Collection is open for research. Some items may be restricted due to fragile condition.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana Subject Categories: Hotels, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Arensberg, Conrad M. (Conrad Maynadier), 1910-1997 Search this
Container:
Box 25
Type:
Archival materials
Text
Date:
undated
Collection Restrictions:
The Conrad M. Arensberg papers are open for research.
Files containing Arensberg's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. For preservation reasons, the computer disk containing digital correspondence files from Joel Halpern is restricted.
Access to the Conrad M. Arensberg papers requires an appointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
Conrad M. Arensberg papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The papers of Conrad M. Arensberg were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Vivian E. Garrison Arensberg.
The collection documents the life and career of ice skater Dick Price, with emphasis on the 1940s and 1950s, when he was in the prime of his career performing ice shows throughout Europe. Included are photograph albums, letters, most sent from Europe by Price to his parents describing performances and his travel adventures; programs from various ice shows; personal financial records; school report cards, and work-related permits, contracts, and insurance.
Scope and Contents:
The collection documents the life and career of ice skater Dick Price, with emphasis on the 1940s and 1950s, when he was in the prime of his career and performing ice shows throughout Europe. Included are several photograph albums featuring portraits and action shots of Price and other skaters, some autographed, highlights of his travels, his friends and family. Also included is a scrapbook containing clippings and other printed materials; letters most sent from Europe by Price to his parents describing performances and his travel adventures; printed materials, especially programs from the various ice shows; personal financial records; school report cards, and work-related permits, contracts and insurance.
Series 1, Personal Materials, 1936-1999, consists of school report cards, personal financial materials (blank checks and passbook), work-related permits, contracts, membership cards and insurance, ephemera, newspaper clippings, publications, and correspondence. The correspondence constitutes the bulk of the material and consists of handwritten and typescript letters, with some postcards, telegrams, and radio grams, written by Richard "Dick" Price to his parents, Alfred and Mary Price of New York City. Some materials are written by Mary Price and Virginia and Bob Price, sister-in-law and brother to Dick Price. Other materials in this series are addressed to Peter Haener, a friend, particularly Christmas cards from the 1990s. Price describes his ice skating performances, friendships (especially with a woman named Kim), and travels throughout Europe. Additional materials include hotel and air cargo invoices. A series of Trans World Airlines certificates issued to Mary Price, Dick Price's mother, document her travels across the Atlantic Ocean from 1953-1956. The Hawaii materials (maps, postcards, and menus) relate to a trip Price took in July 1948. Price is listed as a passenger on the S.S. Lurline.
Series 2, Programs, 1945-2002, consists of color programs and brochures for ice skating shows Price appeared in or attended. Some of the programs are autographed. Price appears on the cover of Garmisch This Week, 1955, a publication of the United States Army Leave and Rest Center. There are several programs for Holiday in Garmisch/Ice Revue for the Casa Carioca, a night club built by General George S. Patton. The club was located at the U.S. Army base in Garmisch-Partenkirchen, Germany, and operated from 1945-1970. The club was an important venue for professional ice skaters. The programs are arranged alphabetically by the name of the ice skating show and then chronologically. Other programs include musical and theatrical productions that Price organized and/or produced in Austria. All of these programs are in German.
Series 3, Photographs and Scrapbook, 1940s-1990s, consists of black-and-white and color prints both in albums and loose. The majority of the photographs are black-and-white. They document Price's professional ice skating career primarily in Europe and depict both images of Price and other skaters performing. Leisure time sight-seeing and touring throughout Europe is well-documented. Many of the photographs are unidentified. The photographs are arranged chronologically. There is one scrapbook, 1948-1953, which consists of postcards, ice skating programs, newspaper and magazine articles, telegrams, Christmas cards, and hotel ephemera documenting Price's ice skating career primarily in the United States.
Arrangement:
The collection is arranged into three series.
Series 1, Personal Materials, 1936-1999
Series 2, Programs, 1945-2002
Series 3, Photographs and Scrapbooks, circa 1940s-1990s
Biographical / Historical:
Richard "Dick" S. Price was born on March 27, 1928 to Mary Schweitzer Price and Alfred Price. He had one brother, Robert Ira Price. He was raised in the New York City area and attended local schools (Columbia Grammar, Junior High School 165, Pratt Institute, and Parsons School of Design) as well as a brief period at the Admiral Farragut Academy, a boarding school in New Jersey. Price took skating lessons at Lake Placid, New York, circa 1934 and dance lessons in New York City as a young boy. According to Price's "memoirs" he was hired as a replacement skater for the Hollywood Ice Revue (regular skaters went on strike) and he convinced his father to sign the contract since he was underage. Price enlisted in the United States Coast Guard on March 19, 1946. He was a Seaman second class and served on the Cutter Pequot. Price was dishonorably discharged on October 17, 1946.
Price's first skating performances were with Sonja Henie's ice show company in 1947. He later performed with other companies such as Holiday on Ice and Ice Vogues. His ice skating career took off and by 1948, he was known as the "Bombshell of the Ice." Later in life he produced Las Vegas-style nightclub shows, and he translated and presented many significant Broadway musicals in the German theatre. Price died on June 5, 2005, in a senior care facility in Mondsee, Austria.
Provenance:
The collection was donated by Andrea Stevens on June 17, 2010.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
The rights to the published programs remain with the publishers.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
The continuing traditions of the original inhabitants of this nation were presented in the Native Americans area by representatives of the more than 200 Native American communities throughout the United States. Working with the Smithsonian, they had examined their traditions and created the programs, speaking to their way of life today and their hopes for the future.
