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PEW Charitable Trusts, Correspondence, 2007

Container:
Box 3 of 7
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2030; Transferring office; 12/17/2015 Memorandum, Milhoan to Thomas; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 16-069, National Museum of African American History and Culture. Office of the Director, Administrative Records
See more items in:
Administrative Records
Administrative Records / Box 3
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa16-069-refidd1e2781

The Pew Charitable Trusts [I/A]

Container:
Box 26 of 68
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 96-024, American Zoo and Aquarium Association, Records
See more items in:
Records
Records / Box 26
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa96-024-refidd1e11779

The Pew Charitable Trusts [I-95/97]

Container:
Box 1 of 10
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 99-102, American Zoo and Aquarium Association, Records
See more items in:
Records
Records / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa99-102-refidd1e967

The Pew Charitable Trusts: Budget, 2002

Container:
Box 10 of 14
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2024; Transferring office; 7/7/2016 memorandum, Johnstone to Jones; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 16-322, National Museum of American History. Office of Curatorial Affairs, Exhibition and Program Records
See more items in:
Exhibition and Program Records
Exhibition and Program Records / Box 10
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa16-322-refidd1e6345

The Pew Charitable Trusts, 1998-2007

Container:
Box 9 of 14
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2024; Transferring office; 7/7/2016 memorandum, Johnstone to Jones; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 16-322, National Museum of American History. Office of Curatorial Affairs, Exhibition and Program Records
See more items in:
Exhibition and Program Records
Exhibition and Program Records / Box 9
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa16-322-refidd1e5410

The Pew Charitable Trusts, 1997-2001 (3 folders)

Container:
Box 2 of 14
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2024; Transferring office; 7/7/2016 memorandum, Johnstone to Jones; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 16-322, National Museum of American History. Office of Curatorial Affairs, Exhibition and Program Records
See more items in:
Exhibition and Program Records
Exhibition and Program Records / Box 2
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa16-322-refidd1e1145

The Pew Charitable Trusts, 1997-2003 (2 folders)

Container:
Box 11 of 14
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2024; Transferring office; 7/7/2016 memorandum, Johnstone to Jones; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 16-322, National Museum of American History. Office of Curatorial Affairs, Exhibition and Program Records
See more items in:
Exhibition and Program Records
Exhibition and Program Records / Box 11
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa16-322-refidd1e6632

Pew Charitable Trust, 1993

Container:
Box 7 of 10
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 97-009, National Museum of Natural History. Office of the Director, Records
See more items in:
Records
Records / Box 7
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa97-009-refidd1e2951

Pew Charitable Trust

Container:
Box 3 of 7
Type:
Archival materials
Collection Restrictions:
Boxes 3 and 6 contain materials restricted indefinitely; see finding aid; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 94-037, Museum Computer Network, Records
See more items in:
Records
Records / Box 3
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa94-037-refidd1e1511

Pew Charitable Trust

Collection Creator:
Museum of the American Indian, Heye Foundation  Search this
Collection Director:
Heye, George G. (George Gustav), 1874-1957  Search this
Container:
Box 473, Folder 15
Type:
Archival materials
Date:
1987
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadcast materials from the collection must be requested from the National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); Museum of the American Indian/Heye Foundation Records, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Museum of the American Indian/Heye Foundation records
Museum of the American Indian/Heye Foundation records / Series 14: Development / 14.2: Donors
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4ab3822fa-eb38-46d3-bbda-9deefdc2ef2a
EDAN-URL:
ead_component:sova-nmai-ac-001-ref2184

Pew Charitable Trust, 1990-1992

Container:
Box 5 of 7
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 95-041, National Museum of Natural History. Office of the Director, Subject Files
See more items in:
Subject Files
Subject Files / Box 5
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa95-041-refidd1e1796

