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A Tour of the Crab Nebula 3D Visualization

Creator:
Smithsonian Astrophysical Observatory  Search this
Type:
YouTube Videos
Uploaded:
2020-01-14T15:29:44.000Z
YouTube Category:
Science & Technology  Search this
Topic:
Astronomy  Search this
See more by:
cxcpub
Data Source:
Smithsonian Astrophysical Observatory
YouTube Channel:
cxcpub
EDAN-URL:
edanmdm:yt_DJ46S7sQ5hM

The State of Rock Art in North America 1 - Lawrence Loendorf

Creator:
National Museum of the American Indian  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2017-05-21T17:37:07.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_anthE44PUjs

MS 2038 Notes and sketches related to Zuni pottery

Creator:
Stevenson, Matilda Coxe, 1850-1915  Search this
Extent:
26 Items (pages and slips )
8 Photographs
Culture:
A:shiwi (Zuni)  Search this
Indians of North America -- Southwest, New  Search this
Type:
Collection descriptions
Archival materials
Photographs
Pictographs
Drawings
Date:
1896
Scope and Contents:
These are of a painted tablet, katchinas, petroglyphs, and cloud and rain symbols on pottery; list of photographs taken by M. C. Stevenson; and photographs of pottery in United States National Museum, probably used for reference in study of cloud and rain symbols. Two pages of notes entitled "Cloud and Rain Symbols" contain list of [United States National Museum] Catalog Numbers and a reference to the "Gates Expedition of 1901, by Walter Hough;" the Catalog Numbers refer to pottery in the United States National Museum collections. The list of photographs does not refer to the photographs of pottery in this file. It mentions 2 photographs of "Ka'ka'ma south base of To'wa yal lanne [Corn Mountain], several of plants and flowers, and 2 of the informant Nai'uchi. The photographs referred to have not been located as of 11/1969.
Local Numbers:
NAA MS 2038
Local Note:
Drawings and photographs compared with illustrations in Bureau of American Ethnology-AR 2, AR 5, and AR 23; no relationship found.
autograph document
Topic:
Zuni Indians  Search this
Religion -- katchinas  Search this
Zuni Indians  Search this
Zuni Indians  Search this
Pottery -- cloud and rain symbols on  Search this
Genre/Form:
Pictographs
Drawings
Photographs
Citation:
Manuscript 2038, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS2038
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms2038
Online Media:

MS 2843 Letter relative to petroglyphs on the Susquehanna River

Creator:
Baer, John Leonard  Search this
Extent:
8 Pages
22 Photographs
3 Drawings
Type:
Collection descriptions
Archival materials
Pages
Photographs
Drawings
Place:
Pennsylvania -- Petroglyphs -- Archeology
Date:
1921
Local Numbers:
NAA MS 2843
Citation:
Manuscript 2843, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS2843
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms2843

MS 4835 Petroglyph of footprints on Agency Hill at Muskogee, [Muskogee County] Oklahoma

Collector:
Foreman, Grant, 1869-1953  Search this
Extent:
1 Item (rubbing , 5 1/2 x 3 feet)
Type:
Collection descriptions
Archival materials
Date:
undated
Local Numbers:
NAA MS 4835
Local Note:
Crayon rubbing of petroglyphs
Topic:
Muskogee County -- Oklahoma -- Archeology -- Pictographs  Search this
Citation:
Manuscript 4835, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4835
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms4835

The State of Rock Art in North America 2 - Carolyn McClellan

Creator:
National Museum of the American Indian  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2017-05-21T17:37:07.000Z
YouTube Category:
Education  Search this
Topic:
Native Americans;American Indians  Search this
See more by:
SmithsonianNMAI
Data Source:
National Museum of the American Indian
YouTube Channel:
SmithsonianNMAI
EDAN-URL:
edanmdm:yt_qe7fmiW8274