The Native Americans area was designed with Native traditions in mind. The entire area lay within a circle that represented the wholeness of life, emphasizing that, in Native philosophy, everything is interrelated. A corn field formed the outlying circle; corn, the contribution of Native Americans to the peoples of the world, is regarded as the gift of Mother Earth. With squash and beans sharing the field, the entire area was thus surrounded by the three staple foods of the Southwest, the "three sisters" of the Iroquois. The Learning Center, designed by architect Dennis Sun Rhodes, Arapaho, faces East, the direction of sunrise and of life, and visitors were intended to proceed inside sunwise, in a circle. In its design and in its presentations of music, crafts, dance, and discussion, the Native Americans area honored the first Americans.
Building upon six years of programming during preceding Festivals, the Bicentennial presentations presented a region-by-region overview of American Indian folklife:
July 1-5, Southeast (Cherokee, Chickasaw, Choctaw, Creek, Seminole, Tuscarora, Muskogee, Tunica-Biloxi of Louisiana, Mattaponi, Houma Tribe of Louisiana, Alabama Creek, Lumbee)
July 28-August 1, Northwest Coast (Alaska Federation of Natives, Confederated Tribes of Siletz, Confederated Tribes of the Warm Springs Indian Reservation)
August 4-8, Southwest (San Juan Pueblo, Navaho, White Mountain Apache, Comanche)
August 11-15, Plateau (Confederated Tribes of the Umatilla Indian Reservation, Confederated Tribes and Bands of the Yakima Indian Nation, Ute, Klamath)
August 18-22, Basin (Northern Paiute, Southern Paiute, Washo, Western Shoshone, Walker River Paiute)
August 25-29, Northern California (Miwok, Wintun, Pomo, Yurok, Karok, Tolowa, Hupa, Klamath, Tchinook, Confederated Tribes of the Umatilla, Quileute)
September 2-6, Arctic (Alaska Federation of Natives)
Lucille Dawson served as program coordinator, assisted by Thomas Kavanagh. The multi-year program was shaped by the Native Americans Advisory Group, including Louis Bruce, Rayna Green, Dell Hymes, Clydia Nahwooksy, Alfonso Ortiz, and William Sturtevant.
Participants:
Northeast
Six Nations, Iroquois
Mohawk
Mary Adams, basket maker
Mike Adams, basket maker
Sally Ann Adams, basket maker
Richard Hill, headdress maker
Stan Hill, bone carver
Tammy Hill, craft sales
Mary Longboat, cornhusk worker
Margaret Torrence, basket maker
Cam Wilson, silversmith
Mark Wilson, craft sales
Wanda Wilson, dancer
Oneida
Eula Chrisjohn, cornhusk worker
Irving Chrisjohn, cornhusk worker
Richard Chrisjohn, Sr., wood carver
Richard Chrisjohn, Jr., wood carver
Onondaga
Andrea Jimerson, dancer
Marty Jimerson, dancer
Huron Miller, project coordinator
James Skye, wood carver
Guy Williams, dancer
Ruby Williams, dancer
Tim Williams, dancer
Seneca
Helen Harris, dancer
Linda Harris, dancer
Philman Harris, drum and rattle maker
Steve Harris, dancer
Hazel Jimerson, dancer
Lester Jimerson, dancer
Mamie Jones, dancer
Paul Jones, dancer
Kevin Johnny John, dancer
Mike Johnny John, dancer
Vera Miller, beadworker
Rodney Pierce, dancer
Marlene Thomas, dancer
Hazel Thompson, gancer
Phillip Thompson, dancer
Natie Watt, basket maker
Ruth Watt, basket maker
Tuscarora
Louise Henry, beadworker
Oscar Moses, Lacrosse stick maker
Kevin Patterson, Lacrosse stick maker
Wes Patterson, Lacrosse stick maker
Edward Sayer, finger weaving
Wilmer Wilson, 1925-2002, craft sales manager
Algonkian
Chuck Comanda, canoe maker
Mary Comanda, canoe maker
William Comanda, canoe maker
Ojibwa
Audrey Pawis, quill worker
Discussants
Asenith D. Vogt, coordinator
Joseph A. Nicholas, discussant, Passamaquoddy
Andy Akins, discussant, Penobscot
Charles Jennings, discussant, Penobscot
Brian Miles, discussant, Pequot
Eva Smith, discussant, Shinnecock
Diane Bess, discussant, Shinnecock
Lois Wilcox, discussant, Hassanamisco
Kenneth Clark, discussant, Nanticoke
Kathy Clark, discussant, Nanticoke
Jody Hale, discussant, Susquehanna
Lydia Hale, discussant, Susquehanna
Edith Andrews, discussant, Wampanoag
Naomi Andrews, discussant, Wampanoag
Alberta Wilcox, discussant, Narragansett
Lloyd Wilcox, discussant, Narragansett
Helen Attaquin, discussant, Gay Head, Aquinnah Wampanoag
Mother Helen Attaquin, discussant, Gay Head, Aquinnah Wampanoag
