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Psychological Test, The Personal Audit. Form LL

Author:
Lepley, William M.  Search this
Adams, Clifford R.  Search this
Publisher:
Science Research Assoc. Inc.  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 21.5 cm x 28 cm; 8 15/32 in x 11 1/32 in
Object Name:
Psychological Test
Date made:
1945
Subject:
Mathematics  Search this
Psychological Tests  Search this
Credit Line:
Gift of David Gold
ID Number:
1989.0710.54
Catalog number:
1989.0710.54
Accession number:
1989.0710
See more items in:
Medicine and Science: Mathematics
Science & Mathematics
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-0b14-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_692547

Answer Sheet for Engineering and Physical Science Aptitude Test

Maker:
Psychological Corporation  Search this
Physical Description:
paper (overall material)
Measurements:
overall: 21.5 cm x 28 cm; 8 15/32 in x 11 1/32 in
Object Name:
sheet
Subject:
Mathematics  Search this
Psychological Tests  Search this
Credit Line:
Gift of David Gold
ID Number:
1989.0710.64
Accession number:
1989.0710
Catalog number:
1989.0710.64
See more items in:
Medicine and Science: Mathematics
Science & Mathematics
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-0b1c-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_692557

The Historical Records of the Barnett-Aden Gallery

Creator:
Barnett-Aden Gallery  Search this
Names:
Anacostia Community Museum  Search this
Corcoran Gallery of Art  Search this
Howard University  Search this
Howard University. Gallery of Art  Search this
Aden, Alonzo J., 1906-1963  Search this
Asher, Lila Oliver  Search this
Driskell, David C.  Search this
Ealey, Adolphus  Search this
Greene, Carroll  Search this
Herring, James V. (James Vernon)  Search this
Johnson, Robert L., 1946 April 8-  Search this
Lazzari, Pietro, 1898-1979  Search this
Long, Richard, 1945-  Search this
Porter, James A. (James Amos), 1905-1970  Search this
Roosevelt, Eleanor, 1884-1962  Search this
Spellman, Gladys Noon  Search this
Thomas, Alma  Search this
Wells, James Lesesne, 1902-1993  Search this
Extent:
0.5 Cubic feet
Culture:
African American artists  Search this
Type:
Collection descriptions
Archival materials
Correspondence
Ephemera
Catalogues
Business records
Place:
Washington (D.C.)
South Carolina
Date:
1954-1989
bulk 1961-1977
Summary:
The Historical Records of the Barnett-Aden Gallery showcases one of the first galleries owned and operated by African Americans. The work of the Gallery was invaluable as they opened the exhibition space to established and unknown artists regardless of race or gender.
Scope and Contents:
The Historical Records of Barnett-Aden Gallery collection includes historical background materials on the gallery, its founders James V. Herring and Alonzo Aden as well as Adolphus Ealey, its steward after its closure in 1969. The materials include correspondence, business records, photographs, exhibition catalogues, and clippings.
Arrangement:
The materials in this collection have been kept at the folder level and separated into four series. The materials have been ordered and organized based on the content. Within each series and subseries, the folders are organized as close to the collection's original order as when it was acquired.
Historical Sketch:
The Barnett-Aden Gallery, suggested to be the first African American privately-owned gallery in the U.S, open its doors on October 16, 1943. The gallery was founded by artist and scholar James V. Herring alongside his protegee, curator Alonzo Aden. The gallery was housed in a private home that they shared, located on 127 Randolph Street NW in Washington, DC. These men aimed to create an art gallery that provided a venue for underrepresented artists of all races and genres. It was this partnership that laid the foundation for the shift in African American representation in modern art. Aden stated that the gallery's aims were to help foster new talent while also bringing "art of superior quality" to the community. Throughout its history, the gallery held almost 200 exhibitions and showcased the work of over 400 artists.

James Vernon Herring was born on January 7, 1887 in Clio, South Carolina to an African American mother, Alice Herring (1860-1942), and white father, William Culbreth. As a young man, he moved to Washington, DC for better educational opportunities. Herring was educated at the Howard Academy, a preparatory high school located at nearby Howard University campus. Herring received his undergraduate degree from Syracuse University and completed graduate studies at Columbia and Harvard Universities. Trained in art and classical studies with a focus on French impressionism, Herring was initially brought on Howard University's faculty as architecture instructor in 1920. This experience inspired Herring to create the Department of Art at the university where he convinced former home economics student and future prominent visual artist, Alma Thomas to be the art school's first graduate in 1924. Herring continued to mentor and discover young artists as was the case with Alonzo Aden.

Alonzo Aden was born on May 6, 1906 in Spartanburg, South Carolina to Naomi Barnett (1883-1956) and Ephraim Aden (1859-1917). His working-class parents wanting more for their eldest son, decided to send him to live with relatives in Washington, DC for greater educational opportunities. Aden did well academically and completed some studies at Hampton Institute (now Hampton University) before finally entering Howard University in 1927. The following year, Herring opened the Howard University Gallery of Art and installed Aden as its first curator. Aden initially pursued a career as an educator but became more interested in art history and after his graduation from Howard in 1933, he pursued studies in museum and curatorial work.