Herskovits' Film Study of West Africa

Collection Creator:
Herskovits, Melville J. (Melville Jean), 1895-1963  Search this
Extent:
Film reels (71 minutes, black-and-white silent; 1900 feet)
Type:
Archival materials
Film reels
Date:
1931
Scope and Contents:
Footage shot during fieldwork in Dahomey (Benin), Nigeria, and the Gold Coast (Ghana). Documentation of Yoruba, Hausa, Ashanti, and Dahomean culture includes: elegbara dancers and an Igun (Egungun) ceremony in Abeokuta, Nigeria; Hausa drummers and praise singers of the Emir of Kano, Nigeria; court scenes and Kwasidei ceremony in Asokore (Gold Coast) honoring a chief's ancestors; market scenes in Abomey, Dahomey; a dokpwe (communal work group); Dahomean chief with wives and praise singers; legba dancers and drummers and Nesuhwe ceremony honoring ancestors; and various subsistence and craft activities including iron-forging, brasswork, woodcarving, weaving, hoeing and planting.
Local Number:
HSFA 1977.1.1
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Melville Herskovits films, Human Studies Film Archives, Smithsonian Institution
See more items in:
Melville Herskovits films
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9eb0407a9-ac8f-41aa-842d-e49ecf42938b
EDAN-URL:
ead_component:sova-hsfa-1977-01-ref1

Georgia Shouters

Collection Creator:
Herskovits, Melville J. (Melville Jean), 1895-1963  Search this
Extent:
Film reels (37 minutes, black-and-white silent; 900 feet)
Type:
Archival materials
Film reels
Date:
circa 1930
Scope and Contents:
Footage depicting a Shouter service typical of the Georgia coast and Sea Islands. Footage was taken around the house and yard of a Shouter leader with dances staged for documentation. The dances and movements are part of the Ring Shout tradition, also known as the Saturday night frolic. The elevated wood floor on which some dances are performed is used instrumentally to carry the sound of the dancers' feet. Scenes include members of the group engaged in "seeking" or "getting saved," a "prayer band" singing and dancing at the threshold of a house, and a harvest dance with women "picking crops" and putting them into their aprons and men "shoveling" or "hoeing." The absence of children in the footage probably reflects the fact that the dancers were recreating movements from an earlier period.

Footage was shot by Ralph Steiner.
Local Number:
HSFA 1977.1.3
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Melville Herskovits films, Human Studies Film Archives, Smithsonian Institution
See more items in:
Melville Herskovits films
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc97b66fa58-a4ab-4680-9fce-1a3f2ff738e7
EDAN-URL:
ead_component:sova-hsfa-1977-01-ref3

Life In a Haitian Valley Film Study

Collection Creator:
Herskovits, Melville J. (Melville Jean), 1895-1963  Search this
Extent:
Film reels (52 minutes, black-and-white silent; 1400 feet)
Type:
Archival materials
Film reels
Date:
1934
Scope and Contents:
Footage shot during a three-month field study in the valley and village of Mirebalais, central Haiti. Documentation of Haitian culture includes various subsistence and craft activities (hoeing, planting, marketing, and rope making); a combite or communal work group (known elsewhere in Haiti as the Société Congo) clearing a field; the heading, "dressing," and consecration of an ensemble of rada drums by a pret savanne (bush priest); sequences from a Vodun ceremony including a rada altar with chromolithographs and the action de grace (preliminary segment) of the ritual; and short sequences of social dance styles, including a banda, Congo, and Martinique, performed for the camera.

Marketing market women transportation of produce to market (38-107, 127-200 roll 1) ; Marketing mode of produce transportation donkey baskets, loads on head (38-200 roll 1) ; Markets peasants market women selling makeshift enclosures (227-330 roll 1) ; Dwellings field shelters thatch wattle and daub (1-33 roll 2) ; Agriculture tillage men hoeing fields women planting seed(40-121 roll 2) ; Agriculture tillage use of hoe on tropical soils African retention ; Cooking yard context fire hearths utensils woman tending pots (122-144 roll 2) ; Agriculture tillage communal labor for clearing field "combite" (149-243 roll 2) ; Drumming tillage, rhythmic accompaniment to "combite" (157-243 roll 2) ; Music palliative to work "combite" (157-243 roll 2) ; Cordage braiding fiber cordage lashings for drumheads (301-385 roll 2) ; Musical instruments drummaking three-part vodum drum ensemble(1-72 roll 3) ; Ritual libations drums baptising the vodun drums (64-80, 185-199 roll 3) ; Ritual religious practices drawing "veve" around tree (201-225 roll 3) ; Ritual pictures of saints (233-240 roll 3) religious practices vodun altar candles ; Ritual religious practices vodun altar flagwaving dancing prostration houngan twirling woman (241-301 roll 3) ; Dancing demonstration man illustrating dance steps kinesics (1-80 roll 4) ; Communication gestures two men talking (81-121 roll 4) ; Games gambling men playing "wari" streetside African retentions (122-201 roll 4) ; Music drumming vodun ; Musical instruments snare and drum (211-216 roll 4) ; Musical instruments hoe blade and metal snare accompaniment to drums (249-52 roll 4) ; Communication gestures kinesics two elite males (283-322 roll 4)
Local Number:
HSFA 1977.1.2
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Melville Herskovits films, Human Studies Film Archives, Smithsonian Institution
See more items in:
Melville Herskovits films
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9746ce505-0ad7-444b-9fce-8c8c4a91c5bc
EDAN-URL:
ead_component:sova-hsfa-1977-01-ref2

