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Back in a Bit: Blind Lemon Jefferson, (sculpture)

Sculptor:
Easley, William 1944-  Search this
Medium:
Bronze
Type:
Sculptures-Outdoor Sculpture
Sculptures
Owner/Location:
Administered by Pepsi-Cola Company of North Texas 4100 Alpha Road Dallas Texas 75244
Located Texas Music Alley 800 block of Munger in the West End Historic District Dallas Texas
Date:
1991-1992. Dedicated July 12, 1992
Topic:
Homage--Jefferson, Lemon  Search this
Performing Arts--Music--Guitar  Search this
Object--Musical Instrument--Guitar  Search this
Object--Other--Luggage  Search this
State of Being--Disabled--Blind  Search this
Control number:
IAS TX000236
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_322684

Travel Air D4D

Manufacturer:
Travel Air Company  Search this
Materials:
Fuselage - steel tube, fabric-covered
Wings - spruce spars, spruce and plywood ribs, fabric covered
Landing gear - all-metal
Dimensions:
Wingspan: 9.3 m (30 ft 5 in)
Length: 7.3 m (24 ft 1 in)
Height: 2.4 m (8 ft 11 in)
Weight, empty: 891 kg (1,968 lb)
Weight, gross: 1,200 kg (2,650 lb)
Top speed: 209 km/h (130 mph)
Engine: Wright J-6-7 (R-760-ET), 240 hp
Type:
CRAFT-Aircraft
Date:
1929-2000
Credit Line:
Gift of the Pepsi-Cola Company
Inventory Number:
A20010091000
Restrictions & Rights:
CC0
See more items in:
National Air and Space Museum Collection
Location:
Steven F. Udvar-Hazy Center in Chantilly, VA
Exhibit Station:
Aerobatic Flight
Data Source:
National Air and Space Museum
GUID:
http://n2t.net/ark:/65665/nv9ecadc4e9-0b3c-4a7d-9a49-90f28c2c9cd1
EDAN-URL:
edanmdm:nasm_A20010091000
Online Media:

Pepsi-Cola Company

Collection Creator:
Kraushaar Galleries  Search this
Container:
Box 28, Folder 22
Type:
Archival materials
Date:
1946
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. A fragile original scrapbook is restricted. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Katherine Kaplan Degn, Kraushaar Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Kraushaar Galleries records
Kraushaar Galleries records / Series 3: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9abad47f9-6d93-4c01-8471-8847bb877e0b
EDAN-URL:
ead_component:sova-aaa-kraugall-ref2229

Pep-Pu, General

Collection Creator:
Kraushaar Galleries  Search this
Container:
Box 32, Folder 11
Type:
Archival materials
Date:
1948
Scope and Contents note:
(Pepsi-Cola Company regarding the company's annual art competition; Phillips Gallery; Eugenie Prendergast)
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. A fragile original scrapbook is restricted. Contact Reference Services for more information.
Collection Rights:
Authorization to publish, quote or reproduce requires written permission from Katherine Kaplan Degn, Kraushaar Galleries. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Kraushaar Galleries records, 1877-2006. Archives of American Art, Smithsonian Institution.
See more items in:
Kraushaar Galleries records
Kraushaar Galleries records / Series 3: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91a7da666-ecd9-4181-91cc-396612afcde5
EDAN-URL:
ead_component:sova-aaa-kraugall-ref2438

Warshaw Collection of Business Americana Subject Categories: Beverages

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
2.14 Cubic feet (consisting of 4 boxes, 1 folder, 7 oversize folders, .2 flat box, plus digital images of some collection material. )
Type:
Collection descriptions
Archival materials
Ephemera
Business ephemera
Date:
1820-1960
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Beverages forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
This subject category- Beverages consists primarily of printed advertisements, bill, receipts, magazine advertisements, advertising cut-outs, scattered correspondence on letterhead stationery, advertising cards, complainants' proofs, labels, articles and company related publications from manufacturers and distributors of beverages. Such beverages include mineral and soda water, ale, cider, grape juice, lime juice, ginger ale and beer. A number of these companies are major distributors of beverages and still exist today including Pepsi-Cola Company, Welch Grape Juice, Seven-Up, Royal Crown, Nehi Bottling Company, Schweppes, Perrier, Dr. Pepper Bottling Works, Hires Roots Beer, Canada Dry, Cliquot Club, Hydrox, Squirt and Coca-Cola Company. There are also a number of foreign advertisements from companies located in Denmark, England, France, Ireland, Havana, and Nicaragua. Manufacturers and dealers of apparatus for making beverages such as soda fountains, liquefied gas outfits, wine presses, cider presses, cider filters, pasteurizers, hydrometers, steam coils, evaporators, apple graters, hydraulic presses, refrigerators, etc. are also included. Materials date from 1820-1960, but the bulk is late nineteenth and early twentieth century.
Arrangement:
Arranged into 4 subseries:

Subseries 1: Manufacturers and Distributors of Beverages

Subseries 2: Manufacturers and Distributors of Equipment

Subseries 3: Publications, circa 1908-1928, undated

Subseries 4: General Information, circa 1875-1883, undated
Brand Name Index:
The following is a list of brand names for various paints and related names that appear on this list is a compilation of those found on materials in the vertical document boxes. It is not a complete list of all the brand names for beverages. The list is intended to assist researchers locate desired materials when only the brand name is known.

