Search Results

Measurements:

overall: 2 in; 5.08 cm

Object Name:

Button

button, Stop the US War Buildup

button

Associated place:

El Salvador

Subject:

History, Reform Movements, Peace/Anti-War  Search this

ID Number:

1981.0889.03

Accession number:

1981.0889

Catalog number:

1981.0889.03

See more items in:

Political and Military History: Political History, Womens History/Reform Movements Collection

Exhibition:

American Presidency

Exhibition Location:

National Museum of American History

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a3-6a5c-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_528693

Creator:

Beirne, Barbara T.  Search this

Names:

Anderson, Kay  Search this

Baker, Dave  Search this

Berrigan, Philip  Search this

Bolden, Jackie  Search this

Cleaver, Eldridge, 1935-1998  Search this

Coffin, William Sloane  Search this

De Gennaro, Jane  Search this

Garrell, Nancy  Search this

Hawk, David  Search this

Hoffman, Bruce  Search this

Keegan, Leone  Search this

Knight, Dee  Search this

Lewis, John  Search this

Libby, John  Search this

McAllister, Elizabeth  Search this

McNamara, Craig  Search this

Montfort, Bill  Search this

Montfort, Susan  Search this

Moore, Irma  Search this

Rubin, Jerry  Search this

Simon, Doug  Search this

Extent:

0.1 Cubic feet (1 box)

Type:

Collection descriptions

Archival materials

Photographs

Date:

circa 1980s

Summary:

Twenty portraits, taken in the 1980s, of twenty-one men and women who were active in the civil rights and peace movements of the 1960s.

Scope and Contents:

The collection consists of twenty silver gelatin prints, as described on the container list attached. These are exhibition-quality prints, matted, signed by the artist, with subject identification. The prints are arranged in no particular order, but are numbered according to the list. Note that each print therefore has an individual museum catalog number, e.g., 1991.0886.01- unlike the majority of Archive Center collections--and these numbers should be referenced in exhibition and loan transactions.

Arrangement:

Collection is arranged into one series.

Biographical / Historical:

Barbara T. Beirne hold a Master of Fine Arts in Photography form Pratt Institute, Brooklyn New York, and a Bachelor of Fine Arts form Marymount College, Tarrytown, New York. She has been a free-lance photographer, working extensively for non-profit organizations, corporations and newspapers, has shown her work in many solo and group exhibitions, and has been photographer and/or author of a number of children's books (see bibliography, She photographed the subjects of this portfolio for a book by J. and R. Morrison, From Camelot to Kent State.

Ms. Beirne has been a teacher and lecturer in numerous school and libraries in New York, New Jersey, and Pennsylvania, and at this writing is an adjunct professor of photography at County College of Morris, Randolph, New Jersey.

Historical:

In 1985, Joan Morrison and her son Robert K. Morrison conducted approximately one hundred oral history interviews with a wide variety of Americans about their experiences during the 1960s. They also collected photographs of the interviewees--pictures taken during the 1960s and other taken at the time of the interview. Portions of some of these interviews and the photographs are published in their 1987 book, mentioned above. Some of the new photographs, taken by Barbara T. Bierne, were exhibited at the Bridge Gallery, The New School, New York City, from Oct. 2 to Oct 31, 1998. The Morrison collection of audiotapes, transcripts, and other materials form this project was donated to the Archives Center as Collection no. 359. Later in 1991, Barbara Beirne donated twenty exhibition quality, matted photographs from this project (the Morrison Collection was received first, and the earlier number for the Beirne Collection is due to the recycling of an unused number). These prints apparently were made in 1989 and were included in the New School exhibition.

Bibliography

Author and photographer, A Pianist's Debut. Carlrhoda Books, 1990. Author and photographer, Under the Lights. Carlrhoda Books, 1988.

Photographer, What Do You Mean I Have a Learning Disability? Walker Publishers, 1991.

Photographer, Water is Wet. G.P. Putnam's Sons, 1985.

Photographs in: Joan and Robert K. Morrison. From Camelot to Kent State: The Sixties Experience in the Worlds of Those Who Lived It. New York: Times Books, 1987.

Provenance:

Collection donated by Barbara T. Beirne, September 6, 1991.

Restrictions:

Collection is open for research.

Rights:

Barbara Beirne retains copyright. A nonexclusive license was conveyed to the Archives Center through a Deed of Gift signed by the donor. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Vietnam War, 1961-1975 -- Protest Movements  Search this

Civil rights  Search this

Peace movements -- 1960-1970  Search this

Genre/Form:

Photographs -- Black-and-white photoprints -- Silver gelatin -- 1980-2000

Citation:

Barbara Beirne Portrait Photoprints, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0356

See more items in:

Barbara Beirne Portrait Photoprints

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep821bc12f2-560d-429c-8704-1ac336f36c52

EDAN-URL:

ead_collection:sova-nmah-ac-0356

Creator:

Morrison, Joan, -2010  Search this

Morrison, Robert K.  Search this

Beirne, Barbara T.  Search this

Names:

Gold Star Mothers, Inc.  Search this

Peace Corps (U.S.) -- 1960-1970  Search this

Moore, Harold (Gold Star parent)  Search this

Moore, Irma (Gold Star parent)  Search this

Extent:

6 Cubic feet (20 boxes )

Type:

Collection descriptions

Archival materials

Audiocassettes

Transcripts

Photographs

Oral history

Audiotapes

Date:

1985 - 1987

Scope and Contents:

The collection is comprised of 139 audiocassettes (original copies only), 80 transcripts and tape summaries, and photographs (including some negatives). The transcripts and photographs also exist in single copies only, but they may be used with care by researchers.

