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General Correspondence

Collection Creator:
Tanner, Henry Ossawa, 1859-1937  Search this
Container:
Box 1, Folder 35
Type:
Archival materials
Date:
1926-1928
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Henry Ossawa Tanner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Henry Ossawa Tanner papers, 1860s-1978 (bulk 1890-1937). Archives of American Art, Smithsonian Institution.
See more items in:
Henry Ossawa Tanner papers
Henry Ossawa Tanner papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-tannhenr-ref639
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General Correspondence

Collection Creator:
Tanner, Henry Ossawa, 1859-1937  Search this
Container:
Box 1, Folder 36
Type:
Archival materials
Date:
1929-1930
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Henry Ossawa Tanner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Henry Ossawa Tanner papers, 1860s-1978 (bulk 1890-1937). Archives of American Art, Smithsonian Institution.
See more items in:
Henry Ossawa Tanner papers
Henry Ossawa Tanner papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-tannhenr-ref640
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General Correspondence

Collection Creator:
Storrs, John Henry Bradley, 1885-1956  Search this
Container:
Box 2, Folder 13
Type:
Archival materials
Date:
1912
Subseries Restrictions:
This series contains access-restricted medical records.
Collection Rights:
The John Henry Bradley Storrs papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
John Henry Bradley Storrs papers, 1890-2007, bulk 1900-1956. Archives of American Art, Smithsonian Institution.
See more items in:
John Henry Bradley Storrs papers
John Henry Bradley Storrs papers / Series 2: Correspondence / 2.1: John Storrs Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-storjohn-ref1190
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Carl Zigrosser papers, 1891-1971

Creator:
Zigrosser, Carl, 1891-1975  Search this
Subject:
Arms, John Taylor  Search this
Barr, Alfred H., Jr.  Search this
Boyd, E. (Elizabeth)  Search this
Burchfield, Charles Ephraim  Search this
Calder, Alexander  Search this
Carrington, Fitz Roy  Search this
Castellón, Federico  Search this
Colker, Ed  Search this
Cook, Howard Norton  Search this
Dehn, Adolf  Search this
Durieux, Caroline  Search this
Dwight, Mabel  Search this
Flannagan, John Bernard  Search this
Girard, André  Search this
Hayter, Stanley William  Search this
Hopper, Edward  Search this
Huntley, Victoria Hutson  Search this
Ingersoll, R. Sturgis (Robert Sturgis)  Search this
Kent, Rockwell  Search this
Keppel, Frederick  Search this
Kimball, Fiske  Search this
Kohn, Misch  Search this
Kuniyoshi, Yasuo  Search this
Lankes, Julius J.  Search this
Lasansky, Mauricio  Search this
Mauzey, Merritt  Search this
McNulty, Kneeland  Search this
Michener, James A. (James Albert)  Search this
Mitchell, Marian  Search this
Nalbandian, Karnig  Search this
Norman, Dorothy  Search this
O'Keeffe, Georgia  Search this
Pach, Walter  Search this
Rivera, Diego  Search this
Ronnebeck, Arnold  Search this
Rose, Ruth Starr  Search this
Rosenwald, Lessing J. (Lessing Julius)  Search this
Ruellan, Andrée  Search this
Schniewind, Carl Oscar  Search this
Seidenberg, Roderick  Search this
Spratling, William  Search this
Spruance, Benton  Search this
Sternberg, Harry  Search this
Stieglitz, Alfred  Search this
Teng, Kuei  Search this
Valentin, Curt  Search this
Warneke, Heinz (Heinrich)  Search this
Weston, Edward  Search this
Wickey, Harry  Search this
Wright, Frank Lloyd  Search this
Yunkers, Adja  Search this
Art in America  Search this
American Artists Group  Search this
Art Institute of Chicago  Search this
Independent Citizens Committee for the Arts, Sciences, and Professions  Search this
John Simon Guggenheim Memorial Foundation  Search this
Philadelphia Museum of Art  Search this
Print Club (Philadelphia, Pa.)  Search this
Print Council of America  Search this
Solomon R. Guggenheim Museum  Search this
Tamarind Lithography Workshop  Search this
Weyhe Gallery  Search this
Whitney Museum of American Art  Search this
Armory Show  Search this
Topic:
Modern school magazine  Search this
Art, American  Search this
Prints -- Societies, etc  Search this
Prints -- Collectors and collecting  Search this
Prints, American  Search this
Prints, European  Search this
Record number:
(DSI-AAA_CollID)10859
(DSI-AAA_SIRISBib)214612
AAA_collcode_zigrcarl
Theme:
Diaries
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214612

Grand National Democratic Banner

Artist:
Nathaniel Currier, 27 Mar 1813 - 20 Nov 1888  Search this
Sitter:
James Knox Polk, 2 Nov 1795 - 15 Jun 1849  Search this
George Mifflin Dallas, 10 Jul 1792 - 31 Dec 1864  Search this
Medium:
Hand-colored lithograph on paper
Dimensions:
Image: 29.9 x 21.2 cm (11 3/4 x 8 3/8")
Sheet: 35.6 x 25.6 cm (14 x 10 1/16")
Mat: 45.7 × 35.6 cm (18 × 14")
Type:
Print
Date:
1844
Topic:
Home Furnishings\Drape  Search this
Symbols & Motifs\Flag\National\United States  Search this
Nature & Environment\Animal\Bird\Eagle  Search this
Costume\Dress Accessory\Ribbon  Search this
James Knox Polk: Male  Search this
James Knox Polk: Law and Law Enforcement\Lawyer  Search this
James Knox Polk: Politics and Government\US Congressman\Speaker of the House  Search this
James Knox Polk: Politics and Government\Governor\Tennessee  Search this
James Knox Polk: Politics and Government\President of US  Search this
James Knox Polk: Politics and Government\US Congressman\Tennessee  Search this
James Knox Polk: Politics and Government\State Legislator\Tennessee  Search this
George Mifflin Dallas: Male  Search this
George Mifflin Dallas: Law and Law Enforcement\Lawyer  Search this
George Mifflin Dallas: Politics and Government\Vice-President of US  Search this
George Mifflin Dallas: Education\Educator\Lecturer  Search this
George Mifflin Dallas: Politics and Government\US Attorney  Search this
George Mifflin Dallas: Politics and Government\Diplomat\Minister  Search this
George Mifflin Dallas: Politics and Government\State Attorney General\Pennsylvania  Search this
George Mifflin Dallas: Politics and Government\US Senator\Pennsylvania  Search this
George Mifflin Dallas: Politics and Government\Public Official\Mayor\Philadelphia, PA  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.85.154
Restrictions & Rights:
Usage conditions apply
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4c32511bf-7083-48af-97da-bfd0434817ec
EDAN-URL:
edanmdm:npg_NPG.85.154