Stilson Fands, discussant, Mohegan
Trudy Lamb, discussant, Schaghticoke
George Mitchell, Commissioner of Indian Affairs for the State of Maine
Southeast
Cherokee
Wanda Barr, dance leader
Mike Daniels, pottery
Cecil Hall, discussant
Don Mabray, discussant
Frank Mclemore, discussant
Eva Nordwell, discussant
Eunice Old Field, weaver
Knohovtee Scott, jewelry, silversmith
Ross Swimmer, discussant
Dick Spahr, head cook
Mary Lou Spahr, cook
Mrs. Ross Swimmer, discussant
Anicl Barr, dancer
Sheila Barr, dancer
Brenda Johnson, dancer
Jeanette Reese, dancer
Gina Pritchett, dancer
Michelle Ummtukee, dancer
Chickasaw
Aaron Christy, guide
Hazel Christy, dancer, beadwork
Overton James, discussant
Emma Mose, dancer
Buster Ned, dancer
Calvin Ned, dancer
Rhonda Ned, dancer
Wanda Ned, dancer, beadwork
Bienum Pickens, dancer, stickball, drummer
Adam Sampson, singer, dancer, stickball
Richard Sampson, dancer, stickball
Junior Thomas, dancer
Mary Wallace, dancer
Mrs. Overton James
Choctaw
Clelland Billy, stickball
Glendale Billy, food, cook
David Gardner, discussant
Lucinda Gibson, arts and crafts
Eula Goings, cook
Hugh Jefferson, stickball, discussant
Ray Jefferson, stickball
Louise Isscomer, beading
Myrtle Lowman, basket weaving
Sherrin Matlock, discussant
Mrs. David Gardner, discussant
Creek
Claude Cox, discussant
Paul Culley, 1925-, dancer
Wynena Evans, beadwork, singer
Brian Fife, dancer, discussant
Margaret Freeman, cook
Hepsey Gilroy, looming, dancer
Solomon McCombs, artist
Buddy Scott, silversmith, dancer
Genda Scott, basket weaving, dancer
Gene Timothy, discussant, food, Lacrosse
Mrs. Claude Cox, discussant
Seminole
Beulah Bemo, arts and crafts
Mallene Davis, singer, dancer; Miss Indian Oklahoma
Joyce "Doc" Tate Nevaquaya, 1932-1996, flute player, dancer, artist
Jermone Tahawah, singer
May Tonips, beadworker, graphics, sculptor
Rick Tosee, dancer
George Wallace, singer
Juanita Wallace, singer
Eva Watchataker, beadworker
George "Woogee" Watchataker, dancer, flute player
Junior Weryackwe
Eva Weryackwe
Patricia Whitewolf, shawl maker
Sheryle Whitewolf, dancer
Elmer Winnerchy, 1917-1986, singer
Evelyn Winnerchy, 1917-1996, dancer
Prairie
Sac & Fox Tribe
Bill Grass
John Gakey
Shannon Franklin
Omer Jefferson, Jr.
Kate Walker
Winnie Gibson
Delphine Foreman
Sarah Riley
Sharon Byers
Bill Foreman
Jerry Nanaeto
Kimberly Nanaeto
Harriet Nanaeto
Barbara Hawkins
Kartherine Franklin
Ronnie Harris
Sandy Harris
R.J. Harris
Merle Boyd
Tammy Boyd
Pamela Boyd
Mabel Harris
George Harris
Leona Starr
Jimmy Starr
James L. Starr
Leota Black
Carl Butler
Cecil Littlehead
Clarissa Littlehead
Oma Patrick
Irene Harris
Georgianna LeClair
Teresa LeClair
Larry Blanchard
Linda Standing
Karen "Candy" Hunter
Henry O. Hunter
Douglas Franklin
Dino Riley
George Switch
Jessica Patterson
Muriel Patterson
Valerie Patterson
Carol Patterson
Frances Coker
Richard Mullake
Kay Kay Goodeagle
Mary Clark
Donald Marland
Mary Mack
Guy Wakalee
Huge Wakalee
Marilyn Thurman
Herschel Tiger
Jack Thorpe
Lee Bass, Jr.
Elmer Manatowa, Jr.
Northern Plains
Northern Cheyenne
Harry Littlebird, Sr., gourd dance, hand game, arts & crafts, singer
Annie Joyce Littlebird, dancer, gourd dance, hand game, arts & crafts, cook
Richard Littlebird, dancer, gourd dance, hand game
Serena Littlebird, dancer, gourd dance, hand game, arts & crafts
Limona Littlebird, dancer, gourd dance, hand game, arts & crafts
Rose Ann Littlebird, dancer, gourd dance, hand game, arts & crafts
Ginger Littlebird, dancer, gourd dance, hand game, arts & crafts
Theresa Brady, dancer, gourd dance, arts & crafts, cook
Curtis Brady, dancer, gourd dance, hand game
Steve Brady, dancer, gourd dance, hand game
Eggonn Brady, dancer, gourd dance, hand game
Elsie Wick, hand game, arts & crafts, cook
Donna Wick, dancer, gourd dance, hand game, arts & crafts, cook
Christine Wick, gourd dance, hand game, arts & crafts
James Wick, gourd dance, hand game, arts & crafts
Dennis Wick, gourd dance, hand game, arts & crafts
Ernest King, gourd dance, hand game, arts & crafts, singer
Grover Wolfvoice, 1890-1978, hand game, arts & crafts
Dale Brady, gourd dance, hand game, arts & crafts
Joe Lonewolf, dancer, gourd dance, arts & crafts, singer
Crawford Lonewolf, dancer, gourd dance, hand game, singer
