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Park Place, The Gallery of Art Research, Inc., and Paula Cooper Gallery records, 1961-2006

Creator:
Park Place Gallery Art Research, Inc  Search this
Subject:
Cooper, Paula  Search this
Grosvenor, Robert  Search this
Forakis, Peter  Search this
Valledor, Leo  Search this
Novros, David  Search this
Magar, Anthony  Search this
Di Suvero, Mark  Search this
Campus, Peter  Search this
Fleming, Dean  Search this
Smith, Tony  Search this
Ruda, Ed  Search this
Myers, Forrest Warden  Search this
Melcher, Tamara  Search this
Shields, Alan  Search this
Murray, Elizabeth  Search this
Bartlett, Jennifer  Search this
Thompson, Bob (Robert Louis)  Search this
Leonard, Zoe  Search this
Park Place Gallery Art Research, Inc  Search this
Paula Cooper Gallery  Search this
Paula Johnson Gallery  Search this
Type:
Interviews
Record number:
(DSI-AAA_CollID)13392
(DSI-AAA_SIRISBib)264503
AAA_collcode_parkplag
Theme:
Art Movements and Schools
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_264503
Online Media:

Walnut Tree Orchard: Set 13

Artist:
Charles Gaines, American, b. Charleston, South Carolina, 1944  Search this
Medium:
Black and white photograph and ink on paper
Dimensions:
unframed: 23 × 29 in. (58.4 × 73.7 cm) each framed: 31 3/4 × 25 1/2 × 1 1/2 in. (80.6 × 64.8 × 3.8 cm) each
Type:
Drawing
Date:
1975-2014
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2015
Accession Number:
15.12
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py245efc975-70d5-402f-8971-6217527b4815
EDAN-URL:
edanmdm:hmsg_15.12

Walnut Tree Orchard: Set 14

Artist:
Charles Gaines, American, b. Charleston, South Carolina, 1944  Search this
Medium:
Black and white photograph and ink on paper
Dimensions:
unframed: 23 × 29 in. (58.4 × 73.7 cm) each framed: 31 3/4 × 25 1/2 × 1 1/2 in. (80.6 × 64.8 × 3.8 cm) each
Type:
Drawing
Date:
1975-2014
Credit Line:
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC, Joseph H. Hirshhorn Purchase Fund, 2015
Accession Number:
15.13
See more items in:
Hirshhorn Museum and Sculpture Garden Collection
Data Source:
Hirshhorn Museum and Sculpture Garden
GUID:
http://n2t.net/ark:/65665/py203021b2e-78ca-43cf-bbed-038223c83a37
EDAN-URL:
edanmdm:hmsg_15.13

Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records

Creator:
Park Place, The Gallery of Art Research, Inc. and Paula Cooper Gallery  Search this
Names:
Park Place Gallery Art Research, Inc.  Search this
Paula Cooper Gallery  Search this
Paula Johnson Gallery  Search this
Bartlett, Jennifer, 1941-  Search this
Campus, Peter, 1937-  Search this
Cooper, Paula, 1938-  Search this
Di Suvero, Mark, 1933-  Search this
Fleming, Dean  Search this
Forakis, Peter  Search this
Grosvenor, Robert, 1937-  Search this
Leonard, Zoe  Search this
Magar, Anthony, 1936-  Search this
Melcher, Tamara  Search this
Murray, Elizabeth, 1940-  Search this
Myers, Forrest Warden, 1941-  Search this
Novros, David, 1941-  Search this
Ruda, Edwin  Search this
Shields, Alan, 1944-  Search this
Smith, Tony, 1912-1980  Search this
Thompson, Bob, 1937-1966  Search this
Valledor, Leo  Search this
Extent:
50 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Transcripts
Photographs
Date:
1961-2006
Summary:
The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 50 linear feet and 0.001 GB and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed and digital materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.
Scope and Content Note:
The records of the New York artist-cooperative Park Place, The Gallery of Art Research, Inc. and the Soho contemporary art gallery Paula Cooper Gallery measure 50 linear feet and 0.001 GB and date from 1961 to 2006. The collection documents the founding of the Park Place Gallery and its artists through correspondence, artists' files, photographic materials, financial records, printed and digital materials, and scattered business records. The bulk of the collection is Paula Cooper Gallery records; nearly two-thirds of which are artists' files containing a variety of materials such as correspondence, printed materials, and photographic materials. Also found is additional business correspondence, business records, financial records, and printed materials for Paula Cooper Gallery, as well as a handful of records from Paula Johnson Gallery.