Registers of Signatures of Depositors in Branches of the Freedman's Savings and Trust Company, 1865–1874

Topic:
American South
Extent:
27 Reels
Type:
Collection descriptions
Archival materials
Reels
Date:
1865–1874
Summary:
The collection is comprised of digital surrogates previously available on the 27 rolls of microfilm described in the NARA publication M816. These digital surrogates reproduced 55 volumes containing signatures of and personal identification data about depositors in 29 branch offices of the Freedman's Saving and Trust Company, 1865–1874.
Historical Note:
[The following is reproduced from the original NARA descriptive pamphlet for M816.]

The Company was incorporated by an act of Congress approved March 3, 1865 (13 Stat. 510), as a banking institution established in the city of Washington, District of Columbia, for the benefit of freed slaves. The military savings banks at Norfolk, VA, and Beaufort, SC, were transferred to the Company soon after it was founded. From 1865 through 1870 a total of 33 branches were established, including an office that was opened in New York, NY, in 1866.

In 1874 the Company failed and by the terms of an act of Congress approved June 20, 1874 (18 Stat. 132), the trustees were authorized to select, with the approval of the Secretary of the Treasury, three commissioners to take charge of the effects of the Company and to report on its financial state to the Secretary of the Treasury. The arrangement was altered by an act of Congress approved February 21, 1881 (21 Stat. 327), whereby the Secretary of the Treasury was authorized and directed to appoint the Comptroller of the Currency to administer the affairs of the Company. The Comptroller was made commissioner ex officio and he submitted annual reports to Congress. The final report on the trust company was submitted in 1920.

The information contained in many of the registers is as follow: account number, name of depositor, date of entry, place born, place brought up, residence, age, complexion, name of employer or occupation, wife or husband, children, father, mother, brothers and sisters, remarks, and signature. The early books sometimes also contain the name of the former master or mistress and the name of the plantation. In many entries not all the requested data are given. Copies of death certificates have been pinned to some of the entries. In each case the certificate has been filmed immediately after the page that shows the registration of the person's signature.

The registers are arranged alphabetically by name of State. The entries are arranged alphabetically by name of city where the bank was located, there under chronologically by date when the account was established, and there under numerically by account number. Many numbers are missing, a few are out of numerical order, and in some cases blocks of numbers were not used. Many registers seem to be missing. The volume for Philadelphia, PA, dated January 7, 1870, to June 26, 1874 contains signatures of officers of societies.

Filmed after these introductory remarks is an index that gives the location and the date of organization of the branch. The first part also gives the account numbers and the numbers of the rolls of microfilm on which the registers are filmed. There are no account numbers or registers available for the branches listed in the second part.

The records reproduced in this microfilm publication are part of the records in the National Archives designated as Record Group 101, Records of the Office of the Comptroller of the Currency.

Closely related records in the same record group include indexes to deposit ledgers (42 vols.). The ledgers are arranged alphabetically by name of State, there under by name of city, and there under by name of depositor. As the indexes to the deposit ledgers include the depositor's account number they can serve as a finding aid to the registers of signatures reproduced in this microcopy, which is not indexed. Other related records include loan and real estate ledgers and journals, 1870–1916, arranged roughly in chronological order; inspectors' reports, minutes of meetings of committees and a journal of the board of trustees, 1865–1874; dividend payment records, 1882–1889, arranged alphabetically by name of city and there under by depositor's account number; and letters received by the commissioners of the Company and by the Comptroller of the Currency as ex officio commissioner, 1870–1914. Interspersed among their records are legal papers, canceled checks, payrolls, expense checks, and passbooks.

Other record groups containing related documents are Record Group 105, Records of the Bureau of Refugees, Freemen, and Abandoned Lands, and Record Group 94, Records of the Adjutant General's Office, 1780's–1917.

The records reproduced in this microcopy were prepared for filing by Lockwood Wright, who also wrote these introductory remarks and provided the other editorial material.
Related Materials:
See also Freedmen's Bureau Digital Collection
Provenance:
Acquired from FamilySearch International in 2015.
Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Topic:
Freedmen's Bureau  Search this
Reconstruction, U.S. history, 1865-1877  Search this
Slaves -- Emancipation  Search this
Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M816
See more items in:
Registers of Signatures of Depositors in Branches of the Freedman's Savings and Trust Company, 1865–1874
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_collection:sova-nmaahc-fb-m816
Online Media:

Registers of Branches of the Freedman's Savings and Trust Company

Type:
Archival materials
Scope and Contents:
This includes indexes to 42 volumes of deposit ledgers. The registers and ledgers are arranged alphabetically by name of State, thereunder by name of city, and thereunder by name of depositor; by name of city where the bank was located, there under chronologically by date when the account was established, and there under numerically by account number.

It is arranged alphabetically by name of city in which the branch was located, gives the date of organization of the branch, account numbers, and numbers of the rolls of microfilm on which the registers are reproduced.