Brand Name Index

Manufacturer -- Brand Name

C.E. Carter -- Allen's Root Beer Extract

Northwest Fruit Juice Company -- Arabia Water

John F. Henry, Curram and Company -- Borden's Extract Beet

W.F. Glaney -- Bull's Eye Ginger Ale

J. Myer and Company -- Celery Tonic

Hance Brothers and White -- Cherry Ripe

Artesian Manufacturing and Bottling Company -- Circle A

J. Myer and Company -- Coffee Cream

Schonenberger and Noble -- Doctor Brown's Ginger Tonic

Schonenberger and Noble -- Dr. Brown's Sarsaprilla

J. Myer and Company -- Dr. Reid's White Oak

American Fruit Product -- Duffy's Apple Juice

Boyd and Fairfax -- Foxhunter Spring Water

Boyd and Fairfax -- Goulding Spring-Orange Dry Red Sherry Sip

Beecher Brothers -- Grapelet

Beecher Brothers -- Hire's Root Beer

George Jones -- Indian Rock Spring Water

Dr. H.L. Bowker and Company -- Ko-Ko Birch

Frederick Stearns and Company -- Kolavin

Northwest Fruit Products Company -- Loju

Erie Lakeside Beverage Company -- Mason's Root Beer

Hallett Table Water Company -- Non Quit Birch Beer

Pheasant Fruit Juice Company -- Phez

Ice and Cold Storage Company -- Puritas

J.G. Fox and Company -- Sireena

William Aldworth -- Swan Birch Beer

Musculet Beverage Company -- Wink
Materials in the Archives Center:
Archives Center Collection of Business Americana (AC0404)
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Beverages is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beverages  Search this
Genre/Form:
Ephemera
Business ephemera
Citation:
Warshaw Collection of Business Americana Subject Categories: Beverages, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Beverages
See more items in:
Warshaw Collection of Business Americana Subject Categories: Beverages
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8315696de-c174-4431-8d3e-cfab39994fac
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-beverages
Online Media:

Douglas Leigh Papers

Creator:
Leigh, Douglas  Search this
Names:
Amoco Oil Company.  Search this
Coca-Cola Company  Search this
Eveready Battery Company  Search this
Pepsi-Cola Company  Search this
R.J. Reynolds Industries  Search this
Seven-Up Company  Search this
Extent:
17.6 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Transcripts
Sketches
Scrapbooks
Blueprints
Date:
1903-1999
Summary:
The collection measures 17.6 linear feet and dates from 1903 to 1999 (bulk 1924-1992) and documents the career of advertising designer and executive Douglas Leigh. Found are 83 volumes of publicity scrapbooks that contain mostly photographs, clippings, printed materials, and scattered letters, drawings, and blueprints. Also included are professional correspondence; photographs of project installations, aerial advertising, and entertainers; plaques and awards received by Leigh; and printed material, which includes clippings, press kits, advertising materials, designs and original sketches for projects by Leigh. The material reflects Leigh's continuously imaginative use of a wide range of media in promoting his clients' products. Among the projects/campaigns represented are 7up, Airships (Tydol, Flying Red Horse, MGM, Wonder Bread and others), Allied Chemical Tower, Amoco, BlueCross-Blue Shield, Camel cigarettes, Coca-Cola, EPOK, Eveready, Flamingo Frozen Foods, Four Roses Whiskey, Fram Oil Filters, Helmsley Building, Old Gold Cigarettes, Pan Am Building, Pepsi-Cola, R. J. Reynolds, Schaefer Beer, Spectaculars, Stag Beer, Times Tower Building, and Wilson Whiskey.
Scope and Content Note:
The collection measures 17.6 linear feet and dates from 1903 to 1999 (bulk 1924-1992) and documents the career of advertising designer and executive Douglas Leigh. Found are 83 volumes of publicity scrapbooks that contain mostly photographs, clippings, printed materials, and scattered letters, drawings, and blueprints. Also included are professional correspondence; photographs of project installations, aerial advertising, and entertainers; plaques and awards received by Leigh; and printed material, which includes clippings, press kits, advertising materials, designs and original sketches for projects by Leigh. The material reflects Leigh's continuously imaginative use of a wide range of innovative media in promoting his clients' products.

Among the projects and campaigns represented in the papers are 7up, Airships (Tydol, Flying Red Horse, MGM, Wonder Bread and others), Allied Chemical Tower, Amoco, BlueCross-Blue Shield, Camel cigarettes, Coca-Cola, EPOK, Eveready, Flamingo Frozen Foods, Four Roses Whiskey, Fram Oil Filters, Helmsley Building, Old Gold Cigarettes, Pan Am Building, Pepsi-Cola, R. J. Reynolds, Schaefer Beer, Spectaculars, Stag Beer, Times Tower Building, and Wilson Whiskey.

The Personal Scrapbooks Series (.06 linear feet) consists of 4 scrapbooks that contain photographs, letters, and printed material that document Douglas Leigh's interaction with family, friends, and colleagues.

The General Scrapbooks Series (4.0 linear feet) consists of 16 scrapbooks containing clippings, miscellaneous printed material, letters, interview transcripts, artwork, photographs, and a metal Tydol pin that document the development of miscellaneous projects by Douglas Leigh and his company.

The Billboard Project Files Series (5.0 linear feet) consists primarily of scrapbooks, photographs, and individual product files that document the development of billboard advertising projects.

The Poster Project Files Series (1.6 linear feet) consists of notes, reports, artwork, photographs, miscellaneous printed material, 4 scrapbooks, and individual product files that document the development of poster advertising projects, primarily those used on Railway Express Agency delivery trucks.