Charles Brady, gourd dance, hand game, arts & crafts, singer
Arnie Brady, dancer, gourd dance, hand game, arts & crafts, cook
Hilda Manley, dance, gourd dance, hand game, arts & crafts, cook
James Littlebird, gourd dance, hand game, arts & crafts, singer
Harriet Littlebird, dancer, gourd dance, hand game, arts & crafts, cook
Geofredo Littlebird, dancer, gourd dance, hand game, singer
Clinton Birdhat, dancer, hand game, singer
Marlene Belly Mule, dancer, gourd dance, arts & crafts, cook
Ruth Littlebird, dancer, gourd dance, hand game, arts & crafts, cook
Stacey Gwen Littlebird, gourd dance, hand game, arts & crafts
Rose Medicine Elk, hand game, arts & crafts, cook
John Medicine Elk, Sr., gourd dance, hand game, arts & crafts, singer
John Killsontop, Sr., gourd dance, hand game, arts & crafts, singer
Rose Killsontop, dancer, gourd dance, hand game, arts & crafts, cook
Mike Bearcamesout, gourd dance, hand game, arts & crafts, singer
Robert Bearchum, gourd dance, hand game, arts & crafts, singer
Robert Redwoman, hand game, arts -- & -- crafts, singer
Mary Redwoman, hand game, arts & crafts, cook
Elmer Fightingbear, dancer, hand game, arts & crafts, singer
Tommy Rockroads, dancer, hand game, arts & crafts, singer
Dave Glenmora, dancer, gourd dance, hand game, arts & crafts, singer
Wilson Brady, dancer, gourd dance, hand game, arts & crafts, singer
Tim Littleboy, dancer, hand game, arts & crafts
Webby Runsabove, dancer, hand game, arts & crafts, singer
Billy Runsabove, dancer, hand game, arts & crafts, singer
Fernando Littlebird, dancer, gourd dance, hand game, arts & crafts, singer
Steve Littlebird, gourd dance, hand game, arts & crafts, singer, coordinator
Northwest Coast
Les Houck
Merle Holmes
Charles Rick
Charles McKnight
Edmund Ben
Delores Pigsley
Archie Ben
Paul Jackson
Shirley Walker
Raymond Ben
Judy McKnight
Melvin McKnight
Bunni Houck
Jerry Running Foxe
Paulene Rick
Joe McKnight
Randy Rick
Boby Dumont
Victoria Ben
Dave Harley
Carlene Easter
Delbert Bell
Caroline Easter
Alaska Federation of Natives
Judy Brady
Herman Davis
Ruth Farquhar
Sharon Frank
Larry Garrity
Laura Eliz Joseph
Larry Judy
Alice Kitka
Marla Kitka
Donna Lang
Dorothy Lord
Tim McGraw
Lillian Nielsen
Mike Spoon
Martin Strand, Jr.
Martina Strand
Marlene Thomas
Cynthia Williams
Ethel Williams
Karin Williams
Janice Williams
Isabella Brady
Ethel Makinen
George Ramos
Marie Thiemeyer
Margy Johnson
Southwest
Amos Beatty
Jimmy Thompson
Charles Henry
Ron Quay
Wilkie Dazen
John Chissay
Mike Cooley
Pat Cooley
Bruce Cooley
Theresa Truesdell
Myrna Tessay
Wilfred Peaches
Manuelita Early
Jerry Lupe
Mike Truesdell
Bernice Endfield
Lula Machuse
Azlie Lupe
Pheobe Gooday
Nelson Lupe, Sr.
Shirleen Bullock
Beverly Machuse
June Marie Dale
Ophelia Peaches
Maria Endfield
Umatilla
Traditional Long House Group from Pendleton, Oregon
Edith K. McCloud, narrator, bead worker
Lillian E. Hoptowit, craftsperson, bead worker
Terry L. Hoptowit, dancer
Rosie McCloud, dancer
Eliza B. Nez, dancer
Joseph P. Tias, dancer
Bernadette B. Nez, dancer
Anthony G. Hoptowit Sr., crafts
Anna Marie Brown, buckskin worker
James Hoptowit, dancer
Donna B. Nikolaide, dancer, assist.
Willard D. Showay, singer
Arthur Williams, singer, crafts-beadwork
Lonnie R. Selam Sr., singer
William A. Johnson Sr., feather worker
Mrs. Arthur Williams, bead worker
Phillip Jackson, dancer, assist.
Eliza Bill, coordinator
Norma June Mosquito, dancer
Beksee Mosquito, singer, drummer
John Willard Hoptowit, dancer
Maisie McCloud, dancer
David Dean McKay, dancer
Babette Cowapoo, dancer
Ellen Taylor, dancer
Julie Taylor, dancer
Alberta Taylor, dancer
Ellen Johnson, bead worker
Cidric Bill, dancer
Anthony G. Hoptowit Jr., dancer
Emile Bill, dancer
Robert Bill, dancer
Sheila Bill, dancer
Sonny Gail McCloud, dancer
Angie McCloud, dancer
Raphael Bill, dancer, assist.
Veva E. Bill, storyteller
Sylvester Selam, dancer
Gabriel Selam, singer
Sandy Sampson, dancer, narrator, sign language
The Confederated Tribes and Bands of the Yakima Indian Nation of Toppenash, Washington will also be featured. Simon Sampson is the coordinator.
We will feature the Ute Reservation led by Gwen Mojado, the Inter-Tribal Council of Nevada led by Harold Wyatt, and the Klamath Tribe of Oregon led by Leonard Norris.
