1987
bulk 1927-1987
Summary:
The papers of art historian, writer, and museum administrator Lloyd Goodrich measure 35.7 linear feet and date from 1884 to 1987 with the bulk of the material dating from 1927 to 1987. Materials include biographical material, extensive correspondence, writings and research files, organization and committee files, exhibition files, printed material, a scrapbook, and photographic material. The collection is particularly rich in research files on Winslow Homer, Thomas Eakins, Albert Pinkham Ryder, and Reginald Marsh, as well as correspondence with additional notable artists and art figures.
Scope and Contents:
The papers of art historian, writer, and museum administrator Lloyd Goodrich measure 35.7 linear feet and date from 1884 to 1987 with the bulk of the material dating from 1927 to 1987. Materials include biographical material, extensive correspondence, writings and research files, organization and committee files, exhibition files, printed material, a scrapbook, and photographic material. The collection is particularly rich in research files on Winslow Homer, Thomas Eakins, Albert Pinkham Ryder, and Reginald Marsh, as well as correspondence with additional notable artists and art figures.

Scattered biographical materials include biographical sketches, an interview transcript, personal business records, documents relating to Goodrich's service on art juries, and awards and honors.

Correspondence is with friends, family, artists, museums, collectors, galleries, and arts organizations. Correspondents include The Arts Magazine, Whitney Museum of Art, Olin Dows, Philip Evergood, Yasuo Kuniyoshi, Reginald Marsh, Kenneth Hayes Miller, Elias Newman, Daniel Catton Rich, and Raphael Soyer among many others. Research related correspondence arranged here concerns work on a catalogue raisonné of Winslow Homer. This material was originally arranged in the correspondence files by Goodrich prior to the later donation that included additional research files on Homer found in Series 3. There are also condolence letters from notable figures in American art.

Writings and research files include major writings, such as books and articles, and book reviews, essays, exhibition text, catalog entries, and lectures. In addition to the writings, Goodrich's research files for the writings are arranged here and include research, notes, correspondence, photographs, illustrations, printed materials, and bibliographies. There are also book agreements. There are extensive files for Goodrich's books on Winslow Homer (see also correspondence in Series 2) and Reginald Marsh; articles, catalog entries, and other writings on Winslow Homer, Albert Pinkham Ryder, Kuniyoshi, Reginald Marsh, and American art in general; lectures and talks; research files on other artists, and notes and notebooks.

Organization and committee files document Goodrich's service on boards, commissions, committees, organizations, and associations, such as the American Federation of Arts, the Association of Art Museum Directors, the Carnegie Study in American Art, the National Council on the Arts and Government, American Art Research Council, Artists Equity Association, Artist Tenants Association, the selection committee of the American National Exhibition (1959), and others are found within organization and committee files. Agendas, correspondence, meeting minutes, and printed material are found within the files.

Exhibition files are found only for several Winslow Homer shows. Printed materials include clippings, publicity materials, and printed copies of his writings. Photographic material includes scattered photographs of Goodrich and others, and extensive negatives of works of art, likely by Homer. Also found are x-rays of paintings by Ralph Blakelock.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Materials, 1946-1984 (Boxes 1; 0.4 linear feet)

Series 2: Correspondence, 1920-1987 (Boxes 1-3; 1.8 linear feet)

Series 3: Writings and Research Files, 1884-1987 (Boxes 3-17, 38; 14.5 linear feet)

Series 4: Organization and Committee files, 1933-1982 (Boxes 17-31, 37; 14.5 linear feet)

Series 5: Exhibition Files, 1944-1986 (Boxes 31-32; 0.6 linear feet)

Series 6: Printed Material, circa 1920s-1979 (Boxes 32-33; 0.8 linear feet)

Series 7: Scrapbook, 1952-1959 (Box 33; 2 folders)

Series 8: Photographic Materials, circa 1910-1987 (Boxes 33-37; 3.1 linear feet)
Biographical / Historical:
Lloyd Goodrich (1897-1987) was a prominent and influential art historian, writer, and director of the Whitney Museum of Art in New York City, New York, from 1958-1968.

Lloyd Goodrich was born in Nutley, New Jersey in 1897. He studied under Kenneth Hayes Miller at the Art Students League from 1913-1915 and also took courses at the National Academy of Design. Rather than pursue a career as an artist, however, he decided that his real talent was writing about art. He began his long and prolific writing career in 1923-24 and married Edith Havens in 1924. Inspired by the work and writings of European art scholars and a desire to address the need for a body of scholarship on American Art, Goodrich began to research and write about American artists Kenneth Hayes Miller, Winslow Homer, and Thomas Eakins.