Ernest S. and Eloise Carter Collection

Creator:
Carter, Ernest S.  Search this
Carter, Eloise  Search this
Names:
Museum of the American Indian, Heye Foundation  Search this
Dockstader, Frederick J.  Search this
Extent:
2415 Slides (photographs)
855 Negatives (photographic)
526 Photographic prints
0.85 Linear feet
Culture:
Ute  Search this
Pueblo  Search this
Diné (Navajo)  Search this
Hopi Pueblo  Search this
Taos Pueblo  Search this
San Ildefonso Pueblo  Search this
Kewa (Santo Domingo Pueblo)  Search this
Laguna Pueblo  Search this
Hopi-Tewa  Search this
Type:
Collection descriptions
Archival materials
Slides (photographs)
Negatives (photographic)
Photographic prints
Photographs
Slides
Place:
Arizona
California
Nevada
Colorado
Utah
New Mexico
Date:
1947-1986
bulk 1964-1975
Summary:
The Ernest S. and Eloise Carter collection includes photographic prints, negatives and slides taken between 1950 and 1976 in the American Southwest, Mexico and Bolivia. The Carters were research associates for the Museum of the American Indian, Heye Foundation between 1964 and 1975 and focused much of their research on petroglyphs and pictographs. In addition to photographic material there is also correspondence and documentation about the photographs in the collection.
Scope and Contents:
The Ernest S. and Eloise Carter collection includes photographic prints, negatives and slides taken between 1950 and 1976 in the American Southwest, Mexico and Bolivia as well as documentation and notes regarding their work. The bulk of the photographs and notes were made by the Carters from 1964 to 1976 while they were research associates for the Museum of the American Indian, Heye Foundation. The Carters spent much of their time photographing and researching petroglyph and pictograph sites in Arizona, New Mexico, California and Nevada producing black and white and color negatives, color slides, and photographic prints that were sent back to the MAI along with maps, notes, and reports as they were completed.

Series 1: Photographs, 1950-1975, is organized into four separate subseries. Subseries 1.1 Mexico and Bolivia, Landscapes and People, 1950-1951, includes photographs taken in Bolivia, circa 1950-1951 and in Mexico in 1964. Although it is unclear whether or not Ernest Carter took the Bolivia photographs himself or acquired them while he was traveling there, the photographic prints include landscape views and portraits shot in around the city of Potosí, Bolivia. The photographs shot in Mexico include black and white negatives the Carters took at the Monte Alban and Mitla ruins in Oaxaca, Mexico in July, 1964. Subseries 1.2 US Southwest: Landscapes and Petroglyphs, 1964-1973, the largest group of materials in the collection, includes the bulk of the work done by the Carters for the Museum of the American Indian, Heye Foundation. The subseries is arranged chronologically and then by location including sites in Arizona, New Mexico, California, Nevada and Utah. Both Eloise and Ernest shot photographs, though Eloise generally shot in black and white and Ernest in color. This subseries includes negatives(5x7 and 35mm), slides (120 and 35mm), and photographic prints of various sizes, some mounted. Images include wide shots of petroglyph, pictograph, and acorn grinding sites, close-ups of petroglyphs as well as landscape views.

The Carters were also prolific collectors of kachinas and other ethnographic objects from the Southwest. Subseries 1.3 Object Photography: Kachinas, Pottery, Baskets and Other Objects, 1967-1975 includes photographs of the Carter kachinas, pottery and basket collections as well as several photographs of the Carters in their home alongside their collections. Subseries 1.4: Educational Materials and Other Selected Studies, 1970-1973 includes photographs the Carters put together for use by the educational department. Mostly mounted prints and slides, these photographs generally were sent with specific descriptions and were selected to highlight the variations between the petroglyph sites. This subseries also includes "Pueblo Life and Work" a series of photographs shot by the Carters at Taos Pueblo, Ildenfonso Pueblo, Laguna Pueblo and Hopi Pueblo in 1973.

Series 2: Correspondence and Photograph Documentation, 1964-1987, includes correspondence and documentation about the photographs in the Carter collection. The majority of the correspondence is between Ernest Carter and Frederick Dockstader, director of the Museum of the American Indian, Heye Foundation (MAI), regarding the donation of photographs and objects from the Carters to the museum between 1964 and 1976. The correspondence also includes detailed expense records which document where the Carters where traveling when as well as when shipments of photographs and objects were being made through the years. The documentation includes detailed reports from the Carters research on petroglyphs, maps of various petroglyph sites, photograph lists with descriptions as well as drawings and notes.
Arrangement note:
This collection is arranged into two series. Series 1: Photographs, 1950-1976, is organized in four subseries. Subseries 1.1: Mexico and Bolivia, Landscapes and People, 1950-1951, 1964; Subseries 1.2: US Southwest: Landscapes and Petroglyphs, 1964-1973; Subseries 1.3: Object Photography: Kachinas, Pottery, Baskets and Other Objects, 1967-1975; Subseries 1.4: Educational Materials and Other Selected Studies, 1970-1973. These subseries are then arranged chronologically. Series 2: Correspondence and Photograph Documentation is arranged alphabetically and then by document number.
Biographical/Historical note:
Ernest Carter was born Ernest (Eryst of Eruie) Sigmund Schickler in Vienna, Austria in 1922. Following World War II, he left Europe for South America where he spent four years in the Andes on climbing expeditions. He changed his name from Schickler to Carter when he moved to the United States in 1951 and officially became an American citizen in 1957. Eloise Carter was born in Nebraka in 1928 and eventually became a dental assistant in the Bay Area, California, where she met and married Ernest around 1960. In 1964 Ernest and Eloise were made research associates of the Museum of the American Indian, Heye Foundation which began a long term relationship with the MAI. During this time the Carters traveled throughout California, Nevada and other location in the Southwest and Mexico to photograph petroglyphs and pictographs which were subsequently shipped to the Museum. They also collected objects which were donated to the MAI including baskets, pottery and kachinas among other items. Their relationship with the MAI tapered off after Frederick Dockstader left the museum in 1975. The Carters continued to travel and work with communities in the southwest and eventually settled in Mountain View, California.
Provenance:
Donated by Ernest and Eloise Carter between 1964-1975 with additional photographs donated in 1986.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Topic:
Petroglyphs  Search this
Picture-writing  Search this
Genre/Form:
Photographic prints
Photographs
Slides
Negatives (photographic)
Citation:
Identification of specific item; Date (if known); Ernest S. and Eloise Carter collection, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.034
See more items in:
Ernest S. and Eloise Carter Collection
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-034
Online Media:

Photograph collection relating to archeology, burial mounds, and the Southwest

Photographer:
Collins, Henry B. (Henry Bascom), 1899-1987  Search this
Hillers, John K., 1843-1925  Search this
Milner, James W.  Search this
Mindeleff, Cosmos, 1863-  Search this
Mindeleff, Victor, 1860-1948  Search this
Rennick, L. C. (Leverett C.), 1887-1953  Search this
Artist:
Rogers, W. A. (William Allen), 1854-1931  Search this
Extent:
1 Engraving
1 Print (platinum)
18 Prints (silver gelatin)
38 Prints (albumen)
Culture:
A:shiwi (Zuni)  Search this
Indians of North America -- Great Plains  Search this
Indians of North America -- Southwest, New  Search this
Hopi Pueblo  Search this
Tohono O'Odham Indians  Search this
Sioux  Search this
Type:
Collection descriptions
Archival materials
Engravings
Prints
Place:
Pennsylvania -- Antiquities
West Virginia -- Antiquities
Louisiana -- Antiquities
Alabama -- Antiquities
Chelly, Canyon de (Ariz.)
Zuni Indian Reservation (N.M.)
Wyoming -- Antiquities
Date:
circa 1880s-1920s
Scope and Contents note:
Photographs relating to archeology, most of which were made by Bureau of American Ethnology photographers and ethnologists. Much of the collection consists of photographs by Cosmos and Victor Mindeleff of Southwest pueblos. Images depict mounds and excavations (including Grant Mound in Pennsylvania and additional mounds in West Virginia, Alabama, Louisiana, and elsewhere); Hopi Sipaulovi village; petroglyphs in Wind River, Wyoming; ancient artifacts; Standing Rock; Tohono O'odham Indians; Canyon de Chelly; and Clear Creek. Photographers represented include John K. Hillers; C. H. Bryan of Mt. Sterling, Kentucky; the Mindeleff brothers; Henry Bascom Collins; L. C. Rennick; J. W. Milner; Hattons Studio in Lansing, Michigan; and a drawing by W. A. Rogers.

Collection may contain images of human remains.
Local Call Number(s):
NAA Photo Lot 28
Location of Other Archival Materials:
William Dinwiddie photographs documenting Papago Indians, previously filed in Photo Lot 28, have been relocated to National Anthropological Archives Photo Lot 89.
Additional Mindeleff photographs can be found in the National Anthropological Archives in Photo Lot 4362, Photo Lot 14, Photo Lot 24, Photo Lot 40, Photo Lot 78, and the BAE historical negatives.
Additional Hillers photographs can be found in the National Anthropological Archives in Photo Lot 14, Photo Lot 24, Photo Lot 40, Photo Lot 143, Photo Lot 83-18, Photo Lot 87-2N, Photo Lot 90-1, Photo Lot 92-46, and the BAE historical negatives.
Additional Collins photographs can be found in the National Anthropological Archives in Photo Lot 24, Photo Lot 82-23, Photo Lot 86-42, Photo Lot 86-43, and Photo Lot 86-59.
See others in:
Photograph collection relating to archeology, burial mounds, and the Southwest, 1880s-1920s
Restrictions:
The collection is open for research.

Access to the collection requires an appointment.
Rights:
Contact the repository for terms of use.
Topic:
Mounds  Search this
Pueblos  Search this
Petroglyphs  Search this
Citation:
Photo Lot 28, Bureau of American Ethnology photograph collection relating to archeology and burial mounds, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.PhotoLot.28
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-photolot-28