Recent scholarship has suggested that Herring and Aden were in a romantic as well as working relationship. Working together in the Howard Gallery of Art, they sought to provide a space for art students, local artists and other relatively unknown artists from around the world. Living together since 1929, Herring supported Aden's post-graduate pursuits including his studies of African arts and crafts in galleries across Europe as well as his curatorial work at the American Negro Exposition in Chicago in 1940. Aden returned to Washington to great acclaim and continued his work with Herring at the Howard Gallery of Art.

The Gallery was housed in a Victorian townhouse located in the then middle-class African American neighborhoods of LeDroit Park and Logan Circle (present-day Bloomingdale). Research notes that the house was purchased during the late 1920s by Herring with some assistance of artist Alma Thomas (or vice versa). Both were listed as owners of the property until 1933 when Aden was listed as the co-owner. In 1943, Aden resigned as head of the Howard Gallery for unknown reasons which led Herring and Aden to open a gallery in their home. The gallery was named after Aden's mother Naomi, who also served as an early benefactor of the gallery giving $1,000 in support. It was the support of various benefactors alongside Herring's salary as a Howard professor and Aden's several "government jobs" that kept the gallery afloat during its time in the home. The first floor of the gallery consisted entirely of exhibition space with the second-floor space interchanged between exhibition, study, and living spaces over the years. Herring's library, also located on the upper floors, was used for research by students and local scholars. Herring and Aden never saw the gallery as a truly profitable venture but instead wanted to offer avenues for the artists to showcase their work. As policy, each artist retained all money earned from sales but were required to donate at least one work of art to the Barnett-Aden collection.

The gallery, the first of its kind in Washington at the time, exhibited works of artists regardless of race; African American artists displayed alongside their more notable white peers. Notable artists featured in the gallery include Henri Matisse, Paul Cezanne, Pablo Picasso, Marc Chagall, and M.C. Escher were exhibited alongside notable African American artists Richmond Barthé, Romare Bearden, Elizabeth Catlett, Charles White, Selma Burke as well as many others. Several Howard professors who went on to have notable art careers also exhibited their work at the gallery including James Porter, Lois Mailou Jones, and James Lesesne Wells. Many of the artists featured in the gallery were also greatly involved in the operations. Alma Thomas served gallery's vice president before she began exhibiting her work there in 1950s. Artist and scholar, David Driskell served as the associate director of the gallery after Aden's death.

The gallery held five to eight exhibitions every year including a special annual anniversary exhibition. In 1944, the gallery opened a show featuring Brazilian modern artist, Candido Portinari, who had previously completed a mural at the Library of Congress, that sparked great interest at the gallery. The exhibition opening brought in visitors from all over Washington including members of the president's cabinet, foreign ambassadors and First Lady Eleanor Roosevelt. This renewed interest created a somewhat hectic pace in keeping up with the work of the gallery. This pace coupled with the full-time jobs and other ventures including a gift shop enabled the gallery to act as a luminary of the African American and local arts community in Washington.

In 1961, while preparing for the annual anniversary exhibition, Alonzo Aden died suddenly. Herring with aid of his friends and students took on the management of the gallery after his partner's death but was unable to keep the pace of Aden's work and the attendance declined. In 1969, Herring died in the home leaving behind a formidable legacy. The home and its contents including the gallery's art collection was sold in order to settle the debts of Herring's estate. The collection was divided amongst three individuals. Artist and former Herring student, Adolphus Ealey inherited the bulk of the collection that featured 250 significant works. Herring's books, graphic drawings, and prints were given to Herring associate and friend, Dr. Felton J. Earls, while the sculptures went to art collectors and friends Dr. and Mrs. Cecil Marquez.

The portion of the collection owned by Ealey was described as the preeminent selection from the gallery's collection. The size and ongoing upkeep of the collection was significant which caused the collection to be moved several times over the years. The collection which out of necessity was originally stored in Ealey's Southwest Washington apartment then moved a to a house in LeDroit Park and then to another space in the Washington neighborhood of Fort Lincoln. Ealey collaborated with colleagues and institutions to have it exhibited in various locations but also bid to find the collection a permanent home. During the 1970s, the collection was featured at the Museum of Afro-American Culture and History in Philadelphia, the Anacostia Neighborhood Museum (now the Smithsonian Anacostia Community Museum) and the Corcoran Gallery of Art.

Unable to find an institutional home for the collection, Ealey was forced to sell the collection in 1989 to the Florida Endowment Fund for Higher Education. Ealey stipulated that collection must remain intact but also that the new owners had to develop educational and outreach programs focused on African Americans in the arts. Failing to find consistent opportunities to exhibit the collection, the owners were forced to sell the collection. In 1998, Robert L. Johnson, then chairman and founder of the television channel, Black Entertainment Television (BET), purchased the collection. The collection went on a national tour then was displayed for some time at the BET headquarters in Washington. In 2015, Johnson donated selections from the gallery collection to the Smithsonian National Museum of African American History and Culture in an effort to preserve the legacy of the Barnett-Aden Gallery and the tireless work of James V. Herring and Alonzo Aden for generations to come.

Historical Timeline

1897 -- James Vernon Herring was born January 7 in Clio, South Carolina.