Goodrich's first article on Winslow Homer was published in 1924 by The Arts, a magazine financed by Gertrude Vanderbilt Whitney and edited by Forbes Watson, who soon hired Goodrich as associate editor. By 1929, Goodrich was also working as assistant art critic for the New York Times while continuing work at The Arts as contributing editor. One year later, The Arts commissioned Goodrich to write a book on Kenneth Hayes Miller. And, around the same time Goodrich became interested in Thomas Eakins, and with the encouragement and financial support from his boyhood friend, artist Reginald Marsh, he began work on a monograph about Eakins.

In 1930, Goodrich joined the staff of Gertrude Vanderbilt Whitney's new American art museum in New York City, the Whitney Museum of American Art. The museum provided him with the funds he needed to research and complete his book on Thomas Eakins, which he achieved in 1933. In 1935, he became curator of the museum, and associate director in 1948. He served as director from 1958-1968. The bequest of the Edward Hopper collection to the Whitney was the result of Goodrich's reputation as a scholar of Edward Hopper. After retiring, Goodrich continued his association with the Whitney as advisory director and director emeritus.

Goodrich was instrumental in starting the American Art Research Council in 1942, a group of museums devoted to collecting scholarly records about American art. He sat on the advisory panels for the New York State Council on the Arts and the Fine Arts Advisory Committee to the White House. In 1933, he was in charge of the New York regional office of the Public Works of Art Project. He also served as chairman of the National Council on the Arts and Government from 1948 to 1954 and was a major force in the creation of the National Endowment for the Arts and Humanities. He was a member of the Artists Equity Association, Artist Tenants Association, and numerous other arts organizations and a strong advocate for the promotion and support of American art and artists.

Throughout his long and distinguished career as a writer and museum administrator, Lloyd Goodrich worked to build a body of scholarship related to the history of American art and artists. He published several important monographs, including works on Thomas Eakins, Edward Hopper, Albert Pinkham Ryder, Winslow Homer, and Reginald Marsh, and organized major exhibitions about these and many other artists during his 57-year association with the Whitney Museum of American Art. At the time of his death, Goodrich was considered a preeminent figure in the American art world, and one of the foremost authorities on Eakins, Ryder, and Homer, artists on which he kept extensive research files throughout his life.

Lloyd Goodrich died March 27, 1987.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lloyd Goodrich, 1962-1963 by Harlan Phillips for the Archives of American Art.

Additional Lloyd Goodrich papers are located at the Whitney Museum of American Art Archives, and the Philadelphia Museum of Art Archives.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 4468) including a photocopy of the manuscript "Albert Pinkham Ryder: The Man and His Art," Goodrich's contribution to the book "Albert Pinkham Ryder: Painter of Dreams" co-authored with William I. Homer. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The Lloyd Goodrich papers were given to the Archives of American Art in several different acquisitions. Lloyd Goodrich first donated material in 1983. David Goodrich, Lloyd Goodrich's son, gave more material between 1988 and 2007 while additional papers were lent for microfilming by William I. Homer in 1990. Finally, the Whitney Museum of American Art donated papers in 1996, and Polly Thistlethwaite gave further material in 2015.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York  Search this
Museum curators -- New York (State) -- New York  Search this
Museum administrators -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Art museums -- New York (State) -- New York  Search this
Art, American  Search this
Museum directors -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Transcripts
Interviews
Scrapbooks
Citation:
Lloyd Goodrich papers, 1884-1987, bulk 1927-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.goodlloy
See more items in:
Lloyd Goodrich papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goodlloy
Online Media:

Eleanor Weller collection

Creator:
Weller, Eleanor  Search this
Names:
Garden Club of America  Search this
Extent:
49.25 Cubic feet
Type:
Collection descriptions
Archival materials
Publications
Notes
Clippings
Correspondence
Date:
circa 1978-2006
bulk 1981-1991
Summary:
The Eleanor Weller Collection dates from circa 1978-2006 and consists of documentation and research files relating to the Garden Club of America's Slide Library of Notable American Parks and Gardens (later donated to the Smithsonian Institution as the Garden Club of America Collection) and the book, The Golden Age of American Gardens: Proud Owners, Private Estates, 1890-1940, co-written by Weller, as well as thousands of photographic images of historic and contemporary gardens compiled or taken by Weller. Materials include correspondence, research notes, clippings, brochures, lecture scripts, photocopied images from archival repositories, and original and duplicate 35mm slides.
Scope and Contents note:
The core of the collection consists of thousands of 35mm slide images photographed or amassed by Eleanor Weller. The latter come from numerous sources including books, magazines and archival repositories. The images document thousands of private gardens and public spaces (including parks, historic sites, and sculpture gardens) throughout the United States. Duplicates of a significant number of images from the Eleanor Weller Collection can be found in the GCA Collection at the Archives of American Gardens. There is also a smaller grouping of photographs of gardens by Weller. Complementing this collection of images are numerous vertical files with magazine and newspaper clippings and brochures, etc. relating to hundreds of public and private gardens in America. A significant number of the files relate to gardens profiled in the book co-authored by Weller, The Golden Age of American Gardens: Proud Owners, Private Estates, 1890-1940. The collection also includes correspondence regarding the recompilation of the Garden Club of America's collection of historic glass lantern slides as well as correspondence and research materials relating to the compilation of 35mm slides for the GCA's Slide Library of Notable American Parks and Gardens from both public and private sources.

Another portion of the collection documents the research and image compilation for The Golden Age of American Gardens manuscript. While similar in nature to the research materials relating to the GCA Slide Library, the portion of the collection encompassing the book's preparation represents a change in focus from collecting a representative sampling of 35mm slides for gardens throughout the U.S. to gathering specific high quality images intended for The Golden Age of American Gardens. This portion of the collection also contains a nearly complete draft of the manuscript as well as drafts of the footnotes and appendix. Because of the similar nature of the GCA Slide Library and The Golden Age of American Gardens book projects and the fact that they overlapped for a time, the files frequently intertwine closely. Some files identified with one project may include documents for the other project and visa versa. An example of this is seen in The Golden Age of American Gardens' Image Reference Files arranged according to Archival Repository. The files include packets from archival repositories throughout the U.S. with photocopies of select images in their collections. These images were used to facilitate both the selection of images for The Golden Age of American Gardens book project and the GCA Slide Library, and are occasionally annotated. In some cases, a review of both series may be necessary to ensure that relevant files are not overlooked.

Other noteworthy aspects of this collection are materials that deal with the origins and operations of the Smithsonian's Archives of American Gardens, including correspondence regarding one of its future collections, The Chimneys Collection. Also present are several slide scripts corresponding with the GCA's historic glass lantern slide collection, as well as materials in the GCA Slide Library (now the Garden Club of America Collection).

It should be noted that while the creator of this collection is Eleanor Weller, significant portions of the files relating to the GCA Slide Library and The Golden Age of American Gardens were compiled by Helen Rollins in her position as research assistant for The Golden Age book project. It is possible, although not conclusive, that Rollins was also responsible for the files in The Golden Age of American Gardens' Image Reference Files arranged by state.

Lastly, the collection includes contemporary color photographs of historic sites and gardens taken by Richard Marchand. Weller had previously worked with Marchand, the donor of the Richard Marchand Historical Postcard Collection at the Archives of American Gardens, to compile historic garden images for the GCA Slide Library.
Biographical/Historical note:
Eleanor Weller Reade is a horticulturist, garden lecturer, interior designer, and co-author of the book "The Golden Age of American Gardens: Proud Owners, Private Estates, 1890-1940." As a member of the Garden Club of America, she played a ciritical role in the compilation of the GCA's Slide Library of Notable American Parks and Gardens which was subsequently donated to the Archives of American Gardens as the Garden Club of America Collection.
Provenance:
Donated by Eleanor Weller Reade to the Archives of American Gardens in 2006, 2009, 2011 and 2012.
Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- History  Search this
Gardens -- United States  Search this
Parks -- United States  Search this
Genre/Form:
Publications
Notes
Clippings
Correspondence
Citation:
Smithsonian Institution, Archives of American Gardens, Eleanor Weller Reade collection.
Identifier:
AAG.ECW
See more items in:
Eleanor Weller collection
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-ecw
Online Media:

General Photograph collections

Collector:
National Museum of the American Indian (U.S.)  Search this
Names:
Geronimo, 1829-1909  Search this
Extent:
13 Photographs
Culture:
Sicangu Lakota (Brulé Sioux)  Search this
Tlingit  Search this
Indians of North America  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Kiowa  Search this
Chiricahua Apache  Search this
Type:
Collection descriptions
Archival materials
Photographs
Date:
1886-1913
Summary:
The General Photograph collections contains photographs depicting people, events, and activities related to the historical and contemporary lives of Native peoples throughout the Western Hemisphere.
Scope and Contents:
The General Photograph collections is comprised of individual small collections of photographs that were acquired by the Archive Center from various sources. These small collections are presented together under a single collection for easy access and depict the historical and contemporary lives of Native peoples throughout the Western Hemisphere.
Arrangement:
This collection is organized in folders by accession numbers.
Biographical / Historical:
The photographs in this collection were shot by a variety of photographers and depict many different people and scenes. For specific biographical and historical notes please see individual photographs listed in this guide.
Provenance:
The National Museum of the American Indian and its predecessor, Museum of the American Indian, acquired the photographs in this collection from 1916 to the present.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Citation:
Identification of specific item; Date (if known); General Photograph collections, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.999
See more items in:
General Photograph collections
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-999
Online Media:

2017.0026- Idle No More rally photograph

Photographer:
Shortey, Donovan  Search this
Collection Collector:
National Museum of the American Indian (U.S.)  Search this
Extent:
1 Photographic print
Container:
Oversize 1
Type:
Archival materials
Photographs
Photographic prints
Date:
2012
Scope and Contents:
Photograph depicting a group of protesters at an Idle No More (#IdleNoMore) rally in Arizona, 2012. Protesters carry flags and signs as they march through the streets. Idle No More is a Canadian First Nations movement and Native communities in Arizona held this rally to show their support and solidarity for the cause.
Provenance:
Donated by Donovan Shortey in 2017.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Protest Movements  Search this
Protest and social movements  Search this
Collection Citation:
Identification of specific item; Date (if known); General Photograph collections, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
General Photograph collections
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-999-ref530

2018.0003- Totem Poles of Alaskan Indians and Cayuse Twins - Crying

Photographer:
Moorhouse, Lee, 1850-1926  Search this
Dossetter, Edward  Search this
Collection Collector:
National Museum of the American Indian (U.S.)  Search this
Extent:
2 Photographic prints
Container:
Oversize 1
Type:
Archival materials
Photographs
Photographic prints
Date:
1881-1898
Scope and Contents:
The first photograph is "Totem Poles of Alaskan Indians, " which depicts Massett, Queen Charlotte Islands, now Haida Gwaii. The albumen print is by Isaiah West Taber made from a 1881 negative by Edward Dossetter. The second photograph is "Cayuse Twins - Crying." This photo depicts two twins Tox-e-lox and A-lim-pum (also known as Ema and Edna Jones) in cradleboards. Platinum print by Major Lee Moorhouse, 1898. Both photographs are matted.
Provenance:
Gift of Wm. B. Becker in memory of Dee Brown, 2018.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); General Photograph collections, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
General Photograph collections
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-999-ref531

2009.0064- Ganondagan Dancer photograph

Creator:
James, Kayleen  Search this
Collection Collector:
National Museum of the American Indian (U.S.)  Search this
Extent:
1 Photographic print
Container:
Oversize 1
Culture:
Seneca  Search this
Type:
Archival materials
Photographs
Photographic prints
Date:
circa 2009
Scope and Contents:
Photograph depicting a portrait of a Ganondagan Dancer (Seneca) that was photographed by Kyleen James (Passamaquoddy) circa 2009. The photograph may have been shot at the Ganondagan Native American Dance and Music Festival held in New York.
Provenance:
Donated by Kayleen James in 2009.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); General Photograph collections, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
General Photograph collections
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-999-ref532

2014.0023- Hopi Chief, Buffalo Dancer, and unidentified man photographs

Photographer:
Garrett, Norman Rhodes  Search this
Frague, Felix  Search this
Collection Collector:
National Museum of the American Indian (U.S.)  Search this
Extent:
3 Photographs
1 Negatives (photographic)
2 Photographic prints
Container:
Oversize 1
Culture:
Hopi Pueblo  Search this
Jemez Pueblo  Search this
Type:
Archival materials
Photographs
Photographs
Negatives (photographic)
Photographic prints
Date:
circa 1940-1980
Scope and Contents:
This lot consists of three photographs. One photograph depicts a Hopi Chief by photographer Norman Rhodes Garrett, Prescott, Arizona, circa 1950. The second photo is a negative depicting a Jemez Buffalo Dancer photographed by Felix Frague of New Mexico on August 15, 1940. The third photograph is of an unidentified man.
Provenance:
Gift of Neal McKinley, 2014.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); General Photograph collections, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
General Photograph collections
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-999-ref533