Northern California
Miwok Tribe
William Franklin, dancer, lecturer, hand game player
Cora Franklin, dancer, lecturer, hand game player
Margaret Villa, dancer, lecturer, jewelry maker
Theresa Coy, dancer, lecturer, hand game player
Carl Mathiesen, dancer, lecturer, hand game player
Inez Mathiesen, dancer, lecturer, hand game player
David Franklin, dancer, lecturer, hand game player
Ronnie Franklin, dancer, lecturer, hand game player
James Franklin, dancer, lecturer, hand game player
Norman Franklin, dancer, lecturer, hand game player
Robert Coy, dancer, lecturer, hand game player
Elaine Barber, dancer, lecturer, hand game player
Dorothy Stanley, food demonstration, lecturer
Dwight Zutchke, dancer, lecturer
Wintun Tribe
Mary Norton, food sales
Frances McDaniel, basket maker
Pomo Tribe
Elsie Allen, 1899-1990, basket maker, Ukiah, California
Yurok Tribe
Elaine Glairy, jewelry maker
Mary Birchfield, food sales
Ollie Foseide, 1921-, basket maker, Hoopa, California
Warren Abbott, food sales, dancer
Lareta James, dancer, singer
Dewey George, 1899-1985, boat maker, dance leader, McKinleyville, California
Rosie Silva, dancer, singer
Julius Aubrey, boat making assistant, dancer
Oscar Taylor, net maker, singer, dancer
Eileen Figueroa, basket maker, singer
Sam Jones, 1913-1996, stick game player
Mark Sundberg, stick game player, dancer, canoe assistant
Lisa Sundberg, dancer, jewelry maker
Joy Sundberg, Northern California coordinator, lecturer
Karok Tribe
Charlie Tom, singer, drummer, dancer
Jo Peters, 1923-, jewelry maker, basket maker, lecturer, Hoopa, California
Tammy Peters, dancer, jewelry maker
Laura George, guide, assistant
Lorna Dodge, lecturer, guide, assistant
Tolowa Tribe
Billy Richards, dancer
Mark Richards, dancer
Nicole Richards, dancer
Loren Bommelyn, 1956-, lead singer, Fort Dick, California
Fred Moorehead, lead singer
Betty Green, dance assistant
Kim Richards, dancer
Tanya Richards, dancer
Ronnie Richards, dancer
Marvin Richards, dancer
Denise Lopez, dancer, guide
Denise Richards, dancer, guide
Pam Mattz, dancer
Joan Richards, food sales
Darlene Richards, food sales
Lorene Richards, dancer
William Richards, food sales
Viola Richards, food sales
Bill Bommelyn, dancer
Walter Richards, singer
Lila Moorehead, sand bread maker, cook
Hupa Tribe
Merve George, band leader, dancer
Eleanor Abbott, language class leader
Andy Andrioli, lecturer, guitar player, dancer
Kim Yerton, dancer, learning center assistant
Janice Yerton, learning center assistant
Endora Saxson, dancer
Mike Waterman, drummer
Doug Duncan, lead guitar player
George Disdy, guitar player
Ann Taylor, assistant
Pat Andrioli, assistant
Paiute Tribe
Joseph Saulque, lecturer, historian
Film and Video Presentation
Vern Korbe
Carol Korbe
Dick O'Rourke
Lorraine O'Rourke
Brian Tripp
Dolly Tripp
Daniel O'Rourke
Klamath Tribe
Leonard Norris, Jr., Coordinator
Cecil L. Gallagher
Nick Kimbal
Charlie Bates
Rhonda Jimenez
LaNell L. Jackson
Rose Mary Tree Top
Jean Tina Bates
Bill L. Jackson
Anna Marie Jackson
Valgene Teeman
Marc McNair
Tchinook Tribe of Oregon
Karleen F. McKenzie
Confederated Tribes of the Umatilla
Leslie Minthorn, Coordinator
Quileute Tribe
Robert Bojorcas, 1943-, Coordinator, Eugene, Oregon
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1976 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Black and white photographs, photographic negatives, contact sheets, color slides, and ephemera documenting selected New England country fairs, photographed and collected by Phil Primack.
Scope and Contents:
This collection contains original notes, interviews, collected ephemera, black and white photographs, photograpic negatives, contact sheets, and color slides, conducted, gathered, and taken by Phil Primack in support of the writing of his book New England Country Fair!. The material centers on country fairs in the New England states of Connecticut, Maine, Massachusetts, New Hampshire, and Vermont.
Arrangement:
The collection is divided into three series.
Series 1: Notes, Interviews, Publications, and Ephemera, 1978-1983, undated
Series 2: Black and White Photographs, Photographic Negatives, Contact Sheets, and Color Slides, 1978-1980, undated
Series 3: Audio, undated
Biographical / Historical:
The information for this biography was supplied by the donor, Phil Primack, in February 2020.
Philip N. Primack was born in Haverhill, Massachusetts on May 1, 1948 the son of Dr. Joseph E. Primack, DDS and Celia Piltch Primack. While attending high school in Haverhill, he took a sumer job operating midway games at the amusement park in nearby Salisbury Beach, Massachusetts. The park's owner also owned a traveling carnival, Dean & Flynn Fiesta Shows, and Primack worked on its midway at fairs and carnivals across New England while attending Tufts University, from which he graduated with a BA in 1970.
At Tufts, Primack edited the campus newspaper, launching him on a decades-long reporting and writing career. After graduation, he went to work from 1970 to 1973 for The Mountain Eagle, a weekly newspaper in the eastern Kentucky coalfields. He maintained working and other ties to the Eagle for much of the rest of the 1970s, sometimes taking time off to pursue freelance work and other projects. During the 1970s, Primack oaccasionally returned to the midway to support the meager wages of freelance writing.