The Dirigible Project Files Series (3.7 linear feet) consists of notes, reports, artwork, photographs, miscellaneous printed material, 12 scrapbooks, and individual product files that document the development of dirigible advertising projects involving both painted logos and networks of lights over the surface of the dirigible. These sequentially-timed lights caused dramatic animated effects against the night sky.

The Urban Improvement Project Files Series (2.2 linear feet) consists of photographs, a promotion book, clippings, miscellaneous printed material, 18 scrapbooks, and individual urban improvement project files that document the development of urban improvement projects involving both the construction design of new buildings and the lighting of prominent buildings in New York City and elsewhere.
Arrangement:
Scrapbooks within Series 8-13 (Personal Scrapbooks, General Scrapbooks, Billboard Project Files, Poster Project Files, Dirigible Project Files, and Urban Improvement Project Files) have been arranged into as accurate a chronological order as possible. They have been numbered consecutively within each series, and scrapbooks containing material concerning multiple products appear before those concerning individual products.

Oversized materials from various series have been housed in Boxes 6-11, Boxes 12-32 (sols), BV 33, and OV 34, and are noted in the Series Description/Container Listing Section at the appropriate folder title with see also/see references. Additional oversized boxes may be listed with the appropriate series when they contain oversized material from one series only.

The collection has been arranged into 13 series:

Missing Title

Series 1: Biographical Material, 1943-1988 (Box 1, 12; 6 folders)

Series 2: Correspondence, 1924-1999, n.d. (Box 1; 16 folders)

Series 3: Notes, 1941-1997, n.d. (Box 1; 3 folders)

Series 4: Writings by Others, 1962, n.d. (Box 1; 2 folders)

Series 5: Artwork, 1958 (Box 1; 1 folder)

Series 6: Photographs, 1913-1990 (Box 1, 12; .03 linear feet)

Series 7: Printed Material, 1905-1999, n.d. (Box 1; 22 folders)

Series 8: Personal Scrapbooks, 1942-1982 (Box 12-13; .06 linear feet)

Series 9: General Scrapbooks, 1933-1951 (Box 2-5; 4.0 linear feet)

Series 10: Billboard Project Files, 1929-1997 (Box 1, 6-7, 14-25, BV 33; 5.0 linear feet)

Series 11: Poster Project Files, 1943-1963 (Box 7-8, 14; 1.6 linear feet)

Series 12: Dirigible Project Files, 1944-1954 (Box 8-11, 14, 26-28; 3.7 linear feet)

Series 13: Urban Improvement Project Files, 1903-1992 (Box 9, 14, 28-32, OV 34; 2.2 linear feet)
Biographical Note:
Douglas Leigh was born in Anniston, Alabama, in 1907. After graduating from the University of Florida in 1928, he began his career as a salesman for the General Outdoor Advertising Company of Atlanta, Georgia. He moved to New York City in 1930 and developed his ideas for animated and illuminated advertising signs primarily in the vicinity of Times Square. He established his own advertising company, Douglas Leigh, Inc., in 1933 and created the popular Camel Cigarette billboard that featured a man's face exhaling smoke rings over Broadway.

Dubbed "The Man Who Lit Up New York" in his New York Times obituary, he was responsible for festooning Broadway with miles of spectacular electrical and animated signs, such as a steaming coffeepot, a winking penguin on a cake of ice for Kool cigarettes, and the giant Camel sign that puffed smoke rings from a Times Square sign from 1941 and 1967. These effects led to creating animated billboards, an innovation called the Leigh-EPOK animated, billboards matrix display, or EPOK. Leigh developed numerous dirigible advertising projects involving both painted logos and networks of lights over the surface of the dirigible. These sequentially-timed lights caused dramatic animated effects against the night sky.

Leigh was also a pioneer in the illumination of city skylines and buildings and thought of lighting up Manhattan's skyscrapers, beginning with the Empire State Building, in 1976 and continuing with the lighting and gilding of the Con Edison Building, the Helmsley Building, and the Crown Building. This idea was adopted by many other cities, including Cincinnati, Atlanta, Orlando, Miami, New Orleans, and Baltimore with Leigh traveling there to supervise the final installation. Leigh was also involved with numerous urban improvement and renewal projects.

Leigh's career continued into the 1990's, and he died in 1999.
Provenance:
The Douglas Leigh papers were donated to the Archives of American Art by Leigh's widow, Elsie M. Leigh, in 2000.
Restrictions:
The collection is open for research. Patrons must use microfilm copy. Original scrapbooks are closed to researchers because of their fragile condition.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Signs and signboards  Search this
advertising  Search this
Light in architecture  Search this
Designers -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Transcripts
Sketches
Scrapbooks
Blueprints
Citation:
Douglas Leigh Papers, 1903-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.leigdoug
See more items in:
Douglas Leigh Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e5c7ac48-b68d-44fa-985c-ad569cba0329
EDAN-URL:
ead_collection:sova-aaa-leigdoug

Pepsi-Cola Company

Collection Creator:
Hampson, Albert W., 1911-1990 (artist)  Search this
Container:
Box 4
Type:
Archival materials
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Albert W. Hampson Commercial Artwork Collection, 1926-1968, Archives Center, National Museum of American History.
See more items in:
Albert W. Hampson Commercial Artwork Collection
Albert W. Hampson Commercial Artwork Collection / Series 3: Commercial Artwork / 3.1: Photographic Materials of Printed Advertisements and Point-of-Purchase Displays
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8727d8056-1b0c-48c3-8f17-c92de73f73d2
EDAN-URL:
ead_component:sova-nmah-ac-0561-ref879