2012.0072- Indian Madonna

Photographer:
Gifford, Benjamin A.  Search this
Collection Collector:
National Museum of the American Indian (U.S.)  Search this
Extent:
1 Photographic print
Container:
Oversize 1
Type:
Archival materials
Photographs
Photographic prints
Place:
Oregon
Date:
1905
Scope and Contents:
One photographic print entitled, "Indian Madonna," photographed by Benjamin A. Gifford, circa 1905. The photo depicts a young Native American mother and infant from the Columbia River Plateau in The Dalles, Oregon.
Biographical / Historical:
Benjamin A. Gifford (1859-1936) was born in DuPage County, Illinois. He worked as a photographer in Portland and The Dalles, Oregon. His work includes depictions of Native Americans, primarily of the Columbia Plateau region; the Columbia River and the Historic Columbia River Highway; and Central and Eastern Oregon.
Provenance:
Gift of Yeshiva University from the Hedi Steinberg Library in 2012.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); General Photograph collections, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
General Photograph collections
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-999-ref534

General Manuscripts and Ephemera collections

Creator:
National Museum of the American Indian (U.S.)  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Date:
undated
Summary:
The General Manuscripts and Ephemera collections contains documents ane ephemera concerning people, events, and activities related to the historical and contemporary lives of Native peoples throughout the Western Hemisphere.
Scope and Contents:
The General Manuscripts and ephemera collections is comprised of individual small collections of manuscripts, papers and ephemera that were acquired by the Archive Center from various sources. These small collections are presented together under a single collection for easy access and depict the historical and contemporary lives of Native peoples throughout the Western Hemisphere.
Arrangement:
This collection is organized in folders by accession numbers.
Biographical / Historical:
The manuscripts, papers and ephemera in this collection were created by many different people and organizations and concern a variety of topics. For specific biographical and historical notes please see individual collections listed in this guide.
Provenance:
The National Museum of the American Indian and its predecessor, Museum of the American Indian, acquired the manuscripts and ephemera in this collection from 1916 to the present.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Citation:
Identification of specific item; Date (if known); General Manuscripts and Ephemera collections, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.998
See more items in:
General Manuscripts and Ephemera collections
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-998
Online Media:

Corcoran Gallery of Art collection of Joseph K. Dixon Wanamaker Expedition photographs

Creator:
Dixon, Joseph K. (Joseph Kossuth)  Search this
Rodman Wanamaker Expedition  Search this
Wanamaker, Rodman, 1863-1928  Search this
Extent:
0.25 Linear feet
3 Gelatin silver prints
Culture:
Havasupai (Coconino)  Search this
Nespelem  Search this
Type:
Collection descriptions
Archival materials
Gelatin silver prints
Date:
circa 1913
Summary:
This collection contains 3 gelatin silver prints shot by Joseph K. Dixon as part of the Wanamaker Expedition circa 1913.
Scope and Contents:
This collection contains 3 gelatin silver prints shot by Joseph K. Dixon as part of the Wanamaker Expedition circa 1913 and printed by Palm Press of Boston, MA in 1987.
Arrangement:
This collection is arranged in 1 oversize box.
Biographical / Historical:
Rodman Wanamaker (1863-1928) was the sole surviving heir of Philadelphia-based department store magnate, John Wanamaker. Rodman, among his other philanthropic endeavors with the arts, believed that Native Americans were a "noble, though vanishing race," whose lives needed to be recorded before they disappeared. Because of this belief, he funded three expeditions (1908-1913) to "perpetuate the life stories of the first Americans." In addition, he also strove, and ultimately failed, to create a National Indian Memorial to be situated in New York City which would rival the Statue of Liberty.

Joseph K. Dixon (1858-1926) was born in New York, and received a bachelor of divinity degree from the Rochester Theological Seminary before becoming a lecturer for the Eastman Kodak photographic company in 1904. Two years later he was hired to work in Wanamaker's department store, and by 1908 he was chosen to lead the three Wanamaker expeditions (1908-1913) to document the lives and cultures of Native peoples of the United States. For the remainder of his life, Dixon frequently lectured on and continued to photograph the lives of Native Americans.
Provenance:
Gift from the Trustees of the Corcoran Gallery of Art (In the Collection of the Corcoran Gallery of Art, Gift of the Eastman Kodak Company).
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Topic:
Photographs  Search this
Citation:
Identification of specific item; Date (if known); Corcoran Gallery of Art collection of Joseph K. Dixon Wanamaker Expedition photographs, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.309
See more items in:
Corcoran Gallery of Art collection of Joseph K. Dixon Wanamaker Expedition photographs
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-309
Online Media:

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