Arrangement:

The collection is arranged in four series.

Series 1: Original Audio Cassette Tapes, 1983-1986

Series 2: Transcripts/Tape Summaries, 1984-1986

Series 3: Photographs, 1984-1986

Series 4: Reference Tapes and CDs, undated

Biographical / Historical:

In 1985, Joan and Robert Morrison conducted approximately 100 oral history interviews with a wide variety of Americans about their experiences during the 1960s. They also collected photographs of each of their interviewees—one taken during the 1960s and the other taken at the time of the interview. Portions of fifty-nine of those interviews were published in their 1987 book, From Camelot to Kent State: The Sixties Experience in the Words of Those Who Lived It (Times Books). Some of the new photographs, which were taken by Barbara Beirne, also were exhibited at The New School in 1989.

The interviewees include civil rights activists, anti-war activists, Vietnam War soldiers, Gold Star mothers, Peace Corps members, Weathermen, black leaders, and counter culture figures. Some of the narrators are members of the rank-and-file, others played leading roles. The in-depth interviews focus on three main questions: 1) What motivated you to act as you did in the Sixties? 2) What actions did you take and what were the results? 3) How did your experiences in the Sixties affect the way your life has developed since then?

Source Information taken from memo to National Museum of American History Collections Committee.

Provenance:

The Morrison's donated this collection of audiocassettes, transcripts, and photographs to the National Museum of American History Archives Center in 1989.

Restrictions:

Tape recordings not available for playback until researcher copies are made; researchers must use transcripts until then.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Some original interviews have restrictions; these have been withheld by the Morrisons' until they can get clearances from the interviewees.

Topic:

African Americans -- Civil rights  Search this

United States -- History -- 1960-1990  Search this

Vietnam War, 1961-1975 -- Protest Movements  Search this

Peace movements -- 1960-1970  Search this

Soldiers -- 1960-1970  Search this

Civil rights  Search this

Portraits -- 1960-1970  Search this

Civil rights workers  Search this

Genre/Form:

Audiocassettes

Transcripts

Photographs -- Black-and-white photoprints -- Silver gelatin -- 1950-2000

Oral history

Audiotapes

Citation:

Joan and Robert K. Morrison Collection, 1983-1987, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0359

See more items in:

Joan and Robert K. Morrison Collection

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep822fab27b-07fb-46f8-90e2-3cdf43e1aabc

EDAN-URL:

ead_collection:sova-nmah-ac-0359

Creator:

Union of Concerned Scientists  Search this

Organization for Progressive Engineers  Search this

New University Conference  Search this

Scientists for Social and Political Action  Search this

Science Action Coordinating Committee  Search this

Chodos, Alan, Dr.  Search this

Haseltine, Florence P., Dr.  Search this

Massachusetts Institute of Technology  Search this

Extent:

1 Cubic foot (2 boxes, 1 oversize folder)

Type:

Collection descriptions

Archival materials

Posters

Photographs

Programs

Date:

1968 - 1969

Scope and Contents:

The collection covers the period 1968-1969, the blossoming of the anti-Vietnam War protest movement. The papers primarily concern the March 4, 1969 voluntary research stoppage at MIT. This day was set aside to discuss and criticize the cooperation of MIT researchers with the US Department of Defense and included speakers George McGovern and Noam Chomsky as well as many others. The materials include photographs, posters, programs, and coordinating notes concerning this day of non-violent protest. The papers also cover other days of protests, Agenda Days, May 6-8, 1969 and a demonstration held on June 16, 1969, as well as a letter sent to Russian scientists in April 1969. The collection also includes items from other Vietnam War era protest groups: the Union of Concerned Scientists, New University Conference, Scientists for Social and Political Action and the Organization for Progressive Engineers.

The collection is particularly valuable in the picture it presents of the anti-Vietnam War protest movement of the late 1960s and how it grew to include other societal concerns. It is also valuable in the view it presents from inside the movement.

Arrangement:

The collection is arranged into one series.

Biographical / Historical:

The Science Action Coordinating Committee (SACC) was a Massachusetts Institute of Technology (MIT) based graduate student organization active in the Vietnam War protest movement of the late 1960s. Its activities grew to include protests against a variety of social and political targets. Members described themselves as, "a group of graduate students at MIT concerned with social responsibility of scientists."

Provenance:

Donated to the National Museum of American History, Archives Center by Dr. Alan Chodos and Dr. Florence P. Haseltine in 1992.

Restrictions:

Collection is open for research.

Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Topic:

Peace movements -- 1960-1970  Search this

Vietnam War, 1961-1975 -- Protest Movements  Search this

Universities and colleges  Search this

Genre/Form:

Posters

Photographs -- 1960-1970

Programs

Citation:

The Science Action Coordinating Committee Papers, Archives Center, National Museum of American History.