Trio Photograph and Supply Company photographs from British Columbia

Creator:
Trio Photograph and Supply Company  Search this
Names:
Crocker, Ernest William Albert  Search this
Windsor, Edward, Duke of, 1894-1972  Search this
Extent:
19 Photographic prints
1 Photographic postcard
11 Copy negatives
Culture:
Kwakwaka'wakw (Kwakiutl)  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Photographic postcards
Copy negatives
Place:
Vancouver Island (B.C.)
Quadra Island (B.C.)
Date:
1919-1924
Summary:
Photographic prints made by the Trio Photograph and Supply Company in an around Vancouver Island, Canada among the Kwakwaka'wakw (Kwakiutl) community between 1919 and 1924.
Scope and Contents:
P00764, P06408-P06426 (Photographic Prints). N35913-N35918, N41498-N41499 (Copy negatives).
This collection includes photographic prints and one postcard made by Trio Photograph and Supply Company which was owned and operated by Ernest Crocker. The majority of the photographs were shot in British Columbia on Quadra Island and Vancouver Island among Kwakwaka'wakw (Kwakiutl) communities sometime around 1920 although exact dates are unknown. Many of the photograph on Quadra Island were shot around Cape Mudge Village and includes images of totem poles, house posts and village views. The majority are outdoor and street views and do not include members of the Kwakwaka'wakw (Kwakiutl) community. Many of the photographs shot on Vancouver Island include images of grave posts and are restricted due to cultural sensitivity. There are also two photographs of petroglyphs shot on Cormorant Island. There is also an additional photographic print made in 1919 documenting the royal visit of the Prince of Wales, later King Edward VII, in Victoria on Vancouver Island. He is being greeted by Kwakwaka'wakw (Kwakiutl) community members. This photograph was donated to the Museum of the American Indian, Heye Foundation earlier than the other prints. There are also 11 copy negatives (acetate) that were made by the Museum of the American Indian sometime in the 1960s during a large photograph conservation project.
Arrangement:
Arranged by catalog number.
Biographical / Historical:
The Trio Photograph and Supply Company was allegedly founded in 1903 by Ernest Crocker (1877-1968) and two other English emigrants in Vancouver, Canada. Shortly after, the business moved to Victoria, B.C. where the partnership was dissolved, leaving Crocker as the main operator. In 1908, the studio relocated to Suite 8 at 604 Yates Street where it would remain for the next 37 years.

In its early years, Trio produced scenic postcards which were sold at a cigar-stand at the Canadian Pacific Railway's Empress Hotel. Around 1910, the studio was hired to photograph mining properties in Mexico. During both World Wars, Trio flourished as a military photographer, capturing many candid, portrait and group shots of soldiers and personnel. During World War I, the majority of photographs were taken at Exhibition Grounds at Willows Camp and during World War II, at Work Point Barracks in Esquimalt and the Officers Training Camp at Gordon Head. In addition to his military portfolio, Trio photographed local landscapes, indigenous and other cultural communities, and took portraits of Victorian families and individuals as well as sporting and school groups. Trio also photographed three Royal visits: the Prince of Wales in 1919, the Prince of Wales and Prince George in 1927 and King George VI in 1939.

While Crocker remained the principal photographer at Trio, he appears to have received help during the course of his business. Sometime in the 1910s, G.E. Welsh joined Crocker in some form of business partnership before leaving in 1918. After that time, it would appear that a man named Orlebar (Charlie) Walls joined the studio as a part time assistant. In 1946, the Imperial Bank Chambers renovated the top floor of 604 Yates Street where the Trio studio was established, forcing them to evict the premises. Advanced in age, Crocker did not seek to reopen his studio.

Biographical note from the BC Archives (part of the Royal BC Museum) Website: https://search-bcarchives.royalbcmuseum.bc.ca/trio
Related Materials:
The BC (British Columbia) Archives holds the Ernest Crocker fonds, which contains photographs produced by Crocker and Trio Photograph and Supply Company. Fonds PR-1348 - Ernest Crocker fonds: https://search-bcarchives.royalbcmuseum.bc.ca/ernest-crocker-fonds
Provenance:
The majority of the photographic prints were donated to the Museum of the American Indian, Heye Foundation by H. Barney Olson in 1924. P00764 was likely donated sometime around 1920. H. Barney Olson worked at the Empress Hotel at the time where Ernest Crocker (Trio Photograph and Supply Company) ran a postcard and photograph stand. It is likely this is how Olson came into possession of the photographic prints.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu). Some images are restricted due to cultural sensitivity.
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Topic:
British Columbia  Search this
Totem poles  Search this
Photographs  Search this
Citation:
Identification of specific item; Date (if known); Trio Photograph and Supply Company photographs from British Columbia, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.134
See more items in:
Trio Photograph and Supply Company photographs from British Columbia
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-134
Online Media:

MS 7295 Miscellaneous manuscripts relating to the aboriginal Indians of Dutch and British Guiana