Frito-Lay, Incorporated Records

Creator:
Capitol Frito Co., Inc.  Search this
Extent:
4 Cubic feet
Type:
Collection descriptions
Archival materials
Date:
1898-2009, undated
Summary:
Collection documents the history and business activities of Frito-Lay, Incorporated and the Doolin family, creators of the company. Materials consist primarily of correspondence, photographs, financial papers, scrapbooks, product packaging, advertisements, company newsletters, newspaper clippings, scrapbooks, and magazine articles.
Scope and Contents:
Collection consists of materials relating to Frito-Lay, Incorporated's manufacturing, marketing, distribution, and selling of the snack food Fritos. The papers are particularly important in documenting the history of the company, employee relations, and community activities. The personal papers and business records of the Doolin family and their other business ventures can also be found among the materials. Materials include photographs, correspondence, property documents, annual reports, patents, financial records, recipe books, product packaging, newspaper clippings, magazine articles, interview transcripts, menus, company newsletters, advertising, and scrapbooks. The collection is arranged into six series: Subseries 1.1, Charles Bernard (CB) Doolin, 1898-1933; Series 2, Frito-Lay, Incorporated Records, 1934-2008, undated; Series 3, Rio Vista Farm Records, 1948-1965; Series 4, Scrapbooks, 1951, undated; Series 5, Other Materials, undated; and Series 6, Reference Books, 1902-1958, undated.
Arrangement:
This collection is divided in six series.

Series 1: Doolin Family Papers, 1898-2009, undated

Subseries 1.1, Charles Bernard (CB) Doolin, 1898-1933

Subseries 1.2, Daisy Dean Stephenson Doolin, 1927-1951

Subseries 1.3, Charles Elmer (CE) Doolin, 1920-1959

Subseries 1.4, Mary Kathryn "Kitty" Coleman Doolin, 1952-2009

Subseries 1.5, Kate Irwin, 1915-2009

Subseries 1.6, Photographs and Artwork, undated

Series 2, Frito Company Records, 1934-2008, undated

Subseries 2.1, History and Background, 1934-2008, undated

Subseries 2.2, Office Files, 1941-1993, undated

Subseries 2.3, Sales and Marketing, 1939, undated

Series 3, Rio Vista Farm Records, 1948-1965

Series 4, Scrapbooks, 1951, undated

Series 5, Other Materials, undated

Series 6, Reference Books, 1902-1958, undated
Biographical / Historical:
The Doolin family began manufacturing the snack food fritos from the kitchen and garage of the San Antonio, Texas family home in 1932. This business venture was the result of Charles Elmer (CE) Doolin's (1903-1959) purchase of the original recipe for a fried corn chip. Under the name the Frito Corporation, the family expanded the business to include plants in Dallas, Texas; Tulsa, Oklahoma; Los Angeles, California; and Denver, Colorado. As the company grew so too did the product line. In the 1960s the company merged with H. W. Lay and Company to become Frito-Lay and then later with the Pepsi-Cola Company.
Related Materials:
Materials in the Archives Center, National Museum of American History

International Battle of the Bands Records (NMAH.AC.0677)

Mahler Product Packaging and Advertising Collection (NMAH.AC.1482)

Archives Center Cookbook Collection (NMAH.AC.0510)

Pepsi-Cola Advertising Collection (NMAH.AC.0092)

Warshaw Collection of Business Americana (NMAH.AC.0060)

NW Ayer & Sons Advertising Agency Records (NMAH.AC.0059)

John Caples Papers (NMAH.AC.0393)

Albert W. Hampson Commercial Art Collection (NMAH.AC.0561)

Orange Bowl Parade Collection (NMAH.AC.1191)

El Chico Restaurants Collection (NMAH.AC.1246)

Archives of American Art, Smithsonian Institution

Holly Solomon Gallery Records (AAA.hollsolg)

André Emmerich Gallery Records (AAA.andremmg)

Alexander Liberman Papers (AAA.libealex)
Provenance:
The collection was donated by Kaleta Doolin in 2011 and 2012.
Restrictions:
The collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Citation:
Frito-Lay, Incorporated Records, 1892-2009, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.1263
See more items in:
Frito-Lay, Incorporated Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8a94066f9-81df-4630-92af-56748e6e6f36
EDAN-URL:
ead_collection:sova-nmah-ac-1263
Online Media:

Contest bulletins and programs

Collection Creator:
Junkin, Hattie Meyers, 1896-1985  Search this
Container:
Box 4, Folder 11
Type:
Archival materials
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
See more items in:
Hattie Meyers Junkin Papers
Hattie Meyers Junkin Papers / Series 2: Soaring and Gliding
Archival Repository:
National Air and Space Museum Archives
GUID:
https://n2t.net/ark:/65665/pg209830546-eca4-418d-8f08-d34e0e343008
EDAN-URL:
ead_component:sova-nasm-xxxx-0171-ref124
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The "Pepsi Generation" Oral History and Documentation Collection

Topic:
Pepsi-Cola World
Pepsi-Cola (soft drink)
Creator:
Ellsworth, Scott, Dr.  Search this
Archives Center, National Museum of American History  Search this
Extent:
7.7 Cubic feet (32 boxes)
Type:
Collection descriptions
Archival materials
Audiocassettes
Commercials
Interviews
Oral history
Videotapes
Date:
1938-1986
Summary:
The Pepsi Generation Collection is the result of an oral history and documentation project conducted in 1984 and 1985 by the Center for Advertising History and supported in part by a grant from the Pepsi Cola Company.
Scope and Contents:
At the core of the "Pepsi Generation" Oral History and Documention Collection are oral history interviews with individuals involved with Pepsi-Cola and its advertising campaigns. In addition to the oral histories there are research files which include an almost complete run of Pepsi-Cola World, interview abstracts, print advertising, and television commercials from Pepsi's best-known advertising campaigns.
Arrangement:
The collection is arranged into five series