Herskovits' Film Study of West Africa (Outtakes)

Collection Creator:
Herskovits, Melville J. (Melville Jean), 1895-1963  Search this
Extent:
Film reels (2 minutes, black-and-white silent; 41 feet)
Type:
Archival materials
Film reels
Date:
1931
Scope and Contents:
Outtakes from [Herskovits Film Study of West Africa, 1931]. Footage is fragments of scenes including carving, metalworking, women on market day, and dances.
Local Number:
HSFA 1977.1.5
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Melville Herskovits films, Human Studies Film Archives, Smithsonian Institution
See more items in:
Melville Herskovits films
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc9bff006b0-916e-41b2-a035-3a1c0c0d3895
EDAN-URL:
ead_component:sova-hsfa-1977-01-ref5

Saramacca Maroons of Surinam

Collection Creator:
Herskovits, Melville J. (Melville Jean), 1895-1963  Search this
Extent:
Film reels (black-and-white silent; 1438 feet, 16mm)
Type:
Archival materials
Film reels
Date:
1928
Scope and Contents:
Footage shot during a field trip in Dutch Guyana (Surinam). Included are: Maroons poling boats up the Saramacca River, negotiating rapids and shallows; shots in Parimaribo of Creole Blacks in yards; aspects of Creole dress; Saramacca woman winnowing grain; man working on a dugout canoe; natives playing wari (a West African game widely distributed in the New World); portaging of large canoes over shallow rapids; village with thatched houses; a gudu wosu (man's personal house) with distinctive carving on door and frontice; natives posing with carved paddles; Maroon playing the apinti drum used to telegraph messages from village to village; Lombe village; chief posing in traditional dress; Saramacca crafts--man carving paddle; shrines in Lombe; and the medicine man of Gandya Village.
Local Number:
HSFA 1977.1.4
Collection Restrictions:
The collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the Human Studies Film Archives may not be played.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Melville Herskovits films, Human Studies Film Archives, Smithsonian Institution
See more items in:
Melville Herskovits films
Archival Repository:
Human Studies Film Archives
GUID:
https://n2t.net/ark:/65665/pc914ed41c0-e23c-4e72-b540-494f91175479
EDAN-URL:
ead_component:sova-hsfa-1977-01-ref4

La Reconquista: A Post-Columbian New World, Exhibition, 3rd International Bienali Istanbul, Istanbul, Turkey (see also: Avalos, David; Centro Cultural de La Raza; Mesa-Bains, Amalia; Sánchez, Robert),

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 24, Folder 2
Type:
Archival materials
Date:
1992
Scope and Contents note:
(catalog; clippings; memo to Marian Godrey, Pew Charitable Trusts and Suzanne Sato, Rockefeller Foundation, from Vanessa Palmer, Arts International, 10/30/1992)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9167cf860-6919-4b94-b936-18f5a1179265
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref1435

Susan Feniger/Mary Sue Milliken

Collection Creator:
Andrés, José, 1969-  Search this
Bayless, Rick  Search this
Feniger, Susan  Search this
Meyer, Danny  Search this
Milliken, Mary Sue  Search this
Pépin, Jacques, 1935-  Search this
Collection Author:
Bush, George W. (George Walker), 1946-  Search this
Bush, Laura  Search this
Obama, Barack  Search this
Obama, Michelle  Search this
Type:
Archival materials
Date:
1984-2010
Scope and Contents:
Susan Feniger