Creator:
Roth, Walter E. (Walter Edmund), 1861-1933  Search this
Extent:
218 Pages
Culture:
Atorai  Search this
Carib  Search this
Wapishana  Search this
Macushi (Macusi)  Search this
Arawak  Search this
Patamona  Search this
Akawaio (Acawai)  Search this
Warrau  Search this
Type:
Collection descriptions
Archival materials
Pages
Petroglyphs
Texts
Maps
Drawings
Lists
Clippings
Vocabulary
Letters
Reading notes
Bibliographic notes
Place:
Guyana
Surinam
Date:
1925
Scope and Contents:
The material includes lists, texts, brief articles, clippings, vocabularies, letters, reading notes, bibliographic notes, and maps. Much of the material has to do with natural history and geography and includes material on place names and animal names. Some of the material has no direct relation to Roth's study of Guyana aborigines. For example, there are comparisons of names on maps of different periods and and lists of fauna. There are also small amounts of material on face painting, loan words (Indian in Dutch, European words in Carib), and petroglyphs. Some of the clippings concern Brazil.
Local Numbers:
NAA MS 7295
Local Note:
Xerox copies of manuscript documents and printed material
Topic:
Place names  Search this
Animal names  Search this
Body decoration  Search this
Genre/Form:
Petroglyphs
Texts
Maps
Drawings
Lists
Clippings
Vocabulary
Letters
Reading notes
Bibliographic notes
Citation:
Manuscript 7295, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS7295
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms7295

MS 4675 Pocket notebook

Creator:
ANONYMOUS  Search this
Extent:
50 Items (ca. 50 pages)
Culture:
Seminole  Search this
Indians of North America -- Southern States  Search this
Type:
Collection descriptions
Archival materials
Date:
undated
Scope and Contents:
Approximately 24 pages apparently relate to Oklahoma Seminole dances, especially "Stomp dance," and approximately 26 pages of sketches of petroglyphs, one from Moab, Utah, all others unidentified as to locality. No date.
Local Numbers:
NAA MS 4675
Topic:
Seminole Indians  Search this
Dance -- stomp  Search this
Indians of North America -- (identification uncertain)  Search this
Pictographs -- Petroglyphs  Search this
Citation:
Manuscript 4675, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS4675
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms4675

MS 2902 Tracings showing 9 stone carvings

Creator:
Galbraith, F. J.  Search this
Mooney, James, 1861-1921  Search this
Type:
Collection descriptions
Archival materials
Date:
December 13, 1879
Local Numbers:
NAA MS 2902
Topic:
Pennsylvania -- Archeology -- Petroglyphs  Search this
Citation:
Manuscript 2902, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS2902
See more items in:
MS 2902 Tracings showing 9 stone carvings
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms2902
Online Media:

MS 7617 Ojibwa notes and other material

Creator:
Jones, William, 1871-1909  Search this
Extent:
5 Inches
Culture:
Anishinaabe (Chippewa/Ojibwa)  Search this
Indians of North America -- Northeast  Search this
Anishinaabe (Chippewa/Ojibwa)  Search this
Type:
Collection descriptions
Archival materials
Petroglyphs
Date:
n.d
Local Numbers:
NAA MS 7617
Local Note:
Includes notes, many on artifacts; some on petroglyphs on Little Manitou Island; manuscript foot notes for Ojibwa Tales; plan of a house; report to the Carnegie Institution regarding work on the religion of the Central Algonkin Indians; drawings from birch bark scrolls of the Bois Fort Chippewas; and face and body paintings on preprinted outlines.
Topic:
Houses -- Chippewa  Search this
Birch bark scrolls -- Chippewa  Search this
Body painting -- Chippewa  Search this
Face painting -- Chippewa  Search this
Chippewa  Search this
Genre/Form:
Petroglyphs -- Little Manitou Island
Citation:
Manuscript 7617, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS7617
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_collection:sova-naa-ms7617

Thomas T. Waterman negatives and photographs

Creator:
Waterman, T. T. (Thomas Talbot), 1885-1936  Search this
Museum of the American Indian, Heye Foundation  Search this
Extent:
12 Photographic prints (black and white)
12 Negatives (photographic) (black and white)
Culture:
Haida  Search this
Duwamish (Dwamish)  Search this
Tolowa  Search this
Coast Salish  Search this
Type:
Collection descriptions
Archival materials
Photographic prints
Negatives (photographic)
Photographs
Black-and-white negatives
Place:
Guatemala
California
Alaska
Washington
Date:
1921-1924
Summary:
These images were shot in California, Alaska, Washington, and Guatamala and feature images of Tolowa, Haida, Salish, and Quiché Maya (Quiché) Indians. Images include group portraits, daily activities, village scenes, and petrogylphs.
Scope and Contents:
The Waterman collection consists of photographic materials made by Waterman from 1921 to 1924 in California, Alaska, Washington State, and Guatemala. He made the bulk of the materials on behalf of the Museum of the American Indian, Heye Foundation while working in 1921 in California among the Tolowa and in Washington State among the Southern Coast Salish and Duwamish (Dwamish) and in 1922 in Alaska at Kasaan (Haida) village. Of particular note are the series of photographs of a Tolowa fisherman. The few remaining photographs date from 1923 and 1924 and depict Quiché Maya (Quiche) Indians in the Quetzaltenango Guatemalan highlands and an illustration from Waterman's contribution to the 1924 Annual Report of the Smithsonian Institution.
Arrangement note:
Negatives: organized in envelopes; arranged by negative number