As the indexes to the deposit ledgers include the depositor's account number they can serve as a finding aid to the registers of signatures, which is not indexed. There's an index that gives the location and the date of organization of the branch and the depositor's account numbers. A few are out of numerical order. The volume for Philadelphia, PA, dated January 7, 1870, to June 26, 1874 contains signatures of officers of societies. Many account numbers are missing. Many registers seem to be missing.

Other related records include loan and real estate ledgers and journals, 1870–1916, arranged roughly in chronological order; inspectors' reports, minutes of meetings of committees and a journal of the board of trustees, 1865–1874; dividend payment records, 1882–1889, arranged alphabetically by name of city and there under by depositor's account number; and letters received by the commissioners of the Company and by the Comptroller of the Currency as ex officio commissioner, 1870–1914. Interspersed among their records are legal papers, canceled checks, payrolls, expense checks, and passbooks.
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commercial use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org.
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M816, Series 1
See more items in:
Registers of Signatures of Depositors in Branches of the Freedman's Savings and Trust Company, 1865–1874
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m816-ref1

Joan Kron papers

Topic:
Tonight Show (Television Program)
Creator:
Kron, Joan  Search this
Names:
Beautiful Bag Co. (Philadelphia,Pa.)  Search this
Young Men's and Young Women's Hebrew Association of Philadelphia. Arts Council  Search this
Christo, 1935-  Search this
Dine, Jim, 1935-  Search this
Hendricks, Geoffrey  Search this
Indiana, Robert, 1928-  Search this
Johnson, Ray, 1927-  Search this
Kaprow, Allan  Search this
Klüver, Billy, 1927-2004  Search this
Lichtenstein, Roy, 1923-1997  Search this
Maitin, Sam  Search this
Oldenburg, Claes, 1929- -- Photographs  Search this
Paik, Nam June, 1932-  Search this
Rosenberg, Karl  Search this
Sabol, Audrey, 1922-  Search this
Saint-Phalle, Niki de, 1930-  Search this
Segal, George, 1924-2000 -- Photographs  Search this
Tinguely, Jean, 1925-  Search this
Turner, Evan H.  Search this
Venturi, Robert  Search this
Watts, Robert M., 1923-1988  Search this
Extent:
1.4 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Drawings
Sound recordings
Photographs
Paintings
Ledgers (account books)
Date:
1959-1971
Summary:
The papers of New York City art entrepreneur, curator, and journalist Joan Kron date from 1959 to 1971 and measure 1.4 linear feet. The papers include correspondence, scattered financial records, notes and writings, printed material, photographs, a sound and video recording, and project/exhibition files concerning Kron's involvement in the 1960s with the exhibtions of the Arts Council of the Young Men's/Women's Hebrew Association (YM/WHA)of Philadelphia and her business, the Beautiful Bag and Box Co.
Scope and Content Note:
The papers of New York City art entrepreneur, curator, and journalist Joan Kron date from 1959 to 1971 and measure 1.4 linear feet. The papers include correspondence, scattered financial records, notes and writings, printed material, photographs, a sound and video recording, and project/exhibition files concerning Kron's involvement in the 1960s with the exhibtions of the Arts Council of the Young Men's/Women's Hebrew Association (YM/WHA)of Philadelphia and her business, the Beautiful Bag and Box Co.

Papers relating to Kron's volunteer chairmanship of the Arts Council of the Young Men's/Women's Hebrew Association (YM/WHA)of Philadelphia include general files concerning the administration and operation of the organization, as well as exhibition files for Art 1963/ A New Vocabulary (1962) and Museum of Merchandise 1967.) Files generally consist of correspondence, clippings and other printed materials, notes and writings, photographs, and financial documents. The exhibition files for Art 1963/ A New Vocabulary include a typescript "Dictionary Suggestions" by Billy Klüver which contains slang terms with creative definitions, and photographs of Claes Oldenburg, Billy Klüver, Joan Kron, Sam Maitin, Niki de Saint-Phalle, Audrey Sabol, George Segal, Jean Tinguely, and Robert Watts. The files for Museum of Merchandise contain a painting on paper by Geoffrey Hendricks, a drawing by Ray Johnson, a photograph of fabric designer Karl Rosenberg, a photograph of a wedding dress design by Christo, and a 1/2" open reel videotape made by Nam Jun Paik of Kron's appearance on The Tonight Show.

The records of the Beautiful Bag and Box Co., an art entrepreneurial business created by Kron and her colleague Audrey Sabol, include correspondence, a ledger of sales and deposits, income tax records, miscellaneous invoices, notes and writings, clippings, miscellaneous printed material, and photographs. Also found are project/product files for Art Museum Store, Temporary Tattoos, Durable Dishes designed by Roy Lichtenstein, Eat Pin likely designed by Robert Indiana, Art on Billboards, and Stunning Stationery. The file for project Art on Billboards contains postcards from Allan Kaprow and Jim Dine expressing interest in the project, and a photograph of Edwin and Audrey Sabol on a motorcycle posing in front of a billboard designed by Roy Lichtenstein. There is also a 7" audio reel tape recording of a radio program Hey, Look at That containing comments about billboards from Kron, Roy Lichtenstein, architect Robert Venturi, and Evan H. Turner, Director of the Philadelphia Museum of Art.
Arrangement:
The collection is arranged as 2 series:

Series 1: Arts Council of the YM/YWHA of Philadelphia, 1959-1971 (Box 1-2, OV 3; 0.6 linear feet)

Series 2: Beautiful Bag and Box Co., 1963-1969 (Box 1-2; 0.8 linear feet)
Biographical Note:
Joan Kron (circa 1928-) is a fashion and style journalist in New York City, but began her career in Philadelphia as an advocate of avante-garde artists and co-founder of The Beautiful Bag Co. which worked with artists to produce commercial household and fashion art products. Kron worked on projects with Andy Warhol, Roy Lichtenstein, and Robert Indiana, among others.