Identifier:

NMAH.AC.0473

See more items in:

Science Action Coordinating Committee Papers

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8dcb786de-b934-49e0-a680-ca31031b20f5

EDAN-URL:

ead_collection:sova-nmah-ac-0473

Author:

International Convention for the Roerich Pact and Banner of Peace (3rd : 1933 : Washington, D.C.)  Search this

Subject:

Roerich, Nikolaĭ Konstantinovich 1847-1947  Search this

Physical description:

v. ; 19 cm

Type:

Congresses

Date:

1933

1933-

Topic:

Peace movements  Search this

Peace in art  Search this

Roerich pact  Search this

Art treasures in war  Search this

Call number:

N8750 .I615 1933

N8750.I615 1933

Data Source:

Smithsonian Libraries

EDAN-URL:

edanmdm:siris_sil_441294

Object Name:

Button

Subject:

War  Search this

Anti-War Movement  Search this

Anti-imperialist movements  Search this

Foreign intervention  Search this

Central America  Search this

Latin America  Search this

Latino  Search this

Hispanics  Search this

Buttons, Badges, Ribbons  Search this

Credit Line:

Sule Gregory C. Wilson

ID Number:

1992.0592.02

Catalog number:

1992.0592.02

Accession number:

1992.0592

See more items in:

Political and Military History: Political History, General History Collection

Government, Politics, and Reform

Military

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a9-ae4c-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_1127121

Physical Description:

leather (cover material)

Measurements:

overall: 15 3/4 in x 10 1/2 in; 40.005 cm x 26.67 cm

Object Name:

Petition

Associated place:

United Kingdom: Galles

Date made:

1924

Associated date:

1923

1924

Subject:

History, Reform Movements, Peace/Anti-War  Search this

Women's History  Search this

Women's Suffrage  Search this

United Kingdom  Search this

Credit Line:

Women's World Court Commission

ID Number:

PL.034964

Accession number:

034964

Catalog number:

34964.86471

See more items in:

Political and Military History: Political History, Womens History/Reform Movements Collection

Data Source:

National Museum of American History

GUID:

http://n2t.net/ark:/65665/ng49ca746a3-66cb-704b-e053-15f76fa0b4fa

EDAN-URL:

edanmdm:nmah_529604

Published by:

MelPat Associates, American, 1965 - 1986  Search this

Created by:

C. Melvin Patrick, American, died 1985  Search this

Amos T. Hall, American, 1896 - 1971  Search this

Subject of:

New York Giants, American, founded 1925  Search this

National Pan-Hellenic Council, American, founded 1930  Search this

Prince Hall Freemasonry, founded 1784  Search this

Dr. Ralph Bunche, American, 1903 - 1971  Search this

Southern Christian Leadership Conference, American, founded 1957  Search this

National Newspaper Publishers Association, American, founded 1827  Search this

Adam Clayton Powell Jr., American, 1908 - 1972  Search this

National Black Political Convention, 1971 - 1972  Search this

Logan H. Westbrook, American  Search this

Roy Wilkins, American, 1901 - 1981  Search this

National Association for the Advancement of Colored People, American, founded 1909  Search this

Lambda Kappa Mu Sorority, Inc., American, founded 1937  Search this

Tufts University, American, founded 1852  Search this

Democratic Party, American, founded 1828  Search this

National Insurance Association, American, founded 1921  Search this

National Urban League, American, founded 1910  Search this

National Council of Negro Women, founded 1935  Search this

Republican Party, American, founded 1854  Search this

American Bridge Association, American, founded 1932  Search this

Zeta Phi Beta Sorority, American, founded 1920  Search this

Phi Beta Sigma Fraternity, American, founded 1914  Search this

The Drifters, Inc., American, founded 1957  Search this

National Association of Negro Business and Professional Women's Clubs, Inc., American, founded 1935  Search this

Sigma Gamma Rho Sorority, Inc., founded 1922  Search this

Patti Austin, American, born 1950  Search this

National Funeral Directors and Morticians Association, Inc., American, founded 1924  Search this

National Dental Association, American, founded 1913  Search this

George Leslie Brown, American, 1926 - 2006  Search this

Alpha Kappa Alpha Sorority, Incorporated, founded 1908  Search this

Alpha Phi Alpha Fraternity, Inc., American, founded 1906  Search this

Otha N. Brown Jr., American, 1931 - 2009  Search this

Shriners International, American, founded 1870  Search this

Gladys W. Dixon, American, born 1901  Search this

Daughters of Isis, American, founded 1910  Search this

National Medical Association, American, founded 1895  Search this

National United Church Ushers Association of America, Inc., American, founded 1919  Search this

Shirley Anita Chisholm, American, 1924 - 2005  Search this

National Alliance of Postal and Federal Employees, American, founded 1913  Search this

369th Veterans Association, American  Search this

Improved Benevolent and Protective Order of the Elks of the World, American, founded 1898  Search this

Medium:

ink on paper

Dimensions:

H x W x D: 11 × 8 7/16 × 3/8 in. (28 × 21.5 × 0.9 cm)

Type:

magazines (periodicals)

Place made:

Harlem, New York City, New York, United States, North and Central America

Place depicted:

Miami, Dade County, Florida, United States, North and Central America

Detroit, Wayne County, Michigan, United States, North and Central America

California, United States, North and Central America

Colorado, United States, North and Central America

Connecticut, United States, North and Central America

Saint Louis, Missouri, United States, North and Central America

Atlanta, Fulton County, Georgia, United States, North and Central America

Martha's Vineyard, Oak Bluffs, Dukes County, Massachusetts, United States, North and Central America

Date:

1972

Topic:

African American  Search this

Advertising  Search this

Associations and institutions  Search this

Black Press  Search this

Business  Search this

Communities  Search this

Fraternal organizations  Search this

Fraternities  Search this

Funeral customs and rites  Search this

Government  Search this

HBCUs (Historically Black Colleges and Universities)  Search this

Journalism  Search this

Labor  Search this

Mass media  Search this

Men  Search this

Political organizations  Search this

Politics  Search this

Professional organizations  Search this

Religion  Search this

Sororities  Search this

U.S. History, 1969-2001  Search this

Urban life  Search this

Women  Search this

Women's organizations  Search this

Credit Line:

Collection of the Smithsonian National Museum of African American History and Culture, Gift of Anne B. Patrick and the family of Hilda E. Stokely

Object number:

2012.167.6

Restrictions & Rights:

Public domain

See more items in:

National Museum of African American History and Culture Collection

Classification:

Documents and Published Materials-Published Works

Data Source:

National Museum of African American History and Culture

GUID:

http://n2t.net/ark:/65665/fd57be2842a-c611-469d-b78d-3ea1f77c7055

EDAN-URL:

edanmdm:nmaahc_2012.167.6

Series Creator:

Warshaw, Isadore, 1900-1969  Search this

Container:

Box 1, Folder 8

Type:

Archival materials

Series Restrictions:

Collection is open for research. Some items may be restricted due to fragile condition.

Series Rights:

Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.

Series Citation:

Warshaw Collection of Business Americana Subject Categories: Peace, Archives Center, National Museum of American History, Smithsonian Institution

Sponsor:

Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).

See more items in:

Warshaw Collection of Business Americana Subject Categories: Peace

Archival Repository:

Archives Center, National Museum of American History

GUID:

https://n2t.net/ark:/65665/ep8af61ee8e-cce1-4d76-b895-eb28cf58e186

EDAN-URL:

ead_component:sova-nmah-ac-0060-s01-01-peace-ref17

Collection Creator:

White, Charles, 1918-1979  Search this

Container:

Box 4, Folder 64

Type:

Archival materials

Date:

circa 1950s

Collection Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Charles W. White papers, 1933-1987. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Henry Luce Foundation. Funding for the digitization was provided by the Roy Lichtenstein Foundation and the Alice L. Walton Foundation.

See more items in:

Charles W. White papers

Charles W. White papers / Series 3: Writings / 3.1: Writings by White

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw907286b8f-d2ef-46df-b570-09ddba7c56aa

EDAN-URL:

ead_component:sova-aaa-whitchar-ref195

Creator:

Dreier, Dorothea A. (Dorothea Adelheid), 1870-1923  Search this

Subject:

Bartlett, Agnes Willard  Search this

Bartlett, Mary F.  Search this

Bartlett, Maud W.  Search this

Davis, Charles H. (Charles Harold)  Search this

Forbes, Rebecca  Search this

Dreier, Mary E. (Mary Elisabeth)  Search this

Dreier, Katherine Sophie  Search this

Dreier, Ethyl Eyre Valentine  Search this

Robins, Margaret Dreier  Search this

Mahan, Ellen Kuhn  Search this

Gogh, Elisabeth du Quesne van  Search this

Shirlaw, Walter  Search this

Schetter, Charlotte  Search this

Robins, Raymond  Search this

Kuhn, Walt  Search this

Cooperative Mural Workshop  Search this

Women's Trade Union League of America  Search this

Type:

Pamphlets

Sketchbooks

Photographs

Broadsides

Citation:

Dorothea A. Dreier papers, 1881-1941, bulk 1887-1923. Archives of American Art, Smithsonian Institution.

Topic:

Women -- Suffrage  Search this

Suffragists  Search this

Women artists  Search this

Women painters  Search this

Theme:

Sketches & Sketchbooks  Search this

Women  Search this

Lives of artists  Search this

Record number:

(DSI-AAA_CollID)7597

(DSI-AAA_SIRISBib)209759

AAA_collcode_dreidoro

Theme:

Sketches & Sketchbooks

Women

Lives of artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209759

Collector:

Odell, Scott, 1935-  Search this

Names:

Bread and Puppet Theater  Search this

Festival of American Folklife  Search this

Smithsonian Folklife Festival  Search this

Porter, Burt, 1937-  Search this

Former owner:

National Museum of American History (U.S.). Division of Musical History  Search this

Extent:

18 Cubic feet

Type:

Collection descriptions

Archival materials

Field notes

Audiotapes

Posters

Reports

Correspondence

Photographs

Place:

Appalachian Region

North Carolina

Virginia

Vermont

Date:

1964-1977

Summary:

The J. Scott Odell folk music collection (1945-2016, inclusive) contains AV recordings, photographs, correspondence, writings, and other materials relating to Odell's career at the Smithsonian as a musical instrument conservator and researcher of American music traditions. The collection largely consists of materials relating to Odell's research trips (often combined with personal visits) throughout the Eastern United States. Research strengths of the collection include the history of the Appalachian dulcimer and banjo, the Smithsonian Folkways project "Black Banjo Songsters," musician and poet Burt Porter, and the Bread and Puppet Theater.

Scope/Contents note:

The J. Scott Odell Folk Music Collection, which includes materials dating from 1945-2016, documents the research, professional work, and personal relations of J. Scott Odell (b. 1935). Odell worked at the Smithsonian National Museum of American History (NMAH) as a musical instrument conservator and traveled throughout the Eastern United States documenting a variety of musical instruments and traditions. The collection reflects his research trips and other travels; the development of exhibits and performance of music and dance at the Smithsonian; and the relationships Odell developed with the musicians, craftspeople, informants, and other people he worked with throughout his career.