Iconic culinarian, author, and entrepreneur Susan Feniger may be best known for her Modern Mexican concept, Border Grill restaurants, trucks, and catering, which she runs with her business partner of more than 35 years, Mary Sue Milliken. Now with locations in Downtown Los Angeles, LAX, The Huntington Library, and Las Vegas's Mandalay Bay Resort and Casino, Border Grill continues to serve street food-inspired regional Mexican cuisine with a commitment to sustainability and the best quality ingredients. In June 2018, Feniger and Milliken debuted a fast casual eatery, BBQ Mexicana, at Las Vegas's Mandalay Bay Resort and Casino, and later this year, they will return to Santa Monica with a new all-day Mexican restaurant. Feniger also launched her own solo ventures—Blue Window with Kajsa Alger at The Huntington Library in 2016 and to-go concept Grab & Global by Susan Feniger at both LAX and San Jose International Airports in 2018.

After graduating from the Culinary Institute of America in New York, she made a groundbreaking move in joining the nearly all-male kitchen at Chicago's Le Perroquet, serendipitously meeting the only other woman in the kitchen—Mary Sue Milliken. After working for Wolfgang Puck at Ma Maison in L.A., Feniger went to the French Riviera to further hone her skills, and returned to open City Café with Milliken in 1981, forever changing L.A.'s culinary landscape by introducing eclectic dishes from around the world. That evolved into the larger CITY Restaurant in 1985—and the introduction of Border Grill as a simple spot for authentic home cooking and street foods of Mexico informed by the duo's treks through the country. A James Beard Award that same year confirmed their impact on the nation's cuisine.

Feniger and Milliken brought their innovative approaches to The Food Network with nearly 400 episodes of the "Too Hot Tamales" and "Tamales World Tour" series. They also were the original co-hosts of the popular food-centric radio show, KCRW's "Good Food," in L.A. Susan has co-authored six cookbooks, including Susan Feniger's Street Food and competed on Bravo's "Top Chef Masters" in 2010. The business partners received the Elizabeth Burns Lifetime Achievement Award from the California Restaurant Association in 2013 and earned induction into Menu Masters Hall of Fame in 2014. Los Angeles Times celebrated them in 2018 with the Gold Award for culinary excellence and innovation in Southern California.

Feniger is an active member of the community, and currently sits on the boards of the Scleroderma Research Foundation, L.A. LGBT Center, and L.A. Tourism & Convention Board; works closely with Women Chefs and Restaurateurs, Share Our Strength, and Human Rights Campaign; and co-founded Chefs Collaborative.

Source

The Julia Child Foundation for Gastronomy and the Culinary Arts (https://juliachildaward.com/recipients/susan-feniger/ last accessed on April 7, 2021)

Mary Sue Milliken

Throughout a groundbreaking, nearly 40-year career, Mary Sue Milliken finds the key to her success in following her insatiable curiosity. She is best known for Border Grill restaurants, trucks, and catering, which she runs with her business partner of more than 35 years, Susan Feniger. Mary Sue seeks to amplify the flavors of amazing ingredients, surprising guests with texture and color while maintaining harmony on the plate at every Border Grill location—Downtown Los Angeles, LAX, The Huntington Library, and Las Vegas's Mandalay Bay Resort and Casino, as well as gourmet food trucks and catering. In June 2018, Milliken and Feniger debuted a grab-and-go Mexican BBQ eatery at Mandalay Bay Resort and Casino in Las Vegas, and later this year they'll return to Santa Monica with a new all-day Mexican restaurant.

Milliken leads with a staff- and community-forward approach with sustainability at its core. She has also witnessed the industry catch up to Border Grill in offering accessible, seasonal, ethnic cuisine, and empowering women to join the male-dominated realm of professional cooking. "We ditched the patriarchy long ago," Milliken recalls, "and took charge of our own destiny."

After graduating from Washburne Culinary Institute in Chicago, Milliken worked her way up and became the first female chef at Le Perroquet in 1978—where she soon met Susan Feniger. Following, she cooked at the woman-owned, two-Michelin-star Restaurant D'Olympe in Paris, before rejoining Feniger in L.A. to launch City Café in 1981, applying French techniques to unfamiliar dishes from around the world. The culinary pair found further acclaim with CITY Restaurant in 1985, and captured the hearts of Angelenos with Border Grill's '85 debut, evidenced by a James Beard Award the same year.