Joan Kron was born circa 1928 in New York. She studied at the Yale University School of Drama from 1946-1948, graduating with a degree in costume design. She married surgeon Dr. Samuel Kron and lived in Philadelphia during the 1960s. For almost a decade, Kron volunteered as chairman of the Arts Council of the Young Men's/Young Women's Hebrew Association of Philadelphia (YM/YWHA.) The YM/YMA Arts Council focused on promoting and hosting new and avant-garde programs in dance, theatre, poetry, crafts, and the visual arts. Under Kron's leadership, the YM/YWHA Arts Council curated Arts1963/A New Vocabulary (1962) and Museum of Merchandise (1967.)

Kron's work with the Arts Council allowed her to build business partnerships with several artists. She partnered with Andy Warhol to produce a line of perfume, "You're In," packaged in silver Coca-Cola bottles, with Robert Indiana for a Love Ring, and other products and projects associated with the exhibitions of the Arts Council. Then, around 1964, she partnered with colleague Audrey Sabol to form The Beautiful Bag and Box Co. and continued to explore commercial products created or designed by artists, including a line of dinnerware "Durable Dishes" designed by Roy Lichtenstein, a series of billboards displaying art work and the Eat Pin, most likely designed by Robert Indiana.

Kron began her career in journalism in the late 1960s by contributing an article about a cannabis harvest in an upscale neighborhood to the Philadelphia magazine in 1969. She continued to write for the magazine until after her divorce. She moved to New York City in 1971 and was hired by New York magazine. She researched and wrote a special issue about the blossoming SoHo art district. Kron then focused the remainder of her career primarily on writing, and worked for a number of magazines and newspapers, and published several books. As of 2010, she was living in New York City and working as contributing editor at large for Condé Nast's Allure magazine, primarily covering the subject of cosmetic surgery.
Related Materials:
Additional copies of microfilm reels 4224-4225 are available at the Free Library of Philadelphia.

Also found in the Archives are selected papers of the Young Men's/Women's Hebrew Association Arts Council that were loaned by Judith Golden for microfilming, and are now available only on microfilm reels 3898. Another small collection of printed material from the YM/WHA records was donated by Acey Wolgin and microfilmed on reel 4340, and transferred to the Smithsonian American Art Museum Library's vertical files.
Provenance:
Joan Kron donated her papers in 1987.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Joan Kron papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Curators -- Pennsylvania -- Philadelphia  Search this
Arts administrators  Search this
Pop art United States  Search this
Wearable art United States  Search this
Design, Industrial -- United States  Search this
Works of art  Search this
Genre/Form:
Video recordings
Drawings
Sound recordings
Photographs
Paintings
Ledgers (account books)
Citation:
Joan Kron papers, 1959-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kronjoan
See more items in:
Joan Kron papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kronjoan
Online Media:

Lewis & Valentine company records

Creator:
Lewis & Valentine Company  Search this
Donor:
Lewis, Hewlett Withington  Search this
Names:
Lewis & Valentine Company  Search this
Lewis & Valentine Nurseries, Inc.  Search this
Longwood Gardens (Kennett Square, Pa.)  Search this
Rodin Museum (Philadelphia, Pa.)  Search this
Lewis, Harold Carman  Search this
Owner:
Auchincloss, Hugh D.  Search this
Kahn, Otto Hermann, 1867-1934  Search this
Schwab, Charles M., 1862-1939  Search this
Stotesbury, Edward T.  Search this
Woolworth, F. W.  Search this
du Pont, Eugene  Search this
du Pont, Pierre S.  Search this
Extent:
2.5 Cubic feet (documents, 366 photographs, 1 videotape.)
Type:
Collection descriptions
Archival materials
Videotapes
Brochures
Books
Lists
Correspondence
Trade catalogs
Photographs
Place:
New York (State) -- Greenvale
New York (State) -- Roslyn
Date:
1916-1971
Summary:
The Lewis & Valentine Company Collection contains records of the Lewis & Valentine Company dating from 1916 to 1971 including photographs, negatives, brochures, books, trade catalogs, company papers, letters from clients, customer lists and a history of the company written by Harold Carman Lewis. Photographs document the Rodin Museum in Philadelphia, estates in Long Island, New York, and the properties of Hugh D. Auchincloss, Eugene du Pont, Walter P. Chrysler, Otto H. Kahn, F. W. Woolworth, Pierre S. du Pont (Longwood Gardens), Charles M. Schwab and Edward T. Stotesbury. This collection contains only a sampling of the records of Lewis & Valentine and should not be considered comprehensive.
Arrangement note:
The collection is arranged into 3 series:

Series 1: Documents Series 2: Photographs Series 3: Videotape
Biographical/Historical note:
Specializing in moving and replanting large trees, Lewis & Valentine was one of the most prominent landscape contracting companies in the eastern United States during the first half of the twentieth century. The Lewis & Valentine Company was formed by five brothers whose father had hoped that his sons would grow up to be lawyers. Instead, the Lewis brothers formed a landscape design, installation and nursery firm that specialized in developing "successful methods for transplanting full-grown trees." Their success was based on "doing well the task which is usually considered impossible."

The company was the inspiration of H.C. Lewis, the oldest of seven brothers, who believed that estate owners should have the luxury of immediate landscapes, rather than waiting decades for their landscapes to mature. The Lewis brothers started their business in the early 1900s. Shortly afterwards, a Mr. Valentine, roommate of Albert Addison Lewis at the Amherst Landscape School in Massachusetts, invested in the business. After three years Mr. Valentine moved on and the Lewis brothers bought back his interest, but continued to keep Valentine part of the company's name.

Lewis & Valentine was the largest firm in America devoted to transplainting mature trees in the years leading up to the Great Depression. It claimed to be "the most experienced and most versatile, backed by an intimate knowledge of horticulture and the development of fine estates." The company was noted as a leader in providing complete landscape services, from selling and guaranteeing the plants, to designing and installation, requiring that its staff be men "of good character and not afraid of hard work." This was evident in the firm's principle of no limitations to the size of trees that they were willing to deliver. The trees were often full-grown and ranged in age from twenty to a hundred years old. Many were so large that 20 or more tons of earth had to be moved during the relocation process.