Research strengths of this collection include notes, photographs, and recordings from Odell's fieldwork; extensive documentation of Odell's work on the Smithsonian Folkways project Black Banjo Songsters, in collaboration with folklorist Cecelia Conway; and materials pertaining to the Bread and Puppet Theater (based in Glover, Vermont). Significant places documented include southwest Virginia (Galax), nearby North Carolina (Shelton-Laurel), the surrounding tri-state area, and Vermont (Glover). Significant individuals represented in the collection include Odell, Burt Porter, Ralph Rinzler, and other well-known musicians. The most prominent instrument information in the collection relates to the banjo and the Appalachian dulcimer, although the American fiddle tradition and other instruments are also represented. Materials include photographs (negatives and prints), field notes, trip reports, correspondence, slides, writings, and AV materials. This collection may also be of interest to researchers of AV history and evolution. The wide variety of formats found in the collection maps the development of popular recording media. The collection includes open-reel tapes, Hi-8 tapes, DATs, mini-DV tapes, Betacam and Betacam SP tapes, VHS and SVHS tapes, cassettes, optical discs, mini-discs, and Zip discs.

This collection was initially established in 2008, when it was transferred from Archives Center at the Smithsonian National Museum of American History (NMAH) to the Ralph Rinzler Folklife Archives & Collections (RRFAC), Center for Folklife and Cultural Heritage (CFCH). (NMAH Archives Center had received the collection from the Division of Musical History.) Since 2008, the collection has been significantly expanded, more than doubling in size between 2008 and 2016. (These additional materials can be found in Series 8, Accruals.) With these deposits, the scope of the collection expanded beyond Odell's Appalachian dulcimer research and instrument conservator duties to include his banjo research, travels, relationships with musicians (particularly Burt Porter), and involvement with the Bread and Puppet Theater.

Arrangement note:

The collection is arranged in eight series as follows: (1) Correspondence, 1963-1978; (2) Folk Instruments Research; (3) Collected Publications and Ephemera; (4) Collecting Trips; (5) Publications; (6) Sound Recordings; (7) Oversize Materials; and (8) Accruals. Within each series and subseries, folders are arranged thematically, alphabetically, and/or chronologically.

Series 1-7 reflect the order of the original transfer from the Archives Center, National Museum of American History. Series 8 (Accruals) encompasses several deposits made by Scott Odell of additional materials between 2011 and 2017. Ralph Rinzler Folklife Archives staff, in collaboration with Odell, imposed order upon Series 8.

Researchers should note that, when performing research in Series 8 (Accruals), they might need to consult multiple boxes, even when working within a single subseries where the intellectual arrangement in the finding aid does not always align with the physical arrangement of the materials. This separation between the intellectual and physical arrangement is due in part to the order in which RRFAC received each deposit, the format of the materials (i.e., papers vs. photographs vs. AV items), and earlier digitization efforts.

Biographical/Historical note:

Jay Scott Odell (b. 1935) was born in St. Paul, Minnesota, to Adalberta Lavoie Odell and Jay Geddes Odell. The family moved frequently throughout his childhood, resulting in Odell having lived at fourteen different addresses and attending seven different schools by the time he graduated high school in 1953. When the family settled in Mamaroneck, New York, in 1950, Odell met poet Peter Kane Dufault, and musician and poet Burt Porter, two figures who would go on to strongly influence his personal and professional development. It was on the advice of Dufault, for example, that Odell apprenticed with harpsichord-maker William Dowd after college.

Odell attended Middlebury College where he met his future wife, Dorothy "Dottie" Hiebert. After graduating in 1957, Hiebert moved to France and Odell took a position on the boat of Dutch writer Jan DeHartog before joining Hiebert to travel Europe. By 1959, they had returned to the United States (Boston, Massachusetts) and married. It was at this point in their lives that they became active in the peace movement and the early Folk Revival. Odell's relationship with Burt Porter continued, and he developed contacts with other musicians including Peter and Polly Gott, Tom "Tom Banjo" Azarian, Mike Seeger, and Tracy Schwartz. The Odells also became involved with the Bread and Puppet Theater group, founded by Peter and Elka Schumann, which established its primary location in Glover, Vermont, near Porter's property.

Odell is particularly notable for his work in musical instrument conservation at the Smithsonian Institution and his involvement in the development of the Smithsonian Folklife Festival. In 1963, following his harpsichord apprenticeship with William Dowd, Odell was hired by the Smithsonian as a musical instrument conservator. Under Cynthia Hoover and C. Malcolm Watkins, he established a restoration workshop for musical instruments at the National Museum of History and Technology, now the National Museum of American History. Over the course of his career, Odell served not only as a conservator but also as head of a technical laboratory and, eventually, as the first director of conservation at the National Museum of American History.

Odell was a key figure in the shifting philosophy of the musical instrument department regarding its collections and acquisition practices. With Hoover, Odell helped establish and facilitate a concert series with the mission of "[taking] the instruments out of their cases and [letting] them sing" – a major innovation in museum programming. Odell's commitment to bringing music history and traditions to life manifested in the expansion of the Smithsonian concert series, his relationship with Ralph Rinzler, and his early involvement with the Festival of American Folklife, now the Smithsonian Folklife Festival.

Although his professional training was in working with historical keyboard instruments, Odell's lifelong interest in traditional and regional music had a significant impact on his career. Between 1964 and 1977, when Odell was head of the laboratory at the Smithsonian Institution's Division of Musical Instruments, he undertook a series of collecting trips throughout the Eastern United States to expand the Division's collection of traditional American instruments.