1906 -- Alonzo James Aden was born May 6 in Spartanburg, South Carolina.

1914-1916 -- While attending Syracuse University, Herring taught summer classes at Wilberforce University in Ohio for two summers.

1917 -- Herring graduated from Syracuse University with a Bachelors of Pedagogy in Art degree.

1917-1920 -- Herring served as YMCA secretary for the YMCA in Muscle Shoals, Alabama, and then Camp Lee, Virginia. Herring also held teaching positions at Straight College in New Orleans and Bennett College in North Carolina

1920 -- Alonzo was sent to Washington, D.C. to live with his uncle, James Aden, and his wife Laura.

1921 -- Herring was initially hired as architectural drawing instructor at Howard University and after negotiations established Department of Art later that same year.

1927 -- Herring organized an exhibition of Howard U. students' artwork that toured the Deep South U.S. Aden enrolled in Howard University in pursuit of an education degree.

1930 -- The Howard University Gallery of Art formally opened on April 7. Aden was hired as gallery assistant.

1933 -- Aden received his Bachelor of Arts in Education; Herring added Aden's name as co-owner of the 127 Randolph Place home.

1934-1939 -- Aden engaged in post-graduate study and museum curatorial work around the U.S. and Europe.

1940 -- Aden served as art curator for the American Negro Exposition (the "Negro's World Fair") in Chicago

1943 -- Aden resigned his position at the Howard University Gallery of Art for undisclosed reasons. The Barnett-Aden Gallery was founded by James V. Herring and Alonzo Aden. The first exhibition, "American Paintings for the Home" featured Elizabeth Catlett, Lois Mailou Jones, Malvin Gray Johnson, James Lesesne Wells, Jacob Lawrence, and many others.

1944 -- First anniversary exhibition featuring artist Candido Portinari, Brazilian artist who was already known in Washington from his mural for the Library of Congress. It was attended by the First Lady, Eleanor Roosevelt. Exhibition, "The Negro in Art" and "American Paintings for the Home" featuring Catlett, James A. Porter, Wells, Jones, Richmond Barthé, Hale Woodruff, Betsy Graves Reyneau and others.

1946 -- Exhibition, "Paintings by Lois Mailou Jones" and featured paintings of Jacob Lawrence for Third Anniversary exhibition.

1947 -- Fourth Anniversary Exhibition, "Recent Paintings by Charles White". Exhibition of Elizabeth Catlett, "Paintings, Sculpture, and Prints of The Negro Woman".

1948 -- Exhibition, "Paintings and Drawings by James A. Porter".

1949 -- Exhibition, "Sylvia Carewe".

1950 -- "Exhibition of Six Washington Artists" featuring Romare Bearden, Samuel Bookatz, Bernice Cross, Robert Gates, Norma Mazo, and James A. Porter. "Exhibition "Paintings and Prints by James Lesesne Wells."

1951 -- Exhibition, "Three Washington Artists" featuring Richard Dempsey, Sam Herman, and Jack Perlmutter Exhibition, "Herman Maril: Paintings in Retrospect, 1931-1951"

1953 -- Tenth Anniversary Exhibition, "Eighteen Washington Artists" featuring Sarah Baker, Samuel Bookatz, William Calfee, Bernice Cross, Robert Franklin Gates, Jacob Kainen, Marjorie Phillips, James Porter, and James Lesesne Wells.

1954 -- Exhibition "Six Washington Painters" featuring Theresa Abbott, Gabriel Cherin, Gloria Besser Green, Alma W. Thomas, and Anita Wertheim.

1955 -- Twelfth anniversary exhibition focused on "Jack Perlmutter".

1957 -- Exhibition, "David C. Driskell: Exhibition of Paintings"

1958 -- Exhibition "Norman Lewis: Paintings"

1959 -- Sixteenth Anniversary Exhibition of "Paintings by Pietro Lazzari, Helen Rennie, Alma Thomas, Andrea De Zerega". Exhibition of "Religious Paintings and Prints by James L. Wells and Sculpture by Selma Burke"

1962 -- Alonzo Aden died suddenly at the age of 56 on October 13 in Washington D.C. Herring solely inherits the Gallery collection.

1969 -- Herring dies at age 84 in Washington, DC. on May 29. Artist Adolphus Ealey inherits the bulk of the gallery collection along with Dr. Felton J. Earls and Dr. and Mrs. Cecil Marquez.

1974 -- Two exhibitions of the collection at the Anacostia Neighborhood Museum and the Corcoran Gallery of Art.

1989 -- Collection sold to Florida Endowment Fund for Higher Education.