The collection is divided in three series, one series for each gallery represented in this collection. The records in each series are not comprehensive and do not represent the full scope of operations at each gallery. Due to the original arrangement of materials, some records related to Park Place Gallery are found in Series 3, and scattered records related to Paula Cooper Gallery are found in Series 2. Researchers are encouraged to reference both series.

Series 1, Paula Johnson Gallery records, contains six folders and includes an artist file for Bob Thompson; two ledger pages of accounts receivables; scattered exhibition announcements and flyers; two photographs of artwork by Vernon Lobb; tax records, and a handful of legal organizational records.

Park Place, The Gallery of Art Research, Inc. records are filed in Series 2 and is arranged in five subseries: correspondence, business files, artists' files, financial records, and printed materials. The correspondence is between gallery employees and clients, museums, and other galleries regarding artwork inquiries, sales and exhibitions. Business files are limited in scope and include documents related to the founding of the gallery, a guest book, and one folder of legal and financial records. Artists' Files for eight of the ten Park Place Gallery artists are found: Dean Fleming, Peter Forakis, Tony Magar, Tamara Melcher, Forrest Myers, David Novros, Edwin Ruda, and Leo Valledor. Not present in this collection are files for Mark di Suvero and Robert Grosvenor. Artists' Files contain a variety of materials including artists' statements, bibliographies, biographies, correspondence, exhibition flyers, interview transcripts, clippings and other printed materials, and photographic materials. Financial Records include check ledgers, a general ledger, paid bill receipts, sales invoices, tax forms, and other miscellaneous financial and banking records. Printed Materials include newspaper clippings, gallery announcements, an interview transcript, a handwritten gallery floor plan, and a poster for the 1964 Park Place Invitational Show drawn by Mark di Suvero with artists' names handwritten by Robert Grosvenor.

The bulk of the collection is the records of Paula Cooper Gallery, Series 3. This series contains similar materials as Series 2 and is arranged in the same five subseries. Correspondence includes responses to appraisal requests (1968-1997) and copies of outgoing gallery correspondence from 1985-1999. Business Files contain documentation related to advertising and renovations to the gallery, as well as an artwork inventory book from the early years of the gallery's operation. The bulk of this series is comprised of Artists' Files which contain varied materials such as correspondence with artists, museums, and galleries regarding installations, artwork fabrication, and other business; biographies and bibliographies; exhibition files; printed materials; and photographic materials of artwork and installations. There is considerable documentation for artists Jennifer Bartlett, Peter Campus, Zoe Leonard, Elizabeth Murray, Alan Shields and the estate of Tony Smith. Sales invoices, consignment records, payment ledgers, cancelled checks and other financial materials are found in Financial Records. Printed Materials are comprised of some newspaper and magazine clippings, an interview transcript, and a copy of a manuscript.
Arrangement:
The collection is arranged as 3 series:

Series 1: Paula Johnson Gallery, 1963-1967 (Box 1; 6 folders)

Series 2: Park Place, The Gallery of Art Research, Inc., 1961-1973, 1989 (Boxes 1-4, 50-51, OV 52; 4.1 linear feet)

Series 3: Paula Cooper Gallery, 1962-2006 (Boxes 4-49, 51; 45.7 linear feet, ER01; 0.001 GB)
Historical Note:
The artists' cooperative Park Place, The Gallery of Art Research, Inc. opened in November 1965 at 542 West Broadway, showing the work of ten young contemporary artists. The cooperative did not represent an art movement, but frequently exhibited large-scale, non-figurative, geometric paintings and sculptures.

Many of the gallery's artists had attended art school in California and shared similar ideas about art, community, and collaboration. Since 1962, they had been informally exhibiting together at 79 Park Place and other various New York City locations under the name Park Place Gallery. With the successes of their informal exhibitions, and the loss of their lease at 79 Park Place, the group formalized their cooperative under the umbrella non-profit, Art Research, Inc. in 1965.

The cooperative was comprised of five sculptors, five painters, and five collectors. Members included sculptors Mark di Suvero, Peter Forakis, Robert Grosvenor, Tony Magar, and Forrest Myers; painters Dean Fleming, Tamara Melcher, David Novros, Edwin Ruda, and Leo Valledor; and collectors Virginia Dwan, Allen and Betty Guiberson, J. Patrick Lannan, Vera List, and John and Lupe Murchison. The collectors each donated an artwork by one of the artists for sale in the gallery, as well as financed the gallery's annual operating budget. As compensation, each collector was given one major work of art by each artist every year.