In 1983, Primack went to work for North Shore: Sunday, a weekly in Massachusetts and, from 1988 to 1996, for The Boston Herald. In addition to his positions as a staff reporter, Primack has written extensively for a wide range of regional and national publications, including The Boston Globe, Commonwealth Magazine, The New York Times, Washington Monthly, The Nation, and Boston Magazine. His photography has been included in some of these publications and other outlets, including articles he has written for in-flight airline magazines.
Primack researched, wrote and took photographs for his book, New England Country Fair (Globe Pequot Press, 1981) with the bulk of the images taken between 1975 and 1980. While the book arose from Primack's midway experiences, it covers the full gamut of the country fair experience from that era, including 4-H goat judging, blue-ribbon produce, sideshows, horse racing, beauty pageants, and additional subjects. Studs Terkel wrote about the book, ". . . captures the fine feeling of small-town Yankee American gently showing off."
Primack has worked as a speech writer and policy aide to elected officials and agencies at the state and federal levels and as a consultant, editor, writer, and researcher for various organizations and non-profits, including the Ford Foundation, The Federal Reserve Bank of Boston, and the Barr Foundation. He has also taught journalism courses at Tufts University, Boston University, Northeastern University, and other institutions. In addition to his BA in political science from Tufts, he earned a Master of Public Administration from the Harvard Kennedy School in 1987.
Primack continues pursuing writing projects and resides in Medford, Massachusetts.
Related Materials:
Materials at Other Organizations
Berea College, Special Collections and Archives
Phil Primack Photographs and Papers, 1964-2000
This collection is comprised of photographs, correspondence, writings, interviews and subject files of Phil Primack.
Provenance:
Collection donated by Philip Primack February 14, 2020.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Battleship of Maine --Beware --The Lady of Carlisle --Tom Dooley --Chewing gum --Who's that knocking on my window? --Serves 'em fine --Old age pension check -- Whitehouse blues.
Local Numbers:
FW-ASCH-10RR-0436
General:
Folkways 2494
CDR copy- Recorded at Pequot Library Auditorium, Connecticut, Dec. 1960-Jan. 1961.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Colored aristocracy --Don't let your deal go down --Brown's Ferry blues --Talking hard luck --Railroad blues --Likes likkor better than me --Hop high ladies the cake's all dough --It's a shame to whip your wife on Sunday --Crow black chicken --
Local Numbers:
FW-ASCH-10RR-0437
General:
Folkways 2494
CDR copy-Recorded at Pequot Library Auditorium, Connecticut, Dec. 1960-Jan. 1961.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Saddle up the Grey --Greenback dollar --Victory rag --Soldier's joy --Blackeyed Susie --My wife died on Saturday night --John Brown's dream --Jenny on the railroad --Take me back to Georgia --Chinese breakdown
Local Numbers:
FW-ASCH-10RR-3471
General:
Folkways 2492
CDR copy Folk songs; played and sung by the New Lost City Ramblers. Production notes: Recorded in the Pequot Library Auditorium by Peter Bartok, May 12-13, 1964.
Restrictions:
Restrictions on access. No duplication allowed listening and viewing for research purposes only.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after
approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no
manuscript minutes for the period from 1857 through 1890; and researchers must rely on printed minutes published in the Annual Report of the Smithsonian Institution instead.
Minutes are transferred regularly from the Secretary's Office to the Archives. Minutes less than 15 years old are closed to researchers. Indexes exist for the period from
1907 to 1946 and can be useful.
Historical Note:
The Smithsonian Institution was created by authority of an Act of Congress approved August 10, 1846. The Act entrusted direction of the Smithsonian to a body called
the Establishment, composed of the President; the Vice President; the Chief Justice of the United States; the secretaries of State, War, Navy, Interior, and Agriculture; the
Attorney General; and the Postmaster General. In fact, however, the Establishment last met in 1877, and control of the Smithsonian has always been exercised by its Board of
Regents. The membership of the Regents consists of the Vice President and the Chief Justice of the United States; three members each of the Senate and House of Representatives;
two citizens of the District of Columbia; and seven citizens of the several states, no two from the same state. (Prior to 1970 the category of Citizen Regents not residents
of Washington consisted of four members). By custom the Chief Justice is Chancellor. The office was at first held by the Vice President. However, when Millard Fillmore succeeded
to the presidency on the death of Zachary Taylor in 1851, Chief Justice Roger Brooke Taney was chosen in his stead. The office has always been filled by the Chief Justice
since that time.
The Regents of the Smithsonian have included distinguished Americans from many walks of life. Ex officio members (Vice President) have been: Spiro T. Agnew, Chester A.
Arthur, Allen W. Barkley, John C. Breckenridge, George Bush, Schuyler Colfax, Calvin Coolidge, Charles Curtis, George M. Dallas, Charles G. Dawes, Charles W. Fairbanks, Millard
Fillmore, Gerald R. Ford, John N. Garner, Hannibal Hamlin, Thomas A. Hendricks, Garret A. Hobart, Hubert H. Humphrey, Andrew Johnson, Lyndon B. Johnson, William R. King, Thomas
R. Marshall, Walter F. Mondale, Levi P. Morton, Richard M. Nixon, Nelson A. Rockefeller, Theodore Roosevelt, James S. Sherman, Adlai E. Stevenson, Harry S. Truman, Henry A.
Wallace, William A. Wheeler, Henry Wilson.
Ex officio members (Chief Justice) have been: Roger B. Taney, Salmon P. Chase, Nathan Clifford, Morrison R. Waite, Samuel F. Miller, Melville W. Fuller, Edward D. White,
William Howard Taft, Charles Evans Hughes, Harlan F. Stone, Fred M. Vinson, Earl Warren, Warren E. Burger.