1998 -- Robert Johnson, founder and former CEO of Black Entertainment Television (BET) purchased the entire collection and serves as administrators over the collection.
Provenance:
Acquired through a purchase by the Smithsonian National Museum of African American History and Culture.
Restrictions:
Collection is open for research. Access to collection materials requires an appointment.
Rights:
The NMAAHC Archives can provide reproductions of some materials for research and educational use. Copyright and right to publicity restrictions apply and limit reproduction for other purposes.
Topic:
Photographs  Search this
Art  Search this
Business  Search this
LGBTQ  Search this
Museums  Search this
Painting, American  Search this
Galleries  Search this
Education  Search this
finance  Search this
Local and Regional  Search this
HBCUs (Historically Black Colleges and Universities)  Search this
Genre/Form:
Correspondence
Ephemera
Catalogues
Business records
Citation:
Historical Records of the Barnett-Aden Gallery, Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.A2014.63.32
See more items in:
The Historical Records of the Barnett-Aden Gallery
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_collection:sova-nmaahc-a2014-63-32

Albert Christ-Janer papers

Creator:
Christ-Janer, Albert, 1910-1973  Search this
Names:
Michigan State University -- Faculty  Search this
New York University -- Faculty  Search this
Pennsylvania State University -- Faculty  Search this
Pratt Institute -- Faculty  Search this
Stephens College  Search this
University of Chicago -- Faculty  Search this
University of Georgia -- Faculty  Search this
Bingham, George Caleb, 1811-1879  Search this
Christ-Janer, Virginia Morgan Carpenter  Search this
Robinson, Boardman, 1876-1952  Search this
Saarinen, Eliel, 1873-1950  Search this
Zoller, Edwin W., 1900-1967  Search this
Extent:
54.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Christmas cards
Sound recordings
Blueprints
Scrapbooks
Photographs
Prints
Drawings
Sketches
Date:
1915-circa 1993
bulk 1930-1981
Summary:
The papers of art historian, educator, painter, and printmaker Albert Christ-Janer measure 56.3 linear feet and date from 1915 to circa 1993, with the bulk of the materials dating from 1930 to 1981. The papers include biographical materials, personal and professional correspondence, writings, professional files, project files, teaching files, exhibition files, financial and estate records, printed material, scrapbooks and scrapbook material, photographs, artwork, and artifacts.
Scope and Contents:
The papers of art historian, educator, painter, and printmaker Albert Christ-Janer measure 56.3 linear feet and date from 1915 to circa 1993, with the bulk of the materials dating from 1930 to 1981. The papers include biographical materials, personal and professional correspondence, writings, professional files, project files, teaching files, exhibition files, financial and estate records, printed material, scrapbooks and scrapbook material, photographs, artwork, and artifacts.

Biographical material includes address books; awards, certificates and diplomas; chronologies, biographies, and resumes; material relating to Albert Christ-Janer's death, including memorial services and a sound tape reel memorial; and information and blueprints for residences, among other materials.

Correspondence includes Christmas cards from other artists and professional correspondence, much of it relating to his work at various institutions, including Michigan State University, New York University, Pennsylvania State University, Pratt Institution, and foundations. Also included is Virginia Christ-Janer's correspondence regarding Christ-Janer's artwork and career, his death in Italy, as well as general correspondence and letters between Virginia and Albert. Additional correspondence is found within the Professional Files, Project Files, and Teaching Files.

Writings by Christ-Janer include articles, book reviews, essays, notes, and eleven notebooks. There are also a few miscellaneous articles and writings about Christ-Janer written by others. There are 38 annotated appointment notebooks and five of Virginia Christ-Janer's annotated appointment books. Annotations are about meetings, travel, and general thoughts.

Albert Christ-Janer's book projects are documented in the Project Files series. There are drafts, manuscripts, research, and correspondence relating to the research, writing, and publication of five of his books, including George Caleb Bingham of Missouri (Dodd, Mead and Company, 1940), Boardman Robinson (Unversity of Chicago Press, 1946), Eliel Saarinen (University of Chicago Press, 1948), and Modern Church Architecture, with Mary Mix Foley (McGraw-Hill, 1962), and Modern Hymns (1980). Project files also include files regarding proposed projects.

Professional files document Christ-Janer's work at various institutions, as a consultant, on juried art exhibitions, memberships in arts associations, activities at conferences and committees, and the development of art centers in cities and educational institutions. There is significant documentation of his work planning and developing an arts center in New York City and at New York University, as well as his positions at Pennsylvania State University, Pratt Institute, University of Chicago, and University of Georgia. Also found are materials relating to professional trips taken to El Paso, Italy, Scandinavia, and other parts of Europe.

Teaching files consist of syllabi, lecture notes and course materials, class record books, and other documents for positions at New York University, Pennsylvania State University, Stephens College, University of Georgia, and other institutions. Exhibition files are comprised of lists, prizes and awards, and other scattered documentation of Christ-Janer's solo and group exhibitions.

Financial and estate records include five account books, miscellaneous bills and receipts, a will and estate taxes and financial papers, and files for gallery transactions, lists of galleries representing Christ-Janer, lists of museum and private collectors of Christ-Janer's artwork. Printed materials include exhibition catalogs and announcements, published versions of Christ-Janer's books, books written by others and annotated by Christ-Janer, clippings, magazines, reviews, and printed material relating to Pratt Institute. There is one bound scrapbook and several files of loose scrapbook materials.

The scrapbooks series consists of one completed scrapbook concerning Christ-Janer's book on George Caleb Bingham, as well as several folders of general scrapbook files.

Photographs and slides depict Albert Christ-Janer, family, friends, artists, colleagues, exhibitions, and also include photographs compiled for published books.