Prints: organized in folders; arranged by print number
Arrangement:
Negatives Arranged by negative number (N07288-N07289, N07291, N07295-N07300, N10859, N35256, N35848)

Photographs Arranged by photograph number (P04035-P04040, P04428-P04429, P05515, P05521, P37455, P37456)
Biographical/Historical note:
Born in Hamilton, Missouri, in 1885, Thomas Talbot Waterman grew up in Calfornia and was expected, like his father, to become an Episcopalian clergyman. After taking courses in phonetics and fieldwork with P.E. Goddard, Waterman instead chose to study anthropology and in 1913 received his Ph.D in anthropology at Columbia University under the direction of Franz Boas. From 1907 to 1921, he held both teaching and curatorial positions at the University of California and the University of Washington and from 1921 to 1922 briefly joined the staff of the Museum of the American Indian, Heye Foundation as a field collector. Waterman went on to hold positions at the National Museum of Guatemala, Fresno State College, University of Arizona, Territorial Normal College (Hawaii), and University of Hawaii. He is best known for bringing Ishi, the last surviving member of the Yahi people, from the town of Oroville, California, to the University of California Museum of Anthropology. Waterman died in Honolulu at the age of 50.
Provenance:
Historically, the Museum of the American Indian, Heye Foundation managed all photographic and related manuscript collections separately. This collection description represents current management practices of organizing and contextualizing related archival materials.
Restrictions:
Access is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment.
Rights:
Copyright: National Museum of the American Indian
Topic:
Petroglyphs  Search this
Genre/Form:
Photographic prints
Photographs
Black-and-white negatives
Citation:
Thomas T. Waterman negatives and photographs, 1921-1924, National Museum of the American Indian Archives, Smithsonian Institution (negative, slide or catalog number).
Identifier:
NMAI.AC.001.021
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_collection:sova-nmai-ac-001-021

South Africa

Collection Correspondent:
Mead, Margaret, 1901-1978  Search this
Boas, Franz, 1858-1942  Search this
Wallis, Ruth Sawtell, 1895-1978  Search this
Wagley, Charles, 1913-1991  Search this
Lopez, Salvador  Search this
Little, Kenneth  Search this
Wilson, Maggie  Search this
Whitecloud, Thomas St. Germain  Search this
Henry, Jules, 1904-1969  Search this
Hellman, Ellen  Search this
Haugen, Einar  Search this
Gough, Kathleen  Search this
Lewis, Oscar  Search this
Kaberry, Phyllis Mary, 1910-  Search this
Imes, Elmer Samuel, 1883-1941  Search this
Strong, William Duncan, 1899-1962  Search this
Steyn, Anna F.  Search this
Spier, Leslie, 1893-1961  Search this
Stefansson, Vilhjalmur, 1879-1962  Search this
Solecki, Ralph S.  Search this
Sparta, Francisco  Search this
Rubin, Joan  Search this
Rubin, Vera  Search this
Rodnick, David  Search this
Rogers, Edward S.  Search this
Ritzenthaler, Robert E. (Robert Eugene), 1911-1980  Search this
Roberts, Robert W.  Search this
Ramo, Arthur  Search this
Richards, Audrey  Search this
Preston, Richard J.  Search this
Verger, Pierre  Search this
Vennum, Thomas  Search this
Topash, Mary  Search this
Topash, Joe  Search this
Teskey, Lynn  Search this
Taylor, Beryl  Search this
Tanner, Helen Hornbeck  Search this
Densmore, Frances, 1867-1957  Search this
Quain, Buell H. (Buell Halvor), 1912-1939  Search this
Dunning, William  Search this
Douglas, William A.  Search this
Eggan, Fred, 1906-1991  Search this
Edmondson, Munro S.  Search this
Black, Mary B.  Search this
Benedict, Ruth, 1887-1948  Search this
Domengeaux, James  Search this
Feldman, Albert G.  Search this
Feder, Norman  Search this
Gacs, Ute  Search this
Franklin, John Hope  Search this
Ewers, John C. (John Canfield), 1909-1997  Search this
Erickson, Vincent O.  Search this
Falk, Minna R.  Search this
Faitlovitch, V.  Search this
Alberto Torres, Heloisa  Search this
Buck, Pearl  Search this
Bruce, Harold E.  Search this
Borri, Rina  Search this
Boggs, Stephen Taylor  Search this
Arensberg, Conrad M. (Conrad Maynadier), 1910-1997  Search this
Baldus, Herbert  Search this
Barnouw, Victor  Search this
Bateson, Mary Catherine  Search this
Lurie, Nancy Oestreich  Search this
Malherbe, E.G.  Search this
Marks, Eli S.  Search this
Masha, Louise  Search this
Maslow, Will  Search this
Masquat, Joseph M.  Search this
Mayer, Kurt B.  Search this
McWilliams, Carey  Search this
Bunche, Ralph J.  Search this
Carneiro, Edison  Search this
Chilver, E. M.  Search this
Chilver, Richard  Search this
Clifton, James A.  Search this
Colson, Elizabeth F.  Search this
Daveron, Alexander  Search this
Lowenfeld, Margaret, 1890-1973  Search this
Officer, James E.  Search this
Odum, Howard W.  Search this
Park, Alice  Search this
Paredes, Anthony  Search this
Paton, Alan, 1903-1988  Search this
Park, George  Search this
Prado, Idabel do  Search this
Peschel, Keewaydinoquay M.  Search this
Merwe, Hendrik W. van der  Search this
Murphy, Robert Francis  Search this
Messing, Simon D.  Search this
Neumann, Anita  Search this
Nef, Evelyn Stefansson  Search this
Nocktonick, Louise  Search this
Neumann, Walter  Search this
Collection Creator:
Landes, Ruth, 1908-1991  Search this
Extent:
15 Postcards
Container:
Box 63
Type:
Archival materials
Text
Postcards
Date:
undated
Scope and Contents:
The postcards include images of the Hugenot Monument, Table Bay docks in Cape Town, Cape Town Gardens, Table Mountain, Kirstenbosch Botanical Gardens in Cape Town, Pretoria, petroglyphs in the Transvaal Museum, and Zulu and Swazi people. Jacaranda flowers are taped to the back of a postcard with an image of jacarandas in Pretoria. (Digital surrogates: landes_postcards_south_africa)
Collection Restrictions:
The Ruth Landes papers are open for research. The nitrate negatives in this collection have been separated from the collection and stored offsite. Access to nitrate negatives is restricted due to preservation concerns.