Series 1: Research Files, 1943-1985

Series 2: Interviewee Files, 1984-1985

Series 3: Oral History Interviews, 1984-1985

Subseries 3.1: Reference Copies, 1984-1985

Subseries 3.2: Master Tapes,1984-1985

Subseries 3.3: Original Tapes, 1984-1985

Series 4: Pepsi-Cola Video, 1946-1988

Subseries 4.1: Reference videos

Subseries 4.2: Master Copies

Series 5: Pepsi Cola Audio, circa 1970, undated
Biographical / Historical:
In 1983, as part of the 20th anniversary of the "Pepsi Generation" advertising campaign, Pepsi-Cola donated to the Archives Center approximately 200 advertising and promotional items (see collection AC0092). The Archives Center accepted these items and proposed an oral history project to document the "Pepsi Generation" story.

The Archives Center embarked upon this project in the spring of 1983. A professional oral historian, Dr. Scott Ellsworth, conducted twenty-nine interviews during 1984 and 1985 with twenty-six people involved in Pepsi advertising, including bottlers, advertising executives, producers, directors, a songwriter, a performer, a publisher, the president of Pepsi, the chairman of the board, and two former Pepsi presidents.

The interviews focus primarily on the "Come Alive, You're In The Pepsi Generation" advertising campaign, Pepsi's adoption of youth-oriented advertising, campaign execution, television commercial production, background of the idea for the "Think Young" campaign, and the company's response to the "Pepsi Generation"campaign.

The Pepsi Generation Collection is the result of this oral history and documentation project conducted in 1984 and 1985 by the Center for Advertising History and supported in part by a grant from the Pepsi Cola Company.
Related Materials:
Materials in the Archives Center

Warshaw Collection of Business Americana, Beverages

N.W. Ayer Advertising Agency Records

Pepsi-Cola Advertising Collection
Provenance:
Collection donated by Pepsi-Cola Company through Rebecca Madiera in 1983. Interviews made for the Smithsonian Institution in 1984 and 1985.
Restrictions:
Collection is open for research. One oral history is restricted. Only reference copies of the audiovisual materials may be used. Several reels of television commercials have been digitized and are available in the Smithsonian Institution's Digital Asset Management System (DAMS).
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Advertising agencies  Search this
Ambiguity in advertising  Search this
Marketing  Search this
Music in advertising  Search this
Prize contests in advertising  Search this
Broadcast advertising  Search this
advertising -- Beverages -- 1930-1990  Search this
Advertising writing  Search this
Television advertising  Search this
Product demonstrations  Search this
Youth-oriented advertising  Search this
Slogans  Search this
Genre/Form:
Audiocassettes
Commercials
Interviews -- 1980-2000
Oral history
Videotapes
Citation:
The "Pepsi Generation" Oral History and Documentation Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0111
See more items in:
The "Pepsi Generation" Oral History and Documentation Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8642412ae-81a3-4bd2-8080-c1a3ce4f732f
EDAN-URL:
ead_collection:sova-nmah-ac-0111
Online Media:

Forbes Watson papers

Topic:
Arts (Magazine)
Creator:
Watson, Forbes, 1880-1960  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Pepsi-Cola Company  Search this
Public Works of Art Project  Search this
Red Cross  Search this
United States. Dept. of the Treasury. Section of Fine Arts  Search this
United States. Dept. of the Treasury. Section of Painting and Sculpture  Search this
United States. Public Buildings Administration. Section of Fine Arts  Search this
Adams, Ansel, 1902-1984  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Beal, Gifford, 1879-1956 -- Photographs  Search this
Brancusi, Constantin, 1876-1957  Search this
Bruce, Edward, 1879-1943  Search this
Citron, Minna Wright, 1896-1991  Search this
Coleman, Glenn O., 1887-1932  Search this
Dows, Olin, 1904-1981  Search this
Genthe, Arnold, 1869-1942  Search this
Glackens, Ira, 1907-1990  Search this
Klonis, Stewart, 1901-1989  Search this
Kroll, Leon, 1884-1974 -- Photographs  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Kuniyoshi, Yasuo, 1889-1953 -- Photographs  Search this
Mangravite, Peppino, 1896-  Search this
Manship, Paul, 1885-1966  Search this
Marsh, Reginald, 1898-1954 -- Photographs  Search this
Matisse, Henri, 1869-1954  Search this
Morgenthau, Henry, 1891-1967  Search this
Pène Du Bois, Guy, 1884-1958  Search this
Ray, Man, 1890-1976  Search this
Rowan, Edward Beatty, 1898-1946  Search this
Saint-Gaudens, Homer, b. 1880 -- Photographs  Search this
Shimin, Symeon, 1902-  Search this
Sterne, Maurice, 1878-1957  Search this
Tucker, Allen, 1866-1939  Search this
Watson, Nan, 1876-1966  Search this
Weber, Max, 1881-1961  Search this
Zorach, William, 1887-1966  Search this
Photographer:
Gallatin, A. E. (Albert Eugene), 1881-1952  Search this
Sheeler, Charles, 1883-1965  Search this
Extent:
13.92 Linear feet
Type:
Collection descriptions
Archival materials
Notes
Photographs
Drafts (documents)
Scrapbooks
Place:
United States -- Social conditions -- 1933-1945
New York N.Y. -- Buildings, structures, etc., Photographs
Date:
1840-1967
bulk 1900-1960
Summary:
The papers of New York City art critic, writer, and lecturer Forbes Watson date from 1840-1967 with the bulk of materials dating from 1900-1960 and measure 13.92 linear feet. Found are biographical materials, correspondence, business records relating to the Arts Publishing Corporation, records documenting Watson's work for the Public Works of Art Project and the Section of Painting and Sculpture, reference files, an exhibition file from the Pepsi-Cola Company's Third Annual Exhibition, writings and notes, ten scrapbooks and loose pages, printed materials, and photographs.
Scope and Content Note:
The papers of New York City art critic, writer, and lecturer Forbes Watson date from 1840-1967 with the bulk of materials dating from 1900-1960 and measure 13.92 linear feet. Found are biographical materials, correspondence, business records relating to the Arts Publishing Corporation, records documenting Watson's work for the Public Works of Art Project and the Section of Painting and Sculpture, reference files, an exhibition file from the Pepsi-Cola Company's Third Annual Exhibition, writings and notes, ten scrapbooks and loose pages, printed materials, and photographs.