In 1964, Odell and Porter attended the Annual Galax Old Time Fiddlers Convention. Following this initial trip, Hoover and Watkins supported Odell's efforts to, in addition to acquiring objects for the collection, research and record the cultural contexts of those instruments. Over the course of these trips, Odell built personal relationships with many of the musicians and craftspeople with whom he worked, including the Melton-Russell family, Tommy Jarrell, and Fred Cockerham.

Odell retired in 1993, but continued contract work at the Smithsonian. Working for the National Museum of American History, he assisted with the care and description of the Museum's banjo collection, as well as the acquisition of the Grimes and Jeffries dulcimer collection. He has also maintained associations with the Smithsonian Center for Folklife and Cultural Heritage. In 1998, Odell co-produced a record through Smithsonian Folkways with folklorist Cecelia Conway titled "Black Banjo Songsters," which focused on the African American banjo tradition and featured many of the artists with whom Odell had built relationships.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Related Materials note:

Materials relating to Odell's career at the Smithsonian can also be found in the Smithsonian Institution Archives (SIA), particularly in the records of the NMAH Musical History Division.

Materials relating to the Bread and Puppet Theater can also be found in the archives of the Bread and Puppet Theater (via the Internet Archive); the University of Vermont; and the University of California, Davis.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Folk music—United States  Search this

Stringed instruments  Search this

Fiddle  Search this

Mouth bow  Search this

Folk music  Search this

Musicians  Search this

Banjo  Search this

Appalachian dulcimer  Search this

Folklore  Search this

Genre/Form:

Field notes

Audiotapes

Posters

Reports

Correspondence -- 1930-1950

Photographs -- 1960-1980 -- Black-and-white photoprints -- Silver gelatin

Citation:

J. Scott Odell folk music collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

Identifier:

CFCH.ODEL

See more items in:

J. Scott Odell folk music collection

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5e8174ac9-2f64-4526-96d0-228a548d9788

EDAN-URL:

ead_collection:sova-cfch-odel

Photographer:

Davies, Diana, 1938-  Search this

Gahr, David  Search this

Performer:

Bread and Puppet Theater  Search this

Everly Brothers  Search this

New Lost City Ramblers  Search this

Pentangle (Musical group)  Search this

The Pennywhistlers (Musical group)  Search this

The Young Tradition (Musical group)  Search this

Andersen, Eric  Search this

Bikel, Theodore  Search this

Brand, Oscar  Search this

Cameron, John A.  Search this

Chandler, Len  Search this

Collier, Jimmy  Search this

Collins, Judy, 1939-  Search this

Fuller, Jesse  Search this

Gerrard, Alice, 1934-  Search this

Guthrie, Arlo  Search this

Hartford, John  Search this

Hjorth, Ole  Search this

Joplin, Janis  Search this

Kennedy, Norman, 1934-  Search this

Kershaw, Doug  Search this

Killen, Louis  Search this

Kirkpatrick, Frederick Douglass  Search this

Koerner, John  Search this

McGhee, Brownie, 1915-1996  Search this

Mitchell, Joni  Search this

Monroe, Bill, 1911-1996  Search this

Muddy Waters, 1915-1983  Search this

Ochs, Phil  Search this

Perkins, Carl  Search this

Proffitt, Frank, Jr., 1946-2005  Search this

Rachell, Yank  Search this

Raim, Ethel  Search this

Ramsey, Frederic, 1915-1995  Search this

Reagon, Bernice Johnson, 1942-  Search this

Rinzler, Ralph  Search this

Sainte-Marie, Buffy  Search this

Seeger, Mike, 1933-2009  Search this

Stabi, Björn  Search this

Sykes, Roosevelt, 1906-1983  Search this

Taylor, James  Search this

Traum, Artie  Search this

Traum, Happy  Search this

Watson, Doc  Search this

Watson, Merle  Search this

White, Elaine (Vocalist)  Search this

Wiseman, Mac  Search this

Names:

Newport Folk Festival  Search this

Philadelphia Folk Festival  Search this

Asch, Moses  Search this

Chandler, Nancy  Search this

Dunson, Josh, 1941-  Search this

King, Coretta Scott, 1927-2006  Search this

Silber, Irwin, 1925-2010  Search this

Young, Izzy, 1928-2019  Search this

Musician:

Bosco, John  Search this

Extent:

3.83 Cubic feet (8 binders containing contact sheets, slides, and prints; 7 boxes (8.5"x10.75"x2.5") of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints.)

Type:

Collection descriptions

Archival materials

Contact sheets

Slides (photographs)

Black-and-white negatives

Photographic prints

Place:

New York (N.Y.)

Saint Simons Island (Ga. : Island)

Date:

1963-2009

Summary:

The Diana Davies photographs consist of images taken by Diana Davies at various stages of her career. Locations include the Festival of American Folklife, the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's Campaign, various peace and protest marches and outdoor performances, New York City, and the Georgia Sea Islands. The collection includes contact sheets, negatives, photographic prints, and slides. Original photographs, negatives, and color slides taken by Diana Davies. Materials date from 1963-2009. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987.