Access to the Ruth Landes papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Ruth Landes papers, National Anthropological Archives, Smithsonian Institution
See more items in:
Ruth Landes papers
Ruth Landes papers / Series 6: Graphic Materials / 6.3: Postcards
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-1991-04-ref798

Congress -- Ox Ranch

Former owner:
Billingsley, Cecil  Search this
Burris, Bill  Search this
Grantham brothers  Search this
Garden consultant:
Nimitz, Joe  Search this
Provenance:
Columbine Garden Club  Search this
Collection Creator:
Garden Club of America  Search this
Type:
Archival materials
Place:
Ox Ranch (Congress, Ariz.)
United States of America -- Arizona -- Yavapai County -- Congress
Scope and Contents:
The folder includes plans, slide list, plant list, article, garden description and worksheet done by GCA researcher Joan Murphy.
General:
"The Ox Ranch is a working cattle ranch located in high desert terrain, that has been in operation for more than 130 years. It is comprised of 48,000 acres of a combination of private and public land leased from the state, with elevations that range from 3,000 to 6,000 feet. The headquarters of the ranch, where the garden is located, is in a remote valley."
"In the 1860's it was on the main wagon trail leading from the Colorado River to the interior of the Arizona Territory and it's capital in Prescott. The 1,000 gallon per minute spring and the two perennial streams which converge near the ranch headquarters made it an important stopping point for travelers - water being scarce and essential resource in desert climates."
"The abundance of petroglyphs attest to its use by Indian tribes, and from 1864-1875, the United States Army chose it as the location for Camp Date Creek. Indian attacks in the area made the presence of Army troops essential to the safety of miners and settlers as they traveled across the land."
"The first major horticulture endeavor known to occur in the area was the importation of watercress by Major General Corbusier, from the Hassayampa River located near the present town of Wickenburg, Arizona. The watercress thrived and a serious problem of scurvey was resolved. General Corbusier went on to become Surgeon General of the United States."
"The Ox Ranch has been recognized as good cattle country, and it is mentioned in numerous writings since the 1860's. A ten acre lake was constructed in the late 1800's to impound water from the spring to irrigate crops on the fields located at the headquarters."
"The Billingsley family owned the ranch for about 25 years starting in the 1940's and made notable improvements. At that time there was an active farming operation, an orchard, the owner's house was built and the garden was begun."
"The current owners are renovating the ranch buildings, replanted the orchard, undertook to plant hundreds of trees and put in a watering system to sustain them."
"Today, a fence keeps out cattle, horses, deer and javalina (wild pigs). A meandering path is composed of crushed granite lined with rocks from the adjacent desert and there are trees for shade, roses and perennials for color, a combination of drought tolerant and water thirsty plants to match the soil composition and the sun or shade exposures in different areas, and a vegetable and herb garden."
Persons associated with the property include: Cecil Billingsley (former owner from 1955 to approximately 1970); Bill Burris (former owner from approximately 1970 to 1980); Grantham Brothers (former owner from approximately 1980 to 1990); Joe Nimitz (garden consultant in 1990).
Related Materials:
Ox Ranch related holdings consist of 1 folder (13 35 mm. slides)
Collection Restrictions:
Access to original images by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens.
Topic:
Gardens -- Arizona -- Congress  Search this
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Identifier:
AAG.GCA, File AZ011
See more items in:
The Garden Club of America collection
The Garden Club of America collection / Series 1: United States Garden Images / Arizona
Archival Repository:
Archives of American Gardens
EDAN-URL:
ead_component:sova-aag-gca-ref5472