During its first 25 years in business, Lewis & Valentine opened nineteen offices east of the Mississippi serving such notable clients as Charles A. Schwab and Pierre du Pont at his estate, Longwood. The business was set up as an organization of independent companies. Each was incorporated under the laws of the state in which it operated. The offices were located in Connecticut (Darien), Florida (Palm Beach), Illinois (Chicago), Maryland (Baltimore), Massachusetts (Boston and Hanover), Michigan (Detroit), Pennsylvania (Ardmore and Pittsburg), New Jersey (Ashbury Park and Morristown), New York (Buffalo, Roslyn-Long Island, Rye, Valley Stream-Long Island, New York City), North Carolina (Winston-Salem) and Ohio (Cleveland and Cincinnati). Although no longer owned by any members of the Lewis family, the company still exists and operates in Long Island under the name Lewis & Valentine Nurseries.
Provenance:
Gift from Hewlett Withington Lewis, former owner of Lewis & Valentine Nurseries.
Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Nurseries (Horticulture) -- United States  Search this
Gardens -- New York (State)  Search this
Tree moving  Search this
Landscape gardening -- New York (State)  Search this
Genre/Form:
Videotapes
Brochures
Books
Lists
Correspondence
Trade catalogs
Photographs
Citation:
Smithsonian Institution, Archives of American Gardens, Lewis & Valentine Company Records.
Identifier:
AAG.LVC
See more items in:
Lewis & Valentine company records
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_collection:sova-aag-lvc
Online Media:

"Honey, Does Yo Lub Yo Man!"

Photograph by:
William H. Rau, American, 1855 - 1920  Search this
Distributed by:
Universal View Co., American, active 1890s - 1900s  Search this
Subject of:
Unidentified Man or Men  Search this
Unidentified Child or Children  Search this
Unidentified Woman or Women  Search this
Medium:
silver and photographic gelatin on photographic paper on card mount
Dimensions:
H x W (image): 3 1/8 × 6 in. (8 × 15.2 cm)
H x W (card): 3 9/16 × 7 1/16 in. (9 × 17.9 cm)
Type:
gelatin silver prints
stereographs
Place captured:
United States, North and Central America
Date:
1897
Topic:
African American  Search this
Families  Search this
Language  Search this
Marriage customs and rites  Search this
Photography  Search this
Stereotypes  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2015.248.4.2
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Media Arts-Photography
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd50866d434-92b2-4122-b207-643ddbe1ba52
EDAN-URL:
edanmdm:nmaahc_2015.248.4.2
Online Media:

Use Fleming's Mikado Cologne [trade card]

Topic:
Ethnic Imagery Project, Archives Center
Advertiser:
Fleming Bros. (Philadelphia, Pa.)  Search this
Series Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
1 Item (color illus.; Ink on paper, 4-3/8" x 3")
Container:
Box 2, Folder 2: Fleming Bros.
Type:
Archival materials
Trade cards
Date:
[ca. 1890-1900?]
Scope and Contents:
Printed color image of a woman, presumably Japanese, wearing a yellow kimono, holding a fan, with flowers and plants in background. Text on verso includes "Harry H. Ink & Co., / Pure Drugs & Mikado Cologne, / Leetonia, Ohio" at bottom; also a testimonial for Dr. C. McLane's Liver Pills, also produced by Fleming Bros.
Local Numbers:
AC0060-0000108-1.tif & AC0060-0000108-2.tif
Series Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Cosmetics  Search this
Cologne  Search this
advertising -- Perfumes industry  Search this
Orientalism  Search this
Perfumes  Search this
Kimonos  Search this
Eau de Cologne  Search this
Fans  Search this
Genre/Form:
Trade cards -- 19th century
Series Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
See more items in:
Warshaw Collection of Business Americana Subject Categories: Cosmetics
Warshaw Collection of Business Americana Subject Categories: Cosmetics / 1: Manufacturers, Distributors, and Retailers / Fleming Brothers, Pittsburgh, Pennsylvania
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0060-s01-01-cosmetics-ref549
Online Media:

Glenside -- Grey Towers Castle

Former owner:
Harrison, William Welsh, 1850-1927  Search this
Architect:
Trumbauer, Horace  Search this
Collection Collector:
Marchand, Richard  Search this
Extent:
5 slides (photographs)
Type:
Archival materials
Slides (photographs)
Postcards
Place:
United States of America -- Pennsylvania -- Montgomery County -- Glenside
Grey Towers Castle (Glenside, Pennsylvania)
General:
001: Interior - Grey Towers, Beaver College. Postcard 1901-1945.

002: Entrance to Grey Towers. Glenside, PA. Copyrighted and Pub. by G. Gold Parker, Wyncote, Pa. Postcard circa 1901-1945.

003: Grey Towers, W. W. Harrison's Estate, Glenside, PA. Copyrighted and Pub. by G. Gold Parker, Wyncote, Pa. Postcard circa 1901-1945.

004: Gray Towers, Residence of W. W. Harrison, Glenside, PA. Postcard circa 1915-1930.

005: 149 Beaver College, Jenkintown, near Philadelphia, PA. Postcard circa 1915-1930.
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Pennsylvania -- Glenside  Search this
Castles  Search this
Gatehouses  Search this
Climbing plants  Search this
Stairways  Search this
Bridges -- stone  Search this
Lawns  Search this
Hillside planting  Search this
Streams  Search this
Genre/Form:
Postcards
Collection Citation:
Smithsonian Institution, Archives of American Gardens, Richard Marchand historical postcard collection.
Identifier:
AAG.MAR, File PA360
See more items in:
Richard Marchand historical postcard collection (35mm slides)
Richard Marchand historical postcard collection (35mm slides) / Pennsylvania
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-mar-ref1716

Thomas Eakins, Philadelphia, Pa. letter to Caroline Stuyvesant Lapsley, Pittsburgh, Pa.