Paula Cooper (nee. Johnson) joined Park Place Gallery in 1966 and she became director in late 1966-early 1967. Previously, from 1964-1966, she ran Paula Johnson Gallery, showing artwork by Bob Thompson and other young artists.

Park Place, The Gallery of Art Research, Inc. had its first group show in February 1966. In addition to showing art, the gallery occasionally held jazz sessions and other art-related gatherings. The gallery physically closed at the end of July 1967. However, Paula Cooper continued managing the sale of artwork and organized exhibitions at various locations. The final exhibition of Park Place Gallery artists was held at M.I.T. in late spring of 1968.

Paula Cooper opened Paula Cooper Gallery in Soho at 96 Prince Street in 1968. Her gallery is often credited as being the first gallery in Soho and thus paved the way for the migration of uptown galleries to the neighborhood. From the beginning, the gallery showed primarily conceptual and minimalist art and she continued representing some of the Park Place artists. Artists represented by Paula Cooper Gallery and found in this collection include Jennifer Bartlett, Dara Birnbaum, Peter Campus, Michael Hurson, Zoe Leonard, Robert Mangold, Elizabeth Murray, Cady Noland, Adrian Piper, Ulrich Rückriem, Edwin Ruda, Alan Shields, the estate of Tony Smith, Joseph White, Chris Wilmarth, Kes Zapkus, and many others. The gallery continues to operate in Chelsea on West 21st Street.

Sources consulted include "Reimaging Space: the Park Place Gallery Group in 1960s New York" by Linda Dalrymple Henderson, published by Blanton Museum of Art, 2008; and, "Art and Space: Park Place and the beginning of the Paula Cooper Gallery," by Liza Kirwin, 2007 (http://www.aaa.si.edu/exhibitions/paula-cooper).
Related Material:
Related collections found among the holdings of the Archives of America include a sound recording of a lecture given by Paula Cooper (Museum of Fine Arts, Boston sound recordings, May 18, 1983-February 8, 1984); audio tapes which include Paula Cooper (Bruce D. Kurtz video and audio recordings and papers, 1966-1995); and two silent 16mm films by Kenny Schneider (Park Place Gallery artists films, 1967.)
Provenance:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records were donated by Paula Cooper, director of the galleries, in two accessions in 2006 and 2009.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records are owned by the Archives of American Art, Smithsonian Institution. They may be used for research, study, and scholarship. Authorization to quote, publish or reproduce requires written permission from Paula Cooper, 534 West 21st Street, New York, NY 10011.
Topic:
Art galleries, Commercial  Search this
Genre/Form:
Interviews
Transcripts
Photographs
Citation:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records, 1961-2006. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.parkplag
See more items in:
Park Place, The Gallery of Art Research, Inc. records and Paula Cooper Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-parkplag

Oral history interview with Joel Shapiro, 1988 July 15-December 14

Interviewee:
Shapiro, Joel, 1941-  Search this
Interviewer:
Kachur, Lewis  Search this
Subject:
New York University  Search this
Paula Cooper Gallery  Search this
Type:
Sound recordings
Interviews
Topic:
Sculptors  Search this
Art, Modern  Search this
Record number:
(DSI-AAA_CollID)11748
(DSI-AAA_SIRISBib)215736
AAA_collcode_shapir88
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215736
Online Media:

Oral history interview with Robert Trotman, 2005 September 14

Interviewee:
Trotman, Bob, 1947-  Search this
Interviewer:
Hanzal, Carla  Search this
Subject:
Penland School of Handicrafts  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Topic:
Wood-carving  Search this
Decorative arts  Search this
Art commissions  Search this
Art galleries, Commercial  Search this
Record number:
(DSI-AAA_CollID)12042
(DSI-AAA_SIRISBib)255295
AAA_collcode_trotma05
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_255295
Online Media:

Oral history interview with Hans Haacke, 2009 Aug. 20-21

Interviewee:
Haacke, Hans, 1936-  Search this
Interviewer:
Richards, Judith Olch, 1947-  Search this
Type:
Sound recordings
Interviews
Record number:
(DSI-AAA_CollID)15712
(DSI-AAA_SIRISBib)283572
AAA_collcode_haacke09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_283572