Regents on the part of the Senate have been: Clinton P. Anderson, Newton Booth, Sidney Breese, Lewis Cass, Robert Milledge Charlton, Bennet Champ Clark, Francis M. Cockrell,
Shelby Moore Cullom, Garrett Davis, Jefferson Davis, George Franklin Edmunds, George Evans, Edwin J. Garn, Walter F. George, Barry Goldwater, George Gray, Hannibal Hamlin,
Nathaniel Peter Hill, George Frisbie Hoar, Henry French Hollis, Henry M. Jackson, William Lindsay, Henry Cabot Lodge, Medill McCormick, James Murray Mason, Samuel Bell Maxey,
Robert B. Morgan, Frank E. Moss, Claiborne Pell, George Wharton Pepper, David A. Reed, Leverett Saltonstall, Hugh Scott, Alexander H. Smith, Robert A. Taft, Lyman Trumbull,
Wallace H. White, Jr., Robert Enoch Withers.
Regents on the part of the House of Representatives have included: Edward P. Boland, Frank T. Bow, William Campbell Breckenridge, Overton Brooks, Benjamin Butterworth,
Clarence Cannon, Lucius Cartrell, Hiester Clymer, William Colcock, William P. Cole, Jr., Maurice Connolly, Silvio O. Conte, Edward E. Cox, Edward H. Crump, John Dalzell, Nathaniel
Deering, Hugh A. Dinsmore, William English, John Farnsworth, Scott Ferris, Graham Fitch, James Garfield, Charles L. Gifford, T. Alan Goldsborough, Frank L. Greene, Gerry Hazleton,
Benjamin Hill, Henry Hilliard, Ebenezer Hoar, William Hough, William M. Howard, Albert Johnson, Leroy Johnson, Joseph Johnston, Michael Kirwan, James T. Lloyd, Robert Luce,
Robert McClelland, Samuel K. McConnell, Jr., George H. Mahon, George McCrary, Edward McPherson, James R. Mann, George Perkins Marsh, Norman Y. Mineta, A. J. Monteague, R.
Walton Moore, Walter H. Newton, Robert Dale Owen, James Patterson, William Phelps, Luke Poland, John Van Schaick Lansing Pruyn, B. Carroll Reece, Ernest W. Roberts, Otho Robards
Singleton, Frank Thompson, Jr., John M. Vorys, Hiram Warner, Joseph Wheeler.
Citizen Regents have been: David C. Acheson, Louis Agassiz, James B. Angell, Anne L. Armstrong, William Backhouse Astor, J. Paul Austin, Alexander Dallas Bache, George
Edmund Badger, George Bancroft, Alexander Graham Bell, James Gabriel Berrett, John McPherson Berrien, Robert W. Bingham, Sayles Jenks Bowen, William G. Bowen, Robert S. Brookings,
John Nicholas Brown, William A. M. Burden, Vannevar Bush, Charles F. Choate, Jr., Rufus Choate, Arthur H. Compton, Henry David Cooke, Henry Coppee, Samuel Sullivan Cox, Edward
H. Crump, James Dwight Dana, Harvey N. Davis, William Lewis Dayton, Everette Lee Degolyer, Richard Delafield, Frederic A. Delano, Charles Devens, Matthew Gault Emery, Cornelius
Conway Felton, Robert V. Fleming, Murray Gell-Mann, Robert F. Goheen, Asa Gray, George Gray, Crawford Hallock Greenwalt, Nancy Hanks, Caryl Parker Haskins, Gideon Hawley,
John B. Henderson, John B. Henderson, Jr., A. Leon Higginbotham, Jr., Gardner Greene Hubbard, Charles Evans Hughes, Carlisle H. Humelsine, Jerome C. Hunsaker, William Preston
Johnston, Irwin B. Laughlin, Walter Lenox, Augustus P. Loring, John Maclean, William Beans Magruder, John Walker Maury, Montgomery Cunningham Meigs, John C. Merriam, R. Walton
Moore, Roland S. Morris, Dwight W. Morrow, Richard Olney, Peter Parker, Noah Porter, William Campbell Preston, Owen Josephus Roberts, Richard Rush, William Winston Seaton,
Alexander Roby Shepherd, William Tecumseh Sherman, Otho Robards Singleton, Joseph Gilbert Totten, John Thomas Towers, Frederic C. Walcott, Richard Wallach, Thomas J. Watson,
Jr., James E. Webb, James Clarke Welling, Andrew Dickson White, Henry White, Theodore Dwight Woolsey.
The Frank Gouldsmith Speck photograph collection includes portraits of individuals and families, as well as scenic shots and landscape views made between 1909 and 1937. Speck was an anthropologist and ethnographer, a professor at the University of Pennsylvania, and worked on behalf of the Museum of the American Indian, Heye Foundation collecting ethnographic materials across the Eastern United States and Canada. His collection of photographs includes materials from native communities ranging from Newfoundland to Ontario in Canada and from Maine to South Carolina in the United States.