Creator:
Eakins, Thomas, 1844-1916  Search this
Lapsley, Caroline Stuyvesant  Search this
Subject:
Rowland, Henry Augustus  Search this
Type:
Correspondence
Date:
1902 Jan. 2
Record number:
(DSI-AAA)12863
See more items in:
Carnegie Institute, Museum of Art records, 1883-1962, bulk 1885-1962
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_12863
Online Media:

Thomas Sully papers, 1792-1871

Creator:
Sully, Thomas, 1783-1872  Search this
Topic:
Prints -- Technique  Search this
Prints -- 19th century  Search this
Record number:
(DSI-AAA_CollID)13439
(DSI-AAA_SIRISBib)212408
AAA_collcode_sullthom2
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212408

Tailpipe, Westinghouse J34 (24C-2) Turbojet Engine

Manufacturer:
Aviation Gas Turbine Div., Westinghouse Electric Corp., Philadelphia, PA  Search this
Materials:
Aluminum Alloy
Ferrous Alloy
Non-Magnetic White Metals
Paints
Dimensions:
3-D (Approximate): 244.5 × 66 × 58.4cm (8 ft. 1/4 in. × 2 ft. 2 in. × 1 ft. 11 in.)
Type:
PROPULSION-Turbines (Jet)
Country of Origin:
United States of America
Date:
Circa 1946
Credit Line:
Transferred from the U.S. Navy
Inventory Number:
A19710925001
Restrictions & Rights:
Usage conditions apply
See more items in:
National Air and Space Museum Collection
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv96a57721e-4972-42cb-ae4a-7fe63520e41d
EDAN-URL:
edanmdm:nasm_A19710925001

Division of Community Life World's Fairs Collection

Donor:
Shafer, Mary C.  Search this
Sheppard, Stephen  Search this
Landor, Josephine  Search this
Landor, Walter  Search this
Lindsay, Elizabeth R.  Search this
Meggars, Edith R.  Search this
Hallwig, Elizabeth Ann  Search this
Hallwig, O.Morton  Search this
Holt, C.W.  Search this
Krause, Roy  Search this
Willcutts, Viola E.  Search this
Carmody, Stella  Search this
Annis, Esther Pauline  Search this
Coppola, John  Search this
Grossman, Walter  Search this
Frick, Margaret  Search this
Annis, Esther Pauline  Search this
Carmody, Stella  Search this
Coppola, John  Search this
Frick, Margaret  Search this
Grossman, Walter  Search this
Hallwig, Elizabeth Ann  Search this
Hallwig, O.Morton  Search this
Holt, C.W.  Search this
Krause, Roy  Search this
Landor, Josephine  Search this
Landor, Walter  Search this
Lindsay, Elizabeth R.  Search this
Meggars, Edith R.  Search this
Shafer, Mary C.  Search this
Sheppard, Stephen  Search this
Willcutts, Viola E.  Search this
Collector:
Vogel, Robert M.  Search this
Political History, Division of (NMAH)  Search this
Community Life, Div. of, NMAH, SI  Search this
Political History, Division of (NMAH)  Search this
Vogel, Robert M.  Search this
Source:
Warner, Peter M.  Search this
Names:
Ameriflora '92 (Columbus, Ohio)  Search this
Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this
Century of Progress International Exposition (1933-1934 : Chicago, Ill.)  Search this
Christopher Columbus Quincentenary Jubilee (Genova, Italy: 1992)  Search this
Expo '93 (Stuttgart, Germany)  Search this
Expo '93 (Taejŏn-si, Korea)  Search this
Exposición Universal de 1992 (Seville, Spain)  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Floriade Zoetermeer (The Hague, Netherlands: 1992)  Search this
Golden Gate International Exposition (1939-1940 : San Francisco, Calif.)  Search this
New York World's Fair (1939-1940)  Search this
New York World's Fair (1964-1965)  Search this
Salon International de l'Aeronautique et de l'Espace (Paris, France: 1991)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Former owner:
Warner, Peter M.  Search this
Extent:
3.3 Cubic feet (10 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Leaflets
Stickers
Guidebooks
Brochures
Commemoratives
Schedules
Stationery
Fans
Calendars
Postcards
Shopping bags
Press releases
Tickets
Certificates
Bumper stickers
Pamphlets
Maps
Catalogs
Date:
1876-1993
Summary:
Collection documents World's Fairs from 1876 to 1993.
Scope and Contents:
The collection is a compilation of gifts from numerous donors, of printed materials and ephemera relating to World's Fairs.
Arrangement:
The collection is arranged into one series chronologically by fair.
Provenance:
Collected from numerous donors by the Division of Community Life (now called the Division of Home and Community Life.) A number of items in the collection were also collected for the National Museum of American History by the Division. Donors include Viola E. Willcuts, Peter M. Warner, Edith B. Meggars, Elizabeth R. Lindsay, C.W. Holt, Walter Grossman, Margaret Frick, Peter M. Warner, Esther Pauline Annis, Roy Krause, Ameriflora, Expo '92, Expo '93, Colombo, O. Morton Hallwig and Elizabeth Ann Hallwig, Mary C. Shafer, Robert Vogel, John Coppola, Stella M. Carmody, Walter and Josephine Landor, and Stephen Sheppard.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Exhibitions  Search this
World's fairs  Search this
Genre/Form:
Photographs -- Color transparencies -- 1950-2000
Programs
Clippings
Leaflets
Stickers
Guidebooks
Brochures
Commemoratives
Schedules
Stationery
Fans
Calendars
Postcards
Shopping bags
Press releases
Tickets
Certificates
Bumper stickers
Pamphlets
Maps
Catalogs
Citation:
Division of Community Life World's Fairs Collection, 1876-1993, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1132
See more items in:
Division of Community Life World's Fairs Collection
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-1132