Robert Kushner papers, 1967-2011

Creator:
Kushner, Robert, 1949-  Search this
Subject:
Goldin, Amy  Search this
Paula Cooper Gallery  Search this
Holly Solomon Gallery  Search this
Type:
Sound recordings
Video recordings
Topic:
Installations (Art)  Search this
Painters  Search this
Performance artists  Search this
Record number:
(DSI-AAA_CollID)16135
(DSI-AAA_SIRISBib)363702
AAA_collcode_kushrobe
Theme:
Audio - Visual
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_363702
Online Media:

Lender - Paula Cooper Gallery - Serrano pieces (L.2006-59) (includes electronic records)

Collection Creator::
National Portrait Gallery. Department of Exhibitions and Collections Management  Search this
Container:
Box 4 of 26
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2033. Boxes 1, 3-5, 7-9, 12- 15, 20-23 contains materials restricted indefinitely; see finding aid; Transferring office; 12/31/08 memorandum, Toda to Kelly; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 19-102, National Portrait Gallery. Department of Exhibitions and Collections Management, Exhibition Records
See more items in:
Exhibition Records
Exhibition Records / Box 4
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa19-102-refidd1e3037

Robert Kushner papers

Creator:
Kushner, Robert, 1949-  Search this
Names:
98 Green St. Loft  Search this
Clocktower Gallery  Search this
Kitchen, The  Search this
Paula Cooper Gallery  Search this
St. Mark's Church in-the-Bowery (New York, N.Y.)  Search this
Goldin, Amy  Search this
Solomon, Holly  Search this
Extent:
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Video recordings
Place:
SoHo (New York, N.Y.)
Date:
1967-2011
Summary:
The papers of the artist Robert Kushner measure 4.6 linear feet and date from 1967 to 2011. The collection documents primarily the early career of Robert Kushner through performance videos and other media artworks, correspondence, notes, lab records, inventories, an exhibition proposal, and subject files regarding critic Amy Goldin.
Scope and Contents:
The papers of the artist Robert Kushner measure 4.6 linear feet and date from 1967 to 2011. The collection documents primarily the early career of Robert Kushner through performance videos, other media artworks, correspondence, notes, lab records, inventories, an exhibition proposal, and subject files regarding critic Amy Goldin.

Performances and artworks comprise the bulk of the collection and include video recordings, sound recordings, and motion picture films documenting works by Robert Kushner created between circa 1967 and 1982. Most of the video footage documents live performances of Kushner's pageants and fashion shows that took place between 1972 and 1981, primarily in art spaces in the SOHO district of New York City. In addition to live performance documentation, videos and films include four moving image artworks, recorded music used in performances, and publicity including a television news magazine segment featuring Kushner and his edible costumes. Paper documentation of Kushner's video recordings includes correspondence, notes, lab records, performance programs, edit worksheets, and inventories of Kushner's performance videos. An exhibition file contains documentation of the development of a proposed exhibition from 1999-2000 entitled "Pret-a-porter: Robert Kushner, performance and fashion, 1970-1980."

Subject files compiled by Robert Kushner regarding critic Amy Goldin (1926-1978), Kushner's former teacher and close friend, contain mainly photocopies and a few original documents. Included are published and unpublished writings, letters to and from Goldin, photographs, and biographical material. A small amount of original primary sources related to Goldin are also found.
Arrangement:
Collection is arranged in 3 series:

Series 1: Performances and Artwork, 1967-1988 (Boxes 1-4, FC 6-7; 3.7 linear feet)

Series 2: Video Documentation and Exhibition Proposal, 1988-2002 (Box 4; 0.2 linear feet)

Series 3: Research Material on Amy Goldin, 1971-2011 (Boxes 4-5; 0.7 linear feet)
Biographical / Historical:
Robert Kushner (1949- ) is a New York, N.Y.-based painter of the Pattern and Decoration movement and an installation artist who began his career as a performance artist.

Kushner was born in Pasadena, California in 1949 and studied visual arts at the University of California at San Diego, La Jolla in the late 1960s and early 1970s. Kushner met and worked closely with the critic Amy Goldin at UCSD, and his work was strongly influenced by her scholarship and thinking about non-Western visual cultures, particularly regarding Islamic decorative art.