Biographical material includes Watson's Harvard diploma, documents concerning his service with the Red Cross in World War II, biographical accounts, and obituaries.

Correspondence is primarily with colleagues and includes scattered letters from Alfred H. Barr, Jr., Ira Glackens, Allen Tucker, and Max Weber. Other letters are from artists, art historians, and museum curators. A notebook contains shorthand drafts of letters from Watson.

Business records include personal business records consisting of various tax and stock records. The Arts Publishing Corporation records concern Watson's tenure as editor of The Arts magazine and contains a contract, correspondence, financial records, stockholders reports, press releases, a scrapbook, and issues of The Arts. Also included are business records pertaining to the Art in Federal Buildings, Inc..

The U.S. Treasury Department file is the largest series and documents Watson's federal employment as technical director, chief advisor, and consultant for Treasury Department's public art programs - the Public Works of Art Project and the Section of Painting and Sculpture. The files contain correspondence, financial reports, prospectuses, exhibition files, typescripts, clippings, exhibition catalogs, miscellaneous printed material, and photographs, and a scrapbook. The files contain a record of Watson's and other federal administrators' interactions with many artists during the Depression Era. Correspondence is primarily between Watson and Edward Bruce, Olin Dows, Henry and Elinor Morgenthau, and Edward B. Rowan. Found are scattered letters from artists including Yasuo Kuniyoshi, Paul Manship, and William Zorach, among many others. There are exhibition files for "Art for Bonds," "Army at War," and "War Against Japan." There are also photographs of U. S. Treasury Department events including a radio broadcast by John Dewey, Robert La Follette, Jr., and Sumner Welles.

Documents from the Pepsi-Cola Company's Third Annual Exhibition at the National Academy of Design contains a prospectus, an exhibition catalog and artists' statements.

Artist/Patron files contain reference material concerning painters, sculptors, photographers, dancers, composers, authors, art collectors, art dealers, and museum administrators. Files may include writings, notes, artworks, exhibition catalogs and other printed materials. Of particular note are photographs, which include portrait photographs of artists and of artists in their studios. Notable photographers include Ansel Adams, Arnold Genthe, Man Ray, photographs of New York City by Charles Sheeler and a photo of Henri Matisse by A. E. Gallatin. Files for Nan Watson, Symeon Shimin, and Glenn O. Coleman contain artworks. A file for Constantin Brancusi contains legal documents concerning U. S. Customs vs. Brancusi.

Art and Architecture files consist of reference material including photographs and notes concerning miscellaneous unattributed art works, American architecture, and furnishings.

Notes and writings consist of miscellaneous notes and typescripts of lectures and published articles, and notebooks.

Nine scrapbooks and loose scrapbook pages contain clippings of articles written by Watson, lists, and exhibition announcements and catalogs. Additional printed material includes clippings, copies of the Hue and Cry newspaper, exhibition announcements and catalogs, press releases, calendars of events, brochures for the Art Students League, book catalogs, published books, and miscellaneous printed material.

Photographs are of Forbes Watson; family members including his wife, painter Nan Watson; and members of the Art Students League including Peggy Bacon, Minna Citron, Stewart Klonis, Yasuo Kuniyoshi, and Reginald Marsh. There are also photographs of juries for the Carnegie Institute International Exhibitions that include colleagues Alfred H. Barr, Jr., Gifford Beal, Guy Pene DuBois, Leon Kroll, Henri Matisse, Homer Saint-Gaudens, and Maurice Sterne.
Arrangement:
The collection is arranged as 11 series:

Missing Title

Series 1: Biographical Material, 1902-1960 (Box 1; 4 folders)

Series 2: Correspondence, 1913-1960 (Box 1; 33 folders)

Series 3: Business Records, 1920-1944 (Box 1-3, 14, 22; 2.0 linear feet)

Series 4: U. S. Treasury Department File, 1926-1945 (Box 3-6, 14, 17, 22, OV 21; 3.4 linear feet)

Series 5: File for Pepsi-Cola Company's Third Annual Exhibition "Paintings of the Year," 1946 (Box 6; 5 folders)

Series 6: Artist/Patron Files, 1840-1967 (Box 6-9, 15, OV 21; 2.8 linear feet)

Series 7: Art and Architecture File, 1929-1930 (Box 9; 35 folders)

Series 8: Notes and Writings, 1875-1950 (Box 9-10, 22; 1.3 linear feet)

Series 9: Scrapbooks, 1904-1951 (Box 9, 11, 14, BV 18, BV 19, BV 20; 1.8 linear feet)

Series 10: Printed Material, 1900-1961 (Box 10, 12-13, 16-17, 22; 1.5 linear feet)

Series 11: Photographs, 1900-1950 (Box 13, 22; .4 linear feet)

All material is arranged chronologically, with the exception of the Artist/Patron Files which are arranged alphabetically.
Biographical Note:
Forbes Watson (1879-1960) worked primarily in New York City and Washington, D.C. as an art critic, writer, lecturer, and consultant to the U. S. Treasury Department's Public Works of Art Project and Section of Painting and Sculpture (Section of Fine Arts).