Arizona and New Mexico

Collection Creator:
Carter, Ernest S.  Search this
Carter, Eloise  Search this
Type:
Archival materials
Date:
1964 December-1965 January
1966 January
Scope and Contents:
This subseries includes images from Taos area reservations in New Mexico as well as photographs of petroglyphs from Painted Desert, Arizona taken between December 1964 and January of 1965. There are also photographs from Painted Desert in Petrifies Forest National Park that were shot in January of 1966. These include images of "The Cliff" and "The Wash" sites. The Carters returned several times to the Painted Desert and not all the photographs were dated correctly. The photographs from Taos include images of the Carters host family with whom they stayed throughout the course of their work in New Mexico.
For descriptions of the Taos region photographs see Documents 102 and 111 (Box 2, Folder 7). Descriptions of "The Cliff" and "The Wash" petroglyphs in Painted Desert can be found in Documents 109 and 111 (Box 2, Folder 7).
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Thursday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited users to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not changed, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian.
Collection Citation:
Identification of specific item; Date (if known); Ernest S. and Eloise Carter collection, Item Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
Ernest S. and Eloise Carter Collection
Ernest S. and Eloise Carter Collection / Series 1: Photographs / 1.2: United States Southwest: Landscapes and Petroglyphs
Archival Repository:
National Museum of the American Indian
EDAN-URL:
ead_component:sova-nmai-ac-034-ref536

Petroglyphs, Andahuala, Catamarca Province, Argentina

Creator:
Bruch, Carlos (Collector)  Search this
Collection Creator:
Outes, Felix F.  Search this
Bruch, Carlos  Search this
Extent:
1 Photomechanical print (005 in x 004 in mounted on 011 in x 008 in)
Culture:
Diaguita (archaeological culture)  Search this
Type:
Archival materials
Photomechanical prints
Photographs
Date:
n.d
Arrangement:
cItem
Local Numbers:
NAA INV 00962300

NAA MS 4095
Local Note:
Black and white photomechanical print on paper mount
Place:
Argentina
Provenance:
Outes, Felix F
Genre/Form:
Photographs
Collection Citation:
Manuscript 4095, National Anthropological Archives, Smithsonian Institution
See more items in:
The Ancient Races of Argentina
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-ms4095-ref42

[Petroglyphs - Shields (Stu Conner Manuscript and Correspondence]

Collection Correspondent:
Hanson, James A.  Search this
Conner, Stuart W.  Search this
Dempsey, Hugh A.  Search this
Brasser, Ted J.  Search this
DeMallie, Raymond  Search this
Schaeffer, Claude E.  Search this
Taylor, Colin F.  Search this
Collection Creator:
Ewers, John C. (John Canfield), 1909-1997  Search this
Container:
Box 34
Type:
Archival materials
Text
Date:
1985
Collection Restrictions:
The John Canfield Ewers papers are open for research.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
John Canfield Ewers papers, National Anthropological Archives, Smithsonian Institution
See more items in:
John Canfield Ewers Papers
John Canfield Ewers Papers / Series 2: Research and Subject Files
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-1998-35-ref2344

Pictographs and Petroglyphs Near Acoma Drawing

Collection Collector:
White, Leslie A., 1900-1975  Search this
Extent:
1 Item (leaf )
Culture:
Acoma Pueblo  Search this
Indians of North America -- Southwest, New  Search this
Type:
Archival materials
Date:
n.d
Scope and Contents:
Including K'Atsina
Local Numbers:
NAA INV 08678503

NAA MS 4607
Local Note:
drawing
Topic:
Works of art  Search this
Collection Citation:
Manuscript 4607, National Anthropological Archives, Smithsonian Institution
See more items in:
MS 4607 Drawings by Acoma Indians, of Kachina masks and other ceremonial objects
Archival Repository:
National Anthropological Archives
EDAN-URL:
ead_component:sova-naa-ms4607-ref19

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