Scope and Contents:
The Frank Gouldsmith Speck photograph collection includes negatives and a small amount of prints made by Speck throughout the course of his career as an anthropologist and ethnographer. The majority of the photographs in this collection were made while Speck conducted field trips on behalf of the Museum of the American Indian, Heye Foundation between 1924 and 1932, though there are photographs from before and after this time. This collection has been arranged into Series by geographical location and then into subseries by culture group or community. Series 1: Newfoundland and Labrador: Innu, Mushuaunnuat, 1916-1935; Series 2: Quebec: Innu, Mistassini Cree, Lorette Huron, Wawenock, Mohawk, Kitigan Zibi Anishinabeg, 1910-1937; Series 3: New Brunswick and Nova Scotia: Maliseet, Mi'kmaq, 1909-1917; Series 4: Ontario: Six Nations/Grand River (Naticoke, Mohawk, Cayuga, Mahican, Tutelo), Oneida Nation, 1914-1937; Series 5: Maine and New Hampshire: Penobscot, Passamaquoddy, Abenaki, 1910-1924; Series 6: Massachussets and Rhode Island: Wampanoag, Nauset, 1914-1931; Series 7: Connecticut: Mohegan, Niantic, Schaghticoke, Pequot, 1912-1931; Series 8: Delaware: Nanticoke and Rappahanock, 1911-1925; Series 9: Virginia and Maryland: Rappahanock, Chickahominy, Pamunkey, Mattaponi, Nansemond, Potomac, Accomac, Powhatan, 1915-1924; Series 10: North Carolina and South Carolina: Catawba, Eastern Band of Cherokee, 1915-1930.
Many of Frank Speck's photographs are individual and family portraits of community members, many identified, posed outdoors in front of homes and community buildings. There are also landscape views as well as photographs taken during community events. There are a small amount of photographs that have now been restricted due to cultural sensitivity though for the most part Speck did not photograph culturally sensitive activities.
Arrangement:
The collection is intellectually arranged in 10 Series by geographic region and within each series by culture group. The negatives are physically arranged by catalog number.
Biographical / Historical:
Frank Gouldsmith Speck was born on November 8, 1881 in Brooklyn, New York. He studied under the prominent linguist John Dyneley Prince and anthropologist Franz Boas at Columbia University, receiving his BA in 1904 and MA in 1905. He received his Ph.D. in 1908 from the University of Pennsylvania. His doctoral dissertation on the ethnography of the Yuchi became a basis for an article which later appeared in the Handbook of American Indians. That same year Speck became an assistant in the University of Pennsylvania Museum and an instructor in anthropology at the University. He was made assistant professor in 1911, and professor and chairperson of the department in 1925, a position which he held until his death in 1950. Speck was the founder of the Philadelphia Anthropological Society, and was vice-president of the American Anthropological Association from 1945-46. Speck's research concentration was on the Algonkian speaking peoples. Speck studied every aspect of a culture: language, ethnobiology, technology, decorative art, myths, religion, ceremonialism, social organization, and music. Collecting material culture was also an integral part of Speck's fieldwork. His collections can be found in museums around the world, one of which is the National Museum of the American Indian. He is the author of numerous books and articles. Frank G. Speck died February 6, 1950. (A. Irving Hallowell, American Anthropologist, Vol. 53, No. 1, 1951)
Related Materials:
The Frank G. Speck Papers can be found at the American Philosophical Society (Mss.Ms.Coll.126) along with additional photographic materials by Speck.
Frank Speck published extensively in the Museum of the American Indian, Heye Foundation publications; "Indian Notes" and "Indian Notes and Monographs." These publications are avialable through the Smithsonian Institution Libraries or online on the Internet Archive.
Separated Materials:
A small amount of notes from Speck's field work can be found in the Museum of the American Indian/Heye Foundation records (NMAI.AC.001) in Box 273, Folder 18 through Box 274 Folder 2.
Close to 4000 ethnographic and archeological items were collected by Speck for the Museum of the American Indian, Heye Foundation (MAI) and are now in the National Museum of the American Indian (NMAI) collection. For more information about these objects contact the NMAI Collections Department.
Provenance:
The majority of the negatives were gifted to the Museum of the American Indian, Heye Foundation (MAI) by Frank Speck in 1927. The group of Nanticoke photographs were purchased by the MAI in 1915 and smaller amounts of photographs were gifted and purchased by the MAI between 1923 and 1942.
Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Identification of specific item; Date (if known); Frank Speck photograph collection, Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
This series includes negatives that Frank Speck made in Connecticut among the Mohegan, Niantic, Schaghticoke and Pequot communities between 1912 and 1931. The majority of the photographs were taken in and around New London County of the Fowler, Fielding and Tantaquidgeon families.
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Permission to publish materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiphotos@si.edu. For personal or classroom use, users are invited to download, print, photocopy, and distribute the images that are available online without prior written permission, provided that the files are not modified in any way, the Smithsonian Institution copyright notice (where applicable) is included, and the source of the image is identified as the National Museum of the American Indian. For more information please see the Smithsonian's Terms of Use and NMAI Archive Center's Digital Image request website.
Collection Citation:
Identification of specific item; Date (if known); Frank Speck photograph collection, Photo Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
Files containing Sturtevant's students' grades have been restricted, as have his students' and colleagues' grant and fellowships applications. Restricted files were separated and placed at the end of their respective series in boxes 87, 264, 322, 389-394, 435-436, 448, 468, and 483. For preservation reasons, his computer files are also restricted. Seminole sound recordings are restricted. Access to the William C. Sturtevant Papers requires an apointment.
Collection Rights:
Contact the repository for terms of use.
Collection Citation:
William C. Sturtevant papers, National Anthropological Archives, Smithsonian Institution
Sponsor:
The papers of William C. Sturtevant were processed with the assistance of a Wenner-Gren Foundation Historical Archives Program grant awarded to Dr. Ives Goddard. Digitization and preparation of these materials for online access has been funded through generous support from the Arcadia Fund.