Artwork includes numerous drawings, sketches, one sketchbook, and 111 lithographs by Albert Christ-Janer. There are also sketches and drawings by Charles Massey, John D. Whiting, Edwin Zoller, and others. Miscellaneous artifacts include a business card die, exhibition medals and trophy, handmade paperweight, a block-printed piece of fabric, and three graduation hoods.
Arrangement:
This collection is arranged as 14 series:

Series 1: Biographical Material, circa 1930-circa 1986 (Boxes 1-2, 51, 53, 67, OV 54, OV 57; 2.1 linear feet)

Series 2: Correspondence, circa 1937-1990 (Boxes 2-16, 51, 67, OV 55; 15.1 linear feet)

Series 3: Writings, circa 1930s-1972 (Boxes 16-18, 51; 1.5 linear feet)

Series 4: Appointment Books, 1939-1973 (Boxes 18-21; 2.9 linear feet)

Series 5: Professional Files, circa 1933-circa 1986 (Boxes 21-28, 51-52, 67-69; 10 linear feet)

Series 6: Project Files, 1937-circa 1981 (Boxes 28-34, 51, 69; 6.1 linear feet)

Series 7: Teaching Files, circa 1939-circa 1973 (Boxes 34-35; 0.6 linear feet)

Series 8: Exhibition Files, circa 1938-circa 1992 (Boxes 35-38; 2.7 linear feet)

Series 9: Financial and Estate Records, circa 1947-1992 (Boxes 38-40; 2.4 linear feet)

Series 10: Printed Material, 1915-circa 1993 (Boxes 40-49, 51-52, 69; 8.7 linear feet)

Series 11: Scrapbooks, circa 1936-circa 1952 (Boxes 49, 51; 0.5 linear feet)

Series 12: Photographs, circa 1937-circa 1986 (Boxes 49-51, OV 56; 0.7 linear feet)

Series 13: Artwork, circa 1933-circa 1970s (Boxes 50-52, 69, OV 58-66; 1.1 linear feet)

Series 14: Artifacts, 1923-circa 1986 (Boxes 50, 53; 0.9 linear feet)
Biographical / Historical:
Albert Christ-Janer (1910-1973) was a painter, printmaker, art historian, writer, and educator active at colleges and universities across the U.S.

Albert Christ-Janer was born in Appleton, Minnesota in 1910 and studied at the Art Institute of Chicago, Yale University, and Harvard University. Christ-Janer wrote about American artists Boardman Robinson and John Caleb Bingham, and taught at a variety of institutions, including Stephens College, Cranbrook Academy, Pratt Institute Art School, and the University of Georgia. He was also an artist-in-residence at Tamarind Lithography Workshop in 1972.

Christ-Janer began his teaching career at Stephens College in Columbia, Missouri in 1934, and soon became head of the art department. He moved to Michigan to accept the position of head of the art department and professor of art at Michigan State University in 1942. In 1945, he began working for the Cranbrook Academy in Bloomfield Hills, Michigan, serving as director of the educational program, director of the museum and library, and professor of art history.

In 1947, Christ-Janer moved to Chicago and worked at the University of Chicago and the Arts Center Association, Inc. In the 1950s, he served as director of Arts Center Development at New York University, director of the School of Arts at Pennsylvania State University, and on the Lake Erie College Board of Trustees. In 1958, he moved to New York and become dean of the School of Art and Design at the Pratt Institute in Brooklyn, later becoming director. He left Pratt in 1970 to accept the position of Fuller E. Callaway Professor of Art at the University of Georgia, where he remained until his tragic death in 1973.

Christ-Janer was the author of several books: Art in Child Life (University of Iowa Press, 1938), George Caleb Bingham of Missouri (Dodd, Mead and Company, 1940), Boardman Robinson (Unversity of Chicago Press, 1946), Eliel Saarinen (University of Chicago Press, 1948), and Modern Church Architecture, with Mary Mix Foley (McGraw-Hill, 1962).

Albert Christ-Janer was a Guggenheim Fellow in 1950, awarded the Rockefeller Award in 1954, and the Guggenheim Award in 1960. He was also awarded multiple grants from the American Philosophical Society and the J. M. Kaplan Fund for research and work in lithography, as well as multiple Arthur Judson grants. In 1972 Christ-Janer was the Tamarind artist-in-residence at the University of New Mexico in Albuquerque.

Christ-Janer traveled often. In 1962 he was a guest of the Bonn government for two months to visit museums and schools of design in Germany. And in 1964, he was a guest of the governments of Denmark, Norway, Finland, and Sweden for two months to study schools, museums, and cultural centers. In July of 1973, Christ-Janer was the official NASA artist for the Skylab III launch, and in October of 1973, he was the studio guest of the Norway-America Association and the Norwegian government in Oslo. From November to December of 1973, Christ-Janer was the scholar-in-residence at the Study and Conference Center of the Rockefeller Foundation (Centro Culturale delle Fondazione Rockefeller), at the Villa Serbelloni in Bellagio (Como), Italy.

Albert Christ-Janer was killed in an automobile accident in Bellagio (Como), Italy on December 12, 1973.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Albert Christ-Janer conducted by Dorothy Seckler, March 21, 1964.