Kushner began his work with fashion, costume, and performance in the early 1970s in New York City. He performed and exhibited in the many SOHO art spaces that emerged at that time supporting avant garde and experimental art, such as the 98 Greene Street Loft, the Kitchen, The Clocktower, St. Mark's Church, and Paula Cooper Gallery. The work evolved from the creation of soft sculptures using found materials, to the creation of costumes and fashion "lines" with nontraditional materials, including fresh food, which he presented in the performance genres of pageants and fashion shows, using models to exhibit his works before live audiences. In 1973, art dealer Holly Solomon became a champion of his work. He was a founding member of the Pattern and Decoration movement beginning in the mid-1970s, and his performance, costume, and paintings are strongly associated with that movement.

Kushner has exhibited his work widely, with major exhibitions at the Whitney Museum of American Art, the Brooklyn Museum of Art, and the Philadelphia Institute of Contemporary Art. Kushner's work is included in the permanent collections of the Brooklyn Museum, the Metropolitan Museum of Art, the Museum of Modern Art, the Philadelphia Museum of Art, the San Francisco Museum of Modern Art, the Whitney Museum of American Art, and the National Gallery of Art, among many others. He is represented in New York by the DC Moore Gallery.
Provenance:
Donated 2013 by Robert Kushner.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Topic:
Painters -- New York (State) -- New York  Search this
Performance artists -- New York (State) -- New York  Search this
Pattern painting  Search this
Genre/Form:
Sound recordings
Video recordings
Citation:
Robert Kushner papers, 1967-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kushrobe
See more items in:
Robert Kushner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kushrobe

Shields, Alan: Paula Cooper Gallery, 1978 May

Collection Creator:
André Emmerich Gallery  Search this
Container:
Box 226, Folder 55
Type:
Archival materials
Date:
1978
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.
Collection Rights:
The André Emmerich Gallery records and André Emmerich papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.
See more items in:
André Emmerich Gallery records
André Emmerich Gallery records / Series 16: Photographic Materials / 16.3: Installations
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-andremmg-ref8015

Leo Valledor with his painting Echo (for John Coltrane)

Subject:
Valledor, Leo  Search this
Type:
Photographs
Date:
1967
Topic:
Artists at or with their work  Search this
Record number:
(DSI-AAA)14262
See more items in:
Park Place, The Gallery of Art Research, Inc., and Paula Cooper Gallery records, 1961-2006
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_14262
Online Media:

Mark di Suvero, BLT, 1966

Type:
Photographs
Date:
1966
Record number:
(DSI-AAA)17246
See more items in:
Park Place, The Gallery of Art Research, Inc., and Paula Cooper Gallery records, 1961-2006
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17246
Online Media:

Mark di Suvero, Washington's Boing, 1965

Type:
Photographs
Date:
1966
Record number:
(DSI-AAA)17247
See more items in:
Park Place, The Gallery of Art Research, Inc., and Paula Cooper Gallery records, 1961-2006
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17247
Online Media:

Mark di Suvero, The A Train, 1965

Photographer:
Schiff, John D.  Search this
Type:
Photographs
Date:
1966
Record number:
(DSI-AAA)17248
See more items in:
Park Place, The Gallery of Art Research, Inc., and Paula Cooper Gallery records, 1961-2006
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17248
Online Media:

Mark di Suvero, The A Train, 1965 (outdoors)

Type:
Photographs
Date:
1966
Record number:
(DSI-AAA)17249
See more items in:
Park Place, The Gallery of Art Research, Inc., and Paula Cooper Gallery records, 1961-2006
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17249
Online Media:

Mark di Suvero, large wooden sculpture

Type:
Photographs
Date:
circa 1965
Record number:
(DSI-AAA)17250
See more items in:
Park Place, The Gallery of Art Research, Inc., and Paula Cooper Gallery records, 1961-2006
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17250

Mark di Suvero, Nova Albion

Type:
Photographs
Date:
1964-65
Record number:
(DSI-AAA)17251
See more items in:
Park Place, The Gallery of Art Research, Inc., and Paula Cooper Gallery records, 1961-2006
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17251
Online Media:

Mark di Suvero, Stuyvesant's Eye

Type:
Photographs
Date:
1965
Record number:
(DSI-AAA)17252
See more items in:
Park Place, The Gallery of Art Research, Inc., and Paula Cooper Gallery records, 1961-2006
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17252
Online Media:

Mark di Suvero, New York Dawn

Photographer:
Schiff, John D.  Search this
Type:
Photographs
Date:
1965
Record number:
(DSI-AAA)17253
See more items in:
Park Place, The Gallery of Art Research, Inc., and Paula Cooper Gallery records, 1961-2006
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_17253
Online Media:

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