Scope and Contents:

The Diana Davies photographs, 1963-2009, consist of black and white negatives, contact sheets and prints, as well as color slides and negatives. The bulk of materials depict major festivals and protest movements (including the Poor People's March of 1968) documented by Diana Davies (located in Series 1: Newport Folk Festival, Series 2: Philadelphia Folk Festival, Series 6: Festival of American Folklife, and Series 11: Social Justice). Also well-represented are non-festival performances (in locations such as clubs, concert halls, and homes), recording sessions, and other music-related images, mainly of notable figures in the American folk music revival (located in Series 3: Broadside Magazine, Series 4: Sing Out! Magazine Concerts, Series 5: Miscellaneous Concerts and People, Series 7: Recording Sessions, Series 8: Instruction Book Shots, and Series 9: Jazz, Blues, and Salsa Musicians). Series 10: Georgia Sea Islands consists of photographs depicting the culture, environment, and daily life of these coastal islands in 1966. Series 12: New York City Scenes contains photographs taken on the street depicting everyday life in NYC in the 1960s and 1970s. The collection also contains related papers in Series 13: Miscellaneous Papers and Correspondence.

Arrangement note:

Each item in the Diana Davies Photographs has been assigned an accession number, and like materials have been put together such as the Newport Folk Festival photographs, in a chronological sequence as much as possible. Materials in the three more recent donation batches (1998, 2004, and 2006) were numbered and integrated into the collection. In some series, the accession numbers are in numerical order, and in others, the numbers are random because like items with different number sequences were pulled together in a series for subject coherence. The best way to find occurrences of a particular subject is to use the ctrl+F function. Please consult the archivists if you have any questions about the collection contents.

Contact sheets, slides, and prints arranged in 8 binders; negatives and oversize prints are stored separately.

Arranged in 14 series:

Missing Title

Series 1: Newport Folk Festival

Series 2: Philadelphia Folk Festival

Series 3: Broadside Magazine

Series 4: -- Sing Out! -- Magazine Concerts

Series 5: Miscellaneous Concerts and People

Series 6: Festival of American Folklife

Series 7: Recording Sessions

Series 8: Instruction Book Shots

Series 9: Jazz, Blues, and Salsa Musicians

Series 10: Georgia Sea Islands

Series 11: Social Justice

Series 12: New York City Scenes

Series 13: Miscellaneous Papers and Correspondence

Series 14: Oversize Materials

Biographical/Historical note:

Diana Davies is a well-known photographer of folk performers and festivals. Davies photographed the Smithsonian Folklife Festival in its earlier years. Born in 1938, Davies grew up in Maine, the Catskills, New York City, and Boston. Her grandparents were local union organizers and Debs socialists; one grandfather was a gandy dancer with the railroad, and her grandmother was a textile worker in Massachusetts, New York, and Pennsylvania. Davies finds that her family background was later expressed in her own activist efforts.

Davies left high school at 16, and worked sweeping out coffeehouses, which gave her the opportunity to listen to music while she worked. She became interested in theater and music. In Greenwich Village, she began doing some sound technician work, and then got interested in photography. She taught herself how to develop and print photographs in a darkroom, and began photographing in theaters, shooting from behind the scenes. Her theater photos are at Smith College in Northampton, where she presently lives. In the early 1960s, she began working with the editors of Broadside Magazine, Sis Cunningham and Gordon Friesen. She developed an interest in human rights work, which grew from her contact with Sis and Gordon, and also her own family background. She also worked as a photographer in a wide range of settings, including night clubs, weddings, and doing portrait photography. This led her to work for major national and international media including the New York Times, covering such events as the war in Biafra, and traveling to Mexico, Cuba, and Portugal on assignment.

Davies' folk photographs represent about one-quarter of her body of work; her other major photographic work includes the Civil Rights Movement, the Peace Movement, and theater. Davies began photographing at the Newport Folk Festival in 1964, which she covered for a number of years. She knew Ralph Rinzler, and found him a vibrant, alive person excited by all aspects of culture. He introduced her to Bessie Jones from the Georgia Sea Islands, and in 1966 she made a photographic journey to the islands. Her work from this trip is included in the collection. Davies has also been a musician. She became involved with the punk rock movement of the 1970s, and felt that there was a connection between the hard-hitting songs from the punk world and the songs being published in Broadside Magazine. In 1975, she became part of a folk/punk women's band in Boston, and later moved to Western Massachusetts. In addition to being a photographer and musician, Davies is also a writer. She wrote a play entitled "The Witch Papers" in 1980, which was produced in Boston and other locations. The play was a vehicle for her human rights activism, comparing the technology of inquisition with labor sweatshops. In 1998, her play "The War Machine" was produced in Amherst, Mass. She lives in Northampton, and enjoys and participates in street performance, which she describes as the "most essentially communicative stuff you can come up with."

General note:

All contact sheets from the collection are digitized and accessible through this finding aid. Series-level slideshows accessible through this finding aid represent a small sampling from the collection.

Shared Stewardship of Collections:

The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.

Provenance:

The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives and Collections. These two more recent donations of additional photographs (contact sheets, prints, and slides) consisted of documentation of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the provison that her work be credited in any use.

Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Topic:

Peace movements  Search this

March on Washington for Jobs and Freedom, Washington, D.C., 1963  Search this

Civil rights -- United States  Search this

Genre/Form:

Contact sheets

Slides (photographs)

Black-and-white negatives

Photographic prints

Citation:

Diana J. Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

or

Photo by Diana J. Davies. Ralph Rinzler Folklife Archives and COllections, Smithsonian Institution.

Identifier:

CFCH.DAVIE

See more items in:

Diana Davies photographs

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk59fa9fef6-8287-4b3c-8f47-119c519dd318

EDAN-URL:

ead_collection:sova-cfch-davie

Collection Photographer:

Davies, Diana, 1938-  Search this

Extent:

1 Photographic print (copy 2, black and white)

Type:

Archival materials

Photographic prints

Date:

1965

Collection Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Collection Citation:

Diana J. Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

or

Photo by Diana J. Davies. Ralph Rinzler Folklife Archives and COllections, Smithsonian Institution.