Albert Christ-Janer's research materials for his book American Hymns Old and New (1980) are found at the St Olaf College in Northfield, Minnesota, a center for the study of hymns.
Provenance:
The Albert Christ-Janer papers were donated by Virginia Christ-Janer in 1980-1981 and 1994.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- Georgia  Search this
Painters -- Georgia  Search this
Art historians -- Georgia  Search this
Topic:
Art -- Study and teaching  Search this
Genre/Form:
Sketchbooks
Christmas cards
Sound recordings
Blueprints
Scrapbooks
Photographs
Prints
Drawings
Sketches
Citation:
Albert Christ-Janer papers, 1915-circa 1993, bulk 1930-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.chrialbe
See more items in:
Albert Christ-Janer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chrialbe

Heinz Warneke papers

Creator:
Warneke, Heinz (Heinrich), 1895-1983  Search this
Names:
Corcoran School of Art (Washington, D.C.) -- Faculty  Search this
United States. Work Projects Administration  Search this
Archer, Edmund, 1904-  Search this
Diederich, William Hunt, 1884-1953  Search this
Hancock, Walker Kirtland, 1901-1998  Search this
Hopper, Inslee  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
6.65 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Date:
1928-1987
Scope and Contents:
Biographical material, financial material, correspondence, notes, writings, art work, photographs, printed material, and project files document the career of sculptor and educator, Heinz Warneke. Also included are some writings, art work, photographs, and printed material related to his wife, Jessie Warneke.
Biographical materials include autobiographical and biographical sketches about Warneke, and certificates, including his membership card to the Kunstler-Bund-Bremen, 1922-1923; personal financial materials, ca. 1931-1937, include household records for his East Haddam, Connecticut home, "The Mowings."
Correspondence, 1930-1987, with his wife, Jessie, friends, colleagues, clients, gallery owners, museum and art school administrators, various art guilds and societies, and foundries. Among the correspondents are Edmund (Ned) Archer, William Hunt Diederich, Walker Hancock, Dick and Julia Helms, Inslee A. Hopper, Rena T. Magee, Jessalee Sickman, Henry Vam Wolf, and Carl Zigrosser. The correspondence discusses exhibitions and sales of Warneke's sculptures, the Corcoran School of Art, and invitations to various White House and Embassy functions in Washington, D.C. Also included are illustrated letters from Henry Kriess and Jessie Warneke.
Notes are by Heinz Warneke, ca. 1928-1979, and others and include 5 address books, 2 notebooks, one regarding the Warneke School of Sculpture, ca. 1935-1937, scattered notes regarding Warneke's sculpture classes at the Corcoran School of Art, ca. 1950-1963, his formulas and processes for sculpting, and price lists for his art works. Notes by ohters include a guest book from the exhibition, "Heinz Warneke Looks Back," 1967 and research notes by Mary Mullen Cunningham, undated. Writings, ca. 1923-1977, by Heinz Warneke and others, include lectures, forewords to exhibition catalogs, and a statement of "Opinion regarding the Philosophy of the Corcoran School of Art and the Direction it should take."
Art works, ca. 1929-1932, include 2 sketchbooks, studies of figures, animals, and plant life, watercolors, several chalk sketches for a work possibly depiction life at "The Mowings," by Warneke, several sketches by Jessie Warneke, an etching, and three engravings by others. Photographs, ca. 1918-1983, are of Heinz, family and friends including Edmund Archer, Inslee Hopper, Roderick Seidenberg, Carl Zigrosser, his pet dogs, his homes and studios in Connecticut, New York, and Washington, D.C., students, travels, art works by Heinz and Jessie, exhibition installations, and source material.
Printed material include exhibition announcements and catalogs and clippings, and other materials for Heinz, Jessie, and others, ca. 1923-1981. There is a file regarding Warneke's participation on the jury for the Thomas Jefferson Memorial Committee, 1939-1940, and circa 136 project files for completed and proposed sculpture works for public and private commissions which include various works for the National Cathedral, Washington, D.C., an African cow elephant and calf for the Philadelphia Zoo, the Nittany Lion for Pennsylvania State University, and several Works Project Authority (WPA), and other federal projects, ca., 1911-1971.
Biographical / Historical:
Heinz Warneke (1895-1983) was a sculptor, animal sculptor and educator in East Haddam, Connecticut. Born and trained in Germany, Warneke worked on sculpture projects for WPA and was the head of the sculpture department at the Corcoran School of Art from the early 1940's to 1970.
Related Materials:
Heinz Warneke papers also at Syracuse University.
Provenance:
Donated 1977 by Warneke, and in 1983-1984, and 1994 by his stepdaughter and executrix of his estate, Priscilla Norton. The 1994 installment had been used by Micky Cunningham in her book, "Heinz Warneke, 1895-1983: A Sculptor First and Last" (University of Delaware Press, 1994). Additional photograph of Warneke by his stepson Edward Hall transferred 2013 from SAAM via George Gurney, Curator. Gurney received the photograph from Priscilla Norton.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Animal sculptors -- Connecticut -- East Haddam  Search this
Sculptors -- Connecticut -- East Haddam  Search this
Topic:
Sculpture -- Study and teaching  Search this
Sculpture, Modern -- 20th century -- United States  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.warnhein
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-warnhein