Modjeski and Masters Company Records

Collector:
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
History of Technology, Division of, NMAH, SI  Search this
History of Technology, Division of, NMAH, SI  Search this
Mechanical and Civil Engineering, Division of [former name], NMAH, SI.  Search this
Creator:
Modjeski and Masters  Search this
Names:
Masters, Frank, 1883-1974  Search this
Modjeski, Ralph, 1861-1940  Search this
Interviewer:
Vogel, Robert M.  Search this
Extent:
60 Cubic feet (139 boxes)
Type:
Collection descriptions
Archival materials
Oral history
Lantern slides
Photographs
Drawings
Contracts
Letterpress books
Correspondence
Place:
Harrisburg (Penn.)
Pennsylvania
Date:
1870-1979
bulk 1900-1940
Summary:
The records document the work of consulting engineers and bridge builders, Ralph Modjeski (1861-1940) and Frank Masters (1883-1974) of Harrisburg, Pennsylvania.
Scope and Contents:
This collection documents the civil engineering career of Ralph Modjeski (1861-1940) and Frank masters (1883-1974). The materials include bound volumes and loose photographs of bridge work-in-progress; printed reports; articles, pamphlets; drawings, blue prints and tracings of bridges; letterpress books of correspondence; contracts; reports; studies of bridge materials; and glass plate negatives and lantern slides depicting bridges.
Arrangement:
The collection is arranged into ten series.

Series 1: Biographical Materials, 1915-1986

Series 2: Letter Press Books, 1898-1906

Series 3: Photographs, 1878-1979

Series 4: Contracts, 1895-1960

Series 5: Printed Materials, 1862-1969

Series 6: Newspaper Clippings, 1924-1941

Series 7: Lantern Slides, undated

Series 8: Glass Plate Negatives, 1906-1926

Series 9: Film Negatives, 1924, undated

Series 10: Drawings, 1901-1952
Biographical / Historical:
Rudolphe Modrzejewski was born to Helena Jadwiga Opid (d.1909) and Gustav Sinnmayer Modrzejewski (d. 1901) on January 27, 1861, in Cracow, Poland. His mother was an internationally known stage actress who went by the name Helena Modrzejewska. In 1868, Helena married Count Karol Bożenta Chłapowski. In July 1876, Helena and Rudolphe emigrated to America, where, for purposes of American citizenship, the Polish form of their surname was later changed to Modjeski (feminine form Modjeska). Modjeski became a naturalized citizen in 1883 in San Francisco, California.

In 1882, Modjeski returned to Europe to study at the Ecole Des Ponts et Chaussees and graduated in 1885 with a degree in civil engineering. Modjeski worked with prominent civil engineer and "Father of American Bridge Building," George S. Morison, on the Union Pacific Railroad Bridge over the Missouri River at Omaha as an assistant engineer. He remained with Morison from 1885 to 1892. Some of his assignments included working in the shops which produced steel sections; the design office where he advanced to chief draftsman; and as an inspector of quality control in shops that fabricated steel elements. Modjeski worked with Morison on his Willamette, Nebraska City, Sioux City, Winona, Cairo, and Memphis bridges across the Mississippi River. The Memphis bridge was the longest span cantilever in the country at the time.

In 1893, Modjeski opened a civil engineering practice in Chicago with S. Nicholson. After some financial difficulties, Nicholson and Modjeski dissolved their partnership. Modjeskis first individual large commission was the bridge at Rock Island, Illinois (1895) across the Mississippi River where he designed and supervised the construction of the bridge for the federal government and the Chicago, Rock Island and Pacific Railway Company.

In 1902, Modjeski went into partnership with fellow civil engineer, Alfred Noble (1844-1914) forming the firm of Noble and Modjeski. He went into partnership with Walter Angier, under the name Modjeski and Angier, civil and inspecting engineers, between 1912 and 1924 with several offices around the United States. Angiers had worked with him beginning in 1902 on the bridge across the Mississippi at Thebes, Illinois. Modjeski partnered, in 1924, with Frank Masters (1883-1974), who had worked with him and Angiers between 1904 and 1914 on the Memphis and Louisville Bridges, forming Modjeski and Masters. Clement E. Chase and Montgomery B. Case later joined the firm as partners. In 1937, Masters assumed full control and ownership of the firm which specialized in the design and construction supervision of large bridges and other structures, rehabilitation and reconstruction of existing bridges, the design of highways and expressways, subways and wharves, the design of large and complex foundations, inspection of construction materials, and the creation of surveys, investigations and reports.

Modjeski builtand/or consulted on over forty bridges in his lifetime. He built truss, steel arch, and suspension bridges. He introduced steel tower pylons in place of masonry towers and he used better grades of steel, such as new steel alloys with improved strength and durability. He also introduced advancements in the design of cable configurations and deck-stiffening beams. Some of his major projects included: the Columbia River and Willamette bridges, McKinley Bridge at St. Louis; the Celilo Railroad Bridge at Celilio, Ohio; the Thebes Bridge over the Mississippi; the Quebec Bridge over the St. Lawrence River; the Delaware River Bridge; the San Francisco-Oakland Bay Bridge, the Manhattan Bridge, and the Mid-Hudson Bridge.