Forbes Watson was born on November 27, 1879 in Boston, the son of stockbroker John Watson and his wife Mary. Watson grew up in Cambridge, Massachusetts, attending the Phillips Academy in Andover, and graduating from Harvard University in 1902. After a brief period of freelance writing, he was hired by The New York Evening Post as an art critic in 1911 and worked there until 1917. In 1910, he married Agnes, professionally known as painter Nan Watson.

During World War I, Watson served with an American volunteer ambulance unit with the French army, later working with the American Red Cross in Paris. After the war, he moved back to New York City and worked as art critic for The World, from the early 1920s until 1931 and as editor of The Arts magazine from 1923-1933. Watson also lectured at the Art Students League, and at various universities and arts organizations.

In 1933, Watson moved to Washington, D.C. to serve as technical director of the U. S. Treasury Department's short-lived Public Works of Art Project. In October 1934, Watson was employed as Chief Adviser to the Treasury Department's Section of Painting and Sculpture (later renamed the Section of Fine Arts) and later as Consultant to the Secretary's Office of the Treasury. During World War II, he organized various traveling exhibitions including "Art for Bonds" that promoted the sale of war bonds. Watson retired in 1946 and lived in Gaylordsville, Connecticut.

Watson was the author of numerous essays and reviews, and several books including American Painting Today and Winslow Homer, a biography of the noted American artist. With Edward Bruce, he produced a pictorial volume Art in Federal Buildings, Vol. I: Mural Designs. At his death he was working on his autobiography.

Forbes Watson died on May 31, 1960 in New Milford, Connecticut.
Provenance:
The Forbes Watson papers were donated by Watson's widow, Nan Watson, in 1961. An additional folder of material was donated in 2018 by the Museum of Modern Art via Michelle Elligott, Chief of Archives, Library and Research.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- New York (State) -- New York  Search this
Arts administrators -- New York (State) -- New York  Search this
Topic:
Art and state  Search this
Art, American  Search this
Art publishing  Search this
Architecture, New York State, New York -- Photographs  Search this
Architecture -- New York, N.Y. -- Photographs  Search this
New Deal, 1933-1939  Search this
World War, 1939-1945 -- Art and the war  Search this
Federal aid to the arts  Search this
Genre/Form:
Notes
Photographs
Drafts (documents)
Scrapbooks
Citation:
Forbes Watson papers, 1840-1967, bulk 1900-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.watsforb
See more items in:
Forbes Watson papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b62b4c1c-aa40-4979-bbf3-d90fa4e127b6
EDAN-URL:
ead_collection:sova-aaa-watsforb
Online Media:

File for Pepsi-Cola Company's Third Annual Exhibition Paintings of the Year

Collection Creator:
Watson, Forbes, 1880-1960  Search this
Extent:
(Box 6; 5 folders)
Type:
Archival materials
Date:
1946
Scope and Contents note:
This file concerns the Pepsi-Cola Company's Third Annual Exhibition at the National Academy of Design in which Watson was interested after his service in the U. S. Treasury Department. It contains a prospectus, an exhibition catalog and artists' statements.
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Forbes Watson papers, 1840-1967, bulk 1900-1960. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.watsforb, Series 5
See more items in:
Forbes Watson papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ec6e4451-abb6-4feb-abbf-c7739903426a
EDAN-URL:
ead_component:sova-aaa-watsforb-ref276

Prospectus and Exhibition Catalog

Collection Creator:
Watson, Forbes, 1880-1960  Search this
Container:
Box 6, Folder 44
Type:
Archival materials
Date:
1946
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Forbes Watson papers, 1840-1967, bulk 1900-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Forbes Watson papers
Forbes Watson papers / Series 5: File for Pepsi-Cola Company's Third Annual Exhibition Paintings of the Year
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b7332371-62f8-411b-b5ca-26828e410dc2
EDAN-URL:
ead_component:sova-aaa-watsforb-ref277

Artists' Statements

Collection Creator:
Watson, Forbes, 1880-1960  Search this
Extent:
(4 folders)
Container:
Box 6, Folder 45-48
Type:
Archival materials
Date:
1946
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Forbes Watson papers, 1840-1967, bulk 1900-1960. Archives of American Art, Smithsonian Institution.
See more items in:
Forbes Watson papers
Forbes Watson papers / Series 5: File for Pepsi-Cola Company's Third Annual Exhibition Paintings of the Year
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw990ca7001-c197-42f0-aae6-742c6c4506d2
EDAN-URL:
ead_component:sova-aaa-watsforb-ref278

Artists for Victory, Inc.