George J. Klima collection

Director:
Klima, George J., 1922-2016  Search this
Extent:
2 Videocassettes (VHS)
33 Sound tape reels (1/4 inch)
1 Sound cassette
16 Film reels (16mm and Super 8mm)
1.04 Linear feet
Type:
Collection descriptions
Archival materials
Videocassettes (vhs)
Sound tape reels
Sound cassettes
Film reels
Date:
1953-2014, undated
Summary:
The George J. Klima collection documents his field work, published works, and professional activities from 1953-2014 and primarily deal with his work studying cattle herding and kinship among the Barabaig in northern Tanzania. The collection consists of camera original film and sound recordings, photographs, field notes, and publications (text and audiovisual). Also included are correspondence; teaching and adminstrative materials from his time as a professor at the State University of New York at Albany (SUNY Albany); and personal audiovisual recordings including experimental films.
Scope and Contents:
The George J. Klima collection documents his field work in Tanzania with the Barabaig, publications stemming from that field work, and other professional activities over the period 1953-2014 and undated. The collection consists of camera original film and sound recordings, photographs, field notes, correspondence, publications, research and teaching materials, and personal audiovisual recordings.

Film and audio materials include documentation of Barabaig rituals and everyday life, with a particular emphasis on cattle herding and markets. 35mm color slides include a notable selection of portraits of Barabaig women. Field notes provide some context to these materials, but stand on their own as resources on Barabaig kinship, language, and culture. The collection also includes copies of all of Klima's published Barabaig writings and films, including film scripts, along with correspondence with publishers and field informants.

Of note among the general anthropological research materials are a series of taped live lectures by noted anthropologists and artists, including Margaret Mead, Edmund Carpenter, and Marvin Harris, among others; these recordings often include audience questions and informal discussion with the lecturer. Also included in this collection are a selection of published material by others on the Barabaig; teaching films, slides, correspondence and administrative materials from his time as a professor at the State University of New York at Albany (SUNY Albany); and personal audiovisual materials including experimental films.
Arrangement:
The George J. Klima collection is arranged in 3 series: Series 1: Barabaig field work, 1953-1998, undated; Series 2: Barabaig publications, 1955-2014, undated; Series 3: Other professional activities, 1952-1993, undated.
Biographical / Historical:
George J. Klima was a cultural anthropologist known for his work on the Barabaig, a nomadic cattle-herding tribe in northern Tanzania, upon whom he published both written and visual ethnographies. Klima was an associate professor in the Anthropology Department at the State University of New York at Albany (SUNY Albany) from 1968 through his retirement, circa 1992, upon which he served as associate professor emeritus until circa 2014.

Born on July 29, 1922, in New York City, Klima served in the United States Navy from 1942-1945 before earning a bachelor's degree in Psychology and Anthropology from Syracuse University in Syracuse, New York (1952). He then conducted anthropological fieldwork among the Barabaig over two periods, April 1955 through November 1956 and May 1958 through October 1959. In 1965, Klima earned a Ph.D. in Cultural Anthropology from the University of California at Los Angeles (UCLA) with studies in social anthropology and linguistics. His dissertation, entitled "Kinship, Property, and Jural Relations Among the Barabaig," drew on this fieldwork, as did his two major publications: The Barabaig: East African Cattle-Herders (book, 1970) and Barabaig (film, 1979).

Prior to joining the faculty at SUNY Albany, Klima taught and lectured at UCLA, the University of Southern California, and California State College at Los Angeles. Among other subjects, Klima taught ethnographic filmmaking. He described the process of filmmaking as "teleological," in that short- and long-term filming goals inform the very nature of the filmmaking process; his own filmmaking prioritized the capture of "visual fieldnotes" above sequences intended to educate a broader audience (Klima, "Filmmaking as Teleological Process").

Klima died in December 2016 in Lewes, Delaware.

Sources consulted: The George J. Klima collection, National Anthropological Film Collection, Smithsonian Institution; Klima, George J. "Filmmaking as Teleological Process." In Anthropological Filmmaking: Anthropological Perspectives on the Production of Film and Video for General Public Audiences, edited by Jack R. Rollwagen, 223-235. Harwood Academic Publishers: New York, 1988.

1922 July 29 -- Born in New York, New York.

1942-1945 -- United States Navy

1952 -- Bachelor's degree in Psychology and Anthropology, Syracuse University, Syracuse, New York

1955-1959 -- Anthropological fieldwork among the Barabaig, April 1955-November 1956, May 1958-October 1959

1960-1961 -- Graduate assistant and instructor, Syracuse University, Syracuse, New York

1962-1963 -- Instructor, California State College at Long Beach

1962-1966 -- Reader (1962) and lecturer (1966) at University of California at Los Angeles

1963-1968 -- Assistant Professor, California State College at Los Angeles

1964-1967 -- Lecturer (1964-1965, 1966-1967) at University of Southern California

1965 -- Ph.D. in Cultural Anthropology with studies in social anthropology and linguistics, University of California at Los Angeles

1968-circa 1992 -- Associate Professor, State University of New York at Albany

circa 1992-circa 2014 -- Associate Professor Emeritus, Associate Professor, State University of New York at Albany