On December 28, 1885, Modjeski married Felicie Benda (d. 1936) in New York and the couple had three children: Felix Bozenta Modjeski (1887); Marylka Stuart Modjeski (1894) and Charles Emmanuel John Modjeski (1896-1944). Ralph and Felicie divorced in 1931. He later married Virginia Giblyn on July 7, 1931. Modjeski died in Los Angles on June 26, 1940.
Related Materials:
Materials in the Archives Center

Bollman Truss Bridge Collection, 1852-1986 (AC1064)

Canadian Bridges Photograph Albums, 1873-1911 (AC1025)

Victor C. Darnell Bridge Construction Photographs, 1911-1913 and undated (AC1018)

Beata Drake Covered Bridge Collection, 1954-1981 (AC0998)

Ben Franklin Bridge Photograph Album, 1922-1926 (AC1029)

Hartford, Connecticut Bridge Collection, 1903-1905 (AC1066)

Lake Shore and Michigan Southern Railroad Bridge Profiles, 1877-1896 (AC1073)

Richard H. Miller Bridge Collection : postcards and slides, circa 1950-1988 and undated, #950

George S. Morison Collection, 1846-1903 (AC0978)

Niagara Falls Bridge Commission Records, 1848-1946 (bulk 1890-1929) (AC1060)

Northern Pacific Railroad Bridge Construction Photograph Album, 1883-1884 (AC1030)

David Plowden North American Bridge Photographs, 1970-1976 (AC1019)

Quebec Bridge Photograph Collection, 1905-1986 (bulk 1905-1916) (AC1026)

Railroad Bridges Construction Photograph Album, circa 1905-1914 (AC1024)

Samuel Reed Bridge Collection, 1947-1964 (AC1001)

Rip Van Winkle Bridge Photographs, 1933-1935 (AC1027)

John A. Roebling Collection,1836-1975 (bulk 1930-1950) (AC0981)

Holton Duncan Robinson Papers, 1889-1938 (AC0963)

Lucinda Rudell Covered Bridges Collection, 1942-1979 (AC1028)

Lester Shanks Collection of Covered Bridge Photographs and Ephemera, 1876-2010 (bulk 1973-2008) (AC1244)

Washington, D.C. Bridges Collection, 1900-1905 (AC01095)

Raymond E. Wilson Covered Bridge Collection, 1958-1974 (AC0999)

Materials at Other Organizations

Southern Illinois University, Morris Library Special Collections

Walter E. Angier photograph collection, 1901-1915

Walter E. Angier Vertical File Manuscript, 1924

Michigan Historical Collections, Bentley Historical Library, University of Michigan

Alfred Noble Papers, 1862-1922
Provenance:
The collection was donated by Modejeski and Masters Consulting Engineers, through Joseph J. Scherrer, October 2, 1990.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Civil engineering  Search this
Bridge failures  Search this
Bridges  Search this
Genre/Form:
Oral history -- 1950-1970
Lantern slides
Photographs -- Black-and-white negatives -- Glass
Drawings
Contracts
Letterpress books
Photographs -- 19th century
Correspondence
Citation:
Modjeski and Masters Company Records, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0976
See more items in:
Modjeski and Masters Company Records
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0976
Online Media:

Thomas Sully papers

Creator:
Sully, Thomas, 1783-1872  Search this
Extent:
3 Items ((619 p. on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1792-1871
Scope and Contents:
Register of paintings, 1801-1871 (1 v., 139 p.); Sully's hints for pictures, 1809-1871 (179 p. typescript), including techniques for painting portraits, ingredients for colors, care and preservation of paintings, criticisms of other artists and explanations of their paintings and techniques; and a journal, 1792-1793 and 1799-1846 (1 v., 301 p. typescript).
Biographical / Historical:
Portrait painter; Philadelphia, Pa.
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Portrait painters -- Pennsylvania -- Philadelphia  Search this
Topic:
Prints -- Technique  Search this
Prints -- 19th century  Search this
Identifier:
AAA.sullthom2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-sullthom2

Thomas Ustick Walter papers

Creator:
Walter, Thomas Ustick, 1804-1887  Search this
Names:
Girard College  Search this
United States Capitol (Washington, D.C.)  Search this
Extent:
20 Linear feet ((on 19 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1829-1887
Scope and Contents:
Papers documenting Ustick's work in Philadelphia, Washington, D.C., Venezuela, and other locations, and include detailed information on Girard College, Philadelphia, and the U.S. Capitol Building. Included are letters from Randolph Rogers, Robert Mills, and M.C. Meigs regarding the Capitol.
Diaries include entries about meetings Ustick attended, and sometimes financial information and drawings; 21 volumes of letterbooks indexed by Walter include personal and professional letters; and account books of specific projects and of general topics.
Bound manuscripts titled "Notes on Architecture, 1830," and "Notes on the Executive Mansion repairs"; loose manuscript files on specific projects such as the Chester County Courthouse, the American Institute of Architects, and Girard College; and photographs of 333 of the 503 architectural drawings included in the collection.
Arrangement:
Organization is that of the Athenaeum of Philadelphia, into the following series: I. Diaries, 1837-1887: Reels 4133-4135. II. Letterbooks, 1844-1887: Reels 4135-4143. III. Account books, 1833-1886: Reels 4144-4146. IV. Bound Manuscripts, 1830-1887: Reel 4146. V. Loose Manuscripts, 1831-1849: Reel 4147. VI. Venezuela & Personal, 1767-1890s: Reel 4148. VII. Capitol & Family Claims, 1794-1890: Reels 4148-4149. VIII. Type Set Reports, Etc., 1840-1900: Reels 4150-4151. IX. Photographs, 1831-1880: Reel 4151.
Biographical / Historical:
Architect; Philadelphia, Pa.
Provenance:
Microfilmed in 1987 as part of AAA's Philadelphia Arts Documentation Project.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Architects -- Pennsylvania -- Philadelphia  Search this
Topic:
Architectural drawing -- 19th century -- United States  Search this
Architecture, Modern -- 19th century  Search this
Identifier:
AAA.waltthom
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-waltthom

Thomas Ustick Walter papers, 1829-1887

Creator:
Walter, Thomas Ustick, 1804-1887  Search this
Subject:
Girard College  Search this
United States Capitol  Search this
Topic:
Architectural drawing -- 19th century -- United States  Search this
Architecture, Modern -- 19th century  Search this
Record number:
(DSI-AAA_CollID)13454
(DSI-AAA_SIRISBib)213066
AAA_collcode_waltthom
Theme:
Diaries
Lives of American Artists
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213066

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