Identifier:

CFCH.DAVIE, File FP-DAVI-BWPR-0428A-29-C2

See more items in:

Diana Davies photographs

Diana Davies photographs / Series 11: Social Justice: Peace Movement, Civil Rights Movement, Poor People's March, United Farm Workers, Women's Rights

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5ada4ae6f-4fab-47db-937d-bb059ea53dc7

EDAN-URL:

ead_component:sova-cfch-davie-ref1000

Collection Photographer:

Davies, Diana, 1938-  Search this

Extent:

1 Photographic print (black and white)

Type:

Archival materials

Photographic prints

Date:

1965

Collection Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Collection Citation:

Diana J. Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

or

Photo by Diana J. Davies. Ralph Rinzler Folklife Archives and COllections, Smithsonian Institution.

Identifier:

CFCH.DAVIE, File FP-DAVI-BWPR-0428A-22

See more items in:

Diana Davies photographs

Diana Davies photographs / Series 11: Social Justice: Peace Movement, Civil Rights Movement, Poor People's March, United Farm Workers, Women's Rights

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5e2f3e1d7-2bf6-43e5-8660-322933c78e76

EDAN-URL:

ead_component:sova-cfch-davie-ref1001

Collection Photographer:

Davies, Diana, 1938-  Search this

Extent:

1 Photographic print (copy 1, black and white)

Type:

Archival materials

Photographic prints

Date:

1965

Collection Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Collection Citation:

Diana J. Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

or

Photo by Diana J. Davies. Ralph Rinzler Folklife Archives and COllections, Smithsonian Institution.

Identifier:

CFCH.DAVIE, File FP-DAVI-BWPR-0428A-35-C1

See more items in:

Diana Davies photographs

Diana Davies photographs / Series 11: Social Justice: Peace Movement, Civil Rights Movement, Poor People's March, United Farm Workers, Women's Rights

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk58a60dbfe-2443-4224-865c-3db399ce5a56

EDAN-URL:

ead_component:sova-cfch-davie-ref1002

Collection Photographer:

Davies, Diana, 1938-  Search this

Extent:

1 Photographic print (copy 2, black and white)

Type:

Archival materials

Photographic prints

Date:

1965

Collection Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Collection Citation:

Diana J. Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

or

Photo by Diana J. Davies. Ralph Rinzler Folklife Archives and COllections, Smithsonian Institution.

Identifier:

CFCH.DAVIE, File FP-DAVI-BWPR-0428A-35-C2

See more items in:

Diana Davies photographs

Diana Davies photographs / Series 11: Social Justice: Peace Movement, Civil Rights Movement, Poor People's March, United Farm Workers, Women's Rights

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5dab1d62d-6bfc-4565-9b3a-9bc6548e25b7

EDAN-URL:

ead_component:sova-cfch-davie-ref1003

Collection Photographer:

Davies, Diana, 1938-  Search this

Extent:

1 Photocopy (copy 3, black and white)

Type:

Archival materials

Photocopies

Date:

1965

Collection Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Collection Citation:

Diana J. Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

or

Photo by Diana J. Davies. Ralph Rinzler Folklife Archives and COllections, Smithsonian Institution.

Identifier:

CFCH.DAVIE, File FP-DAVI-BWPR-0428A-35-C3

See more items in:

Diana Davies photographs

Diana Davies photographs / Series 11: Social Justice: Peace Movement, Civil Rights Movement, Poor People's March, United Farm Workers, Women's Rights

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5f9b7ec25-c581-4ca8-a94d-0ad2805a0989

EDAN-URL:

ead_component:sova-cfch-davie-ref1004

Collection Photographer:

Davies, Diana, 1938-  Search this

Extent:

1 Folder (1 sheet: photographic negatives, black and white, 35 mm)

1 Contact sheet (black and white)

Type:

Archival materials

Contact sheets

Date:

1965

Collection Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Collection Citation:

Diana J. Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

or

Photo by Diana J. Davies. Ralph Rinzler Folklife Archives and COllections, Smithsonian Institution.

Identifier:

CFCH.DAVIE, File FP-DAVI-BWNE-0428B

See more items in:

Diana Davies photographs

Diana Davies photographs / Series 11: Social Justice: Peace Movement, Civil Rights Movement, Poor People's March, United Farm Workers, Women's Rights

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk5b2355c72-730b-477a-81b6-e91e2e08f1e2

EDAN-URL:

ead_component:sova-cfch-davie-ref1005

Collection Photographer:

Davies, Diana, 1938-  Search this

Extent:

1 Photographic print (black and white)

Type:

Archival materials

Photographic prints

Date:

1965

Collection Restrictions:

Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.

Collection Rights:

Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.

Collection Citation:

Diana J. Davies photographs, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.

or

Photo by Diana J. Davies. Ralph Rinzler Folklife Archives and COllections, Smithsonian Institution.

Identifier:

CFCH.DAVIE, File FP-DAVI-BWPR-0428B-12A

See more items in:

Diana Davies photographs

Diana Davies photographs / Series 11: Social Justice: Peace Movement, Civil Rights Movement, Poor People's March, United Farm Workers, Women's Rights

Archival Repository:

Ralph Rinzler Folklife Archives and Collections

GUID:

https://n2t.net/ark:/65665/bk538f49c6e-c9a6-4955-b7ab-a69d2218c30c

EDAN-URL:

ead_component:sova-cfch-davie-ref1006