Milliken and Feniger brought their innovative approaches to The Food Network with the "Too Hot Tamales" and "Tamales World Tour" series, along with the Los Angeles' popular food-centric radio show, KCRW's "Good Food." In 2011, Milliken competed on season three of Bravo's "Top Chef Masters" and won $40,000 for her chosen charity, Share Our Strength. She has also co-authored five cookbooks.

Milliken uses her platform to enact societal change, serving on the boards of both Share Our Strength and the James Beard Foundation. In 1993, she joined other progressives to found Women Chefs & Restaurateurs and Chefs Collaborative, and she was later selected to join the U.S. State Department on the American Chef Corps to promote diplomacy through food in Pakistan, Malta, and Italy. Her passion for sustainability led her to work with L.A. Food Policy Council, Pew Charitable Trusts, Oxfam, Monterey Bay Aquarium, and others.

Milliken and Feniger received the Elizabeth Burns Lifetime Achievement Award from the California Restaurant Association in 2013 and earned induction into Menu Masters Hall of Fame in 2014. Los Angeles Times also celebrated them in 2018 with the Gold Award for culinary excellence and innovation in Southern California.

Source

The Julia Child Foundation for Gastronomy and the Culinary Arts (https://juliachildaward.com/recipients/mary-sue-milliken/ last accessed on April 7, 2021)
Collection Restrictions:
Collection is open for research.

Social Security numbers are present and have been rendered unreadable and redacted. Researchers may use the photocopies in the collection. The remainder of the collection has no restrictions.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Some materials reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Julia Child Award Winners Collection, Archives Center, National Museum of American History
See more items in:
Julia Child Award Winners Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8e7829617-de84-45a8-a731-a98ae6ada533
EDAN-URL:
ead_component:sova-nmah-ac-1371-ref523

Playbill for Blue

Published by:
Playbill, American, founded 1884  Search this
Created by:
Roundabout Theatre Company, American, founded 1965  Search this
Subject of:
Phylicia Rashad, American, born 1948  Search this
Hill Harper, American, born 1966  Search this
Medium:
ink on paper
Dimensions:
H x W: 9 x 5 5/8 in. (22.9 x 14.3 cm)
Type:
theater programs
Date:
2001
Topic:
African American  Search this
Jazz (Music)  Search this
Musical Theatre  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.12
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5ce246f67-5381-4d2e-ab8b-5621c3eb5171
EDAN-URL:
edanmdm:nmaahc_2011.45.12
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Playbill for Blue digital asset number 1

Playbill for Ma Rainey's Black Bottom

Published by:
Playbill, American, founded 1884  Search this
Used by:
Royale Theatre, American, founded 1927  Search this
Subject of:
Ma Rainey, American, 1886 - 1939  Search this
August Wilson, American, 1945 - 2005  Search this
Charles S. Dutton, American, born 1951  Search this
Whoopi Goldberg, American, born 1955  Search this
Thomas Jefferson Byrd, American, born 1941  Search this
Tony Cucci, American, born 1961  Search this
Jack Davidson  Search this
Carl Gordon, American, 1932 - 2010  Search this
Stephen McKinley Henderson, American, born 1949  Search this
Anthony Mackie, American, born 1979  Search this
Heather Alicia Simms, American, born 1970  Search this
Louis Zorich, American, born 1924  Search this
Medium:
ink on paper
Dimensions:
H x W: 8 1/2 x 5 3/8 in. (21.6 x 13.7 cm)
Type:
theater programs
Place used:
New York City, New York, United States, North and Central America
Date:
2003
Topic:
African American  Search this
Actors  Search this
Blues (Music)  Search this
Broadway Theatre  Search this
Drama (Theatre)  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Kayla Deigh Owens
Object number:
2011.45.60
Restrictions & Rights:
Playbill used by permission. All rights reserved, Playbill Inc.
See more items in:
National Museum of African American History and Culture Collection
Classification:
Memorabilia and Ephemera
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd554d8cd0e-6a18-41d0-b0ee-5cc6ad82b416
EDAN-URL:
edanmdm:nmaahc_2011.45.60
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Playbill for Ma Rainey's Black Bottom digital asset number 1

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