2016 December -- Died in Lewes, Delaware.
Provenance:
This collection was donated to the National Anthropological Film Collection (formerly the Human Studies Film Archives) by George J. Klima's daughter, Lynn Lemyre, in 2017.
Restrictions:
The George J. Klima collection is open for research. Please contact the archives for information on availability of access copies of audiovisual recordings. Original audiovisual material in the National Anthropological Film Collection may not be played.
Rights:
Contact the repository for terms of use.
Citation:
The George J. Klima collection, National Anthropological Film Collection, Smithsonian Institution.
Identifier:
HSFA.2017.08
See more items in:
George J. Klima collection
Archival Repository:
Human Studies Film Archives
EDAN-URL:
ead_collection:sova-hsfa-2017-08
Online Media:

Wheeler Pedlar Davey (1886-1959)

Subject:
Davey, Wheeler P (Wheeler Pedlar) b. 1886  Search this
Cornell University  Search this
Pennsylvania State College  Search this
Type:
Black-and-white photographs
Topic:
Chemistry  Search this
Physics  Search this
Local number:
SIA Acc. 90-105 [SIA2008-0875]
Restrictions & Rights:
No access restrictions Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu
Copyright Not Evaluated
Data Source:
Smithsonian Institution Archives
EDAN-URL:
edanmdm:siris_arc_296802

Is This John Milton’s Annotated Copy of Shakespeare’s First Folio?

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Tue, 17 Sep 2019 18:15:59 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_761df6c77273ead5fad47ce20501428f

A Macaw Breeding Center Supplied Prehistoric Americans With Prized Plumage

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Mon, 13 Aug 2018 19:01:39 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_a2471f9466c3e87c9e6a2f6f0b145df1

Everything You Ever Wanted to Know About Earth’s Past Climates

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Symposia
Lectures
Blog posts
Published Date:
Mon, 16 Apr 2018 16:22:18 +0000
Topic:
Custom RSS  Search this
See more posts:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_60f7343d38d62c09652d3489fff0a87a

To Stop Mosquito Bites, Silence Your Skin's Bacteria

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Tue, 30 Jun 2015 14:30:00 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_0cbfb0bde65353435df214fc2faa8396

DNA From 12,000-Year-Old Skeleton Helps Answer the Question: Who Were the First Americans?

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Thu, 15 May 2014 18:27:20 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_1bd5291788bc546e8ba263dde6ea9ca0

Ancient Earth Warmed Dramatically After a One-Two Carbon Punch

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Mon, 15 Dec 2014 16:00:00 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_564f468c3c95125ec49c2b3bf17dd956

Solving a Mystery of Mammoth Proportions

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 02 Aug 2016 18:09:05 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_a2f1c26d73783cae026c687e31741eaa

Seismic Slowdowns Could Warn of Impending Earthquakes

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Conversations and talks
Blog posts
Published Date:
Mon, 08 Aug 2016 15:01:00 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_c9572c2c117fbf64bbd4fc161a2398b5

Dialogue and diversity : recent work by faculty in the School of Visual Arts at Penn State : June 28-September 18, 2005, Palmer Museum of Art, the Pennsylvania State University, University Park, Pennsylvania / Leo G. Mazow, curator ; with preface by Charles Garoian and essay by Simone Osthoff

Author:
Mazow, Leo G  Search this
Osthoff, Simone  Search this
Palmer Museum of Art (Pennsylvania State University)  Search this
Subject:
Pennsylvania State University School of Visual Arts Faculty  Search this
Physical description:
62 p. : ill. (some col.) ; 23 x 25 cm
Type:
Exhibitions
Place:
Pennsylvania
University Park
Date:
2005
C2005
21st century
Topic:
Art, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_781688

SVA 2000 : faculty exhibition, School of Visual Arts, Penn State : July 5-September 17, 2000, Palmer Museum of Art, the Pennsylvania State University, University Park, Pennsylvania / Joyce Henri Robinson, curator with essays by Charles Garoian and Gabriel Welcsh

Title:
SVA2000
SVA two thousand
Author:
Robinson, Joyce Henri  Search this
Garoian, Charles R. 1943-  Search this
Welsch, Gabriel  Search this
Pennsylvania State University School of Visual Arts  Search this
Palmer Museum of Art (Pennsylvania State University)  Search this
Subject:
Pennsylvania State University School of Visual Arts  Search this
Physical description:
78 p. : ill. (chiefly col.), ports. ; 29 x 27 cm
Type:
Exhibitions
Place:
Pennsylvania
University Park
Date:
2000
C2000
20th century
Topic:
Art, American  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_621721

Dr. Eva J. Pell Appointed Under Secretary for Science

Subject:
Pell, Eva J  Search this
Rubinoff, Ira  Search this
Alcock, Charles R  Search this
Clough, G. Wayne  Search this
Evans, David L  Search this
Undersecretary for Science  Search this
Date:
August 13, 2009
Topic:
Appointments  Search this
Smithsonian Institution--Employees  Search this
Environmental sciences  Search this
Biologists  Search this
Women Scientists  Search this
Women  Search this
Data Source:
Smithsonian Archives - History Div
EDAN-URL:
edanmdm:siris_sic_12141

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