Collection Creator:
Gellert, Hugo, 1892-1985  Search this
Container:
Box 3, Folder 38
Type:
Archival materials
Date:
1943-1944
Collection Restrictions:
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Hugo Gellert papers, 1916-1986. Archives of American Art, Smithsonian Institution.
See more items in:
Hugo Gellert papers
Hugo Gellert papers / Series 4: Organizational Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c705c553-6a25-468f-9a44-5a9f25ca989b
EDAN-URL:
ead_component:sova-aaa-gellhugo-ref900
10 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Artists for Victory, Inc. digital asset number 1
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  • View Artists for Victory, Inc. digital asset number 8
  • View Artists for Victory, Inc. digital asset number 9
  • View Artists for Victory, Inc. digital asset number 10

Weber, Max

Collection Creator:
Warner, Keith, 1895-1959  Search this
Container:
Box 2, Folder 2
Type:
Archival materials
Date:
1944-1947
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Keith Warner papers, 1935-1975. Archives of American Art, Smithsonian Institution.
See more items in:
Keith Warner papers
Keith Warner papers / Series 1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97785c05e-f551-40a6-b15c-dcbdc0d893cc
EDAN-URL:
ead_component:sova-aaa-warnkeit-ref38
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Weber, Max digital asset number 1

Albert Hickman papers

Creator:
Hickman, Albert E. (Albert Earl), 1915-1990  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1955-1980
Scope and Contents:
Letters received from the Pepsi Cola Company regarding an advertising gimmick by Hickman; a letter from Eleanor Freed; clippings; 2 books of printed commercial illustrations; 3 illustrated journals; a notebook of photographs of Hickman, Hickman's work, clippings, and letters; photographs of Hickman and his work; and ca. 200 sketches.
Biographical / Historical:
Albert Hickman (1915-1990) was an illustrator from Houston, Tex.
Provenance:
Donated 1982 by Albert Hickman.
Microfilmed as part of the Archives of American Art's Texas project.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Illustrators -- Texas -- Houston  Search this
Topic:
Art, American -- Texas -- Houston  Search this
Identifier:
AAA.hickalbe
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95b139b7c-dfc0-41ed-b9b0-e4297412408e
EDAN-URL:
ead_collection:sova-aaa-hickalbe

"An' you're lucky to get it - they been grabbing for it all along the line." [black & white advertisement]

Advertiser:
Pepsi-Cola Company  Search this
Collection Funder:
Pepsi-Cola USA (Purchase, N.Y.)  Search this
Extent:
1 Item (Ink on paper., 13.8" x 11.0".)
Type:
Archival materials
Cartoons (humorous images)
Advertisements
Date:
1946
Scope and Contents:
George Wilde cartoon of a shapely waitress serving a bottle of Pepsi to a man in a restaurant full of men.
Arrangement:
In Box 2, Folder 1?
Local Numbers:
AC0092-0000001 (AC Scan)
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beverages  Search this
advertising  Search this
Genre/Form:
Cartoons (humorous images)
Advertisements -- 1940-1950
Collection Citation:
The Pepsi-Cola Advertising Collection, Archives Center, National Museum of American History
See more items in:
Pepsi-Cola Advertising Collection
Pepsi-Cola Advertising Collection / Series 1: Print Ads / 1.1: Unmounted Tearsheets / Includes cartoons by O. Soglow and R. Day; Pepsi's Album of Real American families
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep86f31d5a6-4f0d-4647-8a0e-f9f72d844e2e
EDAN-URL:
ead_component:sova-nmah-ac-0092-ref571

Be Sociable, Have a Pepsi [color advertisement]

Advertiser:
Pepsi-Cola Company  Search this
Collection Funder:
Pepsi-Cola USA (Purchase, N.Y.)  Search this
Extent:
1 Item (Ink on paper., 13.7" x 11.0".)
Type:
Archival materials
Advertisements
Date:
Circa 1959
Scope and Contents:
Illustration of a swimming pool, people is swim wear, and a woman serving a man hamburgers and Pepsi from a wheeled cart.
Arrangement:
In Box 2, Folder 4?
Local Numbers:
AC0092-0000002 (AC Scan)
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beverages  Search this
Swimming  Search this
advertising  Search this
Genre/Form:
Advertisements -- 1950-1960
Collection Citation:
The Pepsi-Cola Advertising Collection, Archives Center, National Museum of American History
See more items in:
Pepsi-Cola Advertising Collection
Pepsi-Cola Advertising Collection / Series 1: Print Ads / 1.1: Unmounted Tearsheets / Be Sociable
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8cd4c8173-3677-4550-9d20-292e54e170d7
EDAN-URL:
ead_component:sova-nmah-ac-0092-ref572

Be Sociable, Have a Pepsi [color advertisement]

Advertiser:
Pepsi-Cola Company  Search this
Names:
Peak, Bob, 1927-1992  Search this
Collection Funder:
Pepsi-Cola USA (Purchase, N.Y.)  Search this
Extent:
1 Item (Ink on paper., 13.7" x 11.0".)
Type:
Archival materials
Advertisements
Date:
Circa 1959
Scope and Contents:
Illustration by B. Peak of couples on the beach sunbathing, playing Scrabble, reading, and drinking Pepsi.
Arrangement:
In Box 2, Folder 4?
Local Numbers:
AC0092-0000003 (AC Scan)
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Beverages  Search this
Beaches  Search this
Games  Search this
advertising  Search this
Genre/Form:
Advertisements -- 1950-1960
Collection Citation:
The Pepsi-Cola Advertising Collection, Archives Center, National Museum of American History
See more items in:
Pepsi-Cola Advertising Collection
Pepsi-Cola Advertising Collection / Series 1: Print Ads / 1.1: Unmounted Tearsheets / Be Sociable
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep81f25d0ec-b82c-414b-b6c7-a018a81c0c96
EDAN-URL:
ead_component:sova-nmah-ac-0